Gerardo Gozzi, neutrinos visiting

Gerardo Gozzi

Neutrinos visiting [quasi]Concerto for Clarinet and Orchestra

(2017) FULL SCORE

Gerardo Gozzi

Neutrinos visiting [quasi]Concerto for Clarinet and Orchestra

(2017)

Duration: c.17 minutes

Instrumentation: SOLO Clarinet in Bb

Piccolo 2 Flutes 2 Oboes Clarinet in Bb Clarinet in A Bass Clarinet in Bb 2 Bassoons 4 Horns in F 3 Trumpets in Bb (with harmon, cup and straight mutes) 3 Trombones (with harmon and cup mutes) Tuba

Timpani 20", 23", 26", 29" (using triangle, 2 Dobachi of different size, medium and large cymbals, superball mallet)

Percussion 1: xylophone, vibraphone, large suspended cymbal, set of 2 bongos and 2 congas (using also superball mallet and double bass bow)

Percussion 2: low register set of 5 temple blocks, tubular bells, snare drum, tam-tam, water gong, triangle (using also superball mallet and double bass bow)

Strings: 8.8.6.6.3

The score is in C

Copyright Š Gerardo Gozzi 2017 All rights reserved. No parts of this score may be reproduced, arranged, stored in a retrieval system or transmitted in any form, or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the composer.

PERFORMANCE NOTES: (other more specific indications are written in the score)

Tutti: quarter-tones sixth-of-tones

cresc. and dim. from/to nothing

Flutes and Oboes:

exponential cresc. and dim.

smorzato: regular restriction of air flow by partial compression of the lips (as if pronouncing "AUAUAU")

grace notes always fast and slurred, but never uncomfortable (to be distributed in the duration to which they are referred)

fast ribattuto, for all the duration of the note indicates a sudden end of the sound (without diminuendo)

air sound position glissando (always spread on the duration, not port.) lip glissando

Brass:

gradual passage from a technique to another

air sound, without pitch

"f "

the dynamic in commas indicates the effort, the resulting dynamic will be softer

open/close tremolo: the speed of the hand changes according to the indication rapido or lento the symbols in divisi passages are referring to both the instruments

Clarinets:

smorzato: fast movement of the lower jaw "biting" the embouchure

Strings: bisbigliando: alternate different positions on the same note pression tremolo, fastly alternate half pressure and full pressure or harmonic as notated

multiple trills: pitches specified in brackets combined into trills of varying intervallic content

for the slow scratchy sound: modulate bow speed and pressure to even more reduce the percentage of pitch and to obtain a granulation

phantom sound: half air sound and half pitched sound tremolo of identical harmonics with different fundamentals, prevalence of high sound with an ambiguous presence of the inferior tremolo: when the harmonic is notated with a small head there must be a bigger evidence of the fundamentals microtonal passage: keep the key or the position indicated in squared brackets pressed and in the meanwhile finger the positions written above, the resultant is a timbral change and a tight microtonal scale referring to the side key for the following trills: Bยง, Bb, F#, Eb

ord.

ordinary bow or technique

PROGRAMME NOTES:

Neutrinos are some of the smallest particles that exist in the universe. Shot throughout open space by star explosions, they are so small that they can pass through the structure of atoms without decelerating. Every second, billions of neutrinos pass through our whole body. In this piece, I imagine what they witness in their endless, undisturbed journey through the fabric of the universe. Visiting Earth, I picture neutrinos travelling through the structure of matter the same way we would walk in a big hall, admiring the surrounding architecture. The listeners are the protagonists of this piece: they become the neutrinos, promenading with their minds across five different matters. These are presented in five sections, each differing in timbre, phrasing and sound. The solo clarinet accompanies the audience on a journey through different structural densities as a fellow particle which is affected by and affects the surrounding matter. The journey of the neutrinos starts with the matter Wood, which main sonorities, rendered by woodwinds and wooden percussions, generate harmonies and timbres characterised by short and dynamically unstable chordal blocks that are born from nothing and then die out. Passing through Metal, the orchestration is dominated by brass and metal percussions, the chords are no longer short and isolated by silence but are progressively longer and denser. They are rendered unstable by the continuous variations in intonation and the pulse of the instrumental blocks, which amplify the vibrato of the vibraphone generating the overall sharp, metallic sonority. Water is the central part of the piece, it reflects and fragments the sounds of the other sections. The allusion to delicate, transparent and shimmering sonorities attempts to recreate the ripples on water. The illusion of an actual immersion in the liquid substance reaches its most intense moment in the cadenza. Once the water becomes electric, the piece reveals its symmetry with the two last sections corresponding to Metal and Wood respectively. Ideal showers of electrons cross the trajectory of the neutrinos, presenting sounds dominated by the timbre of the brass and long chordal blocks. These blocks become even more harmonically unstable while maintaining continuity and roughness, imitating the electric sound of the double-reeds multiphonics. Even electromagnetic fields cannot affect the motion of the neutrinos which, once passed Earth, continue in Vacuum. There, the atmosphere resembles the light timbres and short chords found in the beginning. The result is an echo of the whole work, which travels without resistance in the open space vacuum, gradually losing itself in the distance. This work is a journey through forms that are revealed out of the profound obscurity of silence, but that have always been there. It is an homage to my beloved instrument, the clarinet, capable of creating a palette of infinite timbres and intensity, as well as to the exciting discoveries of science.

Accidentals (including grace notes) only affect the pitch to which they directly refer, not other octaves, for the duration of the bar in which the accidental is written

Neutrinos visiting

[quasi]Concerto for Clarinet and Orchestra (2017)

Piccolo

° &

Flauto 1

Flute 2

& &

Πbw

˙™

* s ss s C #T %ïó S %

%ï ó ï ï L ïï µœ &n n Bœ b Ii

R

&

Clarinet Bb

Ϫ

&

Clarinetto in A

˙

pp

mp 3

?

Bassoon 1

2

L Lœ œ # œ

Œ

Œ

nœ

œ

æ æ

Eb Eb C#

œ œ

#œ

Ϫ

pp

o

‰

#œ

˙

o

˙

œ æ

œ

œ ‰ Ó æ o

ppp

#œ

˙

o

ppp

G.P.

Ó o

ppp

Ϫ

A

‰ Œ o

p en dehors

< h ™> ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯≠ Œ o

ó óóó L L ï ó ï ï ï ïïï <q> % % óï & µœ n B b IiBœ œ B ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯≠ Œ o ppp R

A

R

A

p en dehors

¸ œ

? b˙

Bass Clarinet

˙

pp

2

œ * +EeEE

¸ œ

mp 3

œ

Œ

ppp

w

œ

Ó Œ

&

Oboe 1

Gerardo Gozzi

4 Wood, shapes and colours blurred in the darkness q=66 4

Ó

* repeat the passage in the box for the duration indicated by the arrow

˙™

¸ œ ‰ o

Ó

"pp"

Bassoon 2

¢

?

poco vib.

˙

mp 3

2

˙

˙

pp

poco

œ æ

‰

Œ

[1.]

˙

¸ ‰ œ

˙

¸ ‰ œ

Œ

4 Wood, shapes and colours blurred in the darkness q=66

Horn F 1+2

° 4 &

1.

˙™

œ

mp 3

Horn F 3+4

¢&

3.

œ

2

"ppp"

˙™

mp 3

Timpani

"ppp"

3

3

Ó

2

Snare Drum (snares on) with superball

Lœ L œ æ œœ æ æ œ œ‰ ™ œ œ

Violin I

˙

Ó

Vibraphone motor off

Œ

˙

nœ p

Ó

Œ

#œ

Œ

pp

&

ó óóó

R

R

ï ó ï ï ï ïïï óï

‰ B&œ b Ii œ BIi œ B œ™ o p en dehors

° &

E +Eee

w

p

Œ

˙

poco

“” ˙ ææ

& Ϫ Ϫ Ϫ

scratch

B

"f "

œ™ œbœ™ ™

scratch

?

Cello

div. in 3

"f "

Double Bass

¢

?

Xylophone

˙ o

ppp

w~ p

¸ œ¸ bœ æ≈ Ó œæ ææ

p

ææMP úúúúúúúúú **MT æ not in sync ˙ i I œ ™&n µ '# # ˜ < h > ææ ≈ ‰ Œ æ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯≠ o * repeat the microtonal scale in the box

ó ïóó ï ï ï ï ïïï %ó ï

µœ B &b b Ii æ

‰ Œ

*

** æ ææMP úúúúúúú < q > MT ˜ ˙ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯≠ ææ ≈ ‰ o

for the duration indicated by the arrow

Viola

ppp

o

w

6.-7.-8. molto sul tasto

div. in 3

Ó

poco vib.

6.-7.-8. molto sul tasto

Violin II

#œ

*

˙ ææ

ppp

œ ™&n µ '# # ˜ æ

Ó

** slow bow movement (flautando) oscillating from molto sul tasto to molto sul ponticello

not in sync

ALL THE STRINGS: Free bowing always: the changes of direction should be as smooth and imperceptible as possible!

pp

Allow micro-discrepancies in the pitch of the microtonal glissandi played in pairs (do not look for a perfect sync), emphasising the microtonal distortion (until the end).

¸ nœ¸ ≈ Ó b œœææ ææ pp

The whole piece must be played with no or very little vibrato (almost inaudible), with the exception of when indicated "vibrato espressivo".

˙O

Double bass: all pitches sound an octave lower than written (including harmonics)

˙

"mf "

Ó

, pp 2 Wood, shapes and colours blurred in the darkness q=66 E +eEE A L L A % % 3

4 4Œ

Clarinet Bb SOLO

p

pp

Temple Blocks

f

A

Ó

Xylophone ‰ bL œ L ° & œ ‰œ™ œ œ# œ#œ ‰ n œ# œ œ œ

¢/

"mf "

G.P.

‰

pp

2

f

Percussion 2

˙™

¥¡ ¸ œ

new tuning

°? œL L œ œ Œ bœ ‰œ™ œ ¢ f

Percussion 1

2

œ

p

¥ ¡-ã B

¸ œO ‰ o

Œ

Ó

< “œ” > <n>˙O o

˙O ™™

"mf "

Copyright © Gerardo Gozzi 2017. All rights reserved

¸ œO ‰ o

G.P.

A Ó

E +eEE

ï ïïï ó ó ó ó ó %

L

A A

ï ó ï ïïó

œ µ ˜œ µ ˜ µ œ B Ii o o p

Neutrinos visiting 2

rall.

° Picc. &

q=40

7

Ó

n óïñ % óó ó k˙

œ æ ‰ o

D#

&

Fl. 1

o

n %

‰

JϪ o

pp

eE +eEE

Tbn. 1

Tbn. 2+3

¢&

ó óóó

R

‰ bœ ™ o

¢

ppp

L

A

%

Œ

R

L A ïó

œ Ii œ

ó ïóó

p

G#

ï ï ï ï %ó %ïïó ï ï ïï

‰

ï ï O EEee ó R ï ï %ó %ïïó EEEE ó%ïïó ï ï ïï ïï œ n B& B& B B œ Œ

ó ïóó %ó óó

G#

%

œ o

œ

Ϫ

Œ

n' B& B &b b b J ' E

G#

E

'

E

'

p poco dim.

# -œ. pppp

Ó

Ó

ó ï ]ï ï ïï %ï ï ï %ïïï G#

E

œ B'B'&b œ n B ' æ

pp poco dim.

q=40

Tempo I (q=66)

¸ O ‰ o

O

"mf "

air sound, without vibrating the lips

Oo

Xylophone [arco]

‰

¸ œ

œ

˙ o

o

Œ

˙

o

"mf "

œ o

œ

¸ ‰ œ o

œ

"mf "

Vibraphone

Œ

* glissando obtained by placing a glockenspiel mallet on the most distant knot of the metal plate and pulling the mallet head towards its centre, keeping a regular amount of pressure while the bow is rubbed against it [arco]

Œ

‰™

* #œ œ ™

with superball

¸ œ¸ ≈ ‰

œ

"mf "

ï ïóó ] ï ï ïï % %ï ï ï %ïïï G#

ï ïïï %ï ïï

G#

p poco dim.

E +eEE

F

Œ

poco

o

B&œ o

ó óóó

R

A

%

L

R

LA

ï ó ï ï ï ïïï ï ïïï % óï %óó ó

œ b Ii œ B Ii œ

p

B

œ

pp

&n œ œ

[

œ œ

ï ïóó ] ï ï ïï % %ï %ï ï ï ïï

ï ïïï ¥ %ï ïï ¸ n œ Bœ B&&b b b Jbœœ ˙˙ ' 'æ G#

G#

F

p poco dim.

E +Eee

A

F

poco

o

Π3

ï ïïï ó ó ó ï % ïó ó

ï ïïï % óó œó

R

µœ # #&˜ µœ B œ æ

n‰

poco

"mf "

Œ

q=40

¸ ‰ O o

O

"mf "

°

Temple Blocks

& Œ n œ B œ B&&b b b Jbœœ ™™ ' 'æ

°B ¢

pppp

pp

?

¢/

Œ

‰™

-œ.

œ

[

Bœ ™ o

‰™

L¸

o

G#

Œ

bO o

F

Vla.

Tempo I (q=66) ¸ œ

air sound, without vibrating the lips

[

SOLO

L

D#

B

rall.

°?

° Perc. 1 &

Perc. 2

Ó

Œ

Πo

EE ee Cl. A

B

Œ

D# C

Ó

&

Cl. Bb

ïï ïï ïï

pp

Œ

&

Fl. 2

óïï óó ó µœ o

n %G#

Œ

B Tempo I (q=66)

µ E˙ ˙

o

"mp"

Ó

ï ïïï ó ó ï ó ï ï ï ï ïïï ï óïï % % óï %óóó ïó ó µœ # #&˜ œ B &b b Ii œ 2 mp 3 , o 3 2

æææMP úúúúú¸ #¸ œ™ œ i ≈ Ó I œ™ ™ B ææ æ æ ppp MT

div. in 3 flautando

E +Eee

C#

Neutrinos visiting

° &

Œ

‰

&

Œ

‰

12

Fl. 1

Fl. 2

& Œ

Ob. 1

&

Cl. Bb

?

B. Cl.

pp

p

o

p

p

˙

p

Ó

3

L L nœ œ ¢ #œ#œ œ #œ #œ Œ

‰ Ó o

Ó

Œ

˙

œ æ ‰ Œ o

Ó

Ó

Œ

œ

¸ ‰ œ o

Ó

Œ

nœ æ

˙

‰

Ó

œ

pp

mp

œ ‰ æ pp

p

¸ ‰ œ

Ϫ

pp

Œ

p

tutti

+ œ

p

Ó

Œ

¢

œ

pp

pp

p

Œ

pp

Œ

+ ˙

"ppp"

¸ œ ‰ Œ

œ

ppp

,

2

Ó

Lœ L œœœ œ œ œ Œ Perc. 2 ¢ / ‰™ œ œ 2

,

#˙ o

G#

&˙

SOLO

5

˙E ˙

C#

ï óï %óï ïó

C#

Vln. I

° Ó & & Ó

Vln. II

B Ó

Vla.

