Glue - Issue 1

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THE FIRST EVER ISSUE OF GLUE. NUMBER ONE. TURN THE PAGE. YOU’LL FIND THE MINDBLOWING WORK OF UCA STUDENTS AND FEATURES ABOUT THE NOISY WORLD OF SONIC ART, A PEAK INTO THE MIND OF HELEN CARMEL BENIGSON AND A PILE OF OTHER STUFF.THIS IS THE START OF SOMETHING NEW. THIS IS ALL ABOUT YOU.

THIS IS GLUE.

JAN 2012.

SUPPORTED BY THE UCA CREATIVE FUND.

Welcome to Glue.

Here it is. The first ever issue of Glue, lovely and shiny, sitting in your amazing hands.

Glue is the first publication dedicated to the creativity of students at UCA, achieving an inspiring creative community across Canterbury, Epsom, Farnham, Maidstone, Rochester and the Royal School of Needlework.

We don’t want to push you around so there’s no contents page. Instead, we’ve brought in a great new way to find inspiring student work. This is explained on the opposite page.

In this issue, we have over 100 submissions from 75 students covering everything from CGI to Fashion Design. The response to our call for work has been astonishing, with quality to match. We hope Glue grows to be part of student life, which helps inspire others and foster creativity.

Glue is so much more than just a magazine.

Go online to gluehere.com and listen to student radio, watch the films featured on pages 40-41, read blogs and view entire sets of work that we couldn’t fit in here.

We’re now accepting submissions for the second issue of Glue, which will be released in March. Details of this can be found on the back cover.

Probably the best thing about Glue is that anyone can be part of it. Whether you fancy designing the magazine or presenting your own radio show, you can do it. Be part of this friendly team, simply by emailing asquire.su@ucreative.ac.uk. We’d love to have you on board!

We hope you enjoy the issue.

Canterbury Editor: Lewis Barton Epsom Editor: Mikaela Nguyen Farnham Editor: Gemma Noble Maidstone Editor: Brenda Alexis Rochester Editor: Samantha Wilkins Features Editor: Faye Gentile Chief Sub-Editor: Laurence Braddow Art Director: J.D. Dean Art (Subs) Editor: Lizy Bending Graphic Designers: Louise Ormerod, Sam Sammut, Alex Sokolov Use the format firstname@gluehere.com to email a member of the team.

Glue is printed on recycled paper. Please dispose of your copy responsibly.

Glue is a UCA Students’ Union publication. Although reasonable care has been taken to ensure details are correct, neither the Glue editorial team or UCASU can accept liability for inaccuracies, damages or loss. All images are copyright of the creator and should not be used, sold or exploited in any way without prior written permission. Students submitting to Glue accept that their content may be used in any aspect of Glue presence and a credit will be given. If you feel your copyright has been infringed, please email Andy Squire, UCA Students’ Union Communications & Media Coordinator via asquire.su@ucreative.ac.uk or call 01252 892629. To write to UCA Students’ Union, use the address UCA Students’ Union, Falkner Road, Farnham, Surrey, GU9 7DS. Editor-in-Chief: Andy Squire.

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How to use this magazine.

It’s not very often that a magazine comes with a manual, but Glue is designed to fit around you so we’ve come up with a pioneering new way to help you find the stuff you like.

Here’s how it works: Our colour wheel is much more than just an icon; it’s a navigation tool for the magazine. The wheel is split into 20 segments; each representing an area of creative interest.

Pick a subject on the wheel that you are interested in. We predict you’re also interested in the three shades each side of it too. As you flick through Glue, look for the colours on the page corners. This tells you if the work on the page matches your interests. Or just look at absolutely everything.

To see more of someone’s work, just visit gluehere.com and search for the submission number shown above their name.

Graphic Design Advertising

Fashion Marketing & Promotion

Illustration Journalism

Print Making

Photography

Fine Art Film Fashion Design Animation Textiles CGI Crafts Mixed Media Interior 3D Architecture

Product

Interactive

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Sonic Art

UCA is famous for its visual prevalence, with a number of courses focusing purely on the visual arts above potential other avenues of expression.

behind Evocation was something far more complex, and the reaction it evoked was purely intentional and designed to work on a different level to visual art.

It’s easy to overlook the potential audio has in artistic exploration, but Arts & Media student Ben Mobbs has taken advantage of a love of music and a technical background to create audio installations beyond art seen on a day to day basis - sonic art.

