Mahashnan by Gogi Saroj Pal

‘MAHASNAN’ Paintings by

Gogi Saroj Pal

They say 'Let the history judge the work of Art'. I am curious to know , who is writing the history & who will be writing history of art & for whom ? Earlier history was written to glorify the Art portenaisers , their taste & collection . Creative visual imagery explored number of directions in the formative years of Indian contemporary art after independence, I feel, society & media was not so kind to begin with evolving number of creative directions now being practiced in Indian contemporary art scenario. Thought of compiling this book is to register the correct dates of the starting point of these creative visual directions in Contemporary Indian Art .

Gogi Saroj Pal

This book ‘Water Colors-1972-1974 by Gogi Saroj Palat Black Patriage Art Gallery’ , New Delhi became possible with help of Ved Nayar , Gogi Saroj Pal , Ruchika Sharma & Sahil Sharma..

©gogisarojpal

‘MAHASNAN’ Paintings by

Gogi Saroj Pal

Mahasnan As a woman artist, Gogi Saroj Pal has the distinction of addressing traditional concepts and mythology through a feminine consciousness and a contemporary sensibility. The present series of Gogi's paintings titled 'Mahasnan' explore the myths and narratives that have evolved around the human body and water-rites. The relationship of the human body with water seems primordial- inseparable from the life and nurture of the body-apparatus. Water and body are tied together in the journey of life through rituals and myths. From birth to death, water signifies the presence of the life force. Life begins with the foetus growing in the water sack in the womb, preparing to enter the world while when the body is about to pass away, the moisture of the eye and mouth starts drying up. Perhaps the most enduring and intimate act that connects the body and water is snan, the ritual of the daily bath. Unlike the drink of a glass of cool water when one is thirsty, or watching ones reflections in still water or standing under a gushing waterfall, the daily ritual of bathing in urban life is usually a private act, hidden from the gaze of the world. It is engaged with itself, almost unselfconsciously, every part of it touched and cleansed with water and brought back refreshed almost to the state of tabula rasa. As a child, one is bathed and dressed by others but gradually with the awareness of the body as one's own, a new kind of exploration is initiated, familiarizing the self with its corporeality. There is an intimacy in the relationship of the water and the body, the female body in particular, that is linked more closely to natural cycles than men. Women are always undergoing change- with puberty, with marriage, child bearing and motherhood. Also the fact that women are linked more closely to natural cycles than men. Myths have been woven around each of these to prepare and initiate the woman into the multiple roles that she will be drawn into. Rituals have been designed to educate the woman about her body, its care, protection, abstinence and indulgence. Of course, a lot of this revolves around the notion of purity and impurity of the female body, but here in Mahasnan, I think, Gogi hypothesizes that, women experience the vitality rooted in their biological selves as an enabling force, and the snan/bath is more a means to remain in touch with not only their own bodies but also with their creative selves. Bathing is the time when women think, drown in their inner being, dream, desire, recuperate and restore their powers to perform as women. It is rather engaging for Gogi to look into the many associations water evokes in the context of the body- as an agent of initiation into a culture or

religion, a cleansing agent, soothing and therapeutic in case of exhaustion and disease, sacred in religious rituals, sensual in physical indulgence. But more interestingly, the narratives get more complex

when the relationship between the water and human body gets more elaborate and regulated when layered with social and moral tones. The very personal act of simple ablutions in a private space transforms into elaborate ceremonies and a community ritual such as the mahasnan. The concept of the Mahasnan elevates the act of bathing as a practice of physical cleansing to a higher idea of a spiritual release. The shift in the relationship with water is from cleansing to purifying, the very act of immersing in water becoming a path for redemption. Mahasnan as a religious concept has been so significant in India that it has grown into a congregational festival called the Kumbh Mela, where millions of people immerse their bodies in the sacred waters of the Ganges and emerge feeling light having washed their sins. The secluded act of bathing is now a public event, performed in the rivers under the open sky. It is believed that the holy waters of the Ganges frees the body and mind from its past, to reach a pure state of consciousness wherein one becomes oblivious to the physicality of one's body and in the process loses it as well. Once again, the bonding of the self with the elemental forces of nature helps release its spiritual powers, where the body is used to transcend itself. Early groups of people settled close to rivers and ancient civilizations too were invariably located in the river valleys, which became the life force of these societies. These rivers were sacred, fertile, magical, mysterious and elaborate myths connected them to the lives of gods and goddesses, celebrating their celestial source. Indeed it is not a rare sight even in 21st century India, to see people offering

coins and flowers to rivers. The ashes of the dead are also finally merged with flowing rivers whose waters are believed to be pure and holy for final salvation. Temples have kunds (artificial ponds/lakes) planned within their sacred structure to prepare people for the spiritual journey of sacred rites. Mosques and mausoleums have fountains and a haudh, a place for ablutions as part of their architectural scheme. The Christians are baptized with the holy water. The Jews make offerings to water so that their sins get carried away. There are even Jewish ritual bathhouses for women to immerse themselves after menstrual days to be ready to receive life again. The regenerative power of water is central to many rituals and it

is invoked and appeased through hymns of fertility and nurture. For Gogi, these stories and their continuing presence provide space for fresh reflection. Gogi Saroj Pal's engagement with the mahasnan was sparked off by her recollection of experiences that go back to her childhood. She reminisces her neighbour's family would ritually go to the Ramganga river for a holy dip and to feed the fish. Feeding the fish was considered a holy deed .For Gogi, the fascination with the concept continued, and a couple of years after her father's death, she asked her mother if she would like to visit the Kumbh Mela and have a holy dip to which her mother replied, â&#x20AC;&#x153; I have the Kumbh snan every morning.â&#x20AC;? Her mother's attitude towards her daily bath that it was as pure as the ceremonial Mahasnan at Kumbh made Gogi think about the different philosophical meanings people attach to simple acts of living. The series on the Mahasnan begins with simple depictions of the physical involvement between the body and water while bathing. The intimate acts of caressing and cleansing are emphasized with a single woman in each frame, caught unawares as if in a self absorbed moment- scrubbing feet, stretching arms, washing her long tresses, sprinkling water on the face. There is a strange romance that develops between the woman and her body during the snan. Gogi captures the idea of the woman thinking through her body, her mind opening up along with her uninhibited body in the secluded space. She is not the object of the male gaze but the subject of her self-discovery. The sensuousness of the body is more stark and monumental in the absence of clothing and ornamentation. The female body for her is a potent source for both sexual enjoyment and spiritual attainment, and in both cases, the acts of preparation for the sacred and the beloved are through water-rites. Many of her travels have revealed to Gogi the visual magic experienced when water and light meet. Her observations of the different colours of water in ponds, and rivers, have been explored in the true painterly sense. When in the palm of the hand, the water looks colourless, but acquires shades of blue, blue green, brown, yellow brown, ice blue and white in distinct physical locations with the play of light and external environment. The progression of the series begins with paintings depicting the woman caught in the romance of emerging from the pond with her wet dripping hair, drying them in the sun, bending and twisting the body to scrub her back, drops of water on her body creating sensations and refreshing her thoughts and raw energies .The indulgence is visually captured in the different acts of sprinkling, throwing, showering and trickling water down

the body, sometimes gently and at other times in a continuous rhythmic force while bathing .In later paintings, the presence of the body is distanced, once immersed in the river. The sensual beauty of the female body is negated as the contours become shaky under the water and the body appears distorted. The Mahasnan, philosophically aims not the preservation of the corporeal body, but to leave it behind and liberate oneself from its burden and materiality, and attain that 'lightness of being.â&#x20AC;? Like the Mahasnan, for Gogi, art making and her indulgence with her creative energies is about arriving at a free, liberated, inner being. Gogi does not paint the Mahasnan from a religious point of view at all, but perhaps challenges the possibilities of its interpretations. She consolidates her belief in the inextricably woven connections between the meanings of life and the primeval forces of Nature, and inspiration from them for her as an artist to create afresh. The negotiations between the mind and the body ultimately lead to her experience of the maha snan- the creative moment in which the self is submerged and lost in the river of the flowing waters of life. Roobina Karode, Art Historian March 2004, New Delhi

Mahashnan- 1 , 64in x 48in , Acrylic On Canvas , 2002 Mahashnan- 2 & 3 , 23 cm x 29.5 cm , Gouache on Rice Paper , 2002

