Glue - 2012 Applicant Special

ISSUE #1 SUBMISSIONS 00001 - 00102

THIS IS IT! THE FIRST ISSUE OF GLUE. IN HERE YOU’LL FIND THE MIND-BLOWING WORK FROM UCA STUDENTS AND FEATURES ABOUT WORLD OF WARCRAFT ADDICTION, #GOINGVIRAL, AND THE ROYAL SCHOOL OF NEEDLEWORK. THIS IS THE START OF SOMETHING NEW.

THIS IS ALL ABOUT YOU.

THIS IS GLUE.

SEMESTER TWO, 2012.

SUPPORTED BY THE UCA CREATIVE FUND. 1+48.indd 3

21/03/2012 15:42

Welcome to Glue The first ever issue of Glue is here, lovely and shiny, sitting in your amazing hands.

Glue is the first publication dedicated to the creativity of students at UCA, achieving an inspiring creative community across Canterbury, Epsom, Farnham, Maidstone, Rochester and the Royal School of Needlework.

We don’t want to push you around so there’s no contents page. Instead, we’ve brought in a great new way to find inspiring student work. This is explained on the opposite page.

In this issue, we have over 100 submissions from 75 students covering everything from CGI to Fashion Design. The response to our call for work has been astonishing, with quality to match. We hope Glue grows to be part of student life, helping to inspire others and foster creativity.

Glue is so much more than just a magazine.

Go online to gluehere.com and listen to student radio, watch the films featured on pages 36-37, read blogs and view entire sets of work that we couldn’t fit in here.

We’re always accepting submissions for the next issue of Glue. Details of this can be found on the back cover.

Probably the best thing about Glue is that anyone can be part of it. Whether you fancy designing the magazine or presenting your own radio show, you can do it. Be part of this friendly team, simply by emailing asquire.su@ucreative.ac.uk. We’d love to have you on board!

We hope you enjoy the issue.

Canterbury Editor: Lewis Barton Epsom Editor: Mikaela Nguyen Farnham Editor: Gemma Noble Maidstone Editor: Brenda Alexis Rochester Editor: Samantha Wilkins Features Editor: Faye Gentile Chief Sub-Editor: Lauri Braddow Art Director: J.D. Dean Art (Subs) Editor: Lizy Bending Graphic Designers: Louise Ormerod, Sam Sammut, Alex Sokolov Use the format firstname@gluehere.com to email a member of the team.

Glue is printed on recycled paper. Please dispose of your copy responsibly.

Glue is a UCA Students’ Union publication. Although reasonable care has been taken to ensure details are correct, neither the Glue editorial team or UCASU can accept liability for inaccuracies, damages or loss. All images are copyright of the creator and should not be used, sold or exploited in any way without prior written permission. Students submitting to Glue accept that their content may be used in any aspect of Glue presence and a credit will be given. If you feel your copyright has been infringed, please email Andy Squire, UCA Students’ Union Communications & Media Coordinator via asquire.su@ucreative.ac.uk or call 01252 892629. To write to UCA Students’ Union, use the address UCA Students’ Union, Falkner Road, Farnham, Surrey, GU9 7DS. Editor-in-Chief: Andy Squire.

02 2-3.indd 2

22/03/2012 18:28

How to use this magazine It’s not very often that a magazine comes with a manual, but Glue is designed to fit around you so we’ve come up with a pioneering new way to help you find the stuff you like.

Here’s how it works: Our colour wheel is much more than just an icon; it’s a navigation tool for the magazine. The wheel is split into 20 segments; each representing an area of creative interest.

Pick a subject on the wheel that you are interested in. We predict you’re also interested in the three shades each side of it too. As you flick through Glue, look for the colours on the page corners. This tells you if the work on the page matches your interests. Or just look at absolutely everything.

To see more of someone’s work, just visit gluehere.com and search for the submission number shown above their name.

