facet
Kress Collection: Exhibitions: The Kress Project
Exhibitions: Volunteer Spotlight: Lycett China
Donor Spotlight: Publication Spotlight: Peggy Galis
www.georgiamuseum.org
Fall 2011
1
From the Director
Department of Publications Hillary Brown and Mary Koon Publications Interns Mary Bowden Green Katherine Jones Design
Because we have been finishing our self-study for reaccreditation over the past year, a time-consuming but worthwhile process
The Adsmith
of self-examination, the staff and I have been talking about how we “fit” at the University of Georgia, as we pride ourselves on our statewide mission of community service, which is not only complementary but essential to our academic mission as well. We are both fish and fowl, as it were, devoted to lifelong learners in our lay communities of service as well as to our immediate audience of students, faculty and staff at the
Georgia Museum of Art
University of Georgia. It is my belief, and part of my vision,
University of Georgia
if you will, for the museum over the past two decades, that
90 Carlton Street
in order to reach our goals, we have to do our homework: at
Athens, GA 30602-6719
the Georgia Museum of Art, teaching and service are both
www.georgiamuseum.org
strengthened as core values by and dependent on scholarship. Admission: Free ($3 suggested donation)
Research then is the pillar of our mission. So, it was gratifying and illuminating for me when our editor and head of the communications department here, Hillary Brown, carried out a study for me on the successes of our internship program. Not counting the numerous classes from the university and other colleges in northeast Georgia who use the museum, I asked Hillary to determine the number of students who have had internships, volunteer or for-credit, who have been in our work-study program or who have been classified as taking museum-study courses.
HOURS Galleries: Open to classes and school groups by appointment only, Monday and Tuesday. Open to the public Wednesday, Friday and Saturday, 12–5 p.m.; Thursday, 12–9 p.m.; Sunday, 1–5 p.m. Jane and Harry Willson Sculpture Garden:
“ It is my belief, and part of my vision, if you will, for the museum over the past two decades, that in order to reach our goals, we have to do our homework: at the Georgia Museum of Art, teaching and service are both strengthened as core values by and dependent on scholarship. Research then is the pillar of our mission.”
Since 1988, we have had more than 500 interns and work-study
Tuesday, Wednesday, Friday and Saturday,
students pass through the halls of the museum. Many have
10 a.m.–5 p.m.; Thursday, 10 a.m.–9 p.m.;
worked for more than one semester or in more than one depart-
Sunday, 1–5 p.m. Closed on Mondays.
ment. Annelies Mondi, now our deputy director, was a student assistant back in 1988, and several other staff members also started out as our students: Lynn Boland, now Pierre Daura Curator of European Art; Carissa DiCindio, now curator of education; Mary Koon, now in our department of publications; Christy Sinksen, now a registrar; and Hillary.
Museum Shop: Tuesday, Wednesday, Friday and Saturday, 10 a.m.–4:45 p.m.; Thursday, 10 a.m.–8:45 p.m.; Sunday, 1–4:45 p.m. Closed on Mondays. Ike & Jane at the Georgia Museum of Art: Tuesday–Saturday, 10 a.m.–4 p.m.
Those of our students who have managed to leave Athens (by far the larger number) have gone on to impressive careers in the
706.542.GMOA (4662)
arts, in academics, in public relations, in graphic design and in
Fax: 706.542.1051
numerous other fields. Anthony Goicolea, who spoke here in
Exhibition Line: 706.542.3254
January and recently had a major midcareer survey open at the Jepson Center in Savannah, is one of the most notable names,
but we hear from our former students frequently. They tell us how much they learned in their time here and what an
Mission Statement
invaluable experience working behind the scenes at a museum was. We appreciate equally everything they do, and we
The Georgia Museum of Art shares
learn as much from them as they do from us.
the mission of the University of Georgia
William Underwood Eiland, Director
research and service. Specifically, as
to support and to promote teaching, a repository and educational instrument of the visual arts, the museum exists to collect, preserve, exhibit and interpret
GMOA facet | Fall 2011
significant works of art.
2
BOARD OF ADVISORS
Mrs. M. Smith Griffith
Mr. D. Jack Sawyer Jr.
Georgia Museum of Art
Mrs. Marion E. Jarrell
Mrs. Helen H. Scheidt
Professor John D. Kehoe
Mr. Henry C. Schwob
Mr. B. Heyward Allen Jr.
Mrs. George-Ann Knox
Mrs. Ann C. Scoggins
at the Georgia Museum of Art is provided by
Dr. Amalia K. Amaki
Mrs. Shell H. Knox
Ms. Cathy Selig-Kuranoff
the W. Newton Morris Charitable Foundation,
Mrs. Frances Aronson-Healey
Mr. David W. Matheny
Mr. S. Stephen Selig III
Turner I. Ball, M.D.
Ms. Catherine A. May
Mrs. Margaret R. Spalding
the Friends of the Georgia Museum of Art and
Ms. Karen L. Benson
Mrs. Helen P. McConnell
Mrs. Dudley R. Stevens
Mr. Fred D. Bentley Sr.
Mr. Mark G. McConnell
Mrs. Carolyn W. Tanner
appropriations of the Georgia General Assembly.
Mr. Richard E. Berkowitz
Mrs. Marilyn M. McMullan
Mrs. Judith M. Taylor
The Council is a partner agency of the National
Mrs. Devereux C. Burch
Mrs. Marilyn D. McNeely
Dr. Brenda A. Thompson
Mr. Robert E. Burton
Mrs. Berkeley S. Minor
Mrs. Barbara Auxier Turner
Endowment for the Arts. Individuals, foundations
Mrs. Debbie C. Callaway
Mr. C.L. Morehead Jr.
Mr. C. Noel Wadsworth
Mr. Randolph W. Camp
Ms. Jane C. Mullins
Ms. Kathleen E. Walker
through their gifts to the University of Georgia
Mrs. Shannon I. Candler, past chair
Mr. Carl W. Mullis III, chair
Mr. G. Vincent West
Foundation. The Georgia Museum of Art is
Mrs. Faye S. Chambers
Mr. Donald G. Myers
Dr. Carol V. Winthrop
Mr. Harvey J. Coleman
Mrs. Betty R. Myrtle
Mrs. Martha T. Dinos
John Nickerson, M.D.