Mahashnan- 4 , 23 cm x 29.5 cm , Gouache on Rice Paper , 2002

Mahashnan- 5 , 46 cm x 61 cm , Gouache on Rice Paper , 2002

Mahashnan- 6 , 46 cm x 61 cm , Gouache on Rice Paper , 2002

Mahashnan- 7 , 46 cm x 61 cm , Gouache on Rice Paper , 2002

Mahashnan-8 , 46 cm x 61 cm , Gouache on Rice Paper , 2002

Mahashnan-9 , 46cm x 61 cm , Gouache on Rice Paper , 2002

Mahashnan- 10 , 46 cm x 61 cm , Gouache on Rice Paper , 2002

Mahashnan- 11 , 46 cm x 61 cm , Gouache on Rice Paper , 2002

Mahashnan- 12, 46 cm x 61 cm , Gouache on Rice Paper , 2002

Mahashnan- 13 , 46 cm x 61 cm , Gouache on Rice Paper , 2002

Mahashnan- 14 , 46 cm x 61 cm , Gouache on Rice Paper , 2002

Mahashnan- 15 , 46 cm x 61 cm , Gouache on Rice Paper , 2002

Mahashnan- 16 , 46 cm x 61 cm , Gouache on Rice Paper , 2002

Mahashnan- 17 , 46cm x 61 cm , Gouache on Rice Paper , 2002

Mahashnan- 18 , 46 cm x 61 cm , Gouache on Rice Paper , 2002

Mahashnan- 19 , 46 cm x 61 cm , Gouache on Rice Paper , 2002

Mahashnan- 20 , 46 cm x 61 cm , Gouache on Rice Paper , 2002

Mahashnan-21 , 46 cm x 61 cm , Gouache on Rice Paper , 2002

Mahashnan- 22 , 46 cm x 61 cm , Gouache on Rice Paper , 2002

Mahashnan- 25 , 61 cm x 91 cm , Acrylic on Canvas , 2002

Mahashnan- 26 , 91 cm x 152 cm , Acrylic on Canvas , 2002

Mahashnan- 27 , 91 cm x 152 cm , Acrylic on Canvas , 2002

Mahashnan- 28 , 91 cm x 152 cm , Acrylic on Canvas , 2002

Mahashnan 29 ,91 cm x 152 cm , Acrylic on Canvas , 2002

Mahashnan -30 ,91 cm x 152 cm , Acrylic on Canvas , 2002

Mahashnan - 31 , 101.5 X 152 cm , Acrylic on Canvas , 2002

Mahashnan - 32 , 101.5 X 152 cm , Acrylic on Canvas , 2002

Mahashnan - 33 , 101.5 X 152 cm , Acrylic on Canvas , 2002

Mahashnan - 34 , 101.5 X 152 cm , Acrylic on Canvas , 2002

Bio-data

Gogi Saroj Pal

Gogi expresses through the medium of painting, drawing, sculpture, installation, graphc prints, photography, computer, limited edition books & writing.

1945: Born at Neoli, U.P. 1961-62: Studied at College of Art, Vanasthali. 1962: Passed 3rd year at College of Art, Jaipur. 1962-67: Diploma in Painting, College of Art, Lucknow. 1968-69: Vocational student for postgraduate study in painting, College of Art, New Delhi. Awards 1978-79-81: Group "8" Medals at All India Graphic- Prints Exhibition, Chandigarh & New Delhi . 1980: Sanskriti Award, New Delhi. 1981-82: Fellowship of Lalit Kala Akademi, Garhi Artists' Studios, New Delhi. 1986-88: Fellowship, Department of Culture, New Delhi . 1987: Awarded in the International Biennial of Plastic Arts at Algiers. 1990: Awarded National Award in painting by Lalit Kala Akademi, New Delhi. 1996: Award in the Cleveland Drawing Biennial in U.K. Participation in International Exhibitions 1975: International Women's Exhibition, New Delhi.

1980: Third World Print Biennial, London & Baghdad 1981-83: l4th & 15th print Biennial, Lubjiyana, Yugoslavia. 1982: Bedford Print Biennial, England 1982: 5th Triennial India - participated by contributing an "Installation". 1982: International Print Biennial, Cuba 1984: International Print Biennial, Trino, Rome. 1985: International Painting Festival, Cogne-su-Mer, France. 1986-92: International Biennial, Dhaka, Bangladesh 1986: Indian Graphic Print Exhibition in Finland, Germany & Yugoslavia. 1987: Indian Art Exhibition, Japan & South Korea 1988: 'Print making in India' Exhibition shown in many cities in United States. Compiled by Paul Lingren 1988: Paintings of Indian Women Artists, India Festival in USSR, Moscow 1988: `Work on Paper, exhibition of Graphic Prints by Indian Artists, Frankfurt, Germany. 1989: Contemporary Paintings, from India, organised by `Art Wave, New York 1991: Group Show Kunsthalle Maine, Maine, Germany 1991: A group show of Indian Artists, Lotus Gallery, Amsterdam 1991: A group show of Two Indian Women Artists, Schoo's Art Gallery, Amsterdam. 1992: Exhibition of Paintings, Bilder Aus Indien, Hamburg, Germany 1992: "To Encounter Others", An international exhibition of contemporary art at Kassel/Hann Munden, Germany which coincided with Documenta 9 _ contributed an installation "Swayambram". 1993: `A Critical Difference', an exhibition of contemporary Indian art hown at six art centers in U.K. - Funded by Charles Wallace Art Trust and British Council. 1993: Contemporary Indian Art, Yokohama, Japan. 1993: â&#x20AC;&#x153;Sihanvlokan - Red Saryu has Eyesâ&#x20AC;? - lnstallation in 8th Triennale - India. 1994: Participated in the International River Front, Liverpool Festival _ Designed and hoisted a flag. 1995-96: Installation in the "Inside Out", an exhibition of Indian Women Artists at Middlesbrough, U.K. Funded by Charles Wallace Art Trust 1997: 'Women Artists of India _a celebration of Indian Independence' at the Mills College Art Gallery, Oakland, USA. 1997: Exhibition of recent paintings at Kalart Gallery,San Francisco, USA 1997: Group exhibition titled ' Kali ' at Tropical Museum, Amsterdam 1998: Exhibition of recent paintings at de Bijenkorf organised by Holland Art Gallery & Gallery Foundation for Indian Art. 2004: 'Art Exhibition' at Indian Arts Gallery, New York. 2004: Art Exhibition at Art I, New York 2005: Group show at Lasalle- SIA College of Arts, Singapore, organized by Tao art gallery. 2005: Group show, Chelsea college of Art & Design, organized by Tao Art gallery. Indian Artists, Amsterdam Artists' Workshops & Camps 1977: Graphic Prints Workshop, Lalit Kala Akademi's Garhi Studios, New Delhi. 1978: Artists' Camp organised by Punjab University Museum at Kasauli.

1979: Graphic Prints Workshop, organised by Lalit Kala Akademi, New Delhi. 1981: Graphic Prints Workshop, Santi Niketan 1981: Graphics (woodcut) workshop, Chandigarh _ Conducted by Carol Summers. 1981: Art Poster Camp,Lalit Kala Akademy,Garhi Studios,New Delhi. 1983: Graphic Prints Workshop, Faculty of Art, Baroda University 1984: Graphic Art Camp,M.S.University,Art Studios,Baroda. 1985: Graphic Workshop, Lalit Kala Akademi, Garhi Studios _ Conducted by Krishna Reddy. 1989: Artists' Camp, Srinagar organised by N.Z.C.C 1990: Artists' Camp, Karnal Lake organised by Sahitya Kala Parishad, New Delhi 1994: Installation Camp organised by Sahitya Kala Parishad, New Delhi 1995: International lnstallation Workshop on Art and Ecology organised by Max Muller Bhawan, New Delhi 1997: Graphic Art Camp,J.J.Collage of Art,Bombay. 1997: Ceramic Camp,Good Earth.Fridabad. 1998: Painting & Glass Art Camp organised by Alembic Chemicals, Vadodra 1998: Uttarayan, Sculptors Camp, Vadodra. 2000: Graphic Art Camp,Collage of Art,New Delhi. 2004: Art Camp,Mauritius. 2005: Art Camp,Combodia. 2005: Art Camp,Sri-Lanka. 2005: Art Camp,W.G.Marriot,Bombay. 2006: Art Camp,Istambul,Turkey. 2006: Art Camp,POwai,Bombay. 2006: Art Camp,W.G.Marriot,Bombay. 2014: 'Maitri', an art Camp & show, aims to strengthen India-China ties, Jaipur. 2015: 'Tata Steel Art-in-Industry Camp' at the Centre for Excellence, Jamshedpur. Solo Exhibitions 1969: Oil Paintings at Delhi Silpi Chakra, New Delhi 1972: Water Colours at Triveni Gallery, New Delhi 1975: Water Colours at Black Partridge Art Gallery, New Delhi. 1979: Graphic Prints at Art Heritage Gallery, New Delhi 981: Oil Paintings at Art Heritage Gallery, New Delhi. 1982: Oil Paintings at Sarla Art Gallery, Madras 1982: Paintings & Graphic Prints at Vithi Art Gallery, Baroda 1982: Oil Paintings, Ceramics & Graphic Prints at Jehangir Art Gallery, Bombay 1986: Oil Paintings at Art Heritage, New Delhi 1986: Graphic Prints, Montreal, Canada 1986: Paintings at Chemould Art Gallery, Bombay 1987: Gouache' Paintings, Gallery Aurobindo, New Delhi 1988: Oil Paintings at Kala Yatra, Sista Art Gallery, Bangalore. 1988: Acrylic and Gouache' Paintings at Gallery 'Rohtas', Rawalpindi, Pakistan 1989: Gouache' Paintings, Kala Yatra; Sista Art Gallery, Bangalore 1989: Gouache' Paintings of the series, Eternal Bird, Artist Studio Gallery, New Delhi.