Graphic Design Advertising

Fashion Marketing & Promotion

Illustration Journalism

Print Making

Photography

Fine Art Film Fashion Design Animation Textiles CGI Crafts Mixed Media Interior

r 52

3D Architecture

Product

Interactive

03 2-3.indd 3

21/03/2012 15:49

In Real Life: An internet sensation

In Real Life

By Lauri Braddow

04 4-7.indd 2

22/03/2012 18:29

nthony Rosner has become the unexpected star behind one of UCA’s largest successes in recent years - ‘IRL - In Real Life’.

If you have played World of Warcraft, or indeed any other game that can easily consume so much time and money for a significant period of your life, you’ll understand IRL from the beginning.

Though for many, the addictive nature of such games is an alien concept. Anthony does an excellent job dissecting and explaining it.

In Real Life

It’s a light-hearted documentary that takes an incredibly personal look at a six year struggle with gaming addiction, an issue much bandied about in the media but rarely examined so closely. It looks at time, money, and opportunities spent on the Massively Multiplayer Online (MMO) game over the course of six years - but while the approach may be lighthearted, the message remains just as pertinent.

05 4-7.indd 3

22/03/2012 12:07

“I was worried I’d get hooked back into the game” The film is brilliant on both a technical and emotional scale, remaining totally accessible to gamers and non-gamers alike.

The story Anthony tells with his documentary is never lost in translation, and is both inspiring and heartwarming.

In Real Life

With an increasing roster of media appearances and interviews, Glue caught up with the third year film production student to find out exactly what’s behind the video and what the future holds for Anthony in real life.

Did you ever expect IRL to go viral?

It was a shock. I didn’t expect it to pick up as fast as it did. Especially when a lot of the major gaming sites started reposting What role did classmates or friends play in it, everyone started sharing it on their the production? blogs and I didn’t expect that at all.

Well, they were mainly helping with the script, making sure it sounded good and How long did it take in-game to gather all flowed well. the footage for the film? Were you ever worried that you might get hooked again I showed them various previews of clips in the process? from the actual film to give me feedback I always worried in the back of my mind on how it looked and how it felt. It was just that I’d get hooked into the game but I general constant feedback all the time. knew that I was just playing a game to make the film.

Dave Novis designed the shot of the Earth at the end circling around the sun, I spent about two months gathering the it was just little bits like that they helped footage while editing the film. I think I had out with. There was one person who will over a terabyte of footage in total. I didn’t remain anonymous, who was playing the really feel worried about playing the game Norwegian girl in the film. or getting back into it because I always just knew that I was making a film.

What did your tutors think of the project?

They were generally quite positive about I’ve got my priorities worked out regarding it. They felt it was a subject that hadn’t what I want to do after the film, so boredom really been done before, and not really isn’t an incentive to play any more. shown in the way I was planning.

06 4-7.indd 4

21/03/2012 15:50

Other times it felt quite depressing in a way because I was looking at how much I felt that my life wasn’t going that great.

Especially the stuff with the Norwegian girl; that felt quite uneasy to look back at.

As part of my research I went back and looked through the old chat logs to make sure I could structure it properly and make sure it was all as close to the truth as possible.

There were highs and lows making it but I quite enjoyed the experience. I was very skeptical about making it because it’s such a personal subject but the more I thought about it and how I could make

it a good film motivated me to make the final product.

Have you had any attention from film producers or YouTube partnerships?

Not film producers as such but I’ve had quite a bit of media interest. The ABC channel in Australia want to do an interview with me, and I’ve been interviewed by BBC Radio Surrey.

At the moment I’m just going to wait and see what else happens from this film, and then make some decisions. It’s difficult because the industry I want to go into is very cut-throat.

My original plan was to graduate then try to find jobs with production companies while making my own films. On the whole a lot of those plans are still in action but I think this film will definitely help me achieve them.

In Real Life

Did you enjoy reliving those six years or was it painful?

It was quite nice to a degree because I was able to reflect on the good times I had in Warcraft.

