facet
Exhibitions: D端rer and His Legacy
New Acquisitions: Silver Goblets
Donor Spotlight:
www.georgiamuseum.org
Spring 2012
Martha Daura and Thomas Mapp
1
From the Director
Department of Publications Hillary Brown and Mary Koon Publications Intern Nicollette Higgs Design
A
s I write these words, it has been just over
The Adsmith
a year since the museum reopened, and we have been spending much of our time tweaking both
the building and our offerings. We are always looking at ways to refine our programs and our exhibitions, especially as concerns our dual role: both an emphatically academic museum and the official state museum of art, with a responsibility to our community. The Georgia Museum of Art is one of the finest academic museums in the country, as its membership in the Association of Art Museum Directors and its repeated accreditation by the American Association of Museums attest. Its focus on research, however, does not mean it cannot please crowds at the same time.
Georgia Museum of Art University of Georgia 90 Carlton Street Athens, GA 30602-6719 www.georgiamuseum.org
Our sixth Henry D. Green Symposium of the Decorative Arts, held in early February, is an excellent example of how we manage to
Admission: Free ($3 suggested donation)
do both. A crowd of around 300 enthusiastic attendees listened to
HOURS
scholars both experienced and just embarking upon their careers,
Galleries: Tuesday, Wednesday, Friday and
as UGA graduate and undergraduate students took their first steps
Saturday, 10–5 p.m.; Thursday, 10–9 p.m.;
in presenting original research.
Sunday, 1–5 p.m. Closed on Mondays.
Another example of our devotion to scholarship and to new
Jane and Harry Willson Sculpture Garden:
audiences is the collection of works by African American artists
Tuesday, Wednesday, Friday and Saturday,
donated by Brenda and Larry Thompson. We hope to investigate
10 a.m.–5 p.m.; Thursday, 10 a.m.–9 p.m.;
many of these works, and we plan to produce exhibitions and publications resulting from that study. One thing the Thompson collection makes us realize anew, however, is our own lack of diversity. To put it bluntly, our staff, our Board of Advisors and
Sunday, 1–5 p.m. Closed on Mondays. Museum Shop: Tuesday, Wednesday, Friday
our membership are overwhelmingly white, a situation we are trying to remedy. Our programming includes admirable commit-
and Saturday, 10 a.m.–4:45 p.m.; Thursday,
ment to reaching all kinds of audiences, from collaborations with the Latin American and Caribbean Studies Institute on
10 a.m.–8:45 p.m.; Sunday, 1 p.m.–4:45
campus to our co-sponsorship of AIDS
We are always looking at ways to refine our programs and our exhibitions, especially as concerns our dual role: both an emphatically academic museum and the official state museum of art, with a responsibility to our community.
Athens’ recent benefit to our incredibly successful annual Black History Month
p.m. Closed on Mondays. Ike & Jane at the Georgia Museum of Art: Tuesday–Friday, 10 a.m.–4 p.m.
dinner, which honored the Thompsons this year and sold out easily. We are serious, nonetheless, about trying to make the museum’s staff and support-
706.542.GMOA (4662) Fax: 706.542.1051 Exhibition Line: 706.542.3254
ers reflect our community better, and we would love to hear your thoughts on ways we can do so. Our collections continue to become more diverse as well, with new trends toward acquiring post-1950 art and a
Mission Statement The Georgia Museum of Art shares the mission of the University of Georgia to support and to promote teaching,
renewed emphasis on art with Georgia connections. A museum that is not expanding its collection is moribund, and I remain
research and service. Specifically, as a
concerned (as I have been for the past 22 years) that we are not doing enough in the area of acquisitions. I have been working
repository and educational instrument
with Caroline Maddox, our director of development, on a major endowment to fund acquisitions, which we hope to be able to
of the visual arts, the museum exists to collect, preserve, exhibit and interpret
announce to you soon. Finally, I would like to recognize Judith Ellis, a member and supporter of many years, for her recent gift to help fund a scheduler for our educational programs. The museum’s department of education has been a victim of its own success, and the need to hire someone who can keep track of all its programs has been a pressing one for some time. I greatly
significant works of art.
Partial support for the exhibitions and programs at the Georgia Museum of Art is provided by
appreciate Judith’s donation, but I can assure you that Carissa DiCindio, Cece Warner and Melissa Rackley are even more
the W. Newton Morris Charitable Foundation,
thankful than I.
the Friends of the Georgia Museum of Art and the Georgia Council for the Arts through the appropriations of the Georgia General Assembly.
William Underwood Eiland, Director
The Council is a partner agency of the National Endowment for the Arts. Individuals, foundations and corporations provide additional support
GMOA facet | Spring 2012
through their gifts to the University of Georgia
2
BOARD OF ADVISORS
Ms. Carlyn F. Fisher
Ms. Jane C. Mullins
Mrs. Margaret R. Spalding
Foundation. The Georgia Museum of Art is
Mr. B. Heyward Allen Jr., chair-elect
Mr. James B. Fleece
Mr. Carl W. Mullis III, chair
Mrs. Dudley R. Stevens
ADA compliant; the M. Smith Griffith Auditorium
Dr. Amalia K. Amaki
Mr. Edgar J. Forio Jr.
Mr. Donald G. Myers
Mrs. Carolyn W. Tanner
Mrs. Frances Aronson-Healey
Mr. Harry L. Gilham Jr.
Mrs. Betty R. Myrtle
Mrs. Judith M. Taylor
is equipped for the hearing-impaired.
Turner I. Ball, M.D.
Mr. John M. Greene
Mrs. Deborah L. O’Kain
Dr. Brenda A. Thompson
Ms. Karen L. Benson
Mrs. Helen C. Griffith
Mrs. Janet W. Patterson
Mrs. Barbara Auxier Turner
Mr. Fred D. Bentley Sr.