1990: Paintings and Prints, Westmount Public Library, Westmount, Canada 1990: Gouache' and Acrylic Paintings at Cymroza Art Gallery, Bombay 1990: Water colour Paintings (1972-73) as a support activity to Safdar Hashmi Memorial Festival at the Artist Studio Gallery, New Delhi 1991: Gouache and Acrylic paintings from the series, "Home Coming" and "A Visit to the Valley of Flowers " at the Artist Studio Gallery, New Delhi 1991: Painted Pottery and Bonsai Pots at the Artists Studio Gallery, New Delhi 1991: Miniature format paintings to form part of the "Installation " later shown in Germany & U.K. in 1992 at the Artist Studio Gallery, New Delhi 1992: Miniature format paintings to form part of Installation, later shown in Germany & U.K., in 1992 at the Cymroza Art Gallery, Bombay 1992: 'Kinnari', gouache' paintings at Alliance Francaise, New Delhi 1993: Exhibition of Paintings organised by Anwar Siddiqui in London 1994: Miniature Format Paintings at the Artist Studio Gallery, New Delhi 1994: Display of the Installation, "Swayambram" at the Max Mueller Bhawan, New Delhi 1995: Exposition of recent paintings and two Installations at the 'Art Today', art gallery, New Delhi. 1996: 'Icons of Womanhood', gouache' paintings at ARKS Gallery, London. 2000: 'Being a Woman' at Jamaat Art Gallery-Mumbai. 2001: 'Mother Icon'- photographs of 'Ma-Hidamba' at Kulu Dassehra & the paintings inspired by this experience at FIA- Amsterdam . 2001: 'Embroidering Phulkaries & Memories' at Lalit Kala Akademi's Garhi Artists' Studios, New Delhi 2002: 'Embroidering Phulkaries & Memories' Jamaat Art GalleryMumbai . 2003: 'All the flowers are for you' at Dhoomimal Art Center, New Delhi. 2002: ' Archival Digital Prints' at Dhoomimal Art Center, New Delhi & Crimson Art Gallery, Bangalore. 2004: 'All the flowers are for you' at Kiki London Art Gallery, London. 2003:'Mahashanan' at Pioneer Art Gallery , New Delhi. 2004: `All the flowers are for you' & Revisiting Amrita Shergill at 1981-84: Participated in the Exhibition, organised by Karnataka Akademi of Arts, Bangalore. 1982: Five Women Painters, Shridharani Gallery, New Delhi. 1983: Exhibition of works of artists of 'KARU' group at Baradari, Garhi Studios, New Delhi. 1984: Group Show at Cymroza Art Gallery, Bombay. 1984: Group Show at Jehangir Art Gallery, Bombay. 1984: Contemporary Print - Making in India, Jehangir, Art Gallery, Bombay. 1986: Exhibition of paintings by contemporary Indian Women Artists, National Gallery of Modern Art, New Delhi. 1987: Exhibition of sculptures by contemporary Indian Women Sculptors, National Gallery of Modern Art, New Delhi. 1987: Group Show of Serigraph-Prints at Triveni Art Gallery, New Delhi. 1989: Group Show at Village Gallery, New Delhi. 1989: Contemporary Artists from Delhi, Sakshi Gallery, Madras.

1990: Conceptual Self-portraits, Artist Studio Gallery, New Delhi. 1990: Group Show at Kala Yatra, Bangalore. 1990: Group Show of self-portraits, Chemould Art Gallery, Bombay. 1990: Exhibition of National Award Winning Works, Lalit Kala Akademi, New Delhi. 1990: A group exhibition on the occasion of the visit of Nelson Mandela at the Little Theater Group Art Gallery, New Delhi. 1990: A group show along with Ved Nayar at the Artist Studio Gallery, New Delhi. 1990: Participated in a group show organised by `Sehmat' on the occasion of Janotsav'. 1991: Participated in a group show on the Year of Girl Child' organised by Shruti, the Art Gallery of Maurya Sheraton Hotel, New Delhi. 1991: Participated in a group exhibition and auction organised by Helpage India at Jehangir Art Gallery, conducted by Aspery, London. 1991: Group Exhibition of Works in the collection of CMC. 1991: Group Show of Ceramics at Artist Studio Gallery as complimentary activity to the "Colour of the Earth" exhibition organised by the British Council. 1992: Group exhibition organised by Sparrow, Bombay. 1992: The Expressive Line, Art Age presentation, Calcutta. 1993: "Wounds" organised by CIMA at the National Gallery of Modern Art, New Delhi. 1993: Exhibition for Maharashtra earthquake relief, organised by the Faculty of Art, Baroda. 1993: Exhibition organised by CRY at Maurya Sheraton, New Delhi. 1993: "More than a decade ago, the Artist's Choice" organised by the Display Gallery, New Delhi. 1993: "Four Women Artists"; LTG Art Gallery, New Delhi. 1994: "The Blind Eye", paintings in weaving - participated in a Group Show at L.T.G. Gallery, New Delhi. 1994: "The Blind Eye', paintings in gouache' on paper - participated in the Miniature Format Exhibition, organised by CIMA, Calcutta 1994: Paintings in Weaving', a group show at Artist Studio Gallery, New Delhi 1995: Participated in the exhibition organised by the “People for Animals” at Taj Palace, New Delhi 1995: Invited to participate in an exhibition on 'BOMBAY' organised by RPG 1997: '50 years of Indian Independence' a group show organised by Vadhera Art Gallery at the National Gallery of Modern Art 1997: ' Self and the World ' exhibition of Indian Women Artists organised by Gallery Espace at the National Gallery of Modern Art 1997: ' Post - Independence Art Trends ' organised by Lalit Kala Akademi. 1997: ' The Looking Glass -Self ' a group show at Lakeeren Art Gallery, 1981: Oil Paintings at Art Heritage Gallery, New Delhi. 1982: Oil Paintings at Sarla Art Gallery, Madras 1982: Paintings & Graphic Prints at Vithi Art Gallery, Baroda 1982: Oil Paintings, Ceramics & Graphic Prints at Jehangir Art Gallery, Bombay 1986: Oil Paintings at Art Heritage, New Delhi 1986: Graphic Prints, Montreal, Canada 1986: Paintings at Chemould Art Gallery, Bombay 1987: Gouache' Paintings, Gallery Aurobindo, New Delhi 1988: Oil Paintings at Kala Yatra, Sista Art Gallery, Bangalore.

1988: Acrylic and Gouache' Paintings at Gallery 'Rohtas', Rawalpindi, Pakistan 1989: Gouache' Paintings, Kala Yatra; Sista Art Gallery, Bangalore 1989: Gouache' Paintings of the series, Eternal Bird, Artist Studio Gallery, New Delhi. 1990: Paintings and Prints, Westmount Public Library, Westmount, Canada 1990: Gouache' and Acrylic Paintings at Cymroza Art Gallery, Bombay 1990: Water colour Paintings (1972-73) as a support activity to Safdar Hashmi Memorial Festival at the Artist Studio Gallery, New Delhi 1991: Gouache and Acrylic paintings from the series, "Home Coming" and "A Visit to the Valley of Flowers " at the Artist Studio Gallery, New Delhi 1991: Painted Pottery and Bonsai Pots at the Artists Studio Gallery, New Delhi 1991: Miniature format paintings to form part of the "Installation " later shown in Germany & U.K. in 1992 at the Artist Studio Gallery, New Delhi 1992: Miniature format paintings to form part of Installation, later shown in Germany & U.K., in 1992 at the Cymroza Art Gallery, Bombay 1992: 'Kinnari', gouache' paintings at Alliance Francaise, New Delhi 1993: Exhibition of Paintings organised by Anwar Siddiqui in London 1994: Miniature Format Paintings at the Artist Studio Gallery, New Delhi 1994: Display of the Installation, "Swayambram" at the Max Mueller Bhawan, New Delhi 1995: Exposition of recent paintings and two Installations at the 'Art Today', art gallery, New Delhi. 1996: 'Icons of Womanhood', gouache' paintings at ARKS Gallery, London. 2000: 'Being a Woman' at Jamaat Art Gallery-Mumbai. 2001: 'Mother Icon'- photographs of 'Ma-Hidamba' at Kulu Dassehra & the paintings inspired by this experience at FIA- Amsterdam . 2001: 'Embroidering Phulkaries & Memories' at Lalit Kala Akademi's Garhi Artists' Studios, New Delhi 2002: 'Embroidering Phulkaries & Memories' Jamaat Art GalleryMumbai . 2003: 'All the flowers are for you' at Dhoomimal Art Center, New Delhi. 2002: ' Archival Digital Prints' at Dhoomimal Art Center, New Delhi & Crimson Art Gallery, Bangalore. 2004: 'All the flowers are for you' at Kiki London Art Gallery, London. 2003:'Mahashanan' at Pioneer Art Gallery , New Delhi. 2004: `All the flowers are for you' & Revisiting Amrita Shergill at Crimson Art Gallery, Banglore. 2005: 'All the flowers are for you' at Tao Art Gallery, Mumbai . 2007: 'All the flowers are for you' at Tao Art Gallery, Mumbai . 2010: 'Kinnari and Kinnari Mantras' at Tao Art Gallery, Mumbai. 2011: 'Gogi Saroj Pal the feminine unbound retrospective' at Delhi . 2014: 'Gogi Saroj Pal – a retrospective' Pathways Art Gallery, Gurgaon. Group Shows: 1980: Six Women Painters, at Indus Gallery, Karachi. 1981-84: Participated in the Exhibition, organised by Karnataka Akademi of Arts, Bangalore. 1982: Five Women Painters, Shridharani Gallery, New Delhi.

