Rebiennale | reMARGHERAbooklet by Giulio Grillo

reMARGHERA

rebuilding life afterlife Atelier Anupama Kundoo

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Re MARGHERA Rebuilding Life Afterlife Anupama Kundoo Main assistants: Sebastiano Giannesini Sara Pezzutti Team tutors: Alba Balmaseda DomĂnguez Chiara Brenna Marta Casagrande Luca Iuorio Guest critics: Manuela Luca Dazio, Executive Director of the Biennale Giulio Grillo, Rebiennale Alvise Marzollo, Architect Giovanni Leone, Architect

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Re CONDITIONING. Creating new conditions for occupying Marghera 1.1

1.2

NEW LIFE WAYS. A network crosses Porto Marghera

1.5

DECODE VENICE TO RECODE MARGHERA: A new tissue in a human scale

2.1

LIFELINE. Raised walkways for a polluted land

2.3

TRIPOD BRIDGE: A cultural node

2.4

PRODUCTIVE MOBILITY: Functional connections between services

3.1

DIFFERENT REALITIES, NEW CONCEPTION: Mending between the banks

3.3

ACTIVE STOP! A water connected cultural net, rethinking Vaporetto stations

SWIMMING AT THE PORT. Water under the roof

Re OCCUPYING. Reclaiming abandoned buildings 4.1

THE FUN DISTRICT: What you didn’t expect in Venice

4.3

BETWEEN(IN) THE COLUMNS

4.2

UPGRADE-UPGREEN. Post-industrial farming

Re ACCESSING. Establishing the right of way to the water canals

3.2

RECLAIMED BY NATURE. Facilitating the colonization of space through nature

Re LAYERING. Reconnecting and laying new infrastructure above the polluted layer

2.2

STARTING FROM THE GROUND. Renewing/ Recovering the ground

1.3 1.4

LIFE OUT OF LIFE: An urban development based on decontamination and biomass energy production

THE CAPACITY OF A CIRCLE: The revival of Porto Marghera, a new opening to arts

Re MATERIALISING.

Integrated thinking and material strategies for affording housing for all 5.1

HANGCORE. Pimp your shell

5.3

URBAN TREES FOR MARGHERA: Shaded canopies from Urban Waste

5.2

BEYOND THE BIENNALE INTO VENICE: Reusing ‘Biennale Waste’ for building public facilities

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Re MARGHERA Rebuilding Life Afterlife

the environmental conditions of the

fold action plan, a rejuvenation for

create a fertile ground to build and

Developed in the early 20th century

sustain a new life in the future.

scales ranging from small key urban

area, Porto Marghera now stands

The problem of Marghera has

backdrop over a widespread area

of the project, and the urban

totally out of human scale. The

at an equally signiﬁcant scale.

this huge project remains a serious

that are larger than the problem

tall between Marghera’s Garden

succeed, whereas a few large-scale

other, as a daily reminder of the

of a renewed urban prospect for

damage, and the urgency to reverse

the scale of resources required

prototype for other such ambitious

ReMarghera is the proposal of a

period of the industrial revolution

transforms the abandoned defunct

manufacture of commodities. The

infrastructure with a new relevance

aspects are the strategies for

landscape that considers the current

and once Italy’s foremost industrial

industrially damaged area, to re-

Marghera where proposals of different transformations, and reinterpreting

prominent obsolete buildings, to city and regional level interventions

add up to regain a new identity and

mostly abandoned as a dysfunctional

everything to do with the scale

with monumental ruins that seem

renewal proposal is also a gesture

environmental pollution generated by

Withoutlarge-scale interventions

challenge, and Porto Marghera stands

of Marghera a true renewal may not

18 projects are proposed under

City on one side and Venice on the

interventions would carry the promise

potential to redo, repair anderase,

enormous task ahead in undoing this

the region as a whole and mobilize

the trend. Marghera is also a

to actually recuperate the place.

conditions for occupying Marghera.

developments from the glorious

renewed approach to Marghera that

2. ReLAYERING. Reconnecting and

where machines replaced man in the

landscape of obsolete buildings and

polluted layer.

particularly relevant replicable

for the larger common regional

repairing environmental damage while

needs of Venice, Marghera and Mestre.

scale into industrial landscapes;

Reversing the trend, new strategies

scale socio-cultural activities

development include the awareness of

5. ReMATERIALISING. Integrated

architecture.

recycling of material consumption;

affording housing for all.