The sheer force of the subwoofer would drive the hundreds balls of polystyrene up into the air, with changing levels of power depending on how close people were to the sensor. This essentially gave the sound visual form, which in itself was a fascinating aspect of the installation.

“Evocation”, an installation in the Farnham campus towards the end of last year, was constructed of a box, an infrared sensor, a giant subwoofer, and hundreds upon hundreds of tiny polystyrene balls. Simple as the construction might be, the meaning

Evocation’s impact was considered on every level, beyond the physical aspect the low frequency plays on almost animal elements of our psychology, creating curiosity but fear at the same time.

“Sound has the underlying power to

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The installation used an infrared sensor to detect when people were approaching, and converted the distance into sound so the subwoofer changed volume the closer people got.

At -40hz, the sound was inaudible to most people, so it could only be felt.

According to Ben, this was intended to make people stop and think twice about their environment. This was part of what

inspired Ben to research the emotional power of sound, why it excites and moves human nature, and how it could be interacted with.

Harnessing that specific frequency of bass for the purpose of art is no light undertaking, and the experience that Evocation was designed to create was not one of lofty analysis or cursory admiration as you passed it in the hallway. It was designed to engage the audience in a passive-aggressive fashion, the low throb of the bass changing the environment it was housed in, immediately alerting any unaware viewers to its presence and capturing attention.

This particular work of sonic art directly interacts with the people around it, both 05

Sonic Art

make people feel inadvertently� Ben said when asked about the inspiration behind Evocation, and the other sonic art projects he has undertaken since. “I come from a technical background, and I prefer to think about how I can make things first, and then create a meaning behind them�.

visually and emotionally, by touching on primal human fears, or the “huntergatherer” instincts - the inherent human survival mechanism.

In Ben’s own words, the physical display and audio effect work intrinsically when triggered, causing people to approach and shy away from the installation at the same time.

Sonic Art

As it’s difficult to immediately understand how it works, Evocation would keep drawing curious people back for another look, despite the uncomfortable effect of the low frequency. It both excited and scared people at the same time because of the sound and the sudden physical reaction. These are areas of the psyche film rarely reaches.

Sonic art is a brilliant, if sadly unexplored medium. But when it is developed, it has the potential to be even more powerful than visual art.

By Laurence Braddow

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Sonic Art

SHOWCASE CREATE. SHARE. INSPIRE. BE INSPIRED. REPEAT.

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Mixed Media // Fine Art

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00001 3D Paper Manipulation Zoe Washer Graphic Design / Visual Comm.

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00002 Madeline Jenkins Y3 Graphic Design Epsom

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Fine Art

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00003, 00004, 00005 Canterbury High Street Rachael Murray Y1 Fine Art Canterbury 09

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Fine Art

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Rosie Jenner Y3 Fine Art Canterbury

Rosie Jenner Y3 Fine Art Canterbury

Rosa Burton Fd. Dip. Art & Design Canterbury

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Fine Art

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00009 Girl Grace Nikobari Y3 Illustration Maidstone

00010 Cradle To The Grave Richard Want Y6 PT Fine Art Canterbury

00011 Rosie Jenner Y3 Fine Art Canterbury 11

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3D

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00012, 00013, 00014 Anum Khan Y1 3DD Farnham 12

00015 Lost Girl Ben Cowan Y2 Film Production Farnham

00016 Dapper Shark Grace Suarez Y2 Animation Farnham

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Animation

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00017 Hidden Ad Charlie George Y1 Animation Farnham

00018 CIRKUS Jennifer Yoong MA Graphic Design & Comm.

Epsom

00019 Stupid Weather Update Grant Wooley Y2 Film Production Farnham 13

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Crafts

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00020 Rebecca Onyett Y3 Silver, Goldsmithing & Jewellery Rochester 14

00021 Pendant Sophie Naylor Y1 Silver, Goldsmithing & Jewellery Rochester

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Holly Negus Y1 Product Design Rochester

Zoe Sudds Graphic Design: Visual Comm.

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Product Design

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Royal School of Needlework.

Anja Fenske Y3 Hand Embroidery Royal School of Needlework 16

Imagine studying in an environment where inspiration for your creativity was all around. For the Royal School of Needlework, based in Hampton Court Palace, students have no trouble when it comes to creating beautiful pieces of art.

