Georgia Museum of Art FY09 Annual Report by Georgia Museum of Art

Georgia Museum of Art Annual Report, 2008â&#x20AC;&#x201C;2009

Director In the following pages, you will read of the accomplishments of the past fiscal year at the Georgia Museum of Art, truly a time of transition as we began the long-awaited construction of Phase II of our building. Even though we were as busy as ever, or, as some of the staff believe, busier than ever because of the requirements of moving the collection to storage, preparing the present building for renovation, and moving our offices to temporary quarters in the Visual Arts Building on North Campus, we had a full complement of programs in various venues locally and regionally as well as nationally, about which you will read more in this annual report that features our curatorial and educational departments. Most notably in that regard, we received a prestigious grant from the National Endowment for the Humanities (NEH) to present the program Picturing America to teachers from throughout the state. In this case, we entered into a true partnership with the NEH as one of the pilot programs for this innovative and compelling approach to teaching our nation’s history through its visual arts. Moreover we joined with the Athens-Clarke County Library to sponsor the Big Read, a program from the National Endowment for the Arts (NEA) that stressed not only literacy but also the appreciation—and joy!—of literature in communities across the United States. These were but two of the educational programs of the past year; as you will see, there were many others: lectures, films, workshops, classes, etc. Our exhibitions traveled across the United States; our publications earned awards for excellence; and the staff continued to play major roles in peer professional organizations. Even as we closed our building, we lost not a step in service to our region and nation and in our striving to disseminate knowledge of the visual arts. Foremost among the groups dedicated to our teaching mission are our docents, and they developed their own programs, such as suitcase tours, and came together in a book club for continuing education on their own. Not willing to sit back and wait until our collections return to our walls, they joined the staff in offering their expertise at venues, some fairly far-flung, away from the museum’s makeshift, temporary digs. Our Friends of the Georgia Museum of Art hosted one of the most beautiful and exciting evenings in our history with Elegant Salute XI, where we paid lip service to the idea of a hard-hat event (everyone was far too elegant to be mistaken for wearing construction garb). The Decorative Arts Advisory Committee (DAAC) was as assertive and determined as ever in advancing the study of Georgia’s material culture and, in fact, helped the museum make significant acquisitions, began planning for the next symposium in January 2010, and offered assistance and encouragement to the staff in the absence of a curator.

Georgia Museum of Art | Annual Report, 2008–2009

Among the momentous events of the year for a relatively small group of participants was the Collectors’ trip to Santa Fe, where we saw private and public collections, traveled to Taos, and, in a reversal of roles perhaps, became students once again as we attended a symposium at St. John’s College on the very meaning of collecting art in a consumerist society. The Collectors were instrumental in allowing us to make important acquisitions, among them a large group of works on paper that fortifies our strength in twentieth-century prints and drawings. It would not be accurate, however, to paint too rosy a picture of our past year, one in which we lost staff members both to attrition and to the current economic malaise. Truly we have had to become “leaner and meaner,” and it appears that we may continue to be understaffed for the immediate future. Of even more concern was the failure of our HVAC system and the damage caused to works in the collection, fortunately limited and repairable, although even the smallest loss to the luminescence of one of our tonalist paintings was grievous and unacceptable. Certainly, this event could not have been predicted, but the response of the staff and the university was exemplary: quite simply, we followed our emergency plan and, for the most part, when and where it mattered most, it worked. From our security supervisor Brent DeRevere, who astutely noted the moisture problem and reported it immediately, to the professional and administrative staff as well as university personnel from the Office of University Architects and Physical Plant, who assembled at the museum to secure our works of art, everyone involved exhibited high degrees of training and professionalism in an emergency situation. To them all, I am grateful. As the director of the museum, it was among the more stressful periods of my career, and I was buoyed by the shared concern on the faces of our staff and colleagues as they joined me in moving paintings and sculpture, in climbing on racks to put down plastic sheeting, and in searching for any other evidence of water intrusion. As a period of transition, with some low points and some very high ones, FY09 cannot be called restful or even restorative, but it was one in which the staff of the museum proved its commitment to our mission, protected our community’s shared past, and prepared for future accomplishment. William Underwood Eiland

Construction

HVAC Malfunction

Having completed fundraising for the Phase II expansion and renovation, the university hired Holder Construction Company of Atlanta as construction manager for the project and held design and construction meetings every other week. Program confirmation and schematic design had been finished in FY08, and the team began working on the design development portion of the project during the summer of 2008 and completed it in September 2008. The team then began work on construction documents, which were completed at the end of January, and conducted bids, awards, and negotiations. The team also worked on building points for LEED certification. The U.S. Green Building Council (USGBC) developed the Leadership in Energy and Environmental Design (LEED) Green Building System in 1998 to establish a common standard of measurement; promote integrated, whole-building design practices; recognize environmental leadership in the building industry; stimulate green competition; raise consumer awareness of green building benefits; and transform the building market. The system rates buildings in six different categories:

On January 4, 2009, at approximately 9:40 a.m., GMOA security supervisor Brent DeRevere noticed and reported a problem with the humidity in one of the museum’s storage areas. DeRevere followed the museum’s emergency procedure and immediately contacted the UGA police department, which in turn got in touch with the UGA Physical Plant. He then contacted head registrar Tricia Miller, who enlisted the aid of other members of the museum staff in handling the crisis. Within two hours, the museum staff and personnel from Physical Plant had removed and secured the art from the affected storage area. The Office of University Architects and Physical Plant repaired the faulty HVAC valve. The problem occurred when an actuator responsible for opening and closing a steam valve malfunctioned at some point between Saturday, January 3, and Sunday, January 4. The valve, which mixed steam with the air pumped into the room, functioned as part of the climate-control system used to maintain a constant level of humidity. Employees from Physical Plant believed that the valve was broken for only a short period of time. Following the removal of the art from the affected storage area, director William U. Eiland instructed security coordinator Lawrence Cross to schedule around-the-clock security checks. Cross then contacted security staff members to establish thirty-minute checks of the vaults and galleries. Stored in the affected area were paintings, framed works on paper, folk art, Asian objects, and decorative-arts objects. The affected works of art were placed in one of the unused galleries to dry. Approximately twenty-five paintings and other works suffered damage, ranging from moisture accumulation to paint loss. Only one work sustained serious damage, a painting by the nineteenth-century American artist William Haseltine, in the form of paint loss. However, the damage to this painting was addressed quickly, allowing for more comprehensive conservation of the work. The damaged painting, Castel Fusano, an Italian landscape painting, is typical of Haseltine, a second-generation Hudson River school painter, and his interest in geology and light. As it takes time for a water-damaged painting to dry and return to its original moisture level, a full conservation report was not immediately available following the incident. When an undue amount of water adheres to a painting, it causes the canvas and/or the frame to expand at a rate that often differs from the rate of expansion for the paint. It is important that a water-damaged painting be treated before it shrinks during the process of drying. Also, as the drying continues, more damage may become apparent. Therefore, the process of restoring water-damaged paintings is extensive and time consuming. The museum entrusted conservation of the damaged works to Elizabeth Hatmaker. On the evening of January 7, 2009, the night security guard noticed steam coming from the HVAC vents in the

• Sustainable sites • Water efficiency • Energy and atmosphere • Materials and resources • Indoor environmental quality • Innovation and design process

LEED buildings receive points for efforts in each category and can be rated certified, silver, gold, or platinum, depending on the number of points received. An efficient site plan that includes stormwater management and strong water efficiency measures and the recycling of all construction waste have put GMOA on track to receive at least a silver certification, with the hope of a gold. In March 2009, the majority of staff moved into temporary offices in the Visual Arts Building on UGA’s North Campus (GMOA North). The registrars, preparators, and a portion of security remained at the museum through FY09, with plans to move in FY10, once the shipping, packing, and storage of the collection were complete in early FY10. The museum held an official ground-breaking ceremony on March 3, 2009. Director William U. Eiland, GMOA board of advisors chair Shannon Candler, and UGA president Michael Adams spoke, and the design architects of Gluckman Mayner, New York, made a presentation on the expansion and renovation. A ceremonial dirt-turning outside followed the indoor events, and many of the attendees returned that evening for the GMOA on the Move Kickoff Party, despite snow and freezing temperatures.

Georgia Museum of Art | Annual Report, 2008–2009

Martha and Eugene Odum Gallery of Decorative Arts, where several sculptures were being temporarily stored. Again, Miller was contacted and the art handling staff reported to the museum to move the works of art out of harm’s way. In the ensuing six months, Annelies Mondi, deputy director, and Eiland worked with Physical Plant to determine and remedy the cause of the incident, and the security force remained on twenty-four-hour duty during this time period, checking all areas where art was stored once every hour. Mondi also worked with Hatmaker and the museum’s fine arts insurance company to have the damaged works conserved. This incident brought to light many issues relevant to the ongoing renovation and expansion of the GMOA building. The HVAC system that caused the damage was installed in 1996, but since its installation has been the cause of both significant and minor problems. The January 2009 incident was not an extraordinary event, but rather one in a series of malfunctions in the current system. In fact, moisture problems continued over the next few months. With the closing of GMOA for the expansion, there is an opportunity for an assessment of, and if necessary an upgrade to, the current sys-

tem. The Office of University Architects and Physical Plant will work with the engineer of record and Gluckman Mayner Architects to determine the best course of action in regard to the HVAC system. It is absolutely necessary that the museum maintain the most secure gallery spaces and storage areas possible. In order to be accredited by the American Association of Museums, a museum must be able to guarantee the safety and preservation of all objects entrusted to its care. Other museums require a facility report that details the climatic conditions as well as the security arrangements. If conditions exceed 70º ± 3º in temperature or 50% ± 5% humidity, loans will be denied. Any threat to objects by moisture is considered grounds to refuse a loan of a single work or an entire exhibition. What is true for lending museums is also true for individual donors. The museum, along with the university and the architects of the expansion, will work toward a long-term solution to the problem of the HVAC system while learning how to prevent future incidents that might threaten the museum’s collections.

New Hires During FY09, registrar Malissa Ryder resigned her position. Due to budgetary constraints, Ryder’s position was reduced from a full-time position to a part-time position. Heidi Snyder was hired on November 19, 2008, to fill the part-time assistant registrar position. When the budget situation improves, the position may return to full-time. Lauren Cook was hired as event coordinator, also part-time due to budgetary restrictions; Mary Koon as assistant editor, in the department of publications; Jana McGee as accounting assistant in the business office; Jenny Gunn as curatorial assistant, working with the department of education; and Lynn Boland as Pierre Daura Curator of European Art.

Professional Association Memberships • Athens Area Arts Council: Jenny Williams • American Association of Museums: Lynn Boland, William U. Eiland, Cece Hinton (EdCom), Tricia Miller, Annelies Mondi, Todd Rivers, Christy Sinksen. • American Association of Museums—Registrars’ Committee: Tricia Miller, Annelies Mondi, Christy Sinksen • Association of Art Museum Curators: Deirdre Conneely • Association of Art Museum Directors: William U. Eiland • Association of College and University Museums and Galleries: William U. Eiland • Athens Convention and Visitors Bureau: Jenny Williams • College Art Association: Lynn Boland • Georgia Art Education Association: Carissa DiCindio (board member), Cece Hinton • Georgia Association of Museums and Galleries: Carissa DiCindio, William U. Eiland, Cece Hinton (board member), Annelies Mondi • Georgia Museum Educators: Carissa DiCindio (board member), Cece Hinton • Historic Heartland Travel Association: Jenny Williams • Lyndon House Arts Foundation: Tim Brown, Erika Lee, Amy Miller, Lanora Pierce, Jenny Williams • Museum Store Association: Amy Miller • National Art Education Association: Carissa DiCindio, Cece Hinton • National Association for Museum Exhibition: Todd Rivers • Society for Science, Literature, and the Arts: Lynn Boland 4

Georgia Museum of Art | Annual Report, 2008–2009

• Southeast Association of Museum Directors: William U. Eiland • Southeastern College Art Conference: William U. Eiland • Southeastern Museums Conference: William U. Eiland, Tricia Miller, Annelies Mondi, Christy Sinksen • Southeastern Registrars Association: Tricia Miller, Annelies Mondi (development chair), Sarina Rousso, Malissa Ryder, Christy Sinksen

Conference Attendance • Administrative Professional Certification Series, UGA, spring 2009: Brenda Wade • American Association for State and Local History annual meeting, Rochester, New York, September 10–13, 2009: William U. Eiland • American Association of Museums annual meeting, Philadelphia, Pennsylvania, April 29–May 4, 2009: William U. Eiland, Tricia Miller, Annelies Mondi, Todd Rivers, Christy Sinksen • Association of Art Museum Curators, New York, May 18–19, 2009: Deirdre Conneely • Georgia Art Educators Association annual conference, Athens, Georgia, November 6–9, 2008: Carissa DiCindio, Cece Hinton • Georgia Association of Museums and Galleries annual conference, Marietta, Georgia, January 20–23, 2009: Carissa DiCindio, William U. Eiland, Cece Hinton • Georgia Council for Social Studies annual conference, Athens, Georgia, October 23–24, 2008: Carissa DiCindio, Cece Hinton • Georgia Council for the Teachers of English, Jekyll Island, Georgia, February 6–7, 2009: Carissa DiCindio • Institute of Museum and Library Services forum, “Stewardship of America’s Legacy: Answering the Call to Action,” Buffalo, New York, June 16–17, 2009: Lynn Boland • National Art Education Association annual conference, Minneapolis, Minnesota, April 16–19, 2009: Carissa DiCindio • Southeastern Museums Conference annual meeting, Birmingham, Alabama, October 14–17, 2008: Deirdre Conneely, William U. Eiland, Tricia Miller, Annelies Mondi

Awards • Silver medal, 2009 Independent Publisher Book Awards, Fine Art category, for The American Scene on Paper: Prints and Drawings from the Schoen Collection • 2008 Exhibition Competition, Award of Excellence, Southeastern Museums Conference, category: exhibitions with budgets exceeding $25,000, for Amazing Grace: Self-Taught Artists from the Mullis Collection, October 2008 • National Endowment for the Humanities $30,000 grant for Picturing America teachers’ workshop, July 2008 • Honorable mention, American Association of Museums Publications Design Competition, Devotional Prints from Germany and the Netherlands • Georgia Museum Educator of the Year, Georgia Art Education Association, Carissa DiCindio • Museum Professional of the Year, Georgia Association of Museums and Galleries, Annelies Mondi • Volunteer of the Year, Georgia Association of Museums and Galleries, Ann Scoggins • Museum Exhibition of the Year, Georgia Association of Museums and Galleries, New Discoveries in Georgia Painted Furniture • James R. Short Award, Southeastern Museums Conference, William U. Eiland • Shortlist, Millia Davenport Publication Award, Costume Society of America, Modern Threads: Fashion and Art by Mariska Karasz

Georgia Museum of Art | Annual Report, 2008–2009

Deputy Director Annelies Mondi, deputy director of the museum, was in charge of all construction, collection packing/storage, and other aspects of Phase II. In addition to working on the LEED certification building points, she also worked in conjunction with the Office of University Architects on the graphics package for all signage in the new building; the skin of the building (limestone with a particular recessed pattern); skylight details; interior design materials, and more. She assisted with the planning for the UGA Arts Festival and spoke to Dr. José Blanco’s class “Museum Issues in Historic Clothing and Textiles” in the school of family and consumer sciences. Mondi also dealt with the consequences of the HVAC malfunction in January, protecting the works, talking to HVAC and systems consultants, and filing the insurance claim. She served as a member of the Visual Arts Panel for the Georgia Council for the Arts.

Development Foundations, corporations, government agencies, and individuals supported the museum’s programs through grants and gifts in FY09. The W. Newton Morris Charitable Foundation provided support for every area of the museum’s programming. Since 1998, the foundation has made possible hundreds of exhibitions, publications, educational programs, and acquisitions. The Audrey Love Charitable Foundation continued its support in FY09 with grants for acquisitions. Other private foundations supported the museum and such programs as Just My Imagination, which was funded by a grant from the Turner Foundation in memory of Nancy C. Turner. Heyward Allen Motor Company and Heyward Allen Toyota continued their longtime support of Family Days, while BNY | Mellon Wealth Management of Atlanta supported GMOA as a major sponsor of Elegant Salute. Additional corporate support came from Morgan Keegan, Stanley Beaman Sears, Exxon Mobil Foundation, and R.E.M./Athens, LLC, which provided funding in support of Lord Love You: Works by R. A. Miller from the Mullis Collection, an exhibition that opened in FY10. Support from state and federal agencies included a General Operating Support award from the Georgia Council for the Arts ($45,714). GMOA benefited from a $30,000

Georgia Museum of Art | Annual Report, 2008–2009

grant from the National Endowment for the Arts (NEA) for its permanent collection catalogue and from its partnership in the Big Read, a collaborative project with the UGA Libraries that provided support for Everett Gee Jackson/San Diego Modern, 1920–1955, and related programs. The NEA also awarded the museum a Recovery Act grant of $50,000 to support a part-time curator of decorative arts for two years. This position is among those that have been reduced or left unfilled due to the university’s reduction in state appropriations. As a recent recipient of NEA funding, GMOA was eligible to apply for the competitive stimulus grant. Individuals remain the museum’s most important source of support. Hundreds of annual financial gifts, large and small, enable GMOA to maintain its level of excellence and serve a broad public. Phase II is a reality because of more than 340 individual donors. Staff, acquisitions, and programs are funded by endowments established by our patrons. Among private contributions in FY09 were Mr. and Mrs. B. Heyward Allen Jr.’s support of fifth-grade tours and a pledge by an anonymous donor made in honor of George-Ann and Boone Knox that enabled the museum to acquire two early Georgia portraits auctioned from the collection of William and Florence Griffin. We are grateful indeed to all of our supporters for their continued loyalty during the economic downturn of the past year. Though private gifts to GMOA in FY09 decreased by approximately 12%, Phase II pledge payments have remained on schedule. In the current absence of a development director, Betty Alice Fowler is handling some of the duties of that position, especially with regard to donor relations, major gift solicitation, and signage for named spaces in Phase II. She is also acting as head of the department of development, which includes the Friends of the Georgia Museum of Art staff, the museum shop manager, and the special events coordinator. Fowler serves as recording secretary to the Board of Advisors and the Decorative Arts Advisory Committee. Working with GMOA staff and the UGA Office of the President, she helped plan the Phase II Groundbreaking Ceremonies in March. In the absence of a curator of decorative arts, she has also assumed additional duties in planning Decorative Arts Advisory Committee meetings and the 2010 Henry D. Green Symposium of the Decorative Arts.

Friends of the Georgia Museum of Art Board of Directors, 2008–2009 Executive committee Dr. Paige Carmichael, president Ms. Karen Benson, president-elect Mrs. Cindy Karp, treasurer Mrs. Laura Nehf, secretary Mr. David Matheny, past president Mrs. Laura Straehla, member at large to the executive committee Members at Large Mrs. Michael Adams Mr. John Ahee Ms. Rinne Allen Mrs. Virginia Appleton Mr. Curtis Byrd Mrs. Sarah Crain Mrs. Deborah Dietzler Dr. Lesley Feracho Mrs. Lisa Fiscus Mrs. Meghan Garrard Mrs. Beth Johnston Mr. John Knowlton Mrs. Kate Lynch Ms. Joan Foster Menser Mrs. Christine Mills Mr. Michael Montesani Mr. John Morrison Dr. Karen Prasse Mrs. Doris Ramsey Mr. Lewis Scruggs Mr. Kurt Strater Mrs. Catherine Whitworth Mrs. Betty Myrtle, Collectors’ chair Mrs. Chris Mitts and Mrs. Barbara Laughlin, GMOA docent copresidents Dr. William U. Eiland, ex officio

08–09 Friends’ board of directors were held on the following dates: • August 20, 2008 (board orientation, held at GMOA) • September 24, 2008 (hosted by William U. Eiland) • November 12, 2008 (held at GMOA) • January 14, 2009 (hosted by Karen Benson and Howard Scott) • March 25, 2009 (hosted by the Athens Welcome Center) • May 29, 2009 (Friends’ annual meeting, held at Lamar Dodd School of Art)

Events The Friends of the Museum held several successful events during FY09. On July 25, 2008, the Friends hosted the opening reception for the exhibitions Everett Gee Jackson/San Diego Modern, 1920–1955; From the Collection: The Authority of the Mexican Muralists; Ken Weaver’s Batiks; and Le regard: Photographs of Women. The reception, an “After Hours at GMOA” event hosted by the Young at Art committee, was attended by more than two hundred people. The evening’s guest of honor was Derrick Cartwright, director of the San Diego Museum of Art.

The 2008–2009 Friends’ board of directors was officially elected at the Friends’ annual meeting on May 5, 2008. The meeting, held in the M. Smith Griffith Auditorium of the Georgia Museum of Art, included a presentation from Gluckman Mayner Architects about the future of GMOA and plans for the Phase II addition. Official meetings of the

Georgia Museum of Art | Annual Report, 2008–2009

On September 5, 2008, the Friends hosted the last opening reception to be held at the Georgia Museum of Art before the beginning of construction of Phase II. Celebrating The Ring Shows: Then & Now and Putting the Band Back Together, the reception was part of the inaugural UGA Arts Festival, a celebration of the arts sponsored by different arts-related departments and organizations on the UGA campus. The event was extremely well attended, drawing more than 350 people to the museum. Elegant Salute XI: A Hard Hat Salute The big news of 2008 was Elegant Salute XI: A Hard Hat Salute, held on November 8, 2008. Led by cochairs Ann Scoggins and Rinne Allen, the event marked the temporary closing of GMOA in anticipation of construction of the Phase II addition. Because the occasion was unprecedented, Elegant Salute XI was unprecedented as well: dinner was held in the second-floor galleries of the Georgia Museum of Art, which were decorated with an elegant construction theme. After dinner, the 215 guests retired to the lobby for cocktails and dancing to the music of Gwen Hughes and the Jazzkats. Elegant Salute XI was a huge success in terms of fundraising. After all income and expenses were recorded, the eventâ&#x20AC;&#x2122;s initial budget projection of $47,000 in net profit was doubled: Elegant Salute XI netted a profit of $94,193 for the Friends of the Georgia Museum of Art. This success was due in part to an extraordinary planning committee, the leaders of which are listed below: Ann Scoggins, Elegant Salute XI cochair Rinne Allen, Elegant Salute XI cochair Fundraising committee cochairs David Matheny John Knowlton Carolyn Tanner (Atlanta) Decorations committee chair Mike Montesani Flower committee cochairs Katie Lloyd Tami Ramsey Invitations committee chair Anna Dyer Seating committee chair Amburn Powell

Georgia Museum of Art | Annual Report, 2008â&#x20AC;&#x201C;2009

2009 Patrons’ Lecture The Friends of the Museum joined forces with the Friends of the State Botanical Garden of Georgia to present the biennial Patrons’ Lecture on March 7, 2009. Held in the Calloway Building at the Garden, the lecture was delivered by Kevin Oonk, president of Frabel Studio in Atlanta. Oonk discussed the artistry of Hans Godo Frabel, who is known throughout the world for his breathtaking artistry in glass. The lecture included a demonstration of glassblowing by an artist from Frabel Studios. The lecture was attended by fifty-eight people.