ReMarghera is a proposal for

generating improvements in the

Rather than building buildings

polluting through urban activity.

every day life, this atelier has

the landscape in the past, is

Marghera as a new symbol of a future

to heal and transform the area.

that contains the steps to reverse

This studio proposes through a ﬁve-

redeveloping; reintroducing the human and identifying appropriate large

for resource management and

that successfully reuse industrial

life-cycle; reducing, reusing and

and dependence on renewable energy,

building new life in Porto Marghera.

environmental quality instead of

to accommodate the demands of

Urbanization, which has damaged

designed strategies to redeﬁne

restructured to instead be a vehicle

development for the larger region,

a rebirth of Marghera as a central point of new development that

sustains and improves the life in the larger region.

5 areas of action; each with a

while recuperating and rebuilding: 1. ReCONDITIONING. Creating new

laying new infrastructure above the

3. ReACCESSING. Establishing the

right of way to the water canals. 4. ReOCCUPYING. Reclaiming abandoned buildings

thinking and material strategies for

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1.2

STARTING FROM THE GROUND:

Renewing/ Recovering the ground This proposal is a recovery model for a cleaner Marghera.

2.3

TRIPOD BRIDGE: A cultural node

1.3

2.2

NEW LIFE WAYS:

UPGRADE UPGREEN

4.3

A network crosses Porto Marghera

BETWEEN THE COLU

Post-industrial farming

4.1

THE FUN DISTRICT:

Creating Core Co Community

What you didnâ&#x20AC;&#x2122;t expect in Venice

4.2

THE CAPACITY OF A CIRCLE: The revival of Porto Marghera, a new opening to arts

1.4

RECLAIMED BY NATURE

Facilitating the colonization of space through nature

5.3

URBAN TREES FOR MARGHERA:

Shaded canopies from Urban Waste

2.4

PRODUCTIVE MOBILITY: Functional connections between services

1.1

LIFE OUT OF LIFE:

An urban development based on decontamination and biomass energy production.

3.3

ACTIVE STOP!

A water connected cultural rethinking Vaporetto station

N(IN) UMNS

nnection

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ReMARGHERA

Rebuilding Life Afterlife

3.2

SWIMMING AT THE PORT Water under the roof.

5.1

HANG CORE Pimp your shell

2.1

LIFELINE

Raised walkways for a polluted land.

1.5

DECODE VENICE TO RECODE MARGHERA: A new tissue in a human scale

5.2

l net, ns

3.1

DIFFERENT REALITIES, NEW CONCEPTION: Renewing/ Recovering the ground Mending between the banks.

BEYOND THE BIENNALE INTO VENICE Reusing ‘Biennale Waste’ for building public facilities

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1.1 Life out of life An urban development based on decontamination and biomass energy production Anna Almacellas Visa Beatriz Jimenez Alcaide Javier Morell LĂłpez Christian Toson Tutor: Luca Iuorio The project is divided in three main phases:

-Step 0. DeďŹ nition of a concept of ur-

ban expansion based on the analysis of other major cities all over the word

and territorial data (i.e. artiďŹ ciality, pollution etc.).

-Step 1. Decontamination of soil and

water using different phytodepurative species, according to the environment;

these, at the end of their biologi-

cal cycle, are used to produce biomass energy. Energy plants are provided by the

recover

existing

industrial

structures and infrastructures.

-Step 2. Development of a sustainable

city based on the creation of a network of energy plants and urban centrali-

ties: research, residential, sports, cultural centers that will take place inside restored industrial buildings.

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Situation plan 1:10.000 0

200

500 m

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“Las cosas, tienen vida propia-pregonaba el gitano con áspero acento-, todo es cuestión de despertarles el ánima”. Gabriel García Márquez, Cien años de soledad

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BURANO MANHATTAN

VENEZIA MESTRE

LLARDECANS KOWLOON SUBURB MURANO DHAKA

MARGHERA

MADRID

SAN MARCO AIRPORT

LIDO

ROMA

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_SPINAL CORD The existing infrastructures disconnect the urban tissue, like Madrid Rio project, the barrier mustbecome a spinal cord, connecting the various areas of marghera

_madrid rio project

_IMPROVEMENT OF THE PRE-EXISTING

_landschaftspark, Duisburg _boﬁll’s studio, Catalonia

Improvment of the existing power plants, experimental sites, green areas and sustainable projects

abandoned industries

new activities

_DEVELOPMENT OF THE ECOLOGICAL PROJECTS

_seaweed biomass progects

Sustainable energy production, depuration of the water decontamination of soil with seaweed biomass plants reforestation of the waste land

polluted enviroment

recuperation

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_pollution water

_precipitation

_pollution soil

_pollution air

_wind

_radiation

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1.2 Starting from the ground Renewing/Recovering the ground Irene Annoè Alessia Cavarzere Giulia Ciriotto Irene Dal Cortivo Tutor: Luca Iuorio

This proposal is a recovery model for a cleaner Marghera.