Founded in 1872 by Lady Victoria Welby to revive pieces that had fallen to disuse and create more employment for young women, the school gained the Royal seal of approval in 1875 when Her Majesty Queen Victoria became their first patron.

Course representative Will Ovenden says “There are preconceptions about embroidery being old and out of fashion, but it’s not, studying here is completely different, here we gain the knowledge and apply it with experience to create pieces of art”. This couldn’t be more succinct; with over 140 years worth of collections to handle the school is blessed with a wide range of heritage at their disposal. We look forward to displaying their work and shining a light on their talent at the UCA graduation show in late May.

Textiles

After graduation, students can opt to continue for a third year in Fashion and Textiles at UCA Farnham. Their level of excellent craftsmanship has been sought after for many years, which has gained them many notable commissions throughout the 20th century. More notably, last year the school received a commission from designer Sarah Burton (who took over from the late designer, Alexander McQueen).

Alongside her, a selection of students from second and third year worked on creating the magnificent wedding dress for Kate Middleton, the Duchess of Cambridge, now attracting more than 600,000 on display at Buckingham Palace.

Wedding photograph © Hugo Burnand.

Since then, the school has gone from strength to strength; in 2009 UCA accredited their two year Foundation Degree in Hand Embroidery. This degree entails learning a prestigious skill of stitching combining both historical and contemporary contexts, encouraging personal, artistic and creative development.

By Faye Gentile, Glue Features Editor.

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Arts funding cuts: Should we be worried?

I am sure that at this point, most of you will be at least mildly aware of this country’s little economic downturn.

Now, for all that this entails, one word is thrown around more than any other: ‘cuts.’ The Arts have, of course, suffered.

Given the nature of our collective interests, it is therefore fair to say that we should probably have cause for concern. It is thus time, once again, to justify arts funding.

In a climate such as the one we live in, it can be difficult to rationalise funding to the arts, if you put it in terms comparable to say, the threat to social services.

However, if you look for the reasons, they are there. You don’t even have to look particularly hard - for example, the Arts Council was founded over 60 years ago, and believes to this day that “there is more we can do together to nurture and champion talented artists and promote England as an international artistic centre.” Visitors to free national museums have doubled within the past decade. National fundraising charity, the Art Fund, received record numbers of membership in 2011. Furthermore, British concert and theatre culture is some of the most envied in the world.

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Moreover, the merit of publicly funded arts is continually seen within the mounting proof of its social value. There is compelling evidence for the benefit of arts participation in the treatment of mental health patients; for example, armed forces veterans are encouraged through several charities to rehabilitate psychological afflictions, such as Post Traumatic Stress Disorder, with the use of art therapies. In late 2011, BBC’s Culture show visited a therapy session at charity ‘Combat Stress’ – Janice Lobban, arts and trauma therapist, explains that “being able to express [memories] a little bit at a time symbolically… can help then to process it, to put it into words.”

Furthermore, there’s been success in arts activities when rehabilitating prisoners; “Art therapy helps patients to be selfaware and understand themselves in a new light; recognising their negative and destructive behaviour, but not being ruled by it.” says Imke Wood of Creative Expression, a therapy charity.

One could name countless examples of art therapies being beneficial to both individuals and community.

However, the fact is that arts are being cut, and they’re being cut hard. And whilst we can contest this in a social context as much as we like, as UCA students, we also want to understand how we’ll be affected.

Firstly, it’s important to recognise that all universities across England will be facing cuts this year; higher education policy has taken to the streets, both in a figurative sense, and in the form of protests and riots alike. Still, as it stands, the creative arts have been hit

particularly badly. UCA is one of the worst cut universities in the country, facing 80% cuts in the coming year.

In a practical sense? This means less money – substantially so; that directly affects your education. Certain courses across the university could be put in jeopardy. This also has implications for future generations of students; income will now have to come from them, and beginning from 2012, they will be paying top end fees of £8500.

What’s more, the repercussions will also be realised beyond university.

The worst affects on arts provision in England are yet to be seen; David Edgar, playwright and president of the Writers’ Guild, claims that we may expect “the closure of the great majority of currently funded arts organisations.” Sacrifices have already been made - take the UK Film Council, which funded and supported young, home-grown talent; it was abolished last year, in a cost-cutting drive by the Department for Culture, Media and Sport.

