Architecture Portfolio 2017-2019 by Gary Chong Wee Ming

GARY CHONG WEE MING ARCHITECTURE PORTFOLIO .3 2017-2019

education 2017-2019 Master of Arts (M.A.) Anhalt University of Applied Science Dessau International Architecture (DIA) Fachbereich Architektur, Facility Management und Geoinformation 2012-2015 Bachelor of Science (Honours) Architecture Taylors University Lakeside Campus Graduated Architecture Degree (ARB/RIBA Part 1) 2011-2012 Foundation in Natural and Built Environment Taylors University Lakeside Campus Board of Architects Malaysia (Lembaga Arkitek Malaysia) Council Of Architecture Accreditation and Education Malaysia

professional

gary chong wee ming born 18.11.1993 in Kuala Lumpur, Malaysia. tel: +49 176 29191958 mail: garychongweeming@gmail.com https://garychongwm.wixsite.com/portfolio as an architect, i consider myself as a critical and purposeful person who works well individually and as part of a team. I am hard working and motivated to improve and refine my design skills, theoretical knowledge and portfolio. My field of interest would be to challenge normal conventions between space, program, movement, form and function. To construct, deconstruct and reconstruct architecture one situation at a time.

2015-2017 Internship at Clement Wong Architecture Sdn. Bhd. Having held this position during my undergraduate degree, I has the oppurtunity to assist in vaious project visualisation, preliminary works, prepared presentation boards for competition. From which Ive learnt various hands on skills related to both interior and exterior architectural design as well as industrial drafting. Assitant Architect at Seshan Design Sdn. Bhd. Having held this position after finishing my undergraduate degree, I had the oppurtunity to assist in various interior detailing, learning construction techniques, building finishes, materiality and liasing with other consultants and client from start till completion of projects. I have learnt discipline and authority in design, maintaining quality of design output and have an eye to deconstruct details into precise dimension. Freelance at Biji-biji Initiative Being in an environmental based social enterprise has gave me the oppurtunity to design and make prototypes for energy producing installations and ethical fashion to promote a more sustainable and circular economy. I have learnt how to manage industrial level machinery and steel joinery techniques.

skills 2D/3D Modelling Autocad 2D/3D , Revit , Google Sketchup Pro , Rhinocerous 3D, Grasshopper, Lumion

languages English native C1(GCE) Mandarin native Malay medium Cantonese medium Japanese beginner German beginner A1

recognition Participation in MH17 Memorial Competion 2015 Participation in Radical Festival of the Bauhaus Foundation 2019 Nomination for Robert Oxman Award 2019

Graphic Design Photoshop, Illustrator, Indesign, Lightroom Other Premiere Pro, Microsoft Office (Word, Excel, Powerpoint)

Manifesto of Future Design Educational Hub through flexible design to support research and development of sustainable energy Royal Klang Town, Malaysia BAUHUB is derived from a combination of two words “BAU” referring to the Bauhaus, also defined by construction in the German language. “HUB” meaning a platform for collaborative environment. The project is to speculate and form a hub for design education for a group of 30 students and 3 professors which changes every semester in the year of 2049. The hub will be where students collaborate with local craftsman and innovate existing technology with design knowledge to envision a better future. The hub will essentially be a catalyst which efficiently harness environmental energy from clean renewable resource such as solar, wind, water to power the existing infrastructure.

Master Sectional Isometric

Master Isometric Projection

Supervisor: Prof. Ivan Kucina, Dr. Dulmini Perera

Ground Floor Isometric

First Floor Isometric

Second Floor Isometric

Third Floor Isometric

Second Floor Plan

Fourth Floor Isometric

First Floor Plan

Hyperloop is designed to function in a electric propulsion through a low pressure tube, hugely energy efficient and safe.

This module illustrate the kit of parts of the transformable bedrooms, by it being attached to a structural grid, it can be machined and the movement can be automated, either by a switch or an app.

East Section

North Section

Initial early concept drawing for the hub, inspired by Yona Friedmanâ&#x20AC;&#x2122;s Villa Spatiale.

