Architecture Portfolio 2017-2020 by Gary Chong Wee Ming

PORTFOLIO

GARY CHONG WEE MING ARCHITECTURE PORTFOLIO .4 2017-2020

I am self introduction

curriculu gary chong wee ming

born 18.11.1993 in Kuala Lumpur, Malaysia. tel: +49 176 29191958 mail: garychongweeming@gmail.com https://garychongwm.wixsite.com/portfolio

zhang wei ming

Architecture is often situational, as if there is a metaphysical connection between the site and the building which gives architecture a narrative, a reason of co-existence. In this continuous contradicting world, Im deeply interested in identifying the overlapping qualities of contrasting concepts to develop an essential direction for design. To challenge linear argumentative logic and push the boundaries of all materials to derive in an unprecedented answer to a question, if the question is an accurate one to begin with.

languages

achievements

English native C1(GCE) Mandarin native Malay medium Cantonese medium Japanese beginner German A2.1

Participation in MH17 Memorial Competion 2015 Participation in Radical Festival of the Bauhaus Foundation 2019 Nomination for Robert Oxman Award 2019

education 2017-2019 Master of Arts (M.A.) Anhalt University of Applied Science Dessau International Architecture (DIA) Fachbereich Architektur, Facility Management und Geoinformation 2012-2015 Bachelor of Science (Honours) Architecture Taylors University Lakeside Campus Graduated Architecture Degree (ARB/RIBA Part 1) 2011-2012 Foundation in Natural and Built Environment Taylors University Lakeside Campus Board of Architects Malaysia (Lembaga Arkitek Malaysia) Council Of Architecture Accreditation and Education Malaysia

professional 2015-2017 Internship at Clement Wong Architecture Sdn. Bhd. Malaysia Involvement in design department, preparation of design proposal for several residential projects, preparation of submission drawings, 3D and 2D modelling and visualization during initial to mid-design phase, develop, document, organise and submit technical drawings for authority approval and company archiving. Idea and conceptual generation.

um vitae

Assitant Architect at Seshan Design Sdn. Bhd. Malaysia Involvement in the design development from schematic phase till construction phase and technical documentation of several projects. Collaboration with client, consultants, manufacturers and contractors on design decision such as overseeing purchase, delivery and installation of various components of projects. Responsible for producing architectural visualizations, 3D and 2D modelling. Freelance at Biji-biji Initiative, Malaysia From being a part of Urbanscape festival, being a part of an environmental based social enterprise in the design department enable me to make design prototypes for energy producing installations and ethical fashion to empower the world through alternative and inventive energy. I have been exposed to and practice woodworking, metal working and programming electronics.

skills 2D/3D Modelling Autocad 2D/3D , Revit , Sketchup Pro , Rhinocerous 3D, Grasshopper, Lumion, Unreal Engine, Physical Modelling, 3D Printing, Lasercutting Graphic Design Photoshop, Illustrator, Indesign, Lightroom Other Premiere Pro, Microsoft Office (Word, Excel, Powerpoint)

I am a content page

masters

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untergrund mumanifesto of seum : studio future design educational hub construction of through flexible atmosphere design to support research of sustainable energy 01-06

07-10

carpet housing mh-17 memorial : studio toilet park competiton ideology betterpasts for the future

11-14

bachelors

professional

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urban infill vercloud vessel : boatmaking cul- tical aquaponic tural and com- farm food market munity centre

contain joy : reclaimed container student housing

interior + industrial design

22-24

No:4 2020

architecture portfolio

Master Isometric Projection

architecture portfolio

No:4 2020

Manifesto of Future Design Educational Hub through flexible design to support research and development of sustainable energy Royal Klang Town, Malaysia

Master Sectional Isometric

Supervisor: Prof. Ivan Kucina, Dr. Dulmini Perera

BAUHUB is derived from a combination of two words “BAU” referring to the Bauhaus, also defined by construction in the German language. “HUB” meaning a platform for collaborative environment. The project is to speculate and form a hub for design education for a group of 30 students and 3 professors which changes every semester in the year of 2049. The hub will be where students collaborate with local craftsman and innovate existing technology with design knowledge to envision a better future. The hub will essentially be a catalyst which efficiently harness environmental energy from clean renewable resource such as solar, wind, water to power the existing infrastructure.