So, should we worry? Well for now, it is more important that UCA students stand true to what it is that they do, and forbear the policies that could wreak havoc with not only the future of UCA, but with arts institutions and the creative sector nationally. The Arts Council suggests that part of art’s very purpose is to increase people’s capacity for life and provide a safe place in which we may build skills, confidence and self-esteem. Surely in an economy, and indeed a country, so fragile and indefinite as this one is right now, we should encourage this to every extent that we can.

By Polly Louise Rayns

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Print Making

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Aaron Jarred Y2 Graphic Communication Farnham

Giorgio Del Buono Graphic Communication Farnham

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Print Making

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Emily Parker Illustration Maidstone

Rosa Burton Fd. Dip. Art & Design Canterbury

00033 Hospital Chloe Ainsley Y1 MA Graphic Design Rochester 21

Illustration

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00034, 00035 The Means of Production Luke Frost UCASU Maidstone 22

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Illustration

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00036 Love Ana Stefaniak Y3 Animation Maidstone

00037 My room Zoe Washer Graphic Design / Visual Comm.

Maidstone

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Illustration

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Sophia Rufin BTEC Illustration Canterbury

Andrea Bergqvist Advertising & Brand Comm.

Farnham

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00042 Find The Exit Sign Kenny Record Y2 Fine Art Farnham

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Illustration

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00044 Lose Your Soul Ana Stefaniak Y3 Animation Maidstone

00045 Rafiu Onalaja Y3 Graphic Media Maidstone 25

Graphic Design

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Louis White Y2 Graphic Design Epsom

Sam Sammut Advertising & Brand Comm.

Farnham

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00052 Modern Communication Claire Davis Y2 Graphic Communication Farnham

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Graphic Design

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00053 King Modular Harry Poole Graphic Communication Farnham 27

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Graphic Design

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Louise Ormerod Y3 Graphic Communication Farnham

Aaron Jarred Y2 Graphic Communication Farnham

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00057 Dyslexia Action Antony Bearpark Graphic Media Maidstone

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00058 Chaos Within Order Zoe Sudds Graphic Design / Visual Comm.

Maidstone 00059 Kirigami Poster Lucy Parnell Graphic Communication Farnham 00059

KIRIGAMI Paper: 150gsm Cardstock Size: A3 Method: Double Sided Large Format Injet

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Graphic Design

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00060 Germany 2051 Tom Mac Graphic Design: New Media Epsom

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Evrim Narin Y1 Graphic Design Epsom

Melisa Hasan Y1 Graphic Design Epsom 29

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Architecture // Textiles

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00063, 00064 DKFA Ilianna Kliani Y5 Grad. Dip. Architecture Canterbury 30

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Alison Douglas Fd. Dip. Art & Design Farnham

Clare Walker Y3 Textiles for Fashion & Interiors Farnham

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Textiles

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00067 Matyo Hearts Bryony Voller Y3 Hand Embroidery Royal School of Needlework

00068 Anja Fenske Y3 Hand Embroidery Royal School of Needlework

00069 Who Killed Cock Robin?

Bryony Voller Y3 Hand Embroidery Royal School of Needlework 31

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Fashion Promotion // Fashion Design

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Charlotte Neuwels Y1 Fashion Promotion Rochester

Hayley Webber Ext. Dip. Art & Design Canterbury

Lucy Tibbitts Y1 Fashion Promotion Rochester

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Fashion Promotion // Fashion Design

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Stephanie Ma Y1 Fashion Promotion Rochester

Tara Whitney Fd. Dip. Art & Design Rochester

Mark Cullum Y3 Fashion Promotion Rochester 33

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00077 Natalie Byrne Textiles for Fashion & Interiors Farnham

00078 Last Day of Summer Eliel Jones Y1 Photography Farnham

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00079 Natalie Byrne Textiles for Fashion & Interiors Farnham 00080

Fashion Promotion // Photography

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Rosie Bertuello Fashion Promotion & Imaging Epsom

Lucy Tibbitts Y1 Fashion Promotion Rochester

Luke Butcher Y1 Photography Farnham

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Photography

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Jake Yarwood Y2 Fashion Promotion & Imaging Epsom

Samuel Bradley Y3 Photography Farnham

Sam Francis Y3 Photography Farnham 35

Photography

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Photography

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Sandra Grabowska Photography (Contemp Pract) Rochester

Ben Lock Photography Farnham

Zoe Washer Graphic Design / Visual Comm.