Ex-Officio
Mrs. Annie Laurie Dodd
Mrs. Deborah L. O'Kain
Mrs. Linda C. Chesnut
Ms. Sally Dorsey
Mrs. Janet W. Patterson
Dr. William Underwood Eiland
Professor Marvin Eisenberg
Ms. Kathy B. Prescott
Mr. Tom Landrum
Ms. Carlyn F. Fisher
Dr. William F. Prokasy IV
Professor Jere W. Morehead
Mr. James B. Fleece
Mr. Rowland A. Radford Jr.
Dr. Libby V. Morris
Mr. Edgar J. Forio Jr.
Ms. Margaret A. Rolando
Karen W. Prasse, M.D.
Mr. Harry L. Gilham Jr.
Mr. Alan F. Rothschild Jr.
Ms. Georgia Strange
Mr. John M. Greene
Mrs. Dorothy A. Roush
Mrs. Helen C. Griffith
Mrs. Sarah P. Sams
Partial support for the exhibitions and programs
the Georgia Council for the Arts through the
and corporations provide additional support
ADA compliant; the M. Smith Griffith Auditorium is equipped for the hearing-impaired.
Contents
04
09
10
15
Exhibitions
Kress Project
Green Symposium
Family Day
Exhibitions
04
Kress Project
09
Donor Spotlight
10
Green Symposium
10
Highfalutin’ Hootenanny
11
Calendar of Events
12
Museum Notes
14
Event Photos
15
On the front cover (detail):
On the back cover (detail):
Clare Leighton
Dale Nichols
(American, b. England, 1898 –1989)
(American, 1904 –1995)
A Lapfull of Windfalls, 1935
The Last Load, 1966
Wood engraving on paper
Oil on canvas
8 x 6 1/4 inches (sheet)
24 x 29 3/4 inches
Mint Museum of Art
Arkansas Arts Center Foundation Collection:
Gift of Gabby Pratt
Gift of Mr. and Mrs. Carl A. McGrew,
2004.79.36
1977.79.037
www.georgiamuseum.org
FEATURES
3
Exhibitions
Buon Natale: Holiday Prints by Elizabeth Bailey November 19–December 31, 2011 This exhibition features Elizabeth Bailey’s holiday woodcuts, which have a distinctly Italian flavor. A Georgia native and an art history professor at Wesleyan College in Macon, Ga., Bailey has studied art in Cortona and Florence, Italy, and has recently begun to study art in England, France and Germany. The Italian influence on her holiday prints is evident not only in such titles as “Ave Maria Grazia Plena,” but also in subject, composition and style. Bailey has exhibited her work throughout
Quiet Spirit, Skillful Hand: The Graphic Work of Clare Leighton November 19, 2011–February 3, 2012
the United States and in Italy. Organized by the Mint Museum of Art in Charlotte, N.C., this exhibition includes images from the Mint’s Pratt Curator: William Underwood Eiland, director
Collection, one of the largest collections of Clare Leighton’s work in the country, and spans Leighton’s career
Galleries: Lamar Dodd Gallery
from 1923 to 1965. “Quiet Spirit, Skillful Hand: The Graphic Work of Clare Leighton” provides a full survey of
Sponsors: The W. Newton Morris Charitable Foundation
Leighton’s career, from her earliest prints in the 1920s that depict the labors of the English working classes
and the Friends of the Georgia Museum of Art
to a selection of her rarely seen watercolors. Unique to the collection is a set of 12 Wedgwood plates titled “New England Industries,” for which Leighton designed the transfer-printed images. Among the exhibition’s highlights are the prints that resulted from Leighton’s early visits to North America, including “The Breadline, New York” and “Snow Shovellers, New York,” as well as the artist’s entire Canadian Lumber Camp series. A full-color catalogue of the exhibition will be available for sale in the Museum Shop and online. In-house Curator: Paul Manoguerra, chief curator and curator of American art Galleries: Boone and George-Ann Knox I, Rachel Cosby Conway, Alfred Heber Holbrook and Charles B. Presley Family Galleries
GMOA facet | Fall 2011
Sponsors: The W. Newton Morris Charitable Foundation and the Friends of the Georgia Museum of Art
4
Lycett China December 3, 2011–March 4, 2012 Edward Lycett (American, b. England, 1833–1910) was an important porcelain painter who immigrated to New York from Great Britain in 1861. By the early 1880s, Lycett and his family had settled in Atlanta and opened a studio devoted to porcelain decoration with the ancillary mission of educating young women. The studio secured its porcelain blanks from a Haviland firm near Limoges, France. Lycett china became a staple of upper-middle-class Georgia society and is found today in many Georgia homes. Although Lycett is best known for its white china with gold trim, most of the 30 pieces in this exhibition are paint decorated. Co-curators: Dale Couch, adjunct curator, Henry D. Green Center for the Study of the Decorative Arts, and Michelle Miller, independent scholar Gallery: Martha Thompson Dinos Gallery Sponsors: The W. Newton Morris Charitable Foundation and the Friends of the Georgia Museum of Art
Introduction to the Centers December 3, 2011–March 4, 2012 One of the key elements in GMOA’s expansion was the construction of its Study Centers in the Humanities, four named units containing archives that supplement the museum’s collection and promote hands-on research. This small exhibition serves as an introduction to the Henry D. Green Center for the Study of the Decorative Arts and follows the introduction to its sister centers––the C.L. Morehead Jr. Center for the Study of American Art, the Jacob Burns Foundation Center (devoted to the study of prints and drawings) and the Pierre Daura Center––on view through November 20. A variety of objects accessioned over the past 40 years, including the first piece of furniture purchased by Green, as well as recent acquisitions of pottery and silver will be on view.
