Welcome to Geffen Playhouse and the launch of our 2023/2024 Season.
On behalf of the Board of Directors, we are thrilled to share with you a full lineup of inspired storytelling in our Gil Cates and Audrey Skirball Kenis Theaters, beginning with this tender and poignant production of Every Brilliant Thing.
In a time where nonprofit arts organizations and regional theaters across the country are facing extreme challenges and making difficult decisions, your presence today is the very foundation for Geffen Playhouse. Without the support of our patrons, donors, and subscribers, we could not realize our commitment to produce compelling theater, as well as continue our robust education and community engagement programs.
Thank you for joining us today to keep live theater thriving in Los Angeles. We can’t wait for you to experience all that 2023/2024 has in store at the Geffen.
With gratitude,
Adi Greenberg Board Chair
WELCOME TO
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BOARD CHAIR ADI GREENBERG
PHOTO BY TRISH ALISON PHOTOGRAPHY
SUBSCRIBE NOW & SAVE UP TO 30%! 310.208.2028 • GEFFENPLAYHOUSE.ORG THE ENGAGEMENT PARTY 10.04–11.05.2023 Gil Cates Theater POTUS OR , BEHIND EVERY GREAT DUMBASS ARE SEVEN WOMEN TRYING TO KEEP HIM ALIVE 01.17–02.18.2024 Gil Cates Theater TINY FATHER 06.12–07.14.2024 Gil Cates Theater BLACK CYPRESS BAYOU 02.07–03.17.2024 Audrey Skirball Kenis Theater THE HOPE THEORY 04.25–06.09.2024 Audrey Skirball Kenis Theater The Broadway Production of FAT HAM 03.27–04.28.2024 Gil Cates Theater
Welcome to the Geffen Playhouse 2023/2024
Season! Opening the season with Every Brilliant Thing is a particular pleasure for us. This is a play that leans into the best of humanity even as it acknowledges the hardest parts of being human. It asks audiences two crucial questions: one, how do we summon the strength to face the challenging things thrown in our path? And two, how do we lighten the load of others when they face their own obstacles? I believe that plays, at their best, make you feel as though you are leaving the theater having gained something unexpected; a new insight, an answer to an old question, even a call to action. My hope is that Duncan Macmillan and Jonny Donahoe’s play does just that.
Director Colm Summers, a beloved collaborator who has been in residence with us for the past season, has assembled a stunning team of designers to bring this play to life. In addition, Colm has had the opportunity to work with Daniel K. Isaac, an actor who infuses this performance with such beautiful empathy. Watching Daniel weave this story and build a relationship with a new audience every night is a wonderful reminder of the power of live theater.
As we launch into a new season, our hope is that the plays we’ve chosen will not only entertain and delight but will serve as a starting point for a larger conversation. For now, I want to thank you for your continued support of Geffen Playhouse.
Enjoy the show!
Amy Levinson
Associate Artistic Director
Adi Greenberg CHAIR
Dr. Gene D. Block
Gil Cates, Jr. Executive Director / CEO
Mary Ann Cloyd Vice Chair
Merle Dandridge
Dr. Brad Edgerton
Bonnie E. Eskenazi
Mark Fleischer
Susan Nahley Fleishman
Brenda Garcia
Patricia L. Glaser
Eric Heer
Carla Malden
Brian Mann
Tiffany Mayberry
Mary Osako
Danny Passman
Holly Rice
Linda Bernstein Rubin
Matt Shakman
Richard Sherman
Cynthia P. Stafford
Howard Tenenbaum Chair Emeritus
JaHan Wang
Marc Weinstock
FOUNDING TRUSTEES
Harold A. Brown
Kirsten Combs
Robert A. Daly
David Geffen
Herbert M. Gelfand Chair Emeritus
Quincy Jones
Jeffrey Katzenberg
Glorya Kaufman
Frank G. Mancuso Chair Emeritus
Ron Meyer
Jerry Moss
Bruce M. Ramer Founding Chair
Victoria Mann Simms
Andy Spahn
Steven Spielberg
Steve Tisch
Dr. Charles E. Young Chair Emeritus
IN MEMORIAM
Gilbert Cates Founder
Marcia Israel-Curley
Audrey Skirball Kenis
Charles Kenis
Karl Malden
Ginny Mancini
Jerry Perenchio
Edie Wasserman
Lew Wasserman
LEGAL
COUNSEL
Nikki Kerman Venable LLP
BOARD OF DIRECTORS
4 PLAYBILL ASSOCIATE ARTISTIC DIRECTOR
AMY LEVINSON
PHOTO BY ISAAK BERLINER
STORYTELLING IN ACTION: HOW
SATURDAY, NOVEMBER 4 • 9:00AM–12:30PM
Los Angeles families are invited to Geffen Playhouse to enjoy a free morning at the theater! Parents, caregivers, and children will participate in storytelling activities with Geffen Playhouse teaching artists.
This family literacy workshop is hosted by Geffen Playhouse and the Barbara Bush Foundation for Family Literacy.
FREE TO ATTEND • RECOMMENDED FOR AGES 8+
RESERVATION IS REQUIRED TO SAVE YOUR SPOT!
geffenplayhouse.org/tellstories
DO WE
STORIES?
TELL
COMMUNITY LITERACY WORKSHOP
EDUCATION & COMMUNITY ENGAGEMENT
SLEEVE NOTES
SIDE 1
1. Every Brilliant Thing began its life in 2006 as a monologue/short story that Duncan Macmillan wrote as a thank you/apology gift for his friend Rosie Thomson. She had previously appeared in a Macmillan play and had no lines.
2. Thomson first performed the piece, called “Sleeve Notes,” for the Miniaturists at Southwark Playhouse.
3. Some time later, Macmillan performed a tweaked version of the monologue at an event in which writers read their own work. The monologue was then performed again and again in and around London (Theatre503, the Union Theatre, Trafalgar Studios, the Old Red Lion, Village Underground, 93 Feet East, the Latitude Festival) by Thomson, Macmillan, Gugu Mbatha-Raw, Phoebe Waller-Bridge, and others.
4. In 2012, Macmillan and director George Perrin discussed revisiting the monologue as a full-length piece.
5. The full-length play, titled Every Brilliant Thing, was first produced by Paines Plough and Pentabus Theatre (directed by George Perrin; co-written by and starring Jonny Donahoe) at the Ludlow Fringe Festival in June 2013.
Rehearsals began on August 8, 2023
“...I loved the gatefold sleeves, the artwork, I love reading through the acknowledgements and the sleeve notes, the story of the making of the object.”
—Every Brilliant Thing
SIDE 2
1. The text of this production is unique to the Geffen. Macmillan invites each production of Every Brilliant Thing to adjust the script to the specifics of its location and performer.
2. Properties Master Rick Gilles led the production team in gathering over 200 knitted blankets for the construction of the canopy envisioned by Scenic Designer Sibyl Wickersheimer. Blankets were sourced from flea markets, antique/thrift stores, and eBay sellers across the US.
3. The script suggests that the audience should be lit at all times. To achieve a sense of comfortable inclusivity, Lighting Designer Benedict Conran used the canopy to generate a softbox effect, creating ambient house light without spotlighting any individual audience member.
