Reflective Journal
THE FIELD
Studio 40 An utopian post-colonial future Victoria, Australia, 2027
Gina Dahl
1113623
MSD - SEMESTER 2 2020
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
I would like to acknowledge that this journal was prepared on the land of the Wurundjeri people. The traditional custodians of this land. I would like to pay my respect to their elders past, present, and future. I also want to acknowledge the traditional custodian of the land upon where this project lays. The land of the Jaaraa people of the Dja dja warrung community. This journal acknowledges the ancestors, Elders, and families of the Jaaraa and Wurundjeri people past, present, and emerging. This work aim to contribute towards empowerment, protection, preservation and promotion of the Dja Dja Warrung culture and heritage.
ACKNOWLEDGMENT OF COUNTRY
MSD - SEMESTER 2 2020
THE LISTENING PROJECT REFLECTIVE JORUNAL TABLE OF CONTENTS
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
WEEK 1
INTRODUCTION THE LISTENING PROJECT RESEARCH STUDIO TALK: RODNEY CARTNER STUDIO READING: DJA DJA WARRUNG COUNTRY PLAN STUDIO TALK: JEFA GREENAWAY STUDIO READING: DARK EMU BY BRUCE PASCOE CONTEXT TRADITIONAL LANDS OF DJA DJA WARRUNG THE FIELD INITIAL SITE DEVELOPMENT MASTERPLAN BIO DIVERSITY THE MEMORY TRAIL
WEEK 5
WEEK 5 REVIEW ATMOSPHERIC MOMENTS ALONG ‘THE MEMORY TRAIL’ FURTHER DEVELOPMENT EXTENDING ‘THE MEMORY TRAIL’ RESEARCH ‘RESTING PLACE’ BY TAYLOR & HINDS ARCHITECTS ‘THE LINE” INSTALLATION BY REGROUP ‘THE LONG DROP’ BY INVISIBLE STUDIO DEVELOPMENT CONCEPTUAL AND DESIGN DEVELOPMENT
WEEK 10
WEEK 10 REVIEW ‘THE CORE GALLERY’ DEVELOPMENT CONCEPTUAL AND DESIGN DEVELOPMENT
WEEK 12
WEEK 12 REVIEW THE LISTENING PROJECT
MSD - SEMESTER 2 2020
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
THE LISTENING PROJECT
ARTIST IN RESIDENCE PROGRAM LOCAL ARTISTS OF THE KULIN NATION CONTEMPORARY ABORIGINAL ART PROMOTE ABORIGINAL ART AND CULTURE
The past, present, and future of a place submerge us. It is all enticing. Despite this we forget. We live, breath, and laugh in the realm of everyday life. We live in a shallow future, the future of grocery shopping and evening commutes. What if we re-discover our surroundings. Re-establish a connection to the land. It is a connection that the indigenous people of the world have preserved. In Australia, the aboriginals refer to ‘country’. I understanding country to be a metaphor for the land, for home, the wind. Country holds the past, present, and future. This project will explore an envisioned future in 2027 Learning from the rich culture of the Dja dja warrung.
A PLACE FOR EXPRESSION A PLACE FOR LISTENING A PLACE FOR REFLECTION
MSD - SEMESTER 2 2020
A LECTURE PRESENTED BY RODNEY CARTER Focuing on the acievements of the Dja dja warrung. Succesfully infeltrating the system over a range of different schemes such as fire and bio diversity
“We have a unique connection to the landscape”
“WHAT CAN WE DO AS A SOCIETY TO EMPOWER PEOPLE? LET PEOPLE UNDERSTAND THAT THEY ARE BEAUTIFUL, LANGUAGE IS BEAUTIFUL, ART AND CULTURE IS BEAUTIFUL“
RODNEY CARTER CEO OF DJA DJA WARRUNG ABORIGINAL CLANS COOPERATION
STUDIO TALK: RODNEY CARTER
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
I found the lecture with Rodney Carter incredibility rich as he described how the Dja dja warrung community has come together to work with the system to improve awareness and empower the community and culture. The Dja dja warrung country plan is an example of a powerful voice of a community. Clearly stating focus areas to be addressed for a sustainable future for the community and beyond.
2014 - 2034
MSD - SEMESTER 2 2020
ASPIRATIONS GOALS : 1
Jaara
2
Customs and Practices
3
Cultural Heritage
4
Bushtucker and Medicine
5
Rivers and Waterways
6
Upside-down Country
7
Self-determination
8
Traditional Owner Economy
The Dja Dja Warrung Country plan sets up a range of strategies to strengthen the community. There is a clear path on how to move forward. I will be focusing on the first three aspirational goals in the plan - the Jaara (the people), customs and practices, and cultural heritage.
THE DJA DJA WARRUNG COUNTRY PL
LAN
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
NOTES FROM THE DJA DJA WARRUNG COUNTRY PLAN
DREAMING STORIES (FOLKLORE AN CULTURE)
PLANTS
Bunjil, the eagle hawk. The creator and source of guidance Mindi, ensures the continuation of life (p. 6) Murrups, the spirit of elements, objects and ancestors
Lomandra Saltbush Nardoo Cumbuji Wattle Red Gum Chocolate lilies ANIMALS Emu Goanna Possum Kangaroo Wallaby Rabit
CULTURAL HERITAGE Ceremonies to honor the spirits Scarring trees Plants for medical purposes
SEAFOOD NATURAL RESOURCES Box Ironbark forests Loddon, Coloban, Campaspe, Avoca, Avon (lakes fo significance) Boort, Eppalock, Laanexoorie (Swamps and creeks of significance)
LAND USE 65 % Agriculture Parks Forests Reserves
LOCAL INDUSTRIES Agriculture Forestry Beekeeping Tourism
Eel Mussels Crays Murray Cod Yellow Belly
GATHER Bardu grubs Duck eggs Nardoo Yam daisies Wattle seeds Buloke Red gym timber
“The health and wellbeing of our people is strong, and underpinned by our living culture.” (Dja Dja Warrund Country plan, p. 11)
MSD - SEMESTER 2 2020
THE INTERNATIONAL INDIGENOUS DESIGN CHARTER 1
Indigenous led
2
Self-Determined
3
Community specific
4
Deep listening
5
Impact of design
6
Indigenous knowledge
7
Shared knowledge (collaboration, co-creation, procurement)
8
Legal and moral. Demonstrate
9
Develop a cultural competency
ARCHITECT
10
Charter implementation
ACADEMIC
“There are 38 language groups across Victoria. That talks to diversity and the understanding that indigenous culture is a living culture”
ADVOCATE
JEFA GREENAWAY DIRECTOR AND FOUNDER OF GREENAWAY ARCHITECTS
STUDIO TALK: JEFA GREENAWAY
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
Jefa Greenaway raised an interesting conversation about current social movements such as ‘Black lives matter” and an increased interest and awareness of the impact and implications of colonisation. He he utters an important quote from the Indigenous place making council.
“If nothing of your culture, history, language or art is visible in the streets, parks and buildings where you live, how can you ever feel welcome there?” It highlights the importance of connection to a place or a sense of community , identity and belonging. I enjoyed the fresh view on heritage as he posted the question “WHO’S HERITAGE IS BEING PROTECTED?” There’s an array of Australian heritage organizations but how many of them are addressing aboriginal heritage. It seems that we are predominately protecting the heritage of colonialism. Are we glorifying the past. Creating a false narrative of heroism? Both Greenaway and Carter has a strong empathies on heritage. In addition they are both strong advocates for the living aboriginal culture. They are advocating for visibility, awareness recognition and understanding. The international indigenous design charter focuses on this aspect of design. It is a guide for approaching aboriginal projects in a sensitive and inclusive manner.
MSD - SEMESTER 2 2020
“IF THE CULTURE OF ABORIGINAL SOCIETY IS NOT GIVEN SUFFICIENT CREDENCE, IT IS EASY TO MISINTERPRET THE ACHIEVEMENTS.” (p. 178)
Bruce Pascoe’s book Dark emu highlight the complex society of aboriginal people prior to the arrival of the European explorers. His factual approach find a voice through journal entries from European explorers. Disregarding the culture along with its people. Dark Emu was is an important book to get an understanding of what the aboriginal culture and society looked like before colonisation. Bruce Pascoe highlights the significance of the culture. I found the book very inspiring and the ethos of this book will be carried out though the project.