Center for the Study of the Decorative Arts Gallery: Dorothy Alexander Roush Gallery Sponsors: The W. Newton Morris Charitable Foundation and the Friends of the Georgia Museum of Art
www.georgiamuseum.org
Curator: Dale Couch, adjunct curator, Henry D. Green
5
Dale Nichols: Transcending Regionalism December 17, 2011–February 27, 2012 Organized by the Bone Creek Museum of Agrarian Art in David City, Neb., this retrospective exhibition presents Nebraska native Dale Nichols’ nostalgic images of rural America. Paintings dating from 1935 to 1972 establish Nichols not only as a Regionalist in the company of such great artists as Grant Wood and Thomas Hart Benton, but one who transcended the confines of the genre to achieve universal success. This exhibition represents a recollection of Nichols’ years on the farm in Nebraska but manifests those memories in a variety of styles and places. Nichols held firm to his midwestern roots while he traveled the world in search of adventure and truth. Imbued with the inherent problems of isolation, poverty and inequality within American society, Nichols’ art references and upholds an American agrarian ideal. In-house curator: Paul Manoguerra, chief curator and curator of American art Gallery: Virginia and Alfred Kennedy Gallery Sponsors: The W. Newton Morris Charitable Foundation and the Friends of the Georgia Museum of Art
Images of the Midwest from the Collection December 17, 2011–February 27, 2012 This special, temporary display complements “Dale Nichols: Transcending Regionalism” and features images of the Midwest by American artists. The works are drawn from the permanent collection of the Georgia Museum of Art as well as from objects on extended loan to the museum from the collection of Jason Schoen, Princeton, N.J. These American Scene images of the Midwest provide an aesthetic and historical context for Nichols’ paintings. Curator: Paul Manoguerra, chief curator and curator of American art Gallery: Philip Henry Alston Jr. Gallery Sponsors: The W. Newton Morris Charitable Foundation and the Friends
GMOA facet | Fall 2011
of the Georgia Museum of Art
6
Don’t Miss Introduction to the Centers (C.L. Morehead Jr. Center for the Study of American Art, Jacob Burns Foundation Center and Pierre Daura Center)
“snowscape”
Dorothy Alexander Roush and
and Alonzo and Vallye Dudley Gallery
Martha Thompson Dinos Galleries
On view through November 30
A photo mural and video installation by Anthony Goicolea. Patsy Dudley Pate Gallery
On view through November 20
Hot Metal and Cool Paper: The Black Art of Making Books
Edmund Lewandowski: Precisionism and Beyond Virginia and Alfred Kennedy and Philip Henry
Boone and George-Ann Knox Gallery I
Alston Jr. Galleries
On view through November 6
On view through December 4
American Letterpress: The Art of Hatch Show Print
All Creatures Great and Small
Rachel Cosby Conway, Alfred Heber Holbrook,
On view through April 2012
T-Gates, Hartsfield-Jackson Airport, Atlanta
Charles B. Presley Family and Lamar Dodd Galleries On view through November 6
Horizons An installation by Steinunn Thórarinsdóttir. Jane and Harry Willson Sculpture Garden
Photos: Kira Perov
On view through November 30
Works of Art “The Reflecting Pool”
Elizabeth Bailey (page 4, left)
Dale Nichols (page 6, top)
(American, b. 1952)
(American, 1904–1995)
Ave Maria Grazia Plena, ca. 1994–2009
The Last Load, 1966
Pioneering video artist Bill Viola helped make the medium
Woodcut on paper
Oil on canvas
vital to contemporary art in the 1970s and 1980s and
18 x 13 7/8 inches (sheet)
24 x 29 3/4 inches
remains among its most important practitioners. The artist
Georgia Museum of Art, University
Arkansas Arts Center Foundation Collection:
describes this work as “a collection of five independent
of Georgia; Gift of Patrick C. Mizelle
Gift of Mr. and Mrs. Carl A. McGrew, 1979.79.037
works which, taken as a whole, describe the stages of
GMOA
a personal journey using images of transition—from day to
2010.22
Lucienne Bloch (page 6, bottom)
night, motion to stillness, time to timelessness, etc. Each
Clare Leighton (page 4, right)
(American, b. Switzerland, 1909–1999)
work explores specific video techniques and technologies,
(American, b. England, 1898 –1989)
The Flint Flood, 1948
in combination with the spatial potentials of stereo sound.”
Lobstering, ca. 1949–50
Egg tempera on Masonite
Photolithograph on ceramic
Georgia Museum of Art, University of Georgia;
Curator: Lynn Boland, Pierre Daura
10 1/2 inches in diameter
Extended loan from the Schoen Collection,
Curator of European Art
Mint Museum of Art
Princeton, New Jersey
Gallery: Alonzo and Vallye Dudley Gallery
Gift of Gabby Pratt 2004.79.177.1–2
GMOA
Sponsors: The W. Newton Morris Charitable Foundation and the Friends of the Georgia Museum of Art
2005.162E
Courtesy Lucienne Allen
William Lycett (page 5, top)
www.LucienneBloch.com
(b. England, 1855, d. Atlanta, 1909) Painted rectangular dressing table platter
Bill Viola (left)
12 3/4 x 9 inches
Collected Work, 1977–80
Private collection
Videotape collection, color, stereo sound; 62 minutes total
Unidentified maker (page 5 bottom)
Produced at WNET/ Thirteen Television
(American, lower Southern Piedmont)
Laboratory, New York and WXXI-TV Workshop,
Pembroke table, ca. 1795–1810
Rochester, New York
Cherry and yellow pine 28 1/2 x 33 3/8 x 43 inches
The Reflecting Pool, 1977–79
Georgia Museum of Art, University of
Videotape, color, mono sound; 7 minutes
Georgia; Gift of Phoebe and Ed Forio GMOA
2007.73
www.georgiamuseum.org
Bill Viola: Collected Work, 1977–80 December 3, 2011–February 19, 2012
7
8
GMOA facet | Fall 2011
The Kress Foundation Samuel H. Kress opened the first of his 264 S.H. Kress & Co. Five and Ten Cent Stores in Memphis, Tenn., in 1896. Locals admired the well-designed stores not only for their quality and inexpensive merchandise but also as prominent landmarks. Kress opened a store in 1915 in Athens at 153 East Clayton Street in the Talmadge building, where Flirt Fashions is located today. Shortly after opening his chain of five-and-ten-cent stores, Kress began collecting European art with the intention of one day sharing his collection with the public. In December 1938, the Kress flagship store at the corner of Fifth Avenue and Thirty-Ninth Street in New York City featured Giorgione’s “Allendale Nativity,” a recent acquisition by Kress, in its holiday window display (the building was demolished in 1980). Although he made his first donation to the Metropolitan Museum of Art and afterwards donated more than 400 paintings and sculptures to the National Gallery of Art, Kress wanted to make great works of art available to people in towns outside of major urban centers across the United States. The Samuel H. Kress Foundation was established in 1929 as part of this initiative. Although Kress died in 1955, his brother Rush H. Kress continued to manage the
The Kress storefront in Columbia, S.C., now houses an architecture firm.