4. Costume Designer Samantha C. Jones crafted an approachable clothing look to compliment the canopy. Some guiding principles of the design: No to “grief cardigans.” Yes to elements of whimsy.
5. Test audiences were invited into rehearsals on day four. Intimacy Director Amanda Rose Villarreal interviewed participants after, gathering feedback to calibrate moments of audience interaction.
DANIEL K. ISAAC’S SYSTEM FOR PROCESSING NOTES DURING REHEARSAL: POST-ITS. THEY ARE COLOR-CODED BY DATE AND TYPE. CATEGORIES INCLUDE: QUESTION, OVERARCHING NOTE, IMPROVISATION TO KEEP, AND IMPROVISATION TO DISCONTINUE.
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Rehearsed in Los Angeles, CA at GEFFEN PLAYHOUSE
EVERY BRILLIANT THING UK ——————————————————————————————> US
A ROCKY START
During the first week of rehearsals, Associate Director Austin Tooley stepped on a screw when he left his apartment, Production Stage Manager Colleen Danaher was rear-ended on her way to the theater, and Performer Daniel K. Isaac was stung by a bee during lunch break.
THERE ARE NO LIMITS IN JAZZ
The script of Every Brilliant Thing contains many references to American jazz music, which is beloved by the play’s “Dad.” In preparation for the Geffen production, the creative team and Sound Designer Stephanie Lynn Yackovetsky discussed the meaning that jazz might have to a Dad who had emigrated from South Korea to the US (the family history imagined by Daniel K. Isaac)—rather than to a British Dad, as in the original production. Looking at the personal journeys of firstwave Korean jazz musicians like Lee Pangeun, Park Sung-yeon, and Ryu Bok-sung provided a roadmap for understanding Dad’s introduction to and love of jazz. All three artists first heard American jazz on US military radio and developed their own relationships with the genre. In the same way that Duncan Macmillan envisioned jazz as providing a communicative language for “two English men who don’t necessarily express their emotions with much articulacy,” Korean jazz artists have also pointed to the power of the genre in expressing emotion. In a 2018 interview with The Korea Times, Park Sung-yeon
noted that “There are no limits in jazz. It always lacks something and that is what artists need to fill in.” Furthermore, jazz “is not about being popular, it’s about the soul.’’
In a 2014 interview with Branding In Asia, jazz musician Jumi Lee suggested that jazz is an expressive outlet for the Korean idea of “han,” a complex sense of lasting sorrow or resentment that is tied to injustice: “Historically, we were and are suppressed... In our impaired emotion, for us, music is so open and limitless, especially jazz. Because of these characteristics, we can express and take out all our instinctive emotions and han through jazz.”
KEEPING IT LIGHT
While jazz is integral to the world of the play, pop, soul, and dance music were integral to the rehearsal room. Production Assistant Dani Jaramillo curated upbeat warm-up and notes playlists featuring Carly Rae Jepsen, Beyoncé, Rihanna, Kylie Minogue, and more.
WERTHER & PAPAGENO EFFECTS
In contrast to the Werther Effect: the Papageno Effect, a reference to the Mozart opera The Magic Flute, refers to the idea that providing alternatives to suicide can be a powerful way to prevent it. In real life, the Papageno Effect can be put into practice by providing crisis line information and other resources in relation to stories of suicide and by encouraging folks who may be at risk of suicide to create a safety plan and to eliminate access to lethal means in their homes.
Geffen Playhouse is proud to partner with the Greater Los Angeles and Central Coast Chapter of the American Foundation for Suicide Prevention on this production of Every Brilliant Thing. Resources on suicide prevention are available in the lobby post-show and at www.afsp.org/LA.
FOR IMMEDIATE SUPPORT IN A CRISIS:
988 Suicide & Crisis Lifeline: Call or Text 988
Trevor Project (for LGBTQ+ Youth): Call 1-866-488-7386 or Text 678-678
Trans Lifeline Hotline: Call 877-565-8860
GEFFEN PLAYHOUSE 7 This is a high-fidelity live performance. 70 MINUTES No intermission PRINTED IN U.S.A.
EVERY BRILLIANT THING
WRITTEN BY DUNCAN MACMILLAN WITH JONNY DONAHOE
DIRECTED BY COLM SUMMERS
SCENIC DESIGNER SIBYL WICKERSHEIMER
LIGHTING DESIGNER
BENEDICT CONRAN
ASSOCIATE DIRECTOR
AUSTIN TOOLEY
COSTUME DESIGNER SAMANTHA C. JONES
SOUND DESIGNER
STEPHANIE LYNN YACKOVETSKY
INTIMACY DIRECTOR
AMANDA ROSE VILLAREAL
PRODUCTION STAGE MANAGER COLLEEN DANAHER
DRAMATURG OLIVIA O’CONNOR
CASTING DIRECTOR PHYLLIS SCHURINGA, CSA
OPENING NIGHT
THURSDAY, SEPTEMBER 14, 2023
Every Brilliant Thing was first produced by Paines Plough and Pentabus Theatre, on 28 June 2013 at Ludlow Fringe Festival. The play had its North American premiere at Barrow Street Theatre, New York, on 6 December 2014, where it was presented by Barrow Street Theatre and Jean Doumanian Productions.
Every Brilliant Thing is presented by special arrangement with Broadway Licensing, LLC, servicing the Dramatists Play Service imprint. (www.dramatists.com)
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THE GEFFEN PLAYHOUSE PRODUCTION OF
EVERY BRILLIANT THING
Performer .............................................................................
DANIEL K. ISAAC UNDERSTUDY
u/s Performer LESLIE STEVENS
The Actors and Stage Managers employed in this production are members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.
RUNNING TIME
70 minutes
There will be no intermission.
PLEASE NOTE
There is no photography or filming of any kind allowed during the performance. Please turn off all electronic devices, including cell phones. Thank you!
OPENING NIGHT SPONSOR
CAST
GEFFEN PLAYHOUSE 9
MUSIC CREDITS
“Wrapped Up In A Dream Called You”
Performed by Steve Rice Combo feat. Greta Matassa
Written by Steve Rice
Courtesy of Kazen Music Group c/o SyncSource Music, LLC
“Drown In My Own Tears”
Performed by Ray Charles
Written by Henry Glover, Arr. Ray Charles
Courtesy of Round Hill Music & Trio Music Company & Atlantic Recording Corp.
“Crazy”
Written and Performed by Tim Garland
Courtesy of Audio Network Music
“That’s Life”
Written by Dean Kay, Kelly L. Gordon
Courtesy of Peermusic & Universal PolyGram Int. Publishing, Inc.
“My Way”
Written by Claude Fancois, Jacques Revaux, Gilles Thibaut, Paul Anka
Courtesy of Concord Music Group, Inc. & Chrysalis Standards Inc.
“Some Things Last A Long Time”
Written by Daniel Johnston, Jad Fair
Courtesy of BMG Platinum Songs US obo Eternal Yip Eye Music & Third Side US Publishing obo Fire Songs
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DANIEL K. ISAAC (he/him) Performer
Off-Broadway: You Will Get Sick (Roundabout Theatre Company), The Chinese Lady (Drama Desk Nomination, MaYi Theater Company/The Public Theater); You Never Touched the Dirt (Clubbed Thumb); The Gentleman Caller (Abingdon Theatre Company); Sagittarius Ponderosa (NAATCO); Underland (59E59 Theaters); Anna Nicole the Opera (BAM). Regional: The Ballad of Little Jo (Two River Theater). Film/TV:
“Ben Kim” on Billions (Showtime); The Other Two, Last Week Tonight with John Oliver, The Deuce, Crashing, Too Big to Fail (HBO); The Drummer, The Expecting, Money Monster, The Jim Gaffigan Show, Person of Interest. Upcoming: Plan B, Dirty Rhetoric. As a playwright, he made his debut with ONCE UPON A (korean) TIME (Ma-Yi).
