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GEORGETOWNER VOLUME 57, NUMBER 24
AUGUST 24 - SEPTEMBER 6, 2011
Fall Arts Preview
John Blee: The Poetry of Color
Virginia Wine Festivals Calendar of Events
GBA Toasts Furins at house of sweden
®
Chevy Chase, MD
$1,099,000
Unique 4BR, 4.5BA Contemporary nestled in a cul-de-sac on 1/3 acre lot. This brick home is an impressive combination of interior hardwoods, expanses of glass, beamed ceilings in Chef’s kitchen which features a fireplace & family area. Friendship Heights Office 202-364-5200.
Georgetown, DC
$1,395,000
Exquisite sun-drenched home! Enormous master suite includes a full bath, office, wall of closets & fireplace. Lower au pair suite features a bedroom, renovated bath, kitchen & separate entry. Upgraded/renovated throughout! Miller Chevy Chase North 202.966.1400.
16th Street Heights, DC
$999,999
McLean, DC
Observatory, DC
$1,995,000
Classic 1920 7BR 4.5 BA on sun-filled corner lot. Enchanting garden, terrific kitchen opens to family room, deck & yard. Master suite w/ deck & paneled library with fireplace. Close to Guy Mason Park, Cathedral & shopping. Terri Robinson 202.607.7737/ 202.339.9209 (O).
$2,950,000
Custom Builder of the year Winner Chadsworth Homes. Stone & Hardiplank, gracious porches. 9,100+ fin sqft. Foyer, gallery, Library, great room, custom kit, LL media area, exercise room & wet Bar. 6 BR, 3-car-garage. Dec 2011 delivery. Susan Fadoul 703.402.1717/ 703.730.1990 (O).
Wesley Heights, DC
$939,000 Wonderful townhome in prime location. Fabulous 2nd floor master suite with fireplace, sitting room, 2 baths, two large bedrroms & bath above, kitchen, spacious dining room & living room, large family/ media room & office area below. Miller Spring Valley 202.362.1300
$929,000
A meticulously renovated one level home with panoramic views. Wraparound balcony, spacious foyer, living, dining, den, and gourmet kitchen. Three very private bedrooms and baths. Garage parking. Stuart Blue 202.298.5942/ Scott Polk 202.256.5460/ 202.944.8400 (O).
$1,129,999
Grand home Built by society architect, Donald Drayer, elegant and spacious rooms designed to flow for gracious entertaining. HW, 16+ft ceilings in great room and library w/fire place & 2 Juliette balconies & flagstone patio. Chevy Chase Uptown Office 202.364.1300.
www.ExtraordinaryProperties.com.
Very gracious townehome in very private location in this sought after community. Features include a spacious top floor master bedrooms, dining room with two-story ceiling and windows, two fireplaces. Miller Spring Valley Office 202.362.1300.
Wesley Heights, DC
Chevy Chase, DC
We invite you to tour all of our luxury listings at Wesley Heights, DC
Wesley Heights , DC
$1,249,000
Picture perfect Wardman style home preserves and maintains its original character. This elegant residence offers 5 bedrooms and 4 full baths on four finished levels. Expansive floor plan, large sun drenched rooms, and private English Garden. Chevy Chase Office 202.363.9700.
$819,000 Prime Location ½ block off U street. Nearly 3200 square feet. Ripe for renovation into house with rental unit or condo conversion. Woodley Park Office 202.483.6300.
Bethesda, MD
$2,108,000
Washington, DC
$1,875,000
Renovated to the highest standards grand public rooms & luxury 2 level owners suite w/dual baths, sitting room, dressing room w/walk in closet & yoga/meditation room. Exquisite & private. 5 acre lot. Great Pool! Bethesda All Points Miller 301.229.4000.
$910,000 Elevator to all level of Classic Westover TH. Open flr plan, gracious LR opens to terrace, library level w/option for a total of 3BRs. Master suite w/French doors to balcony. Assigned parking, easy access to shopping & public transportation. Nancy Ittielag 202.905.7762/ 202.362.1800
Grand Entertaining home expanded & renovated to include double family rooms, 1st flr Mast ste, 3car garage. All sited on a 2-Acre lot. Avenel provides private surveillance and landscape maintenance for a monthly fee. Nancy Itteilag 202.905.7762/ 202.363.1800 (O).
Washington, DC
$1,375,000
Rare top floor unit with coveted Kalorama location & views over Mitchell Park! 3 big bedrooms with en suite baths. Master Bath has separate Jacuzzi tubs, hardwood floors throughout. European ambience, walk to Embassies, parking included. Leigh Reed 301.674.2829/240.497.1700 (O).
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Washington, DC
contents
Vol. 57, No. 24
“The Newspaper Whose Influence Far Exceeds Its Size”
PUBLISHER Sonya Bernhardt
ABOUT THE COVER
MANAGING EDITOR Samantha Hungerford FEATURES EDITOR Gary Tischler Robert Devaney
— Pierre Cardin
John Blee with his painting “Appalachian Spring.” Photo by Tom Wolff
MARKETING& ADVERTISING DIRECTOR Adra Williams IN COUNTRY & ADVERTISING Evelyn Keyes
This week’s cover features celebrated D.C. artist John Blee who is seen here with one of his signature pieces full of bright blocks and saturated hues. See page 16 to read the story of Blee’s work and inspiration.
WEB & SOCIAL MEDIA Charlene Louis CREATIVE DIRECTOR Jen Merino GRAPHIC DESIGN Aaro Keipi PHOTOGRAPHERS Yvonne Taylor Neshan Naltchayan Jeff Malet
OUR CONTRIBUTORS
CONTRIBUTORS David Post Jack Evans Bill Starrels Amos Gelb John Blee Donna Evers Veena Trehan
ARI POST
Jody Kurash Linda Roth Conte Mary Bird Stacy Murphy Lisa Gillespie Caroline Jackson
After a brief hiatus, it’s refreshing to be back in Washington. The District’s arts, culinary and cultural scenes have a life and character all their own—which I for one have sorely missed—and with a quality to rival any international city. After working with The Greenbrier for this issue, however, it seems worth taking a weekend away from this bustling metropolitan hub and unwinding by the foothills of the Appalachian Mountains at this world class resort. With interior designer Carlton Varney’s assistance, this historic resort and spa has yet again reinvented itself, raising the bar once more for luxury getaways nationwide.
INTERNS Bridget Belfield Shannon McGovern Lara Mitra COUNSEL Juan Chardiet, Attorney Doyle, Barlow & Mazard PLLC
Since 1954 4 — Calendar 5 — D.C. Scenes 6 - 7 — GT Observer ANC: 8th District Added Evans’s Use of $135K to Buy Sports Tickets Questioned GT Waterfront Park’s Opening Set for Sept. 13 Chain Bridge Weekend Closures Begin Where to Park? Classes Begin Aug. 31 Earthquake Shakes D.C. 8-9 — Editorial/Opinion/Observer Are We In a Recession? A Hurricane, Not An Earthquake Jack Evans Report Letter to the Editor Foggy Bottom Whole Foods Opens Soon HMX Group to Open ‘The Streets of Georgetown’ Happy 90th Birthday, Ben Bradlee National Jewel Center at Old Georgetown Theater Site to Empty 10 — Business Phoenix Goes Green 11 —Feature Property 12-17 — Cover Story Fall Arts Preview 18-21 — In Country The Greenbriar Resort Virginia Wine Event Calendar 22-23 — Dining Guide
Published by Georgetown Media Group, Inc. 1054 Potomac St., N.W. Washington, DC 20007 Phone: (202) 338-4833 Fax: (202) 338-4834 www.georgetowner.com The Georgetowner is published every other Wednesday. The opinions of our writers and columnists do not necessarily reflect the editorial and corporate opinions of The Georgetowner newspaper. The Georgetowner accepts no responsibility for unsolicited manuscripts or photographs and assumes no liability for products or services advertised herein. The Georgetowner reserves the right to edit, rewrite, or refuse material and is not responsible for errors or omissions. Copyright, 2011.
24 — Classifieds/ Service Directory
LARA MITRA I was born and raised in Georgetown just a few blocks away from the office of The Georgetowner. I’ve spent this summer trying to figure out what I want to study when I start college in the fall. After shadowing a dermatologist, volunteering for a non-profit, teaching 3 to 5 year olds Spanish and finally interning at The Georgetowner, I still don’t have much of an idea. I do know that interning at The Georgetowner has allowed me to see Georgetown from a new perspective. I’m less concerned with the upcoming sales at BCBG and new fudge flavors at Thomas Sweet. Instead, I’ve turned my attention to local events and new trends in Georgetown. I love what I’ve learned so far and hope to continue writing articles!
www.Georgetowner.com
PETA Criticizes Dean & Deluca for Animal Cruelty
Scan me!
FEATURED ON THE WEB
PETA, the largest animal rights organization in the world whose “Glass Walls” exhibition is currently in place on the Mall, has turned its attention to Georgetown’s Dean & Deluca. The high-end grocery store is one of the few places in D.C. that sells foie gras, which many cherish as a delicacy but which PETA believes is associated with extreme animal cruelty and should be banned across the nation...
25 — Body & Soul Murphy’s Love Between the Sheets 26-27 — Food & Wine Miller Lite Scoreboard at Nats Park Cocktail of the Week Daniel Giusti Exit Interview 28-30 — Social Scene The Source Hosts James Beard Celebrity Chef Tour Navy Band Concert GBA TOAST Furins at House of Sweden Washington Area Concierge Association Gala Second Annual Green Fair at The Fairmont Wedding Announcement Washington Animal Rescue League’s Paws at the Park PAL at Pete’s
Go to www.Georgetowner.com for the full story!
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UP
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COMING
AUGUST-SEPTEMBER 2011 August 24
September 2
Martin Luther King, Jr. Memorial Celebration Cruises
Wine in the Water Park Wine in the Water Park brings the ambient music of DJ Adrian Loving, wine and beer selected by the Washington Wine Academy, and free snacks from Jaleo to the Crystal City Water Park (across from 1750 Crystal Drive). Taking place every Friday in September (September 2nd, 9th, 16th, 23rd, and 30th) from 7 p.m. to 10 p.m., the event gives residents, office workers, and visitors a great place to unwind after the work week.
The Odyssey and the Spirit of Washington are celebrating the dedication of the Martin Luther King, Jr., Memorial with music and live entertainment from the Civil Rights Era, narration highlighting Dr. King’s achievements, and creative plated cuisine. Lunch and brunch cruises (2 hours long) as well as dinner cruises (3 hours) are offered. Lunch and brunch cruise tickets cost $59.90, while the dinner cruise sells for $94.90. To purchase tickets, call 866-3062469.
August 25
Dog Days of Summer Fest: BBQ and Brew Bash Roof Terrace Restaurant & Bar invites you to wash away the work week with a few beers and BBQ favorites. Dog Days of Summer is part of Roof Terrace Restaurant’s monthly Wine & Cultural Celebration Series, in which patrons are invited to experience wines, beers or spirits of a particular type or region, paired with food and entertainment. The cost is $40 per person. For reservations (required), call 202- 416-8555.
September 23
8th Annual Living in Pink Luncheon & Boutique Come celebrate with Living in Pink as they present the Living in Pink Award and the Noel Soderberg-Evans Award at the Fairmont Washington Hotel. The event benefits breast cancer research and takes place from 10:30 a.m. to 2:30 p.m. Tickets cost $145 per person and can be purchased online. R.S.V.P by Sept. 16.
September 16 Nancy Scimone
August 27
Live Jazz With Vocalist Nancy Scimone Vocalist Nancy Scimone delivers spirited performances of American, French and Latininfluenced tunes. The Henley’s extensive wine list, classic cocktails savory treats and desserts are perfect accompaniments to these sublime songs. Cozy tapestry seats, intimate lighting. No Cover. Saturdays, 7:30 - 11:30. For reservations, call 571-232-1873.
Michael Fujita New Porcelain Work Exhibit Join the Cross Mackenzie Gallery as they celebrate the opening of their first solo artist exhibition in their new gallery location. Ceramic artist, Michael Fujita, uses vibrant colors in his mixed-media pieces, which are a delight to the viewer. The opening reception will take place from 6 to 8 p.m. Exhibit runs through Oct.12. For more information, call 202-333-7970. “Cloud” by Michael Fujita
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DC
SCENE
Photos and text by Jeff Malet, www.maletphoto.com
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1. Rear Admiral Edward K. Walker, Jr., USN (Ret)
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(center in photo) and the staff of the U.S. Navy Memorial place a wreath at the statue of the Lone Sailor in Washington, D.C., on Aug. 9 in honor of Navy SEALs Team Six killed in action. 2. U.S. Navy Ceremonial Guard performs at the Navy Memorial on Aug. 9. 3. Captain Brian O. Walden conducts the U.S. Navy Band on August 9. Free, live concerts are performed by the U.S. Navy Band every Tuesday evening until Aug. 30 on the United States Navy Memorial Plaza. 4. Texas Governor Rick Perry on Aug. 13 declared his presidential candidacy in South Carolina. This photo from his appearance at CPAC in D.C. on Feb. 11. 5. In-line (roller) hockey takes place on the closed portion of Pennsylvania Ave., N.W., between 15th and 17th Street in front of the White House every Saturday and Sunday noon (photo from Aug. 20). 6 & 7. Police arrested 65 environmentalists on Aug. 20 outside the White House, as part of a demonstration urging President Obama to block the proposed Keystone XL pipeline that would bring oil from Canada’s oil sands projects to Gulf Coast refineries.
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GT ANC: 8th District Added In response to population growth, the Georgetown Advisory Neighborhood Commission’s working group to redraw ANC 2E, which represents Georgetown, Burleith and Hillandale, voted in favor of a plan advanced by working group’s co-chairs – commissioner Ron Lewis of ANC2E and his co-chairs, Jennifer Altemus of the Citizen’s Association of Georgetown and Lenore Rubino of the Burleith Citizen’s Association. The proposal adds a new singlemember district (SMD) by increasing the number of Georgetown University student districts from one to two, bringing Georgetown’s ANC districts to a total of eight (each accounting for roughly more than 2,000 individuals). The approved plan splits SMD04 into two, creating a totally new SMD08. (The student districts would account for about 2,500 individuals.) Burleith remains SMD01, and a few blocks are added north on Wisconsin Avenue to SMD05. Voting in favor of the co-chairs’ plan, commissioner Bill Starrels said, “I think it was thought-through, well laid-out and addressed the concerns and all aspects of the community.” An opposing view, advocated by John Flanagan, a student on the ANC 16-member working group, called for three student-dominated zones, folding parts of the west side of Georgetown into the university districts. Flanagan had cited the principle of “one man, one vote,” arguing that increased student population warranted three districts. The co-chairs’ proposal answered back, in part, with a call for continued “community cohesiveness,” where traditional
OBSERVER
borders between several blocks had naturally developed. The plan will be discussed at the next week ANC meeting with any changes requested by Sept. 7, then passed to the Ward 2 re-districting team and onto Council member Jack Evans. The re-districting changes must be voted on by the D.C. Council by the end of 2011 and will become effective November 2012. Next ANC 2E meeting: Monday, Aug. 29, 6:30p.m. at Georgetown Visitation Preparatory School, 35th Street and Volta Place.