STUDIO READING: DARK EMU
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
“ONE OF THE GREATEST DIFFERENCES BETWEEN THE CULTURE OF ABORIGINAL AUSTRALIA AND THAT OF MAINSTREAM AUSTRALIA IS THE CONCEPT OF LAND” (p. 198)
BRUCE PASCOE
MSD - SEMESTER 2 2020
SUMMARY FROM THE FIRST CHAPTER OF DARK EMU:
Dark Emu’s first chapter, Agriculture, highlights the pre-existing presumptions of the first Europeans and their relationship to the aboriginal Australians. Following a range of different diaries, notes, and sketches the chapter walks us through misconceptions, neglect, and unintentional and intentional destruction of the land. The Europeans classified five stages of development of agriculture: “selection of seed, preparation of the soil, harvesting of the crop, storage of the surpluses, and erecting permanent housing for large populations” (Pascoe, 2016, p. 13). The chapter aims to highlight the complexity of the history of the land and the methods used by the aboriginals to harvest, maintain, and work with and for the land. The way the aboriginals treated the land and their approach to agriculture was a lifestyle, it’s approached with patience and respect to the environment and the natural development of the landscape. The western mentality is very different, being result driven, and forceful in comparison to the approach of the aboriginal Australians. Explorer Captain Charles Sturt (1795-1869) describes the devastating heat of the Australian landscape in 1845, he described great social and economic achievements of the aboriginals in such a harsh climate. He marvelled at what he described as endless stubble fields, in a landscape like the ploughed land described by William Howitt, and Major Thomas Mitchell. Showing the landscape where the yam daisies once where widespread, but now harvested.
STUDIO READING:
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
“THE YAM DAISY SEEDS” “ENDLESS STUBBLE FIELDS” “THE BURNING SUN”
CHAPTER 1
ABORIGINAL AGRICULTURE
MSD - SEMESTER 2 2020
SUMMARY FROM THE SECOND CHAPTER OF DARK EMU:
Chapter 2, Aquaculture, has a slightly different approach, though the negative presumptions and the forceful nature of the Europeans remain a central part of the misconceptions and unfortunate outcome of the development of both agriculture and aquaculture in modern Australia. The chapter walks us through a range of different, and very sophisticated fishing methods observed by the European explorers. Though the methods were recognized as efficient and “of the finest craftsmanship� (p. 70). They were not further studied nor attempted to be preserved by the explorers. Some failed to recognise the complexity of these methods all together, describing the method as lazy rather than refined, innovative and fit for purpose (p. 7).
The chapter highlights several large scaled fishing-operations. The Brewarrina fish traps being one of them (72). There are uncertainties around the time of its creation, but it ranks among some of the earliest man-made constructions, if not the first of them all (75). The sophisticated method is very efficient in its aim but is also sensitive to the environment and protective of the economic and social organisation of future generations and the development and perseverance of the method. Unfortunately, this method was slowly destroyed as the aboriginals were forced to adapt and compromise to share the resources of the river with the European settlers.
STUDIO READING:
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
“BREWARRINA FISH TRAPS” “ONE OF THE OLDEST HUMAN CONSTRUCTIONS” “HISTORIAN PETER DARGIN”
CHAPTER 2 ABORIGINAL AQUACULTURE
MSD - SEMESTER 2 2020
The initial studio talks and readings introduced us to the site and history of the area Dark Emu walked us through the transition - or walked us through the transition as we know it. With the historical evidence we have access to. I nevertheless thought it important to reflect upon the changing focus areas through Australian history. From the original dream time towards the era of aboriginal agriculture - the dream time stories were still central, and still are today. Then from the colonial era until today. With a focus on ownership and mass production. As Bruce Pascoe pointed out - it’s the concept of land that is completely different. The approach and attitude towards the land. This project aims to challenge this attitude though a sustainable approach, touching the ground lightly. Both figuratively and literally.
TRANSITION
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
DREAM TIME
Djandak
Country
Bunjil
The creator
Mindi
Enforcer of law and order
ABORIGINAL AGRICULTURAL ERA
Murnong
Yam Daisy - Food and Medicine
Wattle
Food, medicine, and material use
Saltbush
Versatile Food and medicine EUROPEAN EXPLORERS
COLONIAL TIMES
Cattle
Draught animal and food
Land ownership
CONTRACTS AND OWNERSHIP
Contemporary farming
Technology and Mass production
MSD - SEMESTER 2 2020
2027 A SUSTAINABLE APPROACH TO THE LAND. ACHIEVED BY LEARNING FROM ABORIGINAL HERITAGE AND CULTURE.
The studio aim so explore alternatives modes of approaching the site and the land. To develop sustainable and conscious designs suitable for a post-colonial future. We aim to develop this project as a development that will take place in 2027. As this is a short term utopia I will aim to empower and spread awareness of the Dja dja warrung clan and the Kulin nation. The custodians of central Victoria.
FROM DREAM TIME TO POST-COLONIAL
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
E TH IL E NJ GL BU EA
S
BP
IO AT RE
EC TH
ST AN IR ALI F E TR TH US A
YE
AR
S
N
60
00
0
DREAM TIME
ABORIGINAL AGRICULTURAL ERA
THE UTOPIAN POSTCOLONIAL FUTURE
4 198
AUSTRALIAN SELFGOVERNMENT
N
IO AT IZ
N LO CO
1850
88
EQ U R A AB IGH L VO OR TS TIN IG FO G IN R AL S
06
17
COLONIAL TIMES
T RS N FI EA RS E OP RE TH UR LO E XP E
20
20
16
MSD - SEMESTER 2 2020
2
3
9 WAVEROO
1 8
KULIN NATION 4
6
7
10 WOI WURRUNG
5
11
REGISTERED ABORIGINAL PARTIES
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
1
Dja Dja Wurrung Clans Aboriginal Corporation Site
2
First People of the Millewa-Mallee Aboriginal Corporation
3
Barengi Gadjin Land Council Aboriginal Corporation
4
Gunditj Mirring Traditional Owners Aboriginal Corporation
5
Eastern Maar Aboriginal Corporation
6
Wathaurung Aboriginal Corporation
7
Wurundjeri Woi Wurrung Cultural Heritage Aboriginal Corporation
8
Taungurung Land and Waters Council (Aboriginal Corporation)
9
Yorta Yorta Nation Aboriginal Corporation
10
Gunaikurnai Land and Waters Aboriginal Corporation
11
Bunurong Land Council Aboriginal Corporation
The specific site that we have been researching is upon the land of the Dja Dja Warrung, in central Victoria. The map only shows registered aboriginal parties and does not include all aboriginal communities in this area, there are 38 language groups across Victoria. The Jaara are part of the Kulin nation - the focus point of this project.
MSD - SEMESTER 2 2020
1
LATE SUMMER Kooyang
2
Season of eels Burning Season
Season of honey bees Season for cooling and moistening
- Super swifts arrive from Siberia - Young skinks hatch from communal nests - Copperhead snakes hunt skinks and frogs
3
5
WINTER Chinnup
AUTUMN Gwangal Moronn
- Gang gags eat gum nuts - Ghost fungi glows at night - Tiny Biron’s toad lets mate
4
EARLY SUMMER Ballambar
Season of cocktatoos Season for short days, rain, and cooler temperatures
Season of butterflies Season for warmer temperatures and insects
-Mamals and powerful owls begin breeding - Greenhood orchids flowering - Mosses and lichens delight the eye
- Clouds of common brown butterflies - Hyacinth orchids brighten roadsides - Elusive square-tailed kite nests
TRUE SRING Petyan
6
EARLY SRING Larneuk
Season of wildflowers Season for the bush and wildflowers
Season of nesting birds Season for the wattle blossom and returning birds
- Wildflower season in full swing - Popplebonks make foam nests - Blue wrens attaching windows
- Wood ducks select nesting hollow - Echidna trains are forming - Golden wattle blaze
WOMBAT FOREST CALENDAR
J
JULY
S
R
EA
SEASO NO F NE ST IN G
EARLY S P RIN G AU G U
B
MA Y
EM
3
SE
S RD BI
4
E
BE
ON OFWILDFLOWE SEAS RS
2
ER INT W
EM
PRIN TRUE S G
5
A PI L
1
AUTUMN
OF SEASON HONEY BEE S
ER
LS
EA
M
CH
N OV
LATE S UM ME SEASO NO F EE
MER M U Y S UTTERFLIES RL SON OF B
6
A RY
R
O BE R OCT
FEB R U
UN
EM
UA R Y
TOOS CKA CO OF ON AS
EC
B
JA N
ER
AR
D
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
SE
PT
ST
The seasons are central in aboriginal culture. This is the Wombat forest calendar, traditionally used by the Dja Dja Warrung. The six seasons are directed by seasonal happenings - guiding us thought the year. It is an essential part of understanding the land and how to take care of and take advantage of the seasonal landscape.
MSD - SEMESTER 2 2020
.
Jarra Baby
YUNG BALUG -Home of Mindi a great snake who hissed poison that would bring a plague to kill all white and black people
S ma l l pox ,
a
a de dl
y
pa n
Sacred trees YAOORA MOUNT KOO
e mi c t h
Joyce’s Creek - aboriginal highway, important food resource and meeting point of ecosystems
d
s ek
re
e c th e in th re ng tu alo s pa nd od s a Go ullie g
DURID BALUG It was important to us a group to get an understanding of the historical significance of the site.
Djadjawurrung - Emu Country
Jefa Greenaway pointed out how the significance of context on a macro scale. Meaning the history and marks on the city or the surrounding area - not just the specific site.
ith w ed x er Bo y ck imb and ture nd o a t r s ld ely ark pa ne Bo ens y B of sto n d ring tute and atio i t S est t, S rm d his t fo Sc sal Ba
J. Hepburns hut
This abstracted map is therefore crucial to gain an understanding of the past, present, and future of this land. The map include notes from European explorers, areas of cultural significance, location of sacred trees, description of landscape and the location of the first aboriginal protectorate. The site or more specifically the ‘macro site’ holds the history of the area. Illustrating fragments of the cultural significance of the land. There are also glimpses of the hardship experienced by the Dja Dja Warrung in the aftermath of colonisation.