@danielkisaac
DUNCAN MACMILLAN Playwright
Duncan Macmillan is a writer for theatre, television, and film. His theatre work includes Lungs; People, Places and Things; Every Brilliant Thing; Rosmersholm (adapt. Henrik Ibsen); 1984 (adapt. George Orwell, co-written and co-directed with Robert Icke); City of Glass (adapt. Paul Auster); and 2071 (co-written with Chris Rapley). Other plays include The Forbidden Zone; Wunschloses Unglück (adapt. Peter Handke); Reise Durch die Nacht (adapt. Friederike Mayröcker). His work has been performed throughout the world, including National Theatre, The Old Vic, Royal Court Theatre, Almeida Theatre, Barbican, St. Ann’s Warehouse, Melbourne Theatre Company, Berliner Ensemble, Hamburg Schauspielhaus, Schauspielhaus Köln, Burgtheater Wien, Vesturport, Kansallisteatteri, Nationaltheatret Oslo, and in the repertory of the Schaubühne Berlin, as well as the Edinburgh Festival, the Manchester International Festival, Salzburg Festival, Festival d’Avignon, Theatertreffen, in the West End, and on Broadway. His screen work has appeared on the BBC, HBO, Netflix and at the Berlin and London Film Fes-
tivals. Reise Durch die Nacht was awarded the Nestroy Preis for Best German Language Production. Both 1984 and People, Places and Things were nominated for Best New Play at the Olivier Awards, and Rosmersholm was nominated for Best Revival.
Jonny Donahoe is an actor, comedian, playwright, and screenwriter. His one-man show Every Brilliant Thing, (which he co-wrote and originally performed), has played more than six hundred times over four continents, including five months off-Broadway at The Barrow Street Theatre. The show was filmed by World of Wonder and screened as a special on HBO. He was nominated for a Drama Desk Award, Lucille Lortel Award, and an Off-Broadway Alliance Award for his performance. He is the frontman of musical-comedy-satirists, Jonny & The Baptists, as well regularly performing stand-up in his own right. His play Thirty Christmases (starring himself and Rachel Parris), premiered at the Old Fire Station in Oxford, before transferring to the New Diorama Theatre in London. He has also created a twelve-part series on parenthood with real-life partner
JONNY DONAHOE (they/he) Playwright
PRODUCTION BIOGRAPHIES GEFFEN PLAYHOUSE 11
Josie Long called Josie & Jonny Are Having a Baby (With You!) for American podcast network Midroll. More recently has written the acclaimed new play Forgiveness which toured the UK and internationally in 2022.
a Resident Performing Artist at BRIClab, Brooklyn. Colm was recently awarded the Irish Arts Council Next Generation Artists Award. He is delighted and grateful to make his Geffen Playhouse debut.
www.colmsummers.com
SIBYL WICKERSHEIMER
Scenic Designer
performances at the Natural History Museum of Los Angeles. Sibyl is an Associate Professor at the USC School of Dramatic Arts. www.sawgirl.com
SAMANTHA C. JONES (she/her)
Costume Designer
COLM SUMMERS (he/him) Director
Colm Summers is a director from Waterford, Ireland, based between Los Angeles, New York, and Dublin. Selected credits include: The Inheritance (Geffen Playhouse), Portia Coughlan (Abbey Theatre), La Clemenza di Tito (Grand Théâtre de Genève).
Colm has worked with The Wooster Group, the feath3r theory, Milo Rau, Dead Centre, and Pan Pan. Read Colm’s essays in Études, Blast at 100 (Brill), and in Charles Macklin and the Theatres of London (Liverpool University Press). As playwright, Colm is published in Fresh Cuts: New Plays from Dublin Fringe (Oberon). He is a Berkeley Rep Ground Floor cohort member, Dublin Fringe Radical Spirit Award Nominee, Dublin Theatre Festival Next Stage cohort member, and Pan Pan International Mentorship mentee.
Colm was Resident Director at the National Theatre of Ireland, inaugural Director in Residence at the Geffen Playhouse, and
Sibyl’s interests span design for live performance, installations, exhibitions, and design for mental health care initiatives. Her foundation as a theatrical set designer led Sibyl to co-author the book Scene Shift: U.S. Set Designers in Conversation with scenographer Maureen Weiss. Sibyl most recently designed Mindplay and The Lonely Few in the Audrey Skirball Kenis Theater at the Geffen; this is her tenth design on the Geffen Playhouse stages. She has also designed for notable theatres across the country including A.C.T., Theatre for a New Audience, Steppenwolf Theatre, Oregon Shakespeare Festival, Lookingglass Theatre Company, Seattle Rep, Portland Center Stage, and Woolly Mammoth Theatre Company. In the LA area, she has designed at the Kirk Douglas Theatre, South Coast Repertory, The Industry, Circle X Theatre Co., A Noise Within, The Actors’ Gang, and many more. Unique projects have included art installations in SoCal art galleries, Eric Idle’s What About Dick? (Orpheum/ Netflix), and the stage for the daily giant dinosaur puppet
Samantha C. Jones is excited to return to Geffen Playhouse as a part of this wonderful work. She is a Costume Designer and educator with previous design credits at Geffen Playhouse, Center Theatre Group, Oregon Shakespeare Festival, Huntington Theatre Company, Goodman Theatre, Court Theatre, Paramount Theatre (Aurora), Steppenwolf Theatre, Northlight Theatre, Drury Lane Theatre, Writers Theatre, Lookingglass Theatre Company, Chicago Children’s Theatre, TimeLine Theatre, Porchlight Music Theatre, Jackalope Theatre, Cleveland Play House, Kansas City Repertory Theatre, Alley Theatre, Seattle Children’s Theatre, First Stage Theatre, Skylight Music Theatre, Indiana Repertory Theatre, Peninsula Players Theater, and others.
Upcoming productions include: The Nacirema Society (Goodman Theatre), Clyde’s (Denver Center for the Performing Arts). Her work can be viewed at
www.samanthacjones.com.
BENEDICT CONRAN (he/him)
Lighting Designer
Benedict is excited to make his debut designing at the Geffen Playhouse. Benedict is an LAbased lighting designer specializing in new works, immersive
PRODUCTION BIOGRAPHIES 12 PLAYBILL
and XR theater. His recent AR theater project, A Most Favored Nation, was featured at SIGGRAPH Asia. Benedict graduated from UCLA with an M.F.A. in Lighting Design. Recent works include: The Consul and Tosca (Angels Vocal Art); In My Bones (Panndora Productions); Home Front (Victory Theatre Center); Man’s Favour Devil’s Plan (The Robey Theatre Company).