Evans’s Use of $135K of Service Funds over a Decade to Buy Sports Tickets Questioned
Jack Evans attending a Nationals game
Taking money from a D.C. Council member’s citizen service fund to purchase tickets
to local baseball, basketball, hockey or tennis games – while perfectly legal – was been called into question because of an investigation by the Washington Post. According to the Washington Post, “D.C. Council member Jack Evans has paid $135,897 for professional sports tickets over the past decade using money from his constituent services fund, renewing calls for tighter restrictions on the accounts, which are meant to help city residents. A Washington Post review of Office of Campaign Finance records shows that Evans (D-Ward 2) has spent $437,720 since January 2002 under the program, which allows District politicians to raise money to help constituents and spend the funds largely unfettered.” “I think it’s appropriate to support those teams and give [tickets] to constituents who otherwise may not be able to get to a game,” Evans told the Post. The newspaper added, “When the fund is examined back to 1991, when Evans was elected to the council, he notes that only 13 percent of the $1 million he has spent has gone toward sporting tickets. He said that 20year period provided a more accurate picture of his spending.” Under D.C. law, constituent services funds may be set up to offer “charitable, scientific, educational, medical, recreational and other services” and improve residents’ “general welfare.” Any other restrictions – save for political campaigning – are not outlined. Nevertheless, the money can add up quickly over the years for tickets to sporting events. The Post went on further: “On March 1, for
example, Evans wrote a check for $4,681 for a season ticket to the Capitals. Two days later, he paid the Wizards $7,644. His two 2011 season tickets at Nationals Park, which he said are behind first base, cost him $10,945 last fall, the records show.” At least one council member – Tommy Wells (D-Ward 6) – told the Post, “I think it’s inappropriate.” A few community leaders did not really wish to comment, and a few others wondered where their tickets were. For the kids, of course.
Georgetown Waterfront Park’s Grand Opening Set for Sept. 13
Yet another win for Georgetown. After years of fundraising, designing and construction, the transformation from old parking lots on the Potomac to an urban park, inviting the public to play along the waterfront, is complete. On Sept. 13, Georgetown Waterfront Park becomes the largest national park created in the Nation’s Capital in 35 years since Constitution Gardens was finished on the National Mall in 1976. Thanks to the National Park Service, the
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GT Georgetown Waterfront Park Commission, architects Wallace Roberts & Todd as well as donations by MRP Realty (the owners of Washington Harbour), Pepco, the Georgetown BID, and the District of Columbia, a 10-acre park stretches out at the foot of Wisconsin Avenue on the Potomac River. Once the land of old Georgetown’s wharves and then factories, the riverside deteriorated into parking lots and empty land. In 1985, the District of Columbia transferred the waterfront land to the National Park Service. In the late 1990s, the Georgetown Waterfront Commission made the final, long push for completion, bringing together volunteers, residents, the rowing community, local leaders and the National Park Service as it highlighted the Potomac’s signature sport: rowing. The Georgetown Waterfront Park provides a green space for visitor recreation and contemplation, the commission is proud to point out. Cyclists, skaters, and pedestrians have their own car-free pathways with views of individual boaters, kayakers and competitive crews as well as of Roosevelt Island and Key Bridge. The park curves along 10 acres from the Washington Harbour complex at 31st Street to Key Bridge, a vital last link in 225 miles of parkland from Mount Vernon, Va., to Cumberland, Md. The park will have Wi-Fi, the commission reports, and it adds: “The Wisconsin Avenue part of the park will greet the visitor with a low arcing fountain lined with benches, while the riverfront will have steps laddering down to the river at the site of
OBSERVER
the finish line for the regattas. A wide walkway will be continued along the river with an area with benches and a pergola for river viewing. In this section of the park, crowds can gather to watch rowing regattas or just look at the river from the sheltered pergola. The interactive fountain will add a playful aquatic feature to attract visitors to the river from Wisconsin Avenue. An arbor above the benches will invite visitors to relax by the water. The arbor will support flowering vines, filtering the sunlight over seating areas. Below the arbor, river stairs will descend to the water, forming an amphitheater where people can view activities in the park and watch the finish line of the boat races.”
Chain Bridge Weekend Closures Begin The District Department of Transportation (DDOT) announced it will be closing the Chain Bridge on weekends to conduct structural repair work activities under the bridge deck. The majority of the repairs on Chain Bridge completed last spring were conducted on the bridge deck. Now through Dec. 23, weather permitting, DDOT will be conducting an additional series of repair related activities that will be concentrated under the bridge. Weekend closures will be necessary to perform this work. During the following weekends, Chain Bridge will close starting at 8 p.m. on Friday and will reopen at 5 a.m. the following Monday: Aug. 19 to 21; Sept. 9 to 11; Sept. 16 to 18; Sept. 30 to Oct. 2; Oct. 7 to 9; Oct. 21 to 23; Oct. 28 to 30; November 18 to 20; Dec. 2 to 4; Dec. 16 to 18. There will be no access to the bridge from
either the District or Arlington. That includes cyclists and pedestrians because the sidewalk will also be closed. Through traffic on Canal Road will not be obstructed, but motorists will not be able to turn onto Chain Bridge. Motorists are advised to use alternate routes and river crossings including the American Legion, Key, Roosevelt, Memorial and 14th Street Bridges. For additional traffic advisories, visit DDOT’s Traffic Alerts page or visit goDCgo.com for more information on transportation options in the District.
Where to Park? They’re Back: Freshmen Arrive Aug. 27; Classes Begin Aug. 31
Construction on O and P Streets hamper parking.
Will we see a parking snafu next week? Already Georgetown University students are setting up for new student orientation, and some students are moving in. Freshmen officially arrive on Saturday, Aug. 27, with other undergraduates to follow, as registration begins
and then classes start on Wednesday, Aug. 31. Residents who park their cars on 35th Street and adjacent streets, near the university, should expect double the effort to find spaces. As work at Nevils dormitory continues on N Street and road construction expands along O and P Streets, entire blocks have lost their parking spaces. The streets are alive with dump trucks throughout the day. How difficult it gets to find a space remains to be seen. We will know soon enough.
Earthquake Shakes D.C. Tuesday afternoon, Aug. 23, the 5.9 magnitude earthquake whose epicenter was in Richmond, Va. sent people spilling out of office buildings and into the streets, including the staffers of The Georgetowner, where the question “What was that?” bounced back and forth between dazed Washingtonians. Stock fell off grocery store shelves, windows cracked and chunks of the National Cathedral fell to the ground. “It’s a very scary sound when you hear 1,000 bottles clanging together and your feet are vibrating,” said Sean Clark, proprietor of Dixie Liquors. But people seem to be most upset about the horrendous traffic that ensued after most D.C. buildings were evacuated. While the quake left many people shaken, the city seems to be approaching the event with good humor. “We just saw a lot of people evacuate out of the building and traffic was really bad, but I don’t think people were overreacting,” said Patrick Ryan, a Washington, D.C. photographer. “I think people are taking it in stride.”
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EDITORIAL/OPINION
ARE WE IN A RECESSION? By David Post
A
re we in a double-dip recession? Economists hedge their bets using percentage. Most suggest a 30-percent chance we’ll go back into a recession though some go out on a limb and peg the odds at up to 50 percent. The better question is whether we are out of the one we entered three years ago. Unemployment rose from 5 percent to 9 percent and has not come down since. I’m not an economist, so what do I know? But the answer is Yes. 100 percent. We are in a recession. My money says the Labor Department will confirm this after it accumulates and analyzes the data in 45 days. A recession occurs when a country produces less than it did for two prior quarters. Production declines when people stop buying, and the U.S. economy relies upon the consumers buying 70 percent of production. Another 30 percent comes from federal, state and local governments. Congress is locked in a death spiral to cut federal spending. Federal discretionary spending – dollars not on auto-pilot – will be the lower as a percentage of the economy in over 50 years. Entitlement spending – those dollars on autopilot like Social Security and health care – is rising. Most of entitlement spending is merely a transfer of money from one taxpayer to another. For example, social security takes money from current workers and transfers it to retirees. That’s government spending, but not production. Increased Medicare, Medicaid, and military health costs are rising because of we are getting older, poorer, and wars have hidden costs. The federal government’s stimulus two years
ago – a continuing source of political warfare – was very small and mostly offset by spending cuts by state and local governments. Teachers, policemen, firemen and government employees were fired. School budgets and local governments have reduced services. Highways and bridges and other infrastructure needs are not being built or fixed. In the end, the net additional government spending was close to zero. A fired teacher who starts a new lawn care or babysitting business earns less and buys less. Consumers buy less for many reasons. Wages haven’t grown in 30 years. Increased gas prices and food costs mean more money goes to the same quantity of goods, so fewer dollars are available to buy other consumer goods needed to pump up the economy. Home values have declined 30 percent and demand has declined even more. Sellers are receiving less for their property and have less to spend after they sell. New construction is almost non-existent, so construction workers have had not work for years. Foreclosures are four times higher than just a few years. Banks are nervous that flooding the market with almost 2 million foreclosed houses will push values down further. If that happens, more banks risk becoming insolvent and being taken over by the government. History teaches that recovering from a recession doesn’t happen when real estate values decline. Jobs cannot grow without a stable real estate market which pulls construction, manufacturing, banking, furniture, materials like steel and concrete and aluminum, and so many other industries with it. These industries that feed construction are suffering. The real estate industry is in tatters – probably the equivalent
of a depression. Banks are nervous about lending because they are afraid they won’t get paid back. Even with historically low interest rates, lending standards make it more difficult for borrowers to qualify for loans to buy a house or start a business. Consumers are buying fewer new cars. Fewer consumers are using their credit cards that allow them to buy-now, pay-later. For years, economists have scolded consumers for using their credit cards and told them to save more. Nervous consumers are paying down their credit cards and using them less. Fearful about an uncertain future, consumers are saving more. Stock markets have lost 15 percent of their value – trillions of dollars – in a few weeks. Retirement accounts are lower. Consumers are scared. The U.S. public and world markets have lost confidence in the U.S.’s ability to govern itself. Other countries worldwide have their own economic problems, so they are buying less. If we’re not in a recession, that is merely a technicality. We went into a recession when unemployment rose from 5 percent to 9.8 percent. Because 90.2 percent of the workforce doesn’t produce and buy what 95 percent of the workforce would, the new goal line for determining growth became the 90.2 percent. So if unemployment drops to 9 percent and the economy rises to 92 percent of full production, that’s about 1 percent growth, though lower than the 95 percent production before the recession began. Only an economist could call that growth. Are we in a recession? Absolutely. Have we come out of the past recession? No. We all know this. Only the economists don’t.
A HURRICANE, NOT AN EARTHQUAKE By Gary Tischler
L
ast week, I saw a headline in one of the few remaining daily newspapers left in the whole wide world which indicated that the reptile house in Washington would be renovated. Naturally, I headed to Capitol Hill to see what was going on in Congress. Turns out nobody was home. The guys are out of town, on vacation or running for president. Or just running. But you know it’s been a weird summer. Heck, it’s been a weird year. Just plain everybody is still embarrassed and ticked about the way our resident politicians from the president to congress to tea party-ers to the media dealt with the debt crisis, which went from a routine yearly thing to political Defcon 3 in about the time it takes John Boehner not to return a call. Was that a mess or what? And now you know why Eric Cantor was smiling. He for one is not running for president, but the dean of the GOP Young Guns is aiming straight at the speaker’s job. Squeaky wheel, indeed. The Chinese are mad at us, so mad they picked a fight with the Georgetown University basketball team in China on a good will game tour. The S&P is mad at the country because of the way Washington — that would be the fools on the Hill and at the White House — handled the whole debt mess, so much so that it lowered our borrowing rating to AA, a low-light battery if
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there ever was one. The media seems to be mad at Obama along with any number of people who are unhappy about him vacationing in Martha’s Vineyard with rich people. Did you expect him to vacation, I don’t know, Detroit, maybe, or on the Texas-Mexico border with the drug lords? Already, the media is in a kind of frothing frenzy about the GOP primary race, especially now that Texas Governor Rick Perry is in the race. Michelle Bachman won the straw poll in Iowa, whatever that gets you, Tim Pawlenty dropped out, Ron Paul finished second and Newt Gingrich, living up to his first name, finished behind but stayed in for reasons that defy logic, common sense, and Murphy’s Law. Perry, the dark-eye-brow man who looks like and drawls like a Texas gunslinger, all ominous and mouthy, made his announcement in South Carolina, where all common sense takes flight to destinations unknown. Or as someone said, in South Carolina, Yahoo is a state of mind not a search engine. South Carolina was the first state to secede from the Union, and Perry is the only current GOP runner who thought that might be a good idea. So far, Perry has called the Chairman of the Federal Reserve a traitor, and reiterated that global warming is a science community plot to get grants, or something like that. He’s easy to mock if you’re one of those soft liberal com-
mentators, or Bill Maher, but he’s also serious. I’m guessing he’s a pretty good poker player. Bill Clinton called him a handsome rascal, an odd choice of words which indicate he reminded him of another handsome rascally Southern governor of yore. Almost everything that could happen this year, happened: Japan, the Middle Eastern spring turned into violent summer, the death of Bin Laden, the heightening casualties in Afghanistan, the debt ceiling fiasco, the shootings in Arizona, strikes by high paid athletes, horrible draughts, fires, tornadoes and heat waves, a stock market operating like a whiz bang, atrocity in Norway, the Kardashian wedding. It’s nice to still be able to feel safe in our own neighborhoods. I mean, it’s not like we could get hit by an earthquake or something. Oh wait. That happened. Just now, or less. Cans flew off the shelves in the Adams Morgan Safeway, where a counter girl was in tears. Cars shook on the street; a chimney fell off an apartment building as a 5.8 or 5.9 quake hit the East Coast, specifically Virginia. The Pentagon was evacuated. I was walking on 18th street and felt nothing. But the folks at the post office were a little off, feeling dizzy, and everyone felt and sometimes saw buildings shake. Well, there goes that. A hurricane is coming, and it’s Hurricane Perry.