Mrs. M. Smith Griffith
Ms. Kathy B. Prescott
Mr. C. Noel Wadsworth
Mr. Richard E. Berkowitz
Mrs. Marion E. Jarrell
Dr. William F. Prokasy IV
Mr. G. Vincent West
Mrs. Devereux C. Burch
Professor John D. Kehoe
Mr. Rowland A. Radford Jr.
Dr. Carol V. Winthrop
Mr. Robert E. Burton
Mrs. George-Ann Knox
Ms. Margaret A. Rolando
Mrs. Debbie C. Callaway
Mrs. Shell H. Knox
Mr. Alan F. Rothschild Jr.
EX-OFFICIO
Mr. Randolph W. Camp
Mr. David W. Matheny
Mrs. Dorothy A. Roush
Mrs. Linda C. Chesnut
Mrs. Shannon I. Candler, past chair
Ms. Catherine A. May
Mrs. Sarah P. Sams
Dr. William Underwood Eiland
Mrs. Faye S. Chambers
Mrs. Helen P. McConnell
Mr. D. Jack Sawyer Jr.
Mr. Tom Landrum
Mr. Harvey J. Coleman
Mr. Mark G. McConnell
Mrs. Helen H. Scheidt
Professor Jere W. Morehead
Mrs. Martha T. Dinos
Mrs. Marilyn M. McMullan
Mr. Henry C. Schwob
Dr. Libby V. Morris
Mrs. Annie Laurie Dodd
Mrs. Marilyn D. McNeely
Mrs. Ann C. Scoggins
Karen W. Prasse, M.D.
Ms. Sally Dorsey
Mrs. Berkeley S. Minor
Ms. Cathy Selig-Kuranoff
Ms. Georgia Strange
Professor Marvin Eisenberg
Mr. C. L. Morehead Jr.
Mr. S. Stephen Selig III
Contents
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08
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John Baeder
New Acquisitions
Donor Spotlight
Calendar of Events
Exhibitions
04
New Acquisitions
08
Donor Spotlight
10
Calendar of Events
12
Museum Notes
14
Event Photos
15
On the front cover:
On the back cover:
John Baeder (American, b. 1938)
John Baeder (American, b. 1938)
Beverly’s Luncheonette, 1980
Trailer, Arizona Route 66, 1975
C print on Kodak Endura paper
C print on Kodak Endura paper
20 x 30 inches
20 x 30 inches
www.georgiamuseum.org
FEATURES
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GMOA facet | Spring 2012
Exhibitions
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Performing Identity: Marina Abramovic, Eleanor Antin and Hannah Wilke March 21–June 10, 2012 This series showcases videos of performances
Hannah Wilke (American, 1940–1993)
dealing with issues of identity by three seminal artists
Hannah Wilke Through the Large Glass, 1976
of the 1970s and ‘80s:
16 mm silent film on video, color, 10 min.
Marina Abramovic (Serbian, b. 1946)
“Hannah Wilke Through the Large Glass” documents one
with Charles Atlas (American, b. 1958)
of Wilke’s most effective and well-known performances,
SSS, 1989
in which she performs a deadpan striptease behind
Single-channel color video with sound, 6 min.
Duchamp’s “The Bride Stripped Bare by Her Bachelors,
Marina Abramovic collaborated with videomaker
phia Museum of Art. Dressed in a fedora and a white
Charles Atlas on this striking work of autobiographical
suit, and evoking the style of 1970s fashion icons such as
performance. Abramovic delivers a monologue that
Helmut Newton and Yves Saint-Laurent, Wilke strikes a
traces a concise personal chronology. This brief narrative
series of poses and then strips. She is seen through the
history, which references her past in the former
glass of the Duchamp work. In her self-conscious
Yugoslavia, her performance work and her collaboration
affectation of the often absurdist posturing of a fashion
with and separation from Ulay, is intercut with images
model, Wilke willfully uses her own image and her
of Abramovic engaged in symbolic gestures and ritual
sexuality to confront the erotic representation of women
acts—scrubbing her feet and staring like Medusa as
in art history and popular culture.
Even” (also known as “The Large Glass”) at the Philadel-
Dürer and His Legacy June 16–August 12, 2012 This exhibition, held in conjunction with “A Divine Light: Northern Renaissance Paintings from the Bob Jones University Museum & Gallery,” and drawn from the permanent collection of the Georgia Museum of Art, highlights the prints of Albrecht Dürer, perhaps the most important Northern Renaissance artist and one of the most accomplished printmakers in Western art. Described by Desiderius Erasmus and many others as “Apelles of the black line,” a reference to the renowned ancient Greek painter, Dürer created highly naturalistic works, suggesting depth and texture using only the black lines of etching, engraving and woodcut. He further advanced the medium by helping create a market and distribution system for his works. The exhibition also includes an etching by Michael Wolgemut, with whom Dürer apprenticed, and a selection of prints by Northern artists deeply indebted to Dürer, such as Lucas van Leyden, Hans
snakes writhe on her head. Closing her litany with the phrase “time past, time present,” Abramovic invokes
This piece was originally seen as part of an installation.
the personal and the mythological in a poignant affirmation of self. Produced by IMATCO/ATANOR
Made for the film “Befragung der Freiheitsstatue
for Television Espanola S.A. El Arte del Video
C’est La Vie Rrose” by Hans-Christof Stenzel. Camera:
Eleanor Antin (American, b. 1935) From the Archives of Modern Art, 1987
Lothar E. Stickelbrucks. Editor: Rosemarie StenzelQuast. Performed at the Philadelphia Museum of Art, June 15, 1976.
Single-channel black-and-white video with sound, 18 min.