The Friends’ Annual Meeting was held on May 29, 2009, in the auditorium of the new Lamar Dodd School of Art. After an overview of the past year’s accomplishments by president Paige Carmichael, the Friends’ general membership voted to accept the slate for the board of directors for the 2009–2010 year. The event was attended by fifty-seven people. On June 4, 2009, the Friends celebrated the second “Art of ” event with The Art of: Flowers, cosponsored by the State Botanical Garden of Georgia. Although the weather proved inhospitable, the thirty-two people who attended enjoyed tours of the flower gardens led by curators.

Collectors

2009: GMOA on the Move The Friends of the Museum celebrated the official groundbreaking for Phase II with UGA president Michael Adams on March 3, 2009. That evening, the Friends partnered with GMOA’s department of communications to present the GMOA on the Move Kickoff Party, which was the final public event to be held in the Georgia Museum of Art before construction began. The event marked the official beginning of “GMOA on the Move,” a series of events that will be held periodically at different locations in the Athens area and beyond over the next two years. The Friends’ contribution to GMOA on the Move is a series of events called “The Art of,” which celebrates art in its many forms. The first event was The Art of: Brew, held at Terrapin Beer Company in Athens on March 17, 2009. This Saint Patrick’s Day celebration was well attended by eighty-two guests, attracting several people who had never attended a GMOA-sponsored event before. Entertainment was provided by the Athens A-Train Band.

The Friends’ Collectors’ group continued its tradition of enthusiastic activity during FY09. On August 19, 2008, the Collectors spent a day in Atlanta viewing two private collections. In the morning they visited Marian and Ben Hill to see their collection of works on paper and photography, primarily by Walker Evans. After a private luncheon in the members’ dining room at the Swan Coach House, the Collectors visited the home of Dr. and Mrs. Eric Fishman to see their collection of contemporary photography. On October 13, 2009, the Collectors hosted a lecture by acclaimed photographer Jim Fiscus. A resident of Athens, Fiscus has become known all over the world for breathtaking images that combine traditional photography with sophisticated digital imaging. The lecture, which was open to the public, was attended by more than one hundred people. The Collectors’ Holiday Party was held on December 11, 2008, at the home of Richard and Carol Dolson in Athens. The Dolsons’ collection comprises early-twentiethcentury paintings and Asian antiquities. Fifty-six people attended the event. On January 20, 2009, the Collectors visited the home of Claire Thompson in Athens to view her collection, primarily of works by her late husband, sculptor and professor William Thompson. Thirty-five people were in attendance. The Collectors ventured to Farmington, Georgia, on February 23, 2009, to see the home and studio of painter John Cleaveland, whose monumental canvases depict unique views of southern culture. Forty guests attended. The Collectors visited Santa Fe, New Mexico, from March 12 through March 16, 2009. On April 7, 2009, the Collectors enjoyed a day trip to Atlanta. In the morning the group toured the home of Bill Torres and Jack Sawyer, whose museum-quality collection consists primarily of Asian antiquities. After lunch at Ted’s Montana Grill in midtown, the Collectors visited the High Museum of Art to see the exhibition The First Emperor: China’s Terracotta Army before returning to Athens that afternoon. Georgia Museum of Art | Annual Report, 2008–2009

On April 21, 2009, the Collectors visited the home of Dr. Mary Erlanger, a longtime Athens resident and patron of the Georgia Museum of Art who has since moved from Athens. This bittersweet event was attended by seventy-five people, who enjoyed seeing Dr. Erlanger’s large and varied collection. The Collectors presented their biggest event of 2009 on May 16 with Art on Wheels, held at the State Botanical Garden of Georgia. Chaired by Cindy Karp and John Morrison, Art on Wheels celebrated automotive art with an exhibition of vintage automobiles from several private collections. The evening also included a huge silent auction of more than 125 items, which raised a considerable amount of money for acquisitions to the museum’s collection. After expenses, Art on Wheels netted more than $12,000.

Membership The Friends of the Georgia Museum of Art finished FY09 with 987 members in the following categories: 46 114 43 182 174 104 76 140 30 20 58

Senior individual Senior couple Individual Family/couple Contributing ($100) Donating ($250) Sustaining ($500) Director’s Circle ($1,000) Patron ($2,500) Benefactor ($5,000) Alfred Heber Holbrook Society ($10,000)

A complete list of members follows at the end of this report, on pages 67–71.

Museum Shop This year was an unusual one for the shop, with the museum’s galleries closed for nine of FY09’s twelve months, but this challenge provided the opportunity to look for new and appealing ways to offer merchandise to patrons throughout the Phase II closing period. The shop remained open after the galleries closed in November in order to provide a holiday shopping destination for on- and off-campus residents. It closed its doors on Christmas Eve, ready to begin the new calendar year with a move to GMOA North. January brought plenty of packing. Shop manager Amy Miller, along with her diligent Federal Work-Study students Kimberly Martin and Kelly Newman, boxed up the entire contents of the shop and its storeroom. The students did a wonderful job of grouping and labeling the inventory in each 10

Georgia Museum of Art | Annual Report, 2008–2009

container so that these items could be easily accessed while in storage at the museum’s temporary home on North Campus. Moving day came in March, and the shop staff set to work organizing their new spaces. In April, the Museum Shop launched its new Internet storefront. Through this presence on the Web, the shop is able to offer a wide selection of its usual inventory, including books and museum publications, home décor, jewelry, children’s gifts, personal accessories, stationery and gifts, and GMOA logo items. This virtual shop will continue to operate after the museum’s reopening, giving patrons round-the-clock access to an outstanding selection of art-related items. Sales this year reached a total of $25,250.07, which surpassed budgeted goals by more than a thousand dollars.

Special Events Under the direction of event coordinator Lauren Cook, the Georgia Museum of Art rented its facilities and services to numerous groups and organizations for a variety of special events during FY09. Events included receptions, birthday parties, meetings, luncheons, and lectures, as well as wedding rehearsal dinners, ceremonies, and receptions. UGA Franklin College, African American Cultural Center, Athens Historical Society, UGA EITS, and UGA Agricultural and Environmental Sciences are among the local, regional, and on-campus organizations that utilized museum facilities for special events. The special events office strives to increase awareness in the community and among university departments regarding the museum’s event rental facilities. The special events office is looking forward to the completion of the museum’s expansion as an opportunity to offer a unique and sophisticated venue for any occasion. Athens and surrounding communities are quickly learning that the Georgia Museum of Art is an aesthetically pleasing and affordable venue. In keeping with its mission, the Georgia Museum of Art has also hosted a number of events. Fundraising events such as Elegant Salute and Art on Wheels allow us to maintain our collection as well as make acquisitions. “The Art of ” series educates the community on craft beyond the traditional fine arts, such as brewing beer, music, flowers, and cinema. The Collectors have viewed several collections in Athens and Atlanta. In March, the group traveled to Santa Fe and visited a number of museums and galleries, including the Art to Taos Art Museum, New Mexico Museum of Art, the Georgia O’Keeffe Museum, the William Talbot Gallery, and the Gerald Peters Gallery.

Public Relations The public relations activities for the department of communications include promoting all exhibitions and programs at the Georgia Museum of Art and establishing the museum’s reputation on both a regional and national level. FY09 proved different from others. Promotions took the museum’s day-to-day activities offsite when the museum closed for construction in March of 2009 and for a brief time in the summer of 2008 for sprinkler system updates. Both these events required much attention from the department to produce awareness of the museum’s closings and reopenings and what they meant for its patrons. While the museum was open to the general public, the department prepared releases and press kits for all exhibitions and entered into the fourth year of hosting an electronic press room on the museum’s Web site from which media can download releases and photos for all current and upcoming exhibitions. The museum issued press releases for forty-one individual events and/or exhibitions from July 2008 until the galleries closed to the public in November 2008. In preparation for the museum’s closing, the department assisted in the coordination of the university’s groundbreaking ceremony and publicity and initiated, developed, and launched GMOA on the Move, a two-year series of offsite events and exhibitions intended to keep the museum active and in the public eye during construction. As an element of GMOA on the Move, the department developed “The Art of” series, sponsored by the Friends of the Georgia Museum of Art, which expands the museum’s cultural horizons

by developing programs highlighting crafts and artforms outside the traditional fine arts. As part of the promotions for GMOA on the Move, the department produced the first of four six-month event calendars, rack cards, invitations for “The Art of ” series, promotional banners, and invitations for the kickoff party, which the department organized, bringing in more than two hundred patrons, despite the biggest snowstorm in Athens in years. The department distributed ten thousand copies of the initial calendar and rack cards to media, patrons, and venues throughout Georgia and the country. Museum placements in the past year have included Georgia Travel Guide, Folk Art Messenger, Metalsmith magazine, the Atlanta Journal-Constitution, Art Knowledge News, and Art Daily. Advancements in the museum’s social media initiative and Web communications were made this year through the addition of several new media applications now accessible from the museum’s homepage. Patrons can view images from the museum’s photostream on Flickr, receive quick updates about the museum’s daily doings and links to arts news on Twitter, take a virtual tour of the museum in Second Life, and watch an informational video on the virtual museum on YouTube. Each of these developments has made GMOA a forerunner in social media use among museums of its size. Last year’s use of a Facebook page has proven fruitful for the museum, while its MySpace page did not and was eliminated. Each of these social media developments was free to the museum with the exception of the virtual museum in Second Life, a seventeen-month-long collaboration between the museum and UGA’s Center for Teaching and Learning that was Georgia Museum of Art | Annual Report, 2008–2009

supported in part by a Museum Assessment Program Grant from the Institute of Museum and Library Services. Second Life is a 3D Internet-based virtual world that is created by its users. Since its inception in 2003, Second Life has welcomed eight million visitors from around the world, and museums, galleries, and universities have begun to utilize the site as an educational and promotional tool. The department assisted the Friends of the Museum in many activities, including the promotion of Elegant Salute XI (the group’s biennial fundraiser) and Art on Wheels (the Collectors’ major fundraiser). Public relations worked with the chairs of both events to design and produce the invitations for Elegant Salute and Art on Wheels, as well as invitations for additional opening receptions. In addition to regular marketing for the museum’s ongoing programs and exhibitions, the department has begun planning for the future with the commencement of a branding initiative with designer Kelley Lear. The initiative will bring cohesiveness to the museum’s marketing and promotional materials, increasing efficacy and saving money long-term, and be completed by the reopening.

Georgia Museum of Art | Annual Report, 2008–2009

Publications The department of publications completed three books in FY09 (The Ring Shows: Then & Now and Putting the Band Back Together, The American Scene on Paper: Prints and Drawings from the Schoen Collection, and The Historian’s Eye: Essays on Italian Art in Honor of Andrew Ladis); the Corpus of Early Italian Paintings in North American Public Collections: The South, Lord Love You: Works by R. A. Miller from the Mullis Collection, The South in Black and White: The Works of James E. Routh Jr., 1939–1946, Proceedings from the Fourth Henry D. Green Symposium of the Decorative Arts: A Colorful Past: Decorative Arts of Georgia, and an issue of the museum’s Bulletin were in progress, to be completed in FY10. The department also continued to produce the museum’s quarterly newsletter on paper made entirely with wind power, although the size of the newsletter was reduced following the museum’s closure for expansion and renovation. The department placed the newsletter on Issuu.com, a Web site that converts pdf files into embeddable Flash files for free, and began work to scan, convert, and upload many of the museum’s previous brochures, booklets, and out-of-print books.

Wholesale sales for FY09 totaled $14,344.86, a strong year considering only one small exhibition with a catalogue opened at the museum, although several exhibitions organized by the museum and opening elsewhere did have catalogues. In December, the museum organized a book sale of used books donated by Friends of the Georgia Museum of Art and patrons and remaindered new books published by the museum, which raised several thousand dollars in the course of three days and cleared significant space in the publications storage room in preparation for moving offices in March. In August 2009, Mary Koon began work in the department as the assistant editor, taking over responsibility for wholesale sales, the newsletter, and the museum’s Web site and working closely with the editor, Hillary Brown, on all publications produced. Koon’s experience in small-press marketing has been particularly valuable. Koon and Brown also worked with the department of public relations on a rebranding effort involving the creation of a style guide, logo refreshment, and a new color palette, as well as, eventually, redesign of all museum materials. The department continued to proofread all communications issued by the museum and to work with public relations, education, development, and the Friends on invitations, programs, new media initiatives (including the museum’s blog, Curator’s Corner), and the like. In addition to supervising its usual publications intern, the department participated for the first time this fiscal year in the Young Dawgs program, run by UGA human resources, which allows high school students in the Athens-Clarke County school district to experience office work on campus. Three different high school students (Deylah McCarty and Victoria Slaboda of Classic City Performance Learning Center and Alexis Richardson of Clarke Central High School) assisted with publications and public relations tasks during the spring and summer semesters of 2009.

In May, Lanora Pierce worked with editor Hillary Brown, media relations coordinator Jenny Williams, parttime art handler Kenneth Kase, and Emily Eisenman, the director of the Winterville Marigold Festival, for the installation of an exhibition by sculptor and festival premier artist Doug Makemson. The city reported more than 5,000 visitors during the course of the festival and summer months. Citizens, onlookers, and Friends of the Georgia Museum of Art gave positive feedback.

Security Department July 1, 2008, began the third year of operation for the security department at the museum. The security department has been fortunate in retaining its security staff during the year, although we lost Al Oliveira when he moved to Knoxville, Tennessee, to take a position with the University of Tennessee police department. We maintain a staff of two supervisors, three guards who work thirty hours a week, one Federal Work-Study student who works twenty hours a week, and six on-call guards. An emergency manual was developed and will be implemented when all revisions and corrections have been made. The department will continue to develop a working relationship with UGA, the UGA police department, and local, state, and federal emergency responders as time permits.

Curatorial American Art Paul Manoguerra, the curator of American art, served the Georgia Museum of Art (GMOA) during his fifth full year in the position. The department of American art remains an important resource for students, artists, university faculty and staff, scholars, collectors, and the general public. In the past year, the department has continued to serve as a primary focus of the museum’s collections, exhibitions, and programs.

Design and Preparation

Docent Training

The department of design and preparation started the year by rehanging all the museum’s galleries after the conclusion of work on its sprinkler system. In November, the museum closed its doors in preparation for the Phase II expansion project, and the preparators deinstalled all galleries and, alongside the registration department, began to organize the collection for long-term storage. The task of packing the collection included archival wrapping, providing a protective layer, and organizing into storage bins. This method of packing was meticulously executed for each work in the collection (approximately 11,000 works). At the end of packing, Todd Rivers, head preparator, acted as courier for the trip to the offsite storage location and assisted in the complex jigsaw puzzle of arranging and placing storage shelving and bins.

The curator conducted docent-training sessions for the permanent collection and several of the temporary exhibitions. The museum’s trained volunteers were introduced to tour techniques and issues, and gained knowledge to allow them to lead tours of the museum and its exhibitions more effectively. Publications •

“Cooke, George,” “von Reck, Philip Georg Friedrich,” “Scott, Lorenzo,” and “Walker, Inez” in The New Encyclopedia of Southern Culture, vol. 15, Folk Art, ed. Carol Crown and Cheryl Rivers. Chapel Hill: University of North Carolina Press, Center for the Study of Southern Culture, forthcoming.

Georgia Museum of Art | Annual Report, 2008–2009

•

Catalogue entries and editorial duties, The American Scene on Paper: Prints and Drawings from the Schoen Collection. Athens: Georgia Museum of Art, 2008.

The curator’s major ongoing publications project is the planned catalogue of one hundred American paintings from the permanent collection. Outreach and Presentations •

“Color, Light, and God: Understanding Saint Joseph’s Stained Glass Windows,” two-part lecture series, Saint Joseph Catholic Church, Athens, Georgia, October 2 and October 9, 2008.

•

“Georgia Museum of Art,” Historical Activities Workshop, The Georgia Society of the National Society Colonial Dames of the Seventeenth Century, Macon, Georgia, September 16, 2008.

work by Daura, as well as undertaking research in libraries and archives for the upcoming exhibition Cercle et Carré and the International Spirit of Abstract Art, scheduled for fall 2012. Associate curator Deirdre Conneely presented “Paul Cézanne as Printmaker: Etching in Auvers” at the Southeastern Museums Conference annual meeting held in Birmingham, Alabama, in October. She also traveled to Pittsburgh to take part in a two-day program presented by the Conservation Center for Art and Historical Artifacts, “Managing and Preserving Archival Collections.”

• “Thursday Tour at 2,” gallery talk on Everett Gee Jackson/ San Diego Modern, 1920–1955, Georgia Museum of Art, University of Georgia, August 7, 2008. •

“Gallery Time: Understanding Nineteenth-Century American Art” and “Gallery Time: Understanding Twentieth-Century American Art,” Picturing America, National Endowment for the Humanities–supported seminar for teachers, July 22 and 23, 2008.

•

Interviewed on “Newsmaker Friday with Tim Bryant,” WGAU 1340 AM, Athens, Georgia, for museum reopening. July 18, 2008. Podcast available at http://1340wgau.mypodcast.com/2008/07/Newsmakers_with_Tim_Bryant_ Friday_July_18_2008-126220.html

Pierre Daura Center As the museum prepared for the closing of its building, the Pierre Daura Center planned for the move and its new permanent home. Before closing the galleries, the exhibition Highlights from the Permanent Collection (July 19 to November 2, 2008) gave a preview of what to expect when we reopen. During this transition, our focus has been on the reinstallation and interpretation of our permanent collection and on preparing the Pierre Daura Archive for public use. Along with the change in buildings, we said goodbye to Giancarlo Fiorenza, who left to teach at California Polytechnic State University in San Luis Obispo, California. In May we welcomed the new Pierre Daura Curator of European Art, Lynn Boland, who is receiving his PhD in art history from the University of Texas at Austin, with a specialization in modern European art. At the end of June, Boland embarked on a three-week research trip in Spain, France, and Belgium, visiting European museums with significant collections of 14

Georgia Museum of Art | Annual Report, 2008–2009

Exhibitions Everett Gee Jackson/San Diego Modern, 1920–1955 July 19–October 26, 2008 Virginia and Alfred Kennedy and Philip Henry Alston Jr. Galleries

Organized by the San Diego Museum of Art, Everett Gee Jackson/San Diego Modern, 1920–1955, is the first comprehensive look at Jackson’s artistic career since his death in 1995. As a pioneer of progressive art in southern California, Jackson held a lifelong interest in vanguard aesthetics and formalist compositions. The exhibition chronicled his career, from his youth in east Texas to his early training at the Art Institute of Chicago to his extended Mexican sojourn— where he encountered the work of the Mexican muralists—to his long and distinctive presence in the art community of southern California. An exhibiting artist, book illustrator, and

important teacher, Jackson reflected the broader understanding of “modernism” in American art in his work. Everett Gee Jackson was the focus exhibition for the Big Read. In-House Curator: Paul Manoguerra Sponsors: The National Endowment for the Arts, the Institute of Museum and Library Services, Arts Midwest, the Fort Foundation Trustee Fund of the Community Foundation of the Chattahoochee Valley, YellowBook USA, the W. Newton Morris Charitable Foundation, and the Friends of the Georgia Museum of Art

From the Collection: The Authority of the Mexican Muralists July 19–November 2, 2008 Lamar Dodd Gallery

Numerous American and Mexican artists were profoundly influenced by the modernist work of José Clemente Orozco, Diego Rivera, and David Sisqueiros. Selected to correspond to the images in Everett Gee Jackson/San Diego Modern, 1920–1955, this display highlights similar works from the collection at the Georgia Museum of Art. Several of these artists, including Lucienne Bloch, Jean Charlot, and Ben Shahn, worked with Rivera on his mural projects. Other artists featured included Thomas Hart Benton, Paul Cadmus, Fletcher Martin, and Charles Sheeler, each—like the exhibition—affected by the aesthetics and philosophies of Rivera and the other Mexican muralists.

