Tat Tvam Asi for tenor, baritone, bass, bass clarinet, violin, cello and Bongos (2011)

Page 1

to Neue Vocalsolisten Stuttgart and ensemble L'arsenale

Tat Tvam Asi

Tenor Solo

  

Gabriel Mălăncioiu 2011

q=40

 

 

                  Tat Tvam A - si

12

p

mp

  

 

 

timbral variations (vowel change) ad libitum

 

 

mp

mf

  ff

 

pp

 

     

Tvam A - si

        Ta

 3      Tvam

  

 





timbral variations (vowel change) ad libitum p

     

3

 

ff

 

   f

 



a

a

f



a

q=50

       Ho

o

 

A - si

reinforced harmonic ff f 38

p

f

mp

fff

    mf

      Ha

  Tat

  

             

29

41

glottal trem.

  Tat

35

mp

 

                 Tat Tvam A - si

26

mf

f

20

 

breath silently throughout mp p mf

f glottal trem.

8

 

a

             mp

a

p


2

Tenor Solo

 3    3   3 

mp 45

 

   

   

3

  

a

   

48

a

              

T g d Ta

               T g d Ha

T g d Ha

            

Ta

ra Ta

58

 

T g d Ta

ff                     Ta

Ta ta ga ta Ta o

Ta

Tat Tvam A - si

71

            Tat Tvam A -si       ff

  



Tat Tvam A - si

mf

         Tat Tvam A -si

                   f

Tat Tvam A -si

Tat Tvam A -si

          

Tat Tvam A - si

                Tat Tvam A -si Tat Tvam A - si fff

Tat Tvam A - si

                

77

Ta o

                  

mp

  

Ta ga ta ta

p

Tat Tvam A - si

67

T g d Ha Ha

q=40

rall.

ra

 

f

54

Ha

ra

T g d T g d Ha Ha

T g d Ha

                

Ta

 

Ha

p

mf  

T g d Ta T g d Ha Ha

52

             

               f

T g d Ha

T g d Ha Ha

  



f parlando



50

81

p

Tat Tvam A - si

ffff

     Tat Tvam A

  -

si


to Neue Vocalsolisten Stuttgart and ensemble L'arsenale

Tat Tvam Asi

Baritone Solo

Gabriel Mălăncioiu 2011

q=40

pp glottal trem.

 

  

 

 

 

 

Tat mp

mf

8

  

Tat

13

p breath silently throughout

             

p

Tvam

mp

   

A

- si

timbral variations (vowel change) ad libitum

                             

Ta

Ta ta ga ta

Ta o

Ta

Ta ga ta ta

mf

17

 

 

22

p

Ta o pp

mp

           Tat Tvam

mf

 

mp

A -

si

ff

              

a

Tat

Tvam A - si f

27

mf

 

f

mf





    

 

 

Ha 32

Ta p

mp

p

         o

  

timbral variations (vowel change) ad libitum

p

mp

3     3        Tat Tvam A

si

reinforced harmonic 37

f  

ff

    

 

a

a

a

f

 

ff

   

 

f

  

a

mp

fff

     Ho

 a

f parlando

p

             a

a

q=50 41

 

           T g d Ha Ha

 


2

Baritone Solo

 47                   T g d Ha

T g d Ta

T g d Ha mf

      

   

ra

ra

   

49

Ta mf

51

                   

Ra

Ta

Ta ga Ha

T g d Ha

                  

ff     Ta

Ta ta ga ta Ta o

Ta

    

      

        

       

Tvam A - si

Tat

Tat Tvam A - si

 ff              Tat TvamA -si

fff

                Tat Tvam A -si

Tvam A - si

               Tat Tvam A -si

Tat Tvam A - si

f

Ta o

       

mf

       

Ta ga ta ta

TatTvam A - si

Tat Tvam A - si

79

Ra

mp

Tat

Ra

                     

Tat Tvam A - si

74

T g d Ha

p

70

Ra

q=40

rall.

Ta ra Ra Ta ra Ta ra

Ra

f                     

T g d Ha

54

65

T g d Ha

p

a

Ra

                         

3

58

Ra

f

     3   3         

 

T g d Ha

TatTvam A - si

Tat TvamA - si ffff

      Tat Tvam A

 -

si


to Neue Vocalsolisten Stuttgart and ensemble L'arsenale

Tat Tvam Asi

Bass Solo

Gabriel Mălăncioiu 2011

q=40

pp glottal trem.

 

      

 

 

 

 

Tat 8

breath silently throughout

mp

  

p              

Tat

Tvam

mp

12

A

 

Tat Tvam 23

p

o

timbral variations (vowel change) ad libitum

 

     

   

 

 

pp

mp

 

si

mf

   

20

-

 

   

A - si

ff             Tat

mf



Tvam A - si

29

     

34

 

 

Ha p

f

                Tat Tvam



A - si

 

   

a

a

reinforced harmonic 38

 

ff

f

 

   

ff

a

 

 

f

   

a

     

         

Ho

T g d Ha

45

Ha Ha

a

f parlando

fff

   



a

q=50 41

      

   

T

Ha

g d Ha

T g d T g d

      T

g d Ha


2

Bass Solo

              

47

 

                  

T g d Ta T g d Ha

   

ra

ra

  

51

mf

mp

         

49

Ta

T g d Ha

He

Ta

T g d Ta

T g d Ta

f               

T g d Ha

   Ta

q=40

rall.

ff               

ra

ra

Ta

He

ta ta

Ta

p

p

p

timbral variations (vowel change) ad libitum

a



Ta ga

 

timbral variations (vowel change) ad libitum

f



Tat Tvam A - si

 Tat

    