activities of the foundation and oversee the distribution of the remaining works in the collection. In 1976, the Foundation published a complete, fully illustrated catalogue of the Kress collection to make the works even more accessible to the public. Today, the Kress Foundation continues to be active in the academic and the art world. The foundation awards grants for dissertation research in art history as well as research fellowships and fellowships in art conservation.
The Kress Project
Call for Entries
Generously supported by the Samuel H. Kress Founda-
GMOA is soliciting responses both within the United
tion, the Kress Project is part of a two-year initiative
States and internationally through February 1, 2012,
celebrating the 50th anniversary of the Georgia Museum
to the 12 trecento, Renaissance and Baroque paintings
of Art’s Samuel H. Kress Study Collection. The project
in the museum’s Kress Gallery.
is among GMOA’s most prominent efforts to enlarge and diversify the museum’s audience during its reopening
Submissions must be inspired by a work in the collec-
year. The primary goal of the Kress Project is to promote
tion, which can be viewed in person or online. Entries
the study of and response to these objects by the public
may be in a variety of creative media, including but
at large and investigate new ways to interpret the
not limited to:
collection. Since its arrival in Athens, and especially since the early
• Creative writing
1990s, the Kress Study Collection has been the key
• Visual art
motivation for GMOA’s research in early Italian art.
• Choreography
Today, the Kress Gallery prominently features our 12
• Fashion design
Kress paintings from the Trecento, Renaissance and
• Film
Kress Five and Ten Cent Store window display, down-
Baroque periods, as well as drawings, paintings and
• Music
town Athens, ca. 1920s. Courtesy of Hargrett Rare Book
sculpture and period furniture on extended loan.
and Manuscript Library / University of Georgia Libraries. All ages and education levels are encouraged to participate. Entries will be posted to the website
NO ENTRY FEE
Left (page 8):
throughout the year. Up to 24 winners will win $500
Giusto de’ Menabuoi
SUBMIT BY FEBRUARY 1, 2012
and have their work published in a multimedia book.
(Paduan, active 1349–ca. 1390)
www.georgiamuseum.org/kressproject
St. John the Baptist and St. Catherine of Alexandria, 1363 Tempera on wood
Katherine Jones, Publications Intern
28 5/8 x 18 3/4 inches (framed) Georgia Museum of Art, University of Georgia; The Samuel H. Kress Study Collection GMOA
1961.1892
www.georgiamuseum.org
• Academic writing
9
+ + + + + + + +
+ + + + + + + +
+ + + + + + + +
+ + + + + + + +
+ + + + + + + +
+ + + + + + + +
+ + + + + + + +
+ + + + + + + +
+ + + + + + + +
+ + + + + + + +
+ + + + + + + +
+ + + + + + + +
+ + + + + + + +
+ + + + + + + +
+ + + + + + + +
+ + + + + + + +
+ + + + + + + +
+ + + + + + + +
+ + + + + + + +
+ + + + + + + +
+ + + + + + + +
+ + + + + + + +
+ + + + + + + +
+ + + + + + + +
+ + + + + + + +
+ + + + + + + +
+ + + + + + + +
+ + + + + + + +
+ + + + + + + +
+ + + + + + + +
+ + + + + + + +
+ + + + + + + +
+ + + + + + + +
+ + + + + + + +
+ + + + + + + +
+ + + + + + + +
+ + + + + + + +
+ + + + + + + +
+ + + + + + + +
+ + + + + + + +
+ + + + + + + +
+ + + + + + + +
+ + + + + + + +
Donor Spotlight: Peggy Galis
+ + + + + + + +
+ + + + + + + +
+ + + + + + + +
+ + + + + + + +
+ + + + + + + +
+ + + + + + + +
+ + + + + + + +
+ + + + + + + +
+ + + + + + + +
+ + + + + + + +
+ + + + + + + +
+ + + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
settlement of Georgians. She is almost as well known in Alabama as Georgia and has a similar command of its history. She inhales ideas and is as thirsty
influential early Athenian, is one of our highest
for knowledge as anyone I know. Her command of
quality regional works of art. It is attributable to
regional history goes far beyond the casual old-fash-
Joseph Pierre Picôt de Clorivière, a Frenchman
ioned versions; she is as up to date with historical
working in the Piedmont in the early 19th century.
scholarship as many active professionals.