Life rises only in fertile ground;

it’s not the case of Marghera, sterile for factories and inhospitable for people. In this place it’s ne-

cessary to restart from the elements themselves, which constitute the

environment, they have to be reclai-

med! Starting from an analysis of the current conditions of the area, the project proceeds with the execution of a different recovery project for

each area developed in time and space.

Marghera is viewed, as a succession

of geographic rooms where the physical limits, imposed by remediation

techniques, becomes the new inheritance, and redeﬁnes the territory

from which one can start and rethink a new occupation.

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1.3 New life ways A network crosses Porto Marghera Alice De Mattia Maria Virginia Moratti Rebecca Rea Linda Simionato Tutor: Luca Iuorio

Venice, Marghera and Mestre. Removing the boundaries of Porto Marghera becomes an obvious choice. The only way to reconďŹ gure a space of life is to cling

to the life of the surrounding landscape. Porto Marghera becomes a space of

transition and of being, a port between land and lagoon. The project is to be developed in three different steps,

starting from the study of the present

conditions to get into the conďŹ guration of different types of slow mobility, according to the spatial, mate-

rial, and temporal depth of the -time to time- focused architectures.

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Situation plan 1: 20000 0

4000

10000 m

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STEP 3

A denser layout of paths foreseen for a clean Porto Marghera, characterized by commercial, cultural and recreational activities.

STEP 2

Additional paths laid out in the cleaned up area of Porto Marghera, connecting the centralities, increased in number due to the development of the site.

STEP 1

New centralities with different activities connected by pedestrian and cycling paths, planned to bring new life in Porto Marghera, keeping into account the industrial activities and needs that are presently going on.

STEP 0

The actual sitution of porto marghera: an industrial area detached from its surroundings, characterized by pollution, huge streets and strict boundaries.

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1.4 RECLAIMED BY NATURE. Facilitating the colonization of space through nature Roberto Baccin Cigliano Maria Amndip Kaur Anna Maria Pentimalli Tutor: Chiara Brenna, Luca Iuorio

Porto Marghera becomes inaccessible to human industrial activity. Nature now is a barrier, a spatial limit able to reconnect with corri-

dors a green fabric from the garden city overlooking the complex ecosystem of the Venetian lagoon. A con-

nection for a wildlife lost by time, a green lung for the city, an infrastructure. Typical plants of Vene-

to, studied to bring down the level

of pollution, draw a post-industrial landscape, where the composition of

space becomes a â&#x20AC;&#x153;naturalâ&#x20AC;? state. The architecture is made by relationship between mineral and nature, and only

when the right conditions for this to happen, demonstrate how human actions are able to bring nature into envi-

ronments that would not naturally be surrounded by it.

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Model 1:200

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1.5 Decode Venice to Recode Marghera A new tissue in a human scale Andrea De Toni Laura Mosconi Valentina Rossi Giulia Visentin Tutor: Alba Balmaseda Dominguez

once

industry, territory

vibrant the

center

degradation

Porto

Italian

Marghera

the

today

calls for a new urban tissue that can

generate new processes and set up new urban and social development relevant to present and future needs.

The need is for a change of scale:

the industrial must be recoded on a

human scale, where going on foot and by bike is a privilege and resumes its

position as the most important mode of mobility.

Thatâ&#x20AC;&#x2122;s why the idea, almost provocative, to overlap the tissue of Venice island on Marghera (including the preservation of relevant existing features) and to

imagine it as the establishment of new development springing from Venice. In

this

mainland

sense,

through

approaching

the

islands,

the

rediscovery of the renewed relationship

between earth and water, leads to a new mobility system to connect Marghera and Venice once again supported on water rather than on asphalt.

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Some photos taken during the visit and sketches

of possible interventions

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Plan of new tissue and mobility on water and railway

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Diagrams of overlapping tissue

and a simbolyc view of a square in which Marghera and Venice approch themselves

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Plan and section of the new tissue. In blu 4

rilevant existing buildings that we requalify and recover maintaining its identity

On the right three traditional types of conďŹ gurations of overlooking on the canals

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Symbolic view of a canal,

in which Marghera is reďŹ&#x201A;ected on the water as a new Venice

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A focus on the new tissue and

a possibile view of the landscape

[ Text of 100 words. font= COURIER NEW REGULAR size 12 pt ] and diagrams and whatever you need

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2.1 LIFELINE Raised walkways for a polluted land Andrea Fortunati Tommaso Pasini Lorenzo Teso Tutor: Luca Iuorio

From Venice to New Biennale, to Mar-

the raised paths, giving the possibi-

The Insula of New Biennale, which was

peding the movement of the people who

ghera garden city.

once used for the provisioning and

storage of materials and substances

for the chemical industry, is located in a central position, in relationship with Venice and the mainland;

it is an excellent position for the

pavilions of the new Biennale. Silos are the places for the new headquarters of the exposure of small countries that in recent years have decided to join the exhibition of the

Venice Biennale (Giardini and Arsenale are no longer able to contain the

increasingly high demand for participation). At the same time, there will be a new vaporetto route to the old Biennale Giardini.