07 4-7.indd 5

22/03/2012 18:47

SHOWCASE CREATE. SHARE. INSPIRE. BE INSPIRED. REPEAT.

00001

Mixed Media // Fine Art

00002

00001 3D Paper Manipulation Zoe Washer Graphic Design / Visual Comm.

Maidstone

00002 Madeline Jenkins Y3 Graphic Design Epsom

08 8-9.indd 2

21/03/2012 15:54

00003

00004

Fine Art

00005

00003, 00004, 00005 Canterbury High Street Rachael Murray Y1 Fine Art Canterbury 09 8-9.indd 3

21/03/2012 15:54

00006

Fine Art

00007

00006

00007

00008

Rosie Jenner Y3 Fine Art Canterbury

Rosie Jenner Y3 Fine Art Canterbury

Rosa Burton Fd. Dip. Art & Design Canterbury

10 10-11.indd 2

21/03/2012 15:55

00008

00009

00011

Fine Art

00010

00009 Girl Grace Nikobari Y3 Illustration Maidstone

00010 Cradle To The Grave Richard Want Y6 PT Fine Art Canterbury

00011 Rosie Jenner Y3 Fine Art Canterbury 11

10-11.indd 3

21/03/2012 15:55

00020

Crafts

00021

00020 Rebecca Onyett Y3 Silver, Goldsmithing & Jewellery Rochester

00021 Pendant Sophie Naylor Y1 Silver, Goldsmithing & Jewellery Rochester

12

14-15.indd 2

22/03/2012 11:50

00022

00025

00022, 00023, 00024

00025

Holly Negus Y1 Product Design Rochester

Zoe Sudds Graphic Design: Visual Comm.

Maidstone

Product Design

00024

00023

13

14-15.indd 3

22/03/2012 11:54

Royal School of Needlework

By Faye Gentile, Glue Features Editor

Anja Fenske Y3 Hand Embroidery Royal School of Needlework 14 14-15.indd 2

22/03/2012 18:47

tudents at the Royal School of Needlework, based in Hampton Court Palace, have no trouble when it comes to creating beautiful pieces of art.

After graduation, students can opt to continue for a third year in Fashion and Textiles at UCA Farnham. Their level of excellent craftsmanship has been sought after for many years, which has gained them many notable commissions throughout the 20th century.

Last year the school received a commission from designer Sarah Burton (who took over from the late designer, Alexander McQueen). Alongside her, a selection of students from second and third year worked on creating the magnificent wedding dress

for Kate Middleton, the Duchess of Cambridge, now attracting more than 600,000 on display at Buckingham Palace.

Course representative Will Ovenden says “There are preconceptions about embroidery being old and out of fashion, but it’s not, studying here is completely different, here we gain the knowledge and apply it with experience to create pieces of art”.

This couldn’t be more succinct; with over 140 years worth of collections to handle the school is blessed with a wide range of heritage at their disposal.

Textiles

This degree entails learning a prestigious skill of stitching combining both historical and contemporary contexts, encouraging personal, artistic and creative development.

Wedding photograph © Hugo Burnand.

Since its creation in 1872, the school has gone from strength to strength. Four years after being founded, Her Majesty Queen Victoria became their first patron and in 2009 UCA accredited their two year Foundation Degree in Hand Embroidery.