Picot’s work is likely among the highest quality of all work in any media that was produced in this region in its early period of settlement. The two
P
eggy Heard Galis, who has been on GMOA’s Decorative Arts Advisory
Peggy has given two chief objects to the collections that are both extremely rare & significant.
chairs Peggy recently donated (opposite) are the finest examples of their type known, and the last of this quality known that were not already in museum collections. They evidence a pronounced FrancoGermanic influence and make an important statement on the diversity of our early settlement. The chairs have more in common with examples from Quebec or Louisiana than with those of the upper
Committee since its inception, is
South and are among the most notable develop-
central to the museum’s decorative
ments in the Piedmont style. Peggy has long had
arts program. She is particularly suitable for
Without Peggy and her many and various contribu-
these chairs, and they were centerpieces in her
supporting the program’s mission, as decorative
tions, our success would be unimaginable. I am
home. It was a sacrifice to donate them, and we all are
arts of Georgia form its core. Peggy is not only a
indebted to her on many levels for all that she has
indebted to her and her husband Denny. According
lifelong resident of our region, but she also descends
given: objects, personal encouragement, social
to our director, Bill Eiland, “Peggy is much like the
from many of its pioneer settlers, including Stephen
grace and sheer enthusiasm! Peggy has been an
objects of material culture we treasure: she teaches,
Heard, a colorful figure in Georgia’s history, who
important ambassador not only for the Henry D.
she inspires, she enlightens.”
became one of its earliest governors.
Green Center, but for all of Athens. Her hospitality
Peggy’s interests are not limited to the decorative
and charm are legendary and are synonymous with
Even if we could have achieved so much without
events surrounding the Green Symposia.
Peggy, it would not have been nearly as gratifying. She enriches every event, program or entity that
arts but embrace aspects of southern culture as diverse as foodways and linguistics; southern
Peggy has given two chief objects to the collections
literature and antiquarian tales; historical architec-
that are both extremely rare and significant. The
ture and gardens; civil rights history and Alabama
miniature portrait of Augustin Clayton (top left), an
The Sixth Henry D. Green Symposium of the Decorative Arts • February 2–4, 2012
The Henry D. Green Center for the Study of the Decorative Arts has announced the dates for its sixth Henry D. Green Symposium of the Decorative Arts, with the title and theme of “Homecoming.” The title represents our return to the Georgia Museum of Art’s wonderful facility, the return of the Billups portraits to Georgia and the return of the symposium to Georgia-related topics.
touches her. Dale L. Couch, Adjunct Curator of Decorative Arts
Homecoming
Points of Furniture” (known commonly as
American presence in the decorative arts
“Good, Better and Best”), a guide to
of the South, an analysis of the work of
American furniture connoisseurship. She
Gene Thomas, historical house restoration
has lectured widely throughout the nation.
and southern needlework and southern
Dale Couch, adjunct curator of decorative
clockmakers. Ashley Callahan will serve as
arts at GMOA, noted that “Deanne
guest curator for a show of Gene Thomas’
Deavours’ outstanding career is one
important Colonial Revival carpentry, and
example of how the field of Georgia
Michelle Miller will co-organize with Couch
decorative arts is connected to the
an exhibition of Lycett porcelain painting.
national scene. She is a native daughter
These exhibitions will meld with the new
who has brought home national standards
permanent Forio and Odum galleries to
of collecting and scholarship. She has
provide the attendees of the symposium
fostered many of the important private and
with much new material to absorb.
museum collections within the state and
GMOA facet | Fall 2011
+ + + + + + + +
10
The keynote address will be by Georgia
of Georgia plain-style furniture as a topic
she has been an indispensable supporter
native Deanne Deavours (formerly
of study and collecting within the state.
of Georgia Museum of Art programs. She
Levison). Deavours is a premier dealer
Deavours authored much of the “Neat
is an invaluable member of the Decorative
in Georgia and in the nation, and she will
Pieces” catalogue in connection to the
Arts Advisory Committee.”
be speaking about her long and distin-
exhibition of the same name, which
guished career in the field of American
introduced Georgia vernacular furniture
Other topics at the upcoming symposium
decorative arts, in which she is acclaimed
to the canon. She has also published in
include Lycett porcelain painting in Atlanta,
for her skill and connoisseurship. She was
the Magazine Antiques and worked with
pottery archeology in Washington County,
also a moving force in the establishment
Albert Sack to rewrite “The New Fine
Windsor chair construction, the African
The symposium will be held at the Georgia Center for Continuing Education, and evening events will be at GMOA. Shuttle bus service will be offered. Registration forms will be mailed. To update your contact information or to add a friend to the mailing list please call 706.542.GMOA (4662).
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
+ + + + + + +
Barbeque and live music are not typical of a museum fundraiser, but the Georgia Museum of Art is breaking the mold of black-tie galas with the announcement of its fall fundraiser.
LEFT: Attributed to Joseph Pierre Picôt de Clorivière
ABOVE: These chairs by an unknown maker (Green, Oconee or
(b. France 1735–d. United States 1826, active in Georgia
Oglethorpe County) are rooted in Continental style likely
Piedmont ca. 1800–ca. 1820), Portrait of Augustin
brought into Georgia by French or German settlers of
Smith Clayton, ca. 1800–20. Watercolor on ivory with
South Carolina. Made of soft maple and hickory with split
leather case. Georgia Museum of Art, University of
oak seats, they date to ca. 1790–1820 and descended
Georgia; Gift of Denny and Peggy Galis. GMOA 2010.0290
in the Jackson family.
In conjunction with the exhibition “American Letterpress: The Art of Hatch Show Print,” the Friends of the Georgia Museum of Art will host a “Highfalutin’ Hootenanny” at the museum on Friday, October 14, at 6:30 p.m.
The evening will begin with music and libations by String Theory in the sculpture garden. Supper will be served at 7:00 p.m., and dancing to music by Good Vibrations will follow. The event is made possible by event co-chairs Ann Scoggins and Michael Montesani, decorations committee chair Tami Ramsay and this year’s M. Smith Griffith
Volunteer of the Year, David Matheny, who serves as chair of the event’s fundraising committee. Tickets to Highfalutin’ Hootenanny are $75 per person and $50 for those age 40 and under. Guests are asked to reply by October 3. For more information or to purchase tickets call 706.542.GMOA (4662).
CHAMPAGNE
Karen Prasse, M.D.
Burns Studio Art/Van Burns
Bill and Pamela Prokasy
Mr. and Mrs. E. Davison Burch
Mrs. Doris Ramsey
Dr. and Mrs. James W. Cooper Jr.
Mr. and Mrs. Walter A. Sams III
Mr. and Mrs. Richard Dolson
Mr. D. Jack Sawyer Jr. and
Mr. and Mrs. Bertis E. Downs IV
William E. Torres, M.D.