Curator: Paul Manoguerra Sponsors: YellowBook USA, the W. Newton Morris Charitable Foundation, and the Friends of the Georgia Museum of Art

Highlights from the Permanent Collection July 19–November 2, 2008 Lamar Dodd, Rachel Cosby Conway, Alfred Heber Holbrook, and Charles B. Presley Family Galleries and George-Ann and Boone Knox Gallery of Prints and Drawings

Favorites from the museum’s permanent collection were on display in a long-term installation as a reflection of what will be hung in the forthcoming permanent collection galleries of the new wing. Artists included Elizabeth Jane Gardner (La Confidence), James A. McNeill Whistler, Auguste Rodin, Frank Weston Benson, and many more. Curators: Paul Manoguerra, Ashley Callahan, and Giancarlo Fiorenza Sponsors: YellowBook USA, the W. Newton Morris Charitable Foundation, and the Friends of the Georgia Museum of Art

Georgia Museum of Art | Annual Report, 2008–2009

Ken Weaver’s Batiks July 19–August 10, 2008 Martha and Eugene Odum Gallery of Decorative Arts

This small exhibition displayed batik works depicting dandelions that the artist presented to the Georgia Museum of Art in the 1970s. Curator: Susan Gunter

Le regard: Photographs of Women July 19–September 23, 2008 Martha Thompson Dinos Gallery

This focused exhibition in a small study gallery displayed works by Sally Mann, Edward Steichen, Chris Verene, and Deborah Whitehouse. Curator: Deirdre Conneely

In Memory of Andrew Ladis July 19–November 2, 2008 Letitia and Rowland Radford Collection Study Gallery

This small display of objects from the permanent collection featured selected donations made in recent months in memory of Professor Andrew Ladis. Ladis, fifty-eight, died December 2, 2007. Although not officially an employee of the Georgia Museum of Art, he was one of its true benefactors. For more than a decade, Ladis was the Franklin Professor of Art History in the Lamar Dodd School of Art. He taught all aspects of the Renaissance to undergraduate and graduate students at UGA. This exhibition included images by Gerald Leslie Brockhurst, James Arthur Herbert, Noel Davis Rockmore, and Moses Soyer, among others. Sponsors: The W. Newton Morris Charitable Foundation and the Friends of the Georgia Museum of Art

The Ring Shows: Then & Now and Putting the Band Back Together August 23–November 2, 2008 Martha and Eugene Odum Gallery of Decorative Arts

Beginning in 1977, the jewelry/metals department at UGA sponsored three consecutive annual juried exhibitions of rings. Submitted by artists from around the United States, each ring became the property of the department’s Phi Beata Heata National Ring Collection. The exhibitions traveled the country by Greyhound bus, being displayed at museums, university galleries, and even a bus terminal locker. Inspired 16

Georgia Museum of Art | Annual Report, 2008–2009

Georgia Museum of Art | Annual Report, 2008â&#x20AC;&#x201C;2009

by this important collection, the department recently invited a selected number of these artists involved in the National Ring Shows to create new rings to be shown with their work from the 1970s in a display titled The Ring Show: Then & Now. The department also celebrated the thirtieth anniversary of the original collection by organizing a new international juried ring exhibition, Putting the Band Back Together. The Georgia Museum of Art presented these two important collections of rings together for the first time. Curators: Ashley Callahan; Rob Jackson, associate professor and area chair, jewelry and metalwork, UGA; and Mary Hallam-Pearse, assistant professor, jewelry and metalwork, UGA Sponsors: The Lamar Dodd School of Art, the W. Newton Morris Charitable Foundation, and the Friends of the Georgia Museum of Art

Department of Education The department of education at the Georgia Museum of Art served the university, the community, and the state of Georgia with many academic and outreach programs during FY09. Cecelia Hinton, curator of education, and Carissa DiCindio, associate curator of education, planned, coordinated, and supervised all aspects of educational programming. In recognition of her successful outreach programs, DiCindio received the Georgia Art Education Association (GAEA) museum educator of the year award. Jenny Gunn joined the staff

Georgia Museum of Art | Annual Report, 2008â&#x20AC;&#x201C;2009

of the museum as curatorial assistant and worked on projects with all curators. The department also relied heavily on the valuable assistance of docents, graduate students, student interns, artists, specialists, and volunteers. New programs this year included the Picturing America Seminar for Teachers and the Big Read. Staff of the Georgia Museum of Art also participated in and helped plan the first UGA Arts Festival.

Educational Programs Art Adventures Through Art Adventures, 756 people at community centers and day camps in Clarke and surrounding counties participated in our summer program. Bryna Bobick was the coordinator, and Erin McIntosh, Jessica Bennett, and Catherine Brantley were instructors. Programs are scheduled in the mornings and afternoons and take place either at the museum or at other venues, which include summer camps, community centers, and parks in Athens-Clarke County and surrounding areas. Each session includes an introduction to exhibitions at the museum and an art activity. This yearâ&#x20AC;&#x2122;s program was based on works in the collection of the Georgia Museum of Art. Children learned about painting landscapes and then made their own versions. All children and their families were invited to attend Family Day: Summer Landscapes at the conclusion of the program. Art Adventures takes place over two fiscal years, and planning and programming for June and July 2009 took place this fiscal year and will be

reported in the next. Erin McIntosh coordinated the program for summer 2009, and Sarah Quinn, Lindsay Rowan, and Jessica Wohl served as instructors. The Big Read The museum partnered with UGA Libraries on the Big Read, an initiative of the National Endowment for the Arts, in partnership with the Institute of Museum and Library Services, with the goal of restoring reading to the center of American culture. We helped plan and implement events and discussions using the book Bless Me Ultima, by Rudolfo Anaya, as a point of departure. Docent Education By leading tours for visitors each year, docents play an integral role in carrying out the museum’s educational mission. Docents undergo in-depth training in interactive teaching techniques and spend many hours studying and preparing to give tours to groups of all ages. Barbara Laughlin and Chris Mitts served as copresidents of the docent corps; Jean Petrovs was head of the communications committee. Cyndy Harbold, Jan Miller, Jacque Mitchell, Janet Patterson, and Bonnie Steelman successfully completed this year’s docent program. Docents attended regularly scheduled classes, which included educational sessions, tours with curators, guest speakers, workshops, educational field trips, and committee meetings. After the museum closed, docents began a book study group and met in private homes. A roster of docents and a syllabus of the program are included in this report. Kate Howell, who served as a docent from the start of the program, died in April and will be greatly missed. Family Days Eighteen family events were held this year with attendance totaling 3,182. In place of Family Day in October, the museum participated in the Harvest Festival, a community event for pre-K to third-graders cosponsored by the Athens Community Council on Aging and the Lyndon House Arts Center. Family Day themes and programs are listed below in the summary of programs. After the museum closed, Family Days were held at other venues including the Lamar Dodd School of Art, the State Botanical Garden of Georgia, and the Lyndon House Arts Center. Under DiCindio’s guidance, Family Days have become important programs serving a diverse and international audience. Volunteers for Family Days included interns and other students from the university.

Film Series Jeffrey Simpson was the contracted audio/visual technician for lectures, films, and symposia. The film program at the museum was sponsored by the UGA Parents and Families Association. Short films, including interviews and documentaries, were shown in the Dudley A/V Theater throughout the year. Four films were featured in the annual Latin American Film Series, which was cosponsored by the Latin American and Caribbean Studies Institute and held in conjunction with Hispanic Heritage Month. In support of Black History Month and MLK Day, I Have a Dream…The Life of Martin Luther King Jr. was featured. Other films were shown in conjunction with exhibitions and Janice Simon, Josiah Meigs Distinguished Teaching Associate Professor in Art, the Lamar Dodd School of Art, introduced a series on the films of Alfred Hitchcock. In the summer of 2009, she introduced a series of films directed by Ingmar Bergman. Intern Program The education department is responsible for student interns and orientation programs each semester. Jenny Gunn coordinated the program and worked to help university students learn more about how museums function. Holly Kovacs, Sarah Quinn, and Katie Bacon, students at UGA, interned for the department. Quinn received the Louis T. Griffith Student of the Year Award. Interns worked on special projects related to their studies as well as assisted with departmental office work, Family Days, and special events. Just My Imagination (JMI) This program serves people throughout the state of Georgia, and workshops are available for all ages. Artists travel to libraries and community centers for programs, and sometimes JMI provides the only exposure to an organized program on art for many of the attendees. This program is funded by the Turner Foundation in memory of Nancy C. Turner. Lectures and Gallery Talks The museum hosted lectures and gallery talks, including the Willson Center/GMOA annual lecture, cosponsored by the Willson Center for Humanities and Arts. Other lectures were held in support of exhibitions, as were weekly gallery talks and public tours led by curators or docents. Before the galleries closed in November, Spotlight Tours were held by docents or staff one Sunday afternoon a month and Thursday tours at 2 p.m. occasionally. Life-Drawing Classes Life-drawing sessions were held two or three times a month from August through February. Bart Lynch served as coordinator of life-drawing programs. Preparation for these programs consisted of coordinating activities and scheduling

Georgia Museum of Art | Annual Report, 2008–2009

models and assistants for life-drawing sessions. Attendance was at optimal capacity for most sessions. School Programs For the fourth year, fifth-grade classes in the Clarke County school district visited the museum. Mr. and Mrs. B. Heyward Allen Jr. provided funding for transportation for all thirteen elementary schools, which include twenty-five fifth-grade classes. Teaching packets for school tours incorporated instructional material for teachers, performance learning standards and curriculum guides for Georgia, activities for each grade from K–12, and images of selected paintings on CD. Senior Outreach Program Diane Barret prepared a three-part program for older adults at community centers and assisted-living homes in Clarke and surrounding counties. In addition to bringing groups to the museum, Barret and instructor Toni Carlucci visited each of the venues twice. The program consisted of slide presentations, interviews, and participation in a project relating to the paintings of Everett Gee Jackson. Senior outreach was sponsored by Berkeley and Dan Minor and Citigroup Corporation. Suitcase Tours Docents visited local elementary schools and presented “Mr. Holbrook’s Suitcase Tour” for grades K–3. Docents are planning additional tours based on the collection. Symposium: Picturing America Teacher Seminar The Georgia Museum of Art received a grant from the National Endowment for the Humanities for a teaching workshop based on the NEH’s Picturing America program. The three-day workshop for teachers was held in July 2008 and required extensive planning and implementation. Education staff made arrangements for honoraria, lodging, meals, and events and worked closely with speakers, presenters, and teachers. Betty Alice Fowler and Paul Manoguerra worked closely with education staff on programming for Picturing America. Teachers attended lectures by professors of art history, art education, historic preservation, and literature, as well as hands-on sessions; went on field trips during the day; and toured private collections at night. DiCindio and Hinton were asked to talk about the workshop at several conferences. More than 9,272 people attended 210 programs and tours sponsored or assisted by the museum’s department of education. A detailed list of programs and attendance follows.

Georgia Museum of Art | Annual Report, 2008–2009

Selected Accomplishments DiCindio presented at four sessions of the GAEA Annual Conference: Picturing America (with Hinton), Interdisciplinary Connections (panelist), History of Art Education (panelist), and Family Days (presenter). She also spoke at the division luncheon and meeting on programs. DiCindio and Hinton presented a session on Picturing America for the Georgia Council for Social Studies (GCSS) in Athens, Georgia, with Laura McCarty, vice president, Georgia Humanities Council (GHC). DiCindio and McCarty also presented on Picturing America at the Georgia Council of Teachers of English (GCTE) annual conference, on Jekyll Island, Georgia. DiCindio presented research as part of the museum education division’s special issues forum, “Current Research Trends in Museum Education,” at the National Art Education Association (NAEA) Annual Conference; collaborated on programs with the Lyndon House Arts Center, State Botanical Garden of Georgia, Lamar Dodd School of Art, AthFest, and Pinewoods Library; spoke to school and community groups about educational programs; and served as a panelist, “The Big Read in Athens,” for UGA Library’s Professional Development and Research Committee. She is in the second year of the PhD program in art education at the Lamar Dodd School of Art, UGA, and attended a seminar at the High Museum of Art with Rika Burnham, educator at the Frick Collection. In addition to being named GAEA’s museum educator of the year, she wrote a teaching packet of the museum’s permanent collection, supervised instructors of Art Adventures and Just My Imagination, and served as coordinator for the Picturing America Seminar for Teachers. Hinton presented on educational programs to the GMOA board of advisors, chaired an educational roundtable at the GAMG annual conference, wrote articles for the quarterly newsletter of GAMG and arranged for others to write about educational programs, and presented on museum education to art education students, Mother’s Meeting International, and groups from private and public organizations. She also attended quarterly roundtable discussions of the Georgia Museum Educators; supervised the department, departmental staff, and volunteer docent corps; and planned educational sessions and worked with chairs on museum education for the GAMG annual conference.

Docents Karen Benson Caroline Blumenthal Samuel Carleton O. C. Carlisle Penny Commins Joanne Cutler Patricia Deitz Carol Dolson Judith Ellis Bill Free Marya Free Nonie Hale

Cyndy Harbold Hannah Harvey Adeline Holt Kate Howell (d. April 12, 2009) Charles Kauderer Barbara Laughlin Kelsey Larson Barbara Laughlin, copresident Stanley Longman Jan Miller Berkeley Minor Jacque Mitchell

Chris Mitts, copresident Carolyn Modugno Jane Mullins Janet Patterson Jean Petrovs, scribe Laquita Pimm Kathy Rowan Jeffie Rowland Julia Sanks Bonnie Steelman Priscilla Sumner Ruthann Walton

Interns and Work-Study Students NAME

DEPARTMENT SEMESTER

Bacon, Katie

Education

Summer

Brown, Rebecca

Business

Fall

Coppage, Lauren

Communications

Spring

Dickensheets, Caty

Communications

Fall

Edelman, Orian

Communications

Spring

Figaro, Kristina (WS)

Security

Fall, Spring

Hubbard, Mimi

Communications

Summer

Jackson, Shundra

Communications

Fall

Keith, John

Communications/ Publications

Summer

Kelley, Lauren

Communications

Summer

Kimmerlein, Grace (WS)

Friends

Fall, Spring

Kingsley, Stephanie

Communications/ Publications

Fall, Spring

Kovacs, Holly

Education

Fall

Martin, Kimberly (WS)

Museum Shop

Fall, Spring

Mills, K. T.

Friends/ Development

Fall, Spring

Neglia, Caitlin

Communications

Spring

Newman, Kelly (WS)

Museum Shop

Fall, Spring

Ogbechie, Tolu

Communications

Fall

Quinn, Sarah

Education

Fall, Spring

Samji, Alia

Director’s Office

Fall

Steinmann, Callan

Director’s Office

Spring

White, Avery (WS)

Museum Shop

Fall

Wondwossen, Leyu (WS)

Friends

Fall, Spring

Georgia Museum of Art | Annual Report, 2008–2009

Summary of Programs and Attendance Lectures

Everett Gee Jackson/San Diego Modern, 1920–1955 Paul Manoguerra, curator of American art August 7, 2 p.m. Attendance: 14

“Perspectives on Visual Learning” Graduate Research in Art Education Thursday, September 4, 4 p.m. Part of the UGA Arts Festival Attendance: 58

Gallery Talk

Highlights from the Permanent Collection Giancarlo Fiorenza, Pierre Daura Curator of European Art August 24, 3 p.m. Attendance: 14

Highlights from the Permanent Collection Deirdre Conneely, associate curator Thursday, September 11, 2 p.m. Attendance: 2

Gallery Talk

Gallery TalkS

Curators of the Georgia Museum of Art Thursday, September 4, 3:30 p.m. Part of the UGA Arts Festival Attendance: 48

Georgia Museum of Art | Annual Report, 2008–2009

Gallery Talk

The Ring Shows: Then & Now and Putting the Band Back Together Mary Pearse, assistant professor of art, UGA, and cocurator of The Ring Shows Thursday, October 2, 2 p.m. Attendance: 30

Lecture

“A Continued Journey: Past and Present/ A Celebration of Ornamentation” Robert Ebendorf, Carol Grotnes Belk Distinguished Professor of Art, East Carolina University Tuesday, October 7, 5:30 p.m. In conjunction with the exhibition The Ring Shows: Then & Now and Putting the Band Back Together Attendance: 42 Panel Discussion

Audrey Flack and Edmund Feldman, professor emeritus, UGA Facilitated by Richard Siegesmund, associate professor and cochair, art education, UGA “A Conversation With Audrey Flack” Thursday, November 6, 4:30 p.m. Organized by the Georgia Art Education Association Attendance: 130 Willson Center/ GMOA Annual Lecture

Jim Barsness, associate professor of art, Lamar Dodd School of Art “The Big Idea” Wednesday, February 4, 5:30 p.m. Cosponsored by the Willson Center for Humanities and Arts and the Georgia Museum of Art Attendance: 92 Total number of lectures 2008–2009: 9 Total attendance for lectures 2008–2009: 430

life drawing

Open Studio: Life Drawing Wednesdays, August 13, August 27, September 10, September 24, October 8, October 22, 2008; January 14, January 28, February 11, February 25, 2009, 5:30–8:30 p.m. Total number of life-drawing sessions 2008–2009: 10 Total attendance for life drawing 2008–2009: 216

Concerts/Performances

Art by Yasmina Reza Thursday, September 4, 8 p.m. Staged reading by the department of theatre and film studies UGA Arts Festival Attendance: 120

Art by Yasmina Reza Friday, September 5, 8 p.m. Staged reading by the department of theatre and film studies UGA Arts Festival Attendance: 100 Art by Yasmina Reza Sunday, September 7, 5 p.m. Staged reading by the department of theatre and film studies UGA Arts Festival Attendance: 130

Total number of performances 2008–2009: 3 Total attendance for performances 2008–2009: 350

Films

Frida Wednesday, August 13, 7 p.m. In conjunction with the exhibition Everett Gee Jackson/San Diego Modern, 1920–1955 and From the Collection: The Authority of the Mexican Muralists Cosponsored by UGA Parents and Families Association Attendance: 42 Diego Rivera: I Paint What I See Wednesday, August 27, 7 p.m. In conjunction with the exhibition Everett Gee Jackson/San Diego Modern, 1920–1955 and From the Collection: The Authority of the Mexican Muralists Cosponsored by UGA Parents and Families Association Attendance: 27 Latin American Film Series

Intimidad Wednesday, September 17, 7 p.m. Presented by filmmakers David Redmon and Ashley Sabin In conjunction with the Big Read Cosponsored by the Latin American and Caribbean Studies Institute and UGA Parents and Families Association Attendance: 34 Orozco: Man of Fire Thursday, September 25, 2 p.m. In conjunction with the Big Read Cosponsored by UGA Parents and Families Association Attendance: 48

Georgia Museum of Art | Annual Report, 2008–2009

Latin American Film Series

Classic Film Series: Hitchcock

I Am Cuba Wednesday, October 1, 7 p.m. In conjunction with the Big Read Cosponsored by the Latin American and Caribbean Studies Institute and UGA Parents and Families Association Attendance: 21

The Man Who Knew Too Much Wednesday, February 25, 7 p.m. Cosponsored by UGA Parents and Families Association Attendance: 52

Latin American Film Series

Through a Glass Darkly Wednesday, June 24, 7 p.m. Introduction by Janice Simon, Josiah Meigs Distinguished Teaching Associate Professor in Art Cosponsored by UGA Parents and Families Association and the Lamar Dodd School of Art Attendance: 69

Lili’s Apron Wednesday, October 15, 7 p.m. In conjunction with the Big Read Cosponsored by the Latin American and Caribbean Studies Institute and UGA Parents and Families Association Attendance: 23

Summer Film Series: Ingmar Bergman’s Trilogy and The Seventh Seal: Questions of Spirituality in Film

Classic Film Series: Hitchcock

The 39 Steps Wednesday, January 14, 7 p.m. Introduction by Janice Simon, Josiah Meigs Distinguished Teaching Associate Professor in Art Cosponsored by UGA Parents and Families Association Attendance: 132 Martin Luther King Jr.: I Have a Dream Wednesday, January 21, 10 a.m. In conjunction with Martin Luther King Jr. holiday Cosponsored by UGA Parents and Families Association Attendance: 10 Martin Luther King Jr.: I Have a Dream Wednesday, January 21, 2 p.m. In conjunction with Martin Luther King Jr. holiday Cosponsored by UGA Parents and Families Association Attendance: 3 Classic Film Series: Hitchcock

Saboteur Wednesday, January 28, 7 p.m. Introduction by Janice Simon, Josiah Meigs Distinguished Teaching Associate Professor in Art Cosponsored by UGA Parents and Families Association Attendance: 76 Classic Film Series: Hitchcock

Marnie Wednesday, February 11, 7 p.m. Introduction by Janice Simon, Josiah Meigs Distinguished Teaching Associate Professor in Art Cosponsored by UGA Parents and Families Association Attendance: 85

Georgia Museum of Art | Annual Report, 2008–2009

Total number of films 2008–2009: 13 Total attendance for films 2008–2009: 622

Family Days

During each Family Day, the open classroom allows visitors to create the art project of the day. In addition to the handson fun, activity guides are available for parents and their children to use together as they look at the exhibitions. Family Day programs are sponsored by Heyward Allen Motor Co., Inc., Heyward Allen Toyota, YellowBook USA, and the Friends of the Georgia Museum of Art and are free and open to all families. Family Day: Summer Landscapes Saturday, July 26, 10 a.m.–noon Attendance: 172 Family Day: Creating Colors Saturday, August 23, 10 a.m.–noon Attendance: 195 Family Open House: Sidewalk Chalk Murals, Music in the Museum, and “Alex and the Backpack” Sunday, September 7, 2 p.m. UGA Arts Festival Attendance: 78 Family Day: Symbols of Mexico Saturday, September 20, 10 a.m.–noon In conjunction with the Big Read Attendance: 171 Harvest Festival Friday, October 24, 9 a.m. Sponsored by Lyndon House Arts Center and the Athens Community Council on Aging Attendance: 675

Family Day: Remarkable Rings Saturday, October 25, 10 a.m.–noon Cosponsored by Phi Beata Heata In conjunction with the exhibition The Ring Shows: Then & Now and Putting the Band Back Together Attendance: 159 Pinewoods Library: Halloween Piñatas October 30, 5:30 p.m. Organized by the Lyndon House Arts Center Attendance: 25 Family Day: Holiday Creations December 6, 10 a.m.–noon Attendance: 254 Pinewoods Library: Gingerbread Houses December 18, 4:30 p.m. Organized by the Lyndon House Arts Center Attendance: 25 Family Day: Create Your Own Calendars! Saturday, January 17, 10 a.m.–noon Attendance: 156 Family Day: Origami Valentines Saturday, February 14, 10 a.m.–noon Cosponsored by the Center for Asian Studies Attendance: 231 Garden Earth Festival at the State Botanical Garden of Georgia Saturday, March 7, 9 a.m.–12:30 p.m. Organized by the State Botanical Garden of Georgia Attendance: 179 Pinewoods Library: Easter Egg Decoration and Basket Making Thursday, April 2, 5:30–7 p.m. Organized by the Lyndon House Arts Center Attendance: 23 Family Day Spring Festival: Self-Portrait Puppets Saturday, April 4, 10 a.m.–noon Cosponsored by the Lamar Dodd School of Art Attendance: 120 Pinewoods Library: Puppets and Easter Egg Hunt Thursday, April 9, 5:30–7 p.m. Organized by the Lyndon House Arts Center Attendance: 35

Georgia Museum of Art | Annual Report, 2008–2009

Family Day: Sunny Sunflowers Saturday, May 23, 10 a.m.–noon Cosponsored by the State Botanical Garden of Georgia Attendance: 184 KidsFest: Silly Sun Visors Saturday, June 27, 11 a.m.–5 p.m. Cosponsored by AthFest Attendance: 300 KidsFest: Silly Sun Visors Saturday, June 28, 11 a.m.–5 p.m. Cosponsored by AthFest Attendance: 200 Total number of family events 2008–2009: 18 Total attendance for family events 2008–2009: 3,182

Art Adventures

Participants viewed paintings of landscapes from the museum’s collection during this one-hour interactive program that included a studio workshop. This program was conducted throughout the Athens-Clarke County and Oconee County area. Workshops were held at the following locations:

Boys and Girls Club of Athens Camp Summerspree Champions for Children Clarke County Schools Summer Program East Athens Community Center Garnett Ridge Boys and Girls Club Kiddieland Lay Park McPhaul Center Oconee Pre-School Pinewoods Community UGA Plant Scholars YWCO Summer Camp

Total number of Art Adventures workshops 2008–2009: 37 Total attendance for Art Adventures 2008–2009: 756

Georgia Museum of Art | Annual Report, 2008–2009

Senior Outreach Program

Sponsored by Turner Ball, Mrs. M. Smith Griffith, Berkeley and Dan Minor, and Kathy Prescott and Grady Thrasher. Lectures, hands-on activities, and museum tours were conducted with the following organizations, in conjunction with the exhibitions Everett Gee Jackson/San Diego Modern, 1920–1955 and From the Collection: The Authority of the Mexican Muralists: Morningside of Athens Athens-Clarke County Senior Center Greene County Senior Center Total number of Senior Outreach Programs 2008–2009: 9 Total attendance for Senior Outreach Programs 2008–2009: 196

Just My Imagination

Jefferson Public Library

This year-round outreach program is offered throughout the state of Georgia and is cosponsored by the Turner Foundation in memory of Nancy C. Turner. Jackie Slayton Methe taught the workshops “Watercolors from Apples to Zebras” and “Ink Painting and Printmaking.” Toni Carlucci taught “Drawing Plants, Flowers, and Other Natural Objects” and “Furry, Fluffy Felt Fun.”