? Ó

Vc.

D.b.

¢

?

Œ

#œ ‰ æ o

tutti molto sul tasto

Œ

unis. molto sul tasto

‰

unis. molto sul tasto

˙ o

Œ

Ϫ o

œ o

#˙ ™

˙

p

poco

Ó #w

n˙

pp

G#

œ

p

æææ úúúúúúúúúúúúúúúú e œ œ #&˜ œ µ # ˜ #œ* ee ee e e e p

bO o

"f "

bOO o

¸ ‰ O o

Œ

Ó

OO

Πo

Ó

"f "

3

æææMPúúúúúúúúúúúúúú e e * œ œ &n µœ n µ #' œe eee e e e Œ æ o p æææMPúúúúúú e œe e e e e e e e

˙

"f "

œ ‰™ œ bœ

œ œ #œ #œ nœ

3

f

o

œ Œ

‰ #œ œ

o

#~w

‰

p

poco

Ó Ó

Ó

Snare Drum with superball

,

3 2

˙

˙ ™ < Bœ>

mf

˙™

˙ pp

div. in 3 scratch

Ϫ Ϫ Ϫ "f "

div. in 3 scratch

Œ

œ™ œbœ™ ™

"f "

‰ bœ¸ œ o pp

œ

* the first note of the tremolo should include a trill, within the tremolo itself

‰ o

Oœ ‰ Œ æ o

‰

pp

2

* Ÿ~~~~~~~~~~~~~~

¸ œ ‰ o

not in sync MT

p

o ¸ œ ‰ Œ

Ó

o

C

‰ Œ

æææMPúúúúúúúú œ n'B &b bIi œ œ* e e e e

p

o + ¸ ‰ Œ œ Ó

Ó

L L œ ææ œœ œ œ œ œ œæ ‰™

f

* play random (microtonal) notes in free rhythm

*

MT

œ œ æ

+ œ Œ

mf

pp

2

ss ss bL œ L

¸ ‰ Œ œ o

+ œœ

tune the 29"

MT not in sync

œ

"mf "

œ ‰ Œ æ o

mf

p

˙

bœ

œ

+ œ

p

p

div.

¸ ‰ Œ œ

MP MT not in sync

not in sync

¸ O

O o

Ó

p

p

ï óó ¥ %óóó ó

A

"mf "

tutti molto sul tasto

‰

¸ ‰ œ o

Œ

Ó

ï óï %ïó ïó #n ˙E ˙

cover the whole mouthpiece air sound only

Ó o

b˙

Ó w

Temple Blocks

mp 3

O o

ï ó ï ï ï ï ïïï %ó ï œ B œ n B& B& B Ó ' o mf

p

L L œ #œ œ œ Œ #œ ‰ ™ #œ

Ó

,

2

Œ

E +Eee ó ïóó

˙

¡

f

mp 3

Ó

div.

Ó

s sXylophone ss # œœ ° Œ Perc. 1 & œœ

Ó

p

Œ

C

Ó

Œ

Œ

˙

œ ææ ≈ ‰

+ ¸ ‰ œ

mp

œ

œ ˙ ‰ æ

senza vib.

?

mp 3

Ó

mf

Ó

°? #œ ææ ¢ #œ œ™

Ó

#˙ ™

o

pp

œ ææ ≈ ‰ Ó

tutti

œ

œ o

?

Tbn. 1

p

˙ o

Ó

˙

& Ϫ

o

#œ ææ ≈ ‰

#˙ o ó5 óóó æ eeó óóó A % EE %

2

pp

lip gliss.

ï ïï ó ó 5 %ïï æ %óóï A

3

° œ &

œ

Œ

cover the whole mouthpiece air sound only

Ó

Ó

3.

Timp.

Œ

2

1.

Tbn. 2+3

œ æ

pp

poco vib.

?

Hn. 3+4

œ

¸ œ ‰ o

˙

mf

Hn. 1+2

pp

#œ æ o

˙

pp

œ æ ‰ o

#˙ o

mf

œ æ ‰

#œ ™

L L bœ ? œœ œ œ œ Œ œ

Bsn. 1

Bsn. 2

˙

#œ ™

& œ o

Cl. A

œ

œ æo

3

C œ lip gliss. bœ ≈ ‰ ææ o p

o

¸ œ¸ bœ ≈ Ó æ œæ ≈ Ó ææ

pp

¸ nœ¸ ≈ Ó b œœææ ≈ Ó ææ pp

˙™

poco

BΠo

Neutrinos visiting 4

° & 18

Picc.

&

Fl. 1

&

Fl. 2

Ó

Œ

Œ

Ó

Œ

"f "

o

Ó

O

Πo

Ó

Ó

Œ

O

#œ

œ

o

ppp

#œ

œ

o

ppp

œ o

œ ppp

œ ‰ æ o

Ó

œ æ ‰ o

Ó

œ ‰ æ o

Ó

˙

bœ lip gliss. B o p

œ ‰ æ o

Œ

B

¸ œ ‰ o

Œ

œ o

œ æ ‰

lip gliss.

p

(unstable tuning is allowed here)

&

Ob. 1

& Ó

Cl. A

? Ó

B. Cl.

Hn. 1+2

¢

˙

¸ ‰ œ o

Œ

˙

¸ ‰ œ o

Œ

mf

˙ o

mf

Ϫ

œ

œ o

Ó

˙

˙

p

mf

œ æ

¸ bœ o

pp

Œ

œ

˙™

2

Ϫ

œ

o

¢

tutti, mouthpiece only air sound

O o

3

œ

œ

˙

2

O o

O O "mf "

Ó

æ b Oæ o

¸ O ‰ o

Ó

¸ O ‰ o

Ó

æ¸ Oæ

air with fluttertongue

‰ æ Oæ o

"f "

æ Oæ

air with fluttertongue

Ó

œ f

¸ ‰ Œ œ ,

œ æ ‰ o

2

œ æ ,

ΠE +Eee

#œ o

ï óóó

œ

Œ

nœ p

mp

ï ï ï ï ïïï % óï

R

A

R

A

œ µ &n œ B ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯≠ æ ppp

Ó

Œ

œ o

‰ Ó

"f "

æ Oæ

div.

div.

bœ œ o o n˙ bœ o

Œ

Ó

æ¸ ‰ Œ Oæ o

Ó

o

œ œ

p

œ œ

œ

µ œ

s ss s nœ L L #œ œ ™™ #œœ œ ™™

˙ o

¸ ‰ œ o

œ

"mf "

p

p

œ ‰ Ó æ o

Œ

L L œœ

œ o

B #œ

˙

f

o

¸ œ n'B

scratch

(not in sync)

&b b b I & 'i n

œ mf

w ææ

ord.

,

œ ææ

Ó o

œ

L Lœ œ #œ nœ O œ œ œ Œ OnO O O O Œ

& unis.

bO o

o ‰

"f "

bOO o

2

mp

Ó

poco

˙ o

MT

æææMP úúúúúúúúú scratch "mp"

ææMP úúúúúúúúú Oæ ¥œ B ≈‰ Œ ææ o

< Oe ™™> o

MT

¥

˙ o œ ææ ≈ ‰ o

¸ O

‰ o

Ó Ó Ó o

OO

"f "

Œ

ppp

‰ ‰ IV. œ

Ó

mp 3

Ó

? Ó

Œ

Œ

¸ œ

p

° Vln. I &

?

¸ œ ‰ Ó œ o

Ó

&

¢

œ

3

?

Temple Blocks

Vc.

,

Ó

¢/

Vln. II

¸ œ ‰ Ó

f

o

"mf "

tutti, mouthpiece only air sound

Œ

Xylophone

SOLO

œ

œ

f

˙™

Ó

3

f

?

° Perc. 2 &

D.b.

‰

Œ

&

Tbn. 1

Perc. 2

‰

b˙ o

ó óóó L L ï ó ï ï ï ïïï % % óï B&œ b Ii œ B Iiœ B ¯¯¯¯¯

E +eEE

?

&

Tpt. 2+3

Œ

‰

&

Tpt. 1

Ó

¸ ‰ œ o

Ϫ

mf

Œ

Œ

° &

Hn. 3+4

Tbn. 2+3

b˙ o

?

Bsn. 1

‰ o

ppp

& Ó

Cl. Bb

poco

L L Ϫ

&

Ob. 2

Bsn. 2

pppp

˙ o

œ

"f "

ï ï ï ï ïïï %ó ï nœ ˙ ¸ µ n B& B& B ‰ bœ œ œ -' - - o f f E +Eee

Œ

Ó

"mf "

#

˙ poco

molto sul pont.

B ææ

2 ff 3 3 2

ææ

œ ‰ ææ æ , ord.

Œ

‰ #œ ™ o

µ

mf

¸ œ ‰ o

# w~ p

œO

¸ œO

‰ o

Ó

Gœ

Neutrinos visiting

° &

D

24

Picc.

& Ó

Fl. 1

& Œ

Fl. 2

Ob. 1

Ob. 2

n

Ϫ

ïï n ïï %ïï or %ïï ïñ ïó B˙ ™ o

D#

œ æ

o

Ó o

mp

& Ó

‰ #œ

& Ó

œ

œ æ

p

poco

œ ≈ ‰ ææ

Ó

Œ

Ó

pp

poco

œ

p

œ ¸ œ

‰

pp

?

B. Cl.

Hn. 1+2

¢

? Œ

nœ

˙

p

poco

bœ æ

˙

p

œ æ

poco

œ ææ

≈ ‰

pp

Œ

‰

Œ

pp

O

"f "

#˙ ™ o

µ˙ ™

¸‰ œ o

Œ

˙

œ

p

mf

bœœ

œ æ ¸ œœ

˙˙

pp

poco

+p œ

˙

pp

+ œœ

+ ¸ œœ æ

poco

poco

?

Œ

Œ Perc. 2 ¢ /

e œ

C#

&Bœ o

° Vln. I & Ó

Vla.

¢

2 mf 3

b œe œ

o

B Ó

‰ bœ ™ o

B˙ ™

"f " dim.

, ss s C#T S %

óï %óï ó ïL ï

% ææ

œ bIiœ b æ ‰

ï ïóï % ïó ï n œ # œ µœ

Eb Eb

G#

Œ

œ o

œ

Œ

,

p

¸ œ

scratch

œ p

nœ ™ o

œ

scratch

scratch

poco cresc.

¸ ‰

œ æ scratch

poco cresc.

L Lœ œ ‰ bœœ bœ #œ ‰ ™ nœ œ n œ ‰

Ó

Oœ

‰ o

Œ

o

n#Oœ

e ˙ (not e ein esync)e e e e e ‰ e e ee B˙ e(noteine sync)

o

Œ Œ

Œ

#œ o

‰

Œ

Ó

‰

Œ

Ó

æ Oæ o

æ Oæ

œ o bœ o

p

p

œ p

æ¸ ‰ Oæ o

"mf "

3 2

Œ

O ˜ "f "

o

Œ

Oo

Œ

bO o

O

Ó o

¸ ‰ O o

Ó

"f "

"mf "

Ó

3

ON THE XYLOPHONE!

Œ

œ o

pp

2

s ss s C#T S %

*

,

œœ œ

ïó ï ï %ïïï L Eb Eb

œ B&B &b b æ

œœ

˙™

µ

‰

Œ

mp

B

stop the harmonic (not in sync)

p

˙™

µ

stop the harmonic (not in sync)

˜

æ

p

#˙ ™

‰ o

o

E

Ó

Πo

Ó

Œ

Ó

F#

B&˙ o

scratch, slow

,

"f " 3

2

scratch, slow

˙

ï ïïï % ïï ï

%

* play random (microtonal) notes in free rhythm

"f "

œ

L L œ œœœ Ó œ œ‰ ™

<µ> œ ™ O µ

Œ

æ¸ Oæ Œ o

"mf "

æ Oæ

Ó

Œ

#œ pp

2 mf 3 3 2 ord.

bœ Ó æ o

p

˙ p

µœ æ

o

pp

2

œœ ™™ œ™

ord.

œ

3

f

f

D

‰

tune the 29"

œœL L œ œ œ Ó ‰ ™ <n>œ

f

Œ

#œ

Œ

?

Œ

mf

& Ó

scratch, slow

Gœ

poco

Ó

Temple Blocks

f

‰

bœ ™

‰

Xylophone

Œ

œ

Œ

? Ó

Vc.

s ss s

p

L¸ œ‰

Ϫ

with superball

pp

ó ïïï %ó óó

Vln. II

Œ

Ó

Snare Drum

SOLO

pp

‰

Ó

Ó

Œ

pp

molto vib.

æ b Oæ o

Œ

p

Ó

‰

Vibraphone

œ ææ æ

Ó

o

"mp"

mp

Ó Œ

° Xylophone ¸ ‰ Perc. 2 & œ o

œ™ ææ

‰ o

B˙ ™

Œ

°? ¢

fluttertongue

Ó

? ¢

æ¸ œæ

p

bœ ™ ææ o

Ó

Πo

&

Tbn. 1

¸ ‰ O o

æ œ™æ

%

b˙ ˙ o p ï ïïï ó ïïï 5 %óïó æ %óïó A

Œ

D

O o

ï ï 5 E ïï æ E óó A

Œ

Ó

æ œ™æ o

fluttertongue

‰ o

&

Tpt. 2+3

D.b.

‰

&

Tpt. 1

Timp.

Œ

"pp"

¸ œ œ™ o mf

° &

Hn. 3+4

Tbn. 2+3

mf

æ

Œ

Œ

¸ ‰ œ o

˙

? Ó

Bsn. 1

Bsn. 2

œ

œ

cover the whole mouthpiece air sound only

Œ

Eb Eb

o

"pp"

œ

o

%

C

Cl. A

5

œ

o

œ

Ó

o

"mf "

‰

Œ

C

E ó ï ï +Eee ï óó ï ï ï ïï % < h ™> óï & ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯≠ ‰ œ B &b b Ii æ o "mf " bœ œ œ S s %sss # T %ïó ï ï %ïïï L æ ¯¯¯¯¯¯¯¯¯≠ & o o # œ &µ µ &n n mf æ o mp

Cl. Bb

˙

Œ

Ϫ

"f " 3

2

¸ ‰ œ , µ˙

"f "

scratch, slow

dim.

¸ ‰

Œ

¥L E

¸ ‰ nœ œ œb œ # œ nœ o P P p f

2

3

p

6

° Ó & 29

Fl. 1

&

Cl. Bb

Cl. A

B. Cl.

senza vibrato, as stable as possible

œ

D# C

˙ o

œ

o

Œ

&

<b> œ

¸ ‰ œ o

?