By seperating the zoning of spaces into two loops, one being disconnected and private on top of the station.

East Section

And the other one being directly infused into the train station, making it more public at the lower part of the design.

North Elevation

By overlaying the function of spaces, it almost resembles the double helix spiral of the human dna, perhaps to collaborate and colearn is programmed in our dna.

Color representing the spatial requirement for private or public space

A 4 meter by 4 meter lightweight steel grid structure as an parasitic attachment

It is a symbiotic merge between station and hub, two different typology into one.

Freeing the ground plate, the structure is also supported by concrete columns in the train station.

The steel structural grid further extends continuously downwards enwrapping the entire massing

Intersecting the column to the axis bridge further supports the structural integrity of the bridge.

A concrete funnel design which is imbued into the column core serve as a rain catchment system

Imagine if drone technology advances to that state.

Draping towards the central pipe core enhances smooth flow of rainwater.

Landscape platforms interconnected and shifted to ensure permaebility of communication.

Layout creates a circular circulation with 360 degrees panaromic view on the site.

The accomodation is chosen as a space to test the extent of modularity

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  



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Untergrund Museum   Studio Construction of  Atmosphere

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contemporary art museum to house primarily the Lothar Schirmer collection in the district of the Pinakothek Der Moderne in Munich, Germany.

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Barer Str. 40, 80333 Munich 

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Based on the analysis, the orientation and arrangement of public buildings are in a checkerboard layout, having a consistent sequence of solid buildings and open public space as void. The shifting  of perspective in each border of the existing buildings ensures multiple visual perception at different points of the site. The building is to respond to the existing master planning concept and will aim to provide unobstructed circulation and cross accessibility between surrounding buildings to the entrance of the Pinakothek Der Moderne, Muenchen which is known as one of the largest con-  temporary museum in Germany. Furthermore, to retain the existing weekend market at the site to promote transformation and versatility of programme.

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Interior Perspective  

Supervisor: Peter Apel 

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Axonometric Projection

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                         

                                                        Continuous diffused top light                          Relationship between solid and void, the adjacent Due to the reflected checkerboard layout, the mu-  Shift of perspective at every building corner        into the site      buildings are mirrored seum will be positioned underground                                                                                                                                                      facade Difference between inside out  Frosted glass to show light-              through perspective shift ness in contrast of surrounding                                                                              Relationship connection to Shift of perspective at every building corner    of building blocks and                open space                                                                                                                                                                                          Materiality of surrounding building blocks Orientation of building allow cross accessibility Isometric blow-up indicating outdoor activity         17 18                    





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

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

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

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

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Detail Section

Detail Sectional Isometric

Carpet Housing Studio Toilet Ideology: Better Pasts for the Future Strausberger Pl., 10243 Berlin The manifestation of this project starts with an idea of blurring the lines between public and private space by merging spaces around the site with a terrain structure which serves as a connection between spaces, overlap and intersect creating a mosaic of spaces and degree of access creating a multi layer space. This is due to the public and private space being extremely far apart and unrelated, thus causing underutilization of spaces. Forming a terrain structure which connects in a natural way to its surrounding and gives back a space to nature on its roof

Isometric blow-up indicating furniture layout

Supervisor: Sam Chermayeff

Exterior Perspective

Interior Perspective

Master Isometric

Isometric Typical

Sectional Isometric

Sectional Ground Floor

Ground Floor Plan

Sectional Ground Floor

Ground Floor Plan

Yusuhara Wooden Bridge Museum

Yusuhara Wooden Bridge Museum - Kengo Kuma Architects The Sites of Building No building can arise without the use of support structures. They are applied during the building process to hold up, bear, brace and shape the material to be put in place. These structures are closely linked to specific building techniques. Elaborate systems of shuttering and scaffolding have floor plan been developed to be flexible, adjustable, robust and reusable. These structures often require complex spatial pre-conception and in some cases themselves inspire architectures. In other cases support structures are interwoven in the construction process to become an integral part of the later building. In conjunction with the ’support structures’ studio we will investigate the physical dimension of the term and focus on building processes, and in particular on those structures that support the making of architecture.