Curator: Lynn Boland, Pierre Daura Curator of European Art
The archivist attempts to put together the “lost years”
Gallery: Alonzo and Vallye Dudley Gallery
of Eleanor Antinova, the once celebrated black ballerina
Sponsors: The W. Newton Morris Charitable Foundation
of Diaghlev’s Ballet Russe, when she returned to her
and the Friends of the Georgia Museum of Art
native America to eke out a meager living in vaudeville and early movies. Her career in the United States is documented through narrative and dance films— recently discovered—which she made back in the Depression years, when times were bad and even ballerinas stooped low. Includes several comedy shorts, spicy farces, even, alas, a semi-blue movie exploiting her ballerina role, along with vaudeville dance numbers and artistic interpretations. A documentary fiction.
Sebald Beham, Heinrich Aldergrever and Hendrik Goltzius. Curator: Lynn Boland, Pierre Daura Curator of European Art Gallery: Boone and George-Ann Knox Gallery II Sponsors: The W. Newton Morris Charitable Foundation and the
Eleanor Antin, “From the Archives of Modern Art,” 1987.
Marina Abramovic and Charles Atlas, “SSS,” 1989.
Courtesy Electronic Arts Intermix (EAI), New York.
Courtesy Electronic Arts Intermix (EAI), New York.
www.georgiamuseum.org
Friends of the Georgia Museum of Art
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Polly Knipp Hill: Marking a Life Through Etching April 7–June 3, 2012
American printmaker Polly Knipp Hill began working as an artist in the 1920s and garnered increased recognition in the decades that followed. Although she initially focused on European architecture, in her mature period her broad body of work grew to encompass poignant, amusing and slightly satirical genre scenes that reflected American culture. This retrospective exhibition of Hill’s life and career is organized iconographically according to the categories into which the artist herself divided her print oeuvre: Paris; America with “street and countryside scenes”; Florida; Arcadia (or reminiscences of her childhood); children’s games; and mountain culture. The groupings also reflect the chronology of her etching career. The exhibition will be accompanied by an issue of the museum’s Bulletin, which will include an extensive essay on Hill’s work and a checklist of the exhibition, as well as illustrations of many of Hill’s etchings. Guest curators: Lynn Barstis Williams Katz and Enee Abelman Gallery: Boone and George-Ann Knox Gallery II Sponsors: The W. Newton Morris Charitable Foundation and the Friends of the Georgia Museum of Art
John Baeder April 28–July 22, 2012 Raised in Atlanta, John Baeder (b. 1938) is best known for his photorealist paintings and prints of mid-century diners. Originally considered mere source material for his paintings, Baeder’s photographs have now emerged as stand-alone works of art. This exhibition includes three major groupings of Baeder’s photographs: his early blackand-white shots of Atlanta in the early 1960s; his photographs of handmade street signs taken over the course of more than 30 years; and his photographs that make up the exhibition “John Baeder’s American Roadside,” organized by Thomas Paul Fine Art in Los Angeles. Baeder’s early photographs of his hometown originated as a side project while he was working as an art director at a large advertising agency in Atlanta. His photographs of street signs, with which he developed a fascination in 1962, demonstrate the artist’s interest in letterforms, composition and brushwork. “John Baeder’s American Roadside,” the artist’s first solo exhibition of photographic works, documents Baeder’s lifelong preoccupation with the American diner and other off-interstate structures. Curator: Paul Manoguerra, chief curator and curator of American art
GMOA facet | Spring 2012
Galleries: Boone and George-Ann Knox I,
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Rachel Cosby Conway, Alfred Heber Holbrook and Charles B. Presley Family Galleries Sponsors: The Friends of the Georgia Museum of Art
Southern Folk Art from the Permanent Collection April 28–July 22, 2012
In conjunction with “John Baeder,” this special exhibition will feature works of southern sculpture “Homeless Man” (1980), a stoneware face jug (ca. 1920s) by Cheever Meaders and two works by R.A. Miller.
Don’t Miss
Curator: Paul Manoguerra, chief curator and curator of American art
Georgia Bellflowers: The Furniture of Henry Eugene Thomas
Gallery: Lamar Dodd Gallery
Lamar Dodd Gallery
Sponsors: The Friends of the Georgia Museum of Art
On view through April 15
To Make a World: George Ault and 1940s America Boone and George-Ann Knox I, Rachel Cosby Conway, Alfred Heber Holbrook and Charles B. Presley Family Galleries On view through April 16
Pattern and Palette in Print: Gentry Magazine and a New Generation of Trendsetters Dorothy Alexander Roush and Martha Thompson Dinos Galleries On view through June 17
A Divine Light: Northern Renaissance Paintings from the Bob Jones University Museum & Gallery Virginia and Alfred Kennedy and Philip Henry Alston Jr. Galleries On view through July 29
All Creatures Great and Small T-Gates, Hartsfield-Jackson Atlanta International Airport On view through October 16
Works of Art Albrecht Dürer (page 4) (German, 1471–1528) The Dream of the Doctor (The Temptation of the Idler), 1498–99 Engraving on paper 7 1/2 x 4 13/16 inches Georgia Museum of Art, University of Georgia; University purchase GMOA
1975.3339
Polly Knipp Hill (page 6, top) (American, 1900–1990) Overflow at Grandma’s in Arcadia, 1956 Aquatint and etching 8 x 9 3/4 inches Private collection
John Baeder (page 6, bottom) (American, b. 1938) Two Windows, 1967 C print on Kodak Endura paper 20 x 30 inches
Archie Byron (left) (American, 1928–2005) Homeless Man, 1980 Sawdust and house paint Georgia Museum of Art, University of Georgia; Gift of the Larry D. and Brenda A. Thompson Collection of African American Art GMOA
2011.581
www.georgiamuseum.org
folk art from the permanent collection. Among the objects on display will be Archie Byron’s
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New Acquisitions
T
HE GMOA COLLECTION of presentation silver gained important additions recently: two nearly identical goblets, which functioned as trophies. Although their maker is unidentified, both these objects are engraved with Savannah-related militia references and are awards for skill in gunnery and for marksmanship. These important examples of Georgia silver were purchased at auction with funds generously provided by Beverly Bremer whose unfailing support is the basis for much of our silver collection. (Left)
(Right)
Unidentified maker (American, active mid-19th
Unidentified maker (American, active mid-19th
century)
century)
Goblet, ca. 1861
Goblet, ca. 1857
Coin silver
Coin silver
Inscribed: Presented by the Chatham Artillery
Inscribed: Presented by The Savh. Volr. Guards
for skill in Gunnery January 8” 1861
to Ex Mem. R. J. R. Bec best Marksman Feby 22”
Georgia Museum of Art, University of Georgia;
1857 Savh /May 1” 1857”
Museum purchase with funds provided by the
Georgia Museum of Art, University of Georgia;
Beverly H. Bremer Charitable Lead Trust
Museum purchase with funds provided
GMOA accession in process
by the Beverly H. Bremer Charitable Lead Trust GMOA accession in process
T GMOA facet | Spring 2012
HIS FRAMED DOOR, which dates 1800–40, is a rare survival of untouched architectural interior with a polychrome paint treatment. What makes it all the more important is that it was collected decades ago by Henry D. Green himself, in Morgan County near Shadydale. It retains its original Federal paint scheme, which is inverted on either side: the obverse of the door has green trim and ochre panels, and the reverse has ochre trim and green panels. This curious device suggests that the adjacent rooms connected by this door had a similar but inverted color scheme. Increasingly, museums are appreciating and exhibiting architectural fragments that retain their original surfaces. GMOA collects these objects under stringently observed ethics that are designed to avoid contributing to the market for recently removed architectural elements from buildings that should be preserved in situ. This remarkable survival is the gift of Bill and Mary Burdell.
