Foreword
About the Get-a-Geta Project
In the course of Design Meanings at Chiba University, we try to learn more about materials and shapes, aesthetics and culture. We try to make sense of the semantic and poetic qualities of design. Fundamentally, we try to understand how design tells us something about ourselves and the world. We are a very diverse group of 24 students, coming from eleven different countries and with very different cultural and educational backgrounds and speaking eleven different languages. While we all found ourselves in Japan, the Japanese students in this group are only two and they also find themselves lost in this cultural bubbling magma. The eclectic mix that composes our class determines the best conditions for us to approach the local culture and so create new languages. That is why we chose to look at a local archetype - the Japanese traditional clog called Geta - and play with it. While researching on the Geta, we came across the project of Japanese artist Shuhei Hasado. In 2004, Japanese designer Kenya Hara organized an exhibition titled ‘HAPTIC - Awakening the senses’. The 22 participants all proposed projects that explore new sensorial relationships between users and artefacts. Among the proposed projects there was a dozen of getas designed by Japanese artist Shuhei Hasado. The top surface of each geta was covered with different materials, ranging from grass to straws, from moss to plaster. We really enjoyed the Getas designed by Shuhei Hasado, but we also felt that his work could have served as a starting point for us to investigate more.
Freed from the cultural constrictions and references that may have refrained Hasado from taking braver decisions, we decided to explore the boundaries of getas as an archetype. While he laid a material layer on the upper part of the geta, where the foot touches the clog, we chose to look at the whole geta, taking control - or maybe we should say losing control - of both material and shape. Soon we realized that by changing materials and shape, we could learn more about what is an archetype, what new meanings, contexts and behaviours each geta suggests, even if not in a clear or rational way. Reinterpreting and reappropriating our own or someone else’s culture has always been the best, if not the only way, to learn and to create new culture. As designers, we feel like learning and creating culture is part of our role. We know we have a long way to walk in our career path, but we also believe that walking a few steps in these strange Getas will help us getting where we want to go.
Giovanni Innella and the Design Meanings Students
Content | 湡如
Introduction | 㼪Ⰵ Page 04
Materials | 稆勞 Page 12
Forms | 䕎 Page 42
Introduction | 㼪Ⰵ
The Geta
Traditional Japanese Footwear
♴꼽
傈劤ך⠗窟涸ז㾶暟
04
Get-a-Geta | Exploring the Archetype
Introduction | 㼪Ⰵ
Getas are a form of traditional Japanese footwear that resemble both clogs and flip-flops. They are a kind of sandal with an elevated wooden base held onto the foot with a fabric thong to keep the foot well above the ground. They are worn with traditional Japanese clothing such as kimono or yukata, but (in Japan) also with Western clothing during the summer months. Sometimes geta are worn in rain or snow to keep the feet dry, due to their extra height. They make a similar noise to flip-flops slapping against the heel whilst walking. When worn on water or dirt, flip-flops may flip dirt or water up the back of the legs. This does not tend to happen with the taller, heavier Japanese Geta. ♴꼽כծ加ꬱ؟װٝחٕت⡂傈劤ך⠗ 窟涸ז㾶暟ׅדկ加ך匢ח䋒ך秡ד駈 㔿㹀ׅծ؟ׅٝדךזֲ״ךٕتկ傈 劤ך⠗窟涸ז邅鄲֮ד滠暟װ嵭邅ח⡂ さְָׅתծ㢙ך峔剪ח⡂さְׅתկ♴ 꼽כ넝ָׁ֮דךծ儗חꨍꨒד駈ָ憛 ךֺׅתկ ♴꼽؟כָٕٝت䎮ח 鍗הך⡂갈ׅת׃⳿կ ؟ٝדٕت 弪㖑娄ֻה駈寅ׅתְת׃ג׃ ָծ넝ׁ♴֮ך꼽חהֿזֲ״ךכד ׇתזכկ 8JLJQFEJB
Get-a-Geta | Exploring the Archetype
05
Introduction | 㼪Ⰵ
Introduction
Transforming the Archetype
06
English
Español
Geta is one of the most famous archetypal products of Japan. In this project, we used different materials in making the getas, as we would like to experience and learn the various production processes involved. Each material gives a new perspective on this ancient archetype of the Japanese clog. Aside from the material, we also played around with the different shapes of the geta. To our surprise, we discovered new possible or absurd functions when we changed the shapes or the materials of the geta. Beyond the material and shape, we noticed that the archetype of a geta includes hidden perspectives: from the sound that a geta makes, to the way a person walks while wearing it. With this publication, we hope to bring you along the fun process we had throughout the project.