Isometric

Gary Chong Wee Ming/ 4067166

Isometric Projection

E Sites of Building

Supervisor: Antje Buchholz, Jürgen Patzak-Poor

location map Architects Kengo Kuma & Associates Location 3799-3 Taro-gawa Yusuhara-cho, Takaoka-gun, Kochi Prefecture, Japan Category Museum Client Tomio Yano, Town Mayor of Yusuhara. The museum technically bridges communications in this area. It functions not only as a passage between the two facilities but also as an accommodation and workshop, ideal location for artist-in-residence pro grams. In this project, we challenged a structural system which composes of small parts, referring to cantilever structure often employed in traditional architecture in Japan and China. 40

section

construction detail of wooden structure

structural detail blow up axonometric

Axonometric Projection Gary Chong Wee Ming/ 4067166

Detail Isometric E Sites of Building

House of Trace Tsuruta Architect Old & New: The Practice of Transforming Architecture

Voronoi Chair Computational Design Parametric Furniture The Voronoi Chair was produced on computer based manufacturing methods. The cellular form of wood is based on the voronoi cell structure. The overall form is composed of modular voronoi blocks which are connected with a slot system.

House of Trace is an interesting project which im interested in, because of the perfect symbiosis between old and new architecture. The use of similar material but finished in a slight different way pays homage to the old house. The structure of the new extension is of lightweight exposed beam construction, fitting in the whole exposed constructionapproach whilst having similar brickwork at the old building. This ensures the project to maintain a sense of memory, hence the project named House of Trace, which is to be traced back to its roots. Extension architecture can always reproduce to match the old architecture or reinterpret with newer, more efficient materials.

Form Generation

850(W)x680(H)x550(L)mm

Supervisor: Prof. Joris Fach

Isometric Projection

Supervisor: Karim Soliman

Isometric Projection

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Supervisor: Sam Chermayeff

匀攀氀昀攀砀瀀爀攀猀猀椀漀渀愀渀搀椀渀搀椀瘀椀搀甀愀氀椀琀礀眀攀爀攀栀愀氀氀洀愀爀欀猀漀昀琀栀攀琀椀洀攀⸀ 䈀甀琀愀氀漀琀眀栀愀琀眀攀琀栀椀渀欀漀昀愀猀㜀猀愀挀琀甀愀氀氀礀愀栀愀渀最漀瘀攀爀昀爀漀洀琀栀攀㘀猀Ⰰ 猀愀礀䰀甀琀礀攀渀猀愀渀搀䠀椀猀氀漀瀀Ⰰ ᰠ 眀椀琀栀椀琀猀攀渀琀栀甀猀椀愀猀洀昀漀爀琀攀挀栀渀漀氀漀最礀愀渀搀瀀猀礀挀栀攀搀攀氀椀挀攀砀挀攀猀猀⸀ᴠ 圀栀椀氀攀 ᰠ瀀攀漀瀀氀攀椀渀琀栀攀洀愀椀渀猀琀爀攀愀洀挀氀漀洀瀀攀搀愀爀漀甀渀搀椀渀瀀氀愀琀昀漀爀洀猀愀渀搀昀氀愀爀攀猀Ⰰ 愀瘀愀渀琀最愀爀搀攀猀甀戀挀甀氀琀甀爀攀猀眀攀爀攀栀漀渀椀渀最愀渀愀氀琀攀爀渀愀琀椀瘀攀氀漀漀欀眀栀椀挀栀甀氀琀椀洀愀琀攀氀礀攀瘀漀氀瘀攀搀椀渀琀漀瀀甀渀欀⸀ᴠ 㜀猀猀琀礀氀攀眀愀猀最爀攀愀琀氀礀椀渀昀氀甀攀渀挀攀搀戀礀琀栀攀戀愀挀欀ⴀ琀漀ⴀ渀愀琀甀爀攀洀漀瘀攀洀攀渀琀Ⰰ 眀栀椀挀栀愀爀漀猀攀昀爀漀洀戀漀琀栀愀栀椀瀀瀀椀攀爀攀樀攀挀琀椀漀渀漀昀挀漀渀猀甀洀攀爀椀猀洀愀渀搀洀愀琀攀爀椀愀氀椀猀洀愀渀搀愀渀攀眀爀攀渀攀眀攀搀攀渀瘀椀爀漀渀洀攀渀ⴀ 琀愀氀椀猀洀昀漀氀氀漀眀椀渀最琀栀攀㄀㤀㜀㌀漀椀氀挀爀椀猀椀猀⸀ 46 最愀爀礀挀栀漀渀最㈀