No:4 2020

architecture portfolio

Interior Perspective

architecture portfolio

No:4 2020

First Floor

Second Floor

Third Floor

Ground Floor

architecture portfolio

Initial early concept drawing for the hub, inspired by Yona Friedmanâ&#x20AC;&#x2122;s Villa Spatiale.

And the other one being directly infused into the train station, making it more public at the lower part of the design.

East Section

No:4 2020

By seperating the zoning of spaces into two loops, one being disconnected and private on top of the station.

By overlaying the function of spaces, it almost resembles the double helix spiral of the human dna, perhaps to collaborate and colearn is programmed in our dna.

architecture portfolio

Hyperloop is designed to function in a electric propulsion through a low pressure tube, hugely energy efficient and safe. A 4 meter by 4 meter lightweight steel grid structure as an parasitic attachment

No:4 2020

This module illustrate the kit of parts of the transformable bedrooms, by it being attached to a structural grid, it can be machined and the movement can be automated, either by a switch or an app.

Landscape platforms interconnected and shifted to ensure permaebility of communication.

Draping towards the central pipe core enhances smooth flow of rainwater.

North Section

architecture portfolio

No:4 2020

Interior Perspective  

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architecture portfolio

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Untergrund Museum Studio Construction of  Atmosphere  Barer Str. 40, 80333 Munich 

contemporary art museum to house primarily the Lothar  Schirmer collection in the district of the Pinakothek Der Moderne in Munich, Germany.

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Based on the analysis, the orien  tation and arrangement of public buildings are in a checkerboard layout, having a consistent sequence of solid buildings and open public space as void. The shifting  of perspective in each border of the existing buildings ensures  multiple visual perception at different points of the site. The building is to respond to the existing master planning concept and will aim to provide unobstructed circulation and cross accessibility between surrounding buildings to the entrance of the Pinakothek  Der Moderne, Muenchen which is    known as one of the largest contemporary museum in Germany. Furthermore, to retain the existing weekend market at the site to  promote transformation and versatility of programme.  

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 

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Isometric blow-up indicating outdoor activity

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Axonometric Projection

Supervisor: Peter Apel

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architecture portfolio

No:4 2020

    No:4 2020   

 

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

                                                                                      Relationship between Due to the reflected               solid and void, the checkerboard layout, the          adjacent buildings are  museum will be posi-        site       mirrored into the tioned underground                                    

      

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 

                                                                                Relationship of building  Shift of perspective at         blocks and connection to  every building  corner           open space                  Detail Sectional Isometric                           Materiality of surround- Orientation of building           ing building blocks allow cross accessibility                                  Detail Section                     

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Continuous diffused top Shift of perspective at   light every building corner    Difference between Frosted glass facade to        inside out through pershow lightness in con  spective shift trast of surrounding          

architecture portfolio

No:4 2020

Master Isometric

architecture portfolio

Carpet Housing Studio Toilet Ideology: Better Pasts for the Future

No:4 2020

Strausberger Pl., 10243 Berlin The manifestation of this project starts with an idea of blurring the lines between public and private space by merging spaces around the site with a terrain structure which serves as a connection between spaces, overlap and intersect creating a mosaic of spaces and degree of access creating a multi layer space. This is due to the public and private space being extremely far apart and unrelated, thus causing underutilization of spaces. Forming a terrain structure which connects in a natural way to its surrounding and gives back a space to nature on its roof

Isometric blow-up indicating furniture layout

Supervisor: Sam Chermayeff

Exterior Perspective

architecture portfolio

No:4 2020

Sectional Isometric

Sectional Ground Isometric

Ground Floor Plan

Sectional Ground Floor

architecture portfolio

No:4 2020

Interior Perspective

architecture portfolio

No:4 2020

Yusuhara Wooden Bridge Museum - Kengo Kuma Architects The Sites of Building No building can arise without the use of support structures. They are applied during the building process to hold up, bear, brace and shape the material to be put in place. These structures are closely linked to specific building techniques. Elaborate systems of shuttering and scaffolding have been developed to be flexible, adjustable, robust and reusable. section These structures often require complex spatial pre-conception and in some cases themselves inspire architectures. In other cases support structures are interwoven in the construction process to become an integral part of the later building. In conjunction with the ’support structures’ studio we will investigate the physical dimension of the term and focus on building processes, and in particular on those structures that support the making of architecture. construction detail of wooden structure

structural detail blow up axonometric

Gary Chong Wee Ming/ 4067166

Supervisor: Antje Buchholz, Jürgen Patzak-Poor

E Sites of Building

Isometric

architecture portfolio

House of Trace Tsuruta Architect Old & New: The Practice of Transforming Architecture

