Faces of Oneness for baritone, flute, bass clarinet, violin and percussion (2013)

Page 1

Gabriel Mトネトハcioiu

for baritone, flute, bass clarinet, violin and percussion


This score is protected by S.A.C.E.M. and U.C.M.R.-A.D.A. Before any public performance a declaration must be sent to your national author’s society.

© Gabriel Mãlãncioiu www.gabrielmalancioiu.org


written for the Krefeld New Music Days

I O virtus sapientiae

Text by Hildegard von Bingen

Violin

Bass Clarinet

  

 

q=50

 

9

Bar.



   

 

ppp

   

 

 

 

3



 



ppp

very light bow pressure molto sul tasto bow gliss. towards left hand fingers

mf

pp

    

f

Gabriel Mălăncioiu 2013

 

  

 

 

5

 

pp

        



ff

 

p

 

 

Recite as a monk Laus tibi sit, sicut te decet, o sapientiae

pp quasi mormorando ord. non vibr.

Vln.

  

harsh multiphonics

B. Cl.

 

ff

scratch tone apply very hard pressure to the bow ord.

mf

p

scratch tone

highest pitch possible

p

 

ff

ord.

f

p

scratch tone

ord.

ff




2 14

Bar.



 

p with purity

O

    

 

 

 

 

 

 

vir - tus sa - pi - en - ti - ae

  

3

   

 

quae cir - cu - i - ens cir - cu - is -

bow position about an octave above the stopped pitch

Vln.

B. Cl.

timbral variations reinforced harmonics

p

  

 

 

  pp

ord.

 





soft multiphonics

 

 

 timbral variations reinforced harmonics

21

Bar.



 

 ti

STEEL mute

Vln.

B. Cl.

                                                                pp improvvisando                       mp

p

mp


mf 23

  Bar. 

3

  

 

   

 

com -pre -hen - den - do om -ni

Vln.

B. Cl.

 

                              

 30

Bar.



tam

 

B. Cl.

pp

 

a

      

in

u - na vi - a

quae

   ha -bet vi -

timbral variations reinforced harmonics

 

  pp

 

3

mf

 

very light bow pressure molto sul tasto bow gliss. towards left hand fingers

without mute

timbral variations vowel change

 

bow position about an octave above the stopped pitch

Vln.

-

p

f

p

 

ord.

 

 



 



       ppp

           3

mf

pp

      



  

            3

f

pp



 

  

ff

3


q=70 poco a poco rall.         

4 p

39

ppp

  Bar.      

ff

 

tres a-las ha -bens

 

Vln.

B. Cl.

 

             

p

ppp

   

q=50   

        Bar. 

Vln.

   



-

-

       





    

 

p

             non dim.

              



   

ff

 

---------------------------

 



     

ppp

ter - ti - a un -di -que vo

qua -rum una in al -tum vo -lat

ff harsh multiphonics

45

B. Cl.

ord. non vibr.

-----------------------------------------

et al - te -ra de ter -ra sud -at

 

 



   

f

   

STEEL mute

                                    

ppp



ppp

pp improvvisando





       3

mf

                                   

   

 

                                   

f

 

        ff

   

       

 

pp

5

 

              



51

B. Cl.

et

lat

  Vln. 

 pp

 


55

 Bar.

 

 

 

reinforced harmonics pp with purity

    

O

vir -tus sa -pi -en - ti - ae

 

5

   quae

Recite as a monk Laus tibi sit, sicut te decet, o sapientiae

pp quasi mormorando

ord. non vibr.

Vln.

without mute

B. Cl.

harsh highest pitch multiphonics possible

 64

 Bar.

 

 

f



   3      

 B. Cl.

 

    

 

 

  

ppp

 

soft multiphonics

 

  

   

cir - cu -i -ens cir - cu -is - ti

Vln.

 

3

ppp

   

  

 

 

 

  

   







 

in

  

           

com -pre -hen - den - do om -ni - a

 



 

 

u -na vi - a quae ha -bet vi -tam

 

 


II Gayatri Mantra

6

Ancient sanscrit text

q=40

Flute

 

 diffuse tone quality  -- breathy, normal soft multiphonics

 

 

In Ex In

microtones

 



p

mf

mp

 

In - audible ingrasive sound Ex - audible exgrasive sound

  

 

 

 



  

timbral trill

{ 11 22 



mp

pp

4/2 3 4 4/2 3

 

 

9

 Bar.

 

 

    

p

Om

bhūr bhu -vah svah

whistle jet

Fl.

   

   

 

mf

 

 f

ff

In - audible ingrasive sound Ex - audible exgrasive sound

Perc.



with voice

In

 

          tát sa -vi -túr vá -re ny -am

       

bhár -go de -vá -sya dhī -ma-hi

cover the embouchure hole completely with the mouth, and blow as forcefully as possible directly into the instrument

   

       

         

          

ppp

In

In

In


         16

Bar.

dhí -yo yó -nah pra -co -dá -yāt

                

mp

Om

bhūrbhu -vah svah

whistle jet

Fl.

