NI YANGYANG POSTGRADUATE& UNDERRADUATE PORTFOLIO My practices illustrate topics in my life Delicacy , emotions, spirit and etc. Reflective and impressive
UNDERGRADUATE PORTOFOLIO
POSTGRADUATE PORTOFOLIO
FOOD IN SHANGHAI
ORIGIN- REVERBERANCE
LADY’S LUNAR BAR
ORIGIN- POLYRHYTHM
CHERRY BLOSSOM FALLING DOWN
GROWN IN PAIN
MERMAID IN DISH
INTRO
ORIGIN
…WHEREFORE ART THOU…?
Dream in a dream. This is the time of a new one. Keep this one safe, don’t share it with one you don’t trust
"In its original context... WHEREFORE ART THOU... is a plea of Shakespear’s Juliet to Romeo to stand for his true self and not subscribe to a tribe that builds up artificial division. One has to decide who you want to be."---AAIS 2021 Guide Book. Through events and performative architecture, we build a common foundation from which to initiate debate and active collaboration. These activities will continue to have a lasting effect on the networks they connect with, digital and physical, creating powerful synergies between them.
Here is the question:do I trust myself or not?The lemon juice you left in my back yard is sweetest. I want to be a dreamer. I want to be willful enough. willful for my happiness, willful guys are always be loved in the end of the world. Will I see you again? What do you want? what do you want for me? stay alive, stay active, stay committed. What do you want, what do you need? A beat, a background music... Where is my juice, its life, its taste, its live music? Your passion can go either way destructive or creative, promise me you will make an effort to do right. I promise. I wish. I hope. I think. I dream. I'm awake. Are you brave enough to face the world? All sorrows will be transformed into sweet fruits and let you pick them freely. like the lemon juice skim through my arm, quite shining and nice smell. There are bitter and sweet. Accept the imperfect self, accept the imperfect world. I wish it was simpler, I wish I could make it simple, maybe its because we are given an option, imagine if we had no choice.... forgive yourself. "I cannot see what flowers are at my feet" I wish I was brave enough, so i won’t miss the beautiful flower. But i still believe i don not have to chase the light desperately. I can also gain strength by looking for the whole picture of memory in the dark. I dream i could be here. I dream i could be there. memory is in the beautiful flower. The world is hazier than imagined. Joy, anger, sorrow. Moments are defined clearly in my heart. How do you remember? How do you forget? can’t stop thinking, can't stop dreaming. About death and the past. Friends coming and acting in my dreams. Voices out of nowhere. And then all this noise that we have produced. Searching for that silent space and then. Break free from concrete. And then become a mediator and help survive and then? what is then if there no present? what is past if you’re not present.
My Colleague-Can Aksan's Poem
What do you want then? what do you want out of life? do you want to learn? wear? eat? feel? I once feel in love with an object because it was less work than a human. Do I love you because you are human? do I detest you for your humanity? Should I place coins on your eyes, I recalls you in winter's night, and the white roses you sent. Nothing regrets, nothing painful,there is only imagination, there is only illumination. I want to pick every beautiful flower. I don't want to miss the present and create a regretful past. Swaying lake water, sparkling stars, why my heart is never silent. Why i cannot move my eye from the past? Once in a lifetime: Hello, goodbye. The memory in the middle is the last gift that time left for me. What do you mean? Tanghinia? Spanish? Ma? I don’t want to remember; the past is like wallpaper that i don’t look at. But I remember there's a spot on the wall: does it look like a mould? a cloud? or a gust of wind? How do you feel time, through your skin, your breath, feel it in every moment, feel it growth I never look at the spot until it grows bigger and bigger
ORIGIN
NARRATIVE STRUCTURE
POSTGRADUATE AA INTERPORFESSION STUDIO MARCH EVENT AAIS March Event Festival Teaser https://youtu.be/I7WECuOStY8 Our group presents “reverberance" which focuses on the creative void. This is a multi sensory live performance hosted by the Yue Art Museum. The installation is generated by memory patterns that are crystallised during childhood. The forms are symbolic of memorabilia and architecture that hold nostalgia like the adult tree house, the music box and origami children games. In this performance, dancers will activate the space by treating it as an instrument. The performance aims to realise ones own naïvety and negotiate dualities in creative spaces. Location:B06, 797 Road, 798 Art District, No.2 Jiuxianqiao Road, Chaoyang District, Beijing