No:4 2020

House of Trace is an interesting project which im interested in, because of the perfect symbiosis between old and new architecture. The use of similar material but finished in a slight different way pays homage to the old house. The structure of the new extension is of lightweight exposed beam construction, fitting in the whole exposed constructionapproach whilst having similar brickwork at the old building. This ensures the project to maintain a sense of memory, hence the project named House of Trace, which is to be traced back to its roots. Extension architecture can always reproduce to match the old architecture or reinterpret with newer, more efficient materials.

Supervisor: Prof. Joris Fach

Isometric

architecture portfolio

No:4 2020

漀爀攀渀樀栀愀甀猀

䔀氀攀挀琀椀瘀攀 ᰠ圀栀礀搀漀渀ᠠ琀眀攀氀椀欀攀琀栀攀㜀猀㼀ᰠ

䄀瘀愀爀椀攀琀礀漀昀攀砀瀀爀攀猀猀椀漀渀猀甀挀栀愀猀䈀爀甀琀愀氀椀猀洀Ⰰ 匀琀爀甀挀琀甀爀愀氀椀猀洀愀渀搀一攀眀䘀漀爀洀愀氀椀猀洀⸀

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椀猀漀洀攀琀爀椀挀瀀爀漀樀攀挀琀椀漀渀㄀

椀猀漀洀攀琀爀椀挀瀀爀漀樀攀挀琀椀漀渀㈀

吀栀攀㜀猀眀愀猀愀猀琀甀搀礀漀昀挀漀渀琀爀愀搀椀挀琀椀漀渀㨀愀甀猀琀攀爀椀琀礀愀渀搀搀攀挀愀搀攀渀挀攀Ⰰ 搀爀愀戀攀愀爀琀栀琀漀渀攀猀愀渀搀挀愀洀瀀礀挀漀氀漀爀猀Ⰰ 渀愀琀甀爀攀氀漀瘀椀渀最栀椀瀀瀀椀攀搀漀洀愀渀搀栀椀最栀琀攀挀栀昀甀琀甀爀椀猀洀⸀ 䤀渀栀椀猀戀漀漀欀㜀猀䠀漀甀猀攀Ⰰ 䐀愀瘀椀搀䠀攀愀琀栀挀漀琀攀愀爀最甀攀猀琀栀愀琀琀栀攀搀攀挀愀搀攀眀愀猀愀猀椀最渀椀昀椀挀愀渀琀 ᰠ眀愀琀攀爀猀栀攀搀ᴠ 昀漀爀椀渀琀攀爀椀漀爀搀漀洀攀猀琀椀挀搀攀猀椀最渀Ⰰ 洀愀爀欀椀渀最琀栀攀琀爀愀渀猀椀琀椀漀渀昀爀漀洀琀栀攀䴀漀搀攀爀渀椀猀琀㘀猀琀漀愀渀攀爀愀椀渀眀栀椀挀栀 ᰠ猀琀礀氀攀愀渀搀琀栀攀椀渀搀椀瘀椀搀甀愀氀椀猀琀椀挀攀琀栀漀猀漀昀昀愀猀栀椀漀渀搀攀猀椀最渀戀攀挀愀洀攀琀栀攀最甀椀搀椀渀最瀀爀椀渀挀椀瀀氀攀猀⸀ᴠ 䄀氀猀漀爀攀瀀爀攀猀攀渀琀愀爀攀愀挀琀椀漀渀愀最愀椀渀猀琀猀氀攀攀欀洀椀搀ⴀ挀攀渀琀甀爀礀洀漀搀攀爀渀椀猀洀椀渀昀愀瘀漀爀漀昀 ᰠ瀀氀愀礀昀甀氀攀洀戀攀氀氀椀猀栀洀攀渀琀愀渀搀爀愀搀椀挀愀氀攀砀瀀攀爀椀洀攀渀琀愀琀椀漀渀眀椀琀栀昀漀爀洀⸀ᴠ