Tvam A - si

ff

77

  Tat

 Tvam





A - si

 

 

Tat

Tvam

A - si

fff

        Tat Tvam A - si

Ta

pp

pp

      

83

Ta o

   

a

   a

Ta ta ga ta

pp

 

Ta o

 

He

  

         

65

T g d Ta

       

57

He

p

3

54

79

         

    

a

 

He

f

3          3         

74

T g d Ta

     

Tat Tvam A - si

ffff

    Tat



Tvam

A

 -

-

si


to Neue Vocalsolisten Stuttgart and ensemble L'arsenale

Bass Clarinet

Tat Tvam Asi Gabriel Mălăncioiu 2011

q=40 breath silently throughout

  

  

 

sf p

  

sfp

 

     

sf p

sfp

sfp

soft multiphonics 4

3

    

  

sfp sfp sfp

8

 

13

 

+ voice

  

  

 

mp

p

sf p

 

    

 

 

p

p

 

+voice

+voice

 

 

 



 

p

23

 



 

 

soft multiphonics

  

       

f

 

 

+ voice

3

18

  

 

 

 sf

                  

 

p sfp

sfp

p

soft multiphonics



   sf p

     

sf

    

sf p



 

6

ff

27

with air slap

slap

                f © Gabriel Mãlãncioiu

 

   

   

 


2

Bass Clarinet

  

ord.

32

3

mp

3

+ voice

                p f p f p f p

            f   q=50

  

  

 

ff

f

mp

 

  

 

ff

  

 

f

 

             f

 

ff



multiphonics

39

for bass clarinets without the low C# play the pitch one octave higher

35

   

 

rall.

ff

q=40 56

       ff

  

59

      p



 

                  

 



pp

p



    

pp

p

pp

69

73



     p

    p

    

 

   pp

 





 


to Neue Vocalsolisten Stuttgart and ensemble L'arsenale

Violin

Tat Tvam Asi

q=40

 

 . sul pont.

Gabriel Mălăncioiu 2011

.

  

gliss.

pp

 

gliss.

pp

fast harmonic gliss. sul A  

ord. 3

 

     

.

gliss.

pp

sul pont.



5

 

 

.

gliss.

pp

p

ord.

    

 



     

 

 

p 8 molto sul tasto

   

sul pont.

p liscio

 

molto sul tasto

 

fast harmonic gliss. ord. sul E 

13

 

     

.

 

gliss.

sul pont.

molto sul tasto

 

p

     

   

p

  

natural harmonics trill on A (resulting sounds) ord.

sul pont.

      

pp

18 molto sul tasto

 

molto sul tasto

 

       p

22

sul pont.

sul pont.

 p

ord.

 

 

p

sul pont.

 

   

     trem.

ff


2

scratch tone

   



p

Violin

scratch tone

27

 

f



p

ricochet

       f

p

f

 

      

30

 

 

 

31

                   

  



pp

Steel practice mute



p



 

3

sul pont. ord.

 

             

scratch tone 34 molto sul tasto



 

 

p

f

trem. undetermined pitches 38

        ff

fff

ff

q=50 remove mute 

ord.

  

ord.

 

 

sul pont.

  

  p

sul pont.







ord.

 

  

sul pont.

   

 







p



 sul pont.  ord.          p

   

ord.

sul pont.

   

    ord.

p

ord.

p ord.

74

ord.

ff

ffff

q=40

ff

58

67

fff

rall.



41

   

       sul pont.

 

ord.

p

sul pont.



 p



ord.

ord.

 

 


to Neue Vocalsolisten Stuttgart and ensemble L'arsenale

Violoncello

Tat Tvam Asi

q=40

Gabriel Mălăncioiu 2011

fast harmonic gliss. sul A  

    

 

 





 

p

 



p sul pont. 

   

4

 

 

.



gliss.

  



. gliss.

 

pp

  

 

 

      

6



p

pp ord.

 

molto sul tasto

 

 

sul pont.

 

p liscio

p natural harmonics trill on A (resulting sounds) sul pont. ord.

10

 





 20

+voice

25

29

 

   

       f

 

   

 

           

  

  p

  

+voice

ord.

+ voice

p

+voice

ff

sul tasto

trem.

    

 mp



gliss.

+voice



pp

+voice

sul pont.

 

  .  

gliss.

pp

   

.



p sul pont.

15

ord.

 

    

 

scratch tone



f

 

  p

  

 


2

Violoncello

       

31

arco molto sul tasto

  

34

pizz.

 

3 3

3

          f

sul pont.

p

f

p



  

. gliss.

pp

37

ord.

ord.

sul pont.

ff

ord.

 

 f

f

.



gliss.

ord.

          

f



ff



f

ff

rall.

fff

q=40

ord.                                             ff

 

67

     p ord.

  

sul pont.



    



p

ord.

     

sul pont.

               ord.

74

        

f

sul pont. q=50





sul pont.

56

60

pp

      

40

scratch tone

p 

p



sul pont.

 

f

ord.

pp

36

3

ord.

    p

    sul pont.

p

sul pont.



   



         p ord.

ord.

 

ord.

 

sul pont.

 p

 

 

 ord.


to Neue Vocalsolisten Stuttgart and ensemble L'arsenale

Tat Tvam Asi

Bongos

Gabriel Mălăncioiu 2011

q=40

 

 

18

  

 

 



 



 

 

 

 

q=50 with hands

                                                     

41

p

                                                           

43

f

                                                           

45

p

                                                      

47

f

p

f

                                                  

49

p

f

                                                         

51

                                                           

53

p f

  q=40                                                  rall.

55

ff

       

57



 


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