PART 1
PART 2
Childlike aspirations " we can save the world"
Realising our own natiely
Full of passion, life, imagination, making promises, makeing declaration, brave, unbound
What makes us release this: Betrayal, loss ,feeling used, toxic ambition, scarifies, ridicule
Adjectives and textures to inspire chorepgraphy
PART 3
PART 4
Numbness
Regeneration, nostalgia, starting over, you dream a new dream
CHOREPGRAPHY PLAN
PLAYGROUND 2D-triangle units are placed on the ground and hung from the ceiling. The performers appear and move like playing the hide&seek game. When they touch the triangle accidently, the sound like the music box is triggered. CHOREOGRAPHY KEY WORDS: Nostalgia Restricted&Lost Hide&Seek
DECONSTRUCTION The perpformers release themselves in the world like dreams and start change the shape of the regular units, like twiste the reality into fragments in multiple directions. CHOREOGRAPHY KEY WORDS: Released
TREEHOUSE-DREAM A NEW DREAM
Based on the proposed keyword PLAYGROUND, we began to imagine the possibilities for our installation and exhibition. We discussed a range of factors that we needed to resonate with childhood memories, how we could create an adult playground, start our HIDE AND SEEK in this venue, and in the meantime start looking for a performance venue. Whether we could provide the atmosphere for the venue and what kind of exhibition we could offer. This was a major part of our discussions this week. In the end, we were able to find a childhood memory of the origami game, a process full of fun and memories, and a performance that combined the process of origami with the process of hide-and-seek.
The performers pick up the triangles units one by one, and build up them into 3D-triangle units as the construction of the tree house around the two pillars in the center of the venue. The wall at the end of the venue will be projected with colorful videos, maybe from the Touchdesigner or the animation from digital game group. CHOREOGRAPHY KEY WORDS: Healing
CHOREPGRAPHY
Unfold Installation
Roaing Waves
Ever Changing System
Reshaping the Reality
Remembering and Becoming
Inner Peace
Waveless Sea
Moon
Folded Instalation
Sun
Rise
Encounter Each Other WIthin the Sea
Fall
Performance Record https://youtu.be/P0Xz9brWOC0 March Event-reverberance
Wechat offical account poster
繞 梁
Instagram 9 days count down poster
Beijing promotion Poster
Beijing promotion Poster
Beijing promotion Poster
Beijing promotion Poster
& 影遇 繞梁表演時間： 3月24日4： 30PM 3月27日11： 30AM&4:30PM 主辦方： 悅·美術館 x 英國 AA建築聯盟學院 AAIS 出品人： 王飛躍 Feiyue Wang 策展人： AA建築聯盟學院 AAIS 2020 - 2021 團隊 Lorem Ipsum 合作策展人： 冉修&成蹊 藝術指導 ： Theo Lorenz & Tanja Siems
Exhibition poster- back
Exhibition poster- front
ORIGIN²
COLLABORATION
POARGRADUATE AA INTERPORFESSION STUDIO JULY EVENT
Musician
There are many differences between London and Beijing, as materials in London are more expensive, and you need to be more involved in the transportation and production, so you need to be more careful in controlling the budget. It was a huge challenge for schedule as it was very difficult to buy materials due to the epidemic.
Poet
Map Maker
Sound Sampler
We met more creative and talented dancers in London who shared their own ideas about performance with us, and we became good friends and learned a lot from each other's different disciplines.
Painter
In this July Event, I focused more on costume design, model making, scheduling and budget control. Due to the support and trust of the team, I was able to work independently to control the design and concept of the costume. And in this performance event, I successfully completed the live- streaming challenge, and after overcoming the limitations of the internet connection, I was able to put together a successful live performance on the zoom, thanks to the online support of my team members Yunheng and Chen, who supported me throughout the streaming run sheet as the zoom meeting host and ensured the internet connection as the zoom meeting prior audience.
Photoprapher
July Event Origin2 Teaser https://youtu.be/VDDVHkeInj4 We created a 3-part script and have people from different artistic disciplines interpret the parts through their own 3-parts score. And then we layered the media to creat a comples narrative. It is important that each artist uses their own interpretation, so they produce their score in isolation.