Supervisor: Sam Chermayeff

最爀漀甀渀搀昀氀漀漀爀瀀氀愀渀

presentation最愀爀礀挀栀漀渀最 layout ㄀

architecture portfolio

No:4 2020

MH17 Memorial + ParkCompetition Java-eisland, Amsterdam, Netherlands The impermanence of the human life is what brings importance to time. The memorial is a journey of acceptance and rememberance, it os not a journey steeped in sadness and mourning but rather a celebration of the fragility of human life. The project emphasizes individuality and collectiveness, equality with distinction of differences; It tries to commemorate each of the deceased without grouping them into a generic whole. Ultimately, It is about giving those left behind a sense of closure and a way to move on, a renewed outlook on the scarcity of time.

ferry station "Oost 7.5 m 8.0 m

12.6 m

14 m

up to15.6 m

298 lives lost; 298 individual walls An axis based on the original flight path acts as the spine of the design. These paths follow a supplementary axis pointing towards the 9 countries involved.

up to15.6 m 10.0 m

14.8 m 14.8 m 17,4 m

memoria 14.8 m

19.8 m

5.7 m

16.9 m

-0.4 above the level

possible tourist ferry connection

12.2 m

-0.4 above the level 30 m

25.6 m

Java-island

25.6 m

32.2 m

25.6 m

29.1 m

-0.4 above the level

architecture portfolio

No:4 2020

Cloud Vessel Architectural Design Project: Boat Making Community & Cultural Centre Port Klang, Malaysia The proposed project is to create a maritime community and cultural centre in Port Klang, Malaysia. It is the heart of all transhipment and logistics state. Thus, to provide a community space where the people can interact and communicate between each other to treat the â&#x20AC;&#x2DC;Urban Decayâ&#x20AC;&#x2122; condition of Port Klang. Therefore, my intention is to promote the culture of boat making to the locals and tourist from overseas. The site has immediate vicinity of Klang River, being near the main railway station. Boat making culture is exclusive to Terrenganu, Malaysia which will be conserved for the future generations of Malaysians.

Exterior Perspective

Site Plan

Ground Floor Plan

First Floor Plan

Concept Diagrams

Supervisor: Ar. Eric Chang

Detail Section

architecture portfolio

No:4 2020

Aquaponic Food Market Urban Infill Architectural Project: Vertical Farm Food Market Jalan Tun H.S. Lee, Malaysia The project is to design a place for the wellbeing of people in Kuala Lumpur. Considering Kuala Lumpurâ&#x20AC;&#x2122;s rate of unemployment, obesity, lack of space and decline of agriculture as a traditional industry. Urban farming was chosen as a method to address this issue. The design includes vertical farm, restaurant, workshop, fresh vegetable and vertical farm produce market and a community space. The building performs as a large scale air purifier to counter the traffic and a community hall promoting and providing the culture of fresh foods and educating the public on a healthier and more balance lifestyle.

Sectional Perspective

Isometric Site

Ground Floor Plan

First Floor Plan

Second Floor Plan

Concept Diagrams

Third Floor Plan

Supervisor: Ar. Lee Cherng Yih

Roof Plan

architecture portfolio

No:4 2020

Contain Joy Project Management: Shipping Container Housing Sentul, Kuala Lumpur, Malaysia Sentul is the main town area in Kuala Lumpur. It is primarily divided into two sections which is east and west Sentul. The project is to design a low cost budget residential for users ranging from university students to young working professionals. The concept is to use refurbished shipping containers to promote sustainable upcycling with installation of several ecological strategies which is incorporated into the structure and facade. To create a private dwelling without compromising comfort. By utilising recycled materials, further reduces carbon footprint and promote a more sustainable, circular economical lifestyle.

Exterior Perspective

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

Single Units

DELUXE 2

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

Sectional Interior

Floor Plan Modules

Supervisor: Ar. Chin Tuck Heng

Exterior Perspective

architecture portfolio

No:4 2020

Dr. Ravi Cosmetic Clinic Interior Design + Partitioning Layout Bangsar Lrt Station, Malaysia This project is to design the interior of an existing empty lot in the train station for a cosmetic clinic. The strategic location within the train station ensure large volume of clients and clear visual of the clinicâ&#x20AC;&#x2122;s branding and location. A private doctors office is positioned at a corner for easy access to all rooms. The dimension of each building element in the design complies with national medical building requirement to allow wheelchair access and of a specific thickness. The pharmacy cabinet design is inspired by old chinese herbal medicine shop which has mini push drawers for each type of medicine. The color scheme of the interior are warm bright tones.