Dr. and Mrs. Mark A. Ellis
Mr. and Mrs. John D. Scoggins
Mr. Todd Emily
Mr. Howard Scott and
Fat Mosquito Press
Ms. Karen Benson
Mr. and Mrs. Edgar J. Forio Jr.
Mr. Lewis Scruggs Jr.
Col. and Mrs. Thomas N. Gibson III
Southeastern Color
Mr. Richard and Dr. Anne Hathaway
Hon. and Mrs. Homer M. Stark
Mr. and Mrs. Stan Henderson
Mrs. Dudley R. Stevens
Ms. Clementi L-B Holder and
Mr. and Mrs. Walter R. Tanner
Mr. Robert Saveland
Mr. and Mrs. Robert Winthrop II
Mrs. Lidwina G. Kelly
Dr. and Mrs. Norman J. Wood
Dr. and Mrs. D. Hamilton Magill III
Mr. and Mrs. Richard Woodruff
Mr. and Mrs. David W. Matheny
Homecoming Above: Edwin B. Smith Jr. (active ca. 1815–1841)
Mr. and Mrs. Mark McConnell
MOONSHINE
John F. and Marilyn M. McMullan
Mr. John Ahee and
Mr. and Mrs. H. Daniels Minor Mr. C.L. Morehead Jr. and Flowers, Inc., Retail
Dr. Paige Carmichael George Gregory Barnard Mr. and Mrs. Randolph W. Camp
Robert Ransome Billups, ca. 1827. Oil on canvas. 30 x 31 1/8 inches.
Mr. and Mrs. Edgar B. Myrtle
Mr. and Mrs. A. Blair Dorminey
Georgia Museum of Art, University of Georgia; Museum purchase with
Mr. and Mrs. Dennis O’Kain
Mr. and Mrs. C. Michael Evert Jr.
Drs. Gordhan L. and Virginia B. Patel
Dr. and Mrs. Henry Garrard IV
Mr. and Mrs. Alexander W. Patterson
UGA Alumni Association
Dr. and Mrs. William L. Power
Mr. and Mrs. Gerry Whitworth
funds provided by an anonymous donor in honor of Boone and George-Ann Knox. GMOA 2009.89
www.georgiamuseum.org
+ + + + + + +
11
Calendar : Fall 2011
Special Events The Collectors Visit Atlanta Tuesday, October 4, 8 a.m.–5 p.m. The Collectors will visit two private collections in Atlanta
September-October
and have lunch at Bone’s. You must be a member of the Collectors to attend. $85 per person. Call 706.542.
Sun
Mon
Tue
Wed
Thu
Fri
Sat
25
26
27
28
29
30
1
GMOA (4662) for more information.
A Highfalutin’ Hootenanny Friday, October 14, 6:30 p.m. The Friends of the Georgia Museum of Art present an
2
3
4
5
6
7
8
evening of live music, barbeque and beer, featuring local music groups String Theory and Good Vibrations. $75 per person; $50 aged 40 and under. Call 706.542.GMOA
9
10
11
12
13
14
15
(4662) for more information.
16
17
18
19
20
21
22
GMOA Student Night Thursday, October 20, 7 p.m.–midnight The GMOA Student Association hosts an evening
23
24
30
31
25
26
27
28
29
of activities in celebration of the exhibition “American Letterpress: The Art of Hatch Show Print.” Call 706.542.GMOA (4662) for more information.
November Sun
Mon
Tue
Wed
Thu
Fri
Sat
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
December Sun
Mon
Tue
Johnny Cash—Triple Johnny, Hatch Show Print Wed
Thu
Fri
Sat
1
2
3
8
9
10
After Hours at GMOA Thursday, November 3, 5:30-8:30 p.m. The Friends of the Georgia Museum of Art invite you to celebrate the museum’s fall exhibitions. Friends and
4
5
6
7
children under 12 free; Non-members $5. Call 706.542. GMOA (4662) for more information.
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
The Collectors Present Friday, November 18, 6–8 p.m. Join the Collectors for a special presentation by Charleston Silver Lady Dawn Corley. $25 Collectors; $30 Friends; $40 non-members; free for UGA students with RSVP. Call 706.542.GMOA (4662) to RSVP or to learn about sponsorship opportunities.
The Collectors’ Holiday Party Tuesday, December 6, 6–8 p.m. The Collectors will celebrate the holidays at an Athens residence. You must be a member of the Collectors to GMOA facet | Fall 2011
attend. Call 706.542.GMOA (4662) for more information.
12
Schedule a Visit to the Georgia Museum of Art To schedule a class visit or student assignment at the Georgia Museum of Art, please call us at 706.542.GMOA (4662) at least two weeks prior to the visit. Scheduling in advance enables us to prepare for your visit whether it is a docent-led tour, a self-guided visit led by an instructor or students who will be coming on their own to complete an assignment.
Join the Collectors! Visit www.georgiamuseum.org/join
Lectures & Gallery Talks Jim Sherraden Thursday, September 29, 5:30 p.m. M. Smith Griffith Auditorium
Latin American Film Festival: Immigration and Transnational Experiences
In conjunction with the exhibition “American Letterpress” Jim Sherraden, manager, curator and chief designer of Nashville’s Hatch Show Print, will discuss its history.
Tours
Films
“Precious Knowledge” Thursday, September 15, 6:30 p.m. M. Smith Griffith Auditorium
Tour at Two: Highlights from the Permanent Collection Wednesday, October 5, October 12, November 2, November 16, November 30, December 7 and December 14, 2 p.m. Meet docents in the lobby for a tour of highlights from the permanent collection.
In this documentary (2010) directed by Ari Palos and Eren McGinnis, disenfranchised high school seniors
state lawmakers attempt to eliminate the program. Spe-
Spotlight Tour: Highlights from the Permanent Collection Sunday, October 16, November 13 and December 11, 3 p.m.
cial guests Palos and McGinnis will speak about the film
Meet docents in the lobby for a tour of highlights
(75 minutes, NR).
from the permanent collection.