Printmaking and Ink Painting June 27, 10 a.m. Attendance: 10

Cornelia Library, Habersham Co.

Watercolors from Apples to Zebras July 12, 10 a.m. Attendance: 35

Total number of Just My Imagination workshops 2008–2009: 10 Total attendance for Just My Imagination workshops 2008–2009: 196 Docent-Led Tours

Fitzgerald-Ben Hill County Library

Drawing from Plants, Flowers, and Other Natural Objects July 12, 10 a.m. Attendance: 8

Total number of tours 2008–2009: 54 Total attendance of tours 2008–2009: 1,588

Camp Sunshine (held at the Georgia Museum of Art)

Suitcase Tours

Furry, Fluffy Felt Fun November 16, 2 p.m. Attendance: 5

Developed by docents, these tours are presented to elementary-school classes in the Athens area.

State Botanical Garden of Georgia

Drawing from Plants, Flowers, and Other Natural Objects April 14, 4 p.m. Attendance: 24 Chattooga County Library

Printmaking and Ink Painting May 9, 10:30 a.m. Attendance: 16 Stone Mountain Library

Furry, Fluffy Felt Fun June 6, 10 a.m. Attendance: 24 Cornelia Library

Furry, Fluffy Felt Fun June 13, 10 a.m. Attendance: 34 Cedartown Library

Watercolors from Apples to Zebras June 13, 11 a.m. Attendance: 29 Clarkesville-Habersham County Library

Furry, Fluffy Felt Fun June 27, 10 a.m. Attendance: 11

Monday, September 15, 9:30 a.m. Whit Davis Elementary Fifth-graders Attendance: 30 Monday, September 15, 4:40 p.m. Family and Consumer Sciences Class College students (pre-teaching class) Attendance: 20 Wednesday, September 17, 9:05 a.m. Chase Street Elementary Fourth-graders Attendance: 20 Wednesday, September 17, 10:55 a.m. Chase Street Elementary Second-graders Attendance: 20 Wednesday, October 15, 9:05 a.m. Chase Street Elementary Fourth-graders Attendance: 20 Wednesday, October 15, 10:55 a.m. Chase Street Elementary Second-graders Attendance: 20

Georgia Museum of Art | Annual Report, 2008–2009

Friday, October 17, 1:20 p.m. Burney-Harris-Lyons Middle School Middle-school students with special needs Attendance: 12 Tuesday, January 27, 12:30 p.m. Athens Virtual Academy Variety of ages Attendance: 21 Friday, March 27, 9:45 a.m. Oconee Headstart Preschool Attendance: 17 Monday, April 6, 1 p.m. Timothy Road Kindergarten Attendance: 21 Total number of Suitcase Tours 2008–2009: 10 Total attendance for Suitcase Tours 2008–2009: 201

Miscellaneous Programs

Fiesta: Big Read Kickoff Event Lyndon House Arts Center Saturday, September 13, 11 a.m. Attendance: 500 Big Read Book Club: Bless Me, Ultima Georgia Museum of Art staff and docents Monday, October 6, 11 a.m. Attendance: 32 Drawing in the Galleries Students from Chase Street Elementary Wednesday, October 8, 11:30 a.m. Attendance: 35 Cecelia Hinton and Carissa DiCindio With Laura McCarty, Georgia Humanities Council “Creating Connections: Picturing America and the Georgia Museum of Art” Georgia Council of Social Studies Teachers Annual Conference, Athens, Georgia Thursday, October 23, 12:30 p.m. Attendance: 37

Georgia Museum of Art | Annual Report, 2008–2009

Panel Presentation: The Big Read in Athens UGA Library’s Professional Development and Research Committee Carissa DiCindio, Diana Hartle, Chandra Jackson, and Emily Luken Tuesday, October 28, 2:30 p.m. Attendance: 10 Cecelia Hinton and Carissa DiCindio “Creating Connections: Picturing America and the Georgia Museum of Art” Georgia Art Education Association Fall Conference, Athens, Georgia Friday, November 7, 10 a.m. Attendance: 30 Carissa DiCindio “Interdisciplinary Education and Museum Programming,” part of the panel session “Emerging Visions for 21st Century Art Education Curriculum” Georgia Art Education Association Fall Conference, Athens, Georgia Friday, November 7, 3 p.m. Attendance: 22 Carissa DiCindio “Influence of the WPA on Museum Programs,” part of the panel session “Rethinking the History of Art Education for Understanding Contemporary Practice” Georgia Art Education Association Fall Conference, Athens, Georgia Saturday, November 8, 9 a.m. Attendance: 18 Carissa DiCindio Museum division presentation at the secondary education division lunch Georgia Art Education Association Fall Conference, Athens, Georgia Saturday, November 8, noon Attendance: 38 Carissa DiCindio “Reaching Families and Creating Connections through Museum Programming” Georgia Art Education Association Fall Conference, Athens, Georgia Saturday, November 8, 3 p.m. Attendance: 12

Cecelia Hinton Georgia Museum Educators Meeting Georgia Association of Museums and Galleries Annual Conference Friday, January 23, 11 a.m. Attendance: 33 Carissa DiCindio With Laura McCarty, Georgia Humanities Council “Picturing America” Georgia Council of Teachers of English (GCTE) conference, Jekyll Island Friday, February 6, 11 a.m. Attendance: 11 Carissa DiCindio “Understanding Experiences of Young Visitors in Art Museums: A Review of Empirical Research,” part of the museum education division’s special issues forum “Current Research Trends in Museum Education” National Art Education Association Annual Conference, Minneapolis, Minnesota Saturday, April 18, 2–5 p.m. Attendance: 59 Total number of miscellaneous programs 2008–2009: 13 Total attendance for miscellaneous programs 2008–2009: 837

Events for Teachers Picturing America Seminar for Teachers

• Lunch and Learn: Jean Petrovs, GMOA docent and media specialist, Athens Academy •

Gallery Activity: Visual Arts as a Tool for Classroom Teachers Carole Henry, Josiah Meigs Distinguished Teaching Associate Professor in Art Education and cochair, art education, UGA Tracie Costantino, assistant professor of art education, UGA

• Tour of Lyndon House Historic House Museum Nancy Lukasiewicz, Lyndon House Arts Center •

Home of C. L. Morehead Jr. for tour of American art collection Annie Laurie Dodd, artist and widow of Lamar Dodd, whose works are featured prominently in Morehead and GMOA collections

Wednesday, July 23: Twentieth-Century Art and Decorative Arts Attendance: 48 •

Lecture: “Major Themes in Twentieth-Century American Art” Janice Simon, Josiah Meigs Distinguished Teaching Associate Professor in Art History, UGA

•

Gallery Time: Understanding Twentieth-Century Art Connecting twentieth-century works from the permanent collection with Picturing America Paul Manoguerra, curator of American art, Georgia Museum of Art

• Lecture: “American and African American Quilts” Diane Barret, art educator and independent scholar

July 22–24, 2008 This program was made possible by a grant from the National Endowment for the Humanities through its We the People initiative.

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Lecture: “Silver in Georgia” Dale L. Couch, senior archivist and historical research advisor, Georgia Archives Ashley Callahan, curator of decorative arts, Georgia Museum of Art

Tuesday, July 22: Nineteenth-Century Art Attendance: 49

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Gallery Time: Decorative Arts in the GMOA Collection Connecting decorative arts from the permanent collection with works in Picturing America Diane Barret, Dale L. Couch, and Ashley Callahan

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Gallery Activity: Visual Arts as a Tool for the Classroom Discussion and brainstorming in teacher teams Cecelia Hinton, curator of education, Georgia Museum of Art; Carissa DiCindio, associate curator of education, Georgia Museum of Art; GMOA docents: Barbara Laughlin, Berkeley Minor, Chris Mitts, and Ruthann Walton

• Overview of NEH, Picturing America, and GMOA William U. Eiland, director, Georgia Museum of Art • Director’s tour of the Georgia Museum of Art William U. Eiland, director, Georgia Museum of Art •

Gallery Time: Understanding Nineteenth-Century American Art Connecting nineteenth-century works from the permanent collection with Picturing America Paul Manoguerra, curator of American art, Georgia Museum of Art

Georgia Museum of Art | Annual Report, 2008–2009

• Home of William U. Eiland to view the Ladis/Eiland Collection of American Art William U. Eiland, director, Georgia Museum of Art

August 11 Basics of giving tours. Planning for fifth-grade tours; GMOA: Behind the Scenes (William U. Eiland) Attendance: 17

Thursday, July 24: Architecture and Material Culture of the South Attendance: 41

August 25 Tour: The Ring Shows: Then & Now and Putting the Band Back Together (Ashley Callahan, former curator of decorative arts) In the Galleries: “Giving Tours and Talking about Art,” special presentation by Jean Petrovs Attendance: 30

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Walking tour of UGA campus to view architecture and murals John C. Waters, professor, director of graduate studies in historic preservation, College of Environment and Design, UGA

• Lecture: “Visualizing the American South” James Cobb, Phinizy Spalding Distinguished Professor of History, UGA •

Brainstorming with teacher teams and museum education staff to tie curricula to Picturing America. Presentation of lesson plans. Cecelia Hinton and Carissa DiCindio

September 22 Workshop designed for docents, by Carole Henry, associate professor in art education and cochair, art education, and Tracie Costantino, assistant professor of art education, Lamar Dodd School of Art, UGA Attendance: 19

Total Attendance for Picturing America Seminar for Teachers: 138

October 6 Five-minute tours by new docents Attendance: 19

Evening for Educators

Wednesday, August 20, 4 p.m. Attendance: 85 Total number of events for teachers 2008–2009: 2 Total attendance for events for teachers 2008–2009: 223

Docent Education

July 21 Tours: Highlights from the Permanent Collection (Giancarlo Fiorenza and Paul Manoguerra) Attendance: 27 July 28 Tour: Everett Gee Jackson/San Diego Modern, 1920–1955 (Derrick R. Cartwright, executive director, San Diego Museum of Art) Tour: From the Collection: The Authority of the Mexican Muralists (Paul Manoguerra) Attendance: 39

September 8 Five-minute tours; Gallery activity and discussions about art Attendance: 38

Georgia Museum of Art | Annual Report, 2008–2009

October 13 Making Art: Jewelry Workshop by James Thurman, assistant director and assistant professor, School of Visual Arts, Pennsylvania State University Attendance: 19 October 20 Planning Workshop: “Docent Education During Construction” Art history presentation by Deirdre Conneely: “Paul Cézanne as a Printmaker: Etching in Auvers” Attendance: 28 November 17 Presentations: Bill Free: “Visual First Impressions”; Stanley Longman: “Evolution of Scene Design and Theatre Architecture from Medieval Times to the Late Nineteenth Century” Attendance: 28 November 24 Book Club: Tulip Fever, at the home of Chris Mitts Attendance: 10 December 3 Holiday luncheon and meeting at Athens Country Club Attendance: 30

January 19 Book Club: Basilica, at the home of Carol Dolson Attendance: 10 January 26 Docents Collect Attendance: 22 February 23 GMOA’s Permanent Collection (Paul Manoguerra) Attendance: 20 March 16 Book Club: Michelangelo and the Pope’s Ceiling, at the home of Cecelia Hinton Attendance: 10 March 23 Prints at Jane Mullins’s house Attendance: 19 April 20 Sculpture of William Thompson Attendance: 13 May 4 Tour of works by Lamar Dodd at the home of C. L. Morehead Jr. Attendance: 21 May 11 Docent annual meeting and brunch at the home of William U. Eiland Attendance: 34 May 18 Book Club: The Lost Painting, at the home of Cyndy Harbold Attendance: 12 June 29 Book Club: Strapless, at the home of Jean Petrovs Attendance: 10 Total number of docent education sessions 2008–2009: 22 Total attendance for docent education sessions 2008–2009: 475

Total number of education programs 2008–2009: 210 Total attendance for education programs 2008–2009: 9,272

Georgia Museum of Art | Annual Report, 2008–2009

Registration Department Collections Management The registration department coordinates ongoing collections management tasks such as updating and organizing artist, object, and exhibition information; assessing collections storage and updating storage facilities and techniques; assessing conservation needs and obtaining treatment for loaned works and works in the permanent collection; acquiring technical and other equipment needed for proper handling, storage, and tracking of the collection; working with visitors interested in viewing GMOA’s collections; responding to inquiries and correspondence from students, professors, museum professionals, and the general public regarding the museum collections and installations; tracking of nonaccessioned objects; and updating policies and internal forms.

Phase II Tricia Miller participated on the in-house Phase II committee. Miller and chief preparator Todd Rivers worked with Annelies Mondi to plan for moving the permanent collection and extended loan objects into long-term storage. Due to the HVAC incident in January, Mondi and Eiland reassessed plans for storing the collection in the museum during the construction of Phase II. The registrars and preparators began packing the collection while Mondi and Eiland negotiated the final disposition of the works during the museum’s closure. The packing of the collection consumed the work of the registration department for the last three months of FY09. Along with the preparators, the registrars packed approximately 11,000 objects into approximately 350 containers (boxes, pallets, crates, traveling frames) for long-term storage. Mondi coordinated the transport of the objects, and the registrars helped implement the shipment.

Acquisitions During FY09, the registration department accessioned 362 new objects into the collection. This group includes 16 threedimensional objects (sculpture, Asian or African objects, or folk art), 33 paintings, 16 decorative-arts objects, and 297 works on paper (including photographs). Miller and Christy Sinksen participated on the collections committee, and all of the registrars executed preliminary cataloguing for new accessions. The preliminary cataloguing process includes correspondence with donors, dealers, and appraisers; condition reporting; applying accession numbers; assigning permanent locations; tracking the cataloguing process on a shared Excel spreadsheet; compiling curatorial files and typing curatorial sheets; data entry in the AIMS collections database; and working closely with the curatorial staff to obtain complete cataloguing information. Due to the impending construction and the necessary focus on packing the collection, the registrars were able to perform only a portion of the usual prelimi32

Georgia Museum of Art | Annual Report, 2008–2009

nary cataloguing procedures. Normal cataloguing will resume when they have access to the collection after construction. A list of FY09 acquisitions appears in this report.

Deaccessioning Former curator of European art Giancarlo Fiorenza had begun pursuing the museum’s first deaccessions in FY08; however, after Fiorenza’s resignation and in anticipation of the long-term storage of the collection during the construction of Phase II, deaccessioning activities were limited in FY09.

Extended Loans The registration department currently manages 3,453 extended loans, including 1,949 objects owned by the University of Georgia Foundation. Of the works owned by the Foundation, 1,332 are works belonging to the estate of Lamar Dodd. Thirty-one new extended loans were added this fiscal year. Miller and Malissa Ryder processed incoming extended loans. Some extended loans were returned this year at the request of the lender after being informed about the impending construction. Eighty-four extended-loan objects were returned to two lenders. A portion of the 128 paintings from the exhibition Coming Home: American Paintings, 1930–1950, from the Schoen Collection remain at GMOA as an extended loan. Many were returned to Jason Schoen upon his request because access to the works will be limited during the construction of Phase II. In addition, GMOA is currently storing a portion of the 152 works on paper from the Schoen collection while the remaining works tour in the exhibition The American Scene on Paper: Prints and Drawings from the Schoen Collection. The Gibbes Museum of Art showed a selection of works from this exhibition from December 19, 2008, to March 22, 2009. The Columbus Museum will show a larger selection (101 objects) from July 12 to September 20, 2009. The exhibition will then return to GMOA, where the full exhibition will be on display among the inaugural exhibitions when the museum reopens in early 2011. Miller continues to work with Schoen to manage his collection while it resides at GMOA. During FY09, seventy of Schoen’s objects were loaned out or remained on loan to the following exhibitions: Exhibition: Extended loan

Venues: Columbus Museum of Art, Columbus, OH: April 6, 2006–indefinitely Object(s): Dale Nichols Come to Supper, 1939 Oil on canvas

Exhibition: Robert Vickery retrospective

Venues: Harmon-Meek Gallery, Naples, FL: February 20, 2007–indefinitely Object(s): Robert Vickery Sunlight and Shadow, 1977 Acrylic on board

Exhibition: Aaron Douglas retrospective

Venues:

Spencer Art Museum, Lawrence, KS: September 8–December 3, 2007 Frist Center for the Visual Arts, Nashville, TN: January–April 2008 Smithsonian Institution, Washington, DC: May–August 2008 Schomburg Center, New York, NY: September–December 2008

Object(s): Aaron Douglas Bravado, n.d. Woodcut on paper

Aaron Douglas Surrender, 1926 Woodcut on paper

Exhibition: Selections from the Schoen Collection

Venues: The Mint Museums, Charlotte, NC: May 17–September 14, 2008 Object(s): Victor Arnautoff The Fisherman, 1938 Oil on board

Thomas Hart Benton Fisherman at Sunset, 1943 Gouache on paper

Alexander Brook Stamford Gas Works, 1933 Oil on canvas

Jerry Bywaters Texas Subdivision, 1938 Oil on board

Clarence Holbrook Carter Good Crop, 1942 Oil on canvas

John Steuart Curry The Death of Ray Goddard, ca. 1939 Oil on canvas

Louis Freund Transcontinental Bus, 1936 Oil on board

Carl Frederick Gaertner Night in Pittsburgh, 1938 Oil on canvas

Robert Gwathmey Sunny South, 1944 Oil on canvas

Abraham Harriton 6th Avenue Unemployment Agency, 1937 Oil on canvas

Roy Hilton Winter in a Mining Town, ca. 1933 Oil on canvas

Joseph Hirsch Lunch Counter, 1941 Oil on canvas

William Hollingsworth Ah, the Mystery of a Southern Night, ca. 1941 Oil on canvas

John Langley Howard Hooverville, 1933 Oil on canvas

Joe Jones Threshing No. 1, 1935 Oil on board

Erle Loran America at War, 1942 Oil on canvas

Peppino Mangravite Tomorrow’s Bread, 1939 Oil on canvas

Fletcher Martin The Wharf, 1938 Oil on canvas

Kenneth Hayes Miller Business of the Day, 1939–40 Oil on canvas

Constance Richardson Long Summer Day, 1954 Oil on board

Georgia Museum of Art | Annual Report, 2008–2009

Andrée Ruellan City Market, Savannah, 1942 Oil on canvas

Ben Shahn Unemployed, 1938 Egg tempera on paper mounted on board

Exhibition: Higher Ground: A Century of Art in East Tennessee

Venues:

Knoxville Museum of Art: May 1, 2008–December 31, 2010

Object(s): Charles Rain Eclipse, 1946 Oil on board

Exhibition: Painting in the United States

Venues:

Westmoreland Museum of American Art: June 29, 2008–October 19, 2008

Object(s): Arthur Osver The Red Ventilator, n.d. Oil on board

Exhibition: The 1930s: Selections from the Jason Schoen Collection

Venues:

Westmoreland Museum of American Art: January 24–May 16, 2010

Object(s): Charles Burchfield The Open Door, 1932 Watercolor and graphite on paper

Paul Sarrett Sample Tardy (Mountain School), 1935 Oil on canvas

Guy MacCoy Resting, 1935 Oil on canvas

Florence McClung Lancaster Valley, 1936 Oil on canvas

Charles T. Bowling Church at the Crossroads, 1936 Oil on masonite

William Gropper The Last Cow (The Dying Cow), 1937 Oil on canvas

Dale Nichols Come to Supper, 1939 Oil on canvas

Peppino Gino Mangravite Tomorrow’s Bread, 1939 Oil on canvas

John Steuart Curry The Death of Ray Goddard, ca. 1939 Oil on canvas

Aaron Bohrod Skokie Park Auto, 1935 Oil on board

Mary E. Hutchinson Two of Them, ca. 1933 Oil on canvas

Eugene Higgins Jobless, ca. 1933 Oil on canvas

Eugenie McEvoy Taxi! Taxi!, 1933 Oil on canvas

Arnold Friedman The Lennox Hill Post Office, 1935 Oil on board

Andrew Thomas Schwartz Under the Bridge, ca. 1935 Oil on canvas

Lucile Blanch City View, 1936 Oil on canvas

Louis Freund Transcontinental Bus, 1936 Oil on panel

Abraham Harriton 6th Avenue Unemployment Agency, 1937 Oil on canvas

Lawrence Beall Smith Back Bay Stairway, 1937 Oil on canvas

Carl Frederick Gaertner Night in Pittsburgh, 1938 Oil on canvas

Georgia Museum of Art | Annual Report, 2008–2009

Louis O. Guglielmi Minetta Street, 1938 Gouache on paper

Victor Arnautoff The Fisherman, 1938 Oil on board

Isaac Soyer The Family, 1938 Oil on canvas

Grace Clements Integration, 1937 Oil on canvas

Raphael Soyer Transients, 1938 Oil on canvas

William Gropper The Incumbent, ca. 1938 Oil on canvas

Ben Shahn Unemployed, 1938 Tempera on paper mounted on honeycomb board

James Guy Camouflage Man in a Landscape, 1939 Oil on board

Harold Lehman Landscape in Perspective, 1934 Oil on canvas

Ernest Fiene The Station, Pittsburgh, 1937 Oil on canvas

Joe Jones Conversation, 1939 Oil on canvas

Kenneth Hayes Miller Business of the Day, 1939–40 Oil on canvas

James Chapin A Prize Fighter and His Manager, 1930 Oil on canvas

Doris Emrick Lee The Beach Party, ca. 1932 Oil on canvas

Joseph De Martini Six Day Bicycle Race, 1939 Oil on canvas

Phil Dike Elysian Park, Los Angeles, 1933 Oil on board

Philip Evergood Sunday in Astoria, 1935 Oil on canvas

Francis Criss Theodore Roosevelt Memorial Under Construction, 1932 Oil on board

Roy Hilton Winter in a Mining Town, ca. 1933 Oil on canvas

Burr Singer Negro Shoemaker, ca. 1936 Oil on canvas

Exhibition: Joe Jones: Painter of the American Scene

Venues:

St. Louis Art Museum: 2010

Object(s): Joe Jones Threshing, 1935 Oil on masonite

Joe Jones Unemployed Oil on canvas

The extended loan of seventy-five works from Schoen’s collection was terminated in FY09. In addition to extended loans to the collection, the registration department has coordinated the storage of objects for the upcoming exhibition Imprinting the South: Works on Paper from the Collection of Lynn Barstis Williams and Stephen J. Goldfarb (107 works on paper stored at the Paul and Lulu Hilliard University Art Museum, University of Louisiana at Lafayette. The exhibition will be on view at the Hilliard from September 19, 2009, to January 2, 2010).