JACK EVANS REPORT
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thought I had written my last Georgetowner article about the 2012 budget last month. Unfortunately, the Council was taken by surprise by the pocket veto from Mayor Gray and will have to revisit some of the problems that we had just worked hard to solve. Of particular note was the proposal to retroactively tax interest earned on out-of-state municipal bonds all the way back to Jan. 1, 2011, which I have been advocating strongly against. You may recall that the Council passed an amendment on July 12 to push the implementation of this new tax proposal on municipal bonds back to cover only earnings from Jan. 1, 2012, and beyond, giving everyone a little more time to make responsible changes in their investment portfolios and tax payment schedules if needed. Now that the Mayor’s veto has undone the Council’s solution, I will be working again with my colleagues to come up with creative new ways to postpone and then repeal this tax, which disproportionately impacts retirees. It is absolutely irresponsible for Mayor Gray and the Council not to grandfather in existing bondholders, as has been done in every other state without exception. Three of your at-large Councilmembers – Phil Mendelson, Michael Brown and Vincent Orange – do not support grandfathering unless the income tax is increased. This is another bad idea which will harm our city. I also wanted to briefly address the iGaming proposal that is currently under consideration by the District’s Lottery Board. In case you are not familiar with the concept of iGaming, the idea is to offer internet games such as Texas Hold ‘em Poker on computers in yet to be determined locations within the District. In response to concerns from community members at a Finance & Revenue Committee hearing I chaired, I asked the Lottery to schedule a number of community meetings to receive input on iGaming before moving forward with enabling these games in any neighborhoods. I subsequently requested that the Lottery move to further accommodate community members by postponing meetings originally scheduled for August to more convenient times in mid-September and October, and am pleased that they have done so. This change in the schedule will allow more residents to return from out-of-town summer trips and be engaged in the community meeting process. Finally, Advisory Neighborhood Commission redistricting is well underway. The neighborhood-based subgroups of the Ward 2 Redistricting Task Force have been checking in with my office regularly, and I look forward to seeing their final recommendations in the near future. Please feel free to contact Ruth Werner at rwerner@dccouncil.us or Kevin Stogner at kstogner@dccouncil.us, both in my office, to be added to the redistricting distribution list, or to answer any specific questions you have.
EDITORIAL/GT LETTER TO THE EDITOR
D
ear Editor: As a faithful reader of The Georgetowner I was delighted by Jeff Malek’s “DC Scene” of August 10th which displayed a poster featuring the message “HANDS OFF MY SOCIAL SECURITY.” Those are my sentiments exactly! I only wish I had been there in person to say so. Since landing my first summer job at age 14, I have paid into the Social Security Fund. Now, at age 80, as one of Georgetown’s older residents, I am grateful for the coverage it provides; my monthly retirement check makes it possible for me to meet my daily needs -- without it I would regrettably find myself a burden on others. Many errors of fact are being promulgated about Social Security during this current preelection warm up season -- among them that the program is about to run out of money. The fact is the fund is fully solvent for the next several decades and has been a major cash cow for the federal government since 1935 when it was initiated. FDR labored for two years to persuade Congress to enact the enabling legislation; it was not until he brought a team of lawyers onto Capitol Hill to argue persuasively that the fund would not be placed in a “lock-box” but would be fully fungible that Congress finally passed it. I do hope that people with doubts about this matter will take the time to do a little research to confirm my conclusions. With many thanks for your fine publication and wishing you all the best, I am, sincerely yours, Joan W. Drake
OBSERVER
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Foggy Bottom Whole Foods Opens Sept. 6 The Foggy Bottom Whole Foods Market holds its grand opening on Tuesday, Sept. 6, at 10 a.m. With an entrance at the corner of 22th and Eye Streets and near the Foggy Bottom Metro stop, the food company’s newest store in D.C. is part of the building complex, known as “The Avenue,” at 2200 Pennsylvania Ave., N.W., with offices, banks and a Sweetgreen eatery. Just east of Georgetown at Washington Circle, the store is set to serve Foggy Bottom and George Washington University, but you can go, too. Hours: Monday through Sunday, 8 a.m. to 10 p.m. Phone: 202-296-1660.
HMX Group to Open ‘The Streets of Georgetown’ The boys are trying to catch up with the girls in terms of fashionable clothing stores. New York-based HMX Group, which features men’s brands such as Hickey Freeman, Hart Schaffner Marx and Bobby Jones, will premiere a store at 1254 Wisconsin Ave. next month, called “The Streets of Georgetown,” reports the business section of the Washington Post. The other town, outside New York City, for HMX’s new “Streets” stores is Beverly Hills. “There is definitely more pronounced interest from men’s
fashion retailers for the first time that I can remember in my 25 years in business in D.C.,” retail space expert and Georgetown Business Improvement District board member John Asadoorian told the Post. HMX’s mix of clothing labels sell at different price points and the company hopes to serve a variety of men’s fashion customers.
Happy 90th Birthday, Ben Best known for the Washington Post’s Watergate investigations, former Post executive editor Ben Bradlee turns 90 on Aug. 26. But don’t look around town for Bradlee and his wife Sally Quinn. They are in France – on the Ile de Ré, an island in the Atlantic off its west coast, as well regarded as Martha’s Vineyard or Nantucket here. Dozens of guests at the birthday party, planned by Quinn, include family members along with friends, such as Christiane Amanpour and her husband, James Rubin, Bob Woodward and Carl Bernstein.
National Jewel Center at Old Georgetown Theater Site to Empty by Aug. 31 The classic neon “Georgetown” sign is what everyone cares about, but the stalls in the National Jewel Center are leaving the old site of the Georgetown Theater on Wisconsin Avenue at O
Street. The property – owned by the Heon family, which also owns the Serendipity 3 building (Nathans) at Wisconsin and M and the Philly Cheese Steak place (Cellar Door) at 34th and M – is renewing its sales pitch, as reported in the Prince of Petworth blog. The building went on the market two years ago for almost $5 million; most figure it will go for half that amount. Here is what one real estate entry discloses: 1351 Wisconsin Ave. consists of 6,086 square feet, including street and mezzanine; the lot is 6,569 square feet. It has the famous landmark “Georgetown” sign marking the entrance of the building. The retail space can be increased by up to 3,767 square feet at the rear of the building which now has seven parking spaces and an out building. Zoned C-2-A, it is currently the largest lot in Georgetown for sale.
Correction: In the Aug. 10 issue, a photo of outgoing 1789 Restaurant executive chef Daniel Giusti misidentified a woman in the picture with him; she is Jina Kang.
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ome to Congress, Washington D.C. has long been the center of social movements that have swept our nation. Innovative and inspiring ideas are brought before our nation’s leaders, are debated and refined, and often transformed into legislation. Recently, the hype has been about “going green” and making changes at home and at work to lower one’s carbon footprint. It’s now fashionable to wear “organic” clothing and to find a blue recycling bin to put aluminum cans instead of throwing them away. In 2009, the House passed a historic climate change bill that requires 20% of electricity to come from renewable sources by 2020. The bill also increases electricity prices by $175 a year per household by 2020. Yet, even with congressional pressure to improve energy efficiency, why aren’t more local businesses following the trend of “going green?” The high cost of installing renewable energy systems and the significant time commitment required to explore greener resources are just two challenges that business owners face when making the switch to a greener business model. One local businessman, John Hays, has managed to overcome such setbacks and convert his Georgetown store, The Phoenix, into an environmentally friendly business. For years, Hays has demonstrated a commitment to sustainabil-
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ity through recycling, selling renewable bags, and buying products with “fair trade” certification. About a year ago, Hays wanted to make his commitment to the environment even stronger and signed up to install 30 solar panels on the roof of The Phoenix. Hays recognizes the significant cost of installing solar panels and how many might find the numbers daunting, but has managed to take advantage of numerous local and federal incentives that make the transition
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more affordable. “One-third of the cost of the panels is funded by the DC government,” Hays explains, “and I will also receive a 30% tax cut from the federal government.” In addition, Hays can exchange some of the energy produced by the solar panels in the form of solar Renewable Energy Credits (sRECSs) for cash from local electricity distributors such as PEPCO. With financial help from the D.C. government, the federal government, and sRECs, Hays saw little stopping him from converting to solar energy. The solar panels are expected to generate over 7,000 kilowatts of power each year, which will amount to 60% of The Phoenix’s total power usage. After five years, the total energy produced by the panels will make up for their cost. Hays hopes that other local businesses will follow in his footsteps and install solar panels or make other changes to promote the environment. “All the economic incentives in place make using renewable energy possible,” Hays says. “With rising energy prices, companies might be paying more for power if they don’t make the switch.” An investment in solar energy today might even be profitable in the longterm. Next week, the installation process will be complete and the solar panels will be up and running, generating energy for The Phoenix while simultaneously helping Georgetown become a greener neighborhood. Who will be next?
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John Blee: The Poetry of Color By Robert Sacheli
I
f color is a language, then John Blee can be considered a lyric poet. The Washington painter, whose solo exhibition will be seen at The Ralls Collection in October, produces abstracts lit with the sheen of a summer sunset. Vivid oranges and yellows play against sky blues that shade into purples, punctuated by pinks that range from the palest of roses to vibrant corals. In less skillful hands, the effect could be garish. Instead, Blee’s colors, no matter how surprising their combinations, sing with an assured harmony. “You paint out of the whole experience of your life,” says Blee, and an important part of that life was spent growing up in India and Pakistan, where his father was a State Department officer. “Indian color is off the scale—it’s not subdued,” he says, and his paintings reflect its sun-drenched intensity. Blee also points to the richly hued Indian Basohli miniature paintings of the 17th and 18th centuries as inspiration for his colors. His artwork—and life—is also informed by another influence nurtured during those years, the spirituality of India. Blee counts among his mentors painter Helen Frankenthaler, whose work helped shape the Color Field movement of the 1940s and ’50s. “I remember when I met [her], when I was still an art student. I found her color amazing. Colorists are very rare. I asked her how she chose colors and she replied it was like a poet choosing a word for a poem. I feel the same.” Jane Roberts, whose Paris gallery hosted exhibitions of Blee’s work in 2008 and in June
of this year, singles out his “supreme sense of color and light, like late Bonnard, whom he particularly loves. His paintings seem to glow from inside and have a joyous life of their own, unlike many abstract paintings which are merely formal exercises. A French collector, a busy lawyer, who bought a painting in 2008 told me that she has John’s painting opposite her desk and it literally calms her down after difficult meetings!” Blee’s exhibition will focus on his latest works, paintings he groups into his “Orchard Suite,” whose genesis originated two years ago after seeing an exhibit of late Bonnards at the Metropolitan Museum of art. “There was one with a checked tablecloth in the bottom of the canvas with a still life on it,” Blee says. “It suggested to me the space of a landscape—the checks were like small farms seen from a mountain—and the fruit spilled over them the fruits of the land. From that picture I made ‘Eastern Orchard,’ the first of what I think of as my continuing suite” “But,” he adds, “Klee in the series of ‘Magic Square’ pictures [of the 1920s and ’30s] always has played inside of me. Those works are like the purest sounds in music and they deeply engage me. I first started looking at Klee seriously when I was 14 or 15 in Delhi and bought a book of his work, my first thick art book. I still look at it.” The rhythmically deployed, rectangular forms that appear in much of Blee’s work often echo Klee. Gallery director Marsha Ralls finds other parallels in the “Orchard Suite” paintings: “These particular works of John’s really are a continuation of the Washington Color School. The color really glows.” The series also has literary roots, a 1920s collection of French-language poems by writer Rainer Maria Rilke, grouped under the title “The Orchard.” “The word ‘orchard’ has a sense of the seasons to me, of ripening and flowering,” says Blee. “It encompasses fruition, growth, decay, and transformation.” That John Blee’s paintings are underscored by both visual and literary sources—as well as philosophical ones—isn’t surprising. Spend time talking to him, and he’ll weave a rich thread of references that range from Baudelaire to poet Hilda Morley to Hindu mythology to Braque. It’s this sense of connection and synthesis that fuels Blee’s creativity. “I believe very strongly that all the arts, though focused differently, have the same source. We speak in words, and where words are the most
like painting is in poetry. It is not just or solely the images of poetry, it is the power of language itself. For me music and dance and theater are all the same as poetry and painting.” Blee says that “in the New York School of painting, which I descend from, as with the [pre-World War I] School of Paris, poets have allied themselves with painters and vice versa. I read Frank O’Hara’s criticism in art magazines when I was a kid in Delhi. All my own critical work is based on those pieces, the verbal part anyway. O’Hara had a real love of painting that I share. His poetry is very much alive and accessible in the moment, coming right from life and spilling out.” “Rilke, though, was a far greater influence,” he says. “I read him first as a late teen, and really only began to ‘get’ him after a year or two. But his vast poetic landscape and a desire to go beyond all and put it together in a larger vision has always been part of my own search in my painting.” “For me, the poet of my own life is Hilda Morley whom I met at the artists’ colony Yaddo in 1973 and knew until her death in 1998. She knew all the New York painters and composers and had been married to composer Stefan Wolpe. She was the real thing. Her poetry mirrored the New York School of painting. One needs living examples to understand this complicated thing called ‘life,’ and being an ‘artist’ is not something that is easy. Hilda knew instinctually how to carry on and to be.” John Blee seems to have taken the lesson of “how to carry on and to be” to heart. He’s one of the city’s most notable painters, selected by critic and writer F. Lennox Campello among those included in his new book, “100 Artists of Washington, D.C.” The top-floor studio of his house (whose color-splashed floor is a painting in itself) is filled with works in progress. He’s found a rewarding avenue in the courses he teaches at UDC and the Art League of Alexandria. And there’s always that next painting on the horizon, another opportunity, as Blee says, “to put the impossible in front of you, to aim as high as you can.” _________ John Blee’s work can be seen in “20 Years, 20 Artists at The Ralls Collection” through Sept. 24. Dates for his October exhibition are to be announced. (The Ralls Collection, 1516 31st St., N.W., RallsCollection.com)
John Blee “Quarry”
John Blee “Appalachian Spring”
John Blee “Épigraphe Antique”
ART p r e v i e w
John Blee “Orchard Heart”
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Visual Art by Gary Tischler
T
v i s u a l
ART 14 August 24, 2011 GMG, Inc.
he visual arts are the quiet arts, the arts of contemplation, the finished art. When we see a painting in a gallery or a museum, a sculpture in a garden or a vast lawn, an installation wherever it’s installed, the artist is gone, finished and done, dead or alive. The visual arts are about viewing and taking it in, seeing, believing and feeling. We derive meaning from not just the work but from our own lives. In visual arts, the unfinished part of the painting is what we bring to it. And what we bring to art varies from setting to setting, viewing to viewing, person to person; it’s as if a painting wiggled under the glare of a thousand stares and eyes. This is possibly why people buy art—ownership keeps out the democratic eyes of public spaces, making the work rare. A Rembrandt on a wall by a staircase in a home is a little like a love song sung to no one in a forest. It is almost invisible, except for the owner and his visitors. A museum opens up the process, finishes it or keeps it going. Contemplation ensues, to be sure, but so does conversation and argument, the murmur of more than one presence. Nothing proves the case more than a visit to the
Andy Warhol, Daily News, c. 1967\, The Andy Warhol Museum, Pittsburgh; Contribution The Andy Warhol Foundation for the Visual Arts, Inc.© 2011 The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS), New York
and installations. Visitors change museums as well as art and how we look at it. You can make yourself feel small at a museum, but you are never alone – unless they’ve locked you in. Your friends and neighbors and fellow citizens from all over the country and the world are here in these galleries, standing right next to the Rembrandt self portrait, sometimes posing, at other times puzzling over Pollock just like you did before you got smart and knowing and saw the Ed Harris movie. In exhibitions, juxtapositions, like the wall descriptions, are important. It’s when you begin to realize the varieties of great art and how sometimes, some art is not so great when looked at from here and there, from far and close and next to other art. The National Gallery once had a show of two great German artists. One was Kate Kollwitz, the great, powerful maker of art, often in bold strokes and hammerings of chalk and black pencil, which cried out for justice in depictions of starving children, dying soldiers, striking miners and rageful peasants. Her work demanded, screamed for humanity. She lived to a ripe old age and died at the end of the Third Reich, and posters made from her work have often been seen at riots and demonstrations for social justice. She was juxtaposed with a small exhibition of Ludwig Kirchner – big, bold paintings of prostitutes, dancers and
under the gaze of their admirers. For the first installment of our fall visual arts prevue, we give you a quick look at exhibitions and events coming to a Washington museum.