The line crosses the temporal dif-

ferent frames of Porto Marghera, developing an upper walkway as a new

typology of movement on the roof of

the city, and a new point of view on the landscape of the industrial era as a possible means of knowledge.

The polluted ground is overtaken by

lity to retrain the land without imvisit and live in Marghera.

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WHO USE IT?

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Inhabitants and tourists. A new thematic

there is no more space, have now the

At the same time, is a new vaporetto

New Biennale and give their contribution

connection with Venice: New Biennale. route to the Biennale Giardini.

Nations that havenâ&#x20AC;&#x2122;t got a pavilion because in the original site of exposure

opportunity to build their own at the to the international exhibition.

HOW IT WORKS?

It connects all construction timeframes. Different types of fabric of Marghera, starting from the Garden City to the New

Biennale.

The

line

crosses

the

different types of temporal Marghera, ďŹ tting its shape to the frame it meets

Wave 14 | Anupama Kundoo _the Garden City, as a new method of

advertise

_the industrial Area currently in use

_the

movement within the city;

as a possible means of new

knowledge

of Marghera, with the possibility of funding from industries that may

their

exhibition routes; last

Insula

development

products

the

New

the

through

Bienniale, timeline

construction of the city, re-using the waste land as a fertile ground.

WHY? The

infrastructure

line

becomes

the

recycle engine of fabric marghera. From the line begins a process to redevelop the

fabric

all

the

different

scenarios of marghera: a new life as a

new function, re-cycling the abandoned structures.

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STRUCTURE

WALKWAYS

materials retrained from the polluted

be re-applyed in different ways for

Walkways paths are made from recycled ground

Iron arches deﬁne a module that can different functions

_LEVEL 1

this level emphasize which are the areas to revitalize and which are the signiﬁcant buildings that the red ﬂux meets _LEVEL 0

is the status quo of nowadays Marghera. The stripe shows how many different textures the project will ﬁnd in its evulotion.

Walkways are structured as a connection fragmented

elements

that

connect

garden city to the New Biennale Island

Wave 14 | Anupama Kundoo REVITALIZING GROUND Retraining start

processes

where

the

underlying land

project

the

ground

touch

the

NEW BIENNALE

Walkways become a new way to look at the pavillions in the New Biennale Island

the project is a walkaway that begin in the Garden city and ďŹ nshes to the New Biennale island. Using axonometric view, we try to explain what our project are going to be, starting from the top _LEVEL 3

the theme of the project : a walkway. Lots of pedestrian routes that connect the differente frames of Marghera city, going down only when they meet an area to revitalize _LEVEL 2

the structures of walkways are archs, red archs in contrast with the greyscale skyline of the industrial Marghera

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2.2 UPGRADE - UPGREEN. Post industrial farming Francesca Beggio Caterina CarpenĂ¨ Alba Cerantola Luana Scarpel Tutor: Chiara Brenna, Marta Casagrande

Culltivations are reintroduced into

Marghera. Because of the pollution of the ground, the proposal offers a new method of agricultural production at

a higher level, through efďŹ cient hy-

droponic and aeroponic techniques,

colonizing existing buildings and taking them to a new industrial life. The project includes two different

buildings, the factory and the market, which are linked by an eleva-

ted green walkways, made with panels covering the old structure of tu-

bes, that can be used by both workers and visitors, with the aim of mixing production activities with everyday life.

In the market people can see more

closely the cultivation, buy the produce and also consume them directly

into the bar. In the factory there is the real agricultural production with a dedicated space for visitors to

share with them these new techniques. The site is easily accessible by the residents of the city garden throu-

gh the streets, through the old train station, and is also connected to Venice by sea thanks to a small pier.

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Situation plan 1:5000 0

100

2500 m

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The colture is elevated because of the great pollution of the ground, so at the ground ďŹ&#x201A;oor there are stores, ofďŹ ces and goods lifts.