Georgia Museum of Art | Annual Report, 2008–2009

Art on Campus

Conservation

The Art on Campus database remains a useful tool for tracking reported changes in the inventory and for responding to inquiries from the public regarding works in the art on campus collection. To date, 96 departments have reported 2,321 objects. Posting the Art on Campus Blue Book on the Web and finding easier and more efficient ways to conduct this survey both remain goals. The Georgia Museum of Art no longer lends works of art from its collection to campus departments or units except for the Provost’s and President’s Offices, but a number of “grandfathered” campus loans remain at certain units and will be recalled when deemed appropriate. The Georgia Museum of Art currently has seventy-eight works on loan to campus departments from its permanent collection. This number includes fifteen works from the Estate of Lamar Dodd, which prescribed that the works be placed in campus buildings. Sinksen is responsible for assisting and advising departments or units with issues regarding art on campus. She also maintains a list of departments that have requested to be placed on or to remain on a waiting list for the placement of works of art in their department or unit. There are presently twenty-one departments on this list.

Upon her hire, Heidi Snyder assumed the responsibility of helping to coordinate and track object conservation. In FY09, six objects were conserved. Of those, four were permanent collection items, and two were loaned objects. Three works from the permanent collection were assessed by conservators, but no work was performed on these objects. The museum assisted Martha Daura in obtaining conservation services for four objects from her collection. Snyder assisted with the deliveries and pickups of conserved works and updated the conservation lists and curatorial files for each object conserved or assessed. She also organized the archived records related to conservation from 1990 to the present.

Photography and Rights to Reproduction Requests After Ryder’s departure, Sarina Rousso took on the responsibility of coordinating the ongoing photography of works in GMOA’s collection, which included a total of forty-five paintings, works on paper, and decorative arts in FY09. Of the objects photographed, forty-four were items from the permanent collection and one was a loan. She received and processed the completed slides, transparencies, and prints and updated the curatorial information, master lists, and database records for the photographed objects. Rousso also coordinated the museum’s installation photography and catalogued slides depicting the gallery layouts for the in-house exhibitions. This year, Rousso handled five photography and rights to reproduction inquiries and requests, which have generated $360 in fees. She received five completed projects and publications containing reproductions of six works from the permanent collection and one extended loan. While working with these requests and inquiries, Rousso has kept abreast of current laws and issues related to copyright and worked to keep the museum’s list of artists for which GMOA does not own copyright up to date. Due to the construction of Phase II, the registrars have implemented a moratorium on requests for new photography. Requests for existing photography will be facilitated as usual.

Digitizing The registrars have been researching “off-the-shelf ” collections database software and obtaining proposals from several companies for the conversion of the old AIMS database to a new system that includes a public Web access component. Once they have determined a cost estimate for the most optimal system for the museum, they will work with the museum’s development officer and grants writer to seek funding for the purchase and support of the new system. The necessary work of packing and transporting the museum’s collection for storage during the construction for the Phase II addition impeded much progress with this project in FY09. However, identifying and funding a new collections database is a top priority for the registration department in FY10.

Exhibitions Management The registration department coordinated nine exhibitions in FY09, including one organized by another institution and eight organized by GMOA curators. There were five different installations of permanent collection objects. In addition, GMOA showed an exhibition in memory of Andrew Ladis in the Radford Gallery. These exhibitions were installed after the sprinkler upgrade was complete and were shown through November 2008. At that time the museum closed in order to dismantle the exhibitions and prepare for construction. Coordination of exhibitions includes correspondence with lenders, reviewing and negotiating contracts and loan agreements, reviewing or submitting facilities reports, working with insurance issues, incoming and outgoing shipping arrangements, courier arrangements, incoming and outgoing condition reports, maintaining exhibition files, and often assistance with installation. Miller participates on the curatorial committee. Exhibitions organized by other institutions, organizations, or individuals:

• Everett Gee Jackson/San Diego Modern, 1920–1955

Georgia Museum of Art | Annual Report, 2008–2009

Exhibitions organized by GMOA curators or guest curators:

• Ken Weaver’s Batiks • Le regard: Photographs of Women • From the Collection: The Authority of the Mexican Muralists • In Memory of Andrew Ladis Permanent Collection

• • • •

Highlights from the Permanent Collection (European) Highlights from the Permanent Collection (Georgia) Highlights from the Permanent Collection (American) Highlights from the Permanent Collection (Kress)

Traveling Exhibitions and Outgoing Individual Object Loans Both Miller and Sinksen coordinated traveling exhibitions and outgoing individual object loans during FY09. As the outgoing loan coordinator for the museum, Sinksen works extensively on the management of loans of individual objects and complete exhibitions to other institutions. The number of venues requesting outgoing loans has decreased this fis-

cal year compared to last year due to the loan moratorium imposed in February 2008. The moratorium, effective for all new outgoing loan requests for periods occurring from November 2008 to fall 2010, is necessitated by the museum’s upcoming Phase II expansion construction and renovation project. While income is realized from the loan program, it is not considered to be of primary importance. The fees set for exhibition and object loans are low compared to those of other museums in order to promote a relationship with smaller museums, especially those in Georgia. As an expression of the Georgia Museum of Art’s role as the state museum of art in Georgia, a priority is placed on serving venues within Georgia. However, due to the recent Web-based accessibility of the traveling exhibitions program, a notable increase in loans outside the Southeast has been achieved. In FY09, the registration department coordinated nine exhibition loans at ten venues and five future exhibition loans at five venues, bringing in a total of $40,000 in fees. Exhibitions that closed during FY09 attracted 54,556 visitors. A brief survey of statistics gleaned from the full reports (pages 38–40) follows:

Outgoing Individual Object Loans Outgoing Exhibition Loans (Current FY and future projects) (Current FY and future projects) Total works loaned/to be loaned: 14; 18

Total exhibitions/venues: 15; 19

Total number of venues: 9; 14 Total works: 792; 897 Total fees: $1,175; $2,600 Total fees: $51,500; $56,900 Total attendance: 54,566; 17,936 This year’s figure; last year’s figure

The current slate of twelve traveling exhibitions offered by the Georgia Museum of Art has been unchanged since the redesign of the traveling exhibitions brochure in 2001, and several of these exhibitions began touring several years prior. Sinksen, in conjunction with the head registrar, is seeking to mitigate the cumulative rigors of travel and exposure on the most frequently loaned exhibitions, and as a result, the exhibition Passport to Paris: Nineteenth-Century French Prints from the Georgia Museum of Art was removed from consideration for future bookings. She has proposed that the curators soon revise the slate of traveling exhibitions with the aim of retiring heavily traveled or seldom requested exhibitions and replacing them with fresh offerings. We hope that the curators will be able to begin work on this project during the upcoming Phase II construction and that funds can be allocated for a new traveling exhibitions brochure so that a new slate of exhibitions may be offered soon after the reopening of the museum.

Miller coordinated the following special traveling exhibitions, which are not a part of the museum’s regular traveling exhibition offerings: Real Western Wear: Beaded Gauntlets from the William P. Healey Collection National Cowboy and Western Heritage Museum: February 8–May 5, 2008 C. M. Russell Museum: July 17, 2008–January 18, 2009 The show comprises seventy-three pairs of beaded gloves and will end its tour in FY09. Imprinting the South: Works on Paper from the Collection of Lynn Barstis Williams and Stephen J. Goldfarb Jule Collins Smith Museum of Fine Art, Auburn University: May 24–August 23, 2008 Paul and Lulu Hilliard University Art Museum, University of Louisiana, Lafayette: Summer 2009 Georgia Museum of Art | Annual Report, 2008–2009

(portion of full exhibition), September 19, 2009– January 2, 2010 The full exhibition comprises 106 works on paper and will end its tour in FY09.

The South in Black and White: The Works of James E. Routh Jr., 1939–1946 The Robert C. Williams Paper Museum: July 20–October 2, 2009

Coming Home: Selections from the Schoen Collection The Mint Museums: May 17–September 14, 2008 This exhibition comprises twenty-two paintings on extended loan to the museum from Jason Schoen.

Lord Love You: Works by R. A. Miller from the Mullis Collection The Lyndon House Arts Center: August 8–October 24, 2009

The American Scene on Paper: Prints and Drawings from the Schoen Collection The Gibbes Museum: December 19, 2008–March 22, 2009 (reduced version) The Columbus Museum: July 12–September 20, 2009 (reduced version)

Other Duties

The Art of Disegno: Italian Prints and Drawings from the Georgia Museum of Art The Snite Museum of Art: January 11–March 1, 2009

All registrars continued to fulfill requests from students, professors, or the general public to study works in the museum’s collection or for assistance finding conservation, appraisal, or fine-arts shipping resources. They also assist the director with leading facilities tours. Rousso maintained and updated the exhibition chronology from 2002 to the present and updated the running acquisitions list for FY08. Rousso also organized each exhibition’s file folders before archiving them in the completed exhibition file cabinets.

Miller, Ryder, and Rousso performed preliminary work (securing contracts, condition reporting, and planning for packing and shipment) this fiscal year on the following upcoming exhibitions to be traveled by GMOA:

Exhibition Loans Organized by the Georgia Museum of Art July 2008–June 2009 Exhibition Title

Dates, # of Works

venue

Rental Fee, Attendance

Exhibitions Closing This Fiscal Year:

Lamar Dodd, Artist of Georgia: Selections from the Georgia Museum of Art

6/3–8/7/08 20 works

Holman and Ethel Johnson Center for the Arts (Troy, AL)

$3,000 800

Techniques and Styles: A Sampling of Paintings, Drawings, and Prints from the Georgia Museum of Art

6/3–8/7/08 20 works

Holman and Ethel Johnson Center for the Arts (Troy, AL)

$2,000 800

Passport to Paris: NineteenthCentury French Prints from the Georgia Museum of Art

6/15–8/17/08 46 works

The Dixon Gallery and Gardens (Memphis, TN)

$2,000 5,571

Imprinting the South: Works on Paper from the Collection of Lynn Barstis Williams and Stephen J. Goldfarb

5/24/08–8/23/08 106 works

Jule Collins Smith Museum of Fine Art, Auburn University (Auburn, AL)

$2,500 4,237

Georgia Museum of Art | Annual Report, 2008–2009

Exhibitions Opening and Closing This Fiscal Year:

Animals in Bronze: The Michael and Mary Erlanger Collection of Animalier Bronzes from the Georgia Museum of Art

9/26/08–1/3/09 46 works

Paul and Lulu Hilliard University Art Museum, University of Louisiana (Lafayette)

$2,500 2,900

Prints by Women: Selected Works from the Georgia Museum of Art

11/27/08–1/1/09 52 works

Krasl Art Center (St. Joseph, MI)

$3,000 965

Passport to Paris: NineteenthCentury French Prints from the Georgia Museum of Art

4/30–6/7/09 46 works

Oklahoma City Museum of Art (OK)

$2,000 6,387

The American Scene on Paper: Prints and Drawings from the Schoen Collection

12/19/08–3/22/09 55 works

The Gibbes Museum of Art (Charleston, SC)

$10,000 6,319

Real Western Wear: Beaded Gauntlets from the William P. Healey Collection

7/17/08–1/18/09 73 works

C. M. Russell Museum (North Great Falls, MT)

$6,000 21,702

The Art of Disegno: Italian Prints and Drawings from the Georgia Museum of Art

1/11/09–3/1/09 53 works

The Snite Museum of Art, University of Notre Dame (Notre Dame, IN)

$7,000 4,885

Passport to Paris: NineteenthCentury French Prints from the Georgia Museum of Art

7/17– 9/12/09 46 works

Pensacola Museum of Art (FL)

$2,000

The American Scene on Paper: Prints and Drawings from the Schoen Collection

7/19–9/27/09 101 works

Imprinting the South: Works on Paper from the Collection of Lynn Barstis Williams and Stephen J. Goldfarb

9/19/09–1/2/10 47 works

Paul and Lulu Hilliard University Art Museum, University of Louisiana (Lafayette)

$2,500

The South in Black and White: The Works of James E. Routh Jr., 1939–1946

7/20–10/2/09 51 works

The Robert C. Williams Paper Museum (Atlanta, GA)

No fee

Lord Love You: Works by R. A. Miller from the Mullis Collection

8/8–10/24/09 83 works

The Lyndon House Arts Center (Athens, GA)

No fee

FUTURE EXHIBITIONS:

The Columbus Museum (Columbus, GA)

$7,000

Georgia Museum of Art | Annual Report, 2008–2009

Income from Reproductions and Photography Requests July 2008–June 2009 institute / person

PUBLICATION / PURPOSE

Kim Lykke Jensen

6-month CD rental for reproduction in scholarly book Søren Emil Carlsen: Skagensmaleren fra Manhattan

$80.00

Tim Rollins and K.O.S., A Midsummer Night’s Dream, Athens, After Shakespeare, GMOA 2007.90

Megan Hyde, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College

Transparency rentals for exhibition catalogue Tim Rollins and K.O.S.: A History published by The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College

$80.00

Archival image of sculptures belonging to Renee and Chaim Gross for the Sculptor’s Eye exhibition at GMOA

Meredith Lewis for Heinrich Schweizer/ Sotheby’s

Transparency rental for auction house catalogue

$100.00

Paul Cadmus, Playground, GMOA 1970.2619

Barry Reay Department of History University of Auckland, New Zealand

Transparency rental for book illustration in publication New York Hustlers: Masculinity in Modern America

$90.00

Two slides

$10.00

IMAGE

Søren Emil Carlsen, Landscape and Marine, GMOA 1945.10

George Luks, House on the Water, GMOA 1976.3430

TOTAL

Georgia Museum of Art | Annual Report, 2008–2009

AMOUNT

$360.00

Reproductions from the Collection 2008–2009 Clifton, James, and Walter S. Melion, eds. Scripture for the Eyes: Bible Illustration in Netherlandish Prints of the Sixteenth Century. Exhibition catalogue. London: D. Giles Ltd.; New York: Museum of Biblical Art, 2009. Herman Jansz. Muller, The Nailing to the Cross (titled Christ Nailed to the Cross in the book). Reproduced in black and white, Plate 20a, page 145. Herman Jansz. Muller, The Crucifixion (titled Longinus Piercing Christ’s Side with a Lance in the book). Reproduced in black and white, plate 20b, page 146. Cozzolino, Robert. George Tooker. London: Merrell, 2008. Paul Cadmus, Playground. Reproduced in color fig. 5, page 23. Thomas, Frances Taliaferro, and Mary Levin Koch. A Portrait of Historic Athens and Clarke County. Athens: University of Georgia Press, 2009. Childe Hassam, Bridge at Old Lyme. Reproduced in color, among several unnumbered pages between pages 240 and 241. Robert Henri, Sissy. Reproduced in color among several unnumbered pages between pages 240 and 241. Sharp, Kevin. Bold, Cautious, and True: Walt Whitman and American Art of the Civil War Era. Memphis, TN: Dixon Gallery and Gardens, 2009. Louis Remey Mignot, Sunset Winter. Reproduced in color, plate 10, page 44. Dogançay, Burhan. Urban Walls: A Generation of Collage in Europe and America. New York: Hudson Hills Press, 2008. Burhan Dogançay, No. 2 Wall: Free Again. Reproduced in color, page 49. (extended loan)

Acquisitions FY 2009 Paul H. Ellis (British, active 1882–1908) Thames Lockhouse, ca. 1885 Oil on canvas Georgia Museum of Art, University of Georgia; gift of Sara Moak Godwin GMOA 2008.119 Phoebe DeVaughn-Porter (American, birth and death dates undetermined) Untitled (coastal scene), 1977 Watercolor on thick paper Georgia Museum of Art, University of Georgia; gift of Denny and Peggy Galis GMOA 2008.120

Pierre Daura (American, 1896–1979) Saint Circ la Popie Rue Des Marchands Ancienne Route de Cahors, ca. 1931 Etching on wove paper Georgia Museum of Art, University of Georgia; gift of Martha Randolph Daura GMOA 2008.121 Pierre Daura (American, 1896–1979) Saint Circ la Popie l’Eglise Presbitere Maison Fau, ca. 1931 Etching on wove paper Georgia Museum of Art, University of Georgia; gift of Martha Randolph Daura GMOA 2008.122 Letterio Calapai (American, 1902–1993) Below the Bridge [Brooklyn Bridge], 1983 Wood engraving on paper Georgia Museum of Art, University of Georgia; museum purchase with funds provided by the W. Newton Morris Charitable Foundation GMOA 2008.123 Thomas Handforth (American, 1897–1948) Horseman, ca. 1928 Etching on paper Georgia Museum of Art, University of Georgia; museum purchase in memory of Dr. Albert J. Kingston Jr. GMOA 2008.124 Leo Meissner (American, 1895–1977) Skyscrapers, ca. 1935 Wood engraving on paper Georgia Museum of Art, University of Georgia; museum purchase in memory of Dr. Albert J. Kingston Jr. GMOA 2008.125 Thomas Nason (American, 1889–1971) The General Store / Grant’s General Store (Sturbridge, MA), 1959 Wood engraving on paper Georgia Museum of Art, University of Georgia; museum purchase with funds provided by the W. Newton Morris Charitable Foundation GMOA 2008.126 Carson Sutherlin Davenport (American, 1908–1972) Chincoteague Trawlers [Chincoteague Island, Virginia], ca. 1935 Woodcut on paper Georgia Museum of Art, University of Georgia; museum purchase with funds provided by the W. Newton Morris Charitable Foundation GMOA 2008.127

Georgia Museum of Art | Annual Report, 2008–2009

Carlo Antonini (Italian, 1749–1835) Untitled (vase), 1781 Engraving on paper Georgia Museum of Art, University of Georgia; gift of Phillip and Juanita Greenspan GMOA 2008.128 Carlo Antonini (Italian, 1749–1835) Untitled (vase), 1781 Engraving on paper Georgia Museum of Art, University of Georgia; gift of Phillip and Juanita Greenspan GMOA 2008.129 Ace Powell (American, 1912–1978) Our Friend, n.d. Etching on wove paper Georgia Museum of Art, University of Georgia; museum purchase with funds provided by the W. Newton Morris Charitable Foundation GMOA 2008.130 Ace Powell (American, 1912–1978) Ace Powell, n.d. Etching on wove paper Georgia Museum of Art, University of Georgia; museum purchase with funds provided by the W. Newton Morris Charitable Foundation GMOA 2008.131 Dave Powell (American, b. 1954) Native American with Rifle, 1972 Etching on wove paper Georgia Museum of Art, University of Georgia; museum purchase with funds provided by the W. Newton Morris Charitable Foundation GMOA 2008.132 Olive Fell (American, 1896–1980) Sego Lillies in the Mountains, n.d. Silkscreen on heavy paper Georgia Museum of Art, University of Georgia; museum purchase with funds provided by the W. Newton Morris Charitable Foundation GMOA 2008.133 L. A. Huffman (American, 1879–1931) A Hot Noon Beside the Roundup Camp, ca. 1900 Unmounted contact print on paper Georgia Museum of Art, University of Georgia; museum purchase with funds provided by the W. Newton Morris Charitable Foundation GMOA 2008.134

Georgia Museum of Art | Annual Report, 2008–2009

William H. Johnson (American, 1901–1970) Five Musicians, 1926 Graphite on paper Georgia Museum of Art, University of Georgia; museum purchase with funds provided by the Audrey Love Charitable Foundation in honor of Andrew Ladis GMOA 2008.135 Ruth Armer (American, 1896–1977) Park Scene, n.d. Gouache on paper Georgia Museum of Art, University of Georgia; museum purchase with funds provided by the Audrey Love Charitable Foundation in honor of Andrew Ladis GMOA 2008.136 Cecilia Beaux (American, 1855–1942) Tree Study, ca. 1870–79 Graphite on paper Georgia Museum of Art, University of Georgia; museum purchase with funds provided by the Audrey Love Charitable Foundation in honor of Andrew Ladis GMOA 2008.137 Susan Ricker Knox (American, 1874–1959) California Landscape, n.d. Watercolor on paper Georgia Museum of Art, University of Georgia; museum purchase with funds provided by the Audrey Love Charitable Foundation in honor of Andrew Ladis GMOA 2008.138 Maurice Becker (American, 1889–1975) Untitled (figure with cow), n.d. Drawing on paper Georgia Museum of Art, University of Georgia; gift of Thomas S. Holman in memory of Donald Keyes, curator of American art at the Georgia Museum of Art from 1984–2000 GMOA 2008.139 Charles Criner (American, b. 1945) Mama Jewelry (Picking Cotton), 2000 Lithograph on paper Georgia Museum of Art, University of Georgia; The Imprinting the South Collection, gift of Lynn Barstis Williams GMOA 2008.140 James E. Routh (American, b. 1918) Cotton Farm, ca. 1940 Ink wash on paper Georgia Museum of Art, University of Georgia; The Imprinting the South Collection, gift of Lynn Barstis Williams in memory of Andrew Ladis GMOA 2008.141