Hepburn Regional Park
Sacred scar trees AT CARISBROOK
GOLD Sailors Falls s erhole
wat creek ’ middle ghter hole au ‘the sl
SITE
MEMORY ON DJA DJA WARRUNG COU
The string y-bark tre e peop le Home of 1840, jai Munangabum -m led in M elbourne ain lawman charge of shee p steali in on a ng.
.
popu l a t i o
dec i ma t e
th e
ab or
i
gi
GUNANGARA GUNDIDJ
n
Waterloo Plains Massacre
al
at
d
n
di n R i v er - Ab or i g i n a l L od
FRANKLINFORD First Aboriginal Protectorate Edward Stone Parker 1838-49 Station 1 - Lalambook Deaths among the Europeans who lived at the station convinced the Djadja wurrung that the ground at Mount Franklin was the ‘channel of malignment’, and they temporarily abandoned the station until the ground had ‘become better’
Mt F r a
a l a mbook - L
Hi
n
y wa
Important place for holding ceremonies
nk
h Hi g
-
li
h
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
Rich chocolate soil
gh
h
Ba n
ed
k pl a c e f or c a mpi ng
Hepburn Springs
r be tim d nd lan le a y t s at le k as Gr m w suc gu ney Ho
Barren Ranges
Bold ro dense cky Strin ly timbe gy B ark a red with nd B ox
g land od grazin Patch of go th Gum Cherry, wi timbered Wattle d an d Lightwoo
wit
re
astu
fp
te o
tu esti
D
Daylesford
s
Homestead
MUNAL GUNDIDJ
UNTRY
Ranges of
ge Ran by ith ub shr red w e ky oc mbe d Bos r ti ld Bo sely ark an n De gy-B Strin
Bare
n Ra
nge
s de
nsely
timb
ered
t pasture
indifferen
Illustration produced by Maria Bulmaga
MSD - SEMESTER 2 2020
1
THE FIELD
2
Sailors Falls
3
Daylesford
4
Sailors Hill
5
Leonard Hill
6
Musk Vale
7
Wombat Plantation
8
Langdons Hill
9
Blampied
10
Bullarto
11
Musk
The site is located south of Dailesford, in the area of Sailors Falls. The land has a deep connection to the Dja Dja Warrung.
THE SITE IS LOCATED; 1 h 15 min North-West of Melbourne 30 min North of Balarat 1 h South of Bendigo
INTRODUCING THE FIELD
9
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
3
4
11
7 6 2 10
1
8
5
1 km
MSD - SEMESTER 2 2020
The current land use of the site is predominately agriculture, surrounded by parkland of some residential areas.
LAND USE
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
500 M
SITE BOUNDARY
AGRICULTURE
PARKLAND
RESIDENTIAL
MSD - SEMESTER 2 2020
1
SIZE
Approx. 400 x 400 m
LANDSCAPE
Approx. 15 m heigh difference from South to North
STREAM
Running from North to South It is a small fork off Sailors Creek. The stream dries out approx. 1 km South of the site.
2
Sailors creek originate from Jim Crow Creek, Loddon river and eventually Murray river WALKING TRACK
The Wallaby track is part of the Goldfields track - a 200 km walking and cycling trail
3
4
The field is dominated by grasslands, some shrubs and a handful of free standing trees. There is also a water hole on the north side of the field, it sits dry for the majority of the year. The stream is also often dry and hold pockets of fresh water.
THE FIELD
SAILORS FALLS
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
622 623 624
1
625 626 627 628 629 630 631 632 633 634 635 636
2 3
4
637 638 639 640
MSD - SEMESTER 2 2020
The diagrams are an exploration of the experience of approaching the site. The contrast between the horizontal field and the vertical forest. What will it feel like enter this area from BallanDaylsford Road - the main road, accross Liversidges Road, through the dense forest and into the open field. The horizontal meets the vertical, the dense meets the open.
ACCESS
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
1
2
3
3
1
2
View from BallanDaylesford Road
4
5
6
6
5
View from the field
MSD - SEMESTER 2 2020
1 forest cover/agricultural zones
FOREST COVER/ AGRICULTURAL ZONES forest cover/agricultural zones
2 access
1
ACCESS access
1
FARMHOUSE / UTI
farmhouse/ utilities farmhouse/ utilities
APPROACH 1
A
Forest extension informed by heritage overlay and stream recovery scheme. Remaining land to be used for farming.
Existing site
A
Forest extension informed by heritage overlay and stream recovery scheme. Remaining land to be used for farming. Forest extension informed by heritage overlay and stream recovery scheme. Remaining land to be used for farming.
bush track access: the great divide hiking trail.
visitor exhib
APPROACH 2
bush track access: the great divide hiking trail. bush track access: the great divide hiking trail.
visitor exhib
visitor farmhous exhib student f
farmhous student f
vehicle access
B Heritage overlay and stream recovery
B
Forest extended to incorporate walking tracks into site and smooth out/ create a less determined site boundary. Centripetal force, drawing the users into the centre of the field.
B
farmhous student f
vehicle access
vehicle access
Forest extended to incorporate walking tracks into site and smooth out/ create a less determined site boundary. Centripetal force, drawing the users into the centre of the field.
APPROACH 3
C
2
access
forest cover/agricultural zones
A
farmhouse/ utilities
2
Forest extended to incorporate walking tracks into site and smooth out/ create a less determined site boundary. Centripetal force, drawing the users into the centre of the field. pedestrian trail extends to Liversidges rd
pedestrian trail extends to Liversidges rd vehicle access
Centripetal force, directing the user to centre
pedestrian trail extends to Liversidges rd vehicle access
vehicle access
C C
Forest extrended in heritage zone, access through forest track extended through field.
APPROACHING THE SITE Forest extrended in heritage zone, access through forest track extended through field.
Forest extrended in heritage zone, access through forest track extended through field.
Illustrations produced by Maria Bulmaga
water access
water access
water access
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
HOW WILL A COMBINATION OF RE-WILDING AND RE-CULTIVATION OF THE LAND INFLUENCE THE LANDSCAPE? 3
4
meeting/ performance
3
ILITIES
3
MEETING / PERFORMANCE
meeting/ performance meeting/ performance
r/ bition hub
central seating for coroboree/ceremony and engagement
r/ bition hub
central seating for coroboree/ceremony and engagement
r/ se andhub bition facilities
central seating for coroboree/ceremony and engagement
4 4
CIRCULATION PATHS
circulation paths
se and facilities
farmhouse/facilities accomodation
farmhouse/facilities accomodation
farmhouse/facilities accomodation
r/ shade visitor centre/ s points acilities
r/ shade visitor centre/ s points acilities
visitor centre/ acilities
Maria set up a range of diagrams investigating how we could approach the site in six different ways (see next page). The diagrams build upon one another, with the focus areas listed horizontally above. They helped us further develop the most appropriate solutions explored two pages down (‘further development’)
All facilities backing onto farmland minimal intervention
All facilities
ceremonial space to be incorporated into farmhouse
ceremonial space to
ponds/ water access shade points
5 5
circulation paths
se and facilities
r/ shade s points
5
circulation paths
a variation on keyhole garden approach
the centre of the field.
vehicle access pedestrian trail extends to Liversidges rd
C
water access
MSD - SEMESTER 2 2020 vehicle access pedestrian trail extends to Liversidges rd
Forest extrended in heritage zone, access through forest track extended through field.
C
water access
vehicle access
Forest extrended in heritage zone, access through forest track extended through field.
C
FOREST COVER/ AGRICULTURAL ZONES
ACCESS
FARMHOUSE / UTIL option to walk off track through the forest
Forest extrended in heritage zone, access through forest track extended through field.
D
D
APPROACH 4
optionaccess to walk off vehicle track through the forest
option to walk off vehicle access the track through forest
Forestry and aricultural land freely dispered and blended accross site. Trees throughout develop microclimates that protect crops exposure against extremes, reducing erosion, improving soil and storing carbon.
vehicle access Forestry and aricultural land freely dispered and blended accross site. Trees throughout develop microclimates that protect crops exposure against extremes, reducing erosion, improving soil and storing carbon.
Extended forest, heritage zone
D
emergency/ construction vehicle access through neighbouring farm
APPROACH 5
Forestry and aricultural land freely dispered and blended accross site. Trees throughout develop microclimates that protect crops exposure against extremes, reducing erosion, improving soil and storing carbon.
E
emergency/ construction vehicle access through neighbouring farm
E
huts for water/ shading emergency/ construction vehicle access through neighbouring farm
pedestrian access only via bush tracks
Oveloids instruct rigid boundaries for farming Free plan, development of microclimates plots. External zones that are notrequired for
pedestrian access only via bush tracks
huts for water/ shading
huts for water/ shading
facilities to be re-forested. Surrounding forest will act as a protective boundary for crops.