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Unidentified maker (Morgan County, Ga.) Polychrome door, ca. 1800–40 Georgia Museum of Art, University of Georgia; Gift of William and Mary Burdell GMOA
2011.640
The staff of The Georgia Museum of Art would like to thank the generous sponsors of the Sixth Henry D. Green Symposium of the Decorative Arts. Symposium Sponsors Lucy and Buddy Allen Dr. Larry H. and Mrs. Linda N. Beard Brunk Auctions Phoebe and Ed Forio Mr. and Mrs. Robert E. Gibson Tom Gray in honor of Dale Couch Mr. and Mrs. Hix Green Mary Ann and Sam Griffin Helen C. Griffith Sally W. Hawkins in memory of Paul M. Hawkins Jennifer and Gregory Holcomb Sue Mann Marilyn and John McMullan Anne and Bill Newton Carey Pickard and Chris Howard in memory of Andrew Ladis Letitia and Rowland Radford Margaret R. Spalding Mr. and Mrs. Ben J. Tarbutton Jr. William Dunn Wansley in memory and Sara Louise Dunn Gibson Mr. and Mrs. Buck Wiley III in honor
the group is beautifully engraved with the Georgia seal, making it a remarkably rare object. Sumptuary goods imported by Georgians are identifiable in the archeological record, in newspaper advertisements and among the heirlooms of Georgia families. Buddy and Lucy Allen donated this superb group of American glass objects to the collection.
Unidentified maker (American)
of Beverly Hart Bremer
Glassware, ca. 1850–60 Gift in progress from
In-kind sponsors
Buddy and Lucy Allen
Lee Epting Epting Events John and Martha Ezzard John and Marilyn McMullan Tiger Mountain Vineyards Other Gifts and Support Beverly Bremer Carol Crowe Carraco Mrs. Henry D. Green Cyndy Harbold Michael Kaufold Madison-Morgan Cultural Center Michael Montesani Carl Mullis John and Margaret Page Ann Scoggins Kathleen Staples and Joe Ashley UGA Office of the President Brenda Wade
www.georgiamuseum.org
T
HE MUSEUM’S COLLECTION of monogrammed luxury items from early Georgia households also took a recent leap forward. GMOA acquired a group of glass objects that descended from prominent Athenian Howell Cobb. Several examples feature an engraved C for the Cobb name. A decanter in
of Louise Dunn Gibson Wansley
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Donor Spotlight: Martha Daura and Thomas Mapp
GMOA facet | Spring 2012
I
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1
t may sound surprising that one person’s recent donations could help to shape an institution that’s been open since 1948, but Martha Randolph Daura has had a formative impact on the Georgia Museum of Art’s collection of European paintings.
Since 2002, Martha has given the
archive containing the artist’s writ-
still regularly surprised by and
museum more than 600 works of art
ings and personal correspondence,
excited about what I find. Other
by her father, Pierre Daura, a Catalan-
those of his wife Louise and her
scholars who have worked with
American artist. Her gifts to the
family and material associated with
it—from around the United States
museum have also included paintings
exhibitions of his art. It is an archive
and Europe—have been equally
by other important modern artists
that ranges from a sketch by Émile
impressed.
such as Joaquín Torres-García and
Bernard to a letter written by Marga-
Jean Hélion, works by her mother,
ret Mitchell, from hand-made birthday
Louise Blair Daura, and decorative art
cards to bone fragments of the artist’s
Daura Center will be readily apparent
from her mother’s family, including
arm. As Lynn Boland, Pierre Daura
to anyone who looks through the
a chest of drawers from the School of
Curator of European Art, puts it
archive. Daura’s career intertwined
The significance of the Pierre
with some of the best-known artists
Thomas Day and a silver soup tureen that belonged to her grandmother,
The archive is a veritable treasure
of the twentieth century, and the
Martha Feilds Blair. The Daura
trove of documents elucidating
archive attests to some of the key
collection is supported by the Pierre
modernism. Even after two years of
developments in modern art. As
Daura Center, which houses an
working with these materials, I’m
a young artist, Daura worked for
2
3
Bernard and exchanged letters with
It was while living in Virginia that
feat. It was important “to find a good
leaving Athens to live closer to
him, which are now included in
Daura gave private lessons to a
university museum that had strong
family in the Northwest. Their
archive. Daura worked in Paris
young Cy Twombly, and was in fact
ties with the studio art and art history
involvement with GMOA, however, is
between 1914 and 1930, and while
Twombly’s first art instructor. The
departments to maximize the use of
far from over. Martha hopes to see a
living there he helped form the
archive gives access not only to
the art in education.” GMOA fit the
rise in interest in the art and writings
group “Cercle et Carré” (Circle and
Daura’s thoughts on art, but also to
bill, and Martha and Tom have
of her mother, Louise, which are
Square). Other members of this
those of his friends and colleagues.