Charles Criner (American, b. 1945) Still I Rise, 2001 Lithograph on paper Georgia Museum of Art, University of Georgia; The Imprinting the South Collection, gift of Stephen J. Goldfarb GMOA 2008.142

Andy Warhol (American, 1928–1987) Pia Zadora, 1983 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.150

Clarence Millet (American, 1897–1959) Claiborne Court, n.d. Hand-colored linoleum cut on brown paper Georgia Museum of Art, University of Georgia; The Imprinting the South Collection, gift of Stephen J. Goldfarb GMOA 2008.143

Andy Warhol (American, 1928–1987) Lillian Carter, 1976 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.151

John McCrady (American, 1911–1968) Steamboat Round the Bend, 1945 Lithograph on paper Georgia Museum of Art, University of Georgia; The Imprinting the South Collection, gift of Stephen J. Goldfarb GMOA 2008.144

Andy Warhol (American, 1928–1987) Paloma Picasso, 1974 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.152

Adolph Dehn (American, 1895–1968) Untitled (landscape with figures), n.d. Oil on canvas Georgia Museum of Art, University of Georgia; gift of Jan Cheezem in memory of Andrew Ladis GMOA 2008.145

Andy Warhol (American, 1928–1987) Corine Arslanian, 1977 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.153

Andy Warhol (American, 1928–1987) Evelyn Kuhn, 1977 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.146

Andy Warhol (American, 1928–1987) Corine Arslanian, 1977 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.154

Andy Warhol (American, 1928–1987) Pia Miller, 1986 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.147

Andy Warhol (American, 1928–1987) Mrs. Damencian, 1980 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.155

Andy Warhol (American, 1928–1987) Michelle Rosenfeld, 1978 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.148

Andy Warhol (American, 1928–1987) Caroline Ireland, 1978 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.156

Andy Warhol (American, 1928–1987) Natalie Sparber, 1984 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.149

Andy Warhol (American, 1928–1987) Caroline Ireland, 1978 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.157

Georgia Museum of Art | Annual Report, 2008–2009

Andy Warhol (American, 1928–1987) Caroline Ireland, 1978 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.158

Andy Warhol (American, 1928–1987) Caroline Ireland, 1978 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.166

Andy Warhol (American, 1928–1987) Caroline Ireland, 1978 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.159

Andy Warhol (American, 1928–1987) Caroline Ireland, 1978 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.167

Andy Warhol (American, 1928–1987) Caroline Ireland, 1977 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.160

Andy Warhol (American, 1928–1987) Caroline Ireland, 1978 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.168

Andy Warhol (American, 1928–1987) Caroline Ireland, 1978 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.161

Andy Warhol (American, 1928–1987) Caroline Ireland, 1978 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.169

Andy Warhol (American, 1928–1987) Caroline Ireland, 1977 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.162

Andy Warhol (American, 1928–1987) Caroline Ireland, 1978 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.170

Andy Warhol (American, 1928–1987) Caroline Ireland, 1978 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.163

Andy Warhol (American, 1928–1987) Caroline Ireland, 1978 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.171

Andy Warhol (American, 1928–1987) Caroline Ireland, 1978 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.164

Andy Warhol (American, 1928–1987) Susan Strauss, 1981 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.172

Andy Warhol (American, 1928–1987) Caroline Ireland, 1978 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.165

Andy Warhol (American, 1928–1987) Susan Strauss, 1981 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.173

Georgia Museum of Art | Annual Report, 2008–2009

Andy Warhol (American, 1928–1987) Susan Strauss, 1981 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.174

Andy Warhol (American, 1928–1987) Joan Robbins, 1983 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.182

Andy Warhol (American, 1928–1987) Susan Strauss, 1981 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.175

Andy Warhol (American, 1928–1987) Joan Robbins, 1983 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.183

Andy Warhol (American, 1928–1987) Susan Strauss, 1981 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.176

Andy Warhol (American, 1928–1987) Joan Robbins, 1983 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.184

Andy Warhol (American, 1928–1987) Susan Strauss, 1981 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.177

Andy Warhol (American, 1928–1987) Joan Robbins, 1983 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.185

Andy Warhol (American, 1928–1987) Susan Strauss, 1981 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.178

Andy Warhol (American, 1928–1987) Joan Robbins, 1983 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.186

Andy Warhol (American, 1928–1987) Joan Robbins, 1983 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.179

Andy Warhol (American, 1928–1987) Joan Robbins, 1983 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.187

Andy Warhol (American, 1928–1987) Joan Robbins, 1983 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.180

Andy Warhol (American, 1928–1987) Joan Robbins, 1983 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.188

Andy Warhol (American, 1928–1987) Joan Robbins, 1983 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.181

Andy Warhol (American, 1928–1987) Joan Robbins, 1983 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.189

Georgia Museum of Art | Annual Report, 2008–2009

Andy Warhol (American, 1928–1987) Joan Robbins, 1983 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.190

Andy Warhol (American, 1928–1987) Joan Robbins, 1983 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.198

Andy Warhol (American, 1928–1987) Joan Robbins, 1983 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.191

Andy Warhol (American, 1928–1987) Joan Robbins, 1983 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.199

Andy Warhol (American, 1928–1987) Joan Robbins, 1983 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.192

Andy Warhol (American, 1928–1987) Joan Robbins, 1983 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.200

Andy Warhol (American, 1928–1987) Joan Robbins, 1983 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.193

Andy Warhol (American, 1928–1987) Frau Buch, 1980 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.201

Andy Warhol (American, 1928–1987) Joan Robbins, 1983 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.194

Andy Warhol (American, 1928–1987) Frau Buch, 1980 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.202

Andy Warhol (American, 1928–1987) Joan Robbins, 1983 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.195

Andy Warhol (American, 1928–1987) Wayne Gretzky, 1983 or 1984 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.203

Andy Warhol (American, 1928–1987) Joan Robbins, 1983 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.196

Andy Warhol (American, 1928–1987) Jack Nicklaus, 1977 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.204

Andy Warhol (American, 1928–1987) Joan Robbins, 1983 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.197

Andy Warhol (American, 1928–1987) Juan Hamilton, 1980 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.205

Georgia Museum of Art | Annual Report, 2008–2009

Andy Warhol (American, 1928–1987) Stephen Sprouse, 1984 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.206

Andy Warhol (American, 1928–1987) Untitled (unidentified man), 1977 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.214

Andy Warhol (American, 1928–1987) Bob Colacello, 1971 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.207

Andy Warhol (American, 1928–1987) Rick Ocasek, 1980 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.208

Andy Warhol (American, 1928–1987) Bob Colacello, 1973 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.216

Andy Warhol (American, 1928–1987) Bob Colacello, 1973 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.217

Andy Warhol (American, 1928–1987) Gordon Locksley, 1974 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.218

Andy Warhol (American, 1928–1987) Gordon Locksley, 1974 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.219

Andy Warhol (American, 1928–1987) Gordon Locksley, 1974 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.220

Andy Warhol (American, 1928–1987) Gordon Locksley, 1974 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.221

Georgia Museum of Art | Annual Report, 2008–2009

Andy Warhol (American, 1928–1987) Gordon Locksley, 1974 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.222

Andy Warhol (American, 1928–1987) Dr. H.C. Werner Otto, 1972 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.230

Andy Warhol (American, 1928–1987) Gordon Locksley, 1974 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.223

Andy Warhol (American, 1928–1987) Dr. H.C. Werner Otto, 1972 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.231

Andy Warhol (American, 1928–1987) Gordon Locksley, 1974 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.224

Andy Warhol (American, 1928–1987) Georgia O’Keeffe and Juan Hamilton, 1980 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.232

Andy Warhol (American, 1928–1987) Gordon Locksley, 1974 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.225

Andy Warhol (American, 1928–1987) Corine Arslanian and Infant, 1977 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.233

Andy Warhol (American, 1928–1987) Dr. H.C. Werner Otto, 1972 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.226

Andy Warhol (American, 1928–1987) Dr. H.C. Werner Otto, 1972 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.227

Andy Warhol (American, 1928–1987) Dr. H.C. Werner Otto, 1972 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.228

Andy Warhol (American, 1928–1987) Hyatt Bass, 1980 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.236

Andy Warhol (American, 1928–1987) Dr. H.C. Werner Otto, 1972 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.229

Andy Warhol (American, 1928–1987) Samantha Bass, 1980 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.237

Georgia Museum of Art | Annual Report, 2008–2009

Andy Warhol (American, 1928–1987) Enrico Carimati Jr., 1978 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.238

Andy Warhol (American, 1928–1987) Shoes, 1980 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.246

Andy Warhol (American, 1928–1987) Enrico Carimati Jr., 1978 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.239

Andy Warhol (American, 1928–1987) Christmas Poinsettias—White, 1982 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.247

Andy Warhol (American, 1928–1987) Robin and Abby Weisman, 1977 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.240

Andy Warhol (American, 1928–1987) Crosses, 1982 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.248

Andy Warhol (American, 1928–1987) Untitled (unidentified girl), 1983 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.241

Andy Warhol (American, 1928–1987) Nude Model, 1977 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.249

Andy Warhol (American, 1928–1987) Corine Arslanian with Sevan and Vahaken, 1977 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.242

Andy Warhol (American, 1928–1987) Nude Model, 1977 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.250

Andy Warhol (American, 1928–1987) Nude Model, 1977 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.251

Andy Warhol (American, 1928–1987) Committee 2000 Champagne Glasses, n.d. Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.244

Andy Warhol (American, 1928–1987) Nude Model, 1977 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.252

Andy Warhol (American, 1928–1987) Levis, 1984 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.245

Andy Warhol (American, 1928–1987) Nude Model, 1977 Polacolor photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.253

Georgia Museum of Art | Annual Report, 2008–2009

Andy Warhol (American, 1928–1987) Lillian Carter, n.d. Black-and-white photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.254

Andy Warhol (American, 1928–1987) Jon Gould, n.d. Black-and-white photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.262

Andy Warhol (American, 1928–1987) Untitled (unidentified woman), n.d. Black-and-white photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.255

Andy Warhol (American, 1928–1987) Jon Gould, n.d. Black-and-white photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.263

Andy Warhol (American, 1928–1987) Untitled (unidentified woman), 1980 Black-and-white photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.256

Andy Warhol (American, 1928–1987) Jon Gould, n.d. Black-and-white photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.264

Andy Warhol (American, 1928–1987) Untitled (unidentified woman), 1982 Black-and-white photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.257

Andy Warhol (American, 1928–1987) Fred Dryer, n.d. Black-and-white photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.265

Andy Warhol (American, 1928–1987) Frederick Hughes, n.d. Black-and-white photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.258

Andy Warhol (American, 1928–1987) Untitled (unidentified man), n.d. Black-and-white photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.266

Andy Warhol (American, 1928–1987) Barry Tubb, n.d. Black-and-white photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.267

Andy Warhol (American, 1928–1987) Jon Gould, n.d. Black-and-white photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.260

Andy Warhol (American, 1928–1987) Barry Tubb, n.d. Black-and-white photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.268

Andy Warhol (American, 1928–1987) Jon Gould, n.d. Black-and-white photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.261

Georgia Museum of Art | Annual Report, 2008–2009

Andy Warhol (American, 1928–1987) Paloma Picasso and Lester Persky, n.d. Black-and-white photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.278

Andy Warhol (American, 1928–1987) Untitled (unidentified man), 1981 Black-and-white photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.273

Andy Warhol (American, 1928–1987) Untitled (unidentified man), 1982 Black-and-white photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.274

Andy Warhol (American, 1928–1987) Untitled (unidentified men), n.d. Black-and-white photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.283

Andy Warhol (American, 1928–1987) Christopher Makos and an Unidentified Man, 1982 Black-and-white photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.285

Georgia Museum of Art | Annual Report, 2008–2009

Andy Warhol (American, 1928–1987) People on the Street, n.d. Black-and-white photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.294

Andy Warhol (American, 1928–1987) Untitled (unidentified men and women), n.d. Black-and-white photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.287

Andy Warhol (American, 1928–1987) Buildings, n.d. Black-and-white photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.295

Andy Warhol (American, 1928–1987) Texas Street, 1981 Black-and-white photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.296

Andy Warhol (American, 1928–1987) Mother and Child, n.d. Black-and-white photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.289

Andy Warhol (American, 1928–1987) Union Square, 1982 Black-and-white photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.297

Andy Warhol (American, 1928–1987) Dog, n.d. Black-and-white photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.290

Andy Warhol (American, 1928–1987) U.S.S. Intrepid and Tourists, 1984 Black-and-white photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.298

Andy Warhol (American, 1928–1987) Untitled (unidentified model), n.d. Black-and-white photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.291

Andy Warhol (American, 1928–1987) Building Demolition, 1984 Black-and-white photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.299

Andy Warhol (American, 1928–1987) Union Square, n.d. Black-and-white photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.292

Andy Warhol (American, 1928–1987) John McEnroe and Bjorn Borg, n.d. Black-and-white photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.300

Andy Warhol (American, 1928–1987) Flea Market, n.d. Black-and-white photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.293

Georgia Museum of Art | Annual Report, 2008–2009

Andy Warhol (American, 1928–1987) Colorado Car, n.d. Black-and-white photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.302

Theodore Davis (American, 1840–1894) General Kilpatrick’s Headquarters from Harper’s Weekly, n.d. Wood engraving on paper Georgia Museum of Art, University of Georgia; gift of Phillip and Juanita Greenspan in honor of Ms. Annelies Mondi GMOA 2008.310

Andy Warhol (American, 1928–1987) Desktop, n.d. Black-and-white photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.303

Morton P. Traylor (American, 1918–1996) Oil Lamp, from the Miner series, n.d. Serigraph on paper Georgia Museum of Art, University of Georgia; gift of the estate of Morton P. Traylor in memory of Andrew Ladis GMOA 2008.311

Andy Warhol (American, 1928–1987) Potted Plant, n.d. Black-and-white photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.304

Eulala Amos (American, 1907–2001) Lamp, n.d. Ceramic Georgia Museum of Art, University of Georgia; gift of Dr. Elizabeth T. Sheerer GMOA 2008.312

Andy Warhol (American, 1928–1987) Sign, n.d. Black-and-white photograph Georgia Museum of Art, University of Georgia; gift of the Andy Warhol Foundation for the Visual Arts GMOA 2008.305

Maurice Cook (American, b. 1948) Day on the Farm, 1993 Oil on canvas Georgia Museum of Art, University of Georgia; gift of Lynn and Richard Berkowitz GMOA 2008.313

William Thompson (American, 1926–1995) Portrait of Robert Majzler, S.J., ca. 1972 Ink on paper Georgia Museum of Art, University of Georgia; gift of Mrs. Claire Thompson GMOA 2008.306

Andrée Ruellan (American, b. France, 1905–2006) Mending the Nets, Rockport, n.d. Lithograph on paper Georgia Museum of Art, University of Georgia; museum purchase with funds provided by the Audrey Love Charitable Foundation and the Newton Morris Charitable Foundation GMOA 2008.314

William Thompson (American, 1926–1995) Untitled (Venus), late 1970s–early 1980s Ink on paper Georgia Museum of Art, University of Georgia; gift of Mrs. Claire Thompson GMOA 2008.307 T. Addison Richards (American, 1820–1900) The Park Fountain, N.Y. from The Romance of American Landscape, 1855 Steel engraving on paper Georgia Museum of Art, University of Georgia; gift of Phillip and Juanita Greenspan in honor of Ms. Rachel Cosper GMOA 2008.308 Pieter van der Aa (Dutch, 1659–1733) Buen-Retiro, n.d. Etching on paper Georgia Museum of Art, University of Georgia; gift of Phillip and Juanita Greenspan GMOA 2008.309

Bror Julius Olsson Nordfeldt (American, b. Sweden, 1878–1955) Red Barn, n.d. Drawing on paper Georgia Museum of Art, University of Georgia; museum purchase with funds provided by the Audrey Love Charitable Foundation and the Newton Morris Charitable Foundation GMOA 2008.315 Bror Julius Olsson Nordfeldt (American, b. Sweden, 1878–1955) Gray House, n.d. Drawing on paper Georgia Museum of Art, University of Georgia; museum purchase with funds provided by the Audrey Love Charitable Foundation and the Newton Morris Charitable Foundation GMOA 2008.316

Georgia Museum of Art | Annual Report, 2008–2009

Marion Greenwood (American, 1909–1970) Young Haitian Boy, n.d. Drawing on paper Georgia Museum of Art, University of Georgia; museum purchase with funds provided by the Audrey Love Charitable Foundation and the Newton Morris Charitable Foundation GMOA 2008.317 Marion Greenwood (American, 1909–1970) Young Haitian Girl, n.d. Drawing on paper Georgia Museum of Art, University of Georgia; museum purchase with funds provided by the Audrey Love Charitable Foundation and the Newton Morris Charitable Foundation GMOA 2008.318 William Gropper (American, 1897–1977) Russian Fiddler, n.d. Print on paper Georgia Museum of Art, University of Georgia; museum purchase with funds provided by the Audrey Love Charitable Foundation and the Newton Morris Charitable Foundation GMOA 2008.319 Petra (Emma Mearns) Cabot (American, 1907–2006) The Eight Bold Reigners, n.d. Print on paper Georgia Museum of Art, University of Georgia; museum purchase with funds provided by the Audrey Love Charitable Foundation and the Newton Morris Charitable Foundation GMOA 2008.320 Miron Sokole (American, 1901–1985) Railroad Bridge at Roundout, n.d. Painting Georgia Museum of Art, University of Georgia; museum purchase with funds provided by the Audrey Love Charitable Foundation and the Newton Morris Charitable Foundation GMOA 2008.321 James Chapin (American, 1887–1975) Young Stargazer, n.d. Painting Georgia Museum of Art, University of Georgia; museum purchase with funds provided by the Audrey Love Charitable Foundation and the Newton Morris Charitable Foundation GMOA 2008.322 Paul Bendzunas (American, b. 1951) Perfume bottle, 1985 Glass Georgia Museum of Art, University of Georgia; gift of Jane Webb Smith GMOA 2008.323

Georgia Museum of Art | Annual Report, 2008–2009

Knute Heldner (American, b. Sweden, 1877–1952) On the North Shore, n.d. Etching on paper Georgia Museum of Art, University of Georgia; museum purchase GMOA 2008.324 Winslow Homer (American, 1836–1910) A Parisian Ball—Dancing at the Casino, from Harper’s Weekly, 1867 Wood engraving on paper Georgia Museum of Art, University of Georgia; museum purchase with funds provided by William Underwood Eiland in honor of Carey Pickard and Chris Howard GMOA 2008.325 Shields Landon (SL) Jones (American, 1901–1997) Portrait of a Couple, n.d. Pastel on paper Georgia Museum of Art, University of Georgia; gift of Janice Simon in memory of Steve and Mary Simon GMOA 2008.326 Nellie Mae Rowe (American, 1900–1982) Untitled (foot with deer), n.d. Drawing Georgia Museum of Art, University of Georgia; gift of Janice Simon in honor of William U. Eiland GMOA 2008.327 Andrée Ruellan (American, 1905–2006) Perugia, 1923 Crayon on paper Georgia Museum of Art, University of Georgia; gift of Janis Conner and Joel Rosenkranz in memory of Andrew Ladis GMOA 2008.328 Andrée Ruellan (American, 1905–2006) Perugia, 1923 Crayon on paper Georgia Museum of Art, University of Georgia; gift of Janis Conner and Joel Rosenkranz in memory of Andrew Ladis GMOA 2008.329 Alphaeus Cole (American, 1876–1988) Untitled (portrait), n.d. Graphite on paper Georgia Museum of Art, University of Georgia; gift of Miles and Vickie Brewer GMOA 2008.330 Edmond Casarella (American, 1920–1996) In a Blaze of Glory, n.d. Color print Georgia Museum of Art, University of Georgia; gift of Carl and Marian Mullis in memory of Andrew Ladis GMOA 2008.331

Myrtice West (American, b. 1923) The Book of Daniel Chapter 15, 1997–98 Acrylic and sparkles on board Georgia Museum of Art, University of Georgia; gift of Carl and Marian Mullis in memory of Crystal and Carl Mullis GMOA 2008.332 Charlie Lucas (American, b. 1951) The New Breed, 1996 Acrylic on paper Georgia Museum of Art, University of Georgia; gift of Carl and Marian Mullis in memory of Merle and Don Jarvis GMOA 2008.333 Jim Lewis (American, b. 1948) Goose with boots, n.d. Painted wood Georgia Museum of Art, University of Georgia; gift of Carl and Marian Mullis GMOA 2008.334 Benny Carter (American, b. 1943) Bank (A penny saved is a penny earned), n.d. Wood and tin with applied materials Georgia Museum of Art, University of Georgia; gift of Carl and Marian Mullis in honor of William Underwood Eiland GMOA 2008.335 Sulton Rogers (American, 1922–2003) Untitled (Jesus at the door), n.d. Painted wood and tile Georgia Museum of Art, University of Georgia; gift of Carl and Marian Mullis GMOA 2008.336 Willie Massey (American, 1910–1990) Untitled (birdhouse), n.d. Painted wood Georgia Museum of Art, University of Georgia; gift of Carl and Marian Mullis GMOA 2008.337 Georges Schreiber (American, b. Belgium, 1940–1977) Rain, mid-1940s Lithograph on paper Georgia Museum of Art, University of Georgia; gift of Carl and Marian Mullis in memory of Andrew Ladis GMOA 2008.338 Mamie Joe (American, birth date undetermined) Landmark of Time, ca. 1990s Monotype with cut and painted paper Georgia Museum of Art, University of Georgia; gift of Carl and Marian Mullis GMOA 2008.339

