JAKOMINIMARKT
Institut für Gebäudelehre · Projektübung · Sommersemester 2018 Guest Professor Job Floris · Assoc.Prof. Andreas Lechner
JAKOMINIMARKT
Institut für Gebäudelehre · Master Design Studio · summer term 2018 Guest Professor Job Floris Assoc.Prof. Andreas Lechner
Documentation Master Design Studio „Jakominimarkt“ Summer term 2018 Institut für Gebäudelehre Lessingstraße 25/IV 8010 Graz www.gl.tugraz.at www.facebook.com/Gebaeudelehre Chair: Univ.-Prof. DI Arch. Hans Gangoly Studio: Guest Professor Arch. Job Floris Associate Professor Dr. Andreas Lechner Appendant courses: 147.807 AK Gebäudelehre 147.813 Funktion & Typus im Architekturentwurf Student assistant: Markus Pöll Jakob Vinzenz Zöbl
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INTRO
Dutch architect Job Floris from critically acclaimed Rotterdam architecture office Monadnock engaged 16 master students with envisioning a new public building for the city center of Graz: A covered market for the Jakominiplatz. As a civic building the market has to be at once robust and receptive – open for the daily routines of life. As an important object in the historic fabric of the city, the building not only needs to welcome and accomodate the hustle and bustle of a central public transport junction and its fast food chains and services, but should also aim at entering a dialogue between old and new structures, between found/existing and possible future identities (markers) – beyond architectural one-liners or sculptural folly.
(BE) from 1998 to 2000. In 2000 Floris returned to practice in the Netherlands, working as projectarchitect at Rapp+Rapp till 2006. During this period he was involved in a large number of projects, including the design and realization of the town centre plan in Ypenburg, a large-scale ensemble of nine residential and retail buildings containing 450 housing units, and the office block for Social Services in Rotterdam. Floris publishes in various architecture and art magazines and was editor of OASE Journal for Architecture from 2008 till 2018 and involved in various issues of the journal. He has held various visiting lectureships in the Netherlands and abroad since 2006. From 2010 till 2018 Job was appointed as coordinator of the Master’s degree course Architecture at the Rotterdam Academy for Architecture and Urbanism.
Located directly outside the gate of the former southern townwall (Eisernes Tor), Jakominiplatz today is an extension of the main shopping street in the mostly pedestrianized historic center of Graz (Herrengasse) with an highly irregular form due to former fortification.
The students started with a thorough typological analysis of both historic and contemporary market halls through drawings and models. In the studio these foundational typologies of market halls were then forming the basis for experimentation in order to create hybrids with housing and mixed use programme above. By exploring multiple dialogues on both urban and architectural scales and experimenting with an existing alphabet new urban narratives were built up, for which obviously and successfully no new letters were required. Explorative, challenging, pushing design/representational notions, highly productive, mind-boggling ... Thanks, Job!
Job Floris is architect and co-founder of Monadnock. a Rotterdam-based office for architecture, urbanism, interior and research. He trained as an interior- and furniture designer at the Royal Academy of fine Arts st. Joost in Breda (NL). Floris obtained his master’s degree in architecture from the Rotterdam Academy for Architecture and Urbanism in 2004. He gained his first practice experience at Christian Kieckens Architects in Aalst (BE) and Poulissen & Partners in Antwerp
Andreas Lechner
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Ambitions of Urbanity and Dexterity
The condition of Urbanity
All of which could start with a close reading of the existing city fabric and simultaneously with the design of small-scale single objects.
In recent decades, the city has ever expanded and therefore has become an increasingly vague territory, compared to the former understanding of a city as a place of merely congestion. Nonetheless, the collective memory of a city has not changed accordingly, and to most the city remains a physical place for deriving identity. Architecture and urbanism have an on-going urgent role in the formation of this identity: how to design a spatial environment that provides these? This includes large public and collective buildings, places of production and domestic environments – housing – and the quality of living in these areas. For a second phenomenon that simultaneously takes place, a large number of cities are under an ever increasing pressure by densification by an explosion of urbanisation and tourism, resulting in rising realestate prices and places of doubtful quality. This phenomenon takes place in Europe and beyond, and requires for a research on the consistence of our urban environments. Simultaneously this pressure might only be temporary; therefore, it is worth engaging with the longer perspective by strategically thinking on the metabolism of a sustainable city.