INSTALLATION MODEL
Each artist gets this list of 3 prompts in order. Each artsit has to interpret and define them. Our group collects all these interpretations and like a dramaturge. . We put together a production, layer the information to creat an epic performance.
This is like the skeletion of our script. After that we intelligently bring it to life, embracing he multiplicity of artistic expressions to share human experiences.
COSTUME DESIGN
We we r e t h i n k i n g o f c r e a t i n g a n o u t d o o r p e r f o r m a n c e i n c o r p o r a t i n g p e r f o r m a t i ve architecture/ Kinetic sculptures that can be activated by the wind or other environmental forces that they exist in. We are looking to create a sculpture that when choreographically activated will produce a domino effect throughout the whole performative space.
Using the concept of the “Adult Tree House” and a jumping-off point we continue to investigate the metaphor of a shelter and what it takes to build and sustain a safe heaven. We are inspired the initial premise of the story of the Tower of Babel and we really want to create a unique performance experience where different dialects and creative disciplines interact with each other. In the process, we will create a unique synergy and a stylised way of telling a story.
For the costume I injected a more personal idea, God pushed the tower to push people to stop speaking one language, and I wanted a series of costumes that also refer to the structure of the tower to tell the story of how people do not have a fixed gender, this set of csotume is the highest support for people who have a different und er s t a nd ing of t heir gend er. The ha t is designed to feel like a branch, with small circles representing the texture of cells, which contain all the information of life.
And for the chest part, I have referenced elements of armour. It is strength from the inside out. So I used the inner bones of the human body to illustrate the inner strength of the human being. And the base of the tower is in the shape of a skirt, made of metal blended with transparent water pipes to form a strong yet soft form.
We did two live shows this week and we chose zoom meeting as the platform to keep an eye on the audience and to ensure that there were no interruptions to the broadcast. https://youtu.be/ YXTgrrqxaME Ju l y E v e n t L i v eb r o a d c a s t recording
SITE ANALYSIS
FOOD IN SHANGHAI
Residential Area with restaurant nearby.
Area: 4100 square meters Location: 287South Shanxi Rd., Shanghai Time: Jun.15.2019-Aug.25, 2019
Things relevant to flavors always linger in memories of modern people——the aroma of food lingering in Long Tang-Shanghi native gated community neighborhoods， holding the warm, crispy Youdunzi and happily taking a big bite… These precious memories took place in Long Tang. The memories of food always relate with architecture. This project is about food, turning the old residential buildings into fashionable restaurants and stores, meeting the needs of the people from surrounding offices and living areas. As we all know, Shanghai is stylish city. While the old buildings maintaining their surface appearances, the interior are renovated to fashionable and convenient spaces, encouraging more people to visit the history of Shanghai.
Residential Area with only one convenient shop nearby.
MEAT RICE BALLS Snacks made of sticky-rice powder and meat thread inside. A delicious, festival food.
SALTY-FLAVORED SOY BEAN MILK
Government Office
Made by simply adding some soy sauce, rice vinegar and chopped green onion into fresh soy milk. It will be more tasty if adding some dried small shrimps, seaweed, beef or mutton.
Cité Bourgogne, constructed in 1930, residential building invested by International Savings Society “LIANGMIANHUANG” NOODLES Noodles fried to the color of yellow then placed in plates, showered with dressing. Noodles become tasty when they absorb the flavor of the dressing.
Gated community neighborhood, where local Shanghainese live.
TRADITIONAL SMOKED FISH Fry the pickled fish steaks in boiled oil till they turn golden and crispy. Stir-fry ginger and green onion, and add some thin soy sauce and sugar. Then mingle and fry them with the smoked fish steaks.
YOU DUN ZI Pour the flour paste into a huge iron spoon, add some green onion, white radish slices, fresh minced meat or red bean sauce, then fry them together. The snack is crispy and delicious.
Art Center
TIAOTOU RICE-CAKE A traditional, long-shaped sweet bar made with sticky rice powder and red bean sauce. It tastes better if you sprinkle a bit Osmanthus blossoms on it.
ISSUES OF TRADITIONAL FOOD
DESIGN INSPIRATION HARD TO DISCOVER These stores are often located in narrow alleys that are hard to find, so they are also difficult to propagate.
THE IMPACT OF WESTERN SNACKS Shanghai is a city of diversity, many types of food from abroad enters the market and challenge the local, traditional food market.