Assistant credits include: The Recital and The Romance of the Rose (Long Beach Opera); TRAYF and Power of Sail (Geffen Playhouse). www.benconrandesign.com
STEPHANIE LYNN YACKOVETSKY (she/they)
Sound Designer
Stephanie Lynn Yackovetsky is a sound designer, playwright, and performer originally from New England. Previous designs include: Group Therapy (by Peter Lefcourt, directed by Terri Hanauer); Nerdy Prudes Must Die (Team StarKid); Tartuffe (CSUN); Laughs in Spanish, the smuggler, The Book Club Play (Boston Playwrights’ Theatre); Wolf Play (Company One Theatre). M.F.A. Boston University. stephanielynnyackovetsky.com
AUSTIN TOOLEY (he/him)
Associate Director
Austin Tooley is an NYC-based director and dramaturg who received his M.F.A. in Dramaturgy at Columbia University in 2021. Recent directing work includes Argonauts by Jacob K Robinson at Columbia University, The Outposters for PrideFest
at The Tank, and Narcissus, a Roman pantomime live-taped in partnership with PBS. Recent dramaturgy includes play development residencies in Waterford, Ireland for Purgatory by Colm Summers and Ciara Ní Chuirc, and at the Catwalk Art Residency in Catskill, NY for Barbies by A.A. Brenner.
AMANDA ROSE VILLARREAL (she/they) Intimacy Director
Amanda Rose Villarreal is an intimacy choreographer and immersive artist. They are associate faculty with Theatrical Intimacy Education, who also trained with IDC and IPA in the US, and Moving Body Arts in the UK. Amanda Rose earned their Ph.D. in Theatre and Performance Studies from the University of Colorado Boulder, where they researched and developed consent-based practices for immersive and gamified performance. Since relocating to LA, they have choreographed intimacy for Pasadena Playhouse (Uncle Vanya, Sanctuary City, A Little Night Music) and Geffen Playhouse (The Inheritance Part 1 & Part 2). Recent immersive intimacy design includes work with The Catamounts in Boulder (The Green), Sinking Ship Creations in NYC (Project Ascension, The Job Opportunity), and Moonrise LARP Games (Valha11a Season 1, Valha11a Season 2) in Chicago. Amanda Rose is rejuvenated by and grateful for the opportunity to bring their immersive and intimacy specialties together in service of Every Brilliant Thing.
OLIVIA O’CONNOR (she/her) Dramaturg
Olivia O’Connor joined the Geffen as Literary Manager & Dramaturg in 2022. Her previous creative development experience includes staff positions at Pittsburgh CLO (Manager of New Work Development) and Roundabout Theatre Company (Artistic Associate), as well as dramaturgy and selection committee work with City Theatre Company, Pittsburgh Public Theater, Bricolage Production Company, Third Space Theatre, The Flea Theater, the National Alliance for Musical Theatre, and the 5th Avenue Theatre. Outside of her institutional work, Olivia has experience as a script consultant, copywriter, and playwright.
www.oliviaannoconnor.com
COLLEEN DANAHER (she/her) Production Stage Manager
Colleen Danaher is excited to make her LA theatre debut at the Geffen Playhouse. She recently left the road after 11 years with the touring company of Wicked Broadway: Godspell, Wonderland, South Pacific, Lend Me a Tenor, Grease, Grey Gardens. Regional: Many productions over several years at the Vineyard Playhouse on beautiful Martha’s Vineyard. Love to Michael and Gus. Thanks to Jen Ash for reminding her how all this works. <3 to LBB.
PHYLLIS SCHURINGA, CSA (she/her)
Casting Director
Phyllis is an Artistic Associate and the Casting Director for
PRODUCTION BIOGRAPHIES GEFFEN PLAYHOUSE 13
Geffen Playhouse. She has received 8 Artios nominations: Power of Sail, Man of God, Witch, Significant Other, Actually, Barbecue, Barcelona, and The Country House. Before joining the Geffen, she was the Casting Director for Steppenwolf Theater Company in Chicago where her favorites include Frank Galati’s adaptation of The Grapes of Wrath (also La Jolla Playhouse, National Theatre in London, and Broadway, where it received the Tony Award for Best Play), the original production of Steve Martin’s Picasso at the Lapin Agile (and subsequent productions including Westwood Playhouse and Briar Street Theater in Chicago). Broadway transfers include One Flew Over the Cuckoo’s Nest (Tony Award for Best Revival), The Song of Jacob Zulu, and The Rise and Fall of Little Voice. She is a member of the Casting Society of America.
GIL CATES, JR.
Executive Director / CEO
Gil Cates, Jr. is Executive Director / CEO of Geffen Playhouse. In this role, he is responsible for managing the Geffen’s dayto-day operations; developing new, ongoing theater partnerships and leading its mission to inform, entertain and inspire
diverse audiences with live theater of the highest caliber. Prior to being named Executive Director in 2015, Cates served as Geffen Playhouse Board Vice Chairman since 2012 and served as a producer and director in theater, film and television. His theater credits include the award-winning Names (Matrix Theatre Company) and Three Sisters and David Mamet’s A Life in the Theatre (both at Syracuse Stage). Cates’ film credits include The Surface (starring Sean Astin and Geffen Playhouse alumnus Chris Mulkey), Jobs (starring Ashton Kutcher, Josh Gad, Dermot Mulroney, as well as Geffen Playhouse alumni Matthew Modine and Ron Eldard) and the 2011 feature film Lucky (starring Colin Hanks, Ari Graynor and Ann-Margret). In addition, Cates co-produced and co-directed the critically acclaimed Life After Tomorrow, featuring Sarah Jessica Parker, which premiered on Showtime. His other films include Deal (starring Burt Reynolds, Bret Harrison and Charles Durning) and The Mesmerist (starring Jessica Capshaw and Geffen Playhouse alumnus Neil Patrick Harris). Cates’ television directorial debut was an episode of the NBC comedy Joey, starring Emmy winner Matt LeBlanc. He recently directed Displaced, a documentary short chronicling the journey of one of the first refugee families to flee Ukraine and arrive in the U.S.
after escaping the Russian invasion. He studied at the National Theatre Institute in Waterford, Connecticut, and holds a B.F.A. in Drama from Syracuse University.
During her tenure at the Geffen, Amy has spearheaded numerous programs for commissioning and developing new plays and has shepherded more than 150 plays into production. Dramaturgy credits include the commissions and world premieres of Donald Margulies’ Time Stands Still and Coney Island Christmas, Jane Anderson’s The Quality of Life and The Escort, Amanda Peet’s Our Very Own Carlin McCullough, and Michael Mitnick’s Mysterious Circumstances
Other dramaturgy credits include Actually, Invisible Tango, Extraordinary Chambers, Build, Equivocation, Joan Rivers: A Work in Progress by a Life in Progress, Guards at the Taj, and Geffen Stayhouse virtual shows including Helder Guimarães’ The Present and The Future, and David Kwong’s Inside the Box. She holds an M.F.A. in Dramaturgy from the University of Massachusetts, Amherst.