猀攀挀琀椀漀渀愀ⴀ愀

䨀愀昀昀攀䠀漀甀猀攀 ⠀匀欀礀戀爀攀愀欀䠀漀甀猀攀⤀ 刀愀搀氀攀琀琀Ⰰ 唀渀椀琀攀搀䬀椀渀最搀漀洀⸀ ㄀㤀㘀㔀ⴀ㄀㤀㘀㘀䄀爀挀栀椀琀攀挀琀猀㨀吀攀愀洀㐀 ⠀匀甀䈀爀甀洀眀攀氀氀Ⰰ 圀攀渀搀礀䌀栀攀攀猀攀洀愀渀Ⰰ 一漀爀洀愀渀䘀漀猀琀攀爀愀渀搀刀椀挀栀愀爀搀刀漀最攀爀猀⤀

㜀猀䌀栀攀挀欀氀椀猀琀䌀爀愀昀琀猀爀攀瘀椀瘀愀氀愀渀搀栀椀瀀瀀椀攀搀漀洀嘀椀挀琀漀爀椀愀渀匀氀攀攀欀瀀氀愀猀琀椀挀猀愀渀搀栀椀最栀琀攀挀栀洀愀琀攀爀椀愀氀猀䄀瘀漀挀愀搀漀最爀攀攀渀愀渀搀栀愀爀瘀攀猀琀最漀氀昀愀瀀瀀氀椀愀渀挀攀猀䈀漀氀搀瀀愀琀琀攀爀渀猀愀渀搀瀀爀椀渀琀猀匀琀愀挀欀攀搀猀琀漀渀攀昀椀爀攀瀀氀愀挀攀愀渀搀猀琀漀渀攀眀愀氀氀猀吀攀爀爀愀挀漀琀琀愀琀椀氀攀猀愀渀搀栀愀爀搀眀漀漀搀昀氀漀漀爀椀渀最䜀攀漀洀攀琀爀椀挀猀栀愀瀀攀猀愀渀搀氀椀渀攀猀吀栀椀挀欀愀渀搀挀栀甀渀欀礀洀愀猀挀甀氀椀渀攀昀甀爀渀椀琀甀爀攀圀愀氀氀琀漀眀愀氀氀挀愀爀瀀攀琀椀渀最

匀甀渀欀攀渀氀椀瘀椀渀最爀漀漀洀猀䘀氀漀愀琀椀渀最猀琀愀椀爀挀愀猀攀猀圀椀挀欀攀爀昀甀爀渀椀琀甀爀攀匀栀愀最爀甀最猀䔀愀爀琀栀琀漀渀攀猀㨀戀爀椀挀欀Ⰰ 爀甀猀琀Ⰰ 猀愀渀搀Ⰰ 愀瘀漀挀愀搀漀栀愀爀瘀攀猀琀最漀氀搀䈀爀椀最栀琀氀礀挀漀氀漀爀攀搀昀甀爀渀椀琀甀爀攀伀爀愀渀最攀