<#>œ

Ó

o

¢

?

œ ‰ æ o

Œ

¸ œ ‰ o

Œ

Œ

Œ

‰

mf

mp

Ϫ

æ œæ o

æ æ œ™æ lip gliss. iIœæ™ lip gliss. G œ Œ

œ æ o

œ™ æ

µ

pp

pp

"mp"

o

Ó

œ p

G Œ

lip gliss. œ

mf

Ó œ æ ‰ Œ o

p

˙

b˙ p

Ó

o

mp

œ æ ‰ o

Œ

Œ

œ æ ‰ o

Œ

œ o

œ

¸ œ

˙

mp

ó óG# ó ó G# 5 %óó æ eEEE %óó A o

Œ

Πo

Œ

Œ

#œœ pp

#˙

+p œ

pp

Ó

Œ

Perc. 2

Vla.

° & ¢/

œ

Œ

˙

Ó

o

"f "

œ o

¸ ‰ Œ œ o

œ

"ff "

<1> "mf "

<#e > ≈ ‰ ææ

s ss s L ™™L n œ œ b#œœ œ™™ œ

p

Ó

mp 3

b œ™ #œ

& ˙

G bœ ‰

f mp

µœ &n n B &b b Ii Ó

6.7.8. soli not in sync.

Œ

6.7.8. soli

˙

B Ó ? Œ

œ

mp poco cresc.

? Ó ¢

Œ

p

A

R

A

"f "

scratch, ord.

G Bœ Œ o

d.

Œ o ‰

tutte

æææMP úúúúúúúúúúúúúúúúúúú ¸ ‰ Œ b˙ œ œ o o p MT

æææ úúúúúúúúúúúúúúúúúúúúúú ¸ ‰ ˙ œ™ œ ‰ Œ o o p tutti MT MP

œ æ o

p

µœ ≈ Œ o

Ó

ï óóó ï ï ï ï ïïï % óï #œ µ &n n B ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯≠ æ o "mp" "f "

Œ

œ o #œ

‰

œ æ

pp

poco

O

2

œ ææ

"mp"

"mf "

æ¸ ‰ Ó Oæ o O o

ppp

OO o

"mf "

Ó

non div. A

Ϫ o

œ

OO

o

Ó

Œ

Œ

Ó

bœ o

œ

"f "

Ó

œ bœ æ ‰ Œ

Ó

bœ œ ‰ Œ æ

Ó

œ #œ ‰ Œ æ

Ó

#œ œ ‰ Œ æ

Ó

æ nœOæ

æ Oæ

"f "

Ó

5 non div. A

"f " ord.

f

(non trem.)

O

"p"

¸ ‰ œ o

"f "

ó óóó L L ï ó ï ï ï ïïï ó¥ïóó % % óï L Lœ % % bœ bœ œ B&œ b Iiœ BIiœ B Œ ˜œ G œ o o mf ó ïïï

"f "

5 non div. A

æ Oæ

‰

"f "

5 non div. A

æ Oæ o

with superball

f

5

Ó

¸ bO ‰ Œ o

Œ

B

˙ o

‰ o

Ó

"mf "

Ó L¸

¸ O

æ¸ Oæ Ó o

E

ææMP úúúúúúúúúúúúúúúúúú MTæ nœ ™ œ œ œ ‰ Ó æ æ o o p

tutti MT MP

p

or scratch, n'B &b b I i œB

œ nœbœ œ

R

æææ úúúúúúúúúúúúúúúúúú ‰ Œ œ œ G µoœ nœo ™ o p

¸ #œ¸

4.5.6. sole

œ

tutti

mp

‰™

& Ó

f

Lœ L

ó óóó L L ï ó ï ï ï ïïï % % óï & Bœœ™b Ii œ B Ii œ B Ó

E +eEE

O o

2

L L œœ

ï ïïï % ïó ï µœ

Œ

Œ

tutti, mouthpiece only air sound

mp 3

Temple Blocks

p

D.b.

æ Oæ

Œ

4.5.6. soli not in sync.

Vc.

æ b Oæ o

?

° Vln. I & Ó

Vln. II

‰ Oææ¸ Oææ¸ Oææ o "mp"

Œ

Xylophone

‰

E +Eee

+ + ¸ ‰ Ó œ œ œ ‰ Œ Ó æ

?

R

SOLO

+ œ œ

poco

poco

&

Perc. 1

¸ œœ ‰ Œ

poco

Tpt. 2+3

p

œ æ

poco

ï óóó ï ï ï ï ïïï ó ó ó % óï ó Ó œ B &b b I i b &b B œ

Ó

˙˙

Œ

< E>

œ

pp

mp

Ó Œ

Superball on the 20"

œ

pp

œ

pp

E

°? ¢

œ

pp

L¸

b˙ ™

Ó

Timp.

E +eEe

Ó

&

¢

‰

Ó o

Tpt. 1

Tbn. 2+3

Ó

"mp"

Ó

&

Tbn. 1

#œ o

Œ

p

œ o

Ó

Ó o

˙™

#˙ ™

‰ o

° &

Hn. 3+4

˙

˙

Ó

#˙

p

œ™ æ

œ æ ‰ Œ

bœ

Œ

˙

E

mf

Ó

? Ó

Bsn. 1

Hn. 1+2

%

&

Ob. 1

Bsn. 2

Œ

& Ó

Fl. 2

óï ïï ïï µœ o

n

Neutrinos visiting

æ Oæ

æ¸ Oæ ‰ Œ o

Ó

E +eEE

R

A

R

A

Neutrinos visiting

F rall.

° & 35

Picc.

Ó

& œ¸ ‰ o

Fl. 1

Œ

Œ

& œ

Ob. 1

Ó

bœ ™ o

Œ

¸ œ ‰ o

"f "

‰

¸ œ œ o

lip gliss.

Œ

Ó

¸ ¸ ≈ ‰ B

Ó

#œ

Ó

Œ

pp

Ó

Ó

Ó

Ϫ o

‰

Ó

ï óóó ï ï ï ï ïïï ó ó ó % óï ó & œB b bI i b &b B ˙

E +Eee

p

& Ó

Cl. A

?

B. Cl.

?

Bsn. 1

œ gliss µ ææ ≈ ‰ æ

œ ‰ æ o

f

Œ

Ó

‰

L¸

˙

mp

¸ œ

˙

mf

˙

mf

pp

mf

‰

œ æ ‰

?

p

˙

˙

pp

mf

‰

Œ

Œ

ó óóó L ï ó ï ïï % B&œœ™ b Ii œ B #œR

A

A

R

A

A

b æ

‰

mf

‰

œ æ

‰

pp

œ ‰ æ o

f

nœ ™

R

p

Œ

pp

Ó

œ ææ

œ ææ ‰ æ o

Ó

Œ

Ó

Œ

Ó

L # œL œ

œb œ

œ

f3

p

2

œL œL #œ 3

f

œ

bœ p

2

Œ

Ϫ

o

o

mp

L L ‰ #œŒ œ œ bœ ‰ #œ

L¸ œ

mp

œL # œL œ

Ϫ

pp

mp

Œ

Ó

+ ¸ œ¸‰ ™ œ

Œ

Ó

œ œ ‰™ ææ p

Œ

Ó

œ

¸ œ ‰

Ó

œ œ

Œ

Ó

#œ

2 f 3

pp

bϪ

Ó

pp

˙

Ó

Œ

Œ

R

A

o ó óóó L L ï ó ï ï ï ïïï ó ó ó ó ó % % óï ó & & µœ n B b Ii Bœ b I i b B µœ # ˜ œ µœ o mp R

œ æ

pp

f

œ

ï ïïï % ïó ï µœ

œ æ ‰ o

"mp"

#w o

Bœ

Œ

pp

poco

"mf "

¸ œ

‰

Œ

mf

molto vib.

? Ó Bsn. 2 ¢

E +eEE

mp

E +eEE

R

Ó

p

œ œ

Ó

fluttertongue

bϪ

‰

mf

ï ïïï % ïó ï œ & i I œ B B æ æ 3

œBœ

Œ

œ ‰ æ o

¸ œ

E

b˙

o

Œ

mp

˙

B

‰

˙

ï ïïï % ïï ó ¸ œ Bœ ™ o

o

poco vib.

s ss %ó , ï T æï æ %óï S % ó Ebï L Ebï R

b˙

˙ <#> œ

mf

poco

Œ

œ

pp

mf

Ϫ

& Œ

Cl. Bb

o

"ff "

&

Ob. 2

bϪ

‰

œ ‰ æ o

p

lip.

¸ & <#>œ ‰ o

Fl. 2

Ó

‰

7

q=48

œ #œ

Œ

pp

F

Hn. 1+2

rall.

° &

Ó

p

Hn. 3+4

&

Tpt. 1

&

Tpt. 2+3

Timp.

Ó

Ó

mf

œ œ™ #œ œ™ æ mp pp

Œ

p

œ

2 "mf "

pp

¸ ¢& Oææ ‰ o

Œ

CUP MUTE: tight

Ó

Ó

Œ

3

bœ œ

¢/

3

Ϫ o

B Ó

G

bœ ™ œ

œ œ™

f

L

¸ bœ

f

ïï ¥%ïñ 3 µ bœ œ æ

‰

bœ œ

Œ

mf

L L œ œ œ œ ‰™

f

‰™

f

#œ ˜ œ µ # ˜ œ µ ‰

Ó

Πmolto (not in sync.) ord. sul tasto scratch,

œ n' B&b b Ii œ B œ

‰ molto sul tasto

Œ

Ó

Œ

˜œ

œ

3

F#

œ Œ

mf molto sul tasto

µœ o

œ ™ bœ n œ

Œ

‰

µœ Bœ

˙

œ

mf

‰ o

œ

œ æ

Ó

˙

G nœ Œ

ff

nœ µ ‰ æ ææ ≈ ‰ o "ff "

œ æ Œ

‰ o

Ó o

mf

mf

¸ ‰ œ o ¸ œ

œ

˙

p

œ æ

molto sul tasto

molto sul tasto

(ord.)

molto sul tasto

mf (ord.)

≈

#œ#œ ™

dry, sive aggres

ord.

"mp"

Ó

Gœ ‰

3

i˙ I

molto sul tasto

œ

rall.

scratch, slow

Πord.

G#

p

Ó

scratch, slow

#œ ™

ï ïï Ee ï /EE0 % ï i œ µœ ïï I æ R

(not in sync.)

bœ bœ Ii œ B b Iiœ B ‰ æo mp poco cresc.

iI ≈ ‰ ææo ‰

mp poco cresc.

æ*, nœæ œ #œ

Œ

‰ o

Œ

Ó

3 2

Ó

* gradual increase of motor speed from 0 to maximum (l.v.)

mf

(not in sync.)

"mp"

¢

‰ o

œ

R

p

mp poco cresc.

?

Vibraphone

Temple Blocks

&

Vc.

[arco]

Œ

° Vln. I &

?

Ó

pp

mp

Vla.

pp

L L ‰ #œ‰ œ œ Œ

& ˜œ

Vln. II

pp

2 "f "

pp

°? ¢

SOLO

D.b.

?

HARMON MUTE: without stem

° Xylophone Perc. 1 &

Perc. 2

q=48

+ ‰ #œ¸ œ œ œ

œ

œ

Œ

Ó

pp

F q=48 #œ œ o #œ œ æ ‰

œ Bœ µ œ 3

3

mf

Bœ ™

œ Bœ bœ Bœ 3

scratch, slow

1. SOLO

Œ

"f "

œ ææ

‰ ™ 2. SOLO pp

µ‰

˜ µœ ™ #œ Œ 2. SOLO æ w scratch, slo

#œ œ ‰ æ

Œ

œ œ ‰ æ

Œ

Ó

œ #œ ‰ æ

Œ

Ó

1. SOLO

‰

pp

"f "

"f "

"f "

æ # œOæ

ord.

f

(non trem.)

O

æ Oæ

#

æ¸ O ‰ o

Neutrinos visiting 8

° Picc. & ˙ o

accel.

¸ œ ‰ o

40

&

Fl. 1

˙

ïï ïï ó œ ï Bœ bœ Œ

mp n

˙ ,

2 f 3

˙ o

œ

mp

& Ó

‰

s ss %ó , ï T æï æ S % ó

Bœ

ïL

óï ï

%

Eb Eb C#

œ B& B &b œ

Œ

Bœ

Πo

%ó ï ïï E

B' &b œ n'

?

Bsn. 1

Hn. 1+2

¢

#œ o

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯≠ w

#w o

#œ œ Œ o

mp

ï ïïï L

µ n Bœ B b

p

poco

Ó

Œ

s ss %ï s C # T æóó æ S %

ï ïïï L

Œ

p

¸ ‰ œ

p

L

L A ïó ï

R

ï óó óï ó ó

A

R

%

& B&œ bIi œ B I i B n µ ˜ Bœ

¸ œ ‰ o

mf

Œ

Œ

Ó

œ o

Œ

¸ œ o

‰

accel.

b˙

œ

ppp

mp

œ æ

‰

Ó

ppp

<n>œ

Œ

1.

Œ

WAH-WAH MUTE: stem half out

?

Œ

WAH-WAH MUTE: stem half out

?

Œ

ppp

ppp

œ

œ

ppp

p

œ æ

3.

ppp

Ó Ó

bw w

¸ œ ‰ œ

Œ

Ó

œ ‰ æ

nœ¸ ‰ Œ nœ æ ppp

?

‰

ppp

Œ

ppp

"f "

Ó

¸ ‰ œ

"f "

#˙ #˙

Œ

p

w

bœ

˙

œ

ppp

"mf "

&

¢

A

%

Ó

poco

"f "

Tba.

Œ

ó óóó

R

‰

o

Eb Eb C#

?

& Ó

Tbn. 2+3

p

nœ B œ B b Ii œ

nw

Ó

Tbn. 1

œ æ

E +eEE

Eb Eb C#

o

?

Tpt. 2+3

#œ

Ó

Ó

Tpt. 1

s ss %ï s C # T æó æ S % ó

Ó

° &

Hn. 3+4

Ó

Ó

"mp"

B. Cl.

˙ o

<h> ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯≠ Ó o

E +EEe ïïï C# L C# % % óï

"mp"

& Ó

Cl. A

œ

œ lip gliss. B ‰ æ o mp

poco vib.

Ó

3

R

Cl. Bb

Ó

C

& Œ

Fl. 2

%

Œ

Ó Ó Ó

‰

L

bϪ

œ

pp

Timp.