AMY LEVINSON (she/her) Associate Artistic Director
PRODUCTION BIOGRAPHIES 14 PLAYBILL
ACKNOWLEDGEMENTS
PRODUCTION STAFF FOR EVERY BRILLIANT THING
Production Assistant
Dani Jaramillo
On-Book Production Assistant
Cecelia Bonner
Deck Crew
Chris Cowan
Carpenter Crew Lead
Philip Rossi
Wardrobe Supervisor
Kassidy Klinesmith
Lighting Programmer
Emily Moore
Light Board Operator
Ezra Muthiah
Light Board Operator Swing
Jesus Elias-Cambero
Sound Board Operator
Michael Svolos
Sound Technicians
Bob Gilmartin, Michael Svolos
Properties Artisans & Carpenters
Christopher R. Baab, Sigourney Chin, Danny Dolan, Greg Mueller
Carpenters
James Chew, Chris Cowan, David Foubert, Enrique Garcia, Shadow LaValley, Greg Mueller, James Stanley, Lila Schmitz
Scenic Painter
Vanessa Lara
Stitchers
Stephanie Castro, Meghan Gottschalk, Kassidy Klinesmith, Michayla Van Treek
Electricians
Erica Ammerman, Shannon Barondeau, Ezra Fisher, Ezra Muthiah, Keanu Ross-Cabrera, James Tatsch
PRODUCTION ACKNOWLEDGEMENTS
Lighting Equipment Provided By
Kinetic Lighting
Sound Equipment Provided By Jon Sound Inc., DnB Design, Launch
Production Photographer
Isaak Berliner
Media Filming
Ramon Garcia, Gabriel Zuniga
SPECIAL THANKS
Design + Art Direction
Base Design Photography
Justin Bettman
UCLA School of Theater, Film, and Television Scene, Prop, Sound, and Costume Shops; From Daniel K. Isaac: Scott Rising, Scott A. Kramer, Ian Ames, Don Birge, Kathleen Supové, Esther Lee; From Colm Summers: Anthony Summers, Robbyn Swan, Evan Daves, Miranda Gruss, Noah Ezell, Aquene Reed, Dana Stevens
This theater operates under agreement between the League of Resident Theaters and Actors Equity Association, the union of professional actors and stage managers in the United States.
The Actors and Stage Managers employed in this production are members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.
This theater operates under agreement between the League of Resident Theaters and Stage Directors and Choreographers Society, an independent national labor union.
The Director is a Member of the Stage Directors and Choreographers Society, a national theatrical labor union. The scenic, costume, lighting, and sound designers in LORT theaters are represented by United Scenic Artists Local USA-829, IATSE.
Geffen Playhouse is supported, in part, by the Los Angeles County Board of Supervisors through the Los Angeles County Arts Commission.
This project was also funded in part by the Department of Cultural Affairs, City of Los Angeles.
Geffen Playhouse, a not-for-profit theater company, is proudly affiliated with the University of California at Los Angeles.
GEFFEN PLAYHOUSE 15
THE NEW PLAY DEVELOPMENT PROGRAM
Supporting artists is central to the mission of the Geffen Playhouse, and play commissions are a cornerstone of that support. To commission a playwright to write a play means making a commitment to their voice, craft, and vision, with the hope of sharing the fruits of their work on our stage.
The Geffen Playhouse’s New Play Development Program is made possible, in large part, through the leadership and generosity of donations from: The Edgerton Foundation, The Harold & Mimi Steinberg Charitable Trust, Fay & Frank Mancuso, Sandra Krause & William Fitzgerald, Hilary & Jack Angelo, and Mary Bianco, The MOCA Foundation.
We are proud to have the following artists under commission:
LUIS ALFARO
JONATHAN CAREN
COLMAN DOMINGO
MICHAEL GOLAMCO
MEGHAN KENNEDY
MATTHEW LÓPEZ
MARTYNA MAJOK
QUI NGUYEN
STACY OSEI-KUFFOUR
JIEHAE PARK
JOHN POLLONO
ROBERT SCHENKKAN
JEN SILVERMAN
DAVID WIENER
CRAIG WRIGHT
LAUREN YEE
For more information on this program, please visit geffenplayhouse.org/newplays.
THE WRITERS’ ROOM
A group for Los Angeles-based playwrights, The Writers’ Room is a product of the Geffen’s deep commitment to supporting new plays and specifically to fostering bold, relevant work by the vibrant artistic community of this city. During this one-year residency, playwright members gather monthly at the Geffen to share their work and receive feedback from their peers and the Geffen’s artistic staff, culminating in a play reading series.
We are proud to have the following artists in the 2023/2024 Writers’ Room:
ASHLEY AUGUST
JENNIFER CHANG & INARA GEORGE
PARIS CRAYTON III
CHRISTINA HAM
PALOMA NOZICKA
ALEXIS ROBLAN
The Writers’ Room is made possible through the generous support of the William Randolph Hearst Foundation and Jerry & Terri Kohl.
For more information on this program, please visit geffenplayhouse.org/thewritersroom.
CONTACT
Geffen Playhouse
10886 Le Conte Avenue
Los Angeles, CA 90024
ADMINISTRATIVE OFFICES
310.208.6500
Monday – Friday, 10:00am – 6:00pm
AUDIENCE SERVICES
310.208.2028
Tuesday – Sunday, 12:00pm – 6:00pm
Please visit geffenplayhouse.org for hours, parking and more information.
BOX OFFICE WINDOW
Tuesday – Sunday, 12:00pm – 6:00pm, as well as on performance days up until 15 minutes after curtain.
Please note: the box office window is unable to process exchanges or future sales one hour prior to curtain time on performance days.
ACCESSIBILITY
Geffen Playhouse is fully committed to providing access to patrons with mobility, visual and hearing impairments. Parking spaces directly outside the theater are zoned for drop off and pick up, as well as disabled parking spots for patrons with appropriate placards and plates. For more information, visit geffenplayhouse.org/access or call Audience Services.
LATE SEATING
Should you arrive late to the theater or vacate your seat during the performance, please expect to be held in the lobby until an appropriate pause in the action on stage. Some productions or circumstances may not allow for late or return seating. To minimize disturbances to other patrons, you may be seated in the first available location by the house staff even if it is different from your assigned seat.
NO PHOTOGRAPHY
There is no photography or filming of any kind allowed during the performance. Please turn off all electronic devices, including cell phones.
UCLA SCHOOL OF THEATER, FILM AND TELEVISION
Geffen Playhouse is affiliated with the University of California at Los Angeles, specifically the UCLA School of Theater, Film and Television. Geffen Playhouse values its role as an important educational resource by providing students with master classes, workshops and internships. Students are also able to work and learn from distinguished visiting Geffen artists in areas of directing, playwriting, acting, design, dramaturgy, management and production.
Geffen Playhouse also draws upon the distinguished experts in the university to enhance the theater’s programs and research.
GEFFEN AT A GLANCE
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BE AN INSIDER
DONORS ENJOY A VARIETY OF BENEFITS THAT BRING THEM CLOSER TO THE THEATER THEY LOVE, INCLUDING:
DONATE TODAY
Geffen Playhouse is a non-profit theater. With ticket sales only covering 40% of expenses, we rely on the generosity of our audiences to make theater happen. Your gift supports Geffen Playhouse’s artistic and educational initiatives, including new play development, access for audiences, in-school partnership programs, and much more. Become a donor today!
GEFFENPLAYHOUSE.ORG/DONATE · 310.208.6500 x 113
Geffen Playhouse is a 501(c)(3) non-profit organization (Federal Tax ID# 95-4492653). Donations are tax deductible under the fullest extent of the law.