1983: Exhibition of works of artists of 'KARU' group at Baradari, Garhi Studios, New Delhi. 1984: Group Show at Cymroza Art Gallery, Bombay. 1984: Group Show at Jehangir Art Gallery, Bombay. 1984: Contemporary Print - Making in India, Jehangir, Art Gallery, Bombay. 1986: Exhibition of paintings by contemporary Indian Women Artists, National Gallery of Modern Art, New Delhi. 1987: Exhibition of sculptures by contemporary Indian Women Sculptors, National Gallery of Modern Art, New Delhi. 1987: Group Show of Serigraph-Prints at Triveni Art Gallery, New Delhi. 1989: Group Show at Village Gallery, New Delhi. 1989: Contemporary Artists from Delhi, Sakshi Gallery, Madras. 1990: Conceptual Self-portraits, Artist Studio Gallery, New Delhi. 1990: Group Show at Kala Yatra, Bangalore. 1990: Group Show of self-portraits, Chemould Art Gallery, Bombay. 1990: Exhibition of National Award Winning Works, Lalit Kala Akademi, New Delhi. 1990: A group exhibition on the occasion of the visit of Nelson Mandela at the Little Theater Group Art Gallery, New Delhi. 1990: A group show along with Ved Nayar at the Artist Studio Gallery, New Delhi. 1990: Participated in a group show organised by `Sehmat' on the occasion of Janotsav'. 1991: Participated in a group show on the Year of Girl Child' organised by Shruti, the Art Gallery of Maurya Sheraton Hotel, New Delhi. 1991: Participated in a group exhibition and auction organised by Helpage India at Jehangir Art Gallery, conducted by Aspery, London. 1991: Group Exhibition of Works in the collection of CMC. 1991: Group Show of Ceramics at Artist Studio Gallery as complimentary activity to the "Colour of the Earth" exhibition organised by the British Council. 1992: Group exhibition organised by Sparrow, Bombay. 1992: The Expressive Line, Art Age presentation, Calcutta. 1993: "Wounds" organised by CIMA at the National Gallery of Modern Art, New Delhi. 1993: Exhibition for Maharashtra earthquake relief, organised by the Faculty of Art, Baroda. 1993: Exhibition organised by CRY at Maurya Sheraton, New Delhi. 1993: "More than a decade ago, the Artist's Choice" organised by the Display Gallery, New Delhi. 1993: "Four Women Artists"; LTG Art Gallery, New Delhi. 1994: "The Blind Eye", paintings in weaving - participated in a Group Show at L.T.G. Gallery, New Delhi. 1994: "The Blind Eye', paintings in gouache' on paper - participated in the Miniature Format Exhibition, organised by CIMA, Calcutta 1994: Paintings in Weaving', a group show at Artist Studio Gallery, New Delhi 1995: Participated in the exhibition organised by the â&#x20AC;&#x153;People for Animalsâ&#x20AC;? at Taj Palace, New Delhi 1995: Invited to participate in an exhibition on 'BOMBAY' organised by RPG 1997: '50 years of Indian Independence' a group show organised by Vadhera Art Gallery at the National Gallery of Modern Art 1997: ' Self and the World ' exhibition of Indian Women Artists

organised by Gallery Espace at the National Gallery of Modern Art 1997: ' Post - Independence Art Trends ' organised by Lalit Kala Akademi. 1997: ' The Looking Glass -Self ' a group show at Lakeeren Art Gallery, Mumbai 1998: ' Unmasking ' a group show of conceptual self - portraits organised by Om Gallery, New Delhi. 1998: 'Works on Paper' Gallery Espace, Delhi, 1999: Graphic Print Workshop at JJ- Mumbai- Cymroza & British Council, Mumbai, 1999: 'The Creative Process'- Guild art Gallery, Mumbai, 1999: 'Art & Industry'- an Art Camp- TISCO & Cymroza, Jamshedpur, During 1999- 2000, Gogi organized / participated in: 1. The limited edition of her book, 'Letters to Punnu from Garhi studios 1983- 85: 'Ma-Gogi' was launched in London on May 1999, 2. 1999: Invited Artist- 'Extending Parameters'- Indian Printmakers Guild, Delhi. 1999: 'Kunst Rai'- International Art Fair, Amsterdam. 1999: 'Water'- Art Indus, Delhi, 9. 1999: 'Icons of the Millennium'- Lakeeren Art Gallery, Mumbai, 1999: 'Art for Spastics' a charity auction conducted by Bonhamas at Taj Coromondal, Chennai, 1999: 'Anniversary show'- Gallery Ganesha, Delhi, 1999: 'Black & White - Drawing Show', Art Today, Delhi, 1999: 'Small Format'- Art Today, Delhi, 2000: 'Two for Millennium'- Art Today, Delhi, 2000: 'The Miniature Format Show'- Sans Tache, Mumbai, 2000: 'Old Drawings & Paintings' - The Fine Art Company, Mumbai, 2000: 'Sewa'- An Auction, Mumbai, 2000: 'Their Story,- Freedom Gallery, Delhi, 2000: 'Millennium Show'- Birla Akademi, Calcutta, 2000: 'Juxapose'- Son Et Lumiere, Mumbai, 2000: 'Art for Theatre'- Vadehra Art Gallery, Delhi, 2000: 'The Millennium Masks'- Dhoomimal art Centre, Delhi, 2000: 'Women Artists- New Images 2000'- LTG Gallery, Delhi, 2001: 'Paper Pulp Show'- Fine Art Company, Mumbai, & Gallery Espace, Delhi. 2001: 'Nayika'- TAO Art Gallery, Mumbai. 2002: 'Nav Nayika' TAO Art Gallery, Mumbai. 2003: Indian Contemporary Art, Kaualalumpur, Malaysia. 2004-05-06: Polka Art Gallery 2004: Maurutius Art Camp 2004: Confluence, art camp & exhibition, New York, USA 2004: Confluence, art camp & exhibition, Los Angles, USA 2004: Drawing Exhibition, crimson art gallery. 2005: Exhibition in aid of cancer society, Cymroza art gallery. 2005: Art camp, women artists, Ankor Vat, Combodia. 2005: Earth exhibition, Tao Art Gallery. 2005: Art Camp, Sri Lanka. 2005: Exhibition in aid of cancer society, Art & Soul art gallery. 2005: Art camp in Turkey. 2005: Group show, Art Konsult art gallery. 2005-06: Art Camp, JW Marriot, mumbai. 2005: Group Show organized by 'Popular Prakashan,' Anant art G Galley, Delhi & Tao art Galley, Mumbai. 2006: Group show, Art Konsult art gallery. 2006: Harmony Show, Mumbai.

2006: Garhi Artists, Group Show. 2006: Holi & Monsoon group shows organized by Red Earth in Delhi & Mumbai. 2006: Work on paper, New York. 2006: Water exhibition, Sofia collage, Mumbai. 2006: Work on paper, Celebrating 35 years of Cymroza Art Gallery. 2006: 'Red Earth', Group Show, Baroda. 2006: 'Devotion' Group Show, Art Positive Gallery, New Delhi. 2006: Pratham Art Auction exhibition organized by Christies in London. 2006: Raag Badal organized by Bharat Bhavan, Bhopal. 2007: Tahlka Art Auction, London. 2007: Khushi Art auction, New Delhi. 2008: Group Show, Tao Art Gallery, Mumbai. 2009: 'India Art Summit' ITPO, New Delhi. 2009: Group Show 'Body as Vessel' Art Alive, New Delhi. 2009: Group Show 'Indian Harvest' Crimson - The Art Resource, Banglore. 2010: 'India Art Summit' ITPO, New Delhi. 2010: Group Show 'PRAKRIT ARTS' Channai. 2010: 'Manifestation-4', Delhi Art Gallery, New Delhi 2010: 'The Living Insignia', Gallery Ensign, New Delhi. 2010: 'Pristine' Group Show of Drawings & Installations, Shridharni Gallery,New Delhi. 2010: 'Games Artist Play' Antiquana Exhibition, New Delhi. 2010:'Beyond the frame' Tangerine Art Space, Bangalore. 2010: '51 Contemporary Artist of India' Lalit Kala Akademi, New Delhi. 2010: 'Art Fair India' ITPO, New Delhi. 2011: ' Annual Group Show' at Tao Art Gallery, Mumbai. 2011: 'Centurion' Group Show of Paintings, Sculpture & Photographs at Visual Art Gallery, New Delhi. 2011: Art for Concen' Exhibition of Contemporary at Art at Visual Art Gallery, New Delhi. 2011: 'Portrait of an Artist' Group Show at Doomimal Art Centre, New Delhi. 2011: 'India Art Summit' ITPO, New Delhi. 2011: 'Place in the Sun' at 'Art select Gallery', Jumeirah Towers hotel, Dubai. 2011: 'Canvases for change' The Stainless Gallery, New Delhi. 2011: 'Manifestation'-5, Delhi Art Gallery, New Delhi. 2011: 1St. All India Archival Digital Prints, AIFACS, New Delhi. 2011: 'Visual Ventures' Emami Chisel Art, Kolkata 2011: 'Shakti' Kalakriti Art Gallery, Hyderabad. 2012: 'India Art Summit', New Delhi. 2013: 300 Years of Graphic, Delhi Art Gallery, New Delhi 2013: 300 Years of Portraiture, Delhi Art Gallery, New Delhi 2013: 300 Years of India Landscape, Delhi Art Gallery, New Delhi 2013: Art Fair India, New Delhi 2013: Art Auction Christie's, Goa 2013: Own a Original Art & Aesthetics, New Delhi 2013: Nude & Naked, Delhi Art Gallery, New Delhi 2013: Manifestation, Delhi Art Gallery, New Delhi 2013: Art Auction, New York 2013: Art Fair, Hong Kong 2014: 'India Art Summit', New Delhi. 2014: Indian Divine, Delhi Art Gallery, New Delhi. 2014: Manifestation, Delhi Art Gallery, Mumbai.

2014: India- china Art Exhibition, Jawahar Kala Kander, Jaipur. 2015: 'India Art Summit', New Delhi. 2015: Manifestation, Delhi Art Gallery, Mumbai. 2015: India- china Art Exhibition, India International Center, New Delhi. 2015: ARTSACRE Festival of Art, Museum Of Bengal Art, Kolkata.