Dorothy Underhill (American, birth and death dates undetermined) Landscape—Los Remédios, n.d. Oil on canvas Georgia Museum of Art, University of Georgia; gift of the estate of the artist GMOA 2008.340 Dorothy Underhill (American, birth and death dates undetermined) Street in Funchal or Architectural Landscape, n.d. Oil on canvas Georgia Museum of Art, University of Georgia; gift of the estate of the artist GMOA 2008.341 Dorothy Underhill (American, birth and death dates undetermined) Untitled (street scene with female figure), n.d. Oil on canvas Georgia Museum of Art, University of Georgia; gift of the estate of the artist GMOA 2008.342 Leonard Baskin (American, 1922–2000) Sibyl, n.d. Etching on paper Georgia Museum of Art, University of Georgia; gift of Martin and Estelle Karlin GMOA 2008.343 Isabelle Melchior (French, b. 1950) Les Contamines, Mountain Landscape—Alps, 2002 Charcoal and pastel on paper Georgia Museum of Art, University of Georgia; gift of Timothy Tew GMOA 2008.344 Unknown artist Peonies, n.d. Graphite on paper Georgia Museum of Art, University of Georgia; museum purchase with funds provided by the Collectors Group of the Friends of the Georgia Museum of Art GMOA 2008.345 Lanny Webb (American, b. 1947) Thomson Moon, n.d. Digital photograph Georgia Museum of Art, University of Georgia; gift of Jackson A. Cheatham GMOA 2008.346

Georgia Museum of Art | Annual Report, 2008–2009

Lanny Webb (American, b. 1947) Bulkhead Point, n.d. Digital photograph Georgia Museum of Art, University of Georgia; gift of Jackson A. Cheatham GMOA 2008.347 Ellen Graham Anderson (American, 1885–1970) Portrait of Louis Heron Blair, 1910 Oil on canvas Georgia Museum of Art, University of Georgia; gift of Martha Randolph Daura GMOA 2008.348 Pierre Daura (American, b. Spain, 1896–1976) A l’Infant de Pere Daura, 1931 Engraving on paper Georgia Museum of Art, University of Georgia; gift of Martha Randolph Daura GMOA 2008.349 Dennis O’Kain (American, b. 1950) Death, 2007 Color photograph Georgia Museum of Art, University of Georgia; gift of Deborah and Dennis O’Kain in memory of Andrew Ladis GMOA 2008.350 Leo Twiggs (American, b. 1934) Georgia II, n.d. Batik on cotton mounted on hard board Georgia Museum of Art, University of Georgia; gift of the artist GMOA 2008.351 Marie Danforth Page (American, 1869–1940) Her Youngest, 1931 Oil on canvas Georgia Museum of Art, University of Georgia; The Mr. and Mrs. Fred D. Bentley Sr. Collection of American Art, gift of Mr. and Mrs. Fred D. Bentley Sr. GMOA 2008.352 Joseph Stella (American, 1877–1946) Still Life, 1945 Pastel on paper Georgia Museum of Art, University of Georgia; The Mr. and Mrs. Fred D. Bentley Sr. Collection of American Art, gift of Mr. and Mrs. Fred D. Bentley Sr. GMOA 2008.353

Georgia Museum of Art | Annual Report, 2008–2009

Alexander Calder (American, 1898–1976) Abstract Composition, ca. 1965 Color lithograph on paper Georgia Museum of Art, University of Georgia; The Mr. and Mrs. Fred D. Bentley Sr. Collection of American Art, gift of Mr. and Mrs. Fred D. Bentley Sr. GMOA 2008.354 Henry Inman (American, 1801–1846) Leffert Lefferts, Esq., 1839 Oil on canvas Georgia Museum of Art, University of Georgia; The Mr. and Mrs. Fred D. Bentley Sr. Collection of American Art, gift of Mr. and Mrs. Fred D. Bentley Sr. GMOA 2008.355 James Gale Tyler (American, 1855–1931) Surf, n.d. Oil on canvas Georgia Museum of Art, University of Georgia; The Mr. and Mrs. Fred D. Bentley Sr. Collection of American Art, gift of Mr. and Mrs. Fred D. Bentley Sr. GMOA 2008.356 Jervis McEntee (American, 1828–1891) A Grove of Trees, Ashokan, New York, 1885 Oil on canvas Georgia Museum of Art, University of Georgia; The Mr. and Mrs. Fred D. Bentley Sr. Collection of American Art, gift of Mr. and Mrs. Fred D. Bentley Sr. GMOA 2008.357 Walter Elmer Schofield (American, 1867–1944) The House, n.d. Oil on canvas Georgia Museum of Art, University of Georgia; The Mr. and Mrs. Fred D. Bentley Sr. Collection of American Art, gift of Mr. and Mrs. Fred D. Bentley Sr. GMOA 2008.358 Charles Webster Hawthorne (American, 1872–1930) Head Study of Lee Stewart, 1926 Oil on canvas Georgia Museum of Art, University of Georgia; The Mr. and Mrs. Fred D. Bentley Sr. Collection of American Art, gift of Mr. and Mrs. Fred D. Bentley Sr. GMOA 2008.359 Unknown maker (American) Pitcher, 19th century Stoneware with blue decoration Georgia Museum of Art, University of Georgia; gift of Marvin Eisenberg in honor of Betty Alice Fowler GMOA 2008.360

Harold Newton (American, 1932–1994) Untitled (seascape), n.d. Oil on canvas Georgia Museum of Art, University of Georgia; gift of Mr. and Mrs. Hugh B. Haston III in memory of Dr. and Mrs. Hugh B. Haston Jr. GMOA 2008.361

Jimmie Lee Suddeth (American, b. 1910) Self-Portrait, late 1980s Homemade pigments and house paint on tin Georgia Museum of Art, University of Georgia; gift of Ron and June Shelp GMOA 2008.369

Felix Virgous (American, b. 1948) Adam and Eve in the Garden of Eden, ca. 1987 Tempera on wood Georgia Museum of Art, University of Georgia; gift of Ron and June Shelp GMOA 2008.362

Purvis Young (American, b. 1943) Angels from Heaven and Earth, early 1990s Painting on wood Georgia Museum of Art, University of Georgia; gift of Ron and June Shelp GMOA 2008.370

Mose Tolliver (American, 1919–2006) Self-Portrait, ca. 1987 Painting on plywood Georgia Museum of Art, University of Georgia; gift of Ron and June Shelp GMOA 2008.363

Alice Fischer (American, b. Austria, 1907–2004) Montauban, France, 1940 Watercolor on paper Georgia Museum of Art, University of Georgia; gift of the estate of Alice Fischer GMOA 2008.371

Purvis Young (American, b. 1943) Pregnant Woman, 1980s Painting on tin Georgia Museum of Art, University of Georgia; gift of Ron and June Shelp GMOA 2008.364

Alice Fischer (American, b. Austria, 1907–2004) Landscape, Montauban, France, 1940 Watercolor on paper Georgia Museum of Art, University of Georgia; gift of the estate of Alice Fischer GMOA 2008.372

Charlie Lucas (American, b. 1951) Horse, 1990s Tempera on paper Georgia Museum of Art, University of Georgia; gift of Ron and June Shelp GMOA 2008.365

Purvis Young (American, b. 1943) Top of the World, 1990s Watercolor on cut paper Georgia Museum of Art, University of Georgia; gift of Ron and June Shelp GMOA 2008.366

Alice Fischer (American, b. Austria, 1907–2004) Coastal Landscape, Summer, Montauban, France, 1940 Watercolor on paper Georgia Museum of Art, University of Georgia; gift of the estate of Alice Fischer GMOA 2008.374

Purvis Young (American, b. 1943) The Angel Protects You, 1980s Painting on plywood Georgia Museum of Art, University of Georgia; gift of Ron and June Shelp GMOA 2008.367

Alice Fischer (American, b. Austria, 1907–2004) Marseille, France, 1941 Watercolor on paper Georgia Museum of Art, University of Georgia; gift of the estate of Alice Fischer GMOA 2008.375

Richard Burnside (American, b. 1944) A Man Standing Alone in the Wilderness Walking in the Path of Righteousness, 1990s Enamel on metal Georgia Museum of Art, University of Georgia; gift of Ron and June Shelp GMOA 2008.368

Alice Fischer (American, b. Austria, 1907–2004) Untitled (pink non-objective design), n.d. Watercolor on paper Georgia Museum of Art, University of Georgia; gift of the estate of Alice Fischer GMOA 2008.376

Georgia Museum of Art | Annual Report, 2008–2009

Alice Fischer (American, b. Austria, 1907–2004) Flowering Trees and Buildings, New York, n.d. Etching and aquatint on paper Georgia Museum of Art, University of Georgia; gift of the estate of Alice Fischer GMOA 2008.377

Franz Xaver Andreas Jungwierth (German, 1720–1790) Amigoni, Jacobi, n.d. Etching on paper Georgia Museum of Art, University of Georgia; gift of Phillip and Juanita Greenspan GMOA 2008.385

Alice Fischer (American, b. Austria, 1907–2004) Untitled (rectangular forms abstract), n.d. Etching, drypoint, and aquatint on paper Georgia Museum of Art, University of Georgia; gift of the estate of Alice Fischer GMOA 2008.378

James N. Rosen (American, b. 1933) Homage to Titian The Flaying of Marsyas, 1989–91 Oil and wax-oil emulsion on canvas Georgia Museum of Art, University of Georgia; gift of the artist in memory of the art historian Andrew Ladis GMOA 2008.386

Alice Fischer (American, b. Austria, 1907–2004) Untitled (non-objective collage), n.d. Watercolor, black ink, and paper collage Georgia Museum of Art, University of Georgia; gift of the estate of Alice Fischer GMOA 2008.379

Aaron Bohrod (American, 1907–1992) Bronx Sailor, 1943 Pen and ink with brown wash on paper Georgia Museum of Art, University of Georgia; gift of Dr. and Mrs. Randall S. Ott GMOA 2008.387

Alice Fischer (American, b. Austria, 1907–2004) Crosses and Evergreens, 1989 Ink on paper Georgia Museum of Art, University of Georgia; gift of the estate of Alice Fischer GMOA 2008.380

Robert Bruce Tague (American, 1912–1985) Memories, 1950 Collage Georgia Museum of Art, University of Georgia; gift of Dr. and Mrs. Randall S. Ott GMOA 2008.388

Jacques-Francois-Joseph Saly (French, 1717–1776) Vase, n.d. Etching on paper Georgia Museum of Art, University of Georgia; gift of Phillip and Juanita Greenspan GMOA 2008.381

Purvis Young (American, b. 1943) Untitled, ca. 1990s Acrylic on paper Georgia Museum of Art, University of Georgia; gift of Dr. and Mrs. Randall S. Ott GMOA 2008.389

Daniel Marot, the elder (French, 1661–1752) Arc de Triomphe, n.d. Engraving on paper Georgia Museum of Art, University of Georgia; gift of Phillip and Juanita Greenspan GMOA 2008.382

John Cunningham (American, b. 1940) Untitled, 1983 Graphite on paper Georgia Museum of Art, University of Georgia; gift of Dr. and Mrs. Randall S. Ott GMOA 2008.390

Jean Jacques de Boissieu (French, 1736–1810) Head of a man (self-portrait [?]), n.d. Etching on paper Georgia Museum of Art, University of Georgia; gift of Phillip and Juanita Greenspan GMOA 2008.383

Charles Demuth (American, 1883–1935) Still Life, 1917 Graphite on paper Georgia Museum of Art, University of Georgia; museum purchase with funds provided by the Richard and Lynn Berkowitz Endowment GMOA 2009.1

After del Polidoro and Lanfranco (nationality and birth and death dates undetermined) Two vases, ca. 1850 Engraving on paper Georgia Museum of Art, University of Georgia; gift of Phillip and Juanita Greenspan GMOA 2008.384

Georgia Museum of Art | Annual Report, 2008–2009

Charles Burchfield (American, 1893–1967) Salem, 1920 Charcoal and yellow chalk on paper Georgia Museum of Art, University of Georgia; museum purchase with funds provided by the Richard and Lynn Berkowitz Endowment GMOA 2009.2

Winslow Homer (American, 1836–1910) A Parisian Ball—Dancing at the Mabille, Paris from Harper’s Weekly, 1867 Wood engraving on paper Georgia Museum of Art, University of Georgia; museum purchase with funds provided by William Underwood Eiland in honor of Jane Willson GMOA 2009.3 Rella Rudulph (American, birth and death dates undetermined) Hommage á Hiawatha, n.d. Print on silver foiled paper Georgia Museum of Art, University of Georgia; gift of John McCall in memory of Doy Leale McCall Jr., M.D. GMOA 2009.4 William Thompson (American, 1926–1995) Untitled (female figure), 1979 Ink on paper Georgia Museum of Art, University of Georgia; gift of Louis DeVorsey GMOA 2009.5 Guy MacCoy (American, birth and death dates undetermined) Harbor Scene, n.d. Serigraph on paper Georgia Museum of Art, University of Georgia; museum purchase with funds provided by the W. Newton Morris Charitable Foundation GMOA 2009.6 Peter Moreno Lacalle (American, b. Cuba, birth and death dates undetermined) Study of a Flower, n.d. Pastel on paper Georgia Museum of Art, University of Georgia; museum purchase with funds provided by the W. Newton Morris Charitable Foundation GMOA 2009.7 Unidentified artist (American) Portrait of a man from the Bruce family of Virginia, ca. 1840s Oil on canvas Georgia Museum of Art, University of Georgia; museum purchase with funds provided by the W. Newton Morris Charitable Foundation GMOA 2009.8 Unidentified artist (American) Portrait of a woman from the Bruce family of Virginia, ca. 1840s Oil on canvas Georgia Museum of Art, University of Georgia; museum purchase with funds provided by the W. Newton Morris Charitable Foundation GMOA 2009.9

Buell Whitehead (American, 1919–1993) Summer Rain, n.d. Color lithograph on paper Georgia Museum of Art, University of Georgia; gift of Stephen J. Goldfarb GMOA 2009.10 William Ross Abrams (American, birth and death dates undetermined) Forest, 1949 Color woodcut on paper Georgia Museum of Art, University of Georgia; gift of Lynn Barstis Williams GMOA 2009.11 Frank Hartley Anderson (American, 1890–1947) Bessemer Converters, n.d. Wood engraving on paper Georgia Museum of Art, University of Georgia; The Imprinting the South Collection, gift of Lynn Barstis Williams GMOA 2009.12 Frank Hartley Anderson (American, 1890–1947) Dark Study, n.d. Woodcut on paper Georgia Museum of Art, University of Georgia; The Imprinting the South Collection, gift of Lynn Barstis Williams GMOA 2009.13 William Auerbach-Levy (American, birth and death dates undetermined) Immigrant, 1911 Etching on paper Georgia Museum of Art, University of Georgia; gift of Lynn Barstis Williams GMOA 2009.14 Lamar Baker (American, birth and death dates undetermined) Memory of Okefenokee Swamp, n.d. Lithograph on paper Georgia Museum of Art, University of Georgia; The Imprinting the South Collection, gift of Lynn Barstis Williams GMOA 2009.15 Homer Casteel (American, birth and death dates undetermined) Untitled (torso of woman), 1948 Lithograph on paper Georgia Museum of Art, University of Georgia; gift of Lynn Barstis Williams GMOA 2009.16

Georgia Museum of Art | Annual Report, 2008–2009

Howard Cook (American, 1901–1980) Fiddlers Contest, 1935 Lithograph on paper Georgia Museum of Art, University of Georgia; The Imprinting the South Collection, gift of Lynn Barstis Williams GMOA 2009.17 Harry Louis Freund (American, birth and death dates undetermined) Vendor, Arkansas, n.d. Woodcut on paper Georgia Museum of Art, University of Georgia; The Imprinting the South Collection, gift of Lynn Barstis Williams GMOA 2009.18 Victoria Hutson Huntley (American, 1900–1971) Untitled (Charleston gate scene), 1949 Lithograph on paper Georgia Museum of Art, University of Georgia; The Imprinting the South Collection, gift of Lynn Barstis Williams GMOA 2009.19 Alexander Kachinsky (American, birth and death dates undetermined) Street Scene, n.d. Print on paper Georgia Museum of Art, University of Georgia; gift of Lynn Barstis Williams GMOA 2009.20 John Lapsley (American, 1915–2005) Concierge, 1959 Etching on paper Georgia Museum of Art, University of Georgia; gift of Lynn Barstis Williams GMOA 2009.21 Lalla Walker Lewis (American, birth and death dates undetermined) Picking Cotton, n.d. Linocut on paper Georgia Museum of Art, University of Georgia; The Imprinting the South Collection, gift of Lynn Barstis Williams GMOA 2009.22 Walter R. Locke (American, birth and death dates undetermined) Windswept Palms, Fla., n.d. Etching on paper Georgia Museum of Art, University of Georgia; The Imprinting the South Collection, gift of Lynn Barstis Williams GMOA 2009.23

Georgia Museum of Art | Annual Report, 2008–2009

Blanche McVeigh (American, birth and death dates undetermined) The Idle Hour Club, n.d. Aquatint on paper Georgia Museum of Art, University of Georgia; The Imprinting the South Collection, gift of Lynn Barstis Williams GMOA 2009.24 Merritt Mauzey (American, birth and death dates undetermined) Volunteer Cotton, 1940s Lithograph on paper Georgia Museum of Art, University of Georgia; The Imprinting the South Collection, gift of Lynn Barstis Williams GMOA 2009.25 Richard Merrick (American, birth and death dates undetermined) Untitled (Florida shack), n.d. Etching on paper Georgia Museum of Art, University of Georgia; The Imprinting the South Collection, gift of Lynn Barstis Williams GMOA 2009.26 F. Townsend Morgan (American, birth and death dates undetermined) Palms on the Gulf Side, n.d. Etching and drypoint on paper Georgia Museum of Art, University of Georgia; The Imprinting the South Collection, gift of Lynn Barstis Williams GMOA 2009.27 Ernest A. Pickup (American, birth and death dates undetermined) Junetime in Georgia, n.d. Wood engraving on paper Georgia Museum of Art, University of Georgia; The Imprinting the South Collection, gift of Lynn Barstis Williams GMOA 2009.28 Ernest A. Pickup (American, birth and death dates undetermined) Death Rides the Storm, n.d. Wood engraving on paper Georgia Museum of Art, University of Georgia; gift of Lynn Barstis Williams GMOA 2009.29 Celia Cregor Reid (American, birth and death dates undetermined) Shrimp Boats, St. Augustine, Florida, n.d. Woodcut on paper Georgia Museum of Art, University of Georgia; The Imprinting the South Collection, gift of Lynn Barstis Williams GMOA 2009.30

Antoinette Rhett (American birth and death dates undetermined) Untitled (butterflies on thistles), n.d. Drypoint and etching on paper Georgia Museum of Art, University of Georgia; gift of Lynn Barstis Williams GMOA 2009.31

Scott Stephens (American, birth and death dates undetermined) Untitled, n.d. Print on paper Georgia Museum of Art, University of Georgia; The Imprinting the South Collection, gift of Lynn Barstis Williams GMOA 2009.38

Caroline Speare Rohland (American, birth and death dates undetermined) Sunday, n.d. Print on paper Georgia Museum of Art, University of Georgia; The Imprinting the South Collection, gift of Lynn Barstis Williams GMOA 2009.32

Beulah Stevenson (American, birth and death dates undetermined) In North Carolina, n.d. Lithograph on paper Georgia Museum of Art, University of Georgia; The Imprinting the South Collection, gift of Lynn Barstis Williams GMOA 2009.39

Paul Rohland (American, birth and death dates undetermined) Untitled (cabin scene), n.d. Lithograph on paper Georgia Museum of Art, University of Georgia; The Imprinting the South Collection, gift of Lynn Barstis Williams GMOA 2009.33

Laquita Thomson (American, b. 1947) Cotton Field II, 2007 Linocut on paper Georgia Museum of Art, University of Georgia; The Imprinting the South Collection, gift of Lynn Barstis Williams GMOA 2009.40

James E. Routh (American, b. 1918) Four Mailboxes, n.d. Lithograph on paper Georgia Museum of Art, University of Georgia; The Imprinting the South Collection, gift of Lynn Barstis Williams GMOA 2009.34

Laquita Thomson (American, b. 1947) Baler, 2002 Wood engraving on paper Georgia Museum of Art, University of Georgia; The Imprinting the South Collection, gift of Lynn Barstis Williams GMOA 2009.41

Chauncey Ryder (American, birth and death dates undetermined) Beyond the Law, n.d. Drypoint on paper Georgia Museum of Art, University of Georgia; The Imprinting the South Collection, gift of Lynn Barstis Williams GMOA 2009.35

Buell Whitehead (American, 1919–1993) Hammock Ponds, 1946 Color lithograph on paper Georgia Museum of Art, University of Georgia; The Imprinting the South Collection, gift of Lynn Barstis Williams GMOA 2009.42

Charles (?) Simcock (American, birth and death dates undetermined) Little Mexico—Dallas, n.d. Lithograph on paper Georgia Museum of Art, University of Georgia; The Imprinting the South Collection, gift of Lynn Barstis Williams GMOA 2009.36 Charles William Smith (American, birth and death dates undetermined) Virginia House, n.d. Linocut on paper Georgia Museum of Art, University of Georgia; The Imprinting the South Collection, gift of Lynn Barstis Williams GMOA 2009.37

Richard Charles Zoellner (American, 1908–2003) Smoky Mountains, ca. 1943 Lithograph on paper Georgia Museum of Art, University of Georgia; The Imprinting the South Collection, gift of Lynn Barstis Williams GMOA 2009.43 William Zorach (American, 1887–1966) Portrait of Zorach’s Grandson, 1947 Graphite and watercolor on board Georgia Museum of Art, University of Georgia; museum purchase with funds provided by the Collectors Group of the Friends of the Georgia Museum of Art GMOA 2009.44

Georgia Museum of Art | Annual Report, 2008–2009

Eliane Eugénie Diverly (French, birth and death dates undetermined) Study of Barnyard Animals, 1941 Graphite and chalk on paper Georgia Museum of Art, University of Georgia; museum purchase with funds provided by the Collectors Group of the Friends of the Georgia Museum of Art GMOA 2009.45 Roger Brown (American, birth and death dates undetermined) Fear No Evil, n.d. Lithograph on paper Georgia Museum of Art, University of Georgia; museum purchase with funds provided by David Lewis GMOA 2009.46 Richard Charles Zoellner (American, 1908–2003) Sculptural Shapes in Gold, n.d. Lithograph on paper Georgia Museum of Art, University of Georgia; museum purchase GMOA 2009.47 Richard Charles Zoellner (American, 1908–2003) Untitled (polka dot), n.d. Lithograph on paper Georgia Museum of Art, University of Georgia; museum purchase GMOA 2009.48 Richard Charles Zoellner (American, 1908–2003) Burlap Orange, n.d. Etching on paper Georgia Museum of Art, University of Georgia; gift of the estate of Richard Zoellner GMOA 2009.49 Rockwell Kent (American, 1882–1971) Good-Bye Day or The Water Carrier, ca. 1947 Lithograph on paper Georgia Museum of Art, University of Georgia; gift of GeorgeAnn Knox in memory of Shara Overstreet GMOA 2009.50 R. A. Miller (American, 1912–2006) Lord Love You, n.d. Painting on metal Georgia Museum of Art, University of Georgia; gift of Jerry Siegel GMOA 2009.51 Jackson A. Cheatham (American, b. 1945) Untitled, from The Perfect Ditch series, 2004 Etching and aquatint on paper Georgia Museum of Art, University of Georgia; gift of Lanny Webb GMOA 2009.52 62