Scala 1:750

Truck path

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Fruits

Flowers

Sperimental coltures

First floor

The factory is divided into two

The market has coltures on the south

and the hydroponic ones (L).

can buy the cultivate products,

parts: the aeroponic coltures (R) Every part is divided into

sperimental coltures, hanging vases

side and public spaces, where people on the north side.

and tasks.

AEROPONIC

HYDROPONIC

Scala 1:750

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The second ďŹ&#x201A;oor is dedicated to vi-

sitors: in the factory, through some Fruits

Flowers

Public path

Scala 1:750

catwalks, people can see closely the

coltures,while in the market there is a refreshment area with glass walls

to make people feel surrounded by the green of nature.

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Solar panels

Public path

Workers path

The coverage structure is pre-existent and it is covered with glass panels on the south side.

Thanks to this the sunlight

is best exploited for the coltures.

Scala 1:750

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2.3 TRIPOD BRIDGE:

A cultural node Giacomo Mantelli Alessio Rapposelli Andrea Righetto

Tutor: Marta Casagrande

The project symbolizes the desire of creating a thinking pole. A buil-

ding that provokes in the observer a sacred sensation within the immense

cathedral that the forgotten Marghera is.

The main intention grows from explo-

ring the historical ďŹ gure of the whole area, from the lagoon to the in-

dustrial abandoned ruins. Expressing the aspiration of solving contrasts,

above all the huge one between a great industrial development and the parallel endless human decline.

The Cultural Node is created by three arms that make a one enormous tripod bridge, in relation with Margheraâ&#x20AC;&#x2122;s big scale. A building for talking,

reading, sitting, relaxing and most of all imagining.

The bridge acts like an utopia inside another utopia, a shelter protecting from the outer expanding hysteria.

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Situation plan 1:4000 0

100

500 m

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A B

Exposition Time

Plan scale 1:1000 0

10 m

Cultural Time

Reading Time

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The project symbolizes the desire of creating a thinking pole. A building that provokes into the observer a sacred sensation within the immense cathedral that the forgotten Marghera is. The main intention grows from exploring the historical figure of the whole area, from the lagoon to the industrial abandoned ruins. Expressing the aspiration of solving contrasts, above all the huge one between a great industrial development and the parallel endless human decline. The Cultural Node is created by three arms that make a one enormous tripod bridge, in relation with Margheraâ&#x20AC;&#x2122;s big scale. A building for talking, reading, sitting, relaxing and most of all imagining. The bridge acts like an utopia inside another utopia, a shelter protecting from the outer expanding hysteria.

A B

Diagram of the structure

Structure Plan scale 1:1000

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Section BB scale 1:1000

Section AAA scale 1:500

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2.4 PRODUCTIVE MOBILITY

Functional connections between services Marta Casarin Margherita Possamai Marco Vomiero Melissa Zanella Tutor: Alba Balmaseda Dominguez

The ďŹ&#x201A;yovers that serve the factories

as freight transports are redeďŹ ned to become new high green lines, still

maintaining their primary role. Hou-

sing and operational core are suspended outside of the viaducts. During

the time required to restore the polluted earth below, the proposal al-

lows for extensions in space and time without limits, a colonization by man in a space envisaged for the machine. The activity of the industry is guaranteed by working with different

layers: the new life grows from the cores that host productive houses,

studios and co-working spaces, which interact with the industrial factory in a constructive dialogue.

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Situation plan 1:5000 0

100

250 m

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Plan and section 1:100 2m

5m parasite B

parasite A

parasite B

parasite A

sale: 30 m² laboratory: 45 m² living: 80 m² sale: 50 m² laboratory: 65 m² living: 120 m²

parasite A

2015

2020

2050

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parasite A

parasite B Not only a connection between services, but functions joining the infrastructure. The flyovers that serve the factories as freight transports are settle to become new high green lines, still maintaining their primary role. Housing and operational core are hanged outside the viaducts. In this way the new life will not touch the polluted ground of Porto Marghera, waiting for a revenge of nature. The project extends in space and time without limits, a colonization of the man in a space thought for the machine. The activity of the industry is guaranteed by working with different layers: the new life grows from the cores that host productive houses, studios and co-working spaces, which interact with the industrial factory in a constructive dialogue.

sale

laboratory laboratory

living

promenade

connection tower

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3.1 Different Realities, New Conception Mending between the banks Boscolo Anna Favaretto Piera Mioli Tommaso Soler Josep Tutor: Luca Iuorio

Marghera North Canal Waterfront is a catalyzing element through whi-

ch all of the interventions designed in the area –and along that same ca-

nal– work together and become part of one single urb-human intervention.