ANDY (WARHOL) IS STILL DANDY
Nobody, certainly not Warhol himself, ever claimed that Andy Warhol had the gifts of a Picasso, a Da Vinci, a Renoir, or even a Rothko. But there’s also no question that Warhol was one of the most influential artists of the latter part of the last century and into this one. He may not have been the best draughtsman ever or the most gifted painter, but he had his pale, white finger on the zeitgeist. If Warhol didn’t invent pop culture, he sold and marketed it like no artist before, during and since. Warhol made silk screens of money and Monroe and Jackie and Elvis and soup cans, making Lichtenstein’s pop art comic blowups and “pows” palatable and hot. Warhol hooked up low/high art to commerce, ignited America’s still-flaming worship of celebrity by turning it into an aspiration; Kim Kardsashian and Snookie are his illegitimate cultural children. I recall a fairly comprehensive Warhol exhibition at the Corcoran a number of years ago, sponsored by PNC Bank, with the CEO speaking in front of blowups of Warhol’s Ben Franklins, saying “I always wanted to
Andy Warhol and Keith Haring, Untitled (Madonna, I’m Not Nick Cave, Soundsuit, 2008. Fabric, fiberglass, Ashamed), 1985, Collection Keith Haring Foundation, New and metal, 102 x 36 x 28 inches. Courtesy of Rubell York © 2011 The Andy Warhol Foundation for the Visual Arts, Family Collection, Miami. Inc. / Artists Rights Society (ARS), New York, Keith Haring artwork © Keith Haring Foundation
Louvre in Paris and the room housing the Mona Lisa. Hordes of tourists, sometimes the size of an entire residential block of Beijing, surround the rope that avoids close contact. Something happens to the Mona Lisa in this setting, it becomes both less and more mysterious—it sways with a certain imperiousness, but it also gets cut down to size among these multitudes. Exhibitions at museums—and individual works at museums—alter the equations of visual arts. Museums in America exist at the pleasure of boards, regents, overseers, budget minders, and the trailing ends of the artistic process, the critics, scholars, historians and cultural observers. But most obviously, they exist for and at the mercy of those individuals who come to museums to see paintings, drawings, sculptures
cabaret singers, the night life of Berlin. The works were musical, almost, full of gusto and energy and life. But Kirchner was also a German Jew who ended up committing suicide as Hitler’s Reich was picking up speed. Who’s the more life-affirming in such a context? I mention this because of the richness of museums in Washington and the regularities of exhibitions at the museums which freshen up the holdings and permanent collections like sparkling water in an exquisite garden. Exhibitions are the creations not only of the artists but the curators who set them in settings and create new ways of looking at old work. The works of old and new masters and reputations, whether belonging to Degas or Warhol, sometimes are restored, not by restorers, but by fresh eyes and different context so they can come to live again
stand in front of one of those marking the marriage of marketing, money and Warhol.” He’s still with us, pale and glowing even in death. The National Gallery of Art is hosting the first exhibition examining Warhol’s works centered around news headlines appropriately entitled “Warhol: Headlines” (Sept. 25 though Jan. 2). The Hirshhorn Museum and Sculpture Garden is also touching base with Warhol with an exhibition of 102 silkscreened and handpainted canvases of distorted images of shadows created in his studio (Sept. 25 through Jan. 15). “Shadows” will be unique and big—the works are edge-to-edge and will extend 450 feet around the curved Hirschhorn galleries. The “Headlines” show is no small thing either— some 80 paintings and drawings, photographs, prints, film and video works all based on En-
quirer-like headlines. The pieces are dovetailed with Warhol’s obsession with the sensational or trivial-made-sensational side of news running from news of Princess Margaret’s baby, to Eddie Fisher’s breakdown to plane crashes, all grist for Warhol’s star-grinding mill. It was Warhol who said that everyone would be famous for 15 minutes during their lives—which means the Kardashians are way overdue to crash into obscurity. The two exhibitions follow a successful run of the musical “Pop” at the Studio Theater located brashly in Warhol’s factory where outrageous things happened, including the near-assassination of Warhol.
Degas and Marioni at the Phillips Collection You may not be able to make a direct connection between the legendary French impressionist painter Edgar Degas and modernist Joseph Marioni except that Duncan Phillips, the founder of the Philips Collection, liked them both, and in its 90th anniversary year, the gallery is doing both proud. The Phillips has Degas’ famed “Dancers at the Barre,” highlighting the painters obsession with ballet to the gratitude of the art world, and has built an exhibition around that obsession with “Dancers at the Barre: Point and Counterpoint” (Oct. 1 through Jan. 8). The exhibition features drawings, studies and related work and was sparked by a careful attempt at correcting time-caused aging in the “Barre” painting. The result is an exhibition that renews interest in the Degas-Phillips connection and Degas’ great and shining works—
cans” (Oct. 1 through Feb. 12), a major survey of works by a number of the most important, established and young African-American contemporary artists of the last three decades. The exhibition includes works by Nina Chanel Abney, Leonardo Drew, Renee Green, Nick Cave, Kalup Linzy, Jeff Sonhouse and Purvis Young among a large group of artists. Sarah Newman, the curator of Contemporary Art at the Corcoran said that the exhibition explores “how each artist reckons with the notion of identity in America, navigating such concerns as the struggle for civil rights , sexuality, popular culture and media imagery.” Also on tap are “Strange Fruit,” an exhibition of some 15 new photographs and video works by Hank Willis Thomas, exploring how spectacle and display relate to African American identity (Oct. 1 through Jan. 16); and “Gordon Parks: Photographs from the Collection,” an exhibition of photo essays on civil rights from the Corcoran Collection (Oct. 1 through Jan. 16).
More at the NGA
Some of the finest Gothic-era tapestries in the world will be on display at the National Gallery of Art. “The Invention of Glory: Afonso V and the Pastrana Tapestries” will feature four recently restored monumental tapestries which commemorate the conquest of four cities in Morocco by Afonso V of Portugal. (Sept. 18 through Jan. 8). On a very different note separated by a number of centuries will be “Harry Callahan at 100,” an exhibition of some 100 photographs on the noted photographer’s centenary of his birth. (Oct. 2
Hilaire-Germain-Edgar Degas, The Dance Class, c. 1873. Oil on canvas, 18 3/4 x 24 1/2 in. Corcoran Gallery of Art, Washington, D.C., William A. Clark Collection.
paintings sculptures and drawings—on the theme of ballet the first major exhibition in 25 years on the subject. Acclaimed modernist Joseph Marioni will have 15 recent, glowing, monochrome paintings on display at the Phillips (Oct. 20 through Jan. 29), alongside the artist’s existing 30 works from the museum collection.
30 Americans at the Corcoran In a kind of artistic echo of the completion and opening of the Martin Luther King, Jr., memorial, the Corcoran Gallery of Art is featuring several exhibitions on the theme of race and ethnicity. Chief among them is “30 Ameri-
through March 4). The show will reach across Callahan’s innovative, elegant photographic career from his days in Detroit, Chicago and Atlanta.
WPA’S Options 2011
The Washington Project for the Arts will present “Options 2011,” the 14th installment of its biennial exhibition of works by emerging and unrepresented artists from Washington, D.C., Maryland and Virginia (Sept. 15 through Oct. 19 at 629 New York Ave., N.W., 2nd floor).
Performance Art by Gary Tischler
W
hen Arena Stage brought back its hugely successful season and theater opening production of the verymuch-a-staple Rodger Hammerstein musical “Oklahoma” for a late summer run, the theater community stood up and took notice. Theater folks noticed too that Woolly Mammoth had also done a similar thing, bringing back its production of Bruce Norris’s PulitzerPrize winning “Clybourne Park” to recordbreaking (for Woolly) box office success. Both productions brought back original casts and energized productions. People saw a trend. In truth, while innovative and smart marketing and scheduling strategies may have been at work, what happened wasn’t really new. Arena Stage, in fact, had been doing a similar thing with productions of “Crowns,” the popular musical about the importance of hats in the lives of African American women. In theater, in fact, the adage that “everything old is new again” is the life blood, the bread and butter, the staple of theater world. What Arena and Woolly did was to bring back almost identical versions of the plays they had already done, thinking correctly that a larger audience as well as a repeat audience remained for the two plays. They were right. But theater exists on reviving, re-doing, and returning to a repertoire of plays and musicals that make up the core of what theater does on Broadway, in regional companies, in dinner theaters, amateur companies, high school and college. Road companies of big hit Broadway musicals are hugely profitable, same-version, different casts of eagerly awaited shows. The staple of classic and therefore “old” theater literature are revisited time and time again over the centuries and decades—that’s why we have theater companies whose repertoire is rooted in Shakespeare, Shaw, the Greeks and American classics by O’Neill, Miller and others. The reliance on the old and familiar—along with revisits that cast fresh light on the old plays—make new plays all the more thrilling because we don’t know how the story ends, what the characters will say or do, and we haven’t heard the songs by new composers and lyricists sung and played. This mix and mash of old and new is the heart of theater—we find surprises in the way an actor might play Hamlet—in fact, hope for it—and are surprised how familiar and close to our lives the work of a new playwright is. Every theater season begins with those anticipations of the familiar, the hope for surprise and connection and, of course, all of it accompanied by the possibility of awe and wonder, of moments in the dark that will lie in our memories like special dreams, the come-and-go moments for which, as I’ve noted elsewhere, there is no app. The season kicks off with a hefty mix of old and new. Here, with some things to look forward and backward to.
SILENT SHAKESPEARE AT SYNETIC
Synetic Theatre, headed by the dynamic husband-wife team of Paata and Irina Tsikurishvili from the Republic of Georgia, has become and always was just about the most innovative, beyond-category theater company in the Washington area. Whether performing at its original Church Street locale, at the Kennedy Center, in Shirlington or its new digs in Crystal City, the company has propelled a mix of mime, choreo-
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of America’s biggest rock-pop bands ever, not excluding their peers The Beach Boys. The hugely popular show returns to the National Theater for quite a long stint and why not. (Nov. 10 through Jan. 7). Walk like a man, my friend.
HOLLY TWYFORD DIRECTS
Members of the cast of the Arena Stage at the Mead Center for American Theater production of Rodgers and Hammerstein’s Oklahoma! Photo by Suzanne Blue Star Boy.
graphed movement and spectacle to create its own kind of (classical, but silent) theater, borrowing its subjects from sources that include classic Russian literature, Dante, Cervantes and Shakespeare. Its productions have reaped dozens of Helen Hayes Awards and almost instantaneous and consistent critical acclaim. Synetic’s form of theater is new, but its base subject is classical theater, minus the words. This brings new meaning to Hamlet’s “The Rest is Silence,” a play Synetic did ALL in silence. The company is kicking of its 2011-2012 season with three best-of productions under the banner of “Speak No More,” three of its most popular versions of Silent Shakespeare, its 2008 production of “Macbeth” (Sept. 14 through Oct. 2); its 2010 production of “Othello” (Oct. 19 through Nov. 6) and its 2008 production of “Romeo and Juliet” (Nov. 25 through Dec. 23). Synetic covers the criteria—everything really old is really new again and again—and again.
FRIENDS, WASHINGTONIANS AND COUNTRYMEN : IT’S FREE!
duction of the legendary Boubil & Schonberg operatic musical which set records in London, on Broadway and in dozens of road companies. The tale of the escaped convict (serving time for stealing a loaf of bread) Jean Valjean and his nemesis the relentless Inspector Javert is epic in scale with soaring songs a plot to fill several books by Victor Hugo and spectacle that stirs the heart and mind, and songs and music that make you want to run to the barricades (or from them, depending). Set in 19th Century France during yet another revolutionary time, the songs include “On My Own,” the stirring “Bring Him Home” and last but not least, “Can You Hear the People Sing.” If you can’t, you need a hearing aid. It all happens at the Kennedy Center’s Opera House (Sept. 28 through Oct. 30). If Victor Hugo isn’t your cup of tea, how about them boys from Jersey, as in “The Jersey Boys,” the earthy, hit-rich musical that traces the success, pitfalls, rags-and-juvie-to-riches story of Franki Valli and the Four Seasons, arguably one
Holly Twyford is one of the most gifted, eclectic actresses on the Washington theater scene who’s done just about everything except have her own reality show; from Shakespeare to an outrageous Woolly play to a gig as a dancing pig at Adventure Theater, she has plenty to round out her resume. What she hasn’t done is direct, and she’s taking care of that with her directorial debut at No Rules Theater Company, named Outstanding Emerging Theatre Company. That would appear to be a nice fit for Twyford, who’s always been a little edgy and is now directing Diana Son’s “Stop Kiss,” a play about two women, a scattered New York City traffic reporter and a St. Louis school teacher, who meet and fall in love. “The play chose me,” Twyford said. She had appeared in the play ten years ago. “The play had been special to me when I was in it and to be able to help shape the entire telling of this beautiful story as much as a director can was a chance I couldn’t pass up,” (Sept. 7 through Oct. 2).