enjoyed their connection with the
included in the Daura collection, and
museum over the years. Says Tom:
would love to see the publication of
As described by Tom, assembling
Piet Mondrian and Fernand Léger
and organizing the documents that
“The museum staff really feels like
Louise’s letters from Paris. Louise
to name a few. Although “Cercle et
would form the Daura archive was no
family to us now.”
moved from her home in Virginia to
Carré” was organized in part to
small task. It has in fact been “a
oppose the contemporary rise of
full-time job for the past five years.”
museums has been lifelong. Having
husband Pierre. Martha describes her
Surrealism, Daura would later form a
“We made a great team though,”
an artist as a father, Martha says
mother as someone with “a great
close relationship with André Breton,
adds Martha, “Tom is a superb
she “grew up in an atmosphere of
sense of adventure.” Tentative plans
the founder of the Surrealist move-
organizer, and I knew the content
beauty.” For Pierre Daura, no object
for an exhibition of the work of
ment. Martha’s husband, Tom, points
and the context.” In the end, Martha
was too insignificant to be made
Louise Daura and a publication of
out that the fruits of Daura and
and Tom divided the archive into 11
beautiful; “We would play Parcheesi
her letters are underway at the
Breton’s friendship are preserved in
series, beginning with a Daura
with a board made for me by Father,”
Georgia Museum of Art. “Cercle et
the Daura Center, “We have fascinat-
biographical overview, through
Martha remembers. “It was a work of
Carré,” a major exhibition organized
ing letters from André Breton.” In
dramatic accounts of his role in the
art, like stained glass.” Martha is
by Boland will be on view at GMOA
1939, Pierre Daura would move to
Spanish Civil War, to his correspon-
fueled by her love of art. “If I don’t go
in 2013.
America and later teach art first at
dence with friends and family.
to an art museum, then I start to feel
Selecting the right art museum
as if my batteries were running low.”
for the Daura collection was no small
Martha and Tom will soon be
Lynchburg College and then at Randolph-Macon Woman’s College.
Martha’s love of art and art
France in 1927, where she met future
1)
2)
3)
Pierre Daura
Unknown maker
Pierre Daura
(Catalan-American, 1896–1976)
(American, School of Thomas Day)
(Catalan-American, 1896–1976)
Martha at Thirteen, 1943–44
Chest of drawers, n.d.
Untitled (Street PICIRII 3), 1929
Oil on canvas
Walnut, poplar and yellow pine
Oil on canvas
Georgia Museum of Art, University of
48 x 41 x 21 inches
Georgia Museum of Art, University of
Georgia; Gift of Martha Randolph Daura
Georgia Museum of Art, University of
Georgia; Gift of Martha Randolph Daura
GMOA 2003.390
Georgia; Gift of Martha Randolph Daura
GMOA 2003.390
GMOA 2010.246
www.georgiamuseum.org
group included Wassily Kandinsky,
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Calendar : Spring 2012
Special Events Student Night Thursday, April 5, 8–11 p.m. Join the Student Association of the Georgia Museum of Art
April
for a night of food, DIY projects and a screening of film noir classic “Mildred Pierce.” Generously sponsored by Todd Emily. Visit www.georgiamuseum.org for more information.
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Annual GMOA/Willson Center Lecture Thursday, April 19, 4 p.m. M. Smith Griffith Auditorium
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Sujata Iyengar, associate professor, department of English,
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UGA, will present “Pop Goes Shakespeare: Illustration, Adaptation, and Appropriation in the Arden Shakespeare Covers, second series.” Reception to follow. Co-sponsored by the Georgia Museum of Art
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and the Willson Center for Humanities and Arts.
Collectors Visit Tuesday, April 24, 6 p.m.
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The Collectors will visit a private collection in Athens. You must be a member of the Collectors to participate. For more information or to join the Collectors, call our membership office at 706.542.0830.
GMOA Teen Studio: Fabric Design Thursday, May 3, 5:30–8:30 p.m.
May Sun
Join us for GMOA’s new teen workshop! Participants will Mon
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talk with curators of the exhibition “Pattern and Palette in Print: Gentry Magazine and a New Generation of Trendsetters” and participate in a fabric-design workshop with textile designer Susan Hable Smith. Pizza will be served. Space is limited. Call 706.542.GMOA (4662) to
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reserve your spot.
Painted Words: An Evening with the Georgia Museum of Art & Judith Ortiz Cofer’s Advanced Creative Writing Class Friday, May 4, 7 p.m. M. Smith Griffith Auditorium The relationship between word and image is one of the mysteries these writers will be addressing in this
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creative-writing workshop. Students will present brief readings based on individual works from GMOA’s permanent collection.
The Friends of the Georgia Museum of Art Annual Meeting Thursday, May 10, 5:30–8:30 p.m. M. Smith Griffith Auditorium
June Sun
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Join us for the Friends Annual Meeting and presentation of the 2012 M. Smith Griffith Volunteer of the Year Award. Mon
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Reception to follow. This event is free and open to the public. For more information call 706.542.GMOA (4662).