Perc. 1

°? ¢

Superball on the 29"

Œ

Œ

E +EEe 3

&nœ bœ

SOLO

snare on

¸ œ

Ϫ o

snare off

ïï %ï L C#

C#

óï

%

"mf "

ï

óï ï

Œ iI µ œ &n n n '- - - -'

Œ

Ó iI‰

B Ϫ pp

molto (not in sync.) d. & sul tasto µ µ n n B &b b scratch, or

? ‰ ¢

?

#œ p

'

œ

Œ iI ≈ Œ ææ o

˙ o

˙

bœ æ o

Ó

tutte molto sul tasto

‰

L

œ

#œ

f mp

IV.

(not in sync.)

œ

˙

œ

¸ ‰ œ o

œ

Πo

pp

ï ïó óï % óó

ï ïó ïï % óó

bœnœ

œ bœ

*

Œ

with superball

œ o

"mf "

mf

R

#œ œ æ

#œ bœ p

accel.

œ œ

bœ ™

‰

i I

o

mf

scratch, slow

¸ bœ œ Ii œ B b Ii œ B œ o mp poco cresc.

p

#œ

œ Ii œ B b Ii œ B œ

molto sul tasto

bœ

œ

p poco sul pont.

L¸ œ

Œ

"f "

æææ úúúúúúúúúúúúúúúúúúúú B i I Œ

(not in sync.) MP

MT

˙™

Œ

p

scratch, slow

mp poco cresc.

æææ úúúúúúúúúúúúúúúúúúúú ˜ µ

Œ

(not in sync.) MP

MT

Bœ

æææ úúúúúúúúúúúúúúúúúúúú µ B

(not in sync.) MP

MT

(not in sync.)

˙ o

™ ™ L nœ L

¸ œ œ

µœ

mp poco cresc.

¸ bœ o

‰

p

Temple Blocks

Gœ

Ó

* irregular cresc. and dim., freely, so to convey instability in dynamics

œ Ii œ B b Ii œ B œ ™

IV.

˙ o

Œ

œ

˙˙ ™™ ˙™

scratch, slow

‰

Œ

R

(not in sync.)

tutti molto sul tasto

o

‰

"f "

ï ïó %ïï óó # bœ ˙ œ b˙ # œ œbœ o P P

Ó

Ó

"mf "

f

Œ

1. SOLA scratch, slow

Vc.

Πo

tutti molto sul tasto

‰ B & æ ‰

Vla.

Œ

o

œ æ

with superball

snare off Tam-tam

R

% E

° &

Vln. II

œ

[motor max]

˙™

mf

, , œ™ ææ

mp

"ff "

° Vibraphone ¢&

° Perc. 2 ¢ / Ó

D.b.

<e>

mp

Snare Drum

Vln. I

< Ϫ>

¸ < be >

¸

æææ úúúúúúúúúúúúúúúúúúúúúúúúú µ B ‰ æ o

(not in sync.) MP

w

MT

p

Ó

< > <n>˙O o “œ”

˙O

f

Œ

‰

L

div. in 2 sul pont.

œœ ™™

pp

¸ œO

‰ o

¸

œ œ mf molto sul tasto

‰

¸ bœ o

Neutrinos visiting

G ° Ó &

Picc.

,

,

& Ó

Ob. 2

& Ó

Cl. A

?

B. Cl.

o

mp

œ

& Ó

Cl. Bb

œ

bœ o

œ

o

mp

œ

o

mp

bœ

œ

o

mp

o

o

o

mf

Œ

L L

œ œ bœ

Œ

pp

L L

‰

Ó

œ œ

#œ

n

‰

Ó

Ó

Œ œ bœ

pp

œ

#œ

‰

Ó

Ó

molto vib.

˙

œ æ

mp

L L œ nœ #œ Œ #œ œ œ#œ

‰

3

f

2

L L œ #œ œ

œ

f

œ bœ

nœ

Œ

‰

?

pp

œ ¸ œ œ bœ o f

Œ

3

L 2L nœ œnœ œ Œ #œ #œ œ

‰

mf

bœ æ

œ

Bsn. 2

#˙

? Ó ¢

2 f 3

p

œ

óï ïó óó

% or

D#

mf

œ

C

mf

Eb

æ

œ æ

Hn. 1+2

#˙ ™

"mf "

˙™ ˙™

? Œ

HARMON MUTE

"mf "

Tba.

¢

o

‰

o

pp

œ

‰

œ

Œ

Ó

˙

pp

‰

¸ œ ˙ o mf

œ æ

mp

œ ææ ≈ ‰

Œ

Ó

œ≈ ‰ œ ææ

Œ

Ó

?

°? ¢

L L œ bœœ ‰œ™ 3

f

° ¢/

Temple Blocks

2

œ

nœ

Œ

Ó

pp

Œ

‰

L œL #œ œ Œ œ b œœ ‰ ™ œ œ œ f

3 2

Ó

Œ

‰

pp

Vln. II

Vla.

D.b.

œ

œ æ

pp

2 mf 3

œ

œ

pp

2 mf 3

œ o

œ

"mf "

óï /%óó œ

˙™

p

° Œ &

& Œ B Œ div. ? œœ ™™ o

molto sul tasto

œ o

? ¢ <b>˙

mf

œ mp

molto sul tasto

bœ o

œ

mp

molto sul tasto

#œ o

œ mp

Ϫ Ϫ

œ æ

‰ o

¸ œ ‰ o œ ‰ æ o œ ‰ œ æ o

mp

Ó o

Œ

Œ

Œ

‰

Ó

pp

œ æ

L

˙

‰

pp

¸

pp

œ f

E ï +EEe ï%ïó ï %óï %óï ó ï ïL ó b œ Iiœ B b B n µ#œn œ bœ œ

œ

œ

F# F#

æ

f

bœ p

‰

Œ

o

‰

Œ

bœ

¸ œ

˙

p

œ æ

‰

mf

œ

œ 2 mf 3

pp

pp

L

¸ bœ

œ

œ æ æ pp

ææ

¸

Ó

Œ

G #œ Ó

Œ

œ

œ æ

‰

Ó

pp

‰

ritenuto

‰

#œ ™ bœ™ pp

f

pp

f

œ œ

œ™ bœ ™

‰

œ œ

mf

mf

[with superball]

Ó

&

molto sul tasto

Vc.

bœ æ

p

o

¥ñ ïóó 0 %

q=66 unstable tempo, always un poco accelerando

Vln. I

Ó

,

Ó

G

SOLO

Œ

5 4Ó

Ó

° Vibraphone Perc. 1 &

Perc. 2

Œ

Œ

Ó

pp

Timp.

œ ‰ æ o

Ó HARMON MUTE

Tbn. 2+3

Ó

3

cresc.

q=66 unstable tempo, always un poco accelerando

? Œ

Tbn. 1

Œ

œ

bœ œ æ

œ nœ

?

Hn. 3+4

Œ

‰

¸ œ

˙

œ æ

Ϫ

G ° &

œ ‰ æ o

R

mp

œ æ Œ

ï ïïï

µ n B b <b>œ

˙

œ

o

Ó

‰ #œ

mp

mp ¸ œ

s ss %ïó s C #T æó æ S % mp

bw L

#

˙

o

‰ #œ ™

f

Ó o

˙

µœ ïï o %óï ïó µœ o

Œ

molto vib.

Bsn. 1

%

D# C

n

œ

óï ï ïïï

9

ritenuto

‰

o

Ó

˙

¸

œ

œ #œ œ œ

œœ

ppp

‰

2 f 3

œ

L L

Œ

¸ œ

L

5 4

q=66 unstable tempo, always un poco accelerando

2 f 3

b˙

& Ó

Ob. 1

L

,

& Ó

Fl. 2

¸ œ

2 f 3

˙

& Ó

Fl. 1

L

˙

45

µ˙ o

scratch, ord.

scratch, ord.

n˙ o

scratch, ord.

n ˙o

B µœ

f mp

G

bœ œ™ œ™ œ

L

¸ nœ

f

‰

‰™

p

œ

˜œ f

3

#œ ™ œ œ

µœ µœ æ

Œ

f

µœ n B b Ii œ B œ Œ

Ó

mp

b œ b œ lip gliss. œ#œL œL G bœ nœ

3

(not in sync.)

div. in 4 not in sync.

Œ

mf poco dim.

µœ

(not in sync.)

Œ

Ó

mp

‰

nBbI i œBb

‰

Ó

molto sul tasto

bw

mp

Ó

Œ

[div.]

‰

molto sul tasto

¸ œœ

pp

œœ ˙ o

Œ

œ f

œ nOe

œO

div. in 4 not in sync.

f

L

¸ b œœ œ #œ

poco sul pont.

molto sul tasto

#˙ ™

L

¸ œ b œœ Bœ

w microtonal l glissandi: allo free-directiona between players pairs discrepancies

,

‰

Ó ¸ œO ‰ o

poco sul pont.

2 mf 3

molto sul pont.

L¸ Ó œ

œ f

p

,

Ó

mf poco dim.

bœ

œ œ

allow microtonal free-directional glissandi: players pairs discrepancies between

(not in sync.)

œIi œ B b Ii œ B Ó

Œ

L¸

F

mf

mf poco dim.

Œ

ïï ïï n œ™ œ # œ™ æ bœ ™

ïï C# ritenuto % ï

5 4

Œ Œ

Œ

2 mf 3 molto sul tasto

bœ ™

µœ

,

L

2 "ff " 3

L

tutti molto sul tasto

b˙ ,

Ó

¸ œ

¸

œ

3

2 "ff "

Neutrinos visiting 10

° Picc. & 50

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Cl. Eb

Cl. Bb

Cl. A

Metal, dense and luminous (flexible tempo) q=c.70

L œL œ 3

f

2

œ œbœ #œ p

Œ

Ó

Ó

¢

&

Ó

Ó

n˙ o

&

Ó

˙ o

&

Ó

Œ

œ

ïó óó

¥%ïïó C#

µ œœ µœ µœ

˙˙ ˙ ˙

œœ œ œ æ

"f ", en dehors

‰ o

Œ

Ó

?

4 4

#˙ o B

mp

˙

˙ poco

˙

˙

ppp

ppp

p

œ æ

ppp

p

¸ œ ‰ o

Œ

œ æ

‰

Œ

‰

Œ

œ æ

poco

p

ppp

ppp

Metal, dense and luminous (flexible tempo) q=c.70 CUP MUTE: tight

Œ Œ

[cup mute]

#˙ ™

"p"

n˙˙ ™™

Ó

‰

µœ ™

?

Ó

‰

poco

Ϫ Ϫ

"mf "

L L °? bœ œ n œ ‰™ ¢

œ

œ

‰

Ó

L œL ° #œ œ œ #œ ‰ l.v.‰ Perc. 1 & œœ ‰ ™ œ nœ œ

Ó

œ

3

f

œ

‰

2

Œ

"f "

¸ ‰ œ

"p"

˙˙

¸ ‰ œœ

Œ

œ ‰ æpp

Œ

˙

"f "

œ

Œ

nœ #œ

Œ

Œ

Ó

Œ

Ó

ñï ïï ñï Bœ %

p

p

˙ o

‰ o

œ æ

#˙

˙

ppp

Ó

"mf "

Timp.

#˙

ppp

‰ o

œ æ

p

ppp

H

œ æ

p

#˙ o

&

? ¢

o

Ó

ï óïó %ó óó µ˙ ™ o

Œ

µ˙

&

"p"

Tbn. 2+3

D#

óï ïó óï

%G#

Ó

&

Tbn. 1

n

¸ œ ‰ o

&

° Tpt. 1 &

Tpt. 2+3

˙

"mp"

Ó

?

Bsn. 1

#˙ o

&

?

B. Cl.

Bsn. 2

4 4

‰

Œ

Œ

‰

Œ

Ó

œ æ

‰ o

Œ

Ó

œ æ

‰ o

Œ

Ó

¸ œ

‰ o

Œ

Ó

‰

Œ

Ó

Eb

pp

H

"p"

poco

mp

Vibraphone motor off

f

3

Œ

fi

mp

2

Tam-tam

Perc. 2

>¸ rubbed at the edge with a triangle mallet œ ‰ Œ Ó

¢/

ı ÛÛ ı Û ï Ûï

Ó

"f "

4 Metal,ï ïïïï dense and luminous (flexible tempo) q=c.70 4 Œ ïï µ˙˙ ™™ w w

œ ææ

Œ

2 p3 3 2

%C#

&

SOLO

E

˙™ o

w

b ww #w w ° Vln. I &

&

B

Vla.

5

?

Vc.

molto sul pont.

µw

poco sul pont.

œ

f

˙˙ ™™

molto sul pont.

œœ æ

"ff "

D.b.

¢

?

poco sul pont.

w0

f

#œ o

H œ #œ Bœ µ œ æ

lip gliss.

G œ Bœ bœ

mf

Ó

Œ

Œ

‰

µœ æo

poco sul pont.

o

"mf "

OO

Œ

"mp"

scratch, fast molto sul pont.

scratch ord.

poco non sul pont. div. A

Ó

o

"mf "

Vln. II

Ó

˙ o

scratch, fast molto sul pont.

scratch ord.

w Bbww w

Πo

¸ œ

with superball

Ó

œœ œ

mf

œ o

molto sul pont.

o

Œ

‰ o

Πo

Œ

Œ

Œ

˙™

sul tasto

o

div. in 2 poco sul pont.

poco sul pont.

œ œ o

w w

#< Oe > o

<~ %>

molto sul pont.

"mf "

µœ ≈ ‰ ææ o sul tasto

mp

mp

Œ

Ó

œ œ ‰ æ o

Œ

Ó

Ó

e> <O

Œ

Ó

Ó

‰ æ o

µœ o

poco sul pont.

tutte

O ˙ &

not in sync. II.

*

seagull effect, slow

"mp"

Œ

poco sul pont.

˙ o

œ

Neutrinos visiting

° & 55

Picc.

& Œ

Fl. 2

&

Ob. 1

n ïïï %ï ïó µ˙

µœ lip gliss. n Ó

& Œ

Fl. 1

5

#œ ææ

mf

G#

nÓ

lip gliss.

<B>˙

L¸ œ Ó

Ó

mf

Œ

&

Cl. Bb

&

Cl. A

ó óóó % µ˙

Œ

C#

B. Cl.

Hn. 1+2

œ

o

mp

mf, en dehors

¢

Ó

° &

Œ

Ó

Œ

‰

‰

#œ æ

+ ¸ œ œ

?

Ó

Œ

bœ #œ ™

‰

œ+ œ æ p

nœ œ

mf

nœ

Ϫ

,

2 mf 3

Ϫ

?

p

Ó

bœ œ

Ó

mp

œ æ + ¸ œ ‰ œ + œ™ œ æ

˙+ ˙ poco

p

b æ

‰ o

Ó

‰

Œ

Ó

‰

Œ

Ó

pp

œ æ

œ œ æ

poco

poco

œ

‰ o

‰

o

Πo

Ó

Œ

Ó Œ

ppp

œ

‰

?