APPROACH 6
E
Oveloids instruct rigid boundaries for farming plots. External zones that are notrequired for facilities to be re-forested. Surrounding forest will act as a protective boundary for crops.
pedestrian access only via bush tracks
Oveloids instruct rigid boundaries for farming plots. External zones that are notrequired for facilities to be re-forested. Surrounding forest will act as a protective boundary for crops.
Overloids instruct rigid bioundaries
APPROACHING THE SITE
Illustrations produced by Maria Bulmaga
visitor centre/ acilities
r/ shade s points
farmhouse/facilities accomodation
visitor centre/ acilities
r/ shade s points
visitor centre/ acilities
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
AN INVESTIGATION OF FREE AND STRUCTURED APPROACH TO THE LANDSCAPE. DIRECTING THE SITE APPROACH.
All facilities backing onto farmland minimal intervention
LITIES
ceremonial space to be incorporated into farmhouse
MEETING / PERFORMANCE
All facilities backing onto farmland minimal intervention
All facilities backing onto farmland minimal intervention
ceremonial space to be incorporated into farmhouse
ceremonial space to be incorporated into farmhouse
ponds/ water access shade points
a variation on keyhole garden approach
CIRCULATION PATHS
ponds/ water access shade points
ponds/ water access shade points
a variation on keyhole garden approach
a variation on keyhole garden approach
facilities/ farmhouse
circut circulation facilities/ farmhouse
facilities/ farmhouse
circut circulation
circut circulation
all facilities
all facilities
The diagrams that Maria has created here are important as they explore a more fluid approach to the site. Approach 5 becomes important here as the micro climates will allow crops to be protected by the all facilities surrounding vegetation. This will also benefit and improve the soil quality and reduce erosion.
MSD - SEMESTER 2 2020
Series A
INFRASTRUCTURE APPROACH 7
Central meeting point Visitor centre/ exhibition space
Workshop/ research facilities Visitor centre Informal resting/ meeting places
Workshops/ research facilities Farming utilities/ storage
Parking
10m2
paved parking pedestrian route/ indicator trees
Series A
Series B
APPROACH 8
INFRASTRUCTURE
These diagrams were crucial in the process of developing the overall master plan of the project. Series A
Visitor centre/ exhibition space
Workshops/ research facilities Farming utilities/ storage
Workshops/ research facilities Farming utilities/ storage
Workshop/research facilities/farming utilities
gradual plantings from central meeting point
Meeting place
Meeting place Visitor centre/ exhibition space
Visitor centre
Informal resting/ meeting places
Workshops/ research facilities Farming utilities/ storage
10m2
10m2
paved parking pedestrian route/ indicator trees
Series D
Series B
INFRASTRUCTURE Workshops/ research facilities Farming utilities/ storage
APPROACH 9
After discussing as a group we decided on a combination of the micro climate strategy of approach 5, combined with the developed scheme of approach 9. Utilising the landscape to out advantage was also incorporated with traits Series B form approach 8.
Visitor centre/ exhibition space
emergency vehicle access/ water supply farmhouse storage and facilities
Shaded resting spots gradual plantings from central meeting point
Meeting place
shaded rest stops/ water sources
Visitor centre/ exhibition space
Informal resting/ meeting places
10m2
10m2
paved parking
10m2
pedestrian route/ indicator trees
We also incorporated the re-wilding strategy of approach 3 to draw people into the central areas of the site.
keylining
Workshops/ research facilities Farming utilities/ storage
Meeting place
Visitor centre/ exhibition space
The following page investigates the final master plan of week 2.
emergency vehicle access/ water supply farmhouse storage and facilities
APPROACH 10
gradual plantings from central meeting point
Series E
Series D
INFRASTRUCTURE Off grid workshop Accommodation off grid workshops and facilities
wind breaks/ forest cover
shaded rest stops/ water sources
free circulation dependant on crop plantings accomodation for students/ staff
10m2
carpark
10m2
keylining, to run water along site
FURTHER DEVELOPMENT key hole gardens at mass scale
wind breaks/ forest cover
Visitor centre/ exhibition space
Informal resting/ meeting places paved parking
Workshops/ research facilities Farming utilities/ storage
10m2
10m2
pedestrian route/ indicator trees
10m2
paved parking
Visitor centre/ exhibition space
Informal resting/ meeting places
Workshops/ research facilities Farming utilities/ storage
pedestrian route/ indicator trees
10m2
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
ACCESS
Series B
AGRICULTURE
Series D Workshops/ research facilities Farming utilities/ storage
Visitor centre/ exhibition space
Visitor centre/ exhibition space
MEETING / PERFORMAN Series D
FARMHOUSE Series B / UTILITIES
Series A Series A
emergency vehicle access/ water supply farmhouse storage and facilities
Workshops/ research facilities Farming utilities/ storage
Gradual planting from central meeting point
emergency vehicle access/ water supply farmhouse storage and facilities
gradual plantings from central meeting point gradual plantings from central meeting point
Meeting place
shaded rest stops/ water sources
Meeting place
shaded rest stops/ water sources
Visitor centre/ exhibition space Informal resting/ meeting places
Workshops/ research facilities Farming utilities/ storage
Workshops/ research facilities Farming utilities/ storage
paved parking
Visitor centre/ exhibition space
Informal resting/ meeting placespedestrian route/ indicator trees
10m2
10m2
pedestrian route/ indicator trees
10m2
10m2
10m2
paved parking
Series B
10m2
Series D
Series B
Series E
Series D
Series E
Workshops/ research facilities Farming utilities/ storage
PATH AND STRATEGY
emergency vehicle access/ water supply farmhouse storage and facilities
AGRICULTURE Workshops/ research facilities Farming utilities/ storage
emergency vehicle access/ water supply farmhouse storage and facilities
gradual plantings from central meeting point
Terraced/gradual planting with landscape - along contours
Meeting place
gradual plantings from central meeting point
Watering system for farmed grasslands along landscape. Stream as resource
shaded rest stops/ water sources
Meeting place
shaded rest stops/ water sources
Visitor centre/ exhibition space
Visitor centre/ exhibition space 10m2
10m2
10m2
10m2
off grid workshops and facilities wind breaks/ forest cover off grid workshops and facilities wind breaks/ forest cover free circulation dependant on crop plantings accomodation for students/ staff free circulation dependant on crop plantings accomodation for students/ staff
carpark
carpark keylining, to run water along site
keylining, to run water along site
Series D
Series E
PATH AND STRATEGY
AGRICULTURE
emergency vehicle access/ water supply farmhouse storage and facilities
Planting approach built on microclimates. Trees planted as wind breaks
Suggested access and location of micro climate gardens
key hole gardens at mass scale
key hole gardens at mass scale
wind breaks/ forest cover off grid workshops and facilities wind breaks/ forest cover
shaded rest stops/ water sources
free circulation dependant on crop plantings
(DEVELOPMENT OF APPROACH 5)
accomodation for students/ staff
carpark
10m2
keylining, to run water along site
keylining, to run water along site
PATH AND STRATEGY
AGRICULTURE Scattered key hole gardens
F or es t
F or es t
c ov
as
c ov
er ,
as
wi nd
b ak
er ,
re
wind breaks/ forest cover
wi nd
b
re ak
Suggested access and location of micro climate gardens
key hole gardens at mass scale
keylining, to run water along site
ng site
Illustrations produced by Maria Bulmaga F or es t
c ov
er ,
as
wi nd
b
off grid worksh facilities
re ak
MSD - SEMESTER 2 2020
EXISTING SITE
As the masterplan developed, so did the programme. We decided to create an educational walking path through the site, along with the agricultural approach. We created the memory trail as an educational path that would walk you through the past, present and future of the Jaara people. Starting with a smoking ceremony to acknowledge the ancestors and pay respect to the land, water, and sea of the country. Following the trail through the forest you will learn about the dreamtime as well as the local history of the Dja Dja Warrung, The trail gives you an insight into the cultural practices and heritage of the Dja dja wurrung clan. Told by members of the Dja dja warrung community. The natural landscape is the main contributor to this storytelling as we are taking advantage of the natural contrasts found in nature.
PROPOSED MASTERPLAN
100 M
INITIAL MASTERPLAN
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
FOREST EXTENDED
THE MEMORY TRAIL GINA DAHL SCRUB LANDS WITH ABORIGINAL PLANS SUCH AS WATTLE
4
2
GRASSLANDS FIELDS CONTINUE TENDED KANGAROO GRASS
5
3
CHOCOLATE LILIES AND SALTBUSH
FOREST EXTENDED
FOREST EXTENDED
6 1
7
THE CROSSING MARIA BULMAGA
ACCESS
100 M
Extended forest
1
Smoking ceremony - welcome to country
Stream
2
Accommodation for aboriginal women experiencing hardship
3
Main fireplace - main area for gathering
4
Animal crossing
5
Exhibition centre
6
Education centre Parking area
Trees as windbreak Agriculture Infrastructure Memory trail Meeting points
7
MSD - SEMESTER 2 2020
This approach to bio-diversity is a combination of approach 3, 5, 8, and 9. The landscape is zones, directed by the gradient of the landscape (approach 8) and local micro climates are created within each zone (approach 5 and 9). The forest area will be extended in a similar manner to apprach 3. Each zone will have indigenous plants that are suitable fo the microclimate. The red areas will have plants suitable for wetlands as the area is prone to drout. Slightly dryer areas like the yellow zone will focus on chocolate lilies and saltbush. Scrub like vegetation will grow along the forest, but also in different zones to allow for micro climates. There will be a focus on kangaroo grass, the indigenous plant used to grow wild in the area and are highly benefitial for the soil quality. The diagram shows the initial indigenous plants that are intended to be planted on site.