 

         

ff

f

  Perc.

   

In

with hands



 

mp

In

Tom - Tom

  

mp

tát sa -vi -túr vá - re - ny -am

mix of breath and sound progresively change tone color . 

         

bhár -go de vá -sya dhī ma-hi

 

        



  

 

In

7

 

In

 20          Bar.

dhí -yo yó -nah pra -co -dá -yāt

 

     

mf

Om

bhūr bhu -vah svah

         tát sa -vi -túr

vá - re -

   ny -am



         

bhár -go de - vá - sya dhī -ma-hi

whistle jet 

.

Fl.

         

  

mp

  Perc.

 

f

In

     

  

mf

ff

 

slap

slap

  

mf

  

pp

 

In

   



 

 

slap

mf

     pp

mf

 

        

In

  

 

    

In


8

24            Bar.

dhí -yo yó -nah pra -co -dá -yāt

Fl.

 

 

pp

mf

  Perc.

  



         

         

bhár -go de - vá - sya dhī -ma-hi

slap

   

            

 

         

slap

 

In

dhí -yo yó -nah pra -co -dá - yāt 

In

 

f

 

Perc.

           

 

 Fl.  

 

In Ex In 



pp

                  

muta in Tam - Tam

pp

  

mf



 

f

  



p    

yó - nah

pra co - dá - yāt

 

        

 

mf

                 In

soft multiphonics

30

dhí - yo

 

Perc.

mf



 

                             

         

28

mf

 Bar.

Fl.

  

pp

p

 

 

  



mf    

 f

  



  

 

timbral trill 4/2 3 4 { 11 22 4/2 3

     p

  pp

 


35

 Bar.

Fl.

 

 

Ex Ex Ex Ex voice and note simultaneously

Ex

Ex

Ex

Ex



mp

      

    

 Perc.

       

In

In



9

In - audible ingrasive sound Ex - audible exgrasive sound

In

 

In

Tam-Tam scrape

39



In

     

In

In

Om

bhūr

ad libitum    harmonics 

Fl.

  pp p sing with voice

 

Om

Perc.

 

 bhūr

Ex

In

 

In

 

tát

sa

-

vi

 -

túr

 whistle jet

 p

      bhu -vah svah

Tom - Tom with hands



p

 pp 

tát

sa

Ex

Ex



-

vi

-

túr

Ex

             

    

In

In

In

In

muta in Tom - Tom

       

vá -re ny -am

whistle jet 

 p

Ex

 

ff

      

Ex

In

bhu -vah svah

 

In

     

p ord.

Ex

    

In

f

Ex

                       

  Bar.

      

       vá -re ny -am



ff


10

    

41

 Bar.  bhár

-

go

de



Fl.

pp

  Perc.

  44

 Bar. Fl.

 

Perc.



bhár 

-

 

mf

-



dhí

whistle jet

     

go

de

-

  In Ex In 

 

-

-

yo



ff

 pp 

      

 

 

dhí

  

   

a

a

  

  -

nah

-

yo

 -

nah

 

a

pra -co -dá -yāt

 

 

ff

harsh multiphonics

   

Om bhūr bhu -vah svah

   ff

ff

 

  



     

 reinforced harmonics 

 

  



mf

   

pra -co -dá -yāt

sya dhī -ma-hi

         

p

sya dhī -ma-hi

   

mf

In Ex In 

-

 

reinforced harmonics

   

               

Om bhūr bhu -vah svah



ff


     

Bar.

tát

sa - vi - túr

vá - re

sing with voice ff

Fl.

     tát

sa - vi - túr

      Perc.

tát

sa - vi - túr

     



 

49

-



  vá - re

 

vá - re

ny

-

-

       

ny

 ny



       

- am



bhár - go

bhár - go

- am

bhár - go

Bar.

 

dhí - yo

Fl.

 

dhí - yo



   

 

       

dhí - yo

yó - nah pra - co - dá - yāt

   

 

de - vá - sya dhī - ma - hi

 

 

 

 

yó - nah pra - co - dá - yāt

yó - nah pra - co - dá - yāt

  Perc.

                                         

 51

de - vá - sya dhī - ma - hi

       

de - vá - sya dhī - ma - hi

       

- am



11

  

 

 

voice and note simultaneously

 

mp

   



 

 

muta in Tam - Tam                       

mp


12 55

 Bar.

 

q=30 p

  



Om bhūr bhu - vah

 

      

svah

            

Fl.

Perc.



with voice

 Bar.

Ex

    



dhí -yo yó -nah pra - co

-

 

dá - yāt

   

Perc.



  

 p

Ex

-

am

    

bhár -go de -vá -sya

 

 



dhī

-



ma - hi

           

p

Ex



Fl.

ny

 58

-

 

p





           

    p

tát sa -vi -túr vá -re

 

 

p

Ex

In

Ex



  

  

 pp

  

 pp

In

  

 ppp  Ex

Tam - tam scrape




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