Geta es el nombre que recibe uno de los productos arquetipo más famosos de Japón. En este proyecto, usamos distintos materiales para creas versiones nuevas de este calzado. Esto con el propósito de experimentar y aprender de los procesos de producción que hacerlas implican. Cada material brinda una nueva perspectiva del antiguo arquetipo. Además de la exploración con materiales, también jugamos con formas diferentes. Para nuestra gran sorpresa, descubrimos nuevas formas de uso, tanto posibles como absurdas, al cambiar la forma o el material de las getas. Más allá de estos aspectos, notamos que el arquetipo de estos zapatos tiene particularidades ocultas: desde el sonido que generan, hasta la forma en que una persona camina al usarlas. Con esta publicación esperamos compartirles el divertido proceso por el que pasamos a lo largo del proyecto.
So get ready, and #Getageta
Así que prepárense y #Getageta
Get-a-Geta | Exploring the Archetype
Introduction | 㼪Ⰵ
皍⡤⚥俒
Bahasa Indonesia Geta adalah salah 1 produk khas jepang yang mudah dikenali. Dalam proyek ini, kami menggunakan berbagai macam material untuk membuat geta, karena kami ingin mempelajari dan merasakan langsung proses produksi dari tiap material yang bersangkutan. Setiap material mampu memberikan perspektif baru pada objek ini. Selain material, kami juga mengeksplorasi bentuk geta. Selama proses eksplorasi, kami menemukan banyak bentuk dan fungsi baru yang menarik untuk ditelaah lebih lanjut. Kami juga menyadari bahwa geta memiliki beberapa nilai dan hal yang patut diapresiasi, dari cara orang berjalan menggunakan geta, sampai pada suara yang dihasilkan dari langkah geta. Kami berharap dapat menyampaikan proses dan kesenangan yang kami rasakan selama proyek berlangsung.
(FUB僽♴꼽־涸縄끩갉ⱗ岁皍⡤ⱗ岁⚹♴ 끫կ (FUB⽰傈劥⠛絡涸加㾔僽傈劥剒剣ぜ涸❡ㅷ ⾲㘗⛓♧կ㖈(FU"(FUB鵯⚡고湡⚥䧮⟌荈䊹⸓ 䩛ⵄ欽䌢椚⛓㢪涸勞俱ⵖ⡲HFUB⡤낉㷖⛴㔔勞俱 涸䚍餘暵挿♶ず罜ぐ♶湱ず涸ⵖ⡲倰岁ㄤ鵂玐կ鵯 ❈歋♶ず勞俱ⵖ䧭涸HFUB⚹HFUB餻✮✫倝涸䠑 雮䧮⟌䖤⟄⟄倝涸錠錭溏䖉HFUB鵯⚡〢罈涸⾲ 㘗կ ꤑ勞俱⛓㢪䧮⟌⛲㼆HFUB㖈䕎朐♳涸〳腊䚍鵳 遤✫䱲程㽂霚կ 㖈佖」䕎朐ㄤ勞俱涸鵂玐⚥♧⚡雮 ➃䞞㋐涸佐蜦僽䧮⟌〄梡✫HFUB涸♧❈〳腊涸倝 ⸆腊♶鵂Ⱖ⚥♧❈ゑ♳僽剣❈虡靱կ 䧮⟌鵮岤䠑 ⵌ㖈勞俱ㄤ䕎朐⛓㢪鵮〳⟄➢Ⱖ➭涸錭䏞䠭「 HFUB鵯⚡⾲㘗➢㸐ㄤ㖑焥中傞〄ⴀ涸㡮ㆇⵌ➃ ⟌瑬满㸐饥騟傞涸呋㶩կ 䋞劅䭭ⵌ鵯劥⛼涸⡹⛲腊 䠭「ⵌ䧮⟌♸HFUB♧ず絑⾎涸㣼㦪假玐կ 齡⛎霼ⲥ㢊㥩雮䧮⟌ (FUBHFUB
Jadi bersiaplah, dan #Getageta
Get-a-Geta | Exploring the Archetype
07
Introduction | 㼪Ⰵ
08
Deutsch
Suomi