The canal, element and symbol of the region, closed and ﬁltered, is no

longer a space for drainage and waste of activities of the factories,

but it becomes a space of visual and

physical mending between the two banks. Attention is paid to the dynamic

movement of water and tide, drawing a space changeable over time, where the relationship with the water itself becomes a game of forms. A new pe-

destrian boardwalk connects all existing banks, giving a major mobility

within the area that reﬂects the new quality of water and attractive for direct contact.

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3.2 SWIMMING AT THE PORT Water under the roof Rossella Roan Anna Rossi Francesca Slaviero Tutor: Marta Casagrande

Water holes open to the horizontal

world. Besides the roof, which covers and protects them, nothing is separating the swimming pools from the outer spaces.

The surrounding environment is en-

tering the project: the meadow, the quay, the canal.

The roof is more than just a protection slab: touching the ground

only in three points â&#x20AC;&#x201C; his supporting pillars contain dressing rooms and

administration spaces - is the unique architectural element of the project, generating geometries and working with massiveness and light.

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Situation plan 1:1000 0

50 m

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plan, 1:500

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section, 1:500

garden city

canal

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3.3 ACTIVE STOP! A water connected cultural net Emmanouil Angelos Daskalakis Katia Jancikic Giorgia Sommavilla Anna Tsagkalou Tutor: Marta Casagrande

STOP!Use the time you once spent waiting in a different way!

PAINT!PLAY!EXERCISE!DANCE!WATCH! LISTEN!LEARN!

Rethinking vaporetto stations - a

waiting point gains an active use,

stations become ﬂoating shelters for social activities.Everyone can

spontaneously occupy, perform and use the space.

We create a diffused PUBLIC SPACE to

revitalise Marghera through a NETWORK of PAVILLIONS located in STRATEGIC

POINTS with a DOUBLE USE - areas for

PUBLIC ACTIVITIES and PUBLIC ELECTRIC TRANSPORTATION STOPS. Urban life

elements whose function and aspect

are banalized are given a precise use and a recognisable shape: 7 stations with 7 USES and 7 different SHAPES. Inside Marghera’s industrial chaos

and the huge waste of materials, the architectural forms that we create are nothing more but ARCHETYPES, built out of available reyicled

materials, that will host the human

activities and remind us that what is important is the CONTENT/LIFE.

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Wave 14 | Anupama Kundoo Every stop is constructed in WOOD, the most common material to recycle. 2 different constuctive systems are used: the BEAM AND PILLAR STRUCTURE or the GEODESIC STRUCTUREW. The COATING is exchangable, made by DIFFERENT REUSED materials - WOOD PANELS, ROPES or CANVAS.

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4.1 Fun District What you didn’t expect in Venice Irene Baoduzzi Giovanni Bortolotti Giovanna Girardi Annamaria Vudaﬁeri Tutor: Chiara Brenna

After sunset all lights in the museums of Venice go dim, and life stops. Therefore, this project chooses to

turn an area of Porto Marghera into a Fun District, in which activities

that wouldn’t be possible in Venice,

due to the lack of space, become protagonists.

Concert halls, pubs, sport rigs and

an amusement park come to life in the former industrial centre and develop

on three levels surrounding the three existing oil tanks. On the ground level lies the amusement park, with its booths and entertainment resources;

underneath it, on the underground level, people can engage in activities

such as dancing and listening to live music. On the upper level residents

and tourists can enjoy the many sports rigs offered: everything from a basketball ﬁeld to a skate park.

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Situation plan 1:10000 0

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500m

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CONNECTIONS BETWEEN LAYERS Sports deck

Tanks stairs

lift system (ramps)

Boarding system

Amusement Park

Tanks entrace

Nightlife

Section 0

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LEVEL 0

Amusement park

LEVEL -1

LEVEL 1

Ferry wheel Industrial tank

Sports deck

Roller coaster Nightlife

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4.2 The capacity of a circle The revival of Porto Marghera: a new opening to Venice Federica Conte Enrica Daniele Bianca Lassandro Tutor:Chiara Brenna

Re-using the existing to build the

new, oil tanks of Porto Marghera are transformed into spaces for art and architecture, used by Venetian students and visited by different audience.

Exploiting the spatial organization of the tanks, the area is organized in two functional blocks: the ďŹ rst one is for IUAV students, to hold

ateliers and its exhibition space. The second one is the museum spa-

ce and it contains an exhibitionist route that runs underground with

walkways, connecting the volumes.

Another volume is spatially related

to this area and it is a wide conference room.

A new piazza descending to water connects the pure circular volumes: buildings and ďŹ&#x201A;oors are in bright co-

lor. The cutting of the waterfront in a regular straight line deďŹ nes the

new museum area.