15 14-15.indd 3

22/03/2012 16:57

00026

Print Making

00027

00026, 00027

00028, 00029, 00030

Aaron Jarred Y2 Graphic Communication Farnham

Giorgio Del Buono Graphic Communication Farnham

16 20-21.indd 2

22/03/2012 12:53

00031

00029

00032

00030

00033

Print Making

00028

00031

00032

Emily Parker Illustration Maidstone

Rosa Burton Fd. Dip. Art & Design Canterbury

00033 Hospital Chloe Ainsley Y1 MA Graphic Design Rochester 17

20-21.indd 3

22/03/2012 17:09

Illustration

00034

00034, 00035 The Means of Production Luke Frost UCASU Maidstone 18 22-23.indd 2

22/03/2012 17:46

00035

00038

00039

00036

Illustration

00037

00036 Love Ana Stefaniak Y3 Animation Maidstone

00037 My room Zoe Washer Graphic Design / Visual Comm.

Maidstone

00038, 00039 Scott Crook Illustration Maidstone 19

22-23.indd 3

22/03/2012 17:46

00040

00041

Illustration

00042

00040

00041, 00043

Sophia Rufin BTEC Illustration Canterbury

Andrea Bergqvist Advertising & Brand Comm.

Farnham

00042 Find The Exit Sign Kenny Record Y2 Fine Art Farnham

20 24-25.indd 2

22/03/2012 17:49

00043

00045

Illustration

00044

00044 Lose Your Soul Ana Stefaniak Y3 Animation Maidstone

00045 Rafiu Onalaja Y3 Graphic Media Maidstone 21

24-25.indd 3

22/03/2012 17:49

Graphic Design

00046 00045

00046

00047 - 00051

Louis White Y2 Graphic Design Epsom

Sam Sammut Advertising & Brand Comm.

Farnham

00052 Modern Communication Claire Davis Y2 Graphic Communication Farnham

22 26-27.indd 2

22/03/2012 17:50

00047

00049

00050

00048

00051

00052

Graphic Design

00053

00053 King Modular Harry Poole Graphic Communication Farnham 23 26-27.indd 3

22/03/2012 17:51

00054

00055

00056

00058

Graphic Design

00057

00054, 00055

00056

Louise Ormerod Y3 Graphic Communication Farnham

Aaron Jarred Y2 Graphic Communication Farnham

00057 Dyslexia Action Antony Bearpark Graphic Media Maidstone

24 28-29.indd 2

22/03/2012 17:51

00060

00058 Chaos Within Order Zoe Sudds Graphic Design / Visual Comm.

Maidstone 00059 Kirigami Poster Lucy Parnell Graphic Communication Farnham 00059

KIRIGAMI Paper: 150gsm Cardstock Size: A3 Method: Double Sided Large Format Injet