Getas sind eines der bekanntesten archetypischen Produkte Japans. In diesem Projekt haben wir unterschiedliche Materialien verwendet, um Getas nachzubilden und mehr über die entsprechenden Produktionsprozesse zu erfahren. Hierbei ermöglicht jedes Material eine neue Perspektive auf die Form des Archetypen. Deshalb haben wir neben dem Material auch die Form der Getas untersucht. Zu unserer Überraschung haben wir hierbei neue, manchmal absurde, Funktionen und weniger offensichtliche Merkmale - wie das Geräusch, dass Getas verursachen oder die Art, in ihnen zu Laufen - entdeckt. Den spannend Prozess dieses Projektes möchten wir anhand dieser Publikation mit Ihnen teilen.
Geta on yksi kuuluisimmista Japanilaisista arkkituotteista. Tässä projektissa käytimme eri materiaaleja getan valmistukseen, kokeaksemme ja oppiaksemme uusia tuotanto- ja valmistusmenetelmiä. Jokainen käytetty materiaali tuoo uuden perspektiivin myös leikittelimme materiaalien lisäksi getan muodoilla. Yllätyimme huomatessamme uusien materiaalien ja muotojen tuovan uusia mahdollisia käyttötarkoituksia getalle. Materiaalien ja muotojen lisäksi havaitsimme getan arkkityypin sisältävän muitakin piileviä näkökulmia. Esimerkiksi getan tuottama ääni kävellessä ja tapa jolla henkilö kävelee tietyn tyyppisellä getalla. Tämän julkaisun avulla toivomme voivamme välittää teillekin osan hauskuudesta jota koimme projektin aikana.
So get ready, and #Getageta
Joten valmistaudu ja #Getageta
Get-a-Geta | Exploring the Archetype
Introduction | 㼪Ⰵ
傈劤铂
Svenska En av Japans mest kända arketyper kallas geta, vilket är en sko ursprungligen tillverkad i trä. Den bärs oftast tillsammans med de traditionella klädesplaggen yukata eller kimono. I det här projektet har vi testat gränserna för vad som gör en geta till just en geta. Detta har vi gjort genom att själva provat på att tillverka skor i olika material. Varje nytt material har gett oss minst ett nytt perspektiv. Men vi begränsade oss inte till att enbart testa nya material, utan vi har också utforskat nya former. Till vår förvåning upptäckte vi nya möjligheter och absurda funktioner när vi ändrade formen eller materialen. Förutom material och form upptäckte vi även andra karaktäristiska drag som tillhör getans arketyp. Det kan bland annat vara ljudet som uppstår vid användningen av skorna eller gångstilen hos bäraren. Vi hoppas att denna trycksak kan ge en inblick i processen bakom vårat utforskande av getan.