EXPENSIVE RENTS The rents of these stores are extremely expensive due to its location, so a single store doesn’t make a decent profit.
POOR ENVIRONMENT Relevant stores are all old and untidy.
HEAVY SMOKE AND OIL The process of cooking these traditional snacks discharges much smoke and oil, which are easy to clean up, especially in the hot summer.
CLASSIC BLUE COLOR OF THE YEAR 2020 PANTONE Traditional Shanghai Food mostly are hot, fried food and a bit sweet. To balance the the greasy taste, I choose to use the color of blue, which is relatively elegant and cozy.
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INTERIOR PART Adding a steel frames turns the corridor into indoor space so that people can walk and chat freely inside.
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06
STORING SPACE STAFFS’ DORMITORY Apartments nearby have high rents, so the staff are provided with dorms.
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DINING HALL The semi-level of the second floor is removed in order to enlarge space.
ADD WALLS
01
BABY CARE ROOM
Storing tools and consumable materials.
ORIGINAL WALL
02
OUTDOOR PLANT
REMOVED PARTS To enlarge the space.
GLASS
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ELEVATOR SHAFT
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COLD STORAGE
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FOOD ELEVATOR SHAFT
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FRIED FOOD ROOM
STORAGE OF THE RESTAURANT
CENTRAL AIR-CONDITIONING
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SHOP Selling food materials relevant to the restaurant next door, such as flour and cooking oil.
BATHROOM RESTAURANT KITCHEN To promote these traditional food, the cooking procedure are shown to everyone, enabling people to learn more about the food.
BLUE CERAMIC TILES
SOLID DEEP COLOUR WOOD BOARD
Laid on the wall surface. 88*80*6 in size
Laid on the floor and walls of the entrance of dining hall.
DARK GREY MARBLE TILES
BLUE, MATTE, PUNCHED METAL PLATE
Laid on the floor of dormitory, kitchen and restroom. 600*500*6 in size
Installed on the ceiling of the second floor of the dining room.
LIGHT GREY, CARRARA MARBLE TILES
SOLID WOOD BOARD
Used on the first and second floor of the dining hall. 600*600*6 in size
Laid on the floor of the private room on the first floor and the third floor of the dining hall.
BLACK CERAMIC TILES
BLUE EMULSION PAINT
Laid on wall surface, bright tile 80*80*6
Applied on the wall surface of the first and third floor of the dining hall.
WHITE EMULSION PAINT
GREY EMULSION PAINT
Used on the wall surface of private rooms.
On the ceiling of most parts of the building and bare roof.
OLD, GREEN SHADING BOARD
CYAN STONE FLOOR
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Using the recycled old shading boards from the Shikumen as partition in the building.
Laid on the floor outside the Shikumen.
STOREROOM FOR KITCHEN FAST CONSUMABKLES
ELEVATOR
KITCHEN
DINING AREA
DINING AREA
DISH WASHING ROOM
DORMITORY
DORMITORY
DINING AREA
DINING HALL
I believe less is actually more. To make the whole space looks larger, half of the second floor is removed from the dining space, which makes the dining area comfortable and relaxing and enables people to enjoy dining in the old building.
The KITCHEN PARTITION which blocks the heavy-oil parts can bring the smoke directly to underground through pipes, so that customers can ENJOY WATCHING THE PROCESS without being bothered by the smoke.
The place is not only for PROTECTING
TRADITIONAL FOOD, but also the
The OPEN KITCHEN aims to show the process of the making food so that and people can experience the FOOD CULTURE.
According to the trend of INDOOR SUNROOM and the popularity of tropic plants among Shanghai people, I designed the French, double-layer vacuum windows to show the lovely view outside, while letting in abundant sunlight. INDEPENDENT SMOKE EXHAUST SYSTEM are customer smoking area.
There are DORMS on the THIRD FLOOR of the restaurant, in order to provide COOKING ARTISANS space to live in.
A relatively PRIVATE ENVIRONMENT is on the SECOND FLOOR which can hold SMALL DINNER PARTIES.
COOKING ARTISANS.
SHOP
Most of the second floor is removed in the store, increasing the floor height, but a small part of the second floor is turned into a cold storage, which satisfies the food-storing need.
The third floor is built into a storehouse to support the store operation.