00062

Graphic Design

00061

00060 Germany 2051 Tom Mac Graphic Design: New Media Epsom

00061

00062

Evrim Narin Y1 Graphic Design Epsom

Melisa Hasan Y1 Graphic Design Epsom 25

28-29.indd 3

22/03/2012 17:51

00063

00065

Architecture // Textiles

00064

00063, 00064 DKFA Ilianna Kliani Y5 Grad. Dip. Architecture Canterbury

00065

00066

Alison Douglas Fd. Dip. Art & Design Farnham

Clare Walker Y3 Textiles for Fashion & Interiors Farnham

26 30-31.indd 2

22/03/2012 17:52

00066

00067

00068

Textiles

00069

00067 Matyo Hearts Bryony Voller Y3 Hand Embroidery Royal School of Needlework

00068 Anja Fenske Y3 Hand Embroidery Royal School of Needlework

00069 Who Killed Cock Robin?

Bryony Voller Y3 Hand Embroidery Royal School of Needlework 27

30-31.indd 3

22/03/2012 17:52

00001

00070

00071

Fashion Promotion // Fashion Design

00072

00070

00071

00072

Charlotte Neuwels Y1 Fashion Promotion Rochester

Hayley Webber Ext. Dip. Art & Design Canterbury

Lucy Tibbitts Y1 Fashion Promotion Rochester

28 32-33.indd 2

22/03/2012 17:53

00073

00074

00076

Fashion Promotion // Fashion Design

00075

00073

00074

00075, 00076

Stephanie Ma Y1 Fashion Promotion Rochester

Tara Whitney Fd. Dip. Art & Design Rochester

Mark Cullum Y3 Fashion Promotion Rochester 29

32-33.indd 3

22/03/2012 17:54

00077

00077 Natalie Byrne Textiles for Fashion & Interiors Farnham

00078 Last Day of Summer Eliel Jones Y1 Photography Farnham

00078

00079 Natalie Byrne Textiles for Fashion & Interiors Farnham 00080

Fashion Promotion // Photography

00079

00080

00081

00082

Rosie Bertuello Fashion Promotion & Imaging Epsom

Lucy Tibbitts Y1 Fashion Promotion Rochester

Luke Butcher Y1 Photography Farnham

30 34-35.indd 2

22/03/2012 17:55

00081

00082

00083

00084 00085

Photography

00084

00083

00084

00085

Jake Yarwood Y2 Fashion Promotion & Imaging Epsom

Samuel Bradley Y3 Photography Farnham

Sam Francis Y3 Photography Farnham 31

34-35.indd 3

22/03/2012 17:54

Photography

00086

00086, 00087 Amie McAllister Y2 Photography Farnham 32 36-37.indd 2

22/03/2012 17:55

00088

00089

00090

Photography

00087

00088

00089

00090

Sandra Grabowska Photography (Contemp Pract) Rochester

Ben Lock Photography Farnham

Zoe Washer Graphic Design / Visual Comm.

Maidstone 33

36-37.indd 3

22/03/2012 17:55

00091

00092

Photography

00093

00091 Malicious Monarchy Ashley Moore Y2 Music Journalism Epsom

00092

00093

Susie De Lacy Y2 Photography (Contemp Prac) Rochester

James Stewart Y3 Photography Farnham

34 38-39.indd 2

22/03/2012 17:56

00004 00094

00095

00096

Computer Generation Imagery

00005

00094 FigureOne Loren Sunderland Animation Farnham

00095 Robert Roach Ext. Dip. Art & Design Rochester

00096 Steampunk iPhone Steve Martin UCASU Farnham 35

38-39.indd 3

22/03/2012 17:57

00097

Photography // Film

00098

00097 Council Flats Loren Sunderland Animation Farnham

00099

00098 The Death of the Cinema Projectionist

Jonny Flint Y3 Film Production Farnham 00099 Clockwork Orange Video Installation Sean Crotty Y1 Fine Art Canterbury 36

40-41.indd 2

22/03/2012 17:57

00100

00100 Wasteland Sam Hooper Y2 Film Production Farnham

00101

00101 Me, Rory Mary Henning et al.

Y3 Film Production Farnham

Film

00102

00102 SalomĂŠ Harvey Walton Y3 Video Arts Production Maidstone 37 40-41.indd 3

22/03/2012 17:57

Going Viral

http://www.flickr.com/photos/tranchesdevie

38 8-21.indd 16

22/03/2012 17:19

#GoingViral

By Lauri Braddow

ecently, marketing and advertising agencies the world over have realised the gargantuan promotional power of content ‘going viral’.

A video, picture, or podcast can go from a handful of hits to literally millions in the space of a few hours. Websites will crash due to intense traffic, social media explodes with the same link shared and shared again, and dollar signs ring in the eyes of advertisers everywhere.

Going Viral

It’s an invaluable marketing tool produce one piece of content with the right hook and if it succeeds in going viral, it will be seen by millions of people, at absolutely no cost to the company - in fact, their target audience will actually spread it amongst themselves on a personal level from one consumer to the other. Even if somebody doesn’t consume the press, it will still appear on their Twitter, Facebook, or just about any popular social media.

39 8-21.indd 17

22/03/2012 18:52

KONY2012

Going Viral

It’s a powerful tool if done well, so it’s no surprise that viral campaigns quickly came into use by charities, politicians, and activists for a number of causes.

A prime example of this kind of conflict of ideas is the recent KONY 2012 campaign.

A half-hour documentary in the making for near enough a decade, it went viral within two days after being posted on With this kind of immediate impact, it’s “The internet’s front page”, Reddit.com. common to become subjected to a new kind of digital peer pressure.