HISTORY IN THE MAKING AT SIGNATURE (AGAIN)
Signature, no slouch in the ambition department, will be by all accounts the first theater to present two original world premiere musicals in repertory by presenting “The Hollow,” and “The Boy Detective Fails,” now in previews. “The Hollow,” with a book by Hunter Foster and music and lyrics by Matt Conner, is based on the Washington Irving Sleepy Hollow story and features a headless horseman but not Johnny Depp (through Oct. 16, directed by Eric Schaeffer). “The Boy Detective Fails,” with a book by Joe Meno and Music and Lyrics by Adam Gwon, is
Michael Kahn’s Washington Shakespeare Company is presenting its 21st Annual Free for All. This time “Julius Caesar” is doing the honors and also kicking off the company’s 25th anniversary season. This Julius is a revival of the critically acclaimed 2007-2008 production and will be performed at Sidney Harman Hall through Sept. 4. The Bard’s best play about politics and ambition echoes mightily, featuring as it does among its main characters honorable Republican senators whose fears of centralized government leads them astray. But that’s just one man’s opinion David Paul directs with a cast led by Aubrey Deeker, Tom Hammond and Tyrone Henderson.
ON THE ROAD AGAIN WITH LES MISERABLES AND THE JERSEY BOYS OR UP THE BARRICADES AND WALK LIKE A MAN
It’s a 25th anniversary for the Cameron McIntosh juggernaut “Les Miserables” and for the John Patrick Doherty, Danielle Slavick and Andrew Garman in “A Bright New Boise” at Partial Comfort occasion there’s a brand new fully-staged pro- Productions. Photo by Stephen Taylor.
about self-styled boy detective Billy Argo, who must face the shocking death of his partner-incrime-solving and sister. Ten years later, he’s on the case (through Oct. 16, directed by Joe Calarco).
BERNIE MADOFF AT THEATER J
One of the more anticipated plays of the season is coming to Theater J where Bernie Madoff in his new home, a jail cell, will make an appearance in Deb Margolin’s “Imagining Madoff,” a play which posits Madoff setting the record straight and telling the story of an interview with Holocaust survivor, poet and investment
if imperfect, film directed by Francois Trufautt and starring Oscar Werner and Julie Christie. The writing in the book and the images from the film are haunting. Now Round House Theater in Bethesda is staging Bradbury’s own theatrical adaptation of the novel, a multi-media production incorporating cutting edge video, projection and a sound design created by the Savannah College of Art and Design. Sharon Ott directs with a cast that includes Katie Atkinson and John Lescault, among others (Sept. 7 through Oct. 9)
A “PARADE” OF A DIFFERENT
“Imagining Madoff” at Theater J tells the story of an interview with a Holocost survivor.
client Solomon Galkin. Bernie Madoff defrauded clients for hundreds of millions of dollars in a vast Ponzi scheme and he didn’t’ quibble, destroying friends, family, charities and celebrities with quiet gusto. Rick Foucheux stars as Madoff, artist-in-residence and Washington favorite Jennifer Mendenhall plays Madoff’s secretary, and Alexandra Aron directs. (Aug. 31 through Sept. 25)
BOOKS BURN AT ROUND HOUSE
Ray Bradbury, now in his 90s and still writing, has often been pigeonholed as a writer of science fiction novels and short stories through his long career (“The Martian Chronicles” “Something Wicked This Way Comes”). But in truth, he’s been much more than that; celebrator of literary favorites, teller of Irish tall tales, and prophet might be good, for starters. Long ago, he wrote a slim novel imagining a world in which firemen occupied themselves with burning books by state directive because, well, you know, books are dangerous things. (Bradbury did not, however, envision Kindle as far as we know). The book became a haunting,
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pany’s Artistic Director for the past 25 years, will direct a cast that will include long-time D.C. favorites Floyd King and Nancy Robinette (Sept. 6 through Oct. 23 at the Lansburgh).
TED, DAVID AND ALLAN AT THE STUDIO THEATER
That would be actor Ted van Griethuysen, just hitting his stride, Studio Theater Artist Director David Muse, hitting his stride in his second year at Studio, and Playwright Alan Bennett, always in stride, whose “The History Boys” received a standout production here several years ago. Muse is coming off a hugely successful production of “Venus in Fur” for Studio, and seems
ART telling its tale of the legendary Nigerian musician Fela Kuti. It’s directed and choreographed by Bill T. Jones, kicking off a national tour at Sidney Harman Hall (Sept. 13 through Oct. 9). “Ay Carmela!,” a U.S. premiere of a play by Spanish playwright Jose Sanchis Sinisterra, will kick off the Gala Hispanic Theatre’s season. It’s a play about the adventures—comic and romantic and dark all at once—about a pair of vaudevillians who find themselves in the midst of the bloody Spanish Civil War (Sept. 15 through Oct. 9). The National Theater of China will present a production of “Two Dogs’ Opinions on Life,” an improvisational comedy that will be part of the Kennedy Center’s celebration of “China, the Art of a Nation” in September and October. “Two Dogs” will be performed at the Terrace Theater (Sept. 20 and 21 at 7:30 p.m. ). A second theater company, the Beijing People’s Art Theatre will perform “Top Restaurant” about the history of a Peking Roast Duck restaurant over half a century (Sept. 30 and Oct. 1 at 7:30 p.m., October 2 at 1:30 p.m.).
Euan Morton as Leo Frank and Jenny Fellner as Lucille Frank for the upcoming Ford’s Theatre Society production of “Parade.” Photo by Scott Suchman.
SORT AT FORD’S THEATRE The trial and lynching of Leo Frank in early 20th-century Atlanta seems an unlikely subject for a Broadway musical, but the show, with music and lyrics by Jason Robert Brown and with Harold Prince as co-conceiver, won a Tony award for musical drama and is now getting a Washington premiere as a co-production with Theater J. Frank was a Jewish factory manager who was accused of murdering a teenage girl on the day of the Confederate Memorial Day Parade. The musical kicks off Ford’s 2011-2012 season and is also the first selection for Ford’s fiveyear “The Lincoln Legacy Project,” which aims to create a dialogue around the issues of tolerance, equality and acceptance (Sept. 23 through Oct. 30).
MICHAEL KAHN DIRECTS WORLD PREMIERE OF “THE HEIR APPARENT”
It’s not Shakespeare, it’s not even British, but it is old and funny. That would be “The Heir Apparent,” a variation of Jean-Francois Regnard’s 1708 comedy adapted by David Ives. It’s a play with a familiar plot—young swain wants to marry young girl, but needs an inheritance from his uncle who wants to, guess what, marry the young lady herself. Moliere made do with less and more, as did Shakespeare. Michael Kahn, Washington Shakespeare Com-
perfectly suited for Bennett’s brainiac, culturebuff comedy “The Habit of Art,” which includes as characters the British composer Benjamin Britten and poet-as-legend W.H. Auden (opens Sept. 7).
HOWARD SHALWITZ INVITES YOU TO THE WOOLLY APOCOLYPSE
That’s Howard Shalwitz talking about the 2011-2012 season, Woolly’s 32rd on planet Washington. “Join us as we mine our collective visions of apocalypse—and all the drama, jokes, and dreams they inspire.” First episode is “A Bright New Boise” by Samuel D. Hunter, directed by John Vreeke, where someone is summoning the rapture, right in the middle of a parking lot of a mega craft store in Boise, Idaho. Gotta be there for that (Oct. 10 through Nov. 6).
HERE, THERE AND EVERYWHERE
Caryl Churchill of “Top Girls” fame kicks off the new season for Forum Theatre, now company in residence at the Round House Theatre’s Silver Spring location. Michael Dove directs Churchill’s “Mad Forest” while Rose McConnell, Alexander Strain, Heather Haney and Dana Levanovsky star (Sept. 22 through Oct. 15). More at the Shakespeare Theatre Company: the musical “Fela!” returns to the United States,
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A HISTORY OF LUXURY: THE GREENBRIER RESORT By Ari Post
I
n the small community of White Sulphur Springs, West Virginia, nestled safely within the Allegheny Mountains, lies one of this country’s most longstanding and luxurious resorts. Since 1778, The Greenbrier has hosted
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distinguished guests from around the world, setting the standard for luxury accommodations nationwide, while continually reinventing itself. Once known by the Southern elite as the “Queen of the Watering Places,” this sprawling estate in the lush foothills of the Appalachian Mountains is perhaps one of the best-kept se-
crets on the East Coast. With the very best of comfort and accommodations, spa treatments, leisure pursuits and world-class cuisine, The Greenbrier brings together all the luxuries of the world’s finest resorts with the distinct history and character of the region.
Accommodations The wide variety of accommodations can facilitate any combination of guests, whether a couple on an intimate retreat or dozens of corporate employees on a not-so-business trip. With an endless variety cottages and suites,
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guests will find intimate single guest houses and seven-room suite, equipped with wood-burning fireplaces and private porches and patios overlooking the surrounding area. The staff’s attention to detail is impeccable, with no detail overlooked, ensuring an elegance that strikes the right balance between class and comfort. The Greenbrier’s luxurious interior design was styled by Carleton Varney, president of Dorothy Draper and Co. as well as the curator of the resort, who specializes in the decoration and restoration of hotels and resorts. His work, which typically features bright, lively colors, comfort and functionality, can be seen from the U.S. to Tokyo.
Luxury Transportation Varney is also lending his professional touch to the decoration of The Greenbrier’s newest addition: The Greenbrier Presidential Express, a six-hour, nonstop train running from Union Station to the resort. The train is designed to recall the luxury train experience of the early 20th century, and its 15 cars from the 1950s, which can accommodate 240 passengers, are refurbished in all the finest fittings. The Express will be ready to start carrying its lucky passengers in July of 2012.
Leisure Once settled in, The Greenbrier offers enough activities to keep guests returning with every season. Once winter blankets the grounds in snow, you can explore the crisp outdoors in a horse-drawn sleigh ride or go ice-skating at the resort’s private skating rink. In the sum-
mertime, guests go kayaking, rafting, fishing or swimming. From bowling and croquet, to culinary demonstrations and the ancient sport of falconry, there is truly something for everyone. The highlight, however, is the resort’s collection of four 18-hole signature golf courses, all of which compliment the surrounding mountainous landscape. The Greenbrier mixes spectacular scenery and PGA Tour-tested challenges to golfers why they fell in love with the game. The championship courses—The Old White TPC, The Greenbrier, The Meadows and The Snead, a private resident’s-only course—are skillfully designed to challenge and captivate golfers of every skill level. The resort also features a full-service clubhouse, award-winning golf shop and expert instruction by The Greenbrier Golf Academy. The resort’s 40,000 square-foot luxury spa is another signature offering, providing an elegant setting to rejuvenate your mind, body and spirit. Relax in a whirlpool bath or soak up the healing properties of the native sulphur waters. With their wealth of exclusive spa treatments, there are endless reasons to visit this award-winning spa.
The Bunker at The Greenbrier While The Greenbrier itself is perhaps one of the best-kept secrets on the East Coast, the resort has long housed its own amazing secret of national significance. But after 30 years the secret is out. Carved deep into the mountainside beneath the resort’s West Virginia Wing is an emergency Cold War fallout shelter, once a top secret U.S. government relocation facility for Congress. The declassified Bunker at The
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Greenbrier is a must-see experience that takes you behind the scenes of a fascinating period in the history of the resort, as well as the country. Now open to anyone interested in reliving a legendary piece of history, Bunker tours provide a unique and in-depth look behind the hidden doors of an American epoch. In order to enhance the experience of the Bunker, The Greenbrier worked with the Virginia Historical Society on an on-site exhibition gallery, featuring artifacts and reproductions representing the security and communications area, dormitories, VIP lounges and medical clinic on top of old photos of the facility and a video on the history of the Cold War. Guests will learn about the groups who met there and enjoyed theme parties and dinners without ever realizing they were in a top-secret government facility designed to be the workplace for Congressional staff in the event of an emergency. And the event space is still open. If you’re looking for a nontraditional meeting space or event location, The Bunker at Greenbrier might just be the place.
The Greenbrier Clinic Formed in 1948 by progressive business leaders, The Greenbrier Clinic is based on the philosophy that a healthy executive is the cornerstone of a healthy business. The Clinic’s founders reasoned that taking good care of company executives is a solid investment in the company’s future. Today, thousands of visitors come each year to combine a relaxing, luxurious holiday with the Clinic’s unparal-
leled diagnostic evaluation, care and unparalleled personal attention. Over the years, this sensible concept has proven itself with executive patients. And visitors to the Clinic still have ample time to enjoy all of the resort’s luxurious amenities. But above all, The Greenbrier Clinic delivers the highest quality diagnostic health care. The Clinic’s state-ofthe-art diagnostic equipment assures maximum comfort and safety to patients. And a friendly relationship between doctors and patients is encouraged by the medical staff, fostering trust and enhancing personalized care. The Clinic’s emphasis on preventive health counseling encourages healthy individuals to safeguard their most valuable asset: their wellbeing.
Destination Polo in partnership with Virginia International Polo present the
Middleburg Classic Polo Series Renouned Dresden Farm now available. This beautifully maintained 125 acre horse farm includes a circa 1785 5 bedroom main house, a 12 stall Belmont barn with 8 paddocks, heated waterers, a new generator and a separate tack room. There are 4 additional dwellings (including newly renovated manager's house and guest house), extensive greenhouses, gardens, a pool, and a 5 acre pond.
Middleburg Incredible custom luxury home on 10 acres, 2 story foyer, cathedral. Open floor plan. Hardwood & marble floor-room on main flooring. Kitchen island, granite countertops. Renovated luxury baths. Plantation shutters, ceiling fans, skylights, built-ins, large rooms & tons of storage. Covered wrap around porch w/ mtn/view...
Peter Pejacsevich 540-270-3835 $ 6,900,000
Scott Buzzelli 540-454-1399 $1,200,000
Fabulous custom modern/contemporary home comprised of unique architectural lines and fine craftsmanship combined with soaring walls of glass which provide exceptional views of the country side & mountains. Top of the line gourmet kitchen has wood burning fireplace, custom cabinetry on all levels, loft family room, exceptional master suite with private deck, +3 bedroom guest house.