Œ

"mf "

Tba.

Timp.

¢

#œœL

¢/

3

f

2

L

‰™ œ

œ

œ

3

>¸ œ ‰ Œ

Ó

Tam-tam

"f "

ó óóó P P % bœ lip gliss. œ nœ bœ œ œn œ <b> œ Bœ Œ G œ & B§ Bb

5

f

° Vln. I & <µ>˙

molto sul pont.

œ æ

nœ ‰

[change to CUP MUTE]

˙

˙ ææ

fi Ó

p

* gradually lift the pedal

3 2

mp

ï ïïï % ïï ó nw w n% o R

/pos. ord. 0 œ

C#

F#

œ

lip gliss.

œ

bœ ™

bœ bœ

¸ œ nœ

œ

3

mf

Ó

Ó

Ó

Ó

mf molto sul pont.

L¸ œÓ

mf * maintain the same distance between fingers

¸ ‰ o

B

Ó ∑

Œ

Ó ¸

nÓ

"f "

o œ

div. in 2 poco sul pont.

&

b˙˙ ™ o

?

molto sul pont.

L

œ ææ

poco

Ó

µ˙

poco sul pont.

p

ïó æ ïó ó ï Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ¸ ¸ ‰ œ b œ ™< µ œ > œ o f % %

¸

œ

L

B <µ>˙

? ˙

*

mf

& b˙ o

&

L

Ó

molto sul pont. ¸

poco sul pont.

¢

[change to CUP MUTE]

Œ

mp

2

RA

D.b.

‰

mp

rubbed at the edge with the triangle mallet

Vc.

¸ ‰ œ

Œ

bL œ L œ œ l.v. Œ nœ œœ ‰ ™ œ œ f

Vla.

Œ

ppp

Vibraphone

Vln. II

¸ œ ‰

Ó

°? Ó ¢

SOLO

"f "

?

° Perc. 1 & Ó

Perc. 2

f

œ+ œ

bœ æ "f "

œ

bœ

p

˙+ ˙

"f "

"f " "mf "

∑ Ó

f

w˙™

œ

Œ

p

"f "

¸ œ # ˙˙

"p"

"mf "

Tbn. 2+3

"p"

f

+ œ œ

˙

"f "

Œ Ó Ó

+ ˙ b˙

Œ

Œ

œ æ

p

mp

˙™

?

Tbn. 1

bœ ™

Œ

&

f

¸ œ ‰

Ó

"p"

Tpt. 2+3

p

˙™

œ

œ œ

‰

œ æ

Ó

Œ ¡

bϪ

Ó

‰

&

Tpt. 1

Œ

œ

bœ œ

˙™ + ˙ ˙

‰ o

mp

pp

p

Hn. 3+4

ï ïïï % ïï ï µ˙

Ó

?

Ó

pp

¸ œ

p

Ó œœ œœ

Œ

lip gliss.

œ æ

˙

E

B

Bsn. 1

Bsn. 2

˙

bœ

Ab

ï óïï ˙ % óó ˙ ï µ˙ µ˙

G#

œ

mp

pp

µœ o

œ

‰ o

mp

˙ ˙

R

Bb

? Ó

o

˜ æ œ æ

œ

pp

ï ïïï % óó ó

Eb

Ó

nœ æ

‰

"mf "

˙

Œ

o

f

lip gliss.

˙

o

f

œ #œ

mp

C

&

Ob. 2

Ϫ

Ó

11

Œ

‰

Œ

ord.

O < e> ,

mf

˙

œ

˙

ff

,

Oœ œ æ

‰

#< Oe >

"f "

Ó

œ o O

-O # Oe < - > nœ O Ó - < -e > 2 "mf "

mf

5

bœ -O < Oe > #O - Ó 2 "mf " -

O o œœ¸ ‰

5 5

3

3

Œ œ æ

Oœ

Πo

O

O

"f " poco sul pont.

œ

bœ

bœ

mf

##O˙ ™™ o molto sul pont.

#< Oe > æ

ord.

œ

‰ o

Ó Ó Ó

¸ O ‰ o

Œ

B

12

° ˙™ Picc. & o #˙ ™ Fl. 1 & o

I

mp

™ & œ o

Fl. 2

<b> œ & æ ‰ Œ

Ob. 1

bœ ™

pp

&

Ob. 2

pp

B

Bsn. 1

Bsn. 2

Hn. 1+2

¢

? <b>œæ ‰ Œ pp

Ó

˙

œ

¸ œ ‰ o

Ó

¸ œ ‰ o

œ æ

œ æ

mp

œ

Œ

bœ

œnœ œ

ï ïïï %ï ˙ ™ ïï µ ˙ ™ ˙™

L

Ó

¸ œ œ

mf

¸ œ ‰

˙

Œ

B˙

o

œ

œ

3 2

mf

œ œ

mf

Ó œ

œ æ

œ

,

‰

œ

œ

ó óóó % µœ

œ

mf

G#

œ

2 3

œ

,

Œ

‰

¸ œ

?

mp

bœ ™

5

œ

#œ

mf

Tba.

œ o

Œ

œ

œ

mf

W

Œ

Ó

˙W ™ b˙ ™

˙ b˙ p

p

Ϫ

œ #œæ

˙˙

¸ ‰ œœ ‰ æ

Ó

œ œ

œ œ

œ œ æ

Ó

Ó

Timp.

?

p

‰

Ó

œ bœ

¸ œ ‰ o

Ó

œ

"mp"

"f "

"mp"

"f "

˙

œœ

"p"

˙

p

"f "

Ó

¸ œ ‰

˙

°? Ó ¢

*

bœ æ

CUP MUTE: tight

Œ

‰

Œ

#œ

¢/

I & Ó

SOLO

Vln. I

Ó

œ

œ æ pp

"mp"

œ

p

poco

n˙

lip gliss.

o

p

Œ

Vc.

B

not in sync. I.

Œ

&

O œ "mp"

D.b.

¢

?

p

‰

Œ

unis.

seagull effect, slow

poco

˙

ff

3 2

Πp

ke ˜nµ eeœ

E

kœ ‰ Œ µœ æ

F#

‰

l.v.

¸ ‰ œ

mp

pp

f

p

G #œ Ó ;

:

Ó

‰

&

œ lip gliss. œ G

¸ bœ ¸ œ #œ nœ ™ nœ

f

L

¸

œ

mf molto sul pont.

L

¸

œ

Ó

Ó

Ó

Œ

Ó

Œ

mf

molto sul pont. ¸

L

˙

œ

mf poco sul pont.

?

œ

p

Ó ¸ B ‰

Œ

Ó

Ó

Ó

Ϊ

mf

molto sul pont.

B˙ ff

poco sul pont.

œ

nœ œ G bœ æ

œ

f

G#

bœ

5

,

-O

3 "mf "

poco

-œord.# -O < e># < eO>

poco sul pont.

˙ ,

2 "mf " 3

œ-

5

poco

˙˙™™

#œœ o

div. poco sul pont.

Œ bbOœ ™™ o

ord.

p

bOœ

5

f

œœ æ

mf

-O -O œ œ œ

¸ #œ

œ

5

mf

5

#-O < Oe > O - < e> 2

bœ

Œ

ó óóó lip gli b œ b œ Bœ I % i œ ss. nœ G œ Bœ nœ œ µœ nœ Bb

lip gliss.

mp

molto sul pont.

¸ œ ˙ o

¸ ‰ o

n˙

Ó

"ff "

b˙ o poco sul pont.

2 f3 3 2

ï ïï ¥ %ïïó ï > > >> >>> >>> >>> >> >> >> >> > >> 00 0

poco sul pont.

µœ o

L L bb œœ œ nœ nœ œœ b œ ‰b™œ ‰

œ

,

poco sul pont.

Ó

& ? Ó

"ff "

PLACE 2 DOBACHI ON THE 26"

Ó

Tam-tam

Œ

F#

&

Vla.

snare off

widely open ï ïïï 5 embouchure A % ïó ï G œ bb%w n %w bw o

° &

Vln. II

‰

°

snare on

˙

"mp"

tune the 26"

motor on: medium-low speed

snare off

"mf "

pp

° Vibraphone Perc. 1 &

Snare drum with superball

œ æ

‰

œ æ

bœ¸ ‰ œ

"ff "

#˙ Œ

œ ‰

"ff "

"mf "

#˙ ™

* triangle laying with an edge on the pp skin, perform a tremolo on one of the two angles adjacent to the skin

Perc. 2

CUP MUTE: tight

"mp"

œ

Œ

Triangle on the 23" with timpani mallet

p

p

˙

Ó Ó

pp

F

Œ

œ¸ ‰ œ

Œ ˙™

ïï ïó ïó ¸ µœ %B§

Ab

pp

œ œ

mp

poco

Œ

‰ o

Ó

œ œ

mp

mp

¸ ‰ œ

œ æ

Ó

Ó

lip gliss.

˙

œ nœ

Œ

? ¢

œ æ

Ϫ

‰

"mf "

Tbn. 2+3

œ æ

f

2 f 3

5

poco

3 2 molto

poco

‰

p

#œ o

œ

œ

mp

b

pp

œ

œ

lip gliss.

‰

bϪ

Ó

˙

Ó

molto

œ

Ó

poco

poco

œ

i ΠI

lip gliss.

"mp"

?

Tbn. 1

C

Œ

& <#> œ ‰ Œ æ

Tpt. 2+3

ïï ó

%

Œ o œ

&

Tpt. 1

n óïï

2 3

mf

pp

Œ

"p"

œ

<µ> œ

Bb

Œ

œ

o

œ

poco

2 mf 3

œ

p

≈ ‰ ææ

bœ f

pp

Hn. 3+4

,

Ó

˙

œ+ ? œ ‰ Œ æ pp

œ

bœ

ï óïï mf %ï óï µ œ

G#

‰

ppp

I + ¸ ° & œ ‰ Œ <b> œ

‰

R

Eb

œ o

œ

Œ

L L

‰ o œ æ

"mp"

Ó Œ

Œ

pp

Œ

Ó

mp

Ϫ

‰ o

pp

? Ó

B. Cl.

œ æ

mf

œ æ

œ

Œ

˙

mp

& b˙ ™ o

Cl. A

‰ o

mp

& #˙ ™ o

Cl. Bb

œ æ

ïïï

‰ Bœ o A B D#

‰ o

œ æ

mp

n óïï

%

œ æ

60

Neutrinos visiting

O˙ ™™

Oœ æ

"f "

‰

not in sync. I.

Œ

&

O œ "mp"

seagull effect, slow

poco

‰ o ‰ o

Neutrinos visiting

° &

J

65

Picc.

Ó

& æ

Fl. 2

G #œ ‰

Œ

Ó

& <µ>˙

Ob. 1

¸ œ

f

pp

‰

Œ

æ

mp

œ æ

mf

n˙ o

˙ o

f

œ æ

f

œ æ

˙

Ó

?

B. Cl.

13

B

œ

mp

Œ

Ó

‰ o

Œ

Ó

1.

ïï óóñ ó Bœ

%Ab

œ mf

œ

‰ o

Bsn. 2

Hn. 1+2

¢

¸ œ

? ˙ f

pp

‰

Œ

œ æ

#œ

J

+ #˙ ™ b˙™

Œ

L

Œ

&

+ ˙™ #˙ ™

L

˙

&

˙

"mp"

¸ œ ‰ œ

"ff "

˙

Ϫ

œ æ

"ff "

#˙

? Œ

Tbn. 1

œ

"mf "

? Œ

Tbn. 2+3

Timp.

¢

2.

˙

œ

Œ

motor off

°

¢& Ó

lip gliss.

& Œ

D.b.

œ #œ

#œ

poco

W

œ ææ

mp

Œ

G #œ Ó molto sul pont.

‰

°

molto sul tasto

˙

œ

o

div.

mf

Œ

f

œ ææ æ

œ æ

‰

3

œ æ

molto sul tasto

œ œ

"ff "

B

¸ œ

‰ œ

? ¢& ¸ ‰ o

Œ

Ó

‰

o

‰

Œ

mp

p

pp

W

˙™ #˙ ™

¸ œ ‰ œ

mp

mp

f

Tremolo on the 2 Dobachi

æ¸ < eæ>

œ ææ

Ó

pp

#˙

œ

"p"

"f "

"p"

"f "

˙

œœ "f "

‰

Ϫ

Œ #˙

‰

œ¸

"mf "

Œ

Ó

p

l.v.

‰

Œ

Ó

"mf "

motor: medium speed

°

Ó

dampen with the hand

p poco sul pont.

˙™ ˙™ ˙™

fi

poco sul pont.

œ æ œ œ æ

L œL #œ ##œœ b œ ‰™ f

Œ

3

bœ

Œ

°

p

2

L L #œ œ

Ó

(l.v.)

bœ nœ

œ

Œ

G œÓ

f

Ó

mf

œ lip gliss.

Œ

f

G œ ‰ #œ

#œ æ

f

œ #œ

(poco pont.)

‰ o

Œ

non div.

œ

œ œ

‰

Œ

o

non div.

œ #œ

(poco pont.)

œ œ

œ œ

˙ ˙

f

œ œ bœ

œ œ

µ˙ ff

œ œ

f

œ

poco sul pont.

œ

,

‰

œ œ

œ

#-O -O <e>

Œ

#œ œ

Ó

œ

œ

bœ

mp 5

sul pont.

mp

5

n< Oe > n-O -

œ mf

¸ ‰ œ o

5

Œ

pp

p

f

?

œ œ æ

mf

˙™

molto sul pont.

2 3

œ œ

3 2

sul pont.

#˙ o

bœ œ nœlip gliss.œ #œ G ¸ #œ œ #œ æ œ nœ 3

mf

p

b˙ ™ #˙ ™

œ µœ ™

poco

p

non div. sul pont.

B

Œ

"mf "

ææ

Ó

Ó

o

Ó

Ó Ó

< E>

mf

Œ

Œ

Ó

Œ

œ

o

¸ œ ‰ œ

œ

"ff "

<n>˙ ˙ o

‰

Ó

#˙

<#>œ ææ

J

p

‰

"mf "

"ff "

rather audible, but not overwhelming the brass section

#œ ææ æ p

¸ œ

¸ œ #œ

nœ

Œ #˙ ™

˙™ œ

"mf "

œ ææ

3

œ nœ œ

f

poco

Ó

p

Vc.

‰

Œ

p

&

mf

#˙ ™ b˙™

¸ œ

œ #œ œ

"p"

Ó

molto sul pont.

Vla.

3.

"ff "

°? ¢

° Vln. I & Œ

Vln. II

‰

Ó

Tubular Bells

SOLO

Œ

œ #œ ææ

Ó

˙™

?