Current developments call for a focus on the working on the city; researching on the conditions of urbanity; on architecture making city. This includes research on precedents, typologies and their origins. The condition of Dexterity In the education of architecture, it is the consistency, simultaneity and interaction between the conceptual and the physical level: the skills of the hand or craftsmanship are a focus area, explored in various forms. As in Richard Sennets understanding: the movement of the hands informs the mental formation of an idea. This means, at all times, the modus operandi of architectural education means combining theoretical reflection and pragmatic hands-on explorations. This exploration includes the experiment, as an inseparably part of education, understood as making use of the existing alphabet in order to build up new narratives, for which no new letters are required.
Job Floris
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Jakominiplatz
SITE / History
Entry „Jakominiplatz“ in: Bundesdenkmalamt (ed.): Österreichische Kunsttopographie Band LX, Die Kunstdenkmäler der Stadt Graz, Die Profanbauten des II., III. und IV. Bezirkes, Horn/Wien: 2013 p. 733-745 11
Entry „Jakominiplatz“ in: Bundesdenkmalamt (ed.): Österreichische Kunsttopographie Band LX, Die Kunstdenkmäler der Stadt Graz, Die Profanbauten des II., III. und IV. Bezirkes, Horn/Wien: 2013 p. 733-745 13
Entry „Jakominiplatz“ in: Bundesdenkmalamt (ed.): Österreichische Kunsttopographie Band LX, Die Kunstdenkmäler der Stadt Graz, Die Profanbauten des II., III. und IV. Bezirkes, Horn/Wien: 2013 p. 733-745 15
Jakominiplatz
TODAY
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STUDIO BRIEF
COVERING THE FIELD
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A covered market is a civic place: a new public building for the city centre of Graz.
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A covered market is in essence generic, default material: a roof supported by rows of columns.
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Additive programme needs to be formulated. This additive program will provide a rooted building; related to its context.
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The interaction between the world above and beneath the roof will be the main focus. Ideally, this combination of program will cause ambiguity and tension: a hybrid building.
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Although the covered market place will be generic, functional and accommodating, yet it is a public building: accessible and inviting, for all.
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The logistical program forms the fundament, yet the architectural expression and form is of paramount importance and will exceed all other, pragmatic requirements.
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Simplicity and clarity will be a constant guideline, in order to obtain complexity and contradiction.
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Human scale, modes of decoration and the form of the ceiling will be a specific subject of attention.
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Method: this studio will in essence be experimental. A linear process of the development of designs will be logical, nevertheless: more explorative processes will be encouraged. This requires a constant challenging and testing, comparing several options and the making of different interpretations.
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The study of historic typologies will be the starting point of the design, yet the challenge and the ambition is finding equilibrium: an architecture that is contemporary and classical within one building.
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STUDIO BRIEF
RESEARCH · analysis
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Make a ‘book of Copies’ of all Market Halls that are to be found: images and plans.
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Make a thorough analysis of existing market halls of two categories: ‘classical’ ones and ‘contemporary’ ones by means of drawing: - Plan (B&W) scale: 1:200 - Section (B&W) scale: 1:200 - One paragraph of approx. 500 words describing the history of existence, program, square meters and other functions - Relation to the context: situation drawing 1:2000
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All of which is drawn according to a fixed and provided set of drawing agreements, which will make all projects comparable, and finally compiled into a catalogue. Production of two models: reduced models of the volume; the example building transformed into basic forms (beam, sphere, cube, pyramid etc). In plaster, coloured (paint) and presented as an attractive ‘object of desire’. Scale: 1:500 (See Joseph Fenton Pamphlet Architecture: Hybrid Buildings)
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Production of site model: group effort. Material: wood. Scale: tbc.
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Final presentation of analysis: drawings and panels and models together, forming a chapter of the later to be developed booklet of the studio.