Maidstone 37

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Photography

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Susie De Lacy Y2 Photography (Contemp Prac) Rochester

James Stewart Y3 Photography Farnham

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Computer Generation Imagery

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00094 FigureOne Loren Sunderland Animation Farnham

00095 Robert Roach Ext. Dip. Art & Design Rochester

00096 Steampunk iPhone Steve Martin UCASU Farnham 39

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Photography // Film

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00097 Council Flats Loren Sunderland Animation Farnham 00098 The Death of the Cinema Projectionist

Jonny Flint Y3 Film Production Farnham 00099 Clockwork Orange Video Installation Sean Crotty Y1 Fine Art Canterbury 40

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00100 Wasteland Sam Hooper Y2 Film Production Farnham

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Y3 Film Production Farnham

Film

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00102 SalomĂŠ Harvey Walton Y3 Video Arts Production Maidstone 41

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Who is Helen Benigson and what does she do? Where does her inspiration come from; what sparks her creativity?

“I’m an artist and a rapper, my alter ego is Princess Belsize Dollar. I love music and art; my creativity comes from anything, from lying on a beach to eating sushi. I love anything that involves football, fantasy league and I love being online.

UCA invited me to exhibit Palm Trees and Poker Players, I’m very excited - I hope to create a really cool environment that all the students at UCA will enjoy.”

UCA Farnham’s James Hockey & Foyer Galleries will be hosting a new and exciting exhibition entitled ‘Palm Trees and Poker Players’ by artist and rapper Helen Carmel Benigson.

Represented by ROLLO Contemporary Art, a commercial gallery located in London, who also represent other artists such as Tracey Emin and Cecily Brown.

Her work involves multimedia collisions that explore boundaries of elements such as politics, geography, or the body. From everything that involves layering colour, sound and print to create ‘dreamlike and hyper sensual installations’ ultimately presenting an exploration inspired by her current generation and surroundings.

What is ‘Palm Trees and Poker Players’?

“It’s literally about palm trees and poker players. I was inspired during my travels in South Africa and Israel, seeing the palm trees in the desert. I’m also inspired by poker players, I think it’s a really interesting game – everything from the body language and bluffing, it’s all about concealment. ” What next for Helen Benigson?

“I’m doing a 12 month residency at Lux and have some really exciting collaboration coming up, my alter ego, Princess Belsize Dollar, will be appearing in the movie of ‘Entourage’, so watch this space!”

Her sexy, colourful and edgy installations will held

in the James Hockey and Foyer Gallery from the 26 January through to 17 March.

By Faye Gentile, Glue Features Editor.

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Prince Charles Film Club, Maidstone.

The Prince Charles Film Club is an exciting platform for like-minded students to gather and share views and interests about cinema.

We host weekly, afternoon film screenings and a monthly ‘film night’.

exploring these themes will be shown. The City, not only as space but as metaphor, a means to make interesting decisions in our lives and how deviation from where could lead to adverse outcomes.

Every Wednesday at 16:00 is a screening of a feature film (popular, independent, or ‘art house’) based on a one-off or recurring theme, linking the broadest range of films with the most intimate idea from [Philip K.] Dickian questions of Reality to cultural mannerisms. Complimentary refreshments at every screening.

Both sessions which inspire an exciting and creative way of looking at films, encourage discussion and analysis within a social cinemalike environment, and introduce new films to students they “didn’t know they wanted to see.”

The next will take place on Friday 3rd February from 19:30. This occasion’s theme is ‘The City and Self-Navigation; a series of short films

For more information see our Facebook page: Prince Charles Film Club Tariq Emam President, Prince Charles Film Club.

What’s on:

Prince Charles Film Club

January 18 Open Your Eyes 25 Uncle Boonmee Who Can Recall His Past Lives February 03 FILM NIGHT: The City and Self Navigation

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07 Special ‘Green Week’ screening collaboration with UCA Green.

15 Uzak 22 I’m A Cyborg But It’s Okay 29 Melancholia

Turning your passion into your career.

The services dedicated to careers at UCA offer help. They point you in the right direction to finding the necessary contacts and most suitable vacancies for work placements and internships according to your discipline.

This support includes vast resources via the UCA website and myUCA, with useful links, video resources and downloads for career guides, to creating unique personal branding strategies. This personal branding strategy optimises how to catch the attention of a potential employer, from maximising your curriculum vitae, to promoting yourself on the internet; be that through social media or web showcasing.