° Vibraphone Perc. 1 & Ó

Perc. 2

f

"ff "

"mf "

Tba.

Œ

œ

œ

"ff "

& œœ™

Tpt. 2+3

œ

+ ¸

œ

p

Tpt. 1

œ

œ f

p

?

+ ¸

œ #œ

#œ

mf

° &

Hn. 3+4

œ #œ

œ ™™

#˙

Œ

pp

3

‰

œ æ

f

pp

œ

‰

#œ æ

Ϫ

œ

#œ

Œ

o

Ó

pp

2

¸ ‰ œ o

f

Bsn. 1

3

œ

f

Œ

ïïó óó ó µ˙

œ œ

f

‰

%Ab

œ

œ

Œ

?

œ æ

mf

¸ œ

œ o

œ

mf

mp

œ æ

f

ïóï µœ

%

ïïï mp % ïóó ‰ Bœ o

f

˙ o

n óïï

‰ o

‰ o

œ æ

o

Ó

‰ o

œ

o

Ó

&

Cl. A

p

o ˙

Ó

&

Cl. Bb

œ æ

#˙

Ó

&

Ob. 2

o

Ó

&

Fl. 1

˙

œ- #< -Oe >

mp

< Oe >

œ- < -Oe >

mp

¸ œ p

f

-O -O

< e> 5

‰

Neutrinos visiting

K 14

rall.

° Picc. &

Œ

&

Œ

&

Œ

69

Fl. 1

Fl. 2

&

Ob. 1

Ob. 2

Cl. Bb

<#>œ ™

Ϫ f

p

Œ

‰

mf

‰ #œ¸ œ

&

‰

œ

? ¢

?

œ

mf

œ

œ

mf

œ

o

œ

Πo

Ó

Πo

Ó

Πo

f

Ó

#˙ ™

œ

pp

f

Ó

œ

œ

mf

œ

œ #œ

Ó

‰

Œ #œ

œ œ

poco vib.

˙

˙

pp

Bsn. 2

œ

o ˙

Œ

œ

œ

mf

˙

p

œ #œ #œ œ #œ #œ

mf

‰ <n>œ æ

˙

f

œ 5

œ bœ

5

œ æ

œ

œ

œ bœ™ œ

¸ œ

œ

¸ œ

‰

œ æ

‰

f

œ bœ ™

œ

5

‰

¸ œ

f

œ

œ

o

f

œ

œ bœ

˙

Œ

5

mf

poco vib.

#˙

‰

¸ œ ‰

mf

Bsn. 1

b˙ o ˙

mf

?

B. Cl.

œ

&

&

Cl. A

œ

q=56

mf

f

E ïï +EEe %ïï C# L C# % óï

ï ïïï % ï ïóï

µ œ &n n n B ' 5:4x

o

E

œ

f

o

ï ïïï % óó ó ˜œ C#

Eb

Œ

œ

œ

œ

œ

œ

‰ o

œ æ

‰ o

Œ

Ó

œ

Πo

Ó

œ

Πo

Ó

mf

œ

mp

œ

œ

œ

œ æ

œ

œ

œ æ

molto

œ

Ó

o

œ

R

"mf "

‰

œ

œ

œ

œ

mp molto

#œ

Ó

œ

œ

œ

œ

œ

œ æ

œ

œ

œ

mp molto

Ó

Œ

œ

œ

mp

‰ o

f

‰ o œ

f

p

K Hn. 1+2

+ ° ˙™ & ˙™

+ œ œ

p

& Œ

Hn. 3+4

+ ˙ ˙

f

+ ˙™ ˙™

& <#>˙

Œ Œ Œ

Timp.

¢

œ æ

?

°? ¢

œ ‰

B˙

Ó

¢&

"mf "

< #œ >‰

Œ

° <b> w &

bœ æ mp °

Ó

Tubular bells

Ó

#œ ™ o

lip gliss. f

poco vib.

Gœ‰ o

Œ

œ æ ‰

bœ æ æ °p

f

<#>w & w

poco vib.

‰ o

œ ‰ œ æ o

mf

œ

Ó

‰

mf

rall.

œ bœ ™ œ

°

œ æ E +EEe

? Ó

Vc.

˙™

¢

n n' B

5:4x

E

Πf

˙˙ ™™

"mf "

Œ

?

œ bœ

˙ ˙

œ œ

f

œ œ æ

‰

Œ

p

Œ

Œ

nœ

œ "f "

Ó

p

##œœ œ œG

e

Œ

Ó

Œ

Ó

mf

K

q=56

Ó

Ó

##˙˙ ™™ poco sul pont.

#˙ ™ o

Œ

œ

mp

ff

œ æ

‰

Œ

Ó

µ˙ o

molto vib.

‰

"f "

poco sul pont.

œ ‰ #œ mp

œœ f molto sul pont.

˜˙ ff

œ œ æ

Πp

poco sul pont.

#œ

mf poco sul pont.

œ

œ

œ

3

3

œ

˙ o

œ™ ˙ mf

˙™ ˙™

œ œ ‰ æ o

mf

˙

œ æ

mf

œ

œ

œ

mf

molto vib.

"mf "

p

Œ

"mp"

¸ œœ ‰

"fff "

˙

< #e >

°

2 "fff " 3

#˙˙

2.

CUP MUTE: "open"

C# C#

&n

CUP MUTE: "open"

Ó

CUP MUTE: "open"

Ó

Ó

p

?

ff

Ó Ó

mf

Gœ

ï L %ó %ïó % ï ï ïï

B

Vla.

Ϫ

˙™ "f "

l.v.

Ó

µœ

Œ Œ

‰

f

motore vel. alta

‰

œ

"mp"

Medium Cymbal on the 29"

<b>œ æ

"mf "

Œ

‰

mp

bœ æ æ

mf

Œ œ æ

œ

æ < Eæ>

œ "mp"

˙

Ó

#œ Bœ µ œ œ Bœ bœ 5 ‰ µœ nœ œ æ

mf

D.b.

"ff "

p

f

Œ

œ¸ ‰ œ

Ó

˙

CUP MUTE: "open"

"f "

œ æ

"mf "

Ó

pp

Ó

"fff "

3.

"ff "

¸ œ ‰ œ

mp

‰

Œ

pp

W

œ

p

& Ó

Vln. II

Ϫ

bœ˙™

sul pont.

Vln. I

˙™

˙™

œ

mp

"f "

"ff "

œ

ff

Lœ¸ œ œ œ

œ¸ ‰ œ

"f "

"fff "

œ nœ™

œ 2.

<n>˙

bœ

œ æ

"mf "

(II/III pos.)

Œ

"fff " "mf "

ff

L œ¸ #˙ œ ˙ +

˙™

position a cymbal on the 29" with the cup laying on the timpani skin; play a tremolo on the cymbal and at the same time move the pedal (continue the pedal action even after having performed the tremolo)

Vibraphone

SOLO

Œ

mp

motor off ° œ™ Perc. 1 & Œ °f

Perc. 2

˙

"mf "

"ff " Tba.

+ ˙™ n˙ ™

Œ

p

Ó ∑ bœ

"ff "

?

Œ

q=56

W

+

p

Ó

"ff "

Tbn. 2+3

Œ

"mf "

¸ ‰ œœ ‰ æ

?

Tbn. 1

+ #˙ ™ ˙™

f

¸ œ ‰

& ˙ <#> ˙

Tpt. 2+3

Ó

+ ˙™ ˙™

p

Tpt. 1

rall.

‰ o

Œ ¸ #œ ‰

mf

f

Neutrinos visiting

° &

B D#

74

Picc.

Fl. 1

Fl. 2

&

Ó

&

Œ

&

Ob. 1

<#> œ

Œ

pp

Ó

nœ

Ó

ï ïïó % óïï ˜œ

œ

œ

œ

pp

œ œ

œ

œ

o

œ œ

œ3:2q

o 6:4q œ

L ïóó óóó B œ o #œ

lip gliss.

#œ

lip gliss.

mf

œ æ

mf

‰

œ

%

Ó

&

Cl. Bb

œ- #œœ-

f

Œ

&

Cl. A

o ‰

o

#œ- œ - œ f

?

Bsn. 1

? ‰ Bsn. 2 ¢

Hn. 1+2

#œ ™

˙

p

mf

° & Ó

#œ ™ p

œ & æ

Tpt. 1

œ æ

1.

& Œ

Hn. 3+4

œ æ

Ϫ

Ϫ

p

mf

‰

Œ

p

œ

p

œ¸

Perc. 1

Perc. 2

œ

œ

Œ

‰

Ó

p

‰

˙

œ æ

œ

œ °

G #œ‰

f

o

Ó

ï æóïó % óóó µ œ ™

R

œ

œ

‰

Œ

œ

‰

ï ïïï % ïóï œ µœ

#œ ™

¸ œ

µœ o

B ≈ < Oe > -O ? ≈ < e>

p

-

G œ‰ o

‰

"mp"

œ

#˙ ™

œ

< -e > bœ -

O

Πo

< e>

O

"mf "

5

5

˙˙ ™™

"mp"

"ff " 2.

3.

"mp"

˙

‰

"mp"

Œ

"ff "

"mp"

˙

˙ "fff "

#œ "mp"

œ

p

Œ

˙™

f

p

< # e>

mf

œ °

G #œ Ó

f

"mf "

O æ

-œ -O -O < e>

sul pont.

‰

o

‰

o

Œ

O

5

f

molto vib.

#œ œ

˙ ¸ œ

f

sul pont.

"mf "

‰ o

Double Basses divisi

Œ ? Œ ? Œ

o

f

o

"f "

¸ œ

Ϫ

Ϫ

bbOœ < -Oe > -O < e> O æ

œ œ™

Ϫ

##O˙

Œ

molto vib.

molto vib.

not in sync.

o

Ó

‰

5

5

5

-O Œ

Ó

o

‰

Bœ ™ o

Œ

lip gliss.

ff

Ó

‰

#< Oe ™™>

"f "

Œ

O #< OE >

"f "

L

‰

Ó

Œ

µœ æ

ff

‰

< e>

O æ

Œ

œ #-œ

O

b -œ

#-œ

°

B œ- ™

5

5

O #< Oe > < -e > #O O™ 5

5

"mf "

-O ≈ < e> < Oe > O O™ 5

‰

Œ

o

≈ < -Oe> < Oe > #O O™ 5

"mf "

nœ o

poco sul pont.

Œ

O

O æ

O

O

O

O

‰ o

Ó Ó o ¸ O

‰ o

Œ

w mf cresc.

œ

ff

#-œ Œ œ< #œ > -O # O O < e> < #œ > O

"f "

# -O < e>

< #œ > -O O O < e>

5

"mf "

poco

"f "

GœŒ o

Ó

Ó

<O E ™™>

‰

"mf "

"mf "

¸ œ

"ff "

"mp"

œ

µœ

Œ

‰ "mf "

¸ œœ

"fff "

œ

Œ

œ æ

"fff "

"mp"

æ <#Eæ™>

O < -e >

-œ Œ

˙™

l.v.

b -œ nœ #-œ Œ œff

# -œ

œ œ™

Ó

##w w

Ó

simile

sul pont.

Ó

O < e>

# -O O æ

G#

#œ- Œ

œ-

L

Œ

"mf "

"mf "

? Œ

ff

mp

Πe> <O

ó óóó % -œ µ-œ

5

5

Bb

f

Ó

Œ

lip gliss.

o

f

‰ o

œ

Œ

5

5

Ó

molto sul tasto [non vib.]

& Ͼ

f

œ

o

o

bœ #œ-

ó ïïó %ï ïï #-œ ≈ #œ- ™ -œ µœ

Œ

Tubular bells

° <µ>œ &

G#

ï ïïï % óï -œæó ™ µ ≈ R

œ

p

& œ #œ

¢

Œ

˙™

‰

Ó

f

#˙

Œ

Œ

Œ

Ó

"f "

"mf "

D.b.

Œ

Ó

mp

?

¢&

Vc.

œ

‰

œ

mf

3.

° Vibraphone & Œ

Vla.

œ

œ

Ϫ

Ó

°? ¢

Vln. II

œ

"mp"

R

Vln. I

œ

¸ œ o

mf

Œ

"f "

? Ó

SOLO

œ

Œ

"mp"

"mp"

Timp.

œ

¸ œ

‰ o

Œ

˙

?

¢

œ

‰

"mp"

Tba.

œ æ

"mf "

"mp"

Tbn. 2+3

œ

p

‰

œ

mf

œ æ

œ æ

œ

mf

Ϫ

œ

œ

"mp"

˙™ & ˙

Tbn. 1

œ

pp

‰

Ó

ï óïï %ï óï µ -œ ≈ #-œ

mp

Ó

"f "

Tpt. 2+3

o

œ

mf

3.

œ

œ- Œ

Œ

Œ

R

bœ o 5

?

B. Cl.

œ-

o

mf

R

5

15

œ

"f "

5

"f "

Ge

/

Neutrinos visiting 16

rall.

° Picc. &

Œ

3.

%

&

Ob. 1

C

#œ œ

œ

œ

o

œ

Ó

Œ

#œ æ

‰

œ œ

6:4q

œ

mf

œ

œ

mf

œ

mf

œ

œ

œ

p

o

Œ

Œ

Ó

o

œ

]ïóó% óó ™ ó ˜œ

o

œ æ

œ

‰

œ æ

mf

œ æ

Ab

‰

2 ff 3

pp

p

œ

6 8

3:2q

œ

mf

œ

M œ

œ

œ

6:4q

p

&

Ob. 2

o

ïñó ïó ˜ œ ó

œ

6:4q

o œ

#œ

Œ

&

Fl. 2

Œ

Œ

&

Fl. 1

Bœ

q=40 (col solo)

78

accel. poco a poco

Ó

‰

ï ïïó % óïï ˜œ ™

p

#œ

œ æ

œ æ

2 ff 3

pp

‰

pp

R

Ó

&

Cl. Bb

ï ïïï , % ïïï µœ ™

B. Cl.

&

Ó

?

Ó

?

Bsn. 1

Œ

œ

Œ

5:4q

œ

œ

œ

p

Bsn. 2

Hn. 1+2

¢

?

Œ

° &

œ

œ

œ

œ

Ó

Œ

#œ

œ

œ

œ

5:4q

Œ

¥

˙™

3.

#œ

¥

˙™

p

G#

œ æ

œ ‰ æ o

,

2 ff 3

#œ ™

œ æ

,

œ æ

2 ff 3

Ó

¥¡ ¸ #œ ‰

¡-ã

µ

accel. poco a poco tutti

%

µœ o

œ ‰ ˜œ æ o o

œ o

µœ o

ff

ff

ff

¥¡ ¸ #œ ‰

¡-ã

µ

tutti

p

"f "

+ œ œ

Œ

+ #œ œ

Œ

œ

Œ

f

‰

Œ

Ó

Timp.