CHECK-OUT
EXPRESS STATION
SHOP:FLOUR,VEGETABLE,OIL
STOREROOM FOR EXORESS DELIVERY
STOREROOM
ELEVATOR
STOREROOM
BATHROOM
COLD STORAGE
PASSAGEWAY
Based on researches of stores in the surrounding area, there is no food market nearby, so the store can sell things like flour, spices and vegetables. Moreover, as the express delivery market is extremely large in China, there is an express station allowing people to send the specialities to friends and relatives.
Because of the trend of indoor-comprehensive mall, I combined two units into one large architecture by adding a corridor with roof structure in between. The cluster includes residents from the housing estates in the neighborhood, office workers and people after exercising from the fitness center. I hope this place provides the local residents and office workers a leisure space .
The design strategy is to put a dining hall and a store in either of the two buildings, both are basic elements in residential life. The use of air-conditioner enables people to stay longer without worrying about the temperature.
LUNAR BAR
LUNAR CIRCULATION
AREA：1436M² TIME：2019.08-2019.10
This project is a ladies' bar. The inspiration of this project comes from the chemistry between my best friend and me. After the research, I found that the moon and tides may also affect people's mood. Based on this, I designed a quiet, comfortable and soothing lady bar, where customers can socialize and relax. This project was sets on the top floor of a renovated fabric warehouse.
INSPIRATION
I had a best friend.
BRAINSTORM
She is always suffering from depression, which worries me a lot.
There are several hormones in your body fluids that control your emotions.
According to Arnoid L Lieber, people’s emotion is affected by the phases of the moon.
The phases of moon affect body fluids, which flows in the vessels.
Scientific studies have shown that animals are affected by the phases of the moon and have a fixed time to lay eggs.
THE TOP OF THE BUILDING
Located on the bank of Huangpu River, the old fabric warehouse has become the main exhibition hall in the middle of the area.
METAL FRAME AND RING CHAMBER
FURNITURE ADDITION
It owns a very good Huangpu river view with a sight of Shanghai's landmark Oriental pearl TV tower. Two old docks have been turned into an art installation that shines at night.
THE ORIGINAL BUILDING
SIGHTSEEING STATION
This project is located in the observation deck of the top floor of the fabric warehouse. The purpose to set up a semi-sheltered roof bar. Problems to be solved: 1. Make good use of the old elevator shaft. 2. Keep ventts in place 3. Provide services for the exhibition area below. 4. Metaphysical design of meditation table.
Gradient mesh Buried in the ground with secured metal on the top
BAR SEAT MEDITATION PLATFORM
Flannel seat fabric
BAND STAGE BAR COUNTER BAR SEAT
RING CHAMBER
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Transparent black glass 2000*1200
Transparent colorless glass 2000*1680 2000*1880 2000*1435 1480*1560 Linen fabric Hanging from the frame. 800 * 26000 600* 14000 Marble tile 1200*1200 Black anticorrosive wood floor 120*1500
Cement floor
MY HOROSCOPE
MY FRIIEND'S HOROSCOPE
Meditation form is from the combination of my friend's and my star plates. Because this building with river scenery is very good, I hope visitors can enjoy Lujiazui lights. Therefore, I design a long corridor, where visitors can enjoy scenery as well as do yoga and meditation, experiencing the sense of impending.
COMBINATION
Measuring the position of the meditation table and the circular pit, I decide to set the bar seat according to traffic.
The entrance is surrounded with water tank with a space for live show nearby.The water tank contains ferro fluid controlled by electromagnet up and down. When the guests sit still in the chair, the ferro fluid will stop rest at the bottom. Changing status of the ferro fluid shows various kinds of scenery. The top of building is covered with a curtain where ventilating well. Wind blows the curtain into a nice wave.
SACKCLOTH L100W500 https://youtu.be/scQwJXXIcms
COTTON L200W300
https://youtu.be/Ccr7fNdtcOA
POLYESTER COTTON L200W300 https://youtu.be/NX7JDnumFrA
COTTON L100W300 https://youtu.be/1J-gsV3YTss
ORGANZA L150W650 https://youtu.be/L7jKnilmjxY
ORGANZA L200w650 https://youtu.be/qOMskTWbbaQ
GAUZE L80W300 https://youtu.be/wKzHjph3Cnc
An installation was designed in the hall to simulate the moon's graviation to water. I added a cylinder to the original vent to keep the ventilation function. Seeing from the top is a moon-shape, the "water" part of the is divided by cloth fabric.