Picturesque turn-key equestrian property on 20 acres with immaculate custom home and manicured grounds. Mountain views, Rolling Acres, Fenced Pastures, Dog Kennel, Guest House, 9 Stall Barn Connected to Indoor Arena, 2 Runin/equipment buildings, paddock and pond Also available additional 58 acres with workshop and creek . This is a MUST SEE!!!
Scott Buzzelli 540-454-1399 $885,000
Peter Pejacsevich 540-270-3835 $1,395,000
Experience world class polo first hand in the beautiful Virginia countryside under an hour from DC. Matches are held the first Sunday of every month through October.
Next match: September 4th. Virginia International Polo Tickets are available online at www.destinationpolo.com Limited sponsorship opportunities and hospitality packages are available Please contact destinationpolo@aol.com for further information.
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VIRGINIA WINE EVENT CALENDAR September 10 The Wine Festival at the Plains Guests will have not only the opportunity to sample artisan wines of Virginia, but also to enjoy two days of the Commonwealth Cup of Polo. Learn more about what promises to be “an extraordinary weekend of wine and polo at the Plains” on the event website, WineFestivalAtThePlains.com. 2nd Annual Shrimp and Wine Festival Sans Soucy Vineyards in Brookneal, Va. will host a day of wine and local shrimp for the whole family, including the four-legged furry members. 3rd Annual Fluvanna SPCA Wine Tasting Fundraiser The Fluvanna SPCA invites you to Keswick Vineyards for wine tasting, deserts and a silent auction. Tickets will be sold for $15 in advance and the proceeds of the event will benefit the SPCA. Purchase tickets at fspca. org.
September 16 5th Annual Heritage Harvest Festival at Monticello The two-day festival, to be held on the expansive lawn of Thomas Jefferson’s former home, will celebrate local produce and sustainable organic farming practices. For $8 in advance or $10 the day of the event, guests can sample fresh fruits and vegetables while enjoying an afternoon on the beautiful grounds of Monticello. Visit the event website, HeritageHarvestFestival.com, for more information.
September 17 Virginia Wine Festival The two-day festival will feature live performances by Tito Puente Jr. and his orchestra,
The Contours, Abbey Road and Becki the Balloon Lady among others, along with wine tastings of Virginia vineyards’ finest and gourmet refreshments. The event will take place at the Bull Run Park Event Center and tickets are already on sale at VirginiaWineFest.com.
September 24 Fluvanna County Chamber of Commerce Inaugural Wine Fest Wine tasting, music, barbeque, arts and crafts and a moon bounce will be among the attractions at the family-friendly Wine Fest in Troy, Va. To purchase tickets or to reserve a table or private tent, visit FluvannaChamberWineFestival.com. Stratford Hall – Chesapeake Bay Wine Festival Guests are invited to partake in a Grape Stomp, enjoy gourmet food and live music and sample wines from the Chesapeake Bay Wine Trail Wineries. Stratford Hall will offer tours of the Great House, Grist Mill and surrounding cliffs and trails, and children attending the festival can visit the petting zoo. Learn more and place ticket orders at ChesapeakeBayWineFestival. com.
October 15 The Town Point Wine Festival Over 200 Virginia wines will be available for tasting during the weekend-long festival to be held on the Downtown Norfolk Waterfront at Point Park in Virginia. Guests may also sample gourmet foods while enjoying the acoustic music of Lewis McGehee. Tasting tickets, table reservations, boater slips and private and corporate chalet reservations can be purchased online at FestEvents.com.
Kevin & Jo Ann Hazard Innkeepers
Your home away from home. 209 E. Washington St. · P.O. Box 1950 · Middleburg, VA 20118 540-687-6082 · toll free 800-262-6082 · www.middleburgcountryinn.com
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1789 RESTAURANT
Your Dining Guide to Washington DC’s Finest
1226 36th St, NW With the ambiance of an elegant country inn, 1789 features classically based American cuisine – the finest regional game, fish and produce available.
BANGKOK JOE’S 3000 K St NW (One block from Georgetown Lowe’s theatres)
Complimentary valet parking.
Georgetown introduces Washington’s first “Dumpling Bar” featuring more than 12 varieties. Come and enjoy the new exotic Thai cuisine inspired by French cooking techniques. Bangkok Joe’s is upscale, colorful and refined. Absolutely the perfect place for lunch or dinner or just a private gathering.
www.1789restaurant.com
www.bangkokjoes.com
Open seven nights a week. Jackets required.
(202) 965-1789
CHADWICKS
3205 K St, NW (est.1967) A Georgetown tradition for over 40 years, this friendly neighborhood restaurant/saloon features fresh seafood, burgers, award-winning ribs, & specialty salads & sandwiches. Casual dining & a lively bar. Daily lunch & dinner specials. Late night dining (until midnight Sun.Thu., 1A.M. Fri-Sat) Champagne brunch served Sat. & Sun. until 4P.M. Open Mon-Thu 11:30A.M.2A.M. Fri-Sat 11:30A.M.3A.M.Sun 11A.M.-2A.M.Kids’ Menu Available. Located ½ block from the Georgetown movie theatres, overlooking the new Georgetown Waterfront Park
ChadwicksRestaurants.com (202) 333.2565
DAILY GRILL
1310 Wisconsin Ave., NW Reminiscent of the classic American Grills, Daily Grill is best known for its large portions of fresh seasonal fare including Steaks & Chops, Cobb Salad, Meatloaf and Warm Berry Cobbler. Open for Breakfast, Lunch and Dinner.Visit our other locations at 18th & M Sts NW and Tysons Corner. www.dailygrill.com
(202) 337-4900
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(202) 333-4422
CIRCLE BISTRO
One Washington Circle, NW Washington, DC 22037 Circle Bistro presents artful favorites that reflect our adventurous and sophisticated kitchen. Featuring Happy Hour weekdays from 5pm-7pm, live music every Saturday from 8pm-12midnight, and an a la carte Sunday Brunch from 11:30am-2:30pm. Open dailyfor breakfast, lunch and dinner. www.circlebistro.com
BISTRO FRANCAIS 3124-28 M St NW
A friendly French Bistro in the heart of historic Georgetown since 1975. Executive chef and owner Gerard Cabrol came to Washington, D.C. 32 years ago, bringing with him home recipes from southwestern France. Our specialties include our famous Poulet Bistro (tarragon rotisserie chicken); Minute steak Maitre d’Hotel (steak and pomme frit¬es); Steak Tartare, freshly pre¬pared seafood, veal, lamb and duck dishes; and the best Eggs Benedict in town. In addition to varying daily specials. www.bistrofrancaisdc.com (202) 338-3830
CITRONELLE (The Latham Hotel) 3000 M St, NW
Internationally renowned chef and restaurateur Michel Richard creates magic with fresh and innovative American-French Cuisine, an exceptional wine list and stylish ambiance.
BISTROT LEPIC & WINE BAR 1736 Wisconsin Ave., NW Come and see for yourself why Bistrot Lepic, with its classical, regional and contemporary cuisine, has been voted best bistro in D.C. by the Zagat Guide. And now with its Wine bar, you can enjoy “appeteasers”, full bar service, complimentary wine tasting every Tuesday and a new Private Room. The regular menu is always available. Open everyday. Lunch & dinner. Reservations suggested. www.bistrotlepic.com (202) 333-0111
CLYDE’S OF GEORGETOWN 3236 M St, NW This animated tavern, in the heart of Georgetown, popularized saloon food and practically invented Sunday brunch.
Open for Dinner.
Clyde’s is the People’s Choice for bacon cheeseburgers, steaks, fresh seafood, grilled chicken salads, fresh pastas and desserts.
Valet parking.
www.clydes.com
FILOMENA RISTORANTE 1063 Wisconsin Ave., NW One of Washington’s most celebrated restaurants, Filomena is a Georgetown landmark that has endured the test of time for almost a quarter of a century. Our oldworld cooking styles & recipes brought to America by the early Italian immigrants, alongside the culinary cutting edge creations of Italy’s foods of today, executed by our award winning Italian Chef. Try our spectacular Lunch buffet on Fri. & Saturdays or our Sunday Brunch, Open 7 days a week for lunch & dinner. www.filomena.com (202) 338-8800
1522 Wisconsin Ave
Captivating customers since 2003 Café Bonaparte has been dubbed the “quintessential” European café featuring award winning crepes & arguably the “best” coffee in D.C! Located in sophisticated Georgetown, our café brings a touch of Paris “je ne sais quoi” to the neighborhood making it an ideal romantic destination. Other can’t miss attributes are; the famous weekend brunch every Sat and Sun until 3pm, our late night weekend hours serving sweet & savory crepes until 1 am Fri-Sat evenings & the alluring sounds of the Syssi & Marc jazz duo every other Wed. at 7:30. We look forward to calling you a “regular” soon!
www.cafebonaparte.com (202) 333-8830
DON LOBOS MEXICAN GRILL 2811 M Street NW
Serving Washington since 1992, Don Lobos offers authentic Mexican cuisine. We use only the finest and freshest ingredients when making our traditional menu items. Famous for our Mole, and adored for our tamales. We also offer a wide range of tequila and the best margarita in Georgetown. Now serving Brunch Saturday and Sunday from 10-2. Hours: Mon-Thu 11am-10pm Fri-Sat 11am-11pm Sun 10am- 10pm
www.citronelledc.com
(202) 293-5390
CAFE BONAPARTE
(202) 625-2150
(202) 333-9180
202 333 0137
FAHRENHEIT
GOOD GUYS
M STREET BAR & GRILL
2311 Wisconsin Avenue, NW Georgetown 3100 South St, NW Restaurant & Degrees Bar & Fine Dining & Exotic EntertainLounge The Ritz-Carlton, ment in Glover Park since 1966 As featured on the cover of December 2007’s Washingtonian magaMonday-Thursday 11am-2am zine, Degrees Bar and Lounge is Friday-Saturday 11am-3am Georgetown’s hidden hot spot. Warm up by the wood burning Sunday 4pm-2am fireplace with our signature “FahrThe kitchen is always open! enheit 5” cocktail, ignite your business lunch with a $25.00 fourA GENTLEMAN’S course express lunch, or make your special occasion memorable with CLUB an epicurean delight with the fire ONLY 21 AND OVER, inspired American regional cuisine. PLEASE www.fahrenheitdc.com www.goodguysclub.com (202) 912-4110
(202) 333-8128
& the 21 M Lounge
2033 M Street, NW, Washington, DC 20036-3305 M Street Bar & Grill, in the St. Gregory Hotel has a new Brunch menu by Chef Christopher Williams Featuring Live Jazz, Champagne, Mimosas and Bellini’s. For Entertaining, small groups of 12 to 25 people wishing a dining room experience we are featuring Prix Fixe Menus: $27.00 Lunch and $34.00 Dinner. Lunch and dinner specials daily.
www.mstreetbarandgrill.com
(202) 530-3621
MAI THAI
PEACOCK CAFE
3251 Prospect St. NW
3251 Prospect St. NW
If you’re searching for authentic Thai food in the heart of Georgetown, Mai Thai Restaurant is the place to go. The warm atmosphere, attentive service, and variety of wines and cocktails in this contemporary establishment only add to the rich culture and authentic cuisine inspired by Thailand. With an array of authentic dishes, from Lahb Gai (spicy chicken salad) and Pad Thai, to contemporary dishes like Panang soft shell crab and papaya salad, the dynamic menu and spectacular drinks will have you coming back time and time again. Come see for yourself. HAPPY HOUR 3:30 - 6PM www.maithai.com
Established in 1991, Peacock Cafe is a tradition in Georgetown life.
(202) 337-1010
(202) 625-2740
The tremendous popularity of The Peacock Happy Day Brunch in Washington DC is legendary. The breakfast and brunch selections offer wonderful variety and there is a new selection of fresh, spectacular desserts everyday. The Peacock Café in Georgetown, DC - a fabulous menu for the entire family. Monday - Thursday: 11:30am - 10:30pm Friday: 11:30am - 12:00am Saturday: 9:00am - 12:00am Sunday: 9:00am - 10:30pm
SEQUOIA 3000 K St NW, Suite 100 Washington, DC 20007 Eclectic American cuisine, Coupled with enchanting views of the Potomac River make Sequoia a one of a kind dining experience. Offering a dynamic atmosphere featuring a mesquite wood fire grill, sensational drinks, and renowned River Bar. No matter the occasion, Sequoia will provide an unforgettable dining experience. www.arkrestaurants.com /sequoia_dc.html (202) 944-4200
TONY AND JOE’S Dive into Tony and Joe’s PLACE Seafood Place this summ SEAFOOD 3000 K St, NW and enjoy the best Georgetown ha If you’re in theseafood mood fordining fresh delicaRanked one of the most popular cies from the sea, dive into Tony and seafood restaurants in , DC, “this offer. Make your reservation today and mention Joe’s Seafood Place at the Georgetown cosmopolitan”send-up of a vinWaterfront. While enjoying tempting tage supper club that’s styled after be entered win a FREE Brunch for Tw such asto Maryland crabcakes, a ‘40’s-era ocean liner is appointedad todishes THE OCEANAIRE 1201 F St, NW
fresh lobster and shrimp scampi you with cherry wood and red leather have spectacular views of the Potomac booths, infused with a “clubby, old River, Kennedy |Center, Washington money” atmosphere. The menu 202-944-4545 www.tonyandjoes.com Monument, Roosevelt Island, and the showcases “intelligently” prepared Key Bridge. Visit us onKSundays our | Washing fish dishes that “recall an earlier Washington Harbour | 3000 Streetfor NW award winning brunch buffet. Come for time of elegant” dining. What’s the view, stay for the food! more, “nothing” is snobbish here. Tonythruand Joe’s | 11AM -10PM @tonyandjoe Sunday Thursday: Friday & Saturday: 11AM - Midnight Lunch: Mon-Fri- 11:30am -5:00pm Beverage Service until 1:30AM every Dinner: Mon-Thur 5-10pm. Fri & night Sat 5-11pm. Sun-5-9pm. VISIT www.tonyandjoes.com OUR FAMILY OF DC RESTAURANTS www.theoceanaire.com
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DRIVERS/ DOCK WORKERS YRC is hiring Drivers and Dock Workers!Drivers:Excellent Wages, Benefits, Pension! Home nightly! Safe Equipment! FT/PT.DC location. CDL-A w/Combo and Hazmat, 1yr T/T exp, 21yoa req. EOE-M/F/D/V. Dock Workers. $12-$14/hr. 4hr shifts. 18 yoa, read/write English. Able to lift 65 lbs. req. APPLY: www.yrcw.com/careers
EXPERIENCED DOG WALKERS We are seeking walkers for 5 well behaved dogs in the same household in Georgetown . Friendly dogs rang in size from toy poodle to golden retriever . Applicants must have experience and references. Position is permanent to caring adults that will play/exercise, behavioral train, groom and feed our lovable friends. The need is 7 days a week, two part-time positions must be filled for AM and PM walks.