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Fn-fn: figurative non-figurative narration : auctions of ... books.google.co.in/books?id=HubVAAAAMAAJ Neville Tuli - 2003 - Snippet view - More editions FN-FN is presented in eleven Sections featuring 198 artists bringing together for the connoisseur and collector a formidable array of masterpieces as well as high quality works by the emerging talents of Indian contemporary painting. Indian art, an overview books.google.co.in/books?id=brefAAAAMAAJ Gayatri Sinha - 2003 - Snippet view Indian Art: An Overview is a seminal study on Indian art's entry through modernism into post-modernism. The Feminism and Visual Culture Reader books.google.co.in/books?isbn=0415267056 Amelia Jones - 2003 - Preview - More editions A valuable reference for students of visual culture and gender studies, this is both a framework within which to understand the shifts in feminist thinking in visual studies and an overview of the most significant feminist theories in this ... Feminine fables: imaging the Indian woman in painting, ... Page 97 books.google.co.in/books?id=_AEqAAAAYAAJ Geeti Sen - 2002 - Snippet view - More editions We discover this with playful intent in gouaches by Gogi Saroj Pal, who takes up notions of woman as nature and transmutes her into the mythic beast-woman; and then she explores ideals of the ... Bibliographical notes and references 1. Tradition and change: contemporary art of Asia and the Pacific books.google.co.in/books?id=ec83AQAAIAAJ Caroline Turner - 1993 - Snippet view - More editions A Critical Difference: Contemporary Art from India: Bhupen Khakhar, Nalini Malani, Madhvi Parekh, Ravinder Reddy, N.N. Rimzon, Gogi Saroj Pal, Vivan Sundaram, V.K. Wankhade [exhibition catalogue]. Texts by Hyman, Timothy, Kapur, ... Encyclopaedia of Indian paintings books.google.co.in/books?id=YIlHAQAAIAAJ Rakesh Kumar - 2007 - Snippet view ... Paresh Maity Tyeb Mehta Badri Narayan Gogi Saroj Pal Ratan Parimoo B. Prabha A. A. Raiba Ram Chandra Shukla A_. ... Glossary 231 Bibliography 24 1 Index 245 Preface This book is a pioneering effort in bringing to. Indian Contemporary Art: Post Independence - Page 310 books.google.co.in/books?isbn=818773700X Yasodhara Dalmia, Ella Datta, Chaitanya Sambrani - 2010 Snippet view - More editions

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Photographic Acknowledgements Selected Bibliography Appasamy, Jaya, Abanindranath Tagore and the art of ... Gallery of Modern Art, New Delhi Ved Nayar Jehangir Nicholson, Mumbai AkbarPadamsee Gogi Saroj PalPundole Art Gallery, ... Global Feminisms: New Directions in Contemporary Art ; [on ... books.google.co.in/books?isbn=1858943906 Maura Reilly, Linda Nochlin - 2007 - Snippet view - More editions Milford-Lutzker, Mary-Ann. "Five Artists from India: Gogi Saroj Pal, Rekha Rodwirtiya, Navjot, Anupam Sud, Rummana Hussain." Woman's Art Journal 23 (Fall 2002Winter 2003). pp. 21-27. . "The Power of Women's Art in India." Orientations 33 ... Contemporary Art in India: A Perspective books.google.co.in/books?isbn=8123734204 Pran Nath Mago - 2001 - Snippet view - More editions ... Gulam Mohammad Sheikh; Anjolie Ela Menon; Jatin Das; Manjit Bawa; Vivan Sundaram; Gogi Saroj Pal; Jai Zharotia; ... Professional Art Education; Art in Education; Modern Art A Problem of Communication Conclusion 213 Bibliography . Gogi Saroj Pal: Recent Paintings, Installations books.google.co.in/books?id=LxJRtwAACAAJ Gogi Saroj Pal, Ved Nayar, Art Today )New Delhi, India( 1995 - No preview Being a Woman: Recent Works of Gogi Saroj Pal at 'JAMAAT' ... books.google.co.in/books?id=PJZOHAAACAAJ Gogi Saroj Pal, JAMAAT art gallery - 2000 - No preview Celestial Dress books.google.co.in/books?id=qoeO4JALWggC Gogi Saroj Pal, Gogi Saroj Pal - Full view Paintings of Gogi Saroj Pal books.google.co.in/books?id=gdcpk24E-g4C Gogi Saroj Pal - No preview ABIA: South and Southeast Asian Art and Archaeology Index: ... books.google.co.in/books?isbn=9004191488 Sita Pieris, Ellen Raven - 2010 - Preview - More editions 3-731 Dalmia, Yashodhara Man and nature : Sheela Gowda, Balan Nambiar, Ved Nayar, Gogi Saroj Pal / Yashodhara Dalmia. Lalit KalĂ˘ Contemporary 42 (1996) : 58-61. [eng ; latn script] India ; 20th A.D. ; paintings ; modern art ; artists ... ... Mordecai Richler and Hugh MacLennan into Hindi. He lives in North America, with one foot in India. Pointing: Gogi Saroj Pol ÂŠ Gogi Saroj PalDesign: Biplab Kundu SAHITYA AKADEMI ISHN XI -260- 1797-X Translated by Anand SAHITYA. Meditative Spaces - Page 10 books.google.co.in/books?isbn=0549666702 Tanya Johnston - 2008 - Preview The concept of the bird is well described by the artist Gogi Saroi Pai, "they were light and delicate to the point of fragility their wings became a symbol of freedom. . .."20 The

bird ... "Gogi Saroj Pal: "between Myth and Reality"." Marg 48, no. ? Other Tongues: Rethinking the Language Debates in India ? books.google.co.in/books?isbn=9042025190 ? Nalini Iyer, Bonnie Zare - 2009 - Preview - More editions ? Cover design: Gordon Collier &Pier Post Painting used as basis for the cover design courtesy of the artist, Gogi Saroj Pal (Delhi Art Gallery) The paper on which this book is printed meets the requirements of “ISO 9706:1994, Information and ... ? Outlook Profit - 31 Oct 2008 ? books.google.co.in/books?id=mzIEAAAAMBAJ ? Vol. 1, No. 18 - Magazine - Full view ? In Faces, curated by Kalpana Shah, a variety of symbols, mediums and techniques are used by artists like Akbar Padamsee, Debraj Goswami, Dhruvi Acharya, Gogi Saroj Pal, HeeralTrivedi, Krishen Khanna, Lalitha Lajmi, Madhavi Parekh, ... ? Hindi: Handpicked Fictions - Page 4 ? books.google.co.in/books?isbn=8187649410 ? Sara Rai - 2003 - Preview - More editions ? Cover Design: Geeta Dharmarajan Cover Painting: “Swayambaram” by Gogi Saroj Pal Courtesy: www.saffronart.com In-house Editors: Gita Rajan, Shoma Choudhury Assistant Editor: Anisha Khandelwal Production Coordinator: Sanjeev ... ? Dangerous Designs: Asian Women Fashion the Diaspora Economies ? books.google.co.in/books?isbn=1134908644 ? Parminder Bhachu - 2005 - Preview - More editions ? Clothes and art: Ritu—the London shop The day I went to Ritu's, I met the artist Gogi Saroj Pal whose paintings were on display in her exhibition Icons of Womanhood which inaugurated the ARKS Gallery of Contemporary Art, which was on a ... ? Over to You, Kadambari: - Page 4 ? books.google.co.in/books?isbn=8187649291 ? Alakâ Sarâvagî, Geeta Dharmarajan - 2004 - Preview - More editions ? Cover Design: Geeta Dharmarajan Cover Painting: Gogi Saroj Pal Courtesy: www.saftronart.com Production Coordinator: Sanjeev Palliwal Typeset in 12 on 16pt Lapidary333 ET by Yashpal Singh at Katha Printed at Usha Offset, New Delhi ... ? The House Of Serpents - Page 294? books.google.co.in/books?isbn=8125007857 ? Sahu, Dharanidhar - 1996 - Preview ? This extraordinary novel achieves a rare blend of passion and intellect that defies literary categorisation, but relentlessly carries the reader on its own impetuous quest. Cover illustration: Kamadhenu by Gogi Saroj Pal ' Sahu: The House of ... ? A History of Indian Painting: The modern period - Page 329 ? books.google.co.in/books?isbn=8170173108 ? Krishna Chaitanya - 1976 - Preview - More editions ? 1926), 280 Gogi Saroj Pal (b. 1945), 320 K.C.S. Paniker (1912-77), 78 Madhvi Parekh (b. 1942), 252 Manu Parekh (b.