Isometric

Supervisor: Chong Mei Lam

Floor Plan

architecture portfolio

No:4 2020

San Francisco Coffee Cafe Design + Planning Kenanga Mall, Kuala Lumpur To design and build a cafe installation into a shopping mall. Design inclusive of bar backsplash, signboard, kitchen, general furniture. The main feature for the cafe is this pavilion made with irregular pixelated palisander laminated cubes enclosing the preparation kitchen and pantry behind. To propose material like marble and stainless steel also balances the visual weight of the palisander feature wall and gives the cafe an harmonious and elegant view.

Overseas Cafe Design + Planning Kuala Lumpur, Malaysia To design a three storey shoplot cafe and co-working space with facilities. To propose interior detailing for facade, reception, kitchen, feature wall, general furnitures, lighting, acoustic and materials. My role was to produce schematic design for interior layout and general concept generation. Y

BOUNDARY LINE

TOILET 2

BOUNDARY LINE

2.86m²

WORKSHOP

KITCHEN

51.65m²

60.95m²

DOWN

STAIR 1 4.82 m²

STAIR 2 4.46 m²

C DOWN

LIFT

3.23m²

CAFE

68.57 m²

TOILET 8.80m²

VOID

OUTDOOR CAFE 23.00m²

BOUNDARY LINE

PELAN TINGKAT SATU

architecture portfolio

No:4 2020

Bicycle Generator Design + Enclosure Industrial Design Biji-Biji Initiative The Southeast Asian Games (Sukan Sea) August 2017. The project is to design the enclosure and system for the electric generating bicycle. The bicycle generator requires to comply with safety, ease of maintainence and to also prevent theft.

Exploded Detail Axonometry

A stand for the back wheel made to be used in an outdoor setting. To also further incorporate and attach underneath the front wheel of the bicycle. The entire structure must be extremely stable to achieve a weight support of 200kg. Timber was recommended due to cost and available machinery. A cover plate is required for the bicycle chain to be easy to disassembled and reassembled to prevent potential injury.

Isometric

Diminishing Growth A Photography Work of an Asian Market Jalan Pudu, Kuala Lumpur, Malaysia

Photography Publication

The story of pudu as a container of society, culture, history & memory. Pudu street as an experience of urban life, as transitional language. Jalan Pudu is one of the oldest undestroyed areas in Kuala Lumpur.

architecture portfolio

No:4 2020

Rencana TTDI mixed use commercial + living residential TTDI, Petaling Jaya, Malaysia

The concept of small office, flexible office space is not a new one. However, the concept of having the luxurious small office, flexible office space is. Not only are the offices opulently appointed, but the common areas within the building are anything but common. The five floor plans range in size and price to meet the budgetary and business size needs of business owners.

architecture portfolio

Wisma Peters Office Facade + Interior Layout

No:4 2020

Petaling Jaya, Malaysia Schematic Design To design an office involving from the facade to the interior. To provide schematic and customed detailing to renovate the existing office. With different layout options and suggested office circulation, to facelift and also propose a facade design allowing cross ventilation while provide shading in the tropical climate of Malaysia. Referencing Asakusa Centre, the facade suggest seperating and compartmentalising different sections of the office. Timber stained cement board is used at the core material of the fins to also absorb some of the heat before entering the space.

WORQCollaborative-Working Space Design Planning Professional Work Petaling Jaya, Malaysia Schematic Design The project is a design and build project for a co-working multipurpose office space with facilities. To propose interior detailing for office cubicles, billboard, counter, kitchen, feature wall, chairs, tables, lighting, acoustic and materials. This task exercises an eye for aesthetics on the materiality of the project which introduces complex circulation requirements. My role as an assistant architect is to propose schematic design to arrange floor layout, fur-

architecture portfolio

No:4 2020

I am a blank page

write som

architecture portfolio

I am a blank page

No:4 2020

mething? 28

gary chong wee ming born 18.11.1993 in Kuala Lumpur, Malaysia. tel: +49 176 29191958 mail: garychongweeming@gmail.com https://garychongwm.wixsite.com/portfolio

I am a back cover