The campaign aimed to receive 500,000 views. It went to over 26,000,000 from After all, there are so many ideas appearing 100,000 in a single day. on our newsfeed on a day to day basis, it can sometimes be difficult to decide what It focuses on the deeds of war criminal to believe.

Joseph Kony and attempts by the

40 8-21.indd 18

22/03/2012 17:19

It has incredible emotional impact and is a very carefully constructed documentary, which does a fantastic job of plucking on heartstrings and playing on social guilt as it convinces young people to take up the cause.

But in the wake of its success, several sinister stories about Invisible Children, the charity behind the video, began to spread, almost as a counter-viral awareness campaign against the original.

As the organisation is non-profit, all of its profits must be made public - and through these public records it was revealed that roughly 30% of funding was spent on helping the situation in Uganda, and the rest is claimed as ‘administration’ and filmmaking costs.

Going Viral

filmmakers to rectify the unstable situation in Uganda. On the surface it seems like an altruistic, benevolent attempt to raise awareness about a subject the majority of people in the West are completely ignorant of.

41 8-21.indd 19

22/03/2012 17:19

http://www.flickr.com/photos/saadsarfraz

Going Viral

Infamous hacking collective Anonymous used similar tactics to further their cause during most of 2011 and all of 2012 so far, the group have taken down sites belonging to the American justice.gov site, Universal Music, and several other sites in a series of DDoS attacks.This was in retaliation for the FBI’s closure of file sharing site MegaUpload, which followed years of piracy allegations and investigation by governmental bodies.

web-hosting giant Go Daddy withdrew its support after Wikipedia founder Jimmy Wales threatened to transfer all Wikipedia domains from Go Daddy, and hundreds of Reddit users transferred domains away from the service.

Anonymous’ viral presence is undeniable.

Their trademark Guy Fawkes mask, adopted from Alan Moore’s V for Vendetta, is present constantly in social media and even more so during recent riots and protests the world over. The mask has become a symbol of social activism, worn by many who took part in the Occupy movements and student protests last year.

The attacks were carried out in the name of freedom of speech and data. It was believed that MegaUpload’s closure, carried out a single day after the Wikipedia and Reddit blackouts in protest of the Stop Online Piracy Act (SOPA), was an effort by The power of viral activism can be seen the government to prove that they didn’t outside of global-scale protests and need SOPA to stop copyright infringement. charity campaigns, extending to sparking and fuelling vigilante behaviour by the It succeeded by illuminating how pointless general public. In 2010, a middle-aged the SOPA bill was in the first place. woman was captured picking up a cat and casually throwing it in a wheelie In short, the bill would essentially give bin, closing the lid and walking off. The high-powered American corporations the security footage was placed online by power to shut down sites they believed to the cat’s owners in an attempt to discover be infringing on copyright. her identity, and 4chan.org, the home of Anonymous, quickly revealed her as a 45 Although it initially had heavy support year-old named Mary Bale. within Congress, the protests and DDoS attacks, which involves thousands of users So began the social vigilantism – a accessing a site simultaneously to overload Facebook group called ‘Death to Mary its capacity, resulted in several of the bill’s Bale’ was created and promptly filled with supporters dropping out entirely. Even hundreds of threats of violence. Although 42

8-21.indd 20

22/03/2012 17:20

This was one of the first cases of viral activism gaining the attention of the relatively slow-moving established media, and it’s the impact of Facebook, Twitter, and blogging that is beginning to establish new forms of social power. For the definitive proof of this, you don’t have to look any further than the Arab Spring conflicts.

During a series of protests and rallies against unfair governments in the Arab world, Facebook and Twitter were both used extensively to co-ordinate public action against inequalities in the East. This worldwide connection allowed them to get support from people outside of their country and publicise the conflicts as

they happened. The media, owned by the government, was completely incapable of reporting on the events, and so it fell to social media to keep the world in the loop.