ACCESS TO THE MARCIA ISRAEL-CURLEY FOUNDERS ROOM BEFORE SHOWS
TO
PERFORMANCES & CAST
INVITATIONS TO BEHIND-THE-SCENES TALKS WITH ARTISTS & STAFF
INVITATIONS
OPENING NIGHT
PARTIES COMPLIMENTARY DRINKS, PARKING, AND OTHER TOKENS OF OUR APPRECIATION
ANNUAL DONORS
Geffen Playhouse recognizes the following individuals and organizations for their generous support of our Annual Fund and Backstage at the Geffen. Donors are listed at the Partner’s Circle level and higher for gifts made between July 1, 2022 and August 1, 2023.
† Geffen Playhouse Board of Directors
^ Geffen Playhouse Founding Trustees
In appreciation, Annual Fund donors enjoy a host of special benefits including house seats, complimentary drinks, receptions, and much more.
For more information, please call Tracy Reich at 310.208.6500 ext. 113.
PREMIERE CIRCLE
$100,000+
Anonymous (2)
The Ahmanson Foundation
Jana & Trevor Bezdek
California Arts Council
City National Bank
Edgerton Foundation
The Adi† & Jerry Greenberg Foundation
William Randolph Hearst Foundation
Martha Henderson
Elizabeth & David Kerman
Jerry & Terri Kohl
Linda Bernstein Rubin† & Tony Rubin
Shubert Foundation
Jodi & Howard Tenenbaum†
Miranda & Brett Tollman
UCLA
UCLA Health
INNOVATOR CIRCLE
$50,000 – $99,999
The Berlanti Family Foundation
Kevin & Claudia Bright
Joyce Eisenberg-Keefer
Loretta Everett Kaufman & Victor Kaufman
John McCrite & Juan Lopez
Kenneth T. and Eileen L. Norris Foundation
The Ralph M. Parsons Foundation
Holly Rice† & Vince Gilligan
Matt Shakman† & Maggie Malone
Elaine P. Wynn & Family Foundation
PRODUCER’S CIRCLE
$25,000 – $49,999
Anonymous
Marcy Carsey
Capital Group
City of Los Angeles Department of Cultural Affairs
The Walt Disney Company
Dwight Stuart Youth Fund
Dr. & Mrs. Paul Eisenberg
Susan & Mark Fleischer†
Carol & Paul Frimmer
The Rosalinde and Arthur Gilbert Foundation
Patty Glaser† & Sam Mudie
Samantha & Eric Heer†
Cindy & Alan Horn
Marcia Israel-Curley Foundation
Los Angeles County Arts Commission
Carla Malden† & Norman Beil
Paramount Pictures
Allen Blue & Kira Snyder
State of California, Governor’s Office of Business and Economic Development
Judith & Bruce Stern
U.S. Bank Foundation
PLAYWRIGHTS’S CIRCLE
$10,000 – $24,999
Anonymous
Eva Aaronson— In Memory of Bucky Hazan
Pat & Sandy Adams
Beth Behrs & Michael Gladis
The Barbara Bush Foundation for Family Literacy
Mary Ann Cloyd†
Ellyce R. Cooper & Barry Cohen / Sidley Austin LLP
Merle Dandridge†
Bonnie E. Eskenazi† / Greenberg Glusker
Robyn Field & Anthony O’Carroll
Eric Flamholtz & Yvonne Randle
Gang, Tyre, Ramer, Brown & Passman, Inc.
Marcy Gross
Alexander & Katie & Grey Grosvenor
In Memory of Morris A. Hazan
Stanley Iezman & Nancy Stark
David & Martha Kadue
Julie & David Kavner
Lyn & Norman Lear
Karen & Walter Loewenstern
Mr. & Mrs. Frank Mancuso Jr.
Benedicta & Geoffry Oblath
Carol & Bill Ouchi
Cheryl Petersen & Roger Lustberg
National Endowment for the Arts, in partnership with Mid-America Arts Alliance
Thomas L. Safran
Scott Sandler
Carol ‘Jackie’ & Charles Schwartz
Jane Rissman & Richard Sondheimer
Kate Capshaw Spielberg & Steven Spielberg^
The Harold and Mimi Steinberg Charitable Trust
Deborah Tavlin
Daniel Tongbai & Henry Clancy
Joanne & Ken Weinman
Susan & Dan White
Ken Willner & Jim Stine
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CREATOR’S CIRCLE
$5,000 – $9,999
Anonymous
Debbie Allen & Norman Nixon
Aversa Foundation
Dr. Joan Denson & Dr. Victoria Berck
Shelly & Libby Bergen
Mara W. Breech Foundation
Robert Brook & Jacqueline Kosecoff
Katherine Brown & Rene Mendoza
Glenn & Lynn Cardoso
Marissa Caudill & David Merrill
Dan Clivner
Mary Jo & Caleb Deschanel
Anne Dougherty & David Dobrikin
Lisa Field, Field Family Foundation
In Honor of Virginia Field
Lynn T. Franklin
Steve Freedman & Helen Sideris
Sonia & Robert Freedman and Family
Bob & Diana Friedman
G2 Graphic Service, Inc.
Larry Gagosian
Ann & Jim Gianopulos
David & Kiki Gindler
Waterman and Glicksteen Families
Sue & Steve Glusker
MaryAnn & Irwin Gold
In Honor of Richard Sherman— From Ken & Lori Goldman
Noble & Jacquelynn Hansen
Richard Rasiej & Joan Herman
Mellody Hobson / Ariel Investments, LLC
Sir Elton John & David Furnish
Mannon Kaplan
Laura Kennedy
Willette & Manny Klausner
Marla & Daniel Klein
Kling Family Foundation / Allen & Jessica Kling
Norman Koplof & Leslie Falick
Sandra Krause & William Fitzgerald
Marcia E. Williams & Gene Lucero
Renee & Meyer Luskin
Stewart Mayeda
Katie McGrath & J.J. Abrams
Cara Gardenswartz & David Melnick
Bradley & Lisa Mindlin—
In Memory of Sandra Tenenbaum
Mintz Family Fund
Rio & Frank Morse
Olympus Theatricals
Shana & Don Passman
Carolyn A. Poer & John M. Poer
Judith Reichman, M.D.