Reintroducing a diverse landscape will cultivate breading ground for bio-diversity. Shading, natural shelter, and an expanded steam, will provide great support for local animals - kangaroo, copperhead snake, termintes, murray cod, and cockatoo to name a few.
BIO DIVERSITY - INITIAL STRATEGY
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
1
Ecalyptus
Base map created by Maria Bulmaga
Wattle
Wattle Cunjevoi Spear Grass
1
Blackwood
Spear Grass Wallaby grasses
Radiata pine
Weeping grass
Bunya Pine Red gum
Redgrass near stream Curly Windmill-grass
2 Kangaroo grass Red gum Narodoo Chocolate lilies Saltbush Red gum
100 M 1
Known for its ability to resist grass fire Heath and drought resistant
2
No longer common in Victoria, therefore in need of extra attention
Low lying aboriginal plants suitable for wetlands
Red gum sheltering from the north-east wind
Cultivation of chocolate lilies and saltbush
System to regulate water levels for agricultural purposes
Tended kangaroo grass Grasslands Aquatic plants and grasses to help purify the stream
Dense extended forest - native trees and shrubbery Sparse extended forest and shrubbery
MSD - SEMESTER 2 2020
THE FIREPLACE Storytelling and group discussions Amphitheatre
The memory trail was developed further and we looked at the different moments within the trail and the stories we intended for them to tell. We therefore decided on five different approaches on how to these stories would be communicated. We decided to utilise metaphors to indicate a variety of interaction points along the site. The fireplace, waterhole, stream, field, mountain top, and cave - are symbolic for places of individual reflection, places for public speaking and storytelling.
THE STREAM Highway for moving and place to camp along Pavilions with farming ad eaching tools
These different approaches will also direct the approach of the design - creating the story along the path.
ELEMENTS OF INTERACTION
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
THE WATERHOLE
THE FIELD
Discussion, interaction and informal learning.
Country Farm land, work huts
A place for ‘play’
elevated structrue, ranps in downward gradient from this point
10m2
THE MOUNTAIN TOP
THE CAVE
Speaking to an audience, Presenting and publishing
Reflection and individual study
Gallery space
Recording memories andstries
MSD - SEMESTER 2 2020
6
We started looking at the specific stories that the trail would communicate.
THE MO TOP
Starting with the smoking ceremony - welcoming visitors to the land. The walking through the forest - ‘the cave’ - being told the dreamtime stories. Experiencing the contrast from forest to field being reminded of the land.
Exhibitio
7
MEETING POINT River crossing
Then crossing the stream -’the waterhole’ - for informal interactions and the story of the two mountains - part of the creation story. Back into the forest and the deep history of Franklinford - the first Aboriginal protectorate. The exhibition centre will hold the metaphor for the mountain top.. The central fireplace will be off the beaten path of the memory trail and become the ‘amphitheatre for storytelling and group interaction.
EXPERIENCE THE MEMORY PATH
THE WATERHOLE
THE FIREPLACE
THE MOUNTAIN
THE CAVE
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
THE FIELD
3 THE FIELD
TARRENGOWER AND LALGAMBOOK The two mountains, the creation story
4
5
Recognition of the land
FRANKLINFORD Education and Reflection 4 5
elevated structrue, ranps in downward gradient from this point
2
3
6
THE CREATION From the cave to the field
9
OUNTAIN
7
2
on centre 8 1 10m2
9
THE FIREPLACE Centre for storytelling
SMOKING CEREMONY 8
1
THE SEX SEASONS How it all came together
Extended forest
Agriculture
Memory trail
Stream
Infrastructure
Meeting points
Trees as windbreak
MSD - SEMESTER 2 2020
SMOKING CEREMONY
1
2
THE CREATION Tranition fromthe methaphorical caveto the field
3
THE FIELD
4
Theland
TARRENGOWER AND LALGAMBOOK
This is a storyboard of moments within the memory trail, envisioned experiences of each point as well as of each metaphor (mentioned on ‘elements of interaction) to pages up.
THE MEMORY TRAIL
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
THE FIREPLACE
5
THE WATERHOLE
FRANKLINFORD
THE MOUNTAIN
6
THE FIELD
THE MOUNTAIN TOP The murrups
Reflection
7
THE CAVE
MEETING POINT
8
THE SIX SEASONS
5 4 6
4 5
3
3
elevated structrue, ranps in downward gradient from this point
6
2 7
7
2
8 1 10m2
8 1
MSD - SEMESTER 2 2020
WEEK 5 REVIEW
DAWN
DAWN
NOON
NOON
Atmospheric view at the point on the memory trail, just before existing the forest into the field. In the area where the dreamtime stories will be told. The visualisations takes you through four stages of the day, with different forms of interraction.
ATMOSPHERE THROUGH THE DAY
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
LINK TO 360 VIDEO WITH VOICE OVER
https://www.youtube.com/watch?v=Ct91oxxlumw&feature=youtu.be&ab_channel=GinaDahl
AFTERNOON
DUSK
DUSK
AFTERNOON
MSD - SEMESTER 2 2020
WEEK 5 REVIEW
The renders show a specific point along the memory trail intending to reflect the movement of the ancestral spirits of the Dja Dja Warrung culture. The trail holds an anticipation for movement, gliding alongside the spirits. The atmpsohere is intended to be mystical, trigger curiosity and exploration, both for people and animals. The trail will be explored further in the next few weeks, entering the sphere of the field.
A MOMENT IN TIME
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
LINK TO 360 VIDEO WITH VOICE OVER
https://www.youtube.com/watch?v=Ct91oxxlumw&feature=youtu.be&ab_channel=GinaDahl
360 render extracted from presented video
MSD - SEMESTER 2 2020
100 M
ATMOSPHERIC MOMENT REPRESENTED IN WEEK 5 REVIEW
EXTENDING THE PATH
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
100 M
ACCOMMODATION STUDIO SPACE
FIREPLACE
My initial intention was for the path to extend and simultaneously form a structure that would hold an exhibition, gallery space, or visitor centre. I explored different curved forms, embedded in the landscape whilst using the typography of the site. I wanted to continue to use the fireplace as a central gathering space and proceeded to allow for the structure to wrap around the fireplace. You can walk on the roof whilst the gallery spaces sit underneath forming another programme. This has been developed further on the next page.
MSD - SEMESTER 2 2020
FIREPLACE
ENTRY POINT
4.5 m decline from south to north
1 10 M
Further development of the initial scheme made me realise that the contours on the site were not steep enough to create the effect that I wanted to achieve. The building needed to be almost 100 metres to me naturally embedded in the landscape. I wanted to avoid forcing the embedded effect and started exploring different approaches. Keeping the fireplace as a focal point. This is when I started playing around with the outdoor gallery wall, seen on the south side of drawing nr. 2 and 3. The last drawing shows the fireplace embedded in the structure, an idea derived from the ‘Resting place’ project by Taylor & Hinds architects. (see next page for project).
LANDSCAPE & SCALE
DESIGN DEVELOPMENT
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
FIREPLACE SCULPTURE PARK
1
THE BUILDING BECAME TOO LARGE CHANGE OF STRATEGY 10 M
OUTDOOR GALLERY
2 10 M
FIREPLACE
FOCUS AREA SCULPTURE PARK
3
OUTDOOR GALLERY 10 M
100 M
MSD - SEMESTER 2 2020
KRAKANI LUMI - WAKALINA TAYLOR & HINDS ARCHITECTS
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
Fireplace at the heart Narrow timber path ‘Resting place’ is project designed with close consulation with the land council and tasmanian aboriginal community. Informed by Tasmanian aboriginal shelters. Touching the land lightly both in the landscape and sustanability. This prioject became an imporant precedent in it’s approach to the land.