The Collectors Bash: Seven Deadly Sins Friday, May 18, 7 p.m. Join the Collectors for this dinner and silent auction to raise funds for acquisitions at GMOA. Collectors: $75 per person; $150 per couple. Non-members: $85 per person; $170 per couple. RSVP to 706.542.GMOA (4662)
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by May 10.
GMOA and the Athens Historical Society Present “The World’s Smallest Airport, 1949–1950” Sunday, May 20, 3 p.m. M. Smith Griffith Auditorium This screening of “The World’s Smallest Airport” (2012), the story of the Thrasher Brothers Aerial Circus produced and directed by Matt DeGennaro, will be accompanied by a discussion with the writer and executive producer,
GMOA facet | Spring 2012
Grady Thrasher. The AHS meeting will take place prior
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Schedule a Visit to the Georgia Museum of Art To schedule a class visit or student assignment at the Georgia Museum of Art, please call us at 706.542.GMOA (4662) at least two weeks prior to the visit. Scheduling in advance enables us to prepare for your visit whether it is a docent-led tour, a self-guided visit led by an instructor or students who will be coming on their own to complete an assignment. Family Day programs are sponsored by Heyward Allen Motor Co., Inc., Heyward Allen Toyota, YellowBook USA and the Friends of the Georgia Museum of Art and are free and open to the public. All events are free and open to the public unless otherwise noted.
to the screening, at 2:30. Free and open to the public.
Art Adventures: Let’s Go! June and July
Films
In conjunction with the exhibition “John Baeder,” day camps, day cares and community centers are invited to participate in this exciting program focusing on the idea of adventure, travel and photography. Participants will enjoy a fun, interactive gallery tour and art-making
Dress the Part: Fashion in Movies and Magazines
activity. To schedule your group for June or July, call 706.542.GMOA (4662).
This film series is held in conjunction with the exhibition “Pattern and Palette in Print: Gentry Magazine and
Lectures & Gallery Talks 18th Annual Andrea Carson Coley Reception and Lecture Friday, April 6, 11:30 a.m.
a New Generation of Trendsetters.” All screenings will take place in the M. Smith Griffith Auditorium.
“Diner” Thursday, June 28, 7 p.m. “Diner” (1982) is a nostalgic, funny and highly personal memoir of a group of men in their early 20s hanging out at their favorite diner in Baltimore in 1959. Steve Guttenberg, Daniel Stern, Mickey Rourke, Tim Daly, Paul Reiser and Kevin Bacon star as the young men trying to avoid the inevitable responsibilities of adulthood. 110 minutes, R.
“Bill Cunningham New York” Thursday, April 12, 7 p.m.
Tours
For decades, this Schwinn-riding cultural anthropologist
The Andrea Carson Coley Lecture was endowed by
has been obsessively and inventively chronicling fashion
a donation by Andrew and Kathy Coley in memory
trends and high-society charity soirées for the New York
of their daughter Andrea Carson Coley (1972–1993),
Times Style section in his columns “On the Street” and
who was a certificate candidate in Women’s Studies.
“Evening Hours.” Cunningham’s enormous body of work
Each spring, the Andrea Carson Coley Lecture brings
is more reliable than any catwalk as an expression of
to campus scholars doing cutting-edge research in
time, place and individual flair, and this film (2010) is a
the area of lesbian and gay studies. This year’s speaker,
delicate, funny and often poignant portrait of a dedicated
Tricia Lootens, associate professor of English at UGA,
artist. 84 minutes, NR.
Tour at Two: Highlights from the Permanent Collection Wednesday, April 4; May 2, 23 and 30; June 13, 20 and 27, 2 p.m. Meet docents in the lobby for a tour of highlights from the permanent collection.
will present “Friends and Family: Coming Home.”
“Funny Face” (1957), starring Fred Astaire and Audrey
Join us for two lectures in conjunction with the
Hepburn, is a stylish musical about Paris, the world of
exhibition “A Divine Light: Northern Renaissance
high-fashion photographers, models, beatniks and love.
Paintings from the Bob Jones University Museum
Filmed on location, the film includes songs by Ira and
& Gallery.” Trinita Kennedy, associate curator at
George Gershwin. 103 minutes, NR.
the Frist Center for the Visual Arts in Nashville, will present “Gather Around the Fire: Taking a Closer Look at the Madonna of the Fireplace.” John Nolan, curator at Bob Jones University Museum & Gallery, will present “A Short History of Collecting Northern Renaissance Paintings at American Universities: Context for the Formation of the BJU Art Collection.”
Gallery Talk Sunday, April 15, 3 p.m. Join Ashley Callahan in the galleries for a discussion of “Georgia Bellflowers: The Furniture of Henry Eugene Thomas.”
Join Mary Koon, editor at GMOA, and Clay McLaurin, chair of the fabric-design program at the Lamar Dodd School of Art, for a discussion of the exhibition “Pattern and Palette in Print: Gentry Magazine and a New Generation of Trendsetters.” Stay for “Funny Face,” part of the film series “Dress the Part: Fashion in Movies and Magazines.”
of American art
With unprecedented access, “The September Issue” (2009) tells the story of legendary Vogue editor-in-chief
Gallery Games Thursday, May 17, 4:15–5 p.m.
Anna Wintour and her larger-than-life team of editors
Kids ages 7–11 are invited to join us for this special
creating the single largest issue of a magazine ever
interactive gallery tour with Melissa Rackley from
published. 90 minutes, PG-13.
GMOA’s education department. Learn about works in the permanent collection through activities designed
Summer Film Series This film series is held in conjunction with the exhibition “John Baeder.” All screenings will take place in
“Rise of the Southern Biscuit” Thursday, June 7, 7 p.m. This documentary (2006) chronicles the journey of the biscuit in the South from flour-and-water “hardtack” to “high-rising” buttered memories. Filmmaker Maryann Byrd travels the South collecting images and interviews that have won this little film two Emmy Awards for best cultural documentary and writing, and three Telly Awards
Gallery Talk Thursday, April 26, 5:30 p.m.
tary. 30 minutes, NR.