Gil Schwartz Foundation
Steve & Paula Mae Schwartz
Richard† & Barbara Sherman
John Shustitzky & Christine Chakoian
Jerome & Joan Snyder
Nancy Heller & Fred Specktor
Johnese Spisso, MPA
William & Karen Timberlake
Kathryn & Alan Van Vliet
JaHan Wang†
Julie & Peter Weil
Karen & Rick Wolfen
Lisa Yen & Tom Bajoras
DIRECTOR’S CIRCLE
$2,500 – $4,999
Robert E. & Maria H. Barron
Madelyn Bennett & Eric Gibson
Philip Blumenshine
VJ Boyd
Noora Raj Brown
Jay Butterfield & Susan Ewert
Cindy Clark
Linda & John Coleman
Comcast NBCUniversal
Don Dorsey
Jacki & Murray Drechsler
Charlotte Gold
Manuela & James Goren
Karney Guren Family Foundation
Barbara Herman
Jean Himmelstein
Stephen Sass & Steven Hochstadt
Linda & David Kagel
Jane & Rand Marlis
Norma & Larry Meyers
Cookie Miller
Thaine & Elizabeth Morris
Michael R. Oppenheim
Carol Risher
Snyder Family Foundation
Zackery Alexzander Stephens
Aurora & Marc Weinstock†
Gelena & Seth Weissman
Leslie White & Al Limon
Ellen & Arnold Zetcher
DESIGNER’S CIRCLE
$1,000 – $2,499
Anonymous (2)
Miriam Aguiar
Dr. & Mrs. Bruce Allen
Henry Alpert
Laura & Harvey Alpert
Jan & David Altemus
Patti Amstutz
Bonnie & Bill Apfelbaum
Eloise & Mark Appel
Margaret Campbell Arvey
Rob Bailis
Wendy & John Bergquist
Westmount Asset Management
Yvonne Bernard & Henry De Priest & Lookout Entertainment
Artie & Ellie Berrick
John Bjorge & Mary McKelvey
Larry & Julie Blivas— In Honor of Phyllis Blivas
Mrs. Carol K. Block & Chancellor Gene D. Block†
Paula Brand
Dr. Adrienne Brandriss
Howard Brightman
Linda & Jerry Bruckheimer
Lexy & John Carroll
Stephanie & Jonathan Carson
Dr. Fanya Carter, Ph.D.
Sylvie & Peter Cartmell
Gil Cates, Jr.†
Jane Cates
Shelby & Lee Chaden
Martha J. Chase
Ginger Conrad
Stephen & Erin Cook
Honorable Candace Cooper
In Loving Memory of Ed Cypert
ANNUAL DONORS GEFFEN PLAYHOUSE 19
J. Jason Daunter
Dr. Joanna & Jeff Davis
Phil Davis
Pam Dawber & Mark Harmon
Brock Dewey
Jan & Thea Drayer
Colleen M. Ellis
Terri & David Elston
Carl & Courtenay Enright
Susanna Felleman
Dr. Kimberly Finney
In Honor of Frank & Betty Fouce
Joan & Charles Fox
Dennis & Jackie Fox
Anita Dann Friedman & Harvey Friedman
Catherine Froloff
Diane Futterman
Mary & Rick Genow
Bruce & Leslie Gifford
Michael Gintz
Priscila Giraldo
Linda & Louis Goldsman
Ellie Goodman
Jill Grigsby & Rett Bull
Penny Grosz & Eugene Korney
Harris Family Foundation
Scott Hartle
Mary Hartley
Murray & Gail Heltzer
Jackson Henry
Jack Hileman & Roxanne Huddleston
Dr. John D. Hofbauer & Dr. Laura E. Fox
Rand Hoffman & Charlotte Robinson
Michael & Jay Ireland
Victoria Jackson & Bill Guthy
Lynn Hunt & Margaret Jacob
Sally & Dr. Manny J. Karbelnig
Patricia Keating
Beverlee Bickmore & James Kelly
Corrinne Mann Kempinsky & Louis Kempinsky
Van Khanna
King Nutronics Corporation
Ann & Jonathan Kirsch
Wendy Kirshner
Dr. Phyllis H. Klein
Katherine Kleindienst & Marc Goldsmith
Lena & Mark Labowe
Mindy Lauerlevin & Ed Levin
Tricia Lee
Rena & Craig Leeds
Trini Lewis
Cathleen Fitzpatrick Linder
Steven Llanusa & Glenn Miya, M.D.
Judith Locke
Tania Lotia
Dr. Jennifer Lucero
The Malins Family Foundation
Eric & Eva Plaza Mandel
Michael N. Marks
David Israeli & Dr. Marie Mazzone
S. McQueen & D. Whalen
Ali Meghdadi
Anne & Ronald Mellor
Hillary & Lance Milken
Joan & Phil Miller
Andrew & Laura Mintzer
Ron Myrick
Blake Neely
Mark & Diane Neubauer
Michael Nicklin
Ornest Family Foundation
Carol & Alan Ostroff
Ralph Page
Philip & Leslie Paton
Sallie Patrick
Jacalyn & Paul Pepperman
Phil & Agnes Peters
Ruth Popkin
Clark & Kathryn Porter
Joyce & Harvey Reichard
Dolores Rogers
Allison & Bennett Rosenthal
Oren Rosenthal
The Ross Family
Peter & Andrea Roth
David A. & Karen Richards Sachs
Jack Grossbart & Marc Schwartz
Susan Schwarz & Stuart Berton
John Shaw
Rita & Jose Sigal
Ron Silverman & Soraya Ross
Marlene Sklar & Joel Moskowitz
Dr. Ira & Dawn Smalberg
Ronald Smith
John Sonego & Thomas Faughnan
Mitch & Sherry Stein
Eric Strom & Eileen Goodis
Melora Sundt & Rob Kadota
Cela Devine Sutton
Audri & Stan Tendler
Marjorie Thomson
Iris Tuesday Productions
Rebecca Vail
Theodore H. Sweetser & Jane L. Valentine
Daniel & Shauna Valenzuela
Ira & Laurie Waldman
Marcia & Charles Wasserman Ph.D
Judith Leslie Waxman & Leo Stytle
Alison Whalen & Steve Marenberg
Judith & Philip Winik
Richard Yaffe
Bobbi & Walter Zifkin
PARTNER’S CIRCLE
$500 – $999
Anonymous (6)
Robert C. Anderson
Bonnie R. Arnold
Don Bacigalupi
Corey Barash
In Memory of Patricia Beals
Michael & Susan Bordy
Carol J. Bradshaw
Marlene Bronson
Mrs. Dorothy Hoffman
Laura D. Campbell
Anthony Carbone
Elena & Jonathan Cates
Sandra Chan & Richard Pezner
Mike Clements
Pam Coats
Hedva & Dr. Dudley Danoff
Susan Dashe
Kristin Diehl
Jeff Eckerle & Marilyn Osborn
Elizabeth A. Evans
Katherine A. Evans
Carol & John Fox
Kenneth J. Friedman & Marilynn J. Friedman Family Foundation
Stephen Galloway
Corinne B. Garson
ANNUAL DONORS 20 PLAYBILL
Francine Golden & Marvin Schlossman
Howard Gradet
Roberta L. Haft
In Memory of Jane Hall
Steven & Sylvia Harrison
Hella Hershson
Winifred C. Hervey
Dr. Shelley Hill
Robin & Edgar Hirst
Paul Gordon Hoffman & Sue Caren Hoffman
Kristin Hoover
Todd Humphrey & Dr. Anne Ichiuji
Linda Kaplan
Elodie Keene
Sharon Kerson
Dr. & Mrs. Klausner
Leana Kleinman & Jerald Johnson
Dr. Leonard & Stella S. Kleinrock
Patricia Klous
Delores Komar & Susan Wolford
Sharon & Joel Koppelman
Deborah Lacusta & Daniel Castellaneta
Christo & Jeanne Lavagnino
Rhonda K. Lawrence
Gina Maria Leonetti
Lydia & Chuck Levy
Lawrin & Linda Lewin
Renee Lonner
Brian† & Renee Mann
Barbara Marshall
Linda May
Douglas McAvoy, Jr.
Kathy & Jim McCaffery
Jeanne McDonald-Powers & Travis Powers
Christina Medigovich
Cynthia Melville
Thomas W. Mitchell
John Moschitta, Jr.