MSD - SEMESTER 2 2020
FIREPLACE ARTIST STUDIO
KITCHEN
PRIVATE STUDIO
INITIAL SOUTH ELEVATION PRIVATE STUDIO
KITCHEN
FIREPLACE
ARTIST STUDIO
INITIAL NORTH ELEVATION
The project developed further with the central fireplace in mind - now embedded within the structure rather than a central courtyard. The main structure - the artist studio, fireplace and kitchen, are overlooking the gallery wall. Now nicknamed the core gallery. An open gallery wall of rammed earth - inspired by the graffiti lanes of Melbourne and the line project by ReGroup (images can be found two slides down)
THE EMBEDDED FIREPLACE
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
CORE GALLERY ARTIST ACCOMMODATION ARTIST ACCOMMODATION ARTIST STUDIO ARTIST STUDIO
ARTIST STUDIO
KITCHEN
FIREPLACE
ARTIST STUDIO
KITCHEN
CORE GALLERY
CORE GALLERY
10 M
10 M
Section though rammed earthg artist studio
KITCHEN ARTIST STUDIO
KITCHEN
Section though timber kitchen space
CORE GALLERY
10 M
Section though covered gallery wall
KITCHEN
ARTIST ACCOMMODATION
MSD - SEMESTER 2 2020
This sustainable compost toilet was designed for Woodland studio. Located near Bath, England. All materials are recycled. Solids and urine are separated both are used as soil fertilizer. This project became the base for the compost toilets in this project.
THE LONG DROP BY INVISIBLE STUDIO
O
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
MSD - SEMESTER 2 2020
THE LINE - LOCKEFORD, CA, USA
WHAT DOES A PERFORMANCE SPACE NEED?
Landart 2018 - 1029
HOW CAN A PERFORMANCE BECOME ACCESSIBLE TO EVERYONE?
WHAT IS THEN NEEDED FOR A GALLERY?
The line project became an inspiration as it questions what a performance space is, what it needs and who it is for. The same goes for the proposed core gallery in this project. The gallery is inverted, but the essence of a gallery space remain. The canvas - the core. The core gallery removed the boundary between outside and inside. It is a display of public art that tells a specific story in time.
THE LINE - INSTALLATION BY REGROUP
THE CORE GALLERY
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
‘THE GALLERY’
‘THE CORE’
MSD - SEMESTER 2 2020
NATURE AS CANVAS THE ART TELLS A STORY Rock painting Rock engraving Stone arrangements Bark paintings Body paint Weaving Textiles
To claim the right to a story it needs to be inherited and passed down though generations. The painted stories are therefore unique to the individual artist, family, and connection to the land.
Wood carving Sand
THE ARTWORKS GOES BEYOND THE INDIVIDUAL FIGURES AND REPRESENTATIONS. TOGETHER THEY RECORDED NATURE, THE SEASONS, ANIMALS, LANDSCAPE AND SPIRITS OF THE LAND
AN ESSENTIAL PART OF THE PROJECT IS THAT WE ARE LISTENING TO THE ART. THE ARTIST IS TELLING US A STORY THROUGH THE ARTWORK
SELECTION OF ABORIGINAL ART FORM
MS
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
SHIELD, DJA DJA WURRUNG CENTRAL VICTORIA, COLLECTED 1847
DJA DJA WURRUNG BARK ETCHING, NORTH CENTRAL VICTORIA, 1854
WAA WAA FIBRE SKIRT MARILYNE NICHOLLS, 2017
THE DJA DJA WARRUNG TRAM NATASHA CARTER
THE SIX SEASONS MURAL NATASHA CARTER
Aboriginal art is diverse and differ though language groups and cultures. The art will nevertheless always tell a story - one personal to the artist. This is an essential part of the core fallery and the listening project - we are listening to the art
MSD - SEMESTER 2 2020
DJA DJA WARRUNG
SITE
TAUNGURONG
KULIN NATION WURUNDJERI WOI WURRUNG
WATHAURUNG
WOI WURRUNG BOONWURRUNG BUNURONG
THE PROJECT ACCOMMODATE FOR FOUR ABORIGINAL ARTISTS AT ONE GIVEN TIME THE ARTIST PARTICIPATE IN THE PROJECT OVER ONE TO SIX SEASONS, FOLLOWING THE WOMBAT FOREST CALENDER
ABORIGINAL ARTISTS
1
2
3
4
ARTIST IN RESIDENCE PROGRAM
PRIN TRUE S G
5
2 3
JULY
SEASO NO F NE ST IN G
AU G U
EM
EARLY S P R ING
B
O AS
J
ER OS TO INT W NOF COCKA
ER
MA Y
SE
S RD BI
4
A PI L
1
AUTUMN
OF SEASON HONEY BEE S
ON OFWILDFLOWE SEAS RS
S
EA
R BE
EM
LS
EA
M
CH
N OV
LATE S UM ME SEASO NO F EE
MER M U Y S OF BUTTERFLIES L R SON
6
A RY
R
O BE R OCT
FEB R U
E
EM
R
UA R Y
UN
EC
BE
JA N
AR
D
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
SE
PT
ST
THE PROJECT AIM TO HAVE AS MANY MATERIALS AS POSSIBLE TO GROW ON SITE. USING TRADITIONAL CRAFTSMANSHIP FOR FABRIC DYE, CREATING PIGMENTS, WOOD CARVING AND SO ON. THE PROGRAMME DOES THEREFORE FOLLOW THE DJA DJA WARRUNG FOREST WOMBAT CALENDAR
INDIGENOUS WATTLE
RED GUM LEAVES
MSD - SEMESTER 2 2020
EXISTING SITE
As the project progressed, so did the master plan. Here it is revisited in the same diagrammatic language as in week 02. The main difference in terms of site development is the approach towards the stream/brook. It has been reduced to it’s original size. Measures will be taken to guide the water in to benefit the native plants on site. The focus is no longer on the memory trail itself, but the journey towards the artist in residence programme that takes place central on site. See diagram on the right.
WEEK 2 MASTERPLAN
100 M
WEEK 10 MASTERPLAN
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
FOREST EXTENDED
SCRUB LANDS WITH ABORIGINAL PLANS SUCH AS WATTLE
GRASSLANDS
FIELDS CONTINUE
TENDED KANGAROO GRASS
3
FOREST EXTENDED
4 2 5 FOREST EXTENDED
CHOCOLATE LILIES AND SALTBUSH
1
6 ACCESS
WEEK 10 MASTERPLAN 100 M Extended forest
1
Smoking ceremony - welcome to country
Stream
2
Accommodation for aboriginal artists
3
Main fireplace - main area for gathering
4
Artist studio
5
Core gallery
6
Parking area
Proposed Trees as windbreak Existing trees & scrubs Agriculture Grasslands The memory project The memory trail
MSD - SEMESTER 2 2020
1
SMOKING CEREMONY
2
TH
Tr ca
8
7
6
5
4
3 2
1
5
THE PUBLIC KITCHEN Informal meeting point
FROM THE MEMORY PROJECT TO THE LISTENING PROJECT
6
TH
Sto
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
The initial storyboard has been updated to fit the current programme. Fromthe smoking ceremony - welcome to country. The core gallery has been included as well as the central activities such as public kitchen, fireplace, and artist studio. The listening moment is introduced for the first time.
HE CREATION
ranition fromthe methaphorical aveto the field
3
orytelling and group discussion
4
The land
7
HE FIREPLACE
THE FIELD
LISTENING AND PERFORMANCE
THE CORE The gallery
8
THE ARTIST STUDIO
The project was originally called the memory project. This has now been changed to the listening project. The main focus was originally on storytelling and remembering the past, and present through the memory trail. This has now shifted towards an artist in residence programme for local aboriginal artists. Their artwork is displaced throughout the site - telling the stories of their families and culture. This is why the project is not called the listening project. The public comes to the project and the core gallery to listen, the artists are there to express and together there is reflection.
MSD - SEMESTER 2 2020
“Weaving was always there, but when you look at the history of what happened to my family, those things are put aside because it is about surviving in two worlds”
ARTIST WEAVER EDUCATOR
MARILYNE NICHOLLS Dja dja warrung Yorta Yorta Baraba Baraba Wadi Wadi Jupagulk
Marilyne Nicholis is a Dja Dja warrung artist and weaver of traditional techniques. She creates baskets with Cumbungi grass. She is an example of one of the artists that would benefit the project with her artwork
ARTISTS: MARILYNE NICHOLLS
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
WAA WAA FIBRE SKIRT 2017 NGV Collection Medium Feathers, earth pigments, black jute
NECKLACE 2017 NGV collection Medium Cackatoo feathers, earth pigments, jute
CUMBUNGI (Bulrush) Used for food, medicine, soil stabilisation, biomass, fibre and water treatment. Grow to 4.5 m Blooms in summer January, November December Wind-pollinated Seedlings flower after 6 months Considered a threat to wetlands of the South-West
MSD - SEMESTER 2 2020
ARTIST MURALIST EDUCATOR
NATASHA CARTER Dja dja warrung
Contemporary artist mixing modern Aboriginals traditional aboriginal, south-eastern aboriginal style and modern colours. A different approach to Marilyne Nicholis, exemplifying the artistic diversity. The project will have the ability strengthen the community and artistic language of the artists.