椀渀琀攀爀椀漀爀瀀攀爀猀瀀攀挀琀椀瘀攀㄀䤀渀猀瀀椀爀攀搀戀礀琀栀攀䬀漀爀漀瘀愀洀椀氀欀戀愀爀Ⰰ 眀栀攀爀攀猀攀瘀攀爀愀氀渀甀搀攀昀椀戀爀攀最氀愀猀猀昀攀洀愀氀攀昀椀最甀爀攀猀⸀ 吀栀攀愀戀猀甀爀搀椀琀礀猀甀最最攀猀琀猀挀漀渀琀攀洀瀀漀爀愀爀礀猀漀挀椀攀琀礀洀漀爀愀氀椀琀礀愀渀搀椀渀琀攀氀氀攀挀琀愀爀攀搀攀瘀愀氀甀攀搀椀渀昀愀瘀漀爀漀昀栀攀搀漀渀椀猀琀椀挀瀀氀攀愀猀甀爀攀Ⰰ 攀瘀攀渀眀攀愀瘀椀渀最椀琀猀攀氀昀眀椀琀栀椀渀漀甀爀愀爀挀栀椀琀攀挀琀甀爀攀愀渀搀椀渀琀攀爀椀漀爀搀攀猀椀最渀Ⰰ 愀氀猀漀琀漀椀渀搀椀挀愀琀攀搀攀猀攀渀猀椀琀椀稀愀琀椀漀渀漀昀琀栀攀琀椀洀攀⸀

椀渀琀攀爀椀漀爀瀀攀爀猀瀀攀挀琀椀瘀攀㈀

䐀攀氀攀甀稀攀愀渀搀䬀甀戀爀椀挀欀猀甀最最攀猀琀琀栀愀琀眀攀愀爀攀琀爀愀渀猀昀漀爀洀椀渀最椀渀琀漀愀猀礀渀挀栀爀漀渀椀挀猀漀挀椀攀琀礀Ⰰ 眀椀琀栀愀琀攀洀瀀漀爀愀氀椀猀琀椀挀猀攀渀猀椀戀椀氀椀琀礀爀愀琀栀攀爀琀栀愀渀愀洀愀琀攀爀椀愀氀漀渀攀⸀ 圀攀椀渀琀攀爀愀挀琀渀漀琀眀椀琀栀漀戀樀攀挀琀猀戀甀琀洀漀瘀椀渀最愀氀漀渀最愀琀爀愀樀攀挀琀漀爀礀昀爀漀洀渀漀渀攀砀椀猀琀攀渀挀攀琀漀瀀漀猀琀ⴀ 攀砀椀猀琀攀渀挀攀Ⰰ 漀渀愀瀀爀漀挀攀猀猀漀昀猀攀氀昀愀挀琀甀愀氀椀稀愀琀椀漀渀⸀ 吀栀攀爀漀氀攀漀昀攀搀最攀Ⰰ 攀渀挀氀漀猀甀爀攀Ⰰ 猀瀀愀琀椀愀氀椀琀礀愀渀搀洀愀琀攀爀椀愀氀椀琀礀洀甀猀琀戀攀挀漀渀猀椀搀攀爀攀搀椀渀琀栀攀搀椀爀攀挀琀椀漀渀椀渀眀栀椀挀栀眀攀愀爀攀栀攀愀搀攀搀椀渀琀栀攀昀甀琀甀爀攀⸀ 椀渀琀栀攀搀椀爀攀挀琀椀漀渀椀渀眀栀椀挀栀眀攀愀爀攀栀攀愀搀攀搀椀渀琀栀攀昀甀琀甀爀