♴꼽כծ傈劤➿邌ׅ剑剣せⰩד㘗涸تٗفז ׅדא♧ךزؙկ ֿכדزؙؑآٗفךծ猘麦ָ圫ղ ז欰欵أإٗف穗꿀׃㷕עծ殯ז稆勞欽 ְ♴ג꼽⡲׃תկぐ稆勞כծ〢Ⱙ涸♴ז꼽ח 㼎ג׃倜ְ׃鋔挿ׅתֻג׃կ ת稆勞⟃ 㢩חծ殯♴ז꼽ך䕎⡲ג麇׃תדկ ׅ ה끅ֻֿחהծ䕎㢌ִ♴דהֿ꼽ך倜ְ׃〳腉䚍 װ劤勻כה麩ֲ堣腉涪鋅׃ת׃կ猘麦כ稆勞ה 䕎罋ִדהֿծ〢Ⱙ涸♴ז꼽כחꦀ鋔挿ָ ֮חהֿ孡ָׅדךְאկ⢽ִלծ♴꼽㾶ְג ְ儗זח갈כծ չ娄ֻպ ְֲה遤捀嚂חךְ׃ ׅתֻג׃կ ֿⱁך㶨鸐ג׃ծ ֿך涯ְؑآٗف ךزؙ䊨玎ֶ⠗ִהְ׃䙼ְׅתկ زح٥ٖزح ؍ر٥♴꼽 #Getageta
Så gör dig redo, #Getageta
Get-a-Geta | Exploring the Archetype
09
Introduction | 㼪Ⰵ
籗넓⚥俒
Français
加㾔 (FUB 僽傈劥俒⻋涸竤Ⱙ➿邍⛓♧䧮⦛㖈鸏 ⦐鎙ⷔ⚥⢪欽♶ず㯯勞⢵䩧鸤加㾔騥膨⟃䖃⫄窡 涸䕎䒭捀加㾔颭✮倞涸ぢ⚛㖈莅涸麕玑⚥ 넓뀿ㄤ㷸绢ⵌ湱殯勞颶⛓涸醢⡲倰䒭ꤑ✫勞颶 ⛓㢫刿㎲鑑✫♶ず涸鸤㘗䒊圓搂锸僽瑭♳加㾔䖕 饥騟涸㪨䢀䧴遤鹎涮ⴀ涸耫갠䧮⦛鿪䖰⚥넓剚 ⵌ䕎莅颶⛓㢫涸㺲䠑Ⰹ巒⚛⚂鷴麕♳鶤涸佖隶ꅾ 倞涮植刿㢵〳腋䚍ㄤ馱䚍䋞劆腋㼟Ⱖ⚥剤馱涸 麕玑⫄黃窍⡹ 㧨 10
䨾⟃彋⪔㥪 (FUBHFUB
La geta est l’un des archétypes phares du Japon. Afin d’expérimenter différents process de fabrication nous l’avons reproduit en divers matériaux. Chacun d’eux redonne ainsi un souffle nouveau à cet archétype traditionnel. Nous avons égallement revu la forme de la geta ce qui nous a ouvert sur de nouveaux possibles et fonctions absurdes. Au delà d’un regard renouvelé sur l’archétype, jouer avec nous a permis de découvrir certaines particularités intrinsèque à la geta classique, de son son jusqu’à la façon de marcher avec. On espère que vous prendrez autant de plaisir à suivre notre expérience que nous en avons pris à la vivre. Alors c’est partit #Getageta
Get-a-Geta | Exploring the Archetype
Introduction | 㼪Ⰵ
Italiano I geta sono uno dei più famosi prodotti archetipici del Giappone. In questo progetto abbiamo realizzato i geta con differenti materiali, al fine di sperimentare e imparare diversi processi di produzione. Ogni materiale apre nuove prospettive rispetto all’archetipo di partenza, ma non solo. Giocando anche con la forma, con nostra sorpresa, abbiamo scoperto nuove possibili o assurde funzioni. Al di là del materiale e della forma, l’archetipo dei geta include delle prospettive nascoste: a partire dal suono che i geta producono fino al modo in cui una persona può camminare mentre li indossa. Con questa pubblicazione, speriamo di condurvi nel divertente processo che ci ha visto coinvolti nella realizzazione del progetto. Dunque, preparatevi e #Getageta
Get-a-Geta | Exploring the Archetype
11
Materials
Redefining the Substance
稆勞
չ稆勞պך㢌䕎
Material | 稆勞
15
No. 01 Cardboard Geta
ˑMy name is Board, Cardboard.˒
تٝن٦ٕ♴꼽
չ،بوٝד顠ְ׃תկ պ
Get-a-Geta | Exploring the Archetype
Material | 稆勞
No. 02 Inflatable Geta
“Jesus, stop walking on water!”