Got a big interview coming up and feel lost for words? Advisers such as Neville are also able to coach students with interview

With an up and coming event to promote future career aspects for students, UCA Epsom will be hosting an alumni conference – “Life in the Big Pond” on the 20th of March.

A panel of established graphic design and fashion alumni will speak to current students; “We’ve invited alumni to return to the ‘small pond’, so to speak, and share their stories from the ‘big pond’” says Neville. Not only this, but there will be a recruitment element, with plenty of information for internships.

Students interested in attending the conference can find details via the UCA Careers web resource: www.ucreative.ac.uk/careers and sign up through the Facebook page.

By Faye Gentile, Glue Features Editor.

Turning your passion into your career.

With a market for recruitment that is fiercely competitive, the demand for career guidance from students is high.

UCA career adviser Neville Kemp assures students of the wide range of support available.

techniques for that perfect deal clincher.

UCA are looking to launch the ‘CV Gallery’ on myUCA (myFuture tab), enabling students to upload, display and vote for the CV they believe to be the best, and a prize for the winner! This, UCA hopes, will encourage students to be inspired for their CVs and learn what will catch the eye of that potential employer and make a great first impression.

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Thank you...

Lisa Adams-May Chloe Ainsley Brenda Alexis Neil Arnold Hana Barten Lewis Barton Lisa Bathke-Williams Trish Batley Anthony Bearpark Lizy Bending Andrea Bergqvist Rosie Bertuello Laurence Braddow Samuel Bradley Craig Burston Rosa Burton Luke Butcher Natalie Byrne Jed Camara Pam Capone Tess Castillo-Beesley Angela Chadwick Ben Cowan Scott Crook Sean Crotty Mark Cullum Clare Davis Jake Davis Susie De Lacy J.D. Dean Robert De Niet Giorgo Del Buono Alison Douglas Tariq Emam Anja Fenske Sophie Filar Matt Fleming Jonny Flint Sam Francis Luke Frost Faye Gentile

Charlie George Sandra Grabowska Melisa Hasan Rob Hayes Mary Henning Sam EH Hooper Matthew Horton Aaron Jarred Madeline Jenkins Rosie Jenner Eliel Jones Rando Joe Kennedy Anum Khan Ilianna Kliani Darrel Lambert Amy Laraman Ben Lock Stephanie Ma Tom Mac Steve Martin Amie McAllister Steve Miller Ben Mobbs Ashley Moore Rachael Murray Evrim Narin Alan Nash Holly Negus Gemma Noble Mikaela Nguyen Charlotte Neuwels Grace Nikobari Rafiu Onalaja Rebecca Onyett Louise Ormerod Will Ovenden Emily Parker Lucy Parnell Harry Poole Pat Plested Polly Rayns

Kenny Record David Reilly Robert Roach Alex Causton-Ronaldson Anthony Rosner Seymour Roworth-Stokes Sophia Rufin Sam Sammut Tim Savage Jitendra Shah Jamie Shoard Dean Smith Laura Smith Ana Stefaniak James Stewart Zoe Sudds Grace Suarez Loren Sunderland Glen Thompsett Lucy Tibbitts Joe Traynor Mike Trusler Talya Varga Lawrence Vincent Bryony Voller Zoe Washer Clare Walker Harvey Walton Richard Want Hayley Webber Roxanne Werter Bill West Pamela Wheeler Samantha Wilkins Louis White Tara Whitney Elliot Williams Emma Wood Grant Woolley Jake Yarwood Jennifer Yoong

...for your submissions, involvement and support.

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GET MORE GLUE.

ONLINE & RADIO: gluehere.com FACEBOOK: /gluehere TWITTER: @gluehere Be part of the team that makes Glue.

Email Andy Squire, UCA Students’ Union Communications & Media Coordinator: asquire.su@ucreative.ac.uk or call 01252 892629.

TO BE PART OF ISSUE 2 (DUE MARCH), JUST EMAIL YOUR CAMPUS ADDRESS: CANTERBURY@GLUEHERE.COM EPSOM@GLUEHERE.COM FARNHAM@GLUEHERE.COM MAIDSTONE@GLUEHERE.COM ROCHESTER@GLUEHERE.COM

GLUE IS RUN BY STUDENTS AT UNIVERSITY FOR THE CREATIVE ARTS AND SUPPORTED BY UCA STUDENTS’ UNION. UCASU.COM

COVER IMAGE BY BEN LOCK.