Georgia Museum of Art | Annual Report, 2008–2009

Jackson A. Cheatham (American, b. 1945) Homage to Jiun Onko and Euclid, n.d. Lithograph with monoprint on paper Georgia Museum of Art, University of Georgia; gift of Lanny Webb GMOA 2009.53 Peter Woytuk (American, b. 1958) Tiny Bull #2, n.d. Bronze Georgia Museum of Art, University of Georgia; gift of Owings-Dewey Fine Art GMOA 2009.54 Peter Woytuk (American, b. 1958) Tiny Bull #4, n.d. Bronze Georgia Museum of Art, University of Georgia; gift of Owings-Dewey Fine Art GMOA 2009.54 Toshiko Takaezu (American, b. 1922) Pot (tall tan pale), 1970s Stoneware Georgia Museum of Art, University of Georgia; gift of the artist GMOA 2009.56 Toshiko Takaezu (American, b. 1922) Pot (yellowish tan-brown), 1970s or 1980s Stoneware Georgia Museum of Art, University of Georgia; gift of the artist GMOA 2009.57 Toshiko Takaezu (American, b. 1922) Pot (brown bulbous form), n.d. Stoneware Georgia Museum of Art, University of Georgia; gift of the artist GMOA 2009.58 Toshiko Takaezu (American, b. 1922) Pot (red-brown with black brush), 1980s Stoneware Georgia Museum of Art, University of Georgia; gift of the artist GMOA 2009.59 Toshiko Takaezu (American, b. 1922) Pot (pale green subtle), 1990s Stoneware Georgia Museum of Art, University of Georgia; gift of the artist GMOA 2009.60

Toshiko Takaezu (American, b. 1922) Pot (repaired yellow moon), 1990s Porcelain Georgia Museum of Art, University of Georgia; gift of the artist GMOA 2009.61 Toshiko Takaezu (American, b. 1922) Pot (repaired white top, brown bottom), 1990s Porcelain Georgia Museum of Art, University of Georgia; gift of the artist GMOA 2009.62 Toshiko Takaezu (American, b. 1922) Pot (vase with ash brown), 1960s Stoneware Georgia Museum of Art, University of Georgia; gift of the artist GMOA 2009.63 Toshiko Takaezu (American, b. 1922) Pot (pale top, green bottom), 1990s Stoneware Georgia Museum of Art, University of Georgia; gift of the artist GMOA 2009.64 Toshiko Takaezu (American, b. 1922) Pot (orange top, yellow bottom), 1990s Stoneware Georgia Museum of Art, University of Georgia; gift of the artist GMOA 2009.65 Toshiko Takaezu (American, b. 1922) Pot (tan ostrich egg shape), 1980s Stoneware Georgia Museum of Art, University of Georgia; gift of the artist GMOA 2009.66 Toshiko Takaezu (American, b. 1922) Pot (purple form), 1980s Porcelain Georgia Museum of Art, University of Georgia; gift of the artist GMOA 2009.67 Toshiko Takaezu (American, b. 1922) Pot (gray anagama), 1990s Stoneware Georgia Museum of Art, University of Georgia; gift of the artist GMOA 2009.68

Ernest A. Pickup (American, birth and death dates undetermined) Neighbors, 1938 Woodblock print Georgia Museum of Art, University of Georgia; gift of Stephen J. Goldfarb GMOA 2009.69 Gert Kossof (American, birth and death dates undetermined) Untitled (houses and pier), 1938 Brush and ink on paper Georgia Museum of Art, University of Georgia; gift of Mr. and Mrs. James E. Routh GMOA 2009.70 Gert Kossof (American, birth and death dates undetermined) Untitled (man holding hat), 1938 Brush and ink on paper Georgia Museum of Art, University of Georgia; gift of Mr. and Mrs. James E. Routh GMOA 2009.71 Ella Sophonisba Hergesheimer (American, birth and death dates undetermined) Mt. Ranier, ca. 1938 Woodblock print Georgia Museum of Art, University of Georgia; gift of Lynn Barstis Williams GMOA 2009.72 William Broughton Bush (American, 1911–1961) A Secret Spot, ca. late 1950s Oil on canvas Georgia Museum of Art, University of Georgia; gift of G. B. Kahn GMOA 2009.73 Genevieve Southerland (American, birth and death dates undetermined) Dancer Resting, n.d. Oil on canvas Georgia Museum of Art, University of Georgia; gift of G. B. Kahn GMOA 2009.74 Harold Rittenberry (American, b. 1938) Ode to Joy, n.d. Welded steel Georgia Museum of Art, University of Georgia; gift of Mary and Michael Erlanger GMOA 2009.75 Harold Rittenberry (American, b. 1938) Ram’s Head, n.d. Welded steel Georgia Museum of Art, University of Georgia; gift of Mary and Michael Erlanger GMOA 2009.76 Georgia Museum of Art | Annual Report, 2008–2009

Harold Rittenberry (American, b. 1938) Escape, n.d. Welded steel Georgia Museum of Art, University of Georgia; gift of Mary and Michael Erlanger GMOA 2009.77 Doris Cesar (American, 1892–1971) Seated Woman, n.d. Cast bronze Georgia Museum of Art, University of Georgia; gift of Mary and Michael Erlanger GMOA 2009.78 Marina Nuñez Del Prado (Bolivian, b. 1912) Pigeon, n.d. Basalt Georgia Museum of Art, University of Georgia; gift of Mary and Michael Erlanger GMOA 2009.79 Marina Nuñez Del Prado (Bolivian, b. 1912) Two Cats, n.d. Stone Georgia Museum of Art, University of Georgia; gift of Mary and Michael Erlanger GMOA 2009.80 Jack Kehoe (American, b. 1927) Sun and Moon, n.d. Cast bronze with marble base Georgia Museum of Art, University of Georgia; gift of Mary and Michael Erlanger GMOA 2009.81 Rhys Caparn (American, 1909–1997) Terrestrial Bird, n.d. Cast bronze Georgia Museum of Art, University of Georgia; gift of Mary and Michael Erlanger GMOA 2009.82 Robert Clements (American, b. 1937) Cottonfield, n.d. Stainless steel Georgia Museum of Art, University of Georgia; gift of Mary and Michael Erlanger GMOA 2009.83 Jack Levine (American, b. 1915) Beatnik Girl, n.d. Oil on canvas Georgia Museum of Art, University of Georgia; gift of Mary and Michael Erlanger GMOA 2009.84

Georgia Museum of Art | Annual Report, 2008–2009

David Bumbeck (nationality and birth and death dates undetermined) Gauguin, 1983 Intaglio on paper Georgia Museum of Art, University of Georgia; museum purchase GMOA 2009.85 Charles Locke (nationality and birth and death dates undetermined) Century Club, 1928 Lithograph on paper Georgia Museum of Art, University of Georgia; museum purchase GMOA 2009.86 Francisco Souto (Venezuelan, b. 1973) Settling II (Homage to the Mezzotint), 2003 Mezzotint on paper Georgia Museum of Art, University of Georgia; museum purchase GMOA 2009.87 Carl Pickhardt (American, b. 1908) Washerwoman, 1940 Lithograph on paper Georgia Museum of Art, University of Georgia; museum purchase GMOA 2009.88 Edwin B. Smith (American, active 1815–1832) Robert Ransome Billups, ca. 1827 Oil on canvas Georgia Museum of Art, University of Georgia; museum purchase with funds provided by an anonymous donor in honor of George-Ann and Boone Knox GMOA 2009.89 Edwin B. Smith (American, active 1815–1832) Elizabeth Ware Fullwood Billups, 1827 Oil on canvas Georgia Museum of Art, University of Georgia; museum purchase with funds provided by an anonymous donor in honor of George-Ann and Boone Knox GMOA 2009.90

Governing and Advising Bodies 2008â&#x20AC;&#x201C;2009 Board of Regents, University of Georgia Kenneth R. Bernard Jr. James A. Bishop Hugh A. Carter Jr. William H. Cleveland Robert F. Hatcher, vice chair Felton Jenkins W. Mansfield Jennings Jr. James R. Jolly Donald M. Leebern Jr. Elridge McMillan William NeSmith Jr. Doreen Stiles Poitevint Willis J. Potts Jr. Wanda Yancey Rodwell Kessel Stelling Jr. Benjamin J. Tarbutton, III Richard L. Tucker, chair Allan Vigil

President, University of Georgia Michael F. Adams

Senior Vice President for Academic Affairs and Provost, University of Georgia Arnett C. Mace

Board of Advisors Mr. B. Heyward Allen Jr. Dr. Amalia K. Amaki Turner I. Ball, M.D. Mr. Fred Bentley Sr. Mr. Richard E. Berkowitz Mrs. Devereux C. Burch Mr. Robert E. Burton Mrs. Debbie C. Callaway Mr. Randolph W. Camp Mrs. Shannon I. Candler, chair Mrs. Faye S. Chambers Mr. Harvey J. Coleman Mr. Zack D. Cravey Jr. Ms. Martha T. Dinos Mrs. Annie Laurie Dodd Ms. Sally Dorsey Professor Marvin Eisenberg Ms. Carlyn F. Fisher Mr. James B. Fleece Mr. Edgar J. Forio Jr., past chair Georgia Museum of Art | Annual Report, 2008â&#x20AC;&#x201C;2009

Mr. Harry L. Gilham Jr. Mr. John M. Greene Mrs. M. Smith Griffith Mrs. Marion E. Jarrell Mr. Paul R. Jones Professor John D. Kehoe Mrs. George-An Knox Mrs. Shell H. Knox Ms. Cathy S. Kurnaoff Mr. John Lee Mrs. Helen P. McConnell Mrs. Marilyn McMullan Mrs. Marilyn D. McNeely Mrs. Berkeley S. Minor Mr. C. L. Morehead Jr. Ms. Jane C. Mullins, past chair Mr. Carl W. Mullis III Mr. Donald G. Myers Mrs. Betty R. Myrtle Dr. John Nickerson Mrs. Deborah L. O’Kain Ms. Kathy B. Prescott Dr. William F. Prokasy IV Mr. Roland A. Radford Jr. Ms. Margaret A. Rolando Mrs. Dorothy A. Roush Mrs. Sarah P. Sams Mr. D. Jack Sawyer Jr. Mrs. Helen H. Scheidt Mr. Henry C. Schwob Mr. S. Stephen Selig III Mrs. Dudley R. Stevens Mrs. Carolyn W. Tanner Mrs. Barbara Auxier Turner Mr. C. Noel Wadsworth Ms. Kathleen E. Walker Mr. G. Vincent West Mrs. Marjorie W. West Ex-officio members Dr. Paige Carmichael Mrs. Linda C. Chesnut Dr. William U. Eiland Mr. Tom S. Landrum Dr. Arnett C. Mace Jr.

Decorative Arts Advisory Committee Linda Allen Lucy Allen Suzanne Allen Linda Beard Beverly Bremer William Burdell III Linda Chesnut, chair Dale L. Couch Deanne Deavours 66

Georgia Museum of Art | Annual Report, 2008–2009

Mary Erlanger Phoebe Forio Peggy Galis Mary Ann Griffin Sally Hawkins Rosalie Haynes Jane Helms Ellen Griffin Knox Sue Mann Helen P. McConnell Jane C. Mullins Shara B. Overstreet Anne Perry Carey Pickard III Letitia Radford Bradford L. Rauschenberg Sarah P. Sams John McKay Sheftall T. Marion Slaton, vice chair Jane Campbell Symmes Nancy R. Tarbutton William Dunn Wansley John C. Waters Ellen Wiley

Staff 2008–2009 Current Staff Lynn Edward Boland, Pierre Daura Curator of European Art Gail Bridges, building supervisor Craig Brown, security guard Hillary Brown, publications editor Tim Brown, director of membership Susan Christopher, assistant to the director and the deputy director Deirdre Conneely, associate curator Lauren Britton Cook, special event coordinator Lawrence Cross, security coordinator Brent DeRevere, security supervisor Carissa DiCindio, assistant curator of education William U. Eiland, director Larry Forte, Daura Center art handler Betty Alice Fowler, assistant to the director and grant writer Jenny Beene Gunn, curatorial assistant Teri Gunter, security guard Cecelia Hinton, curator of education Qiu Jing, security guard Steve Key, security guard Mary Koon, assistant editor Erika P. Lee, associate accountant Paul Manoguerra, curator of American art Marguerite Massey, business manager Jana McGee, accounting assistant Amy Miller, museum shop manager Tricia Miller, head registrar Annelies Mondi, deputy director

Resignations

Lori Newson, part-time security guard Cynthia Payne, curatorial assistant to the director Lanora Pierce, assistant preparator Todd Rivers, chief preparator Sarina Rousso, assistant registrar I Christy Sinksen, associate registrar and exhibition loan coordinator Heidi Snyder, assistant registrar Ed Tant, security guard Patricia Wright, secretary to the director Brenda Wade, receptionist Jenny Williams, public relations coordinator

Ashley Callahan, curator of decorative arts Giancarlo Fiorenza, Pierre Daura Curator of European Art Marie Gayeski, secretary to the Friends Susan Gunter, curatorial assistant Al Oliveira, security supervisor Malissa Ryder, assistant registrar II Michele Turner, special event coordinator

Unfilled Positions Curator of decorative arts Curator of prints and drawings

FY09 Donors Alfred Heber Holbrook Society

Benefactor

Patron

Mr. and Mrs. Ronald K. Shelp

Mr. and Mrs. B. Heyward Allen, Jr.

Mr. and Mrs. E. Davison Burch

Mr. and Mrs. Harry L. Gilham

Robert W. Woodruff Foundation

Ms. Beverly Hart Bremer

Mr. Louis Turner Griffith Jr.

Mrs. Frances Yates Green

Mr. and Mrs. James B. Fleece

Mrs. M. Smith Griffith

Mr. Grady Thrasher III and Ms. Kathy Prescott

Dr. Patricia Deitz

Mr. and Mrs. Randolph W. Camp

Mr. Jack Turner

Mr. and Mrs. Fred D. Bentley Sr.

The Knox Foundation

Mr. and Mrs. James C. Turner

Mr. and Mrs. Henry D. Minor

Mrs. Sara Moak Godwin

Mrs. Clementi L. Holder

Honda Carland

BNY Mellon Wealth Management

Mr. Benjamin Owens

Dr. Norman James Johnson

Mr. and Mrs. Wyckliffe A. Knox Jr.

W. Newton Morris Charitable Foundation

Mr. William Darrell Moseley

Mr. and Mrs. Boone A. Knox

Mrs. Gwen Bond Owens

Mr. and Mrs. Peter M. Candler

Mr. and Mrs. John F. McMullan

Mr. Robert A. Owens

Morgan Keegan and Company, Inc.

Mr. and Mrs. Ian G. Walker

The National

Ms. Rachel Cosby Conway

Mr. and Mrs. Sanford H. Orkin

Anonymous Audrey Love Charitable Foundation Bank of New York Mellon Corporation

Ms. Martha Thompson Dinos

Dr. Mary Arnold Erlanger Mr. and Mrs. Edgar J. Forio Jr.

Mr. Donald Jack Sawyer Jr. and William E. Torres, MD

Dr. Stephen Goldfarb

R. Wood Studio Ms. Margaret A. Rolando

Georgia Museum of Art | Annual Report, 2008â&#x20AC;&#x201C;2009

FY09 Donors Stanley, Beaman and Sears, Inc.

Mr. and Mrs. Frank B. Jarrell

Cindy Karp Realty

Lidwina G. Kelly

Ms. Peggy Hoard Suddreth

Ms. Cathy Selig Kuranoff

Mr. and Mrs. Thomas M. Dekle

Ms. Rebecca Williams Wood

Mr. and Mrs. Thomas S. Landrum

Mr. and Mrs. Arthur B. Dorminey

Mr. and Mrs. Kent B. Lynch

Mr. and Mrs. Charles M. Evert Jr.

Mr. and Mrs. Richard Woodruff

Director’s Circle Dr. Amalia K. Amaki Drs. Margaret A. and Wyatt W. Anderson Anonymous Athens Area Health Plan Select, Inc. The Bainbridge PostSearchlight, Inc. Mr. and Mrs. Otis A. Barge Dr. and Mrs. Larry H. Beard Mr. and Mrs. Brian S. Brown Jr. Dr. and Mrs. William H. Cabaniss Jr. Dr. and Mrs. Samuel B. Carleton

Mr. and Mrs. James P. Nehf

McNeely Foundation, Inc.

Mr. and Mrs. Denny C. Galis

Nehf Associates LLC

Mrs. Marilyn Delong McNeely

Georgia Power CompanyAthens

Ms. Joan Foster Menser

Mr. and Mrs. Thomas N. Gibson III

Mildred Miller Fort Foundation, Inc. Mr. and Mrs. Edgar B. Myrtle Mr. Nathaniel O. Owings Drs. Virginia B. and Gordhan L. Patel

Mrs. Irwin Harvey Mr. and Mrs. Garland S. Henderson Mr. and Mrs. Stan Henderson Heyward Allen Toyota

Mr. Harvey J. Coleman Mr. and Mrs. Glenn W. Cook Mr. and Mrs. Richard R. Dolson

Mr. Paul R. Jones

Dr. and Mrs. Thomas G. Dyer

R.E.M./Athens, LLC

Col. and Mrs. William Kenneth Jordan

Dr. and Mrs. William R. Edwards Jr.

Dr. and Mrs. Scott A. Kleiner

Mr. and Mrs. Howard F. Elkins

Mr. and Mrs. Alan F. Rothschild Jr.

Mrs. B. Phinizy Spalding Mrs. Patricia Gebhardt Staub Mr. and Mrs. Thomas H. Taylor Sr.

Mr. and Mrs. Stuart N. Mitts

Mr. and Mrs. Donald G. Myers Mr. and Mrs. Eric Orbock

Thomas and Loraine Williams Foundation

Mr. and Mrs. Alexander W. Patterson

Mr. David L. Warner

Mrs. Christine Pavlak

Dr. William U. Eiland and Dr. Andrew Thomas Ladis

Dr. Thomas Whitehead

Mrs. Jane Marshall Payne

Mrs. Loraine Plant Williams

Mrs. Laquita Anne Pimm

Dr. and Mrs. Mark Ellis

Jane S. Willson

ExxonMobil Foundation

Drs. Mary M. and Norman J. Wood

Dr. and Mrs. William L. Power

Sustaining Mr. and Mrs. Larry R. Benson Bernstein Funeral Home and Cremation Services

Mr. and Mrs. S. M. Griffin Jr.

Blasingame, Burch, Garrard and Ashley

Mr. Bernard Amrey Harden Jr.

Mr. and Mrs. Robert E. Burton

Cinema Concepts Theatre Services Co. Inc.

Mr. and Mrs. James K. Reap

Mr. John Morrison and Ms. Cindy Karp

Mr. and Mrs. John M. Greene

Dr. Karen Paige Carmichael and Mr. John Ahee

Mr. and Mrs. Eugene H. Howard Jr.

Dr. Elizabeth T. Sheerer

Dr. and Mrs. Claiborne V. Glover III

Mr. and Mrs. James T. Boswell

Dr. and Mrs. William F. Prokasy IV

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Georgia Museum of Art | Annual Report, 2008–2009

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Georgia Museum of Art | Annual Report, 2008–2009

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Georgia Museum of Art | Annual Report, 2008–2009

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Images Cover: Jean Charlot (American, b. France,1898–1979), Untitled (Mother with Child on Back) (detail), 1941. Watercolor on wove paper, 291/16 x 21¾ inches (sheet). Georgia Museum of Art, University of Georgia; gift of Mary and Lamar Dodd, Athens, Georgia. GMOA 1973.3180. p. 6:

Image from the cover of Devotional Prints from Germany and the Netherlands brochure.

p. 7:

Elegant Salute XI program. Photo by Zoomworks.

p. 8:

Elegant Salute XI photos by Zoomworks.

p. 9:

GMOA on the Move Kickoff Party.

p. 11: Friends of the Georgia Museum of Art annual meeting. p. 12: Albert Gold (American, 1916–2006), Lunch Break at the World’s Fair (detail), 1939. Watercolor, 30¼ x 37 inches. The Schoen Collection, Miami, Florida. p. 14: Martha Daura and Tom Mapp. p. 15: Installation shot of The Ring Shows: Then & Now and Putting the Band Back Together by Rinne Allen. p. 16: Rings (top to bottom) by artists Jamie Bennett (top and third ring), A. Ringer, and Bruce Metcalf from the exhibition The Ring Shows: Then & Now and Putting the Band Back Together. p. 17: Ben Shahn (American, b. Russia, 1898–1969), Sunday Morning (detail), n.d. Tempera on paper mounted on masonite, 15¾ x 235/8 inches (sight). Georgia Museum of Art, University of Georgia; Eva Underhill Holbrook Memorial Collection of American Art, gift of Alfred H. Holbrook. GMOA 1947.154. p. 18, 20, 25, and 26: Young visitors at Family Day. p. 22: James Routh (American, b. 1918), Cotton Farm (detail), n.d. Lithograph, 85/8 x 115/8 inches. Private collection. p. 31: James Turnbull (American, 1909–1976), Chain Gang (detail), 1940. Lithograph, 11¾ x 17¼ inches. Private collection. p. 65: Clare Leighton (American, 1898–1969), Bread Line (detail), n.d. Wood engraving on paper, 117/8 x 8 inches (image). The Schoen Collection, Miami, Florida. p. 67: Todd Rivers, Sarina Rousso, and Tricia Miller pack works of art. Back: Howard Cook (American, 1901–1980), Country Store (detail), 1929. Etching on paper, 5 7/8 x 8 7/8 inches. The Schoen Collection, Miami, Florida.

Georgia Museum of Art | Annual Report, 2008–2009

Georgia Museum of Art 90 Carlton StREET, Athens, GA 30602 706.542.GMOA www.uga.edu/gamuseum