Join artist Enee Abelman, co-curator of “Polly Knipp
“Waitress” Thursday, June 14, 7 p.m.
for a discussion of the exhibition.
In “Waitress” (2007), Jenna’s secret ambition is to save enough money from her waitressing job to leave her
Artful Conversation Wednesday, May 16, 2 p.m.
overbearing and controlling husband. An unwanted
Join Carissa DiCindio, curator of education, in the
unexpected confidence via letters to her unborn baby.
galleries for an in-depth discussion of Paul Cadmus’s
100 minutes, PG.
pregnancy changes the course of events, giving her an
“Playground” (1948).
Artful Conversation Wednesday, June 6, 2 p.m.
Tour at Two: Landscapes in the Permanent Collection Wednesday, May 9, 2 p.m.
“The September Issue” Thursday, April 26, 7 p.m.
for best music, best program and outstanding documen-
Hill: Marking a Life Through Etching,” in the galleries
Lynn Boland, Pierre Daura Curator of European Art
Paul Manoguerra, chief curator and curator
the M. Smith Griffith Auditorium.
Gallery Talk Thursday, April 19, 5:30 p.m.
Tour at Two: Dada and Surrealism in the Permanent Collection Wednesday, April 11, 2 p.m.
“Junebug” Thursday, June 21, 7 p.m. In this award-winning comedy drama (2005), a British-
Join Carissa DiCindio, curator of education, in the
born dealer in regional, “outsider” art, travels to North
galleries for an in-depth discussion of Art Rosenbaum’s
Carolina from Chicago to pursue the work of a local
“Hurricane Season” (1999).
painter for her gallery. She and her brand-new husband, George, extend the trip to include an introduction to
just for kids!
Family Days GMOA Celebrates Family Saturday, April 21, 10 a.m.–noon Celebrate the special people in your life as we look at images of love and adoration in the exhibition “A Divine Light: Northern Renaissance Paintings from the Bob Jones University Museum & Gallery.” Join us in the Michael and Mary Erlanger Studio Classroom to create a work of art inspired by an important person in your life. Special performance by Suzuki violin students from the UGA Community Music School.
GMOA Road Trip! Saturday, June 9, 10 a.m.–noon It’s time for a road trip! We’ll look at John Baeder’s photographs of roadside attractions, then head to the Michael and Mary Erlanger Studio Classroom to make our own roadside signs using collage materials. Held in conjunction with the exhibition “John Baeder.”
Workshops & Classes Drawing in the Galleries Thursday, April 26, May 24 and June 21, 5–8 p.m. Visitors are invited to sketch in the galleries during these hours. No instruction provided. Pencils only.
his family: his prickly mother, Peg; his taciturn father, Eugene; his angry younger brother, Johnny; and Johnny’s very pregnant and innocently garrulous wife, Ashley. 106 minutes, R.
Check our website for the most recent information on events: www.georgiamuseum.org
www.georgiamuseum.org
John Nolan and Trinita Kennedy Thursday, April 12, 5:30–6:30 p.m.
“Funny Face” Thursday, April 19, 7 p.m.
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Museum Notes
Paul Manoguerra, chief curator and curator of American art, accepts the GAMG Award for GMOA docent Kitty Donnan (center) with Mrs. Worthington’s first-grade class at Oconee
best special project.
County Primary School.
AWARDS
EDUCATION
Deanne Deavours, noted dealer of American furniture
“Madison, Georgia: An Architectural
eight elementary schools in Clarke County
and decorative art, became the first
accepted the award for best special
visited GMOA in October and Novem-
recipient of the Henry D. Green Lifetime
project from the Georgia Association
ber. Students watched a documentary on
Achievement Award for the Decorative
of Museums and Galleries (GAMG) at
the sculptures from the “Horizons”
Arts, given by the Georgia Museum of
the group’s recent annual conference
exhibition and artist Steinunn Thórarins-
Art. The award was presented to Deavours
in Milledgeville. The award was given
dóttir, took an interactive gallery tour with
after she delivered the keynote speech
for GMOA’s publications “One Hundred
museum docents and participated in an
at the sixth Henry D. Green Symposium
American Paintings” and “Tracing
art activity. In January, GMOA docents
of the Decorative Arts. The museum also
Vision: Modern Drawings from the
brought our Suitcase Tour to all the
presented the first-ever Jane Campbell
Georgia Museum of Art,” which were
first-grade classrooms at Oconee County
Symmes Spirit of the Symposium Award
published when the museum reopened
Primary School. Suitcase Tours are
to Symmes, after whom it was named.
last January. In other awards news,
designed for students in grades K–3 and
The museum’s Decorative Arts Advisory
GMOA has officially been LEED Certified
feature the works of five artists from the
Committee decides on a recipient of the
Gold. LEED stands for Leadership in
museum’s permanent collection. Each
award due to his or her service, dedication
Energy and Environmental Design and
presentation is 50 minutes long, free and
to and encouragement of the symposium
is an independent, third-party verifica-
limited to 30 students per presentation.
and the community energy he or she
tion that is a project constructed using
For more information or to schedule a
generates. Symmes is a longtime member
strategies and materials that promote
A fifth-grader’s thank-you note and drawing of one of the “Horizons” sculptures.
and driving force of the Southern Garden
sustainable development, water savings,
History Society and the co-author of
energy efficiency and indoor air quality.
The Georgia Museum of Art received
In honor of William Underwood Eiland
the following gifts between November 12,
by Patricia Wright
Nearly 600 fifth-graders from
tour, call the museum’s education department at 706.542.GMOA (4662).
Gifts
2011, and February 20, 2012: The Georgia Museum of Art received
In honor of Mrs. Henry D. Green by Mr. and
In memory of Professor Thomas B.