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FOR RENT/SALE FOR RENT OR SALE Historic riverfront cabin for full-time lease or sale. Luray, Va. Completely renovated log cabin on banks of Shenandoah River with stunning views and private water front access. Home has two bedrooms, two bathrooms, two stone fireplaces and expansive deck overlooking the river. Home is for sale for $229,000 or $1,250 per month for 1 year lease.Please call703.967.0821
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MURPHY’S LOVE: ADVICE ON INTIMACY AND RELATIONSHIPS By Stacy Notaras Murphy Dear Stacy: First the good news: we got engaged! Now the bad news: both sets of parents are already starting their own campaigns to control the wedding ceremony. We’re a mixed faith couple and both sides have certain things they absolutely will and will not allow in the service. My parents are being very passive aggressive about the whole thing. Phone calls include many “suggestions” and not-so-subtle remarks about her parents’ wishes. Her side, on the other hand, is holding us hostage about the venue – it’s their way or nothing at all. It’s only been a few weeks and I’m already fantasizing about ambushing my fiancée after work and just eloping. It’s a complicated situation because my future wife’s still a grad student, so we are definitely relying on our parents to help fund the event. How do you keep everyone happy when so many different interests are involved? -Imagining Eloping in Georgetown
shoving its traditions down the aisle. Unfortunately, when it comes to religious faith (and the U.S. Congress), compromise can be a dirty word. That’s when you and Future Wife must get honest about what you really want. You make no mention of your own hopes for what a mixed faith ceremony (and marriage) might look like for the two of you. Let’s figure that out before trying to get the parents on board. Once you’re clear, sit down with both sets and be honest about what you have already decided. See how I did that? “What you have already decided,” because it’s your wedding. Minimize the lectures on how petty they’re all being, but if you must, let them know that your wedding (and marriage, because that’s where this is heading) is not the place for either faith’s charismatic tent revival. If they don’t buy it, then don’t let them buy your silence by funding the wedding of their tone-deaf dreams. While elopement is a fine choice, you can always have a small civil ceremony for yourselves and plan a nonreligious reception with both families involved.
Dear Imagining: First the quick answer to how you keep everyone happy: You can’t (come on, you already knew that, right?). Now the longer answer: I agree, this is complicated. A wedding is “supposed” to be a wonderful, family-focused celebration of two people coming together. It’s “supposed” to be about asking your community to support that union. But most of all, it’s “supposed” to be about you and Future Wife, not about one side
Dear Stacy: Should I get therapy? -Frustrated and Anxious Dear Frustrated and Anxious: While that’s not a lot to go on, I actually do get this question all the time. And your signature does give us some clues. I usually describe frustration as a surface emotion, most often covering up deeper feelings
of fear, loneliness, helplessness, etc. In small doses, anxiety actually is a motivator that helps identify what is most important to us and helps us focus. When it overtakes our thoughts – keeping us up late at night, resulting in physical symptoms – then anxiety stops being functional and can serve as the body’s alarm system, alerting us that there is something unresolved that needs our attention. If any of this resonates with your situation, then I’d agree that therapy could be a good place to get clear about your emotions and learn some relief strategies. Now please indulge me with the chance to make up a story about your decision to ask such a succinct-yet-loaded question. I wonder if you might want to hand over the authority on your situation to someone else? Maybe you’re so exhausted by the events that got you “Frustrated and Anxious” in the first place, that you’d like to put someone else in charge for a while? That makes total sense, but before you make an appointment, here are a few ideas about what you should not expect from therapy. Please don’t go to therapy if: …you expect the therapist to read your mind. …you expect the therapist to tell you what to do. …you expect your treatment to take a certain amount of time and have a specific outcome. …you expect the therapist to make you feel better. It may seem counter-intuitive, but the best therapists help us understand the deeper motivations in our own behavior; they don’t impose their own agendas on our lives because, frankly,
that never works. Think about it, did it work when you were a teenager? When you came across your first tyrannical coworker? When your spouse tried it? No. And paying someone by the hour to put you back that situation is a recipe for resentment, anger, and feeling even more misunderstood. Good therapy is about helping someone put words to the cognitions that may have never been named aloud. It is about describing our thought processes, holding those up against our goals, and then deciding if one matches the other. This is an internal restructuring that takes some heavy lifting on the part of the client. Yes, the therapist is there to walk you through it, but not to pass judgment on where you’ve been and decree what you should do next. If you are curious about how your past informs your present, and want to feel better in the end, then therapy can be one way to get there. Stacy Notaras Murphy is a licensed professional counselor and certified Imago Relationship therapist practicing in Georgetown. Her website is www.therapygeorgetown.com. This column is meant for entertainment only, and should not be considered a substitute for professional counseling. We really do want your questions! Send them confidentially to stacy@ georgetowner.com.
IN BETWEEN THE SHEETS: DATING IS LIKE JOB HUNTING And even though they raised the debt ceiling, options are still limited! By Dr. Dorree Lynn Living in DC is a lot like living under a rock and living in the public eye, all at once. It’s 8 square miles surrounded by reality and brimming with some of the most talented people in the world. And while many of the people in DC are definitely boyfriend/girlfriend material, finding the one that’s right for you is possible but not necessarily easy. The catch is that most of the people in this city are so focused, so business minded, and so dedicated to their jobs that they rarely have opportunities to get out and socialize. Not to mention the fact that, because of the nature of some of the occupations in this city, some people can’t/don’t drink in order to not get sloshed enough to spill national security secrets. In some cases just being seen out in social bar-type environments can be detrimental to one’s public image (we won’t even discuss the risk of being caught tweeting pictures or cruising Craigslist!). Now, not everyone in DC has a public image. I’d imagine that half of the staffers and interns on the hill can be found on U St. or H St. or prancing around Dupont Circle in the late hours, and you’d never know who they were or
what they did. But generally speaking, at least 80% of the people in this city are quality people, even though they may be hard to find at times. Like a strong company looking to hire the perfect employee, there is someone out there look-
ing for someone like you. The downside is the same for both dating and job hunting: competition is fierce and you may have to go through a lot of interviews before you land that dream job…I mean boyfriend/girlfriend. The keys to finding the perfect partner are the same you would use to find the perfect job: dress for success, get your name out there, and call in favors from friends. Also, do what you
love to do and you’ll meet people with similar interests. If you like to bike then join a bike group, if you enjoy museums then visit museums, etc. Start by meeting new people, even if just for fun. There are TONS of online resources for groups to join and things to do in this fabulous city. Ask your friends and coworkers for suggestions on social events, happy hours, and networking opportunities. And don’t be afraid to start a conversation with someone at the grocery store or on the Metro. Your two-second interaction could lead to dinner and a bottle of wine! Dr. Dorree Lynn is a psychologist and life coach committed to helping people have better relationships & fulfilling sex lives. Dr. Lynn is a contributing author for The Georgetowner, AARP’s “Sexpert” and has appeared on “Good Morning America,” MSNBC, CNN, PBS, & other national programming. Her book, “Sex for Grownups” is available on Amazon. Follow Dr. Dorree Lynn online: www.DrDorreeLynn. com www.Facebook.com/DrDorreeLynn
GMG, Inc. August 24, 2011 25
FOOD
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WINE
MILLER LITE SCOREBOARD WALK AT NATIONALS PARK: FOOD PARTY SPOT WITH A VIEW OF ALL THE ACTION By Robert Devaney
I
t is a walk that is also a hit. While the Washington Nationals took care of the Philadelphia Phillies this past weekend, their ball park was taking care of hungry and thirsty baseball fans. And while around the stadium there are food spots aplenty, one space stands out: the Miller Lite Scoreboard Walk with its Miller Lite Party Nights. The Miller Lite Scoreboard Walk, located on the mezzanine level of the stadium with its own escalator to the left of the centerfield gates behind the main scoreboard, is fast becoming a meeting hot spot as its walking area and restaurant space gives baseball fans an elevated view of the field – and a place to see and be seen. During the Miller Lite Party Nights – Thursdays, Fridays and Saturdays – fans can buy a Scoreboard Pavilion seat for $20 ($22 for prime games) and get a drink voucher for the Miller Lite Scoreboard Walk Bar. Live entertainment starts two-and-a-half hours before the start of each game. Five-dollar happy-hour beer spe-
cials are available two-and-a-half hours before the first pitch at the Miller Lite Scoreboard Walk Bar for all remaining home games this season. In fact, two of a group of fans enjoyed the food and space so much last week, they stayed put and sat in the lounge chairs and at the high tables for most of the game. With approximately 15,000 square feet of open space, it is easy to lounge in the new chairs, listen to pregame music and partake of burgers and shakes from Shake Shack, Union Square Hospitality Group’s most popular joint, along
with Danny Meyer’s other offerings, Blue Smoke, El Verano Taquería and Box Frites. You can hang at the Walk and watch the new HDTV screen behind the scoreboard and never a moment of the action on the field. Baseball, hot dogs, burgers, real pit barbeque, tacos, Belgian fries and beer and wine – and shakes and custards. No strikeout here. Nationals Park is the third sports venue with the Union Square eateries; the other two are the New York Mets’ Citi Field and the Saratoga Racing Course.
Here are some fun green facts about Miller Lite Scoreboard Walk that the Nationals are proud of: Building on the ballpark’s environmentally-friendly design, the enhanced Miller Lite Scoreboard Walk incorporates sustainable elements which include the following: indigenous plants and trees, which require less water and maintenance while also improving air quality; all the under plantings are herbs, which attract butterflies and will give off an herbal scent when in bloom from May to November; all plantings were installed with composted materials, while the trees were grown from intercropping. Unique to the refreshed area are the 14 shade sails suspended by turnbuckles covering the space. The sails were designed and provided by Tenshon specifically for the Nationals. They will reduce ambient temperature up to 20 degrees and provide protection of up to 93.7 percent of UV rays, protecting fans from excessive heat and sun exposure. Each sail measures 16 feet by 10 feet and is made of fully recyclable HDPE architectural shade fabric.
COCKTAIL OF THE WEEK: DARK N STORMY By Miss Dixie Say the word “Bermuda” and many things come to mind. For many, it’s a paradise getaway, an island dotted with breathtaking cliff side ocean vistas and ringed with dreamy pink sand beaches. For the fashion-conscious, it’s
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the nationally named shorts regularly worn with a jacket and tie. For mystery-lovers, it’s the northern point of the mystical triangle where ships have inexplicably disappeared. Far north of the Caribbean, Bermuda is a unique spot, a little British, a little nautical and posh enough for the rich and famous. But for a cocktail writer, the first thing to come to mind is the Dark ‘N Stormy - a delightfully spicy and slightly sweet rum treat that’s known as “Bermuda’s National Drink.” The Dark n’ Stormy is a simple highball, a mixture of Goslings Black Seal rum and ginger beer with a garnish of lime. Ginger beer, which for those unfamiliar is a non-alcoholic soda, is a grownup relative of ginger ale with a zesty flavor of fresh ginger root. If you’re on the island and you order a Dark N Stormy, you’re almost guaranteed that your tipple will be forged with Goslings Black Seal Rum, a product of Bermuda. The full-bodied spirit, which pours the color of dark coffee, has a distinctive spiced flavor with hints of oak and caramel. While many cocktails can boast world-wide popularity, the Dark n’ Stormy is one of the few that is trademarked and its ingredients strictly dictated. As the popularity of the cocktail spread
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Around 1850 after much experimental blending, Gosling offered a dark rum for sale. At first it was simply called “Old Rum,” and it was sold straight from the barrel. During World War I, the rum was offered in Champagne bottles reclaimed from the British Officers Mess with corks sealed in Black Wax. People began asking for the rum with the black seal and the name was born. While Goslings rum has been blended in Bermuda for generations, the rum itself The Dark n Stormy actually comes from tropical Caribbean islands where sugar cane grows. When 2 oz. Gosling’s Black Seal rum the rum distillate arrives in Bermuda it Gosling’s Stormy Ginger Beer is aged and blended according to an old family recipe. A portion of the rum stays In a tall glass filled with ice, add rum in Bermuda where it will eventually be and top with ginger beer. Garnish with sold to the local market. The remainder is lime wedge (optional). shipped to the Bardstown, Ky., where it is bottled for the U.S. market. Over the years the Dark n’ Stormy has become a popular drink in port-of-calls up and down the eastern seaboard requested don Wine and Spirits merchant William Gosling by various sailors who have visited Bermuda. and his son James chartered the ship Mercury And with the resurgence of tiki drinks, this bound for America. After months of poor sailunique tipple is showing up on more and more ing conditions, the boat could not make it to the cocktail menus. Simple to mix and wonderfully mainland and instead landed in the nearest port refreshing, this cocktail brings home a little of Bermuda. James opened a shop on the Kings taste of Bermuda in a frosty glass. Parade in St. George. outside Bermuda, bartenders began using other dark rums in the mixture. In response to these variations, Gosling’s registered Dark ‘N Stormy in 1991 and it can only be made with Gosling Black seal Rum. The brand has a long and storied history. According to Goslings, in the spring of 1806 Lon-
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FOOD
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WINE
EXIT INTERVIEW: 1789’S GIUSTI ON A QUEST FOR FOOD PERFECTION AT NOMA By Robert Devaney
W
hen Clyde’s corporate chef John Guattery gave 1789 chef Daniel Giusti a book on the restaurant Noma in Copenhagen, “Noma: Time and Place in Nordic Cuisine,” he had no idea the gift would prompt his executive chef at his best restaurant to quit and run away to Denmark. “The company has been gracious,” said the 27-year-old Giusti, speaking at 1789’s pub bar before the dinner hours. In return, Giusti recommended Casa Nonna’s executive sous chef Anthony Lombardo – his friend and one-time roommate – as 1789’s top chef. “We think the same as far as food goes,” Giusti said of Lombardo, giving the Clyde’s Restaurant Group a smooth continuity between chefs. Giusti’s last day at 1789 will be Aug. 28; Lombardo begins work at the 36th and Prospect Street fine dining spot this week. For Giusti, who departs with his girlfriend Annika De Las Heras for Europe in September, it is a leap of faith. He is heading to Noma, cited as “the best restaurant in the world,” with merely a job possibility from owner Rene Redzepi. “There’s a good chance that I’ll never get paid,” he said. What would make a chef at a top restaurant leave without a firm job offer for another in an old warehouse by the docks? Noma – its name
Executive chef Daniel Giusti with 1789 Restaurant’s general manager Dan Harding
short for “Nordisk Mad” or Nordic Food, or so it is said – is admittedly the best and known for its unique and complicated recipes from local sources in season with epic gastronomical--and wallet-thinning--results (a meal with wine can pass the $300 mark). For the departing 1789 chef, it is the Scandinavian restaurant’s precise
pursuit of excellence on all levels fueling his passion for food. He wanted to know: “How is the best kitchen in the world run?” What struck Giusti was “the intense energy of 60 persons” working in the kitchens along with a combination of contemporary and traditional techniques. The “tame-looking food,” he said,
surprises with the tastes of the mixed ingredients. Noma— where the cooks bring diners the food and where Giusti briefly helped around the kitchen in July – is “the best as far as their thinking” goes in search for the “best or pure food,” he said. “What I love to do is to cook at seasonal levels.” And as far as making the top of that restaurant list? “Being on the list gives the owner the freedom to think. I can do what I want,” he said. The adventuresome Giusti began working at Clyde’s of Georgetown at the age of 15. Attending the Culinary Institute of America, he then worked in New York -- where he met Noma’s current chef Matthew Orlando at Aureole -and Las Vegas. He returned to D.C., becoming 1789’s top chef for a little more than three years. He was nominated by the Restaurant Association of Metropolitan Washington for a 2009 and 2010 RAMMY Award and received a regional nomination for “People’s Best New Chef’’ from Food & Wine Magazine. While Giusti said he was disappointed to be in New York during the surprise visit to 1789 by President Barack Obama and German Chancellor Angela Merkel in June, he said it was pretty cool to have met the Clintons as well as Paul McCartney there. Not bad for a kid from New Jersey who moved to Northern Virginia and was Langley High School’s prom king in 2002. See you in Denmark.