花♴ךي؞꼽
չؽ٦♴ث꼽կ պ
16
No. 03 Bubblewrap Geta “You know you wanna pop it …”
唓⺪勞♴꼽
չ娄ֻثفثفהկ պ
Get-a-Geta | Exploring the Archetype
Material | 稆勞
No. 04 Wire Geta
“Aren’t you a little thin for a Transformer?”
ꆙꆃ♴꼽
չͷ: պ
17
No. 05 Ceramic Geta
“Your upstairs neighbour’s favorite shoes.”
ꤱ㐻♴꼽
չ猘ָ㾶ְ ⶴ ׃תְׯկ պ
Get-a-Geta | Exploring the Archetype
Material | 稆勞
18
Get-a-Geta | Exploring the Archetype
Material | 稆勞
No. 06 Concrete Geta “Brick the rules.”
؝ؙٝٔ٦♴ز꼽
չ䊨✲植㜥ד䭪ְ׃תկ պ
19
Get-a-Geta | Exploring the Archetype
Material | 稆勞
No. 07 Lego Geta
“Geta from Legos. Where’s your god now?”
ٖ♴؞꼽
չٖד؞駈؟حوרא٦آկ պ
20
Get-a-Geta | Exploring the Archetype
Material | 稆勞
No. 08 Plasticine Geta “Polka-Doh!”
ء؍ذأٓفٝ♴꼽
չٕؕه磨㕼زحկ պ
21
Get-a-Geta | Exploring the Archetype
Material | 稆勞
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Get-a-Geta | Exploring the Archetype
Material | 稆勞
23
No. 09 Silicon Geta
“Because 3d printing is too mainstream.!”
؝ٔءٝ♴꼽
չⰋ䩛⹛%ٔفٝة٦կ պ
Get-a-Geta | Exploring the Archetype
Material | 稆勞
No. 10 Eraser Geta
“Geta-sized eraser. Not big enough to erase your bad grades, unfortunately.”
嶊♴ي؞׃꼽
չ麓ך麣ך嶊ְזֹדכהֿׅկ պ
24
Get-a-Geta | Exploring the Archetype
Material | 稆勞
25
No. 11 Color Pencil Geta “Rainbow Dash!”
葿ꊊ瘗♴꼽
չ赙꽀䲽ֽկ պ
Get-a-Geta | Exploring the Archetype
Material | 稆勞
No. 12 Cigarette Geta “For a walk on the highway to hell.”
摲虊♴꼽
չ娤ךפ麣ךկ պ
26
No. 13 Beer Can Geta
“What was the process again? Burp.”
瑞ֹ綸♴꼽
չ䘌䎃⠓ך䌓麣կ պ
Get-a-Geta | Exploring the Archetype
Material | 稆勞
27
No. 14 Straw Geta
“This is the last straw, do NOT touch my geta!”
ٗزأ٦♴꼽
չٗزأ٦כ⢪ְז崢կ պ
Get-a-Geta | Exploring the Archetype
Material | 稆勞
No. 15 Chopstick Geta
“For those who could never use chopsticks, here’s something easy.”
ⶴ盿♴꼽
չֿד盿饥 ֲկ պ
28
Get-a-Geta | Exploring the Archetype
Material | 稆勞
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Get-a-Geta | Exploring the Archetype
Material | 稆勞
30
No. 16 Onigiri Geta
“Grab one for 100yen + tax.”
ֶ♴ֺח꼽
չ ⰼ玗鴥կ պ
Get-a-Geta | Exploring the Archetype
Material | 稆勞
31
No. 17 Seaweed Geta
“Honestly, it smells better than your feet.”
嵲蕉♴꼽
չֿ㾶ְٔظٔظגկ պ
Get-a-Geta | Exploring the Archetype
Material | 稆勞
No. 18 Ramen Geta
“Broke college student survival tool.”
ٓ٦ًٝ♴꼽
չꬊ䌢굸欽♴꼽կ պ
32
Get-a-Geta | Exploring the Archetype
Material | 稆勞
33
No. 19 Tofu Geta
“Can’t do Kung Fu?