EMERGING CURATORS PROJECT -PSA
EI ARAKAWA "THE MOON IS A PERFORMER" -ART021 SHANGHAI THE CHANGE OF LUNAR PHASE
DESIGN PROCESS
The ring chamber is a place where people lie down and watch astrology. The exhibition provides ladies a break from busy work. I kept the elevator shaft part of the original building and designed it into a bar.
STORY ANALYSIS The well-known Geisha is a special existence in Japanese society and a representative of Japanese history and eroticism.They are gradually transformed by the Yuujyo. One of the Geisha's work is to serve the guests to eat and drink, and to perform singing and dancing performances for the guests. Musical instruments and dance learning are very difficult.On the basis of this, the girl also needs to increase sexual services to meet the needs of the guests. Kiyoha always remembers seeing the scene of the flower makeup day: a gorgeous goldfish smoking a book, and Kiyoha saw the Oiran and the guest engaged in sex transactions in this room, so that Kiyoha learned about the work and tasks of the girl. Yuujyos sit behind the fence and are selected by the guests. The girls dressed up are attracted to the attention of the guests. This is what I think is similar to the goldfish. People watch the goldfish through the fish globe.
The first night of Kiyoha is a change of identity for her. She is no longer a girl, but a tourist girl with work experience. At this time, she temporarily forgets her pursuit of freedom.
The opening of the Sakura is the hope and dream of Kiyoha, and the comfortable blue pink makes up the whole picture.
Kiyoha and Sojiro sneaked in this room wrapped in yarn.
After kiyoha experienced abortion and was abandoned by her lover, she began to think about her longing for freedom.
The reluc tant K iyoha is often punished, and Kiyoha is locked in the utility room with color ful lamps.Like a goldfish in a gorgeously decorated pool.
To b e c o m e a n Oiran,Kiyoha not only learns dancing and singing,but also helps tama house clean their room.
CHERRY BLOSSOM FALLING DOWN SAKUR AN was an ex traordinar y movie from which I learnt the origin story of geisha from it, that is, lives of yuujyo . Girls in the story held a different cognition from now. They sought men’s shelter for a cozy life. However, kiyoha chose a struggling lifestyle. She gave up fine clothes and gourmet in order to gain freedom,
which was remarkable. The design of “CHERRY BLOSSOM FA L L I N G D O W N” e l u c i d ate s t h e struggle and living condition of geisha at that time. Every room played for tourists delineates the epitome of the movie.
BLOSSOM ROOM
Roof Referred to traditional Japanese architecture forms, gable and hip roof is used.
NIGHT IN GION
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Kiyoha dreamt of freedom when she was a little girl. After several failed escapes, she stared at bare cherry tree which was said to remain this poor and made wish with Kiyotsugi: "I will run away from here when the cherry blossom." Gion's doors and windows can reflect various colors, which come from all kinds of smiles —girls’ shy grin, guests’ heroic laugh and procuress’ heartfelt smile after receiving money. Under these shining colors, girls are wrapped into a beautiful goldfish in Gion.
STUDIOS
SHADOW CORRIDOR
SAKURA
WATER ROOM Doors and Windows The palisade is made of red pine, while black pine builds doors and windows. Color and white window papers are used.
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PUNISHMENT
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02 FISH GLOBE
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BANQUET
Wall and Floor The first night may not be satisfying, but it shows working ability in Gion. It’s like a goldfish showing off its beautiful tail and shining scales after swimming through the dark path.
The
s m i l e o n k iyo h a ’ s fac e s h o w s t h e t e n s i o n b r o u g h t by
the first night as well as the expec tation to become oiran .
White gypsum slurry combined with straw is used for the wall. Green mat and wooden tatami are used for the floor.
Kiyoha then blossomed, flirting between the guests.
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FIRST NIGHT
01 STAIRCASE
08 07
Frame The frame made of black pine forms the load-bearing structure.
Flower is the symbol of love and sex, which contains my praise to yuujyo as the serving part. They are as beautiful as flowers but also fragile. In the oriental culture, flower also has the meaning of sexual suggestiveness for the ancient Chinese use flowers and fish to decorate their bed.