猀攀挀琀椀漀渀愀ⴀ愀

刀攀昀攀爀攀渀挀攀䌀椀琀愀琀椀漀渀䈀攀爀渀愀爀搀吀猀挀栀甀洀椀Ⰰ 䄀爀挀栀椀琀攀挀琀甀爀攀愀渀搀䐀椀猀樀甀渀挀琀椀漀渀Ⰰ 䴀䤀吀倀爀攀猀猀 ⠀㄀㤀㤀㘀⤀Ⰰ 瀀⸀ ㄀㈀㈀䜀攀漀爀最攀猀䈀愀琀愀椀氀氀攀Ⰰ 匀琀漀爀礀漀昀琀栀攀䔀礀攀Ⰰ ⠀㄀㤀㈀㠀⤀Ⰰ 瀀⸀ 㐀㌀䜀椀氀氀攀猀䐀攀氀攀甀稀攀Ⰰ ᰠ倀漀猀琀猀挀爀椀瀀琀猀漀渀琀栀攀匀漀挀椀攀琀礀漀昀䌀漀渀琀爀漀氀Ⰰᴠ 椀渀刀攀琀栀椀渀欀椀渀最䄀爀挀栀椀琀攀挀琀甀爀攀㨀䄀刀攀愀搀攀爀漀昀䌀甀氀琀甀爀愀氀吀栀攀漀爀礀Ⰰ 一攀椀氀䰀攀愀挀栀Ⰰ 䔀搀⸀ ⠀刀漀甀琀氀攀搀最攀Ⰰ ㄀㤀㤀㜀⤀ 䄀䌀氀漀挀欀眀漀爀欀伀爀愀渀最攀Ⰰ 搀椀爀⸀ 匀琀愀渀氀攀礀䬀甀戀爀椀挀欀Ⰰ ⠀㄀㤀㜀㄀⤀

最愀爀礀挀栀漀渀最㐀

Ground Floor Plan

最愀爀礀挀栀漀渀最㌀

ferry station "Oostveer" 7.5 m 8.0 m

12.6 m 14 m

up to15.6 m

MH17 Memorial + ParkCompetition

up to15.6 m 10.0 m

Java-eisland, Amsterdam, Netherlands

14.8 m 14.8 m

17,4 m

memorial island location border 14.8 m

19.8 m

5.7 m

16.9 m

-0.4 above the level

possible tourist ferry connection

12.2 m

-0.4 above the level 30 m

25.6 m

ferry station "Oostveer"

25.6 m

Java-island

32.2 m

25.6 m 19.7 m 19.7 m

29.1 m

19.7 m

65 m 17.6 m

17.6 m

-0.4 above the level

The impermanence of the human life is what brings importance to time. The memorial is a journey of acceptance and rememberance, it os not a journey steeped in sadness and mourning but rather a celebration of the fragility of human life. The project emphasizes individuality and collectiveness, equality with distinction of differences; It tries to commemorate each of the deceased without grouping them into a generic whole. Ultimately, It is about giving those left behind a sense of closure and a way to move on, a renewed outlook on the scarcity of time.

Site Plan 1:5000 A3

298 lives lost; 298 individual walls An axis based on the original flight path acts as the spine of the design. These paths follow a supplementary axis pointing towards the 9 countries involved.

Shaded Isometric

Cloud Vessel Architectural Design Project: Boat Making Community & Cultural Centre Port Klang, Malaysia The proposed project is to create a maritime community and cultural centre in Port Klang, Malaysia. It is the heart of all transhipment and logistics state. Thus, to provide a community space where the people can interact and communicate between each other to treat the â&#x20AC;&#x2DC;Urban Decayâ&#x20AC;&#x2122; condition of Port Klang. Therefore, my intention is to promote the culture of boat making to the locals and tourist from overseas. The site has immediate vicinity of Klang River, being near the main railway station. Boat making culture is exclusive to Terrenganu, Malaysia which will be conserved for the future generations of Malaysians.

Supervisor: Ar. Eric Chang

Aquaponic Food Market Urban Infill Architectural Project: Vertical Farm Food Market Jalan Tun H.S. Lee, Malaysia The project is to design a place for the wellbeing of people in Kuala Lumpur. Considering Kuala Lumpurâ&#x20AC;&#x2122;s rate of unemployment, obesity, lack of space and decline of agriculture as a traditional industry. Urban farming was chosen as a method to address this issue. The design includes vertical farm, restaurant, workshop, fresh vegetable and vertical farm produce market and a community space. The building performs as a large scale air purifier to counter the traffic and a community hall promoting and providing the culture of fresh foods and educating the public on a healthier and more balance lifestyle.