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bOOK Of MARKeT HAllS
Institut für Gebäudelehre · Projektübung Sommersemester 2018 Gastprofessur Job Floris
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Central Market Riga, 1924 Pāvils Dreijmanis
MAFCO Wholesale Market Mumbai, 1973 Anant Raje 8
Östermalm‘s Temporary Market Hall Stockholm, 2016 Tengbom
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Markthalle Burgdorf, 1932 Kaufmann+Arm
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Markthalle Hannover, 1892 Paul Rowald
Yerevan Central Market Yerevan, 1952 44
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Secrétan Covered Market Paris, 2015 Architecture Patrick Mauger
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Klauzál Square Market Hall Budapest, 1896 Klunzinger Pál
Mercato Centrale Florenz 1874 Giuseppe Mengoni 22
Rialto Fish Market Hall Venice, 1097 Domenico Rupolo 12
Marly Le Roi Market Hall Marly le Roi, 2014 Ameller Dubois & Associés
BARNONE Gilbert, 2016 debartolo architects
Vecchia Pescheria Triest, 1913 Morena Architects
Boxpark Croydon Croydon, 2016 BDP
Djemaa el Fna Marakesch, 10.Jh.
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Naschmarkt Wien, 1902
TRAJAN‘S MARKET
PALAZZO DELLA REGIONE
TRAJAN‘S MARKET
PALAZZO DELLA REGIONE
INSTITUT FÜR GEBÄUDELEHRE - MARKTHALLE Beatrice Koch
INSTITUT FÜR GEBÄUDELEHRE - MARKTHALLE Matthias Johannes Holzner, Daniel Huber INSTITUT FÜR GEBÄUDELEHRE - MARKTHALLE
TRAYAN`S MARKET Apollodorus of Damascus, c.100–c.110
Beatrice Koch PALAZZO DELLA RAGIONE Andrea Palladio, 1549-1617
INSTITUT FÜR GEBÄUDELEHRE - MARKTHALLE Matthias Johannes Holzner, Daniel Huber
Great Market Hall - Budapest Great Market Hall - Budapest
INSTITUT FÜR GEBÄUDELEHRE - MARKTHALLE INSTITUT Gernot FÜR GEBÄUDELEHRE - MARKTHALLE Kraut, Milica Kopuz Gernot Kraut, Milica Kopuz
STOCKPORT MARKET James Haywood, 1860
GRAT MARKET HALL BUDAPEST Samuel Petz, 1894-1897
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LES HALLES DE PARIS LES HALLES DE PARIS MERCAT DE SANT ANTONI MERCAT DE SANT ANTONI
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LES HALLES DE PARIS Victor Baltard, 1852-1870
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INSTITUT FÜR GEBÄUDELEHRE - MARKTHALLE Dino Nuhanovic | Áron Schmutzer INSTITUT FÜR GEBÄUDELEHRE - MARKTHALLE Dino Nuhanovic | Áron Schmutzer
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Market Hall Breslau CENTRAL MARKET HALL
Market Hall Breslau
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INSTITUT FÜR GEBÄUDELEHRE - MARKTHALLE Hierzer Matthias, Kaltner Otto INSTITUT FÜR GEBÄUDELEHRE - MARKTHALLE Urša Lesnik | Karla Miše-Džaferović
INSTITUT FÜR GEBÄUDELEHRE - MARKTHALLE Hierzer Matthias, Kaltner Otto
INSTITUT FÜR GEBÄUDELEHRE - MARKTHALLE Urša Lesnik | Karla Miše-Džaferović
BRESLAU MARKET HALL Richard Plüddermann, 1906-1908
AMSTERDAM CENTRAL MARKET HALL Nicolaas Lansdorp, 1934
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SAN CATERINA MARKET STADSHAL GENT SAN CATERINA MARKET
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INSTITUT FÜR GEBÄUDELEHRE - MARKTHALLE Leon Novak INSTITUT FÜR GEBÄUDELEHRE - MARKTHALLE Matthias Johannes Holzner, Daniel Huber
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STADSHAL GENT Robbrecht en Daem & Marie-José Van Hee, 1996-2012
INSTITUT FÜR GEBÄUDELEHRE - MARKTHALLE SAN CATERINA MARKET BARCELONA Leon Novak Enric Miralles & Benedetta Tagliabue, 1997-2005
Foodmet market hall Foodmet market hall MARKTHAL ROTTERDAM MARKTHAL ROTTERDAM
INSTITUT FÜR GEBÄUDELEHRE - MARKTHALLE INSTITUTMatthias FÜR GEBÄUDELEHRE - MARKTHALLE Hierzer, Otto Kaltner Matthias Hierzer, Otto Kaltner INSTITUT FÜR GEBÄUDELEHRE - MARKTHALLE Theresa Schleinitz INSTITUT FÜR GEBÄUDELEHRE - MARKTHALLE Theresa Schleinitz
MARKTHAL ROTTERDAM MVRDV, 2009-2014
ANDERLECHT FOODMET MARKET HALL Organization of Permanent Modernity, 2011-2015
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AARAU MARKTHALLE AARAU MARKTHALLE
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INSTITUT FÜR GEBÄUDELEHRE - MARKTHALLE Dino Nuhanovic | Áron Schmutzer INSTITUT FÜR GEBÄUDELEHRE - MARKTHALLE Dino Nuhanovic | Áron Schmutzer
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AARAU MARKTHALLE Miller & Maranta, 2001–2002 Schnitt 1:500 Schnitt 1:500