“Norteado” Thursday, September 22, 6:30 p.m. M. Smith Griffith Auditorium
Tour at Two: French Impressionism in the Permanent Collection Wednesday, October 19, 2 p.m.
Rigoberto Pérezcano’s debut feature (2009) is the ac-
Meet Lynn Boland, Pierre Daura Curator of European
count of one man’s dogged determination to win a better
Art, in the lobby for a tour of French Impressionist works
life for himself and his family. Andres hails from Oaxaca
in the museum’s permanent collection.
become academic warriors and community leaders in Tucson, Arizona’s embattled ethnic studies classes while
in the southern mountains of Mexico. Like many before him, he engages an unscrupulous, people-trafficking evitably conned and left stranded and cashless in Tijuana
Tour at Two: Post-Impressionism in the Permanent Collection Wednesday, October 26, 2 p.m.
(95 minutes, NR).
Meet Lynn Boland, Pierre Daura Curator of European
“coyote” to get him across the U.S. border, but he’s inJim Sherraden on the phone at Hatch Show Print.
Willson Center Lecture Thursday, October 20, 4 p.m. Miller Learning Center, Rm. 150
Art, in the lobby for a tour of Post-Impressionist works
Georgia Museum of Art director William Underwood
“Los que se quedan” Thursday, September 29, 7 p.m. M. Smith Griffith Auditorium
Eiland will present his lecture “The Sacred and the
This intimate documentary (2008) follows a number
Profane in Nashville’s Mother Church, The Ryman
of families left behind by loved ones who have crossed
Auditorium.” Cosponsored by the Georgia Museum of
Tour at Two: Decorative Arts from the Permanent Collection Wednesday, December 21, 2 p.m.
the U.S. border in search of better opportunities.
Art and the Willson Center for Humanities and Arts.
Meet Dale Couch, adjunct curator of decorative
Examining the emotional cost of long-term estrange-
arts, in the lobby for an introductory tour of decorative
ment, directors Juan Carlos Rulfo and Carlos
arts in the museum’s permanent collection.
Artful Conversation Wednesday, November 9, 2 p.m.
in the museum’s permanent collection.
Hagerman find rich cinematic metaphors in the deserted, newly constructed homes on the highway, their
Meet Carissa DiCindio, curator of education, in the
empty rooms a powerful reminder of the absence of
lobby for an in-depth discussion of Philip Evergood’s
family members (96 minutes, NR).
“My Forebears Were Pioneers.”
Family Days
“Grandma Has a Video Camera” Thursday, October 6, 6:30 p.m. M. Smith Griffith Auditorium Directed by Tânia Cipriano, this documentary about the use of home video by a family of Brazilian immigrants portrays more than 20 years of their lives in the United
The Art of Hatch Show Print Saturday, October 8, 10 a.m.–noon “American Letterpress: The Art of Hatch Show Print” illustrates the fascinating fusion of art with popular culture and music. After viewing this exciting exhibition, visit the Michael and Mary Erlanger Studio Classroom and make your own Hatch-inspired show print.
Holiday Fun Saturday, December 10, 10 a.m.–noon
States. From enchantment to disillusionment, from idealization to conformity, first-hand images and voices depict how newly arriving immigrants see their new world and struggle to establish their final home (60 minutes, NR).
“Biutiful” Thursday, October 13, 6:30 p.m. M. Smith Griffith Auditorium Please visit our website for updated information.
Elizabeth Bailey (American, b. 1952) Il Buon Regalo, ca. 1994–2009 Woodcut on paper 13 1/8 x 15 7/8 inches Georgia Museum of Art, University of Georgia; Gift of Patrick Mizelle GMOA 2010.20
Come celebrate the holidays with GMOA! Join us in making holiday cards inspired by the museum’s by the Meridian Women’s Chorus.
Workshops & Classes Drawing in the Galleries Thursday, October 13, October 27, November 10 and December 8, 5–8 p.m.
THE LATIN AMERICAN FILM FESTIVAL The Latin American Film Festival is cosponsored by the Latin American and Caribbean Studies Institute; the department of Romance languages; the College of Education, language and literacy education; the Office of Inclusion and Diversity; and the Georgia Museum of Art.
discuss the museum’s collection and upcoming exhibitions and offer suggestions for curricular connections.
and the Friends of the Georgia Museum of Art and are free ••
All events are free and open to the public
these hours. No instruction provided. Pencils only.
Faculty is invited to bring lunch as GMOA curators
Family Day programs are sponsored by Heyward Allen Motor Co., Inc., Heyward Allen Toyota, YellowBook USA and open to the public.
Visitors are invited to sketch in the galleries during
UGA Faculty Lunch and Learn Thursday, October 13, noon–1 p.m.
Check our website for the most recent information on events: www.georgiamuseum.org
unless otherwise noted.
FILMS ARE GENEROUSLY SPONSORED BY
www.georgiamuseum.org
permanent collection and enjoy a special performance
13
Museum Notes
AWARDS GMOA contractor Holder Construction Company recently received a 2011 Build Georgia Award for its work on the museum’s $20 million expansion project. Build Georgia, a branch of the Association of General Contractors, honors the achievements of Georgia’s construction firms for their performance on some of the state’s most notable projects. Holder was also awarded First Place in the Best
PROFESSIONAL DEVELOPMENT GMOA public relations coordinator Jenny Williams completed her third and final year of Southeastern Tourism Society Marketing College on July 28 at North Georgia College and State University in Dahlonega, Ga. She will receive her Tourism Marketing Professional (TMP) certificate in the spring.
Sustainable Building Practices division.
SENIOR OUTREACH This summer seniors from the Athens Senior Center, the Winterville Senior Center and the Greene County Senior Center visited the museum as part of GMOA’s Senior Outreach Program. Led by Diane Barret, senior outreach coordinator, this two-part program consisted of a museum tour focusing on portraits in the permanent collection followed by a self-portrait activity at the senior centers. To see photos of the finished projects, visit our Flickr page at www.flickr.com/photos/gmoa. Members of the Rose of Athens Theatre perform at the GACAA opening reception.