1939), 271, 291 Bansi Parimoo, 247 Ratan Parimoo, 193 Ram Nath Pasricha, 274, 278 Patachitra, 55-57 Pata of Orissa, ... ? The Primal Land - Page 300 ? books.google.co.in/books?isbn=8125018964 ? Pratibhâ Râ?a - 2001 - Preview - More editions ? ... is the saga of the embattled Bonda tribe, which has roamed free among the mountains of Koraput (Orissa) since time began, but now faces extinction. Cover painting : Shivpriya by Gogi Saroj Pal Cover design : Susetta Bozzi Rs 350.00 jman. ? Indian Contemporary Art: Post Independence - Page 216 ? books.google.co.in/books?isbn=818773700X ? Yasodhara Dalmia, Ella Datta, Chaitanya Sambrani - 2010 Snippet view - More editions ? Post Independence Yasodhara Dalmia, Ella Datta, Chaitanya Sambrani, Martha Jakimowicz-Karle, Santo Datta. Gogi Saroj Pal Gogi Saroj Palwas born in Neoli, UP, in 1945. She studied for two years at the College of Art, Vanasthali, ... ? Indian Contemporary Art: Paintings, Drawings & Sculpture Page 17 ? books.google.co.in/books?id=E_7pAAAAMAAJ ? Neville Tuli - 2005 - Snippet view - More editions ? 'Gogi Saroj Pal: Between Myth and Reality' in Marg Vol.48, No.2, 1996, p22-25. 'Sinha, Gayatri. 'Confronting Womanhood' in Marg Vol.48, No.2,1996,p54-65. Gokhale, Shanta.'DrawingThe Line: Censorship And The Arts' in Art India Vol. ? Indian art, an overview - Page 236 ? books.google.co.in/books?id=brefAAAAMAAJ ? Gayatri Sinha - 2003 - Snippet view ? ... Francis Newton: pl05, pl06, p1 14, pl91, Sreenivasulu, K.: p/45 Shringara Keo Hatpin, Gogi Saroj Pal: pl95 Shringara Sindhur, Gogi Saroj Pal: pl95 Shringara: Wearing Lee Socks and Woodland Shoes, Gogi Saroj Pal: p1 96 Speaking Street, ... ? India Today - Volume 32, Issues 9-17 - Page 210 ? books.google.co.in/books?id=5UxDAAAAYAAJ ? 2007 - Snippet view - More editions ? Our forthcoming ventures include a retrospective exhibition and a comprehensive monograph on the art and life of Chittaprosad, Gogi Saroj Pal, G.R.Santosh, Ambadas and Sohan Qadri. Designs on Metal Gage Corporation is a veteran in ... ? Fn-fn: figurative non-figurative narration : auctions of ... ? books.google.co.in/books?id=HubVAAAAMAAJ ? Neville Tuli - 2003 - Snippet view - More editions ? FN-FN is presented in eleven Sections featuring 198 artists bringing together for the connoisseur and collector a formidable array of masterpieces as well as high quality works by the emerging talents of Indian contemporary painting. ? Feminine Fables: Imaging the Indian Woman in Painting, ... Page 88 ? books.google.co.in/books?isbn=8185822883 ? Geeti Sen - 2002 - Snippet view - More editions ? This essential difference in her approach to mythology makes Saroj Pal's images subversive. ... As she comments: Shringara

Keo Karpin, 1999 ByGogi Saroj Pal Gouache on Paper Above right: Shringaraâ&#x20AC;&#x201D; wearing Lee Socks and Woodland ... ? Celebration of the Human Image: The Human Figure in Indian ... ? books.google.co.in/books?id=EQDWAAAAMAAJ ? Yvette Kumar, R. Siva Kumar - 2000 - Snippet view ? Gogi Saroj Pal was born in 1945 in Uttar Pradesh. She studied at the College of Art, Vanasthali, Rajasthan and the Government College of Arts and Crafts, Lucknow. and in the late 1960's at the College of Art, New Delhi. She has exhibited all ... ? Expressions And Evocations ? books.google.co.in/books?id=d7afAAAAMAAJ ? Gayatri Sinha - 1996 - Snippet view ? Written by some of India's best-known critics and scholars of contemporary art, including Tapati Guha-Thakurta, Geeta Kapur, Yashodhara Dalmia, Rupika Chawla and Geeti Sen, this volume traces the significant contribution of women on the ... ? AsianArtNews - Volume 16 - Page 47 ? books.google.co.in/books?id=JvNIAQAAIAAJ ? 2006 - Snippet view - More editions ? Yet Saroj Pal's work is highly unusual, displaying her vast skill and passion for her subject. ... Contemporary Indian women artists such as Madhavi Parekh, Sujata Bajaj, Gogi Saroj Pal, Anjolie Ela Menon, Mrinalini Mukherjee, Nilima Sheikh, ... ? Lalit Kala Contemporary - Volume 41 - Page 30 ? books.google.co.in/books?id=iQVJAQAAIAAJ ? 1995 - Snippet view - More editions ? During the recent Triennale, Gogi Saroj Pal's installation which worked through a series of philosophical associations of primeval elements was nevertheless deft and contained, and pointed to positive new directions in her work. The most ... ? Rashtriya Sahara - Volume 5, Issues 1-6 - Page 170 ? books.google.co.in/books?id=8iNuAAAAMAAJ ? 1997 - Snippet view - More editions ? Gogi Saroj Pal, the pioneering artist has achieved a subversive dialectic on the status of women in life and art by her depiction of mythical hybrid women who are half human and half animal. Using pj||oo the representation of women in ... ? Lalit KalĂ˘ Contemporary - Issue 43 - Page 19 ? books.google.co.in/books?id=F2nrAAAAMAAJ ? 2000 - Snippet view - More editions ? Remember the earlier installations by Ved Nayar, Gogi Saroj Pal, Vivan Sundaram and Sheila Gowda. But later works by the very same artists have visual understanding of the space and scale. Where for Ved Nayar the installation was born of ... ? Art and AsiaPacific Quarterly Journal - Issues 17-20 - Page 32 ? books.google.co.in/books?id=xX_rAAAAMAAJ ? 1998 - Snippet view - More editions ? Consider an installation by Gogi Saroj Pal: nine depictions of

the goddess Kali who, as her name implies, devours Time. Terrifying in her black nakedness, she rides the tiger and performs physical exercises of Hatha-yoga, an esoteric Tantric ... ? Asian women artists - Page 128 ? books.google.co.in/books?id=bqZPAAAAMAAJ ? Dinah Dysart, Hannah Fink - 1996 - Snippet view - More editions ? Four decades later, in the work of Gogi Saroj Pal this quality of introspection appeared as a full blown critique of Indian womanhood. An artist who questioned social repression in the mid-1970s in grey, dark etchings, she gradually began ... ? Graphic Art in India Since 1850: An Exhibition - Page 78 ? books.google.co.in/books?id=bvDQAAAAMAAJ ? 1985 - Snippet view ? GOGI. SAROJ. PAL. b. 1945, Neoli, U.P. Joined College of Art, Vanasthali, 1961 ; shifted to Lucknow next year, obtained Diploma, 1967; Post Graduate vocational training, Delhi, 1968-69; Garhi Artists' Fellowship and elected Fellow Artist of ... ? Tiger by the tail!: women artists of India transforming ... Page 89 ? books.google.co.in/books?id=UXkYAQAAMAAJ ? Shulamit Reinharz, Elinor W. Gadon, Brandeis University. Women's Studies Research Center - 2007 - Snippet view ? GOG1 SAROJ PAL Hatyogini S/irtAii,1999 Gouac he on paper 22 x 19 in. Collection of Jamshyd and Pheroza Godrej Facing page: GOGI SAROJ PAL Swayatnbram: Kinnari, 1991 Gouache on paper 9 x 6''a in. Collec tion ol Delhi Art Gallery, ... ? Women Artists of India: A Celebration of Independence ? books.google.co.in/books?id=6AZJAQAAIAAJ ? Mary-Ann Milford-Lutzker - 1997 - Snippet view ? Engendering: Images of Women - Page 16 ? books.google.co.in/books?id=1_zpAAAAMAAJ ? 2001 - Snippet view ? Gogi. Saroj. Pal. My life and my cultural identity carve the directions of my expression. Inspirations for expression emerge around and within me. I want my creative concerns to be relevant to my times, imbibing local, regional and universal ... ? Indian Artist Introduction: Abid Surti, Ram Kumar, B. V. ... ? books.google.co.in/books?isbn=1230632190 ? Source Wikipedia - 2013 - No preview ? Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. ? Triennale India - Issue 8 ? books.google.co.in/books?id=xrpPAAAAMAAJ ? 1994 - Snippet view - More editions ? Indian Artists: Rabindranath Tagore, Kirti N. Chaudhuri, ... ? books.google.co.in/books?isbn=123062306X ? Source Wikipedia - 2013 - No preview ? Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. ? Indian Painters: Rabindranath Tagore, Sohan Qadri, Stephen ... ? books.google.co.in/books?isbn=1230601538

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Source Wikipedia - 2013 - No preview Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Indian Artist Introduction: Norah Richards, Pratiksha ... books.google.co.in/books?isbn=115728003X Books, LLC, Source: Wikipedia, Books Group - 2011 - No preview Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. The Feminism and Visual Culture Reader books.google.co.in/books?isbn=0415267056 Amelia Jones - 2003 - Preview - More editions A valuable reference for students of visual culture and gender studies, this is both a framework within which to understand the shifts in feminist thinking in visual studies and an overview of the most significant feminist theories in this ... Contemporary Art in India: A Perspective books.google.co.in/books?isbn=8123734204 Pran Nath Mago - 2001 - Snippet view - More editions A quintessential work that unfolds the origin and development of contemporary indian art.Covering the last 150 years and with nearly 300 illustrations, the book focusses on the different artistic and stylistic genres and art movements which ... The Hindus: An Alternative History books.google.co.in/books?isbn=0199593345 Wendy Doniger - 2010 - Preview - More editions Wendy Doniger is one of the foremost scholars of Hinduism in the world. With her inimitable insight and expertise Doniger illuminates those moments within the tradition that resist forces that would standardize or establish a canon. Saundarya: - Page 288 books.google.co.in/books?id=UJPpAAAAMAAJ Harsha Venilal Dehejia, Makarand R. Paranjape - 2003 Snippet view In her new vocabulary of mythical images, Gogi Saroj Pal sources her material from rare forgotten myths buried in tradition. From the terracotta temples of Bishnupur in Bengal she retrieves the image of the youthful god Kartikeya riding upon ... Contemporary Art in India: A Perspective - Page 177 books.google.co.in/books?isbn=8123734204 Pran Nath Mago - 2001 - Snippet view - More editions Vivan Sundaram, Death of an Akkadian King (Detail), Engine Oil and Charcoal on paper Courtesy: Artist Gogi Saroj Pal (b.1945) The infatuation for Gogi Saroj Pal with painting started from her childhood, had in time brought her to the ... Link - Volume 33, Issues 1-25 - Page 34 books.google.co.in/books?id=ETtWAAAAYAAJ 1990 - Snippet view - More editions Gogi Saroj Pal: 'Home coming' Ved Nayar, the gifted sculptor, along with two of his students, Pramod Mann and Manish Kansara, who are among the best young sculptors in the Capital, and Gogi Saroj Pal, who is last year's national award ... Art of India: Prehistory to the Present - Page 139 books.google.co.in/books?isbn=0852298137