INSTITUT INSTITUT FÜR FÜR GEBÄUDELEHRE GEBÄUDELEHRE -- MARKTHALLE MARKTHALLE Urša Urša Lesnik Lesnik || Karla Karla Mise Mise
WAKEFIELD MARKET HALL Adjaye Associates, 2008
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Kvillebäcken Market Hall - Gøteborg
CACHAN HALLE DE MARCHÉ CACHAN HALLE DE MARCHÉ
Kvillebäcken Market Hall - Gøteborg
INSTITUT FÜR GEBÄUDELEHRE - MARKTHALLE Gernot Kraut, Milica Kopuz
INSTITUT FÜR GEBÄUDELEHRE - MARKTHALLE Katie Filek - Judith Weiss GSEducationalVersion
KVILLEBÄCKEN MARKET HALL GOTEBORG INSTITUT FÜR GEBÄUDELEHRE - MARKTHALLE Gernot Kraut, Milica Kopuz Gustav Appell Arkitektkontor, 2012-2013
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INSTITUT FÜR GEBÄUDELEHRE - MARKTHALLE CACHAN HALLE DE Katie Filek - Judith WeissMARCHÉ Croixmariebourdon Architectes, 2014
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STUDIO
EXPLORE · EXPERIMENT
Start: Rational system pure & clean typology 1. 2.
Explanation and provision of the definitive program. Conceptual angle: what type of ordering principle will be explored?
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Explore and test: propose stacking of program in volumetry: 8 different proposals per team.
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Choice of type of market: type of activity.
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Choice of material: basic construction and additive cladding.
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Choice of additive program: work in teams of maximum two.
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COVERING THE FIELD TUG/26.04.2018
Durand
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Evolution Diagrams Piraeus building Kollhoff / Rapp
Claude Nicolas Ledoux
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JAKOMINIMARKT INSTITUT FÜR GEBÄUDELEHRE KATIE FILEK Ȃ JUDITH WEISS
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JAKOMINIMARKT INSTITUT FÜR GEBÄUDELEHRE Gernot Kraut • Milica Kopuz
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JAKOMINIMARKT INSTITUT FÜR GEBÄUDELEHRE DANIEL HUBER • MATTHIAS JOHANNES HOLZNER
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JAKOMINIMARKT INSTITUT FÜR GEBÄUDELEHRE LEON NOVAK • LUKAS WOKATSCH
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PROJECTS
FINAL PRESENTATION ... present the complete project on panels A0: - Showing 4 large and detailed images: 2 of the exterior of the building in it’s surroundings and 2 interior of the building showing the interior. These images should express a very specific moment in the building, f.e: the architectural performance of the volume, the stairs leading up – through a hole in the ceiling- showing the detailed railing along the stairs. - Models, showing the complete production: the analysis models, the testsmodels, the two big models - Write a paragraph explaining your project
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1 Filek I WeiSS 2 Hierzer I Kaltner 3 Huber I Holzner 4 Koch I Schleinitz 5 Kraut I Kopuz 6 Lesnik I Mise 7 Novak I Wokatsch 8 Nuhanovic I Schmutzer
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This design for a market hall for Jakominiplatz is driven by two key factors: 1. the creation of new urban edges, spaces and relationships at a central traffic node in Graz. 2. the design of inviting public market spaces that speak to the slightly chaotic, multi-faceted condition that is currently Jakominiplatz. The two new volumes alter the existing flow of people and movement through the square, providing a quieter open space on Jakominiplatz itself, and „ends“ to both the Herrengasse and the Stadtpark. The positioning of the volumes in relation to one another creates a pathway and threshold between Jakomini and the park, while the open space on the ground floor of the long volume allows for both temporary markets and the flow of people from the old city centre to the city‘s main traffic point, Jakomini. The square volume incorporates a portion of the existing buildings on the site, and becomes a food hall that draws from historic site conditions while seeking to be an open invitation to the public. Arches connotate the public space of the markets; the square and newly inserted public domain area de ned by a brightly coloured, repetitive frame that surround it on all sides. Abstract volumes of office space and living float above.