CONFERENCES GMOA co-hosted this year’s Georgia Association of Community Arts Agencies (GACAA) annual conference along with the arts division of Athens-Clarke County leisure services in late May. Throughout the opening reception, the Rose of Athens Theatre spontaneously burst into song from their production of “Alice in Wonderland.”
GMOA registrar Christy Sinksen with First Lady Sandra Deal at Arts Clayton’s opening for “Prints by Women.”
ART ADVENTURES GMOA’S Art Adventures program kept the museum education staff, interns
TRAVELING EXHIBITIONS
and volunteers very busy this summer with more than 570 children participating in the
GMOA’S first new traveling exhibition since the reopening, “Prints by Women:
program. With the theme “Summer in the City,” children from local day camps, day
Selected European and American Works from the Georgia Museum of Art,” opened at
care and community centers visited the galleries and looked at images of city life
Arts Clayton, in Jonesboro, Ga., on Aug. 5. First Lady Sandra Deal was in attendance
and cityscapes in the permanent collection. Afterwards, children collaged their own
and posed with GMOA registrar Christy Sinksen, who organizes the museum’s traveling
cityscapes in the Michael and Mary Erlanger Studio Classroom. Art Adventures is
exhibitions. “Prints by Women” will be at Arts Clayton through Sept. 23. For more
sponsored by Kathy Prescott and Grady Thrasher.
information on GMOA traveling exhibitions, visit our website www.georgiamuseum.org.
Gifts The Georgia Museum of Art received the following
DIRECTOR’S CIRCLE
The Georgia Museum of Art received the following
gifts between April 9 and July 20, 2011:
Mr. Greg Barnard
gifts between May 20 and August 20, 2011
GMOA facet | Fall 2011
Dr. and Mrs. Larry Beard
14
ALFRED HEBER HOLBROOK SOCIETY
Mr. and Mrs. Brian S. Brown Jr.
In memory of Milner S. Ball by Hugh Acheson
Audrey Love Charitable Foundation
Mr. and Mrs. Robert E. Burton
Ms. Martha Daura and Mr. Thomas Mapp
Dr. and Mrs. Samuel B. Carleton
In memory of Mary Hart Brumby by Wayne Allen,
Dr. Patricia Deitz
Mr. and Mrs. Lee B. Durham
Lucy and Buddy Allen, Marsha B. Belk, David and
The Knox Foundation
ExxonMobil Foundation Matching Gifts
Connie Bundrick, Peggy and Denny Galis,
and Mary Koon and Don and Susan Myers
Mr. and Mrs. James B. Fleece
Elizabeth Penn Howerton, Rosemary and Dan Magill,
BENEFACTOR
Mr. and Mrs. John Greene
Deana Mosher, Jill and Allan Travis, Betsy Yinger and
Mr. and Mrs. William Edward Chambers
Dr. Lars G. Ljungdahl
by the aunts of Rosemary Brumby: Carey Adams,
Mr. and Mrs. Wyatt Thomas Johnson Jr.
Mr. Lee Smith and Ms. Rinne Allen
Minnie Anderson, Miriam White and Marge Woods
Mr. C.L. Morehead Jr.
Mrs. Margaret R. Spalding
In memory of Felton Jenkins by Lucy and Buddy Allen
Mr. Carey O. Pickard III
Ms. Peggy Hoard Suddreth
In memory of Marjorie Fowler Newton by Betty Alice
W. Newton Morris Charitable Foundation
Carol and Rob Winthrop
Fowler, Virginia Hall, Marguerite Heery, Swanton
and Pattie Ivy, Mr. and Mrs. Lorenzo Moss and
PATRON
Anne Slaughter
Holder Construction Foundation
In memory of Sarah Carlton Proctor by Hannah Harvey
Mr. and Mrs. Allen Dupree King Jr.
In honor of Joanne Cutler by Hannah Harvey
Ms. Margaret A. Rolando
In honor of William U. Eiland by Howard and Ellen Elkins
Mr. and Mrs. Ian Walker
In honor of Annelies Mondi by an anonymous donor
Event Photos
JOIN Membership
JOIN THE NEW GMOA!
Not a member? Join the museum during one of the
Family Day GMOA kids make their own gilded frames at the Kress Collection Family Day.
most exciting moments in its history! Join on our website, www.georgiamuseum.org, or call 706.542.GMOA (4662).
Gallery Talk: The Art of Disegno Professor Robert Randolf Coleman discusses Italian prints and drawings from the museum’s permanent collection.
For more event photos see www.flickr.com/gmoa
NOW OPEN! Ike & Jane at the Georgia Museum of Art!
Tuesday–Saturday, 10 a.m.–4 p.m. Have breakfast, lunch or a snack, enjoy a spectacular view of the Jane and Harry Willson Sculpture Garden and support the museum. (Ike & Jane generously donates 10 percent of profits from its GMOA location to the Friends of the Georgia Museum of Art!)
Parking for the Georgia Museum of Art is available in the Performing Arts Center (PAC) parking deck, which is located at the rear of lot E11 off River Road (see map). There is no free visitor parking on campus during regular business hours. Parking in the PAC deck is free on Saturdays and Sundays and after 5:30 p.m. on weeknights with a valid UGA ID or permit, unless there is a special event. Free parking (that is, parking without a permit) is available in surface lot E11 on Saturdays and Sundays and after 4 p.m. on weekdays.
www.georgiamuseum.org
The popular Normaltown café and bakery is now serving fresh-made coffee, sandwiches and baked goods in the new museum lobby.
15
non-profit org. u.s. postage paid athens, ga
UNIVERSITY OF GEORGIA
permit no. 49
90 Carlton Street Athens, Georgia 30602-6719 www.georgiamuseum.org address service requested
GMOA Lorem Ipsum | Summer 2011
fall 2011
f a c e t •••
The Kress Project
Lycett China
Peggy Galis
16