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GMG, Inc. August 24, 2011 27
SOCIAL
THE SOURCE HOSTS JAMES BEARD CELEBRITY CHEF TOUR
On Aug. 16, the Source by Wolfgang Puck hosted the Washington, D.C., leg of the James Beard Celebrity Chef Tour. Executive chef Scott Drewno partnered with a formidable lineup of the city’s top culinary and beverage talents for an evening of fine food and drink. The Source is located at 575 Pennsylvania Avenue, N.W. Photos by Paul Kim -- www.paulkimphoto.com
Chefs Victor Albisu from BLT Steak, Scott Drewno from The Source by Wolfgang Mike Isabella (Graffiato) with Puck Drewno, and Adam Sobel from Bourbon Steak. fellow chef.
Bryan Voltaggio (Volt) plating the third course.
The crew from the Inn at Little Washington
SCENE
NAVY BAND CONCERT
Vice Admiral Dirk Debbink, the Chief of Navy Reserve, and Mrs. Terry Debbink hosted a Reception and Concert on the Avenue, featuring the United States Navy Band on Aug. 16 at the U.S. Navy Memorial. -- Photos and report by Jeff Malet; more photos at www.maletphoto.com
Master Chief Petty Officer of the Navy Rick West, Vice Admiral Dirk Debbink, the Chief of Navy Reserve, Juan Garcia II Assistant Secretary of the Navy , and Juan M.Garcia III
Brigadier General Kenneth J. Lee, Vice Admiral Dirk Debbink, the Chief of To see more photos of this Inspector General of the Marine Navy Reserve event, please visit Corps, and his wife Diane. www.maletphoto.com
Walk for the
Animals Benefiting the Washington Humane Society
28 August 24, 2011 GMG, Inc.
SOCIAL
SCENE
GBA TOAST FURINS AT HOUSE OF SWEDEN On a perfect summer evening, a near-record crowd attended the Georgetown Business Association’s monthly reception held at the House of Sweden on Aug. 17. House of Sweden General Manager Cecilia Browning welcomed guests. GBA Events Chair Sue Hamilton acknowledged the evening’s honorees Wendy, Bernie and Chris Furin, who lamentably shuttered their eponymous treasured M Street eatery last month. The Furins were presented with an engraved plaque commemorating their 27 years in business, a compilation of their many press clippings, topped off with a complimentary stay plus pampering at the Four Seasons. D.C. Councilman at-Large Vincent Orange wondered what their many fans would do without Furin’s pancakes. Guests enjoyed hors d’oeuvres by Ridgwells Caterers, beverages supplied by the Georgetown Business Improvement District and concluded the evening with signature cupcakes by Chris Furin, who will continue his stellar career as a cake designer.-Mary Bird
Karen Snyder, Marcie Connolly, Janine Schoonover
Jake McGuire, Jack Aal
Liz Sara, Edvinas Minkstimas, Cristina Neira
Susan Calloway, Terry Bell
SECOND ANNUAL GREEN FAIR AT THE FAIRMONT
Deborah Bell, Jack Aal
Edwin Gomez, Sherie Gabriel, Rokas Berseniovas
On Aug. 12, The Fairmont Washington held its Second Annual Green Fair in the sunlit Colonnade room. The hotel’s green partners, including the neighboring World Wildlife Fund, Capital Bikeshare, FRESHFARM Markets, Nusta Spa and Carbon – A Sustainable Chic Boutique, manned exhibits. Guests could meet the hotel’s resident beekeeper and sample Executive Chef Jason Dalling’s organic hors d’oeuvres. -Mary Bird
Tania L. Arriaza, Lisa Lamy
WASHINGTON AREA CONCIERGE ASSOCIATION GALA
The Washington Area Concierge Association themed its annual gala “Uncover Your Code” as guests converged at Barcode on Aug. 14. WACA has donated over $400,000 to charitable organizations. This year’s recipients are The John B. Campbell Hospitality Scholarship, Les Clefs d’Or and Les Clefs d’Or Foundation as well as the Katzen Center Research Center at George Washington University Hospital. The festive evening featured a fundraising raffle and silent auction. WACA President Luis Colmenares said “I can’t wait to celebrate the monumental achievements of our tourism industry . . . regardless of the political or economic climate around us.” - Mary Bird
Kimu Washington, Kristi Hendrickson of Grand Hyatt Washington WACA President Luis Colmenares, Linda Roth, Stephen Mowbray
Executive Sous-Chef and Beekeeper Ian Bens, Director of Public Relations Diana Bulger
Nusta Spa Public Relations Specialist Celeste Bergold ,Larry Tse of FRESHMonika Szewczulak, Ritz-Carlton Pub- FARM Markets lic Relations Manager Audrey Slade
Vanessa Rodriguez, Peter Abrahams, Martha Pheeny
Hair
Andrea Hansts-Diarte, Angelique Bella, Iesha Holy
Anne Factor of goDCgo
Evelyn Tikenberg, Carl C. Griffin of mie n yu
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Wedding
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ANNOUNCMENTS
PAL AT PETE’S
ANNOUNCEMENT Flavia Menezes Rusznak and Csaba Menezes Rusznak were wed on July 9, 2011, at Holy Trinity Catholic Church. Both are Georgetown University alums, having graduated in 2008 and 2007, respectively, and are the children of two diplomats, Sonia Costa and Renato Menezes, and two physicians, Marta Papp and Csaba Rusznak, Sr. Following their college graduations, Csaba attended Law School at Vanderbilt University and Flavia worked for Teach For America before joining The New York Film Academy’s conservatory program in acting. Their wedding ceremony was officiated by Rev. Stephen Fields, S.J., of the Georgetown community, and included many fellow Hoyas in attendance, who also joined them at the Chevy Chase Club reception. The newlyweds currently call New Orleans home, where Csaba is a federal law clerk and Flavia an actress.
To place an announcement, contact adra@georgetowner.com
People Animals Love invited supporters to join PAL volunteers at a Yappy Hour on Aug. 16 at Pete’s New Haven Style Apizza. Pete’s regular patrons are so accustomed to seeing family pets that they did not initially grasp that this was a fundraiser. Founded in l982, PAL is today the premier pet visit organization in the DC area with 300 certified volunteer teams. These two- and four-legged volunteers make thousands of visits annually, lifting spirits in nursing homes, mental health facilities, hospices, military hospitals and underserved schools. - Mary Bird
PAL stalwarts Margery Passett, Toni and Makenzie Billingslea, Susan McGregor
Sallie Rush with Lulu and Lola
WASHINGTON ANIMAL RESCUE LEAGUE’S PAWS AT THE PARK
The Washington Animal Rescue League held an Aug. 10 Paws at the Park cocktail hour where canines and bipeds mingled on the patio of the Park Hyatt. The event followed the previous weekend’s hugely successful Adopt-A-Thon when 79 dogs and 34 cats were adopted under a “pay what you will for priceless pets” policy. Several adoptables were at the Park Hyatt which bills itself as the “city’s most sophisticated pet-friendly hotel.” Raul Catangui was proud to announce the launching of the new website BowWowMatch.com. Pro Feed supplied doggie goodie bags. - Mary Bird
Jane and PAL visitor Harold Volkema
Page Winstead with her granddog Madaket
WARL Volunteer Manager Allison Schwartz, Development Manager Kelley Barr, Development Associate Ehuniz Davila
Alexandra Anders and Penelope
Paige Grzelak with Hogan, Evandro Paes and Sophie
Josh and Rolly Scazzero
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Celia and Jack Cohen
Mary Beth and Scout Ray
Susan and Tommy Noon
Dennis and Heather Menis with Maggie Moo and Riggins
Raymond Jiguere, Plattsburgh, NY BRAIN TUMOR. Treated 2002. PROSTATE CANCER. Treated 2008.
When my doctor found a brain tumor, I found Georgetown University Hospital. When Raymond was told he had an inoperable brain tumor, his doctor sent him to Georgetown University Hospital where we successfully treated him with CyberKnifeŽ—a procedure that treats tumors with laser-like accuracy without damaging surrounding healthy tissue. His recovery was so amazing that years later, when he was diagnosed with prostate cancer, he came back to Georgetown. Once again, our CyberKnife team provided him with an improved quality of life that allowed him to spend more time with his great-grandson. To learn more, go to www.GeorgetownUniversityHospital.org/CyberKnife or call 202-342-2400.
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WASHINGTON, DC GEORGETOWN BETHESDA/CHEVY CHASE POTOMAC NORTHERN VIRGINIA WFP.COM
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William F. X. Moody Robert Hryniewicki 202-243-1620
William F. X. Moody Robert Hryniewicki 202-243-1620
Friendly House, 10,000+SF historic, brick, detached East Village home on 3/4 acre, private lot, 1,400 SF brick guest cottage, garages, car court, tennis court. Ready to customize! $7,900,000
Grand Southampton estate with 19,250 square foot floor plan set on 2.10 country club-like acres including 8 bedrooms, 8 full and 3 half baths, carriage house with apartment, heated pool with spa andoutdoor family room. $7,175,000
Stunning restored Federal in the heart of the East Village. Gracious principal rooms including double parlor, library, and banquet DR. 6BR, 5.5BA, terraced gardens, glamorous pool and pool house, 4-car gated parking. $6,995,000
Rare once-in-a-lifetime opportunity to build your own custom dream home on 1.34 acres of land with 270 feet of road frontage in one of Washington, DC’s most prestigious neighborhoods. Pool and tennis court. $5,000,000
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Forest hills, washinGton, DC
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Margot Wilson
Mary Grover Ehrgood 202-274-4694 Julia Ehrgood 202-997-0160
Nancy Taylor Bubes
Joanne Pinover
Spectacular Arts and Crafts style home rebuilt from foundation up in 2000 on nearly one acre, backing up to parkland. Dramatic living room with barrel vaulted ceiling and frieze of maple with walnut inlay. A unique residence for the most discerning purchaser. $3,795,000
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NEW PRICE! Totally-rebuilt Georgetown classic on prominent corner overlooking park-like setting. 3 exposures, tall ceilings, great proportions & flow, fabulous finishes. 4BR, 4.5+BA. Terrific lower level. Private garden. Garage! $2,595,000
GeorGetown, washinGton, DC
PotomaC, marylanD
Nancy Taylor Bubes
Marsha Schuman
Beautifully renovated 3 bedroom, 3.5 bath home in the sought after East Village of Georgetown with a gourmet kitchen with top-of-the-line appliances, great master bedroom suite, Waterworks baths, a rear patio and 2 car parking! $1,695,000
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arlinGton, VirGinia
Luxury townhouse with 3 bedrooms, 2 full and 2 half baths, renovated kitchen and master bath, seasonal views, 2 car garage, walk to Metro, Georgetown, Rosslyn and Clarendon. Move in ready. Furniture for separate sale. $989,000
John Eric
703-798-0097
Large, custom built colonial with an excellent location, close-in. Large rooms, custom moldings and architectural details. Six bedrooms and four full baths up and more. Ideally located and easy access to Potomac Village. $1,350,000
301-299-9598
Beautiful 4 bedroom, 3.5 bath East Village home with great entertaining spaces, renovated kitchen with stainless steel appliances, lower level family room, great master suite with dressing area, rear patio and garage. $1,895,000
sPrinG Valley, washinGton, DC
Jim Bell
Jim Kaull
Rare opportunity to own the largest historic 3 bedrooms, 2 full & 1 half bath unit in Chinese Embassy Condominiums. Renovated kitchen and baths throughout. Grand receiving room, private terrace, and 2-car parking! $1,250,000
sPrinGFielD, VirGinia
William F. X. Moody Robert Hryniewicki 202-243-1620
Victoria Kilcullen Linda Rogers
202-607-4000
Renovated in 2011, inside beltway in a quiet group of 4 homes on a private strip of Backlick Road. Renovations include floors, chef ’s kitchen, windows. Landscaped half acre lot with fenced back yard and sprinkler system. $829,000
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32 August 24, 2011 GMG, Inc.
301-404-7011
K alorama, washinGton, DC
DuPont CirCle, washinGton, DC
Chic 2 bedroom, 2.5 bath duplex only half of a block from the Dupont Metro. Parking and private patio. This unit lives like a house with gourmet open kitchen, 2 fireplaces, and master suite with spa like bath. $955,000
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NEW PRICE! Gorgeous Southern colonial in Spring Hill. It was the model home. Beautifully renovated, 4 finished levels, 6 bedrooms, gourmet cook’s kitchen and table space, family room, master bedroom with fireplace! Lower level game room and exercise room. $1,749,000
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wesley heiGhts, washinGton, DC
Charming 2 bedroom, 2.5 bath unit in The Foxhall building in the sought after Wesley Heights. This unit features a beautifully renovated kitchen with stainless steel appliances, spacious bedrooms, large terrace great for entertaining and one car parking. $669,000
Nancy Taylor Bubes
202-256-2164