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The central idea was to create a central, urban meetingpoint, which a market hall historically is, and at the same time calm down the commotion of Jakominiplatz. In order to reach that goal, two crucial decisions were made: The building site needed to stay as empty as possible, allowing both the nearby Stadtpark to spread it ́s branches into this very urban square, and simultaneously opening up the view into Herrengasse. These two decisions lead us to place the market hall on the western third of the Jakominiplatz, leaving the rest open only to be occupied by small pavilions, which divide the square into different areas and make it more intimate. The market hall itself has a squared floorplan, which gets it ́s direction from the surrounding buildings on the Opernring. It has openings on every face, making it not only accessible from every side of the square, but also avoids a clear direction. The building is a hybrid, caused by the combination of a market hall and housing. It was a very important criterium that these two functions can easily be spotted in the facade, but still be kept together, not separating them completely, loosing the reference to one another. That ́s why all the apartments are made accessible through a gallery facing the atrium in the middle of the structure, which rises all the way from the markethall, allowing a direct view and connecting both uses. The market has a very flexible floorplan, with stands on the ground floor and a cafe and restaurant on the first floor. The pavillions have different functions and are a response to the current situation on the Jakominiplatz. They work as a „bridge“ between the Stadtpark and the market hall, defining smaller squares and opening up walkways from and to the center of the Jakominiplatz.
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Der Jakominiplatz – in der Jugendsprache auch „Jacksn“ genannt – ist der in Graz wohl am höchsten frequentierte Ort. Die Aufgabe, dort eine Markhalle mit darüberliegender Wohnfunktion zu entwickeln erfordert zum einen die Berücksichtigung des komplexen Bauplatzes, zum anderen die Beschäftigung mit der Typologie der Markthalle beziehungsweise einem Marktplatz. Das ständige Wachsen der Stadtbevölkerung und die daraus resultierende flächige Ausbreitung der Stadt verlangt nach einer Nachverdichtung im Inneren der Stadt. Unser Ziel war es eine möglichst hohe Dichte zu erreichen, ohne qualitative Einbußen für die Markthalle im Erdgeschoss. Eine exakt in den Kontext eingepasste Großform, die fast den kompletten Bauplatz besetzt und die beiden Funktionen unterschiedlich thematisiert, erschien uns als richtiger Ansatz. Das Erdgeschoss ist weitestgehend frei und funktioniert als Markthalle aber auch für Events oder Veranstaltungen und integriert sich auch abseits der Marktzeit in den öffentlichen Raum. Einen umlaufender Arkadengang wird durch zwei besondere Formen – eine goldene Kuppel und ein invertierten Wasserfall – aufgelockert. Im Inneren des Arkadenganges überraschen nach oben entwickelte Hallen den Besucher, die in ihrer Höhe den darüberliegenden Innenhof perforieren und den Markt damit belichten und zonieren. Darüber liegen vier Wohngeschosse, über einen Laubengang erschlossen und um eine begrünten Hof auf der Ebene des zweiten Obergeschosses liegend. Über eine schlanke Treppe im Nordosten gelangt man durch verschiedene Gemeinschaftsräume in den Hof, der als fortführender Verteiler für die einzelnen Wohneinheiten funktioniert. Somit kombiniert die Großform die beiden Funktionen und deren Qualität ohne die Eine oder Andere dabei zu vernachlässigen. Das Gegenteil ist sogar der Fall: durch präzise gesetzte Überlagerungen befruchten sich die Funktionen gegenseitig. Der Langlebigkeit des eigentlichen Gebäudes setzten wir die temporäre Nutzung des Daches in Form einer Besuchertribüne gegenüber. Erschlossen über eine freistehenden, filigranen Treppenturm, erwartet die Besucher eine einzigartiger Blick über die Dachlandschaft der Grazer Altstadt, über den Schlossberg bis zum Kalvarienberg. Besonderer Dank gebührt, Babsi, Wolfi, Sebastian, Gerald, Pamina und allen die uns ausgehalten haben.