ARTISTS: NATASHA CARTER
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
THE DJA DJA WARRUNG TRAM NATASHA CARTER
THE SIX SEASONS MURAL NATASHA CARTER
MSD - SEMESTER 2 2020
ARTIST STU DIO
10
11
3
3
WEEK 10 - OVERALL PLAN OF THE PROJECT
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027 3
1
Rammed earth fire pit
2
Public community kitchen
11
3
Shared artist studio
12 Existing shrub
10 Outdoor kitchen for colour dye
4 Artist accommodation 5
Proposed tree
13 Interactive seating area
The core gallery
14
Moment to listen to nature
6 Access from memory trail
15 Seating for independent reflection
7
16 Kitchen decking
Short-cut access
8 Private path for artists
17 Kitchenette
9 Access from rail
18 Shower 19 Compost toilet 20
12
12
Low lying aboriginal plants
12
PUBLIC KIT
19
CHEN
15
16
ARTIST ACCO MM
ODATION
13
1 2 17 4
14
18
12
FIREPLACE
20
5
EG
OR
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TH Y
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L AL
6
20
7
8
MSD - SEMESTER 2 2020
WEEK 10 - EXPLODED ISOMETRIC
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
MSD - SEMESTER 2 2020
WEEK 10 - OVERALL SECTION
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
MSD - SEMESTER 2 2020
WEEK 10 - DETAIL SECTION, LISTENING MOMENT
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
MSD - SEMESTER 2 2020
3
2
4
1
5
7
8
6
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
1
Rammed earth fire pit
4
Storage for matches, tinder etc.
7
Timber decking
2
Curved sliding door for wind cover
5
Roof above
8
Path
3
Timber log storage
6
Track for sliding door
WEEK 10
THE FIRE PIT
MSD - SEMESTER 2 2020
2
3
1
WEEK 10
LIS
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
1
Ear horn for listening to nature
2
Seating for reflection
3
Covered fire pit
STENING - REFLECTION - PERFORMING
MSD - SEMESTER 2 2020
1
Compost toilet with a view
2
Artist in resident accommodation
3
Outdoor shower
4
Rainwater collection from roof
5
Outdoor kitchenette
6
Private dirt path
7
Public path
1
Public kitchen
5
2 4
5
3
5
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
WEEK 10
RESIDENCY
MSD - SEMESTER 2 2020
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
Vaughan spring dreaming Artist: Ursula Hudson Yuendumu community
Warlbough hill Artist: Kathy Ramsay Warmun artist
Artist: Corban Clause Williams Martumili artst Jingalong community
Pamapardu Jukurrapa Artist: Karen Napangardi Ross Warlukurlangu artist
WEEK 10
THE CORE GALLERY
MSD - SEMESTER 2 2020
WEEK 10
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
MSD - SEMESTER 2 2020
WEEK 10
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
MSD - SEMESTER 2 2020
360 FIREPLACE
WEEK 10
CHECK THE LINK
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
https://www.youtube.com/watch?v=myKYYo7IcXE&feature=youtu.be&ab_channel=GinaDahl
MSD - SEMESTER 2 2020
THE LISTENING PROJECT WEEK 10 REFLECTIONS
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
The week 10 review gave some interesting feedback and food for thought. Michael Spooner’s idea of incorporating the core gallery into the remaining buildings by blurring the programmatic ‘tindyness’ was particularly helpful. I also got suggestions on breaking up the building a little bit as it can come across as somewhat rigid - to bring some playfulness back into the structures. I’ve decided to play around with these ideas, starting with the artist studio which will be explored on the next page.
MSD - SEMESTER 2 2020
I started working on the core gallery and experimenting with the rammed earth walls. Pushing the boundary between inside and outside further. Extending the gallery both across the site and within the existing structures. The kitchen area is now an outdoor space covered, but not enclosed. The eating area is now an enclosed gathering space - the only enclosed public space in the project. The artist in residence accommodation has been transformed into a robust and safe rammed earth structure. The biggest change is the shared studio space. It has now been divided into four different spaces, rather than one larger one. There will be further reflections on this on the next page.
EXTENDING THE CORE
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
ARTI
ST ST
UDIO
CORE GALLERY
COVERED KITCHEN SPACE
ENCLOSED GATHERING SPACE
ARTIST ACCOMMODATION
CORE GALLERY
MSD - SEMESTER 2 2020
PRELIMINARY RENDERS
1
2
After having discussed with Rochus I decided that this approach was not suitable as it divides the artists completely into different studio spaces. A flexible, yet shared approach might therefore be more suitable. A combination of this approach and the week 10 approach will be tested.
ARTIST STUDIO
DEVELOPMENT
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
ARTIS
T STU
DIO 1
2
ARTIS
T STU
DIO 2
1
ARTIS
T STU
ARTIS
T STU
DIO 4
DIO 3
MSD - SEMESTER 2 2020
1
PRELIMINARY RENDERS
2
This approach allows for a shared studio space, though holds different structures for a variety of needs. 3
The larger studio space will be suitable for artwork done in teams and well as sculpture work such as wood carving. There is an outdoor kitchen to create fabric dye. And smaller workshops for reflection and independent work. Quiet zones for when that is needed. The three artist studios will be used
4
ARTIST STUDIO
interchangeability by the artists.
DEVELOPMENT
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
LARG E SPAC STUDIO E
1
SMAL L FOR IN ER SPACE STUD DEPENDE NT Y
2
DECK
ING
INFO R GARD MAL EN
3
4
SPAC E PLAN TO DRY T FABR S FOR IC DY E AND COLO SAMP UR LES
MSD - SEMESTER 2 2020
OVERALL SITE PLAN
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
N 100 M
FIREPLACE
ARTIST STUDIO PUBLIC KITCHEN ENCLOSED GATHERING SPACE COMPOST TOILET
PRIVATE ARTIST ACCOMMODATION, KITCHEN & SHOWER
COMPOST TOILETS
CORE GALLERY
PARKING
MSD - SEMESTER 2 2020
ST
RE
AM
SS
E ACC
2020
2027
EXISTING SITE
PROPOSED SITE
Dominating grasslands Surrounding woodlands
Introduction of native plants, shrubs & trees. Will provide materials for artist in residence programme
SITE DEVELOPMENT OVER TIME
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
2034
FURTHER SITE DEVELOPMENT Forest to be extended, scrub and grasslands to be maintained with indigenous plants.
The landscape is intended to become a part of the project in the sense that it becomes a resource for the artists. Growing crop and materials that can be incorporated into the artwork. Indicating the kind of art that can be produced on site. This will also change over time along with the re-wilding and recultivation strategy.
COM
MSD - SEMESTER 2 2020
POS
T TO
ILET
S
3
ARTIS
T STU
9
THE LISTENING PROJECT
DIO
0
5
20
10
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027 1
Rammed earth fire pit
2
Covered community kitchen
11
3
Shared artist studio
12 Existing shrub
4
Artist accommodation
13 Seating area
5
The core gallery
14 Moment to listen to nature
6
Access from forest trail
15 Seating for independent reflection
7
Main access
16 Kitchenette
8
Private path for artists
17 Shower
9
Access from walking trail
18 Low lying aboriginal plants
10 Outdoor kitchen for colour dye Proposed tree
5
5
12
10
COMPOST TOILETS 5
18
PUBLIC KIT
CHEN
14 15
ARTIST ACCOMMODATION
13
17 2 1
11
16
11
11
FIREPLACE 12
18 12
8
5
6
EG
OR
EC TH ER
L AL Y 7
MSD - SEMESTER 2 2020
THE FIREPLACE COVERED SPACE
C
LOG STORAGE SLIDING DOOR FOR WIND PROTECTION CONNECTION TO COVERED KITCHEN COMPOST TOILETS
AREA
ARTIST STUDIO
1
3 4
1
Rainwater collection
2
Rammed earth path
3 Artist studio in distance
4
Sliding door for wind shade