¢

Ó

˙

pp

°? ¢

° Perc. 1 &

Œ Œ

¢/

˙™

œ

"mf "

"ff "

rubbed at the edge with the triangle mallet 4:3q

Tam-tam

œ

#œ p

"ff "

Œ

° <#> O Vln. I &

B ?

Vc.

<#>O O

˙ f

Cb.

¢

?

pp

"mp"

œ æ

‰

pp

O

O O

O

O O ¥ molto sul tasto œ ‰ æ

O æ O æ

‰ o

&

k%

Ó

‰ o ‰ o

Œ

div. in 2 poco sul pont.

Œ

Ó

tutti poco sul pont.

w o

w

ff

#˙ ™

œ

°

o

œ

˜µ

o

"ff "

Œ

simile

Œ

Œ

bœ

simile

œ "ff "

°

œ ≈ ‰ ææ

f

Œ

Ó

6 8

#œ

#œ

œ

o

µµ œœ

¸ œ ‰ o

œ

œ

Ó o

4:3q

"ff "

™ ‰ µ˜˙˙ ™

tutti, non div.

œ

œœ 5:4q

Œ

Ó

#˙ ™ o

Œ

f

œœ

¥ full pressure #œ ‰ æ o

~ <% > tutti

Ó o

f

Œ

‰ <#>œ

œ æ

accel. poco a poco

f

#˙

Œ

M

µB

˙

Œ

Œ

Ge

fff

Œ

sempre f

non div.

Œ

‰

violent

Œ

% %%w w w

q=40 (col solo)

div. in 2 poco sul pont.

pp

"mf "

>>> %%w >>> >> > >> >>> >>0 0 0 0 0 0 >>> >> w w

O æ

œ æ

"mf "

Ó

l.v.

>>>>>

#˙

Œ

motor: medium speed

transform the sound and inner beatings of the multiphonic, roughly as shown

"ff "

Vla.

œ

Tubular bells

œ

˙ ˙

F#

&

œ

˜ nµEE˙

E

Vln. II

œ

Œ

#œ

+ œ œ

#œœ

f

pp

"mf "

ï ïïï %ï óï ˙ k & µ˙

SOLO

mf

Œ

6 8

simile

œ

Triangle on the 23" with timpani mallet

Vibraphone motor: high speed

Perc. 2

Ó

˙

Œ

+ œ œ

œœ

Œ

#œ œ

?

ff

p

#œ

"ff "

Tba.

œ o

ff

simile

Œ

?

Tbn. 2+3

œ ‰ æ o

o

ff

simile

#œ œ

p

#œ

ff

simile

"ff "

? <µ>œ æ

¸ œ ‰ o

œ

"ff "

Tbn. 1

o

f

f

p

"f "

&

Tpt. 2+3

o

‰

ï ïóó

œ

Œ

M

&

Tpt. 1

o

‰

Œ

Πp

p

Ó

E

Œ

mf

1.

œ æ

‰

pp

Œ

p

q=40 (col solo)

&

Hn. 3+4

5:4q

p

rall.

œ

mf

œ

Œ

œ

5:4q

œ æ

2 ff 3

R

Cl. A

ï ïïï %ï ïó

R

œ æ

œœ

o

Œ

o

ff

œ ff

¸ œ œ™

˙ o œ

mf

œœ æ

ff

œ æ ¸ œ

ff

3

œœ æ

¸ œ ‰ o

Ó

o o o

µœ o

ff

‰ n˜œœ o

‰ ‰

œ o œ o

ff

ff

ff

œ ‰ ˜œ æ o o œœ æ

o

‰

#œ o

¸ œ ‰ o

œ o

¸ œ ‰ o

#œ o

Œ

˜œ o

ff

ff

ff

ff

ff

Neutrinos visiting

° & 83

Picc.

6 8

Ob. 2

Cl. Bb

&

œ æ

&

<˜>œ æ

Bsn. 1

?

Bsn. 2

?

o

f

‰

f

pp

‰

Hn. 1+2

œ

œ o

Tba.

Timp.

Perc. 1

Perc. 2

¢

‰ fff

‰

‰ ‰

poco più f

#œ œ

‰ ‰

poco più f

G nœ µœ

œ o œ o

‰ ‰

‰

‰

‰

poco più f

Vln. I

Vln. II

Vla.

Vc.

Ϫ

œ

¸ œ

œ œ

p

œ

‰ ‰

‰

Œ

Œ

Ó

Œ

Ó

2

"f " 3

˙ ˙

œ œ

"mf "

3

µœ ™

Ϫ

"ff "

"mp"

"fff "

œ œ

˙ ˙

¢&

Ó

Œ

Ó

¸ œ

2 "fff " 3

;

‰

Œ

‰

°

œ

p

Ó

œ ‰ œ æ

Œ

Ó

œ ‰ æ

Œ

Ó

Œ

Ó

Œ

Ó

œ œ ‰ æ

pp

Ó

‰

Ó

Œ

pp

3

motor off

‰

< #e> ææ œ #œ

° p G e‰ mf

Œ

2 "mf " 3

#œœ

Bongos Congas with soft mallets

‰

° <˜>œ & æ

œ

o

& <#>œ¸

œ o

¸ œ

#œ o

? <#>œ æ ? <˜>œ ¢ æ

œ o #œ o

‰

fff

‰

fff

‰ fff

‰ fff

‰ fff

µœ

2 ff 3

pp

Œ

o

o

œœ æ

fff

µ# œœ o

#œ œ o

œ œ æ

#œ o

fff

fff

¸ œœ ##œœ o fff

œœ o

œ

fff

Ϫ

fff

#œ

fff

œ

<˜>˙ ™

pp

3

‰ ‰ œ œ

œœ

<#> ˙ ™

poco dim.

œ œœ

fff

Ϫ

fff

3

‰™

œ

pp

* bisbigliando + + + + L

Œ

‰

œ

L ˙

N

Œ

pppp

L +L ˙™

+ + +

œ ‰ œ

Œ

pp

p

œ Ó

pp

N

Œ

pppp

œ ‰ æ o Œ o

poco dim.

#œœ ™™ µœ ™ o

p

p

œ

* bisbigliando, timbral trill obtained using different positions for the same note at the symbol +

poco dim.

œœ ™™

div. in 2

[non div.]

Bœ o

Ϫ

˜œ

™ ≈ œ

‰™

Suspended q=36

≈

fff

n œœ

Œ

/

œ

‰

œ

Temple Blocks

N

œ æ

o

œ

/

4 4

&

Suspended q=36

pp

2 "fff "

‰

œ æ ‰

pp

œ œ

"mf "

œ :

Tubular bells

Œ

≈

p

° &

Ó

p

œ #œ

Ó Vibraphone

Œ

p

2 "fff "

"f " 3

‰

œ

Œ

"mf "

"mp"

‰

‰

"f " 3

2

#œœ

œ ‰ æ o

œ

#œ

,

œ ‰ æ o ¸ ‰ œ o

˙

nœ

œ æ ‰ Ó

p

ff

#œ

Ó

N

+ #œ œ

°? ¢

B

œ

˙

2

œ

Ϫ

¸ œ

œ

‰

œ

fff

4+ 4œ

,

≈

pp

˙

ff

+ œ #œ

"fff "

µœ o

œ ‰ Œ æ ,

17

Suspended q=36

pp

œ

fff

fff

+ œ œ

Ϫ

fff

fff

fff

#œ

œ

2 sffz 3 3 2

Ϫ

#œ o

fff

œ æ

fff

o

‰

˙

o

nœ

Ϫ

! #œ

‰

fff

œ æ

2 sffz 3 3 2

p

p

‰

fff

6 8

SOLO

‰

fff

o

#œ

‰

"mp"

œ #œ

?

ï ïïó %ó ïï µœ

2

˙

o

œ

µœ 3

fff

ff

œ

?

Tbn. 2+3

‰ œ

fff

‰

+ #œœ

æ

Ϫ

œ æ

2 sffz 3 3 2

#œ

œ æ

ff

pp

‰

poco più f

?

Tbn. 1

œ æ

˙

with the embouchure

ff

+ œ œ

&

Tpt. 2+3

ff

o

œ

fff

#œ o

poco più f

&

Tpt. 1

o

Bœ

œ æ

‰

o

#œ

&

Hn. 3+4

˙

Eb

f

° &

ff

œ

µœ o

œ æ

R

#œ

6 8

o

œ æ

Œ

f

¢

µœ

œ æ

N

4 4˙

ff

¸ œ

?

B. Cl.

f

œ

& <#>Ͼ

Cl. A

o

#œ

&

Ob. 1

f

#œ

‰

&

Fl. 2

o

‰

&

Fl. 1

#œ

‰

with the embouchure

##w~

o

¸ ‰ œœ o

Œ

œ ‰ æ o

Œ

Ó

div. in 3 (not in sync.)

µ˜µ˙OO ™™™ O˙ ™™ µ ˙™ o

"mp"

¸ bb œOB BOœ ‰ n#Oœ æ æ o

Ó Double Basses divisi

ΠOe

? ? Ó

pizz.

Œ

#Oe

pizz.

"mf "

"mf "

Ó

‰ #Oe ‰ Ó pizz.

3

"mf "

Œ

Œ

Œ

≈ O™ e™

Œ

5

Oe ææ

Neutrinos visiting 18

°? very soft malletsœ ¢ #œ

œ

Blocks ° Temple ¢/ Ó

œ

Water, figures in a translucent liquid q=52

88

Timp.

p

Perc. 2

° Vln. I &

œ

‰ Œ

ppp

‰

‰

#œ

œ ‰™ ææ

5

œ

œ

œ

Œ

œ

ŠϪ

‰ œ ‰

œ

#œ

œ

‰

Water, figures in a translucent liquid q=52

œ

Ó Œ

? ‰™

‰ #O e "mf " sempre Oe ‰

(pizz.)

3

‰

# Oe

Œ

¸ Oe¸ Œ

5

≈ Oe ™™

Œ

"mf " sempre

? ¢ Œ

5

‰ #O e

3

Œ

Oe

Œ

Oe

Oe

‰

Oe ‰ Œ

‰

"mf " sempre

Oe

‰

3

5

3

Oe

¸ # Oe¸ Œ

5

‰ Oe ‰ Oe

œ

œ

# Oe ≈ #Oe 5

3

‰ ‰ O Œ e

Œ

≈ #Oe ™™

‰ O ‰ e

≈ O™ e™

‰

Timp.

‰ Oe ‰ Oe

°? ¢ #œ

#œ

œ

‰

‰

œ

‰

#œ

*,

Œ

#œ # œ

œ

‰

–—–—

œ

Œ

‰

5

¸ œ™

5

œ

* in every crotchet rest, raise the speed until the indication motor: high speed

#œ

œ

‰

¸ ‰™ œ¸

œ Œ

≈

œ

pp

#œ ™

#œ ™

œ

‰™

œ Œ

œ

5

pp

p

œ

‰

¸ œ¸ Œ

#œ

*

Πo

Ó

œ

Πo

Ó

œ

Πo

Ó

5:4x

œ¶¯¯¯¯¯¯¯ œ¶¯¯¯ P ¶ÓÓÓ P ¶ÓÓÓ · P Ó· · · o· P Ó· ÓÓÓÓ mf

Oe ææ

5

‰ #œ

take the superball mallet, hold it in the right hand and use it on the crossed head notes instead of the regular mallet

‰ œ Ó

Œ

#œ Ó

¯¯¯ Bœ œ œ œ œ #œ nœP ¶¶ÓÓÓ œ œ bœ œ #œ œ · P Ó· Œ

&

Oe

motor: high speed

‰

Ó

5:4x

Œ

* slow smorzato, regular restriction of the air flow by partial compression of the lips (width of pattern indicates relative speed of action)

*

#œ

3

3

œ

O™ ≈ eæ ™

Oe ææ Œ

‰ O ‰ Œ e

Oe ‰ #Oe

‰

œ

Œ

œ

Oe Œ ææ

5

Oe

p

bœ

Temple Blocks

Œ

≈ Oe ™™

Œ

*

˙ o

‰

#œ

5

œ

œ

Oe ææ Œ

#œ ™

‰

Œ

p P sempre!

SOLO

5

3

poco vib.

?

¢/

3

‰

Ó

° Vibraphone battenti5molto morbidi ¸ Perc. 1 & Œ œ¸Œ bœ

Perc. 2

Oe

Ó

& ¢

Oe

Œ

Oe

œ

œ

Œ

3

œ

œ œ

œ

‰ O ‰ #Oe e

93

B. Cl.

œ

pizz.

¸ Oe¸ Œ

° &

Fl. 2

#œ

‰

œ

œ

œ

pizz.

pppp

O™ ≈ e™

nOe Œ ææ

≈ Oe ™™

¸ Oe¸ Ó

(pizz.)

5

Œ

Oe

œ

œ

pppp

*

*

(pizz.)

œ

‰

œ

œ

pizz.

*

* rhythm-free pizzicati (only a few) behind the bridge like small popping bubbles (not in sync.), dampen the open strings with the left hand

? ≈ O™ e™

Fl. 1

pizz.

pppp

?

D.b.

œ

#œ

*

pppp

Vc.

œ

‰

#œ

O

B

Vla.

O Œ

3

&

Vln. II

œ

‰

‰ ‰

Ó

‰

o

5

¸ œ™

œ

œ æ

Œ

ppp

L +L Ϫ

¸ œ¸

5

+ + +

pppp

* fast smorzato, alternated restriction of the air flow obtained by repeatedly biting the reed with more strength in the jaw

°

œ œ

œ

&

B

Oe

D.b.

O ‰ e ‰ Oe

? ¢ ‰ ‰ Oe Œ 3

5

3

Oe

? Œ

Œ

Œ

œ

œ ? ‰

&

Ó

œ

œ

œ

œ

œ

?

¸ Oe¸ Œ

Oe

Œ

Oe ≈ #Oe

Œ

Œ

Oe

‰ Oe ‰ Oe

Oe Œ ææ

5 ¸ ‰ ™ Oe

Œ

‰ # O ‰ Oe e

Œ

≈ O™ e™

‰

5

3

Oe

3

5

≈ #Oe ™™

5

Oe

3 ¸ Oe¸ ‰ ‰ O Œ e

Œ

‰™

3

‰ O ‰ Œ e

≈ Oe ™™ ‰

Oe

≈ #Oe ™™

≈ Oe

Œ

Œ

‰ #O ‰ Œ e

5

Œ

Oe ‰

3

Oe

≈ Oe ™™

Oe ΠOe

5

Oe ææ Œ Oe

Oe

5

‰ #Oe ‰ 3

5

Oe ææ Œ

Oe ææ Oe

Œ

Œ

‰™

Oe

O™ ≈ e™ Oe ‰

Oe Š#Oe Π5

Oe

N

Neutrinos visiting 19

° Picc. &

P

98

#˙

mf

&

Fl. 2

#˙

mf

B. Cl.

Timp.