鞜臰♴꼽
չ㣐鞜歋勻ך倜䠬鋙㾶ֹ暟 պ
Get-a-Geta | Exploring the Archetype
Material | 稆勞
No. 20 Bread Geta
“Peanut, butter and noooow: your feet.”
굸ػٝ♴꼽
չة غ٦ֶַגֽ➰㾶ְֹֻׁկ պ
34
Get-a-Geta | Exploring the Archetype
Material | 稆勞
35
Get-a-Geta | Exploring the Archetype
Material | 稆勞
No. 21 Chocolate Geta “No Oompa Loompas were harmed in the making of this geta.”
ٖ؝ّث٦♴ز꼽
չ纏椚ةկ պ
36
No. 22 Popcorn Geta
“The best netflix and chill companion.”
؝فحه٦ٝ♴꼽
չ僥歗ֶך⣘ֲוחկ պ
Get-a-Geta | Exploring the Archetype
Material | 稆勞
No. 23 Sugar Geta
“Diabetes Overload.”
錬瀧祩♴꼽
չ랲ֻג㼭ׁ⿼ֶז麦➂ח孡կ պ
37
No. 24 Jelly Geta
“Wiggle wiggle wiggle.”
ٔئ٦♴꼽
չׇׇ٦♴꼽ֶכ ַׅתⰅחאװպ
Get-a-Geta | Exploring the Archetype
Material | 稆勞
No. 25 Honeycomb Geta
“Honey, where are my getas?”
踡ך䊥♴꼽
չصع٦ծ猘♴ך꼽ֿוכպ
38
Get-a-Geta | Exploring the Archetype
Material | 稆勞
39
No. 26 Ice Geta
“Elsa sneezed in class, we have a new geta.”
宔♴꼽
չֿ㾶ְ؞ٖٔג٦կ պ
Get-a-Geta | Exploring the Archetype
Material | 稆勞
No. 27 Wooden Geta
“Imitated by many, surpassed by none.”
加醡♴꼽
չ兛鸐ָ♧殢կ պ
40
Get-a-Geta | Exploring the Archetype
Material | 稆勞
41
Get-a-Geta | Exploring the Archetype
Forms
Transforming the Shape
䕎
չ䕎պך㢌⻉
Forms | 䕎
No. 01 Strike a Pose | ه٦ؤ寸ג
44
Get-a-Geta | Exploring the Archetype
Forms | ä•Ž
45
Get-a-Geta | Exploring the Archetype
Forms | 䕎
No. 02 Feet Matter | 駈חꟼ✲ׅ厑
46
Get-a-Geta | Exploring the Archetype
Forms | ä•Ž
47
Get-a-Geta | Exploring the Archetype
Forms | 䕎
No. 03 Look Alike | 鋅甧ג
48
Get-a-Geta | Exploring the Archetype
Forms | ä•Ž
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Get-a-Geta | Exploring the Archetype
Forms | ä•Ž
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Get-a-Geta | Exploring the Archetype
Forms | ä•Ž
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Get-a-Geta | Exploring the Archetype
Forms | 䕎
No. 04 Change an Attribute | ꟼ⤘㢌ִ
52
Get-a-Geta | Exploring the Archetype
Forms | ä•Ž
53
Get-a-Geta | Exploring the Archetype
Forms | 䕎
No. 05 Walk this Way | ֿך麣遤ֻ
54
Get-a-Geta | Exploring the Archetype
Forms | ä•Ž
55
Get-a-Geta | Exploring the Archetype
Forms | ä•Ž
56
Get-a-Geta | Exploring the Archetype
Forms | ä•Ž
57
Get-a-Geta | Exploring the Archetype
Forms | 䕎
No. 06 Get-a-Connection | ָזאךאס
58
Get-a-Geta | Exploring the Archetype
Forms | ä•Ž
59