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Die Markthalle am Jakominiplatz liegt als kompakter Baukörper zwischen Grünraum und belebtem Stadtraum. Sie schafft als Passage eine Verbindung entlang der Hauptbewegungsachse entlang des Jakominiplatzes. Gleichzeitig ermöglicht sie auch eine seitliche Durchquerung. Die Erdgeschoßzone besitzt an der Fassade gelegene Funktionskerne, die die Erschließung und fixe Marktstände, Gastronomie und Gewerbe beherbergt. Die mittige Passage ist vielseitig bespielbar und bietet temporär Platz für Gemüsemarkt, Flohmärkte oder Abendveranstaltungen. Das erste Obergeschoß bietet im Südwesten Gastraum für das Restaurant und Fläche für eine öffentliche Bibliothek und ein Yogastudio. Die drei obersten Geschosse dienen dem Wohnen, das rund um den hohen Innenraum angeordnet ist. Pro Geschoß stehen jeweils acht Wohneinheiten zur Verfügung. Die Wohnungsgrundrisse orientieren sich um einen zentralen Funktionskern und besitzen Loggien. Das Dach des Baukörpers ist extensiv begrünt und kann von den Bewohnern und von Besuchern als Erholungsraum genutzt werden. Ein großes Oberlicht versorgt die Markthalle von oben mit Tageslicht und ermöglicht vom Dachgarten aus den Blick nach unten. Die Fassade des Baukörpers suggeriert die Funktionsschichtung im Inneren. Die offene Erdgeschoßzone mit ihrer hohen Fensterfassade, das erste Obergeschoß mit einladenden, langgezogenen Fenstern, und die Wohngeschoße mit einem Raster von unterschiedlich großen, großzügigen Fensteröffnungen, die mit der Tiefe der Fassade spielen. Der Platz rund um die Markthalle ist beeinflusst vom regen Fußgängerstrom und leitet sowohl die Passanten, bietet jedoch auch ruhigen Aufenthaltsraum für die Verweilenden. Gastgärten, Grünraumgestaltung und di erenzierte Bodenbeläge machen dies möglich.
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Our observations found three main directions that the design should utilize. First the direction from Herrengasse, second from the park right beside the building and third the main tram and bus transport area that makes up Jakominiplatz. The building consists of an open market hall on the ground floor, a mixed use first floor and three stories above with apartments, each floor slightly recessing to form an dynamic yet well known type of urban building. The ground floor corresponds to the carrier grid of the ceiling, to the columns and the circulation cores. There are some permanent stalls, a cafe, a multifunctional area in the center and a big space for the temporary market. The former stands are now situated under the building. The mixed use second floor provides a restaurant with terrace, various office spaces and open public spaces. All the floors are surrounded by a balcony zone. The apartments are situated around three cores. The apartments on the south side have french balconies in the direction of the Jamominiplatz. The apartments on the north-west and north-east side have their balconies along the whole apartment. To have a constant and readable grid in the facade, there is only on window format used throughout the whole building. The faรงade is made of painted bricks. These bricks are varied their directions so that the walls of the levels have a horizontal positioning and the part in front of the ceilings has a vertical positioning thus producing a minimal and at the same time classical ornamentation.