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Frederick M. Asher - 2003 - Snippet view - More editions Gogi Saroj Pal's (b. 1945) use of the mythic icon is ingenious. She subverts the mythic image of Kamadhenu (1989), the wish-fulfilling cow â&#x20AC;&#x201D; a symbol ironically apt for the woman gifted with the passive, benign nature of a cow. Half woman ... Vuka SA. - Volume 2, Issue 1 - Volume 3, Issue 1 - Page 24 books.google.co.in/books?id=ONohAQAAIAAJ 1997 - Snippet view - More editions Gogi Saroj Pal. Shivpriya. 1995. Gauache on paper. 37,5 x 25 cm. the philosophic yearning of the individual to find the self within a larger karmic logic, and on the other, a passionately felt response to the rapidly changing exigencies of political ... Masterpieces and ABC series - Page 9 books.google.co.in/books?isbn=818174019X Osian's )Firm( - 2007 - Snippet view ... Sadequain Nikh.il Biswas Prokash Karmakar Sanat Kar Sunil Das Jogen Chowdhury Bikash Bhattacharjee G.m. Sheikh Shanti Dave Balraj KhannaGogi Saroj Pal Indian Contemporary Art Lots 56-68 Sudhir Patwardhan Navjot Vasundhara ... India International Centre Quarterly - Volumes 26-27 - Page 194 books.google.co.in/books?id=2HlDAAAAYAAJ India International Centre - 1999 - Snippet view - More editions GOGI SAROJ PAL arrived on the contemporary art scene around the 1970s, bringing with her a family tradition of social reformers, freedom fighters and writers, and her own compulsion to give expression to her story through art. She works in ... Creative Process - Page 12 books.google.co.in/books?id=oOrVAAAAMAAJ Shivaji Panikkar - 1999 - Snippet view These elements are obvious in varying degrees in the works of Gogi Saroj Pal, Jogen Chowdhury, K.G. Subramanyan, A.Ramachandran, Bhupen Khakhar, Laxma Goud, Thota Vaikuntam and Arpana Caur. The Composite images of Gogi, the ... Indian Print Making Today, 1985 - Page 48 books.google.co.in/books?id=_CAkAAAAMAAJ 1985 - Snippet view His works are in the collections of numerous public galleries and private sector corporations, as well as individuals in India and abroad. Address: Plot-1, Krishna Dev Nagar, Sarai Nandan, Varanasi-221 010. Gogi Saroj Pal Saroj Pal Gogi's ... Verve: The Spirit of Today's Woman - Volume 12 - Page 43 books.google.co.in/books?id=0vDeAAAAMAAJ 2004 - Snippet view - More editions Gogi Saroj Pal's creations were voluptuous, some of them pregnant, each of them with a wistful expression on their faces, as if remembering a contented childhood. Senaka Senana- yake, an artist from Sri Lanka, showed his women at their ... Art India: The Art News Magazine of India - Volume 12 -

Page 20 ? books.google.co.in/books?id=9NIOAQAAMAAJ ? 2007 - Snippet view - More editions ? GEORGINA MADDOX DISTRESSING DAMSELS ALL THESE FLOWERS ARE FOR YOU, Mi EXHIBITION OF GOGI SAROJ PAL S RECENT WORK at Tao Art Gallery. Mumbai, from the 7th to the 21st of February, was conspicuously cohesive: ... ? Major Trends in Indian Art, September 25-October 12th, 1997 ? books.google.co.in/books?id=3gDqAAAAMAAJ ? Rm Palaniappan - 1997 - Snippet view ? Gayatri Sinha writes about Gogi Saroj Pal : "Her technique is inspired by the old miniatures from the Kangra valley in the lower Himalayas where the artist was born. Viben Gogi paints the goddess of the Himalayas, she treads volcanic terrain. ? India Perspectives - Page 40 ? books.google.co.in/books?id=GaeyAAAAIAAJ ? 1994 - Snippet view - More editions ? GOGI SAROJ PAL'S MYTHS IN A WORLD OF REALITY BYUMANAIR Gogi's symbols are witness to the expressive variety of nature, as well as to the harsh world of reality that surrounds the woman, and yet there is a time when the radiance of ... ? Twentieth-century Indian sculpture: the last two decades Page 73 ? books.google.co.in/books?id=YyVQAAAAMAAJ ? Shivaji Pannikar - 2000 - Snippet view - More editions ? ... notions of beauty. Both Navjot's and Gogi's efforts are directed towards deconstructing voyeurism and consumption by working against the norms of beauty which are exploited and propagated by ... Gogi Saroj Pal, "Big B-Doll", 1999. Painted ... ? Visual Arts: The India Habitat Centre's Journal - Volume 4 ? books.google.co.in/books?id=scefAAAAMAAJ ? 2003 - Snippet view - More editions ? ... by Mukul Pawar, Cuckoo, Brij Mohan Sharma, Javed, Shubhika, Pramod Mann, Om Pal and O.R Khare amongst others. ... Shamshad Husain, Ganesh Haloi, Neeraj Goswami, Gogi Saroj Pal, Harshvardhan, Jagdish Dey, Deepak Tandon, ... ? The India Magazine of Her People and Culture - Volume 10 Page 1 ? books.google.co.in/books?id=Q5IMAQAAMAAJ ? 1989 - Snippet view - More editions ? Taking expression at its most existential, we have the work of the young sculptor Prith- pal Singh Sehdave (Ladi) which looks like a death mask in ...Gogi Saroj Pal uses colour to achieve the sameend, asdo Manu Parekh and Paritosh Sen. ? A Lady's Visit to the Gold Diggings of Australia in ... ? books.google.co.in/books?id=Um5ZAAAAcAAJ ? Ellen CLACY - 1853 - Read - More editions ? The Namaste ìbook of Indian short stories - Volume 2 - Page 41 ? books.google.co.in/books?id=X-djAAAAMAAJ ? Monisha Mukundan - 1994 - Snippet view - More editions ? Monisha Mukundan. A DAY WITH CHARULATA by

ANUPAMA NIRANJANA translated from Kannada by TEJASW1NI NIRANJANA illustration by GOGI SAROJ PAL KANNAN MY COMRADE by KA NAA SUBRAMANYAM illustration by Par. ? The second nose and other stories - Page iv ? books.google.co.in/books?isbn=8129108623 ? Yashpal, Anand )journalist.( - 2006 - Snippet view ? Copyright © Viplava Karyalaya 2006 Copyright © English translation: Anand 2006 Cover Painting © Gogi Saroj Pal Published 2006 by T^Mfia. « G> 7/16, Ansari Road, Daryaganj, New Delhi 110 002 Sales Centres: Allahabad Bangalore ... ? Kanchan, the Story So Far: 1976-2006 : Works from Three ... - Page 156 ? books.google.co.in/books?id=8_zpAAAAMAAJ ? Kanchan Chander, Roobina Karode, Amit Dixit - 2006 Snippet view ? Left to right: Anita Dalal, Bula Bhattacharya, Gogi Saroj Pal, Kanchan Chander and Pakistani artist Mubina Zubaidi, New Delhi, 1986 11. With artist-friend Shukla Sawant, silkscreen studio, College of Art. New Delhi, 1986 12. At Tsukuba, Japan ... ? Alchemy of Chance: Works on Paper by Jai Zharotia - Page 140 ? books.google.co.in/books?id=T_nVAAAAMAAJ ? Jai Zharotia - 2006 - Snippet view ? ... Delhi: Joint exhb. with Gogi Saroj Pal. Delhi Shilpi Chakra. New Delhi. 1970, '82 Solo exhb.. Triveni Kala Sangam. New Delhi. 197° Contemporary Indian Prints, New Delhi, Madras, Calcutta. Washington D.C. 1972 Solo exhb. of paintings. ? Art and Visual Culture in India, 1857-2007 - Page 193 ? books.google.co.in/books?isbn=8185026920 ? Gayatri Sinha - 2009 - Snippet view - More editions ? The immensity of struggles and exterior forces motivated Gogi Saroj Pal and several others to paint from their female experience and subjectivity, reflecting their transition from patriarchal, male-dominated spaces to gradual visibility and ... ? Outlook - Volume 47, Issues 32-39 - Page 68 ? books.google.co.in/books?id=9ukvAQAAIAAJ ? 2007 - Snippet view - More editions ? A hundred artists- including Gogi Saroj Pal, Baiju Parthan and Jogen Chowdhury— have donated one artwork each. The sales proceeds from earlier exhibitions helped cpaa treat over 200 children each year. Over 14,000 Indian children are ... ? India Today International - Volumes 22-23 - Page 64 ? books.google.co.in/books?id=QIUpAQAAIAAJ ? 1998 - Snippet view - More editions ? The works of the artists, including Gogi Saroj Pal, Marut and Madhvi Parekh, Jai Zharotia, Paramjeet Singh, Shamshad Husain and Sanjay Bhattacharya, display the post-Hu- sain trends in Indian modern art. HOMAGE REMEMBERING ... ? Arts Review - Page 72 ? books.google.co.in/books?id=psIzAQAAIAAJ ? 1996 - Snippet view - More editions ? 01222 506678, fax 506960. Mon-Thur 9.30-8, Fri 9.30-5.