Get-a-Geta | Exploring the Archetype
Forms | 䕎
No. 07 Put on the Air | 瑞孡㾶ֻ
60
Get-a-Geta | Exploring the Archetype
Forms | ä•Ž
61
Get-a-Geta | Exploring the Archetype
Forms | 䕎
No. 08 Shared Geta | Ⱏ剣♴꼽W
62
Get-a-Geta | Exploring the Archetype
Forms | ä•Ž
63
Get-a-Geta | Exploring the Archetype
Forms | ä•Ž
64
Get-a-Geta | Exploring the Archetype
Material Index | 稆勞ך稊䒷 No. 01 No. 02 No. 03 No. 04 No. 05 No. 06 No. 07 No. 08 No. 09 No. 10 No. 11 No. 12 No. 13 No. 14 No. 15 No. 16 No. 17 No. 18 No. 19 No. 20 No. 21 No. 22 No. 23 No. 24 No. 25 No. 26 No. 27
Cardboard Geta ] تٝن٦ٕ♴꼽
15
Bubblewrap Geta ] 唓⺪勞♴꼽
16
Inflatable Geta ] 花♴ךي؞꼽 Wire Geta ] ꆙꆃ♴꼽
Ceramic Geta ] ꤱ㐻♴꼽
Concrete Geta ] ؝ؙٝٔ٦♴ز꼽 Lego Geta ] ٖ♴؞꼽
Plasticine Geta ] ء؍ذأٓفٝ♴꼽 Silicone Geta ] ؝ٔءٝ♴꼽 Eraser Geta ] 嶊♴ي؞׃꼽
Color Pencil Geta ] 葿ꊊ瘗♴꼽 Cigarette Geta ] 摲虊♴꼽
Beer Can Geta ] 瑞ֹ綸♴꼽 Straw Geta ] ٗزأ٦♴꼽
Chopstick Geta ] ⶴ盿♴꼽 Onigiri Geta ] ֶ♴ֺח꼽 Seaweed Geta ] 嵲蕉♴꼽
Ramen Geta ] ٓ٦ًٝ♴꼽 Tofu Geta ] 鞜臰♴꼽
Bread Geta ] 굸ػٝ♴꼽
Chocolate Geta ] ٖ؝ّث٦♴ز꼽 Popcorn Geta ] ؝فحه٦ٝ♴꼽 Sugar Geta ] 錬瀧祩♴꼽 Jelly Geta ] ٔئ٦♴꼽
Honeycomb Geta ] 踡ך䊥♴꼽 Ice Geta ] 宔♴꼽
Wooden Geta ] 加醡♴꼽
16 17 17 18 20 21 22 24 25 26 26 27 28 30 31 32 33 34 36 36 37 37 38 39 40
Form Index | 䕎ך稊䒷 No. 01 No. 02 No. 03 No. 04 No. 05 No. 06 No. 07 No. 08
Strike a Pose ] ه٦ؤ寸ג
44
Look Alike ] 鋅甧ג
48
Feet Matter ] 駈חꟼ✲ׅ厑
Change an Attribute ] ꟼ⤘㢌ִ Walk this Way ] ֿך麣遤ֻ
Get-a-Connection ] ָזאךאס Put on the Air ] 瑞孡㾶ֻ Shared Geta ] Ⱏ剣♴꼽
46 52 54 58 60 63
First published 2016 National University Corporation Chiba University 1-33, Yayoi-cho, Inage-ku, Chiba-shi, Chiba, 263-8522 JAPAN Code Program - Winterterm 2015/2016 - Design Meanings Class Supervision: Giovanni Innella Text: Adrien Molto, Irfan Pramudya Santoso, Lara Jasim, Lisan Purnama, Yoan Bandini, Pan Yue Translation: Adrien Molto, Ainee Alamo Avila, Francesca Maciocia, Frida Henriksson, Irfan Pramudya Santoso, Janina Roesch, Lara Jasim, Misuzu Tomita, Yu Chieh Lin, Pan Yue Layout: Ainee Alamo Avila, Janina Roesch, Misuzu Tomita, Shunta Nakamura Photos: Pietro Baiocco Editing: Helin Huang, Lin Ya Chang, Pui Sum Khor, Ya Jhu Yang, Ya Hsuan Yu Illustrations: Francesca Maciocia, Frida Henriksson, Wen Jeng Liang, Yu Chieh Lin Drawings: Lucile Brugiere All rights reserved.