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6 Lesnik I Mise
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The Jakominiplatz is a prominent area in Graz and therefore a highly frequented and busy place. To relieve the high pressure on said spot, the Market Hall should not act as a barrier yet still fit into the surrounding and the events happening around. The Market Hall we designed allowed us to generate a generous courtyard and therefore create an extension coming from the Herrengasse across Eisernes Tor just to spread further across Jakominiplatz. With the Market placed like this, it was possible to create a prominent facade, looking directly onto the Jakominiplatz as well as further entrances giving a view at the surrounding of the square. That enables you to cross the market from different directions, inviting consumers as well passengers and shelters people in transit. The Market Hall contains a fresh food area, various products and flower shops, diverse CafÊs and food stalls that are placed on the ground floor and above on the gallery level, which allows a view on the events happening below. To make an even bigger gesture, the market can also be expanded to the outside, to liven up the new formed square even more. The remaining four floors, placed on the west side of the whole building containing apartments, including six duplexes offering different qualities for their inhabitants. The used material is a simple combination of concrete columns, wooden roofs and ceilings, a glass façade forming and framing the Market Hall, changing on the upper floors to a colourfully plastered facade to create more privacy and at the same time marking the different usage of the spaces behind them.
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Jakominiplatz is a hub for public transport. Over the years this function took over while pedestrians seem to have become forgotten. To change this existing situation we place two urban blocks. The taller one with nine floors to conclude Herrengasse. alsoo works as an lighthouse and attracts/orientates pedestrians from far away. The smaller one creates a counterpart to the exisitiong Dorotheum building from the 1970ies. From these two blocks the markethall folds out its roofs, in such a way that a low and more private terrace faces the park and a tall and strong roof integrates the daily hustle of Jakominiplatz. Inbetween these two roofs a covered public space facilitates events and meeting. The ground floor is mainly used for the market hall and considers a cafe facing the park, food stands facing Jakominiplatz. On the first floor a gallery provides restaurant, offices and a school kitchen spaces all overviewing the market hall. Six apartments int the smaller block share one courtyard that also provides access.
In the seven floors of the high block two appartments share each floor. A continous floor grid connects the two block. Different elements like loggias and balconies create appropriate reactions to each side and break the strict grid based design. The calm light-grey plaster façade does not try to „compete“ with the Jakominiplatz for attention, though wooden frames and ballustrades in the perforation give indivation of the apartments behind them. The market hall and the facilites on the first floor are design regularily with concrete pillars and post and beam façade allowing maximum flexibility. Contrasting the serene construction, the underside of the slanting roofs and market stands are made of wood giving a warm and welcoming touch to our Jakominimarkt.
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8 Nuhanovic I Schmutzer
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Die überdachte Markthalle befindet sich am Jakominiplatz mit Büros im ersten Obergeschoss und 35 Wohneinheiten. Städtebaulich passt sich der Baukörper an die umliegende Gebäude an. Die Seite am Jakominiplatz hat ein große Öffnung als Haupteingang und Durchgang durch das Gebäude. Die Markthalle kann als eine große Eventhalle benutzt werden, ist aber grundsätzlich durch den Durchgang in zwei Bereiche geteilt. Der kleinere Bereich in Richtung Am Eisernen Tor wird als Cafe und StreetFood Bereich benutzt, der für die Öffentlichkeit Tag und Nacht betreten werden kann. Der andere, größere Bereich kann für wöchentliche Märkte aber auch für
Veranstaltung benutzt werden. Das verglaste Dach des gesamten Innenhofes kann von Bewohnern ab dem zweiten Stock betreten werden. Die Fassade vetraut auf klassische Gliederung, die aber farbenfroh betont werden und mit markanten Säulen Ecken und Eingangsbereiche markant betont. Das Staffelgeschoss im vierten Stock gliedert gemeinsam mit Ecktürmen bzw- risaliten den gesamten Gebäudeblock und nimmt die vertrauten Gestaltungsmerkmale der historistischen Gründerzeitbebauung in Graz auf und bringt sie in die Gegenwart.
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