¢

?

Ó

°? ¢ #œ

œ

° ‰™ &

Vibraphone

Perc. 1

Perc. 2

SOLO

¢/

œ Œ

‰

≈

¿

#œ ™

P

#¿

‰

‰™

œ

Œ

œ

‰

Œ

œ

Temple Blocks

&

≈

#œ

#œ ™

Tam-tam

Œ

Ó

Vln. II

° &

≈ œ™¸

[arco]

Œ

5

O #O™ < e >™

‰

< e>

™ ≈ Oœ ™ æ

Œ

pizz.

5

3 pp

< e>

O

3

O

Oe

D.b.

? O e

5

Oe Oe ææ Œ

? ¢ ‰ # Oe ‰ #Oe 3

Oe

Œ

Œ

5

O

nO ™ ≈ e™

Oe

5

Œ

Temple Blocks

O 5

5

Œ

C#

A

o

¸ œO

‰

o

¸ O¸ O

< e>

poco

œ

Œ

bœ

5

Œ

‰ o

Œ

Oe

O O æ

O æ ‰ o

Πo

Oe o

ó

‰

œ

Ó

5

¸ œ ‰ o ¸ ‰ œ o

˙

mp

–—–—

œ

5 ™ ≈ œ bœ bœ œ œ

Ó

Œ

Ó

#< Oe > #< Oe > # O e

Œ

5

* approximate pitch, all the players tune independently on the quarter tone (without trying to match with an exactly tuned common pitch), creating a thin cloud of sound around the common note ** pressure tremolo between harmonic and half pressure

Nµ ˙ ™ * o

¸ œ¸Œ

‰

mp

OO ** ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

¸ O

œ

#œ

N

˙

mp

Œ

mp

OO **~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Œ

o

+ + +

œ Ó

pp

pppp

* NB˙ ™

Œ

p

Œ

nœ bœ

‰™

œ

L +L b˙™

7:8 x

œ #œ

mp P sempre

ppp

ï ïóï %ï óó

‰

soft timpani mallets

Vibraphone

p

O

5

Œ

bœ

¯¯¯¯¯¯¯¯¯ G œ Bœ œœ nœP ¶¶ÓÓÓ Ó · P Ó· ÓÓÓÓÓÓ · · · # œ œ œ # œ ˜ œœ œœ bœ œ 2 mf o 3

bbOœ ™™

O

pppp

Œ

O™ ≈ < e ™>

Ó

O O

5

5

pp

Ó

≈ #< Oe ™™>

Ó

Oœ #Oœ

O O o

5

pp

arco

Œ

5

Oe

Oe ææ Ó

3 Oe ææ ‰ ‰ # Oe Œ

¸ ¸ O

< Oe > p

O™ ≈ e™

Oe

¸ Oe¸ Œ

5

! whistle tones

Ó

o

poco, but well audible

bO

,,

¸ <e> Ó

< be >

whistle tones

Œ

Œ

¸ œ¸ Œ

5

"mf "

? ‰

œ

¸ ‰ œ o

"mf "

pp

Vc.

!

pppp

œ

#< Oe >

‰

O ™™ ≈ œæ [arco]

?

¸

Ó

Xylophone

œ œ

3

[arco]

Œ

B

mf

mp

¸ œ œ

pp

Vla.

Πo

pp

Œ

&

œ

¸ œ ‰ o

˙

< œ>

¿

Œ

Ó

P

œ o

p

Vln. I

O

pppp

&

Fl. 1

whistle tones

Ó

o

arco O ≈ e Oe

‰

‰ 3

O™ ≈ne ™

o

mp

Œ

Oe

arco

‰

o

O

mp

≈ #Oe ™™

arco

mp

p

O

3

Πo

5

≈ Oe ™™

pizz.

Œ

p cresc.

Oe O ææ

p

3

#Oe æ

‰ #Oe o

O æ

‰ Œ o

¸3 O O

p

3 nO ‰ #Oe ‰ e

‰™

Œ

‰™

Oe ‰ Oe

≈ Oe ™™

Oe

"mf " sempre

Oe ‰ Oe

pizz.

"mf " sempre

≈ Oe ™™

Œ

‰ # O ‰ #Oe e 3

n Oe ææ Œ pizz.

O ‰ æ o

Ó

Ó

Œ

5

"mf "

Neutrinos visiting 20

° Picc. &

& <q>

Fl. 2

!

µœ ,

Ó

˙

¸ œ

2 mf 3

ï ïïï %ó æïó 6:4x & & µ ˙ #œ µ µ 'µ µ' n % s S s, T L

f

%ó ¥æïó

¥æ n

Ab Ab F# F E

? Œ B. Cl. ¢

Hn. 1+2

Ó

E

&

Cl. A

Œ

ï ïïï %ï óï

& Œ

Cl. Bb

D#

molto, possibile

p

° &

µ˙ o

p

Œ

O

pppp

œ æ

p

˙ lip gliss. b o

‰

‰ o

œ

o

‰ o

n

Ó

‰

µœ

œ≈ Œ ææ

,

æ

‰ o

Œ

Œ

poco vib.

œ o

œ

Ó

Œ

poco vib.

¸ œ œ™

¸ œ

˙

¸ œ

Ó

Œ

Ó

+ ˙ #˙

#œ o poco vib.

œ o

pp

?

Tbn. 1

Tbn. 2+3

Timp.

¢

Ó

?

Ó

°? ‰ ¢ Vibraphone

œ

#œ

Water Gong

œ

¢ /sunk Œ

& œ nœ ™

° #O ™ Vln. I &<#> O < e ™>

Vc.

& <#>Oœ

% s S ,s T

Œ

L

µ

ó óóó

A

Bongos Congas

B§

%

5:4x

5:4x

µœ #œ œ µœ œ œ œœ#œœ #œ œ œ œ œ œ

µ µ &n ' ' ¶¶ ¯¯¯ P ÓÓÓ · P Ó·

6:4x

#œ¶¯¯¯¯¯¯¯¯¯¯¯¯¯

G nœ Œ

P ¶ÓÓÓ · P Ó· ÓÓÓÓ · · ÓÓÓÓÓÓ · · ·

‰ o

Oœ æ

‰

‰

o

Œ

? Œ ¢

Oe

5

Oe ææ Œ

‰ ‰ #Oe Oe ™™ o 3 arco

Œ

‰

p P sempre

œ ææ

Œ

+ + + +

œ

‰™

Œ

œ ææ æ

‰

¿

Œ

#¿

Œ

≈

Œ

Œ

‰

#œ

mp

œ

mp

Œ

Ó

Œ

œ o

O #OEE o

O¸ O æ

arco III.

2 p 3

‰

[non div.]

œ œ

sul tasto

,

div. in 2

‰ o

œ≈ Œ œ ææ

O p

OO ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œ œ#œ ™ œ œ ‰ æ o o "mf " O

o

Ó

arco I.

Ó

œ I i œ µœ nœ æ 3

mf

< e>

O æ

3

p

< e>

O æ

< Oe >

‰ o

< e>

O

3

3

O #O

Œ

Œ

<O e>

Œ

æ

Oe

pizz.

O™ ≈ e™

Ó

O™ ≈ e™

Oe O™ ≈ e™

pizz.

‰

"mf "

Œ

p

"mf "

Œ

OO ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œ œ œ æ ‰ 2 "mf " , o 3

Œ

3

OO ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œ™ œ ˙™ Œ œ o o "mf " arco II.

p

Ó

2 p 3

¸ nœ¸ Œ

5

3

Œ

œ æ

œ

œ

Ó

,

Œ

œ™ œ æ œ ææ æ

OO ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ¸ ‰ ˙™ œ Nµœ ™ o o mp

sul tasto IV.

œ

‰ o

o

mp ppp

N

Œ

#œ #œ

Œ

Ϫ

Œ

Ó

Ó

Œ

‰

Œ

‰

Ó

OO ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ¸ N˜œ ™ ˙™ œ ‰ o o mp

?

Oe

nœ #œ

Œ

˙ ˙

sul tasto

‰

? Œ

œ

pppp

o

mf

O

L +L nœ

Q

Œ

motor: medium speed

ppp

Ab Ab F# F E

&œ µœ

Ó

R

+ œ œ

poco

œ

pp

poco

Ó

B

O ? e

D.b.

Ϫ Ϫ

Ó

sul tasto

Vla.

poco

Ó

mf

f

Vln. II

pp

position the medium cymbal on the 23" and take the superball mallet, as before

œ Œ

surfaced

SOLO

‰

HARMON MUTE

µœ ™

pp

° ™ Perc. 1 & ‰

Perc. 2

‰

HARMON MUTE

Πo

p

poco

#˙ n˙

˙

p

¡

Ó

&

!

Ó

p

Hn. 3+4

!

O

2 p 3

Q

#O

pppp

o

µ Œ

!

whistle tones

p

Ó

< q ™>

whistle tones

œ æ

#˙

Ó

&

Fl. 1

óó óó óó

b %

Q Ó

103

Ó

Ó

‰

# Oe

pizz.

3

"mf "

‰

Œ

Oe

Neutrinos visiting

Picc.

° &

Ó

&

Œ

&

b˙

Fl. 1

Fl. 2

&

Cl. Bb

B. Cl.

Hn. 1+2

˙ o

mp

bœ ™ o

? ¢ Œ

mp

œ æ ,

3

¸3 œ #œ

whistle tones

Œ

n óïï %ï ïó i˙ I

O

pppp

œ æ

C

p

p

& ‰

Cl. A

poco

œ æ

poco

‰

œ æ

‰ o

Œ

œ æ

‰ o

Œ

Ó

‰

Ó

˙

‰

œ

2 f3 3 2

,

Œ

Tbn. 2+3

Timp.

whistle tones

#O

!

¸ œ ¸ œ

p

‰

o

‰

˙™

‰

3.

¸ œ

‰

˙™

#œ œ

œ

Œ

#-œ Œ

5

Œ

œ-

pp

o

œ

œ™ œ

#œ

œ Œ

5

R

& &

Ó

Œ

WAH-WAH MUTE: stem half out

Ó Ó Ó

°? ‰ ¢

‰

< #E>

bœ

<e>

with superball

¸ < #e>

poco, but well audible

mp

o

‰

Ó

-ã ¡-ã slow ¡∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

Ϫ

‰

WAH-WAH MUTE: stem half out

?

3.

Œ

Œ #˙

2.

/ Ó

œ

¢sunk

"f "

:

;

ïï

L

L

3

Vla.

Vc.

& < Oe >

? O ¢ e 1.

D.b.

¸ O

3

tutte

B Œ ? #< Oe > æ

O æ

nœ

2 sfz

3

< e>

O æ

p

O

‰ o

µœ æ

ï ïïï æ eEï ïïï % EE %

*o œµœ nœ bœ œ œ # œ Bœ œ nœ n œ #œ œ b O #O bœ œ µœ 7:8 x

f

poco

Ó

O < e > #O æ3

‰ o

senza vibrato

œ ,

3

5

¸ Oe¸ Œ

molto vib.

˙

2 f3 3 2

Œ

¸ ¸ ##œœœ Œ nœ mp °

ï ïïï ó ïïï %ï æ % ïï ïïï o o nœ e <n>O O œ

o e ‰ µœ ¶ ¯¯¯¯¯¯¯ · P Ó· ÓÓÓÓ · · œ #œ P ¶ÓÓÓ poco dim.

F#

F#

‰ œ

‰

ï ïïï ó ïïï % ïï æ %ïï ï ï o ‰ e µœ nœ o

‰ #œ ™ o

molto vib.

p

OO ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ¸ ‰ ¸ ˙ œ N#œ œ o o p poco cresc.

OO ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ¸ ¸ ¸ µœ œ ‰ œ™ œ N˜œ o p poco cresc. œ æ

‰ o

Œ

˙ (p)

OO ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ¸ #œ œ™ œ œ œ ‰ o ff "f "

TUTTI III.

œ #œ

‰

Ó

œ¸ ‰ œ æ

Ó

< œ>

ppp

R

mf

‰

Πo

O

¡-ã ¡-ã fast ¯¯¯¯¯¯¯¯¯

l.v.

Ó

Ó

Ó

œ æ

Ó

Ó

o œ O

o œ

O

O

Œ

Œ

Œ

,

Œ

‰

Œ

µO

o e ‰ œ œ

mf

* tremolo of identical harmonics with different fundamentals, prevalence of high sound with an ambiguous presence of the inferior tremolo: when the harmonic is notated with a small head there must be a bigger evidence of the fundamentals

° O O Vln. I & < e > æ3

ppp

Œ

ïó ó ó æó

E F F# F# Ab Ab

3

œ

l.v.

s ss , T S % ï

&Bœ bœ µœ ¸ nœ œ 3

œ

< #æE> æ

Ó

Water Gong

ppp

-ã ¡-ã fast ¡ ¯¯¯¯¯¯¯¯¯

ppp

-ã ¡-ã slow ¡∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

ppp

Ó

¸ ¸ Ó œ

#œ æ

ppp

5 5

Œ

!

Œ

surfaced

Vln. II

!

pp

Vibraphone

SOLO

< h ™>

Ó

° Perc. 1 & ≈ #œ ™ < °> Perc. 2

!

O

pp

¸ œ

bO

pppp

5

Œ

O

!

whistle tones

Œ

Ó

¡

< q ™>

!O

Ó

?

¢

O < h>

pppp

Ó

ppp

Tbn. 1

!

Œ

p

Ϫ o

1.

&

Tpt. 2+3

‰

Œ

ï ïæïó % óóó ˜œ ™ o

ppp

Tpt. 1

<q>

Eb

° &

Hn. 3+4

21

R

107

Œ

Ó o

OO ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ N˜ œ ™ œ™ o

"mf "

OO ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ N˜ œ ™ œ™ o "mf " OO ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œ™ Nœ™ o

"mf "

OO ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Nµœ ™ œ™ o "mf "

Neutrinos visiting 22

n

° & 111

Picc.

Œ

& Ó

Fl. 1

˙

& Ó

Fl. 2

& Œ

Ob. 1

œ

mf

¸ œ

‰ o

& Œ

Cl. A

pp

5

-œ #œ

pp

? Œ

B. Cl.

#œ Œ b-œ

5

B Œ

‰ o

p

<#>œo

p

Œ

Ó

Πo

œ

#œ o

Ó

Œ

mf

"ff "

#œ o

s ss %ïó s C #T æó æ S %

ï ïïï

µ nBb

mp

Eb

Ó

"ff "

nœ

¸ œ

‰

pp

mp coi flauti

pp

pp

mp

Ϫ

˙

Ó