THE LISTENING PROJECT
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
COVERED KITCHEN AREA ARTIST ACCOMMODATION ENCLOSED GATHERING SPACE
4 X BEDRROOMS 1 X SHOWER
2
COMPOST TOILETS
1
MSD - SEMESTER 2 2020
9
12
A
1 5
12
10
13
IRE
EF
TH
CO K
2
T
THE LISTENING PROJECT
E
OR
C HE
Y
LER
L GA
7
5
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
LET
OS
MP
CO
T
TIS AR
OI TT
DIO
U ST
E TH
RE
CO
Y
LER
L GA
Shared artist studio
10 Outdoor kitchen for colour dye
2
Rammed earth fire pit
11 Proposed tree
3
Covered kitchen area
12 Existing shrub
4
4 x bedrooms, 1 x shower
13 Moment to listen to nature
5
Rain water collection
6
Access from listening trail
7
Main access point
8
Private path for artists
9
Access from trail
RY
LLE
E AC
EPL
F ED ER OV HEN C KIT
1
A EG
OR
EC
TH 12
3 ED OS ING CL EN THER A G
CE SPA
N
M
OM
11
CC TA
5
IO AT OD
TIS AR
S
PO
M CO
4 8
6
S
LET
OI TT
MSD - SEMESTER 2 2020
ARTIST: CORBAN CLAUSE WILLIAMS MARTUMILI ARTIST JINGALONG COMMUNITY
ARTIST: KINDY KEMARRE ROSS MY COUNTRY IS IRRULTJA ABORIGINAL ARTIST
ARTIST: MUKKI TAYLOR KULYAKARTU ABORIGINAL ARTIST
ARTIST: MOLLY TASMAN SEED DREAMING ABORIGINAL ARTIST
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
ARTIST: LOUISE NANGALA EGAN NGAPA JUKURRPA (WATER DREAMING) PUYURRU COMMUNITY OF YUENDUMU
ARTIST: THERESA ROSS FLYING ANT DREAMING WARLPIRI ARTIST
ARTIST: KATJARRA BUTLER NGAMURRU/KATJARRA ABORIGINAL ARTIST
MSD - SEMESTER 2 2020
1
Kitchenette
2
Log storage
3
Covered seating area
4
Informal garden
5
Rammed earth path to artist accommodation
6
Existing shrub
7
Main access point
8
Informal seating
LISTENING REFLECTING PERFORMING
FIREPLACE
8 2
THE LISTENING PROJECT
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
ENCLOSED GATHERING SPACE
COVERED KITCHEN
PATIO
8
4
4
3
1 5
6
7
MSD - SEMESTER 2 2020
1
Main access. path to car park
2
Path through forest
3
Path through walking trail
4
Seating within core gallery
5
Patio
6
Indigenous grass
7
Existing shrub
LISTENING
6
3
4
THE CORE GALLERY
THE CORE GALLERY
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
COVERED KITCHEN 5
ENCLOSED GATHERING SPACE
7
6
2
1
COMPOST TOILETS
MSD - SEMESTER 2 2020
MAIN
SUITA WOR AS W
2
REFLECTION STUDIO A SMALLER SPACE FOR INDEPENDENT STUDY. ALSO A PLACE FOR STORAGE
ARTIST STUDIO
7
6
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027 1
Shelf for storage and drying plants
2
Desk up against glazing
3
Patio
4
Outdoor kitchen
5
Patio
6
Freestanding worktop
7
Windowstill seat
N STUDIO
ABLE FOR COLLABORATIVE RK AND SCULPTURIN GSUCH WOODWORKWORK
CORE GALLERY 1
3
THE PLANT STUDIO 4
PREDOMINANTLY TO STORE AND DRY INDIGENOUS PLANTS USED AS PART OF THE ARTWORK
MSD - SEMESTER 2 2020
1
Rain water collection
2
Shower
3
Covered living space
4
Kitchenette
5
Rammed earth path to enclosed gathering space
6
Dirt path to artist studio’s
7
Compost toilets
6
3
5
ARTIST ACCOMMODATION
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027 7
ARTIST ACCOMMODATION
1
4
2
MSD - SEMESTER 2 2020
1
Listening
2
Reflecting
3
Performing
2 3
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
LISTENING
1
MSD - SEMESTER 2 2020
LISTENING
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
MSD - SEMESTER 2 2020
REFLECTION
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
MSD - SEMESTER 2 2020
PERFORMING
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
MSD - SEMESTER 2 2020
ARTIST: BUGAI WHYOULTER WANTILI MARTUMILI ARTIST
ARTIST: BUGAI WHYOULTER WANTILI MARTUMILI ARTIST
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
ARTIST: THERESA ROSS FLYING ANT DREAMING WARLPIRI ARTIST
ARTIST: IMITJALA CURLEY WALYTJITJATA: NGAYUKU NGUNYTJUKU NGURA ABORIGINAL ARTIST
ARTIST: BUGAI WHYOULTER UNTITLED ABORIGINAL ARTIST
MSD - SEMESTER 2 2020
ARTIST: CORBAN CLAUSE WILLIAMS MARTUMILI ARTIST JINGALONG COMMUNITY ARTIST: BUGAI WHYOULTER WANTILI MARTUMILI ARTIST
ARTIST: KATHY RAMSAY WARLBOUGH HILL ABORIGINAL ARTIST
ARTIST: IMITJALA CURLEY WALYTJITJATA: NGAYUKU NGUNYTJUKU NGURA ABORIGINAL ARTIST
ARTIST: MOLLY TASMAN SEED DREAMING ABORIGINAL ARTIST
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
ARTIST: LOUISE NANGALA EGAN NGAPA JUKURRPA (WATER DREAMING) PUYURRU COMMUNITY OF YUENDUMU
ARTIST: BUGAI WHYOULTER BUGAI WHYOUTLER PARNNGURR MARTUMILI ARTIST
ARTIST: KARA NAPANGARDI ROSS PAMAPARDU JUKURRPA (FLYING ANT DREAMING WARLPIRI ARTIST
MSD - SEMESTER 2 2020
ARTIST: BUGAI WHYOULTER BUGAI WHYOUTLER PARNNGURR MARTUMILI ARTIST
ARTIST: CONWAY GINGER COLLINGWOOD BINDI MWERRE ANTHURRE ARTIST
ARTIST: BILLY KENDA UNTITLED BINDI MWERRE ANTHURRE ARTIST ARTIST: KATJARRA BUTLER NGAMURRU/KATJARRA ABORIGINAL ARTIST
ARTIST: THERESA ROSS FLYING ANT DREAMING WARLPIRI ARTIST
ARTIST: DORIS BU BUSH MANGARR ABORIGINAL ART
USH RI TJUTA RTIST
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
ARTIST: THERESA ROSS FLYING ANT DREAMING WARLPIRI ARTIST
ARTIST: CORBAN CLAUSE WILLIAMS MARTUMILI ARTIST JINGALONG COMMUNITY
ARTIST: BUGAI WHYOULTER WANTILI ARTIST: MOLLY TASMAN MARTUMILI ARTIST SEED DREAMING WARLPIRI LANGUAGE GROUP
4
2
3
MSD - SEMESTER 2 2020
ARTIST: THERESA ROSS FLYING ANT DREAMING WARLPIRI ARTIST
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
ARTIST: CORBAN CLAUSE WILLIAMS MARTUMILI ARTIST JINGALONG COMMUNITY
ARTIST: THERESA ROSS FLYING ANT DREAMING WARLPIRI ARTIST
ARTIST: DORIS BUSH BUSH MANGARRI TJUTA ABORIGINAL ARTIST
ARTIST: BUGAI WHYOULTER WANTILI MARTUMILI ARTIST ARTIST: WITJITI GEORGE PILTATI: WANAMPI TJUKURPA ABORIGINAL ARTIST
MSD - SEMESTER 2 2020
ARTIST: BUGAI WHYOULTER UNTITLED ABORIGINAL ARTIST
1
3
2
ARTIST ACCOMMODATION
1
Kitchenette
2
Communal seating area
3
Rain water collection point
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
MSD - SEMESTER 2 2020
ARTIST: BUGAI WHYOULTER UNTITLED ABORIGINAL ARTIST
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
ARTIST: CORBAN CLAUSE WILLIAMS MARTUMILI ARTIST JINGALONG COMMUNITY
ARTIST: BUGAI WHYOULTER WANTILI MARTUMILI ARTIST
ARTIST: BUGAI WHYOULTER UNTITLED ABORIGINAL ARTIST
MSD - SEMESTER 2 2020
ARTIST: BUGAI WHYOULTER UNTITLED ABORIGINAL ARTIST
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
ARTIST: CORBAN CLAUSE WILLIAMS MARTUMILI ARTIST JINGALONG COMMUNITY
ARTIST: BUGAI WHYOULTER WANTILI MARTUMILI ARTIST
ARTIST: BUGAI WHYOULTER UNTITLED ABORIGINAL ARTIST
MSD - SEMESTER 2 2020
ARTIST: WITJITI GEORGE PILTATI: WANAMPI TJUKURPA ABORIGINAL ARTIST
VIDEO OF THE PROJECT
CHECK THE LINK
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
ARTIST: BUGAI WHYOULTER WANTILI MARTUMILI ARTIST
ARTIST: BUGAI WHYOULTER WANTILI MARTUMILI ARTIST
https://www.youtube.com/watch?v=3HdXsAVyHd4&feature=youtu.be&ab_channel=GinaDahl
MSD - SEMESTER 2 2020
https://www.youtube.com/watch?v=JyY5ie0Y5AI&feature=youtu.be&ab_channel=GinaDahl
VIDEO OF THE PROJECT
CHECK THE LINK
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
ARTIST: THERESA ROSS FLYING ANT DREAMING WARLPIRI ARTIST
ARTIST: BUGAI WHYOULTER BUGAI WHYOUTLER PARNNGURR MARTUMILI ARTIST
ARTIST: CORBAN CLAUSE WILLIAMS MARTUMILI ARTIST JINGALONG COMMUNITY ARTIST: KATJARRA BUTLER NGAMURRU/KATJARRA ABORIGINAL ARTIST
https://www.youtube.com/watch?v=JyY5ie0Y5AI&feature=youtu.be&ab_channel=GinaDahl
MSD - SEMESTER 2 2020
360 GATHERING SPACE
CHECK THE LINK
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
https://www.youtube.com/watch?v=Tl5QLpRYhCY&feature=youtu.be&ab_channel=GinaDahl
MSD - SEMESTER 2 2020
360 FIREPLACE
CHECK THE LINK
THE FIELD - AN UTOPIAN POST-COLONIAL FUTURE, VICTORIA, AUSTRALIA, 2027
https://www.youtube.com/watch?v=PnZlzHEBwq4&feature=youtu.be&ab_channel=GinaDahl