Not only did it allow the affected nations to successfully cause social change, but it also inspired similar protests around the globe – European citizens sick to death of the recession and abysmal employment rates began to express their frustration. In America, the Occupy movement was born, which quickly spread across to the UK in the midst of the student finance chaos.

From great to small, from cats in bins to evil corrupted governments, social media and viral activism can make a difference, for better or worse. Next time something goes viral and floods your newsfeed, keep an eye on it. You might be witnessing the next big thing.

Going Viral

it was soon taken down, Bale was placed under police protection due to concern for her safety.

43 8-21.indd 21

22/03/2012 17:20

Glue: the magazine

By Gemma Noble Farnham Campus Editor

Glue is all about the community of UCA. It’s not about agendas or breaking stories, it’s about everyone at UCA. The first issue of the magazine was to get the word out about the power of student media. Packed full of submissions, it’s a fantastic way to get your work out so everyone can see.

Creative submissions get sent through to the Campus Editor (anything except writing basically) who gathers them all and then picks what goes in. It’s not about personal preference, it’s about getting your work out there, and keeping everything as diverse and interesting as possible.

to write about something, write it. If you want something written but not sure how to go about it, come forward and talk to us! Honestly, it’s as easy as that.

Get yourselves out there and get published one way or another! Email submissions to your campus @gluehere.com (eg We’re open enough to give you the farnham@gluehere.com) and submit your freedom to do what you want. If you want writing to features@gluehere.com.

gluehere.com and you’ll see everything that person has sent to us.

We hope this helps to encourage networking and collaboration across UCA campuses, by helping you find someone So that Glue stays interesting and relevant, to work with who produces the style you we also put everything online and keep it need. updated between issues.

It’s not just art and features you’ll find here Every piece of work submitted to Glue and though; you can also stream the radio printed in the magazine gets a submission station and listen to shows hosted by UCA number. Search for this number at www. students.

What Glue is about.

Glue: the website

44 46-47.indd 2

22/03/2012 18:53

Glue: the radio station

By Joe Traynor Radio Production / Programming

Glue radio is a “come and do anything you like” operation.

As part of the whole Glue set up we run on content to be uploaded to the Glue system student enthusiasm and participation and using just a laptop and free software. of course across every campus of UCA! It’s not all about the music either. Several Glue uses the radio equipment owned shows focus on news, sports and societies.

by Journalism on the Farnham campus It’s great fun being able to record with where we use three studios. some friends and you can also be heard Any UCA student can record a show, and online anywhere in the world. we’ll help put your show together. Don’t worry if you’re not near Farnham, though. Glue gives you the opportunity to Several students on every campus are showcase anything you want to the recording, editing and producing their own creative community here at UCA.

Glue: the future

campuses. Please email filmfestival@ In all seriousness though, we’ve had gluehere.com with links to your work if amazing interest from students and staff you want to enter. in the university, and also from people in Starting in September, we hope to have the local community. set up a TV station. We need help with this Planned for May is a film festival featuring so please email asquire.su@ucreative. great student work, touring all five UCA ac.uk if you want to help build it.

What Glue is about.

We’re already getting quotes to venture into space travel, buying the rights to David Cameron’s hairstyle and renaming a small Pacific island ‘Glue’, so stay tuned for those.

45 46-47.indd 3

22/03/2012 18:54

Thank you...

Lisa Adams-May Chloe Ainsley Brenda Alexis Esther Anyakwo Neil Arnold Binita Bantawa Chris Baranowicz Hana Barten Lewis Barton Lisa Bathke-Williams Trish Batley Anthony Bearpark Lizy Bending Andrea Bergqvist Rosie Bertuelo Lauri Braddow Samuel Bradley Kerrie Braithwaite Craig Burston Rosa Burton Luke Butcher Natalie Byrne Jed Camara Pam Capone Tess Castillo-Beesley Jane Carter-Lilley Patrick Casey Angela Chadwick Johanna Coulson Ben Cowan Scott Crook Sean Crotty Mark Cullum Matthew Dadson Jessica Davies Clare Davis Jake Davis Susie De Lacy Robert De Niet J.D. Dean Giorgo Del Buono Alison Douglas Jasmine du Rocher Tariq Emam Ali Farmer Jasmine Farram Anja Fenske Sophie Filar Matt Fleming Jonny Flint Sam Francis Luke Frost Martin Gardner Carl Gent Faye Gentile Charlie George Chris Gloag Darren Gould Sandra Grabowska Robbi Gray Ed Hewison Rob Harling Sally Harris