Elizabeth Luster
Andrea & Patrick Murray
Bonnie Nash
Colleen O’Beirne Brydon
Janie & Allan Orenstein
Carol F. Phillips
Ron Rafay
Lise Ransdell & Eric Augusztiny
Rollin Ransom & Chris Lacroix
Gloria & Michael Rausch
Elyse Resch
Dr. Alexander Rivkin
Julie Rogers
Eric Rolnick
Douglas Ross
Wil Rosser
Valerie & Bennett Roth
Lisa Rowley
Scott Sandler
Maxine Savitz
Joel & Sonia Schneider
Nancy & Steven Schneider
Lester Schwartz
John H. Scott
Susanne Shallon
Peggy & Robert Shapiro
In Memory of Michael Sherman
Nancy & Bruce Silverman
Donna & Mark Simon
Karen & Bill Skinner
Karen Smits
Jill & Scott Spiwak
Sandra Stewart
Mr. & Mrs. David Tann
The Tatasciore Family
Barbara & Larry Tenan
David & Cathy Thomas
Johnson Thurston
Brigitta Troy
Elizabeth Wheat
Mr. & Mrs. Mark Whitman
Albert Wolsky
IN-KIND SUPPORTERS
Kayla Allen / Pure Barre
Cyrus Batchan / Camphor
Ashton Easter / Playground LA
Four Seasons Resort Maui at Wailea
The Friedman Group
The Hammer Museum at UCLA
Stephanie Jones / Fairmont Express
Tom Kenny
Gavin D. Pak / East West Players
Paramount Pictures
Pasadena Playhouse
Petrossian Restaurant & Boutique
The Lodge at Torrey Pines — Evans Hotels
HOSPITALITY SPONSORS
Thank you to our year-round in-kind hospitality sponsors for their incredible generosity and support of the arts:
Skylight Gardens
STK | The ONE Group
W Los Angeles — West Beverly Hills
CHAIRMAN’S CIRCLE
The Chairman’s Circle acknowledges the historical contributions of the following individuals, whose support of Geffen Playhouse made the original vision of our founder, Gil Cates, Sr., possible:
Anonymous
Annenberg Foundation
Mrs. Carol K. Block & Chancellor Gene D. Block†
City National Bank
Kirsten^ & Donald Combs
Maria Israel-Curley & Jim Curley
Gang, Tyre, Ramer, Brown & Passman, Inc.
The David Geffen Foundation
Herbert M.^ & Beverly J. Gelfand
Rabbi Uri D. Herscher & Dr. Myrna Herscher
Audrey & Charles Kenis
Lincy Foundation
Fay & Frank^ Mancuso
Tina & Jerry^ Moss / The Moss Foundation
Perenchio Foundation
The Shubert Foundation
The Simms/Mann Family Foundation
Skirball Foundation
University of California, Los Angeles
Wasserman Foundation
Judy & Chancellor Charles^ E. Young
Donors at the $150 level and up are recognized on our website at geffenplayhouse.org/thankyou.
If your name has been misspelled or omitted from the list in error, please contact Tracy Reich, Director of Individual Giving at 310.208.6500 ext. 113.
ANNUAL DONORS GEFFEN PLAYHOUSE 21
ARTISTIC
Amy Levinson
Associate Artistic Director
Daniel Ionazzi
Producer
Phyllis Schuringa
Artistic Associate / Casting Director
Bella Luna
Company Manager
Olivia O’Connor
Literary Manager & Dramaturg
Lexy McAvinchey
Artistic Coordinator
PRODUCTION
Renee Duron
Director of Production
Jill Barnes
Artistic & Production Administrator
Melissa Hartman
Technical Director
Patty Squibb
Technical Director
Alexandre Norkus
Automation Supervisor
Rick Gilles Properties Master
Daniel Lynn
Associate Properties Supervisor
Audrey Lastar
Costume Supervisor
Sarah Lindsley
Costume Shop Supervisor
Spencer Doughtie
Lighting & Projection Supervisor
Jesus Cambero-Elias
Assistant Lighting Supervisor
James Grabowski
House Sound Supervisor
Bob Gilmartin
Resident A1
Chloe Shi
Production Assistant
ADMINISTRATION
Erick R. López
General Manager
Beanie Bains Controller
Berenice Campos
Director of Human Resources
Janice Gompers
Payroll Manager & HR Admin
Youra Kim
Accounting Manager
Gil Cates, Jr. EXECUTIVE DIRECTOR / CEO
Clay Dzygun
Office Coordinator
Marguerite Harris Receptionist
DEVELOPMENT
Sarah Weinberg
Director of Development
Elizabeth Kegley
Director of Institutional Giving
Tracy Reich
Director of Individual Giving
Christine Drew Benjamin
Director of Donor Engagement
Vaneh Assadourian
Interim Donor Relations Associate
Jessica Brusilow Rollins
Grant Writing Consultant
EDUCATION
Brian Allman
Director of Education & Community Engagement
Mark J. Chaitin
Manager of Education & Community Engagement
Paloma Nozicka
Education Associate
Sean Michael Boozer, DeJuan Christopher Conner, Lyssa Deehan, Sidney Edwards, Ryan Hallahan, Aja Houston
BJ Lange, Tara Ricasa, Kenzo Rice, Maddy Wager
Teaching Artists
MARKETING & COMMUNICATIONS
Patrick Brown
Director of Marketing
Zenon Dmytryk
Director of Communications
Karen Gutierrez
Director of Advertising & Audience Development
Brian Dunning
Director of Content & Creative
Zack Hamra
Director of Audience Services & Ticketing
Isaak Berliner
Social Media & Communications Manager
Alyssa Tyson
Audience Services Manager
Janice Bernal
Box Office Manager
Jacob Feller
Box Office Manager
Brianna Barrett, Rachel Jacoby, Sean James, Lauren Machain, Katie Sparks, Sara Turken, Anika Waco, Dennis Woullard
Box Office Staff
OPERATIONS
Jeni Pearsons
Director of Operations
Mel Yonzon
Front of House Manager
Amy Farkas
Lead Concierge
Rob Mersola
Event Manager
Sarah Chute, Anya Pryjmak, Emir Yonzon
Part Time House Managers
Cristiana Barbatelli, Savanna Chute, Elizabeth Fritsch, Alia Mahboob, Shannon Noel, Autumn Oyemade, Adam Simers
Guest Services
Brynn Allen, Lulu Altabbakh, Blaire Battle, Avery Brown, Marlon Campos, Matt Clark, Sofia Constantine, Lauren Curet, Enzo De Cunto, Cecily Dowd, Camille Edwards, Blake Elder, Sydney Fleischman, Aja Hinds, Dylan La Rocque, Cassidy LeClair, Meredith McClure, Austin Merrill, Kenneth Sambula Jr., Elena Scaringe-Peene, Lanae Wilks, Weiyi Zhang
Ushers
INFORMATION
TECHNOLOGY
Karim Bouzzit
Cloud System Administrator
Dream Warrior Group System Administrator
FACILITIES
MANAGEMENT
Art Guillen
Facilities Manager
Martin Ayala, Felipe Ayala
Building Maintenance
Mario Santillan-Perez
Custodial
Juan Carlos Umaña, Camerina Martinez
Cleaning Custodial
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