Goldfish represents the forbidden love during their serving. Innocent girls also look forward to love stories. However, choosing this job means the end of romance.
Referred to the Kyoto’s architectural appearance, walls on either side of the structure are expunged in order to express the inside fully. The corridor, water room and night in gion are dig down 400mm.
First, follow the story of each room in the building along the perimeter of the building, then walk along the door into the interior of the building to feel the passage of the building. After leaving the building, walk to the right and feel the story on the right side of the building.
Red is the space that visitors can enter. Green is the viewing space.
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This is the derivative part from Corridor-Fish Pond. NIGHT IN GION shows the beauty of Japanese patio and the flashing lanterns in Gion.
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FISH GLOBEL is used to describe yuujyo, who are waiting for selected. Visitors can peep over the palisade and experience how guests feel when selecting girls.
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Water room depicts the scene where the oiran shyohi has sex with guests. Shaking lights and the fish images reflected on the wall, matching the old saying, “Intercourse between men and women is just like the intimate between water and fish”.
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Blossom room brings yuujyo’s daily life back. yuujyo kept their hairstyle by a small neck pillow. It made them feel extremely uncomfortable while sleeping, but built their endurance. The blooming flowers fulfilled all parts of the room, which indicates the blossom in career.
Kiyoha was often punished in PUNISHMENT. Colorful lamps rotated slowly just like aimless trotting horse lamp through Yuujyo’s entire life.
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11 Yuujyo need to obtain lots of skills in STUDIOS like dancing, singing, serving, playing music instruments and etc. Temari can be seen in their arduous daily life, which indicates their expectation to freedom.
07 There is a STAIRCASE to the loft.
The floor of corridor is made of glass so that koi’s movements can be easily seen. Lights of corridor reached water surface and then reflect to the construct with a sparkling form.Tourists can go through the SHADOW CORRIDOR and then visit accessible rooms to experience their daily life.
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Girls’ FIRST NIGHT room is decorated with green yarn and translucent byobu.
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In the BANQUET , guests and yuujyo were toasting to each other while flowers that represented dancing yuujyo started to rotate. The invert created a dreamland, strengthening the sense of unreality.
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The blossom of cherry tree guides Kiyoha to escape from Gion and to pursue freedom. The SAKURA tree on the corridor side is also blooming. Will it guide the lost tourists?
NORTH ELEVATION
EAST ELEVATION
GROW IN PAIN
IRRESPONSIBLE TEACHER
PLAN
Researches found that most murderers' childhood was very unhappy. MAKE MEMORIES OF MURDER make me wonder why these people choose to hurt others for satisfying themselves? Why they choose to be a murder?whether they have gotten redempotion?I put the result of research on a conveyer belt to imitate the feelings when they were
SCHOOL VIOLENCE
children.
CONTROL FROM PARENTS OR GUARDIAN
AILEEN WUORNOS: A LIFE WITHOUT LOVE
ENTRANCE
SITE ANALYSIS
01
This is a spiraling curved space which sets in the ZHONGSHAN PARK in Changning District, Shanghai.
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BORN
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02
04 05 07
01
Life is not a straightline, but a spiral. Killing and dissmination overlap in space, intercepting the mental journey of children from birth to the age of 18. Discovering why a simple child becomes a murderer, and whether he can be saved in his mental journey.
A newborn child has only one bright borlamp in his heart
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ENVIRONMENT As the child grow up, there are disturbances around them
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Visitors can visit the whole museum through the conveyor belt. While transporting through the space, they can experience the age of 0-18 years old.
DISSEMINATION Salvation from the outside world.
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SUNSHINE These distractions affect the child, including the kill desire
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SAVE The wandering between killing and kindness.
DEEPEN The child is affected by killing.
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KILLING The child is completely exposed to the disturbance
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EIGHTEEN The grey adult world born from black and white.
MATERIAL EXPERIMENT I used wool experiment to simulate the rhythm of the black lines. The increasing amount of black lines makes visitors feel more uncertainty and depression. Black and white forms high contrast. Therefore, I apply this result to the color and material changes of the wall laid in the space. CHIHARU SHIOTA WHITE
SOLID REPRESSIVE
BLACK
ORDERLY
ALONG THE WALL
SOFT
ESTHER STOCKER
MONIKA GRZYMALA
WUTOPIA LAB—man&woman BUILDING AREA：226m² PROJECT YEAR：2017 Sunlight comes through the curtain gap, using the transparency of the space to create different artistic conception.