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visitorâ&#x20AC;&#x2122;s walkway

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4.3 BETWEEN(IN) THE COLUMNS Creating Core Connection Community Chiara Girlando Greta Masut Anna Sarzetto Tutor: Marta Casagrande

Located between the CittĂĄ Giardino

and the industrial area of Porto Marghera, this imposing building holds a pulsating heart.

His volume gives it an impenetrable appearance, broken by the voids on

the basement of the columns, passages that create an immediate connection between inside and outside.

Inwardly, the slits on the inner

courtyard break the cryptic grandeur of the building connecting the outer square with the columnsâ&#x20AC;&#x2122; word. The

quality of this building is given by the contrast between his massive volume and what is meant to create in-

side: a spontaneous sociality and the offer of places like the theatre, the library, art ateliers, labs, spaces

to cultivate culture and creativity.

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Situation plan 1:1000 0

200 m

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Plans and sections 1:200 0

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Located between the Cittรก Giardino and the industrial area of Porto Marghera, this imposing building holds a pulsating heart. His volume gives it an impenetrable appearance, broken by the voids on the basement of the columns, passages that create an immediate connection between inside and outside. Inwardly, the slits on the inner courtyard break the cryptic grandeur of the building connecting the outer square with the columns' word. The quality of this building is given by the contrast between his massive volume and what is meant to create inside: a spontaneous sociality and the offer of places like the theatre, the library, art ateliers, labs, spaces to cultivate culture and creativity.

labs and playng science art labs catering theatre expo and exibition music cinema library

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5.1 HangCore pimp your shell Livia Franco Enrica Mazzon Lorenzo Luise Tutor: Chiara Brenna

The proposal encourages a new kind of

ceiling beams extend projecting over

the local Municipality that can offer

aggregation of more modules, a circu-

settlement in Marghera, sponsored by

either a temporary or a stable house for people who need it. Starting

the cell in order to create, with the lation system.

from the idea of parasite architectu-

Services such as the kitchens and the

abandoned structures that are ďŹ t to

stable structures as shared community

re, the approach leads to reoccupy

be colonized: we hang on the beam, we hook to the ceiling and to the wall, and we place on the ďŹ&#x201A;oor.

The comunity arranges for the con-

struction of the kit, composed by the minimum pieces necessary for building

the fundamental habitable cell: wooden beam and steel joint. Starting from the basic triangular form, the most solid and economic, because of the scarce materials required, the

structure is made of two triangular frameworks that add up to the ceiling.

Personally selected recycled mate-

rials on the base of the ownerâ&#x20AC;&#x2122;s ne-

cessity cover the cell structure. The

bathrooms, are placed in separate facilities.

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Situation plan 1:5000 0

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250

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The proposal encourages a new kind of settlement in Marghera, sponsored by the local Mu-

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Starting from the idea of parasite architecture, the approach leads to reoccupy aban-

scarce materials required, the structure is made of two triangular frameworks that add up

nicipality that can offer either a temporary or a stable house for people who need it.

Starting from the basic triangular form, the most solid and economic, because of the

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to the ceiling.

with the aggregation of more modules, a circulation system. Services such as the kitchens and the bathrooms, are placed in separate stable structures as shared community facilities.

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A S S E M B L Y

C O V E R

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H O O K

T O

T H E

C E I L I N G

H O O K

T O

T H E

W A L L

H A N G

O N

T H E

B E A M

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5.2 Thrift (work)shop Re-shaping Biennale’s wastes Gadotti Riccardo Lazzari Lorenzo Lazzaro Veronica Semenzato Elena Tutor: Alba Balmaseda Domìnguez

FROM BIENNALE TO PEOPLE

Our Project

is like a cycle. We take the materials from one architecture, move

them to the storage,and transform it into another architecture that mes public, becomes Venice.

beco-

Our aim is to regain the urban space of porto marghera through the collaborative effort of the local people, architects, designers and artists

usying recycled materials from the biennale pavilions ( and possibly

other urban wastes ) to create small urban projects, both temporary and

permanent, in order to bring back to life unless lifeless and abandoned urban areas and materials.

We located an abandoned warehouse

that has close access to both water And the inhabited city of marghera. We intend to transform these spa-

ces into a permanent workshop, open to anybody with good will, equipped

with storage areas, “production” facilities, exhibition spaces, services, classrooms and gathering areas ( such as lounges and bar ), where

interaction between different people

could produce ideas on how to reuse these recycled materials.