Mrs. Joseph H. Hilsman and Mr. and Mrs. J.
2011, and February 29, 2012:
Brumbaugh by William Underwood Eiland
Hamilton Hilsman
ALFRED HEBER HOLBROOK SOCIETY
In memory of Henry D. Green by Mr. and Mrs.
In honor of Caroline Maddox by Whitney and
Joseph H. Hilsman and Mr. and Mrs. J.
Larry Neal
the following gifts between November 12,
Dr. and Mrs. Larry Holden Beard* Mrs. M. Smith Griffith* Mr. C.L. Morehead Jr.* The Turner Family Foundation BENEFACTOR Ms. Beverly H. Bremer Mr. and Mrs. Robert G. Edge Mr. and Mrs. Gregory F. Holcomb PATRON Ms. Marilyn D. McNeely Mr. and Mrs. Alan Friend Rothschild Jr. DIRECTOR’S CIRCLE Mr. and Mrs. Robert B. Currey Mr. and Mrs. Richard R. Dolson Mr. and Mrs. James B. Fleece Mrs. Frances Yates Green
Hamilton Hilsman In memory of Hannah Harvey by Karen Benson, Sam and Elaine Carleton, Carol Dolson, Kitty Donnan, Judith Ellis, Marya and Bill Free, Susan Glover, Cyndy Harbold, Stanley Longman, Janet Miller, Berkeley Minor, Karen Moncreif, Betty Myrtle, Julia Sanks, Mary Louise Stark and Patty Whitehead In memory of Andrew Ladis by Patricia Wright and Shelley Zuraw
In memory of Marjorie Fowler Newton by Sarah Jones
Mr. and Mrs. Millard Berry Grimes
In memory of Lucy Davis Rasula by Jed Rasula
Mr. and Mrs. Carl W. Mullis III
and Suzi Wong In memory of Richard Welch by Lynn and
GMOA facet | Spring 2012
Mr. and Mrs. C.V. Nalley III Dr. and Mrs. Ira G. Roth
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*Recent major gifts will be recognized in a future issue of the newsletter.
Mrs. Patricia Gebhardt Staub Mrs. Dudley Stevens
Dick Berkowitz, Devereux and Dave Burch and William Underwood Eiland
In honor of Judy and Tom Taylor by Carolyn and Rhett Tanner In honor of the birthday of Flint Williams by Charles and Laura Carter and Ryan Katz In honor of the staff of the Georgia Museum of Art by Lynn and Dick Berkowitz and Phoebe and Ed Forio
The staff at the Georgia Museum
bakery is now serving fresh-made in the new museum lobby.
of Art would like to thank the generous sponsors of the museum’s Black History Month celebration,
Tuesday–Friday, 10 a.m.–4 p.m.
“An Evening with the Blues”: Athens Chapter, The Links, Incorporated,
Have breakfast, lunch or a snack,
in memory of Lillian Lynch; Mr.
enjoy a spectacular view of the
Todd Emily; Julie and Ira Roth; UGA
In honor of Lynn and Dick Berkowitz
Dr. W. Thomas Wilfong
by Stuart Rudikoff
Alumni Association; UGA’s Office
In honor of Paige Carmichael by Michele
for Institutional Diversity; Ashford
Turner and Doug Harman
The popular Normaltown café and coffee, sandwiches and baked goods
Mr. and Mrs. Mrs. David L. Warner Ms. Jane S. Willson
Ike & Jane at the Georgia Museum of Art!
In honor of Annelies Mondi by Patricia Wright
In memory of Jack Clement Milsted by William Underwood Eiland
Guide.” In February, Paul Manoguerra
Manor B&B and Event Facility
Jane and Harry Willson Sculpture Garden and support the museum. (Ike & Jane generously donates 10 percent of profits from its GMOA location to the Friends of the Georgia Museum of Art!)
Event Photos
Family Day: Let’s Move! Sarah Whitaker teaches a yoga class at January’s Family Day: Let’s Move! Art, Animals and Yoga, held in conjunction with Michelle Obama’s “Let’s Move! Museums and Gardens” initiative.
Membership
JOIN JOIN THE NEW GMOA!
Not a member? Join the museum during one of the
Reception: Georgia Bellflowers Exhibition (l to r): Brad Puckett (Henry Eugene Thomas’s great-grandson), Paige
most exciting moments in its history! Join on our website, www.georgiamuseum.org, or call 706.542.0830.
Purvis, Brenda Puckett and her husband Jimmy Puckett (Thomas’s grandson) stand beside one of Thomas’s mantel clocks (loaned to the exhibition by Jimmy and Brenda Puckett) at the reception for “Georgia Bellflowers: The Furniture of Henry Eugene Thomas.”
Henry D. Green Synposium Chris Schleier, proprieter of Colonial Chair Company, presents “Making a Windsor Chair” at the Sixth Henry D. Green Symposium.
Parking for the Georgia Museum of Art is available in the Performing Arts Center (PAC) parking deck, which is located at the rear of lot E11 off River Road (see map). the PAC deck is free on Saturdays and Sundays and after 10 p.m. on weeknights with
Black History Month Dinner
a valid UGA ID or permit, unless there is a special event. Free parking (that is, parking without a permit) is available in surface lot E11 on Saturdays and Sundays and after
Event sponsor Todd Emily (center) with singer Kyshona Armstrong and artist John Ahee.
For more event photos see www.flickr.com/gmoa
4 p.m. on weekdays.
www.georgiamuseum.org
There is no free visitor parking on campus during regular business hours. Parking in
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non-profit org. u.s. postage paid athens, ga
UNIVERSITY OF GEORGIA
permit no. 49
90 Carlton Street Athens, Georgia 30602-6719 www.georgiamuseum.org address service requested
John Baeder
Dürer and His Legacy
Martha Daura & Thomas Mapp
spring 2012
f a c e t •••