Melisa Hasan Rob Hayes Mary Henning Emily Hodgkin Sam E.H. Hooper Jayne Horswill Matthew Horton Tom Hughes Aaron Jarred Jolanta Jasiulionyte Madeline Jenkins Rosie Jenner Angela Johnston Katie Jones Eliel Jones-Rando Sak Victor Kahn Joe Kennedy Anum Khan Georgina King Tereza Kleovoulou Ilianna Kliani Darrel Lambert Eloise Lambert Amy Laraman Charlotte Levy Jack Lewis Alex Liew Ben Lock Hannah Looker Stephanie Ma Tom Mac Calum Mackenzie Mikey Martin Steve Martin Carma Masson Amie McAllister Ricky Mehta Ross Messenger Steve Miller Ben Mobbs Ashley Moore Markus Motum Rachael Murray Evrim Narin Alan Nash Sophie Naylor Holly Negus Katy Negus Gemma Noble Mikaela Nguyen Charlotte Neuwels Grace Nikobari Ricky Oh Rafiu Onalja Rebecca Onyett Louise Ormerod Will Ovenden Emily Parker Lucy Parnell James Perea Pat Plested Harry Poole Polly Rayns

Kenny Record David Reilly Jo Rich Robert Roach Alex Causton-Ronaldson Anthony Rosner Seymour Roworth-Stokes Rebekah Roy Sophia Rufin Sam Sammut Tim Savage Jitendra Shah Adam Shaw Jamie Shoard Mike Silver Sarah Simms Carly Slingo Brad Smart Lee Smart Becky Smith Dan Smith Dean Smith Laura Smith Roxy Spatari Rob Stanley Ana Stefaniak James Stewart Zoe Sudds Grace Suarez Annabelle Swift Loren Sunderland Glen Thompsett Lucy Tibbitts James Townsend Glen Travis Joe Traynor Mike Trusler Si Tuong Natalie Turner Joe Traynor Mike Trusler Marlene Utuk Talya Varga Lawrence Vincent Bryony Voller Ainsley Walker Clare Walker Harvey Walton Richard Want Zoe Washer Hayley Webber Roxanne Werter Bill West Pamela Wheeler Gavin Withey Samantha Wilkins Louis White Tara Whitney Eliott Williams Emma Wood Grant Woolley Jake Yarwood Jennifer Yoong

...for your submissions, involvement and support.

46 46-47.indd 2

22/03/2012 17:45

GET MORE GLUE.

ONLINE & RADIO: gluehere.com FACEBOOK: /gluehere TWITTER: @gluehere Be part of the team that makes Glue.

Email Andy Squire, UCA Students’ Union Communications & Media Coordinator: asquire.su@ucreative.ac.uk or call 01252 892629.

47 46-47.indd 4

22/03/2012 17:45

TO SUBMIT TO GLUE, JUST EMAIL YOUR CAMPUS ADDRESS: CANTERBURY@GLUEHERE.COM EPSOM@GLUEHERE.COM FARNHAM@GLUEHERE.COM MAIDSTONE@GLUEHERE.COM ROCHESTER@GLUEHERE.COM

GLUE IS RUN BY STUDENTS AT UNIVERSITY FOR THE CREATIVE ARTS AND SUPPORTED BY UCA STUDENTS’ UNION. UCASU.COM

COVER IMAGE BY BEN LOCK. 1+48.indd 2

21/03/2012 15:42