Inside Out: 9 contemporary artists from India - Navjot Altaf, Arpana Caur, Rummana Hussain, Nalini Malani, Madhvi Parekh, Rekha Rodwittiya, Gogi Saroj Pal, Nilima Sheikh, Mona Rah ... ? Arts of Asia - Volume 36, Issues 5-6 ? books.google.co.in/books?id=zIpMAAAAYAAJ ? 2006 - Snippet view - More editions ? This survey of key individuals and movements in India from the Mughal period to the present maps the aesthetic evolution and revolving attitudes in the use of paper as material for art. Love II Series, 1991, Gogi Saroj Pal, gouache on paper, ... ? London Magazine - Volume 37, Issues 1-6 - Page 170 ? books.google.co.in/books?id=hfkSAQAAMAAJ ? John Lehmann, Alan Ross - 1997 - Snippet view - More editions ? ... Indira Gandhi), and we began to enjoy the exceptional talents of the sculptors Meera Mukherjee and Mrinalini Mukherjee; the painters Arpita Singh, Arpana Couer, Anjoulie Menon, Nalini Malani, Nasreen Mohamedi andGogi Saroj Pal. ? Panjab University Research Bulletin: Arts - Volume 30 - Page 174 ? books.google.co.in/books?id=uacYAAAAYAAJ ? 1999 - Snippet view - More editions ? ... Prabhakar Barve, Nagji Patel, Prabhakar Kolte, Atul Dodiya, Yusuf, C Douglas, Sudhir Patwardhan, Gogi Saroj Pal, Rameshwar Broota, Madhvi Parekh, Manu Parekh, Shymal Datta Ray, Ganesh Pyne, Ganesh Haloi Amit Amabalal to name ... ? Indian performing arts - Page 38 ? books.google.co.in/books?id=5_RkAAAAMAAJ ? Utpal Kumar Banerjee - 1992 - Snippet view - More editions ? f vr4i\Gogi Saroj Pal £ ,1 ,?4Jf 4 *:/..j□uL-f* $ 1 1 » V 'III %&&* tit" '□-#: HjL G.R. Santosh Dhanraj Bhagat Ram Kumar Dharmanarayan Das Gupta 0 Arpana Caur Bhupen Khakkar Bimal Das Gupta Manu Parekh Satish Gujral Arpana Cau ... ? Bombay Art Society's Art Journal - Volume 11 ? books.google.co.in/books?id=4GJRAAAAYAAJ ? 1982 - Snippet view - More editions ? Front Cover : — Stone sculptures By Dilip Mishra — Gwalior. Back Cover : — Ceramic Heads By Gogi Saroj Pal — Delhi. Hon. Editor HARISH RAUT Hon. Associate Editor R. C. NIGAM News IFll^k AWARD FOR INDIAN FILM The Indian film, ... ? Feminist Periodicals: A Current Listing of Contents ? books.google.co.in/books?id=X4rgAAAAMAAJ ? 1992 - Snippet view - More editions ? ... Pandey Short Story : The Farewell Song of A Woman 39. Books Received 40. Letters to Manushi 1 □□' ' . , , ,i?— ,. On the Cover : Painting by Gogi Saroj Pal. MANUSHI. 67. ? Survey of activities - Page 37 ? books.google.co.in/books?id=MiANAAAAYAAJ ? Koninklijk Instituut voor de Tropen - 1993 - Snippet view ? As Gogi Saroj Pal explains:'Kali is prepared for any kind of violence. I find the idea of Kali exciting, because she is a woman, and a pure energy'. The exhibition included a 2-meter

statue of Kali, together with many other testimonies to her ... ? Business India - Issues 524-529 - Page 29 ? books.google.co.in/books?id=07dIAAAAYAAJ ? 1998 - Snippet view - More editions ? The paintings are priced between Rsl,500 (Arpan Mukherjee and Suranjan Basu's lithographs) and Rs2 lakh (Gogi Saroj Pal's oil on canvas). their technical skills have already opted out of the race. Ramdass, who is also president of the ... ? D.N. Saraf in the Journey of Craft Development, 1941-1991: ... - Page 79 ? books.google.co.in/books?id=ZvnqAAAAMAAJ ? D. N. Saraf - 1991 - Snippet view - More editions ? ... set up his unit there which has achieved much fame. Recently another endeavour by Ved Nayar, the sculptor, and Gogi Saroj Pal, the painter, who worked in Paonta Sahib in the medium of Himachal terracotta, has produced creative results. ? An exhibition of paintings by a visiting Indian artist, Gogi Saroj Pal, opened on 1 December 1988 at the Rohtas Gallery, Islamabad. It was based on the image of a centaur, half horse and half human, who figures in many myths and legends. ? Freedom And Destiny: Gender, Family, And Popular Culture ... - Page 77 ? books.google.co.in/books?id=wRwqAAAAYAAJ ? Patricia Uberoi - 2006 - Snippet view - More editions ? Art historian Geeti Sen (2002: 88-9) comments perspicaciously on the parodying of the advertising industry's deployment of women by contemporary women artists like Gogi Saroj Pal. 42. Educationist Krishna Kumar (personal communication) ... ? India, a Reference Annual - Page 1066 ? books.google.co.in/books?id=RnNDAAAAYAAJ ? 1992 - Snippet view - More editions ? ... Sculpture "Bronze Age I X" Pradeep Kumar Saxena Sculpture Grey Hair Queen "Kukkoo" Anil Kumar Sculpture Twp Tortoise Smt. Gogi Saroj PalPainting "Sawayambaram " Jagdish Chander Painting In the Realm of Reality Mahendra Kadia ... ? Guide to Indian Periodical Literature - Volume 23 - Page 431 ? books.google.co.in/books?id=txUnAQAAIAAJ ? 1989 - Snippet view - More editions ? K.S. Nagaraja Bull Deccan Coll Res Inst 44 1985 113-19 KURNAR, VinodGogi Saroj Pal. Lallt Kala Contemporary 33 Pe'85 42-46 figs KURRIAN, John Elementary education in India-myth, reality, alternative. New Delhi, Vikas Pub. Re 125 ... ? The Book Review - Volume 26 - Page 3 ? books.google.co.in/books?id=0ngsAAAAYAAJ ? 2002 - Snippet view - More editions ? ... Spring and Other plays by H.S. Shivaprakash, translated from the Kannada by C.R Ravichandra, S. Sandhya, and Lakshmi Chandrashekhar ^ Cover: Hathyogini by Gogi Saroj Pal from Faith in the Age of Uncertainty edited by Sima Sharma. ? From Independence Towards Freedom: Indian Women Since 1947 ? books.google.co.in/books?id=aOYtAAAAYAAJ

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Bharati Ray, Aparna Basu - 1999 - Snippet view - More editions From Nilima Sheikh's delicate, translucent temperas, we jump to the large, boldly outlined, flatly coloured, single-figure compositions of Gogi Saroj Pal(b. 1945), who was trained in the Colleges of Art at Vanasthali (Rajasthan) and Lucknow. The Printed Picture books.google.co.in/books?isbn=0870707213 Richard Benson - 2008 - Preview - More editions Presented as a series of one-page essays opposite the pictures they examine, the book retains the lively, engaging style of the informal lectures through which Benson developed his ideas over the course of thirty years at Yale University. Pal, Gogi Saroj books.google.co.in/books?id=YgDRjwEACAAJ No preview The folder may include clippings, announcements, small exhibition catalogs, and other ephemeral items. The constant and changing faces of the goddess: goddess ... books.google.co.in/books?id=cwRPAQAAIAAJ Deepak Shimkhada, Phyllis K. Herman, Claremont Graduate University - 2008 - Snippet view - More editions The Cambridge Economic History of the United States books.google.co.in/books?isbn=0521553083 Stanley L. Engerman, Robert E. Gallman - 2000 - Preview More editions Volume III surveys the economic history of the United States and Canada during the twentieth century. The Fertile Crescent: Gender, Art, and Society books.google.co.in/books?isbn=0979049792 Ferris Olin - 2012 - No preview - More editions Issued in conjunction with an exhibition held at Mason Gross Galleries, Rutgers University, Aug. 13-Sept. 9, 2012, and elsewhere through Nov. 2012. The Age of Kali: Indian Travels and Encounters books.google.co.in/books?isbn=0143031090 William Dalrymple - 2004 - Preview - More editions The Age of Kali is a panorama of the Indian subcontinent, poised between chaos, westernization and immemorial tradition& It is like Dalrymple s previous books, erudite, engaging and entertaining Martin Gayford, Spectator Books of the Year Art Diary International - Page 656 books.google.co.in/books?id=4aHrAAAAMAAJ 2004 - Snippet view - More editions Alaknanda Kalkaji, 110019 ENAS M.J., Air Force B.B.School Lodhi Rd, 110003 GAITONDE VS., B-6 Nizamuddin West, 110013 GAJWANI GOPI, B-174, Pnyadarshini Villar, 110092 GOGI SAROJ PAL, A-32 Tara AptsAlaknanda, Kalkaji. Exhibition of Paintings by Arpana Cour Sweden 23,139.00 13. Exhibition of Paintings by Y. D. Deolalikar U.K. 3,844.00 14. Exhibition of Paintings by Rama- chendran and Saroj Pal Gogi France 20,364.00 15. Exhibition of Graphic Arts "Indian ...

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Revista de occidente - Page 29 books.google.co.in/books?id... - Translate this page José Ortega y Gasset - 200? - Snippet view - More editions José Ortega y Gasset. Fig. 17. Gogi Saroj Pal, Kamadhenu (1989). Fig. 18. Atul Dodiya, An ArtutefNo Violence (1999). Fig. 19. A VUELTAS CON LA «MADRE INDIA» 29.

Mahashnan - 33 , 101.5 X 152 cm , Acrylic on Canvas , 2002