Supervisor: Ar. Lee Cherng Yih

Ground Floor Plan

Contain Joy Project Management: Shipping Container Housing Sentul, Kuala Lumpur, Malaysia Sentul is the main town area in Kuala Lumpur. It is primarily divided into two sections which is east and west Sentul. The project is to design a low cost budget residential for users ranging from university students to young working professionals. The concept is to use refurbished shipping containers to promote sustainable upcycling with installation of several ecological strategies which is incorporated into the structure and facade. To create a private dwelling without compromising comfort. By utilising recycled materials, further reduces carbon footprint and promote a more sustainable, circular economical lifestyle.

Single Units

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

DELUXE 1 PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

Sectional Ground Floor

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

Supervisor: Ar. Chin Tuck Heng

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

Kraffmen Cafe- F&B Interior Design + Planning Georgetown, Penang, Malaysia This project is a design and build project for a cafe at a corner of an old shophouse. To propose interior detailing for the bar back, bilboard, counter, kitchen, feature wall, chairs, tables and materials. This exercises an eye for aesthetics on the materiality of the project which introduce refined spatial quality that benefit the business oppurtunity and marketting of the cafe. My role as an architectural designer is to propose overall interior design and all custom fitting design. Furthermore, i was tasked to design the overall branding identity for the cafe. As well as the graphic stationaries such as the lightbox menu, printed menu, posters, flyers and promotional graphic.

WORQ- Co-Working Space Design PlanniProfessional Work Petaling Jaya, Malaysia Schematic Design The project is a design and build project for a co-working multipurpose office space with facilities. To propose interior detailing for office cubicles, billboard, counter, kitchen, feature wall, chairs, tables, lighting, acoustic and materials. This task exercises an eye for aesthetics on the materiality of the project which introduces complex circulation requirements. My role as an assistant architect is to propose schematic design to arrange floor layout, furniture design and overall interior design. Furthermore, I was tasked to design the overall branding identity for the office. As well as graphic stationaries.

Supervisor: Ar. Ramesh Seshan

Ground Floor Plan

Dr. Ravi Cosmetic Clinic Interior Design + Partitioning Layout

Bicycle Generator Design + Enclosure Industrial Design Biji-Biji Initiative

Bangsar Lrt Station, Malaysia This project is to design the interior of an existing empty lot in the train station for a cosmetic clinic. The strategic location within the train station ensure large volume of clients and clear visual of the clinicâ&#x20AC;&#x2122;s branding and location. A private doctors office is positioned at a corner for easy access to all rooms. The dimension of each building element in the design complies with national medical building requirement to allow wheelchair access and of a specific thickness. The pharmacy cabinet design is inspired by old chinese herbal medicine shop which has mini push drawers for each type of medicine. The color scheme of the interior are warm bright tones.

The Southeast Asian Games (Sukan Sea) August 2017. The project is to design the enclosure and system for the electric generating bicycle. The bicycle generator requires to comply with safety, ease of maintainence and to also prevent theft. A stand for the back wheel made to be used in an outdoor setting. To also further incorporate and attach underneath the front wheel of the bicycle. The entire structure must be extremely stable to achieve a weight support of 200kg. Timber was recommended due to cost and available machinery. A cover plate is required for the bicycle chain to be easy to disassembled and reassembled to prevent potential injury.

Supervisor: Chong Mei Lam

Ground Floor Plan

Diminishing Growth A Photography Work of an Asian Market Jalan Pudu, Kuala Lumpur, Malaysia The story of pudu as a container of society, culture, history & memory. Pudu street as an experience of urban life, as transitional language. Jalan Pudu is one of the oldest undestroyed areas in Kuala Lumpur. Pudu was once a terrain area with coffee plantations but was cleared after the civil war in 1873. This documents the rhythematic progression of Pudu throughout the day, the busy market streets to the quieter abandoned spaces. Pudu street in a descending order of dominance- from busy to quiet, revealing the occurence of social convergence.

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gary chong wee ming born 18.11.1993 in Kuala Lumpur, Malaysia. tel: +49 176 29191958 mail: garychongweeming@gmail.com https://garychongwm.wixsite.com/portfolio

Architecture Portfolio 2017-2019

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Architecture Portfolio 17-19