ROUND WOMAN'S HOUSE
SHARP MAN'S HOUSE
AN OPERA OF ANIMALS at Rockbund Art Museum
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03 The CONVEYOR BELT moves slowly. The first theme is the inner world of the SIMPLE NEWBORN. I use the PURE WHITE to paint the entire space, representing the simple beginning of the murderer. The light generation shows the goodwill that the murderer encountered when he was young. The LONG LIGHT represents a BEGINNING.
Strings in the space grows out more and more ACRYLIC TUBES SURROUNDED AROUND LIGHT BULB, which means that the malicious encounters in life begin to cover the goodwill in child’s pure life. Look out the window opened here can SEE “KILLING”, suggesting that if there is no change at this time, child will fall into the abyss.
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The roof window opened in this space uses red glass, which represents killing- bad influence. If the child grows in bad environment and surrounded with the increasing killing, he is getting into a crazy realm because of more stimulation. The RED IRRITATING LIGHT in the black space let visitors feel the sense of DESPAIR AND HELPLESSNESS.
The red window represents S E L F INDULGENCE, while the transparent one represents instructions of self-restraint in society. Light though the red window seems to be more attractive in the picture, and the child can RESIST THIS ATTRACTION and choose to become a kind-hearted person.
There is a TRANSPARENT ACRYLIC SECURITY CHECK at the entrance. When the visitors pass, it will flash blue light. It simulates the FEELING o f PA S S I N G T H E C O N V E YO R SCANNER, creating a sense of substitution for the child's growth.
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While malicious overtakes goodwill, the CHILD'S HEART IS WRAPPED IN DARKNESS. The whole space is painted in black, and THE STARS ARE LIGHTED to express THE CHILD'S PURSUIT OF LIFE. The size of the bulb is shrinking to simulate the goodwill of the child's inner swing.
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BLACK that made of woolen strings gradually appears on the wall, which is used to express the pain that the murderer encountered during his growth, such as ABUSE, RAPE, AND COLD VIOLENCE. THE NUMBER OF LIGHTS in space gradually INCREASES as they GROW OLDER.
There are windows above the 5TH THEME to make the sunlight project naturally, SIMULATING THE REDEMPTION IN LIFE. As time flies, the angle of the sun changes. The strength of the fiber formed different shape and brightness with the wall surface.Indicating that the DIFFERENT SALVATION RECEIVED FROM PARENTS, FRIENDS AND TEACHERS. The space is painted in GRAY, referring to "THE WORLD OF ADULTS IS NOT BLACK OR WHITE". At the age of 18, life turn to a new beginning. With the lights that are also close to the ground and "birth" echo, EVERYTHING IS BRAND NEW.
When creating drafts, a movie shot by Netflix called “LOVE DESTH AND ROBOTS “inspired me a lot with cyberpunk darkness elements.
MERMAID IN A DISH Yumeiko Takahashi's "Mermaid Forest" opened up a new world for me, that is, eating mermaids. It symbolized crazy darkness of human beings in pursuit of immortality, and even with my own immortal appearance. However, drugs are poisonous so that only a very few people who eat mermaids achieve immortality, mos t become fish monsters or die instantly.
The draft refers to the way harpoons hang mermaids, and effects shows bloodiness which shows the differences from death,
In the future, when extremely advanced science technology appears. However, people’s daily life is not getting better because of the productivity of science and technology progress, they lost themselves in the material overflow. In the
It is a gamble, successful people can become creatures that will never fade. The loser may turn into a monster or die on at once. This kind of gambling does not scare off human beings, but become social competitive entertainment. Mermaid stalls can be seen everywhere. It is not known whether the mermaid people will disappear after this absurd excitement.
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3 IF MERMAIDS APPEAR IN HUMAN SOCIETIES
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1. Mold and cast my own arm 2. Color the turned out model 3. Draw the fish figures on the upper body section 4. Spray mermaid tags with paint 5. Weld LED light bar 6. Mermaid’s tail shape positioning 7. Stitch mermaid’s tail 8. Cover with PVC outer fish tail 9. Punch the LED panel 10. Put PVC fabric and belt on the mermaid, as well as hot melt adhesive 11. Finish mermaid’s upper body