Temporary or permanent, big or small, individual or collective... From

small objects of everyday use, to art installation, to urban projects, the possible outcomes of these self-constructed projects are multiple. As a possible expample we want to build

some structures to support a ﬂea market happening under the overpass of via della liberta’, in order to re-

generate the urban space not only in the market hours but throughout the whole day. Using activity as a con-

nection between Mestre, Marghera, Venice and the world.

Materials from Venice Biennale beca-

me new architecture that built public services.

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WWFROM BIENNALE TO PEOPLE Our Project is like a cycle. We take the materials from one architecture, move them to the storage,and transform it into another architecture that becomes public, becomes Venice. Our aim is to regain the urban space of porto marghera through the collaborative effort of the local people, architects, designers and artists usying recycled materials from the biennale pavilions ( and possibly other urban wastes ) to create small urban projects, both temporary and permanent, in order to bring back to life unless lifeless and aban-

doned urban areas and materials. We located an abandoned warehouse that has close access to both water And the inhabited city of marghera. We intend to transform these spaces into a permanent workshop, open to anybody with good will, equipped with storage areas, “production” facilities, exhibition spaces, services, classrooms and gathering areas ( such as lounges and bar ), where interaction between different people could produce ideas on how to reuse these recycled materials. Temporary or permanent, big or small, individual or collective... From small objects of everyday

Tree trunks different sizes

use, to art installation, to urban projects, the possible outcomes of these self-constructed projects are multiple. As a possible expample we want to build some structupening under the overpass of via della liberta’, in order to regenerate the urban space not only in the market hours but throughout the whole day. Using activity as a connection between Mestre, Marghera, Venice and the world. Materials from Venice Biennale became new architecture that built public services.

Wood beams 300mm section different lenghts

Japan

Hungary

Wood tables 50x10mm section different lenghts

Hungary

Warehouse for materials stocking in Porto Marghera Workshops for building small structures

Wood strips 10x10mm section different lenghts

Nordic Countries

Wood shapes different shapes

France

Wooden slab trusses 20x20x420cm

Wooden strips 1,9x10x298cm

Market and thrift (work)shop Social place Waste material will user for build market boxes Tissue coating 300x380cm

Explode isometric scale 1:50

Shelf-table in wood

Wooden floor table 10x47,5x380cm

Wooden beams 10x20x380cm

Wooden slab 45x320x320cm

Existing structure in concrete 40x40x700cm

Model 1:50 0

1,25

2,5 m

Opening panels in wood tables 5x105x385cm

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5.3 URBAN TREES FOR MARGHERA Shaded canopies from Urban Waste Fang Lu Jialun Yuan Tutor: Alba Balmaseda Dominguez

To create shaded walkways in an área

where plantation will not grow easily due to pollution, this project proposes shaded canopies that can be built in succession and ‘planted’ wherever necessary, easily.

Simple structure are designed to

achieve it, more speciﬁcally, only

some basic triangles, which could extend to more possibility making a new shadow landscape in the industrial area. Shaped like an eccentric umbrellas, a polygonal cover unit is

supported by several little pillars

and a main one. For the material, the structure will absorb waste materials rather than use natural resources,

including “waste” from the abandoned buildings and from the Biennale.

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Anna Almacellas Visa Irene Annoe Roberto Baccin Irene Baoduzzi Francesca Beggio Giovanni Bortolotti Anna Boscolo Caterina CarpenĂ¨ Marta Casarin Alessia Cavarzere Alba Cerantola Maria Cigliano Giulia Ciriotto Federica Conte Irene Dal Cortivo Enrica Daniele Emmanouil Angelos Daskalakis Alice De Mattia Andrea De Toni Piera Favaretto Andrea Fortunati Livia Franco

Riccardo Gadotti Giovanna Girardi Chiara Girlando Lorena Hyso Katia Jancikic Beatriz Jimenez Alcaide Amndip Kaur Bianca Lassandro Lorenzo Lazzari Veronica Lazzaro Fang Lu Lorenzo Luise Giacomo Mantelli Greta Masut Enrica Mazzon Tommaso Mioli Virginia Moratti Javier Morell Lopez Laura Mosconi Tommaso Pasini Anna Maria Pentimalli Margherita Possamai

Alessio Rapposelli Rebecca Rea Andrea Righetto Rossella Roan Valentina Rossi Anna Rossi Anna Sarzetto Luana Scarpel Elena Semenzato Linda Simionato Francesca Slaviero Josep Soler Carreras Giorgia Sommavilla Lorenzo Teso Christian Toson Anna Tsagkalou Giulia Visentin Marco Vomiero Annamaria VudaďŹ eri Jialun Yuan Melissa Zanella

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