Goodnewspaper: The Refugees Edition

@GOODGOODGOODCO

THE REFUGEES EDITION

ISSUE 13

H E L LO H E L LO!

3

WHO MAKES THE GOODNEWSPAPER?

Welcome to the Goodnewspaper.

It’s when times are hardest that it’s most important that we shine a light on good news. Not ”feel-good” news. Hope — real hope — no matter how messy it may be.

There’s a lot of good in the world that needs to be celebrated.

And we need to become a part of it.

Guest Editor Ahmed M. Badr - @mesopotami Managing Editor & Writer Kailey Thompson - @kaileythompson Art Director Carra Sykes - @carrasykes Editor-in-Chief Branden Harvey - @brandenharvey Director of Community & Communication Megan Burns - @meganburnsyou

Creativity In Displacement: The Power of Storytelling In The Global Refugee Crisis

Director of Partnerships Steve Wallace - @stevenbwallace

When I came to the U.S. as a refugee in 2008, I didn’t know

jewelry, a virtual reality project that puts you in the shoes

I had a story to tell, much less how to tell it. Since then, with

of someone living in a refugee camp, and artists who trans-

Creative Strategist

the help of so many incredible friends and mentors, I’ve

formed a prison into a colorful place to live. I even got to

Sammi Harvey - @sammiharveyco

learned to use storytelling as a means of self-empowerment,

interview a top UN official, Kelly T. Clements, who offers

as a way of learning about and situating myself within the

valuable insight into the organizational perspective of the

world around me.

global refugee crisis.

Event Producer Michelle Ellamae - @ellamaeproductions Centerfold Poster Featured Artist

Serving as guest editor on this issue has been an absolute

Above all, I hope you see that there is no one image, one

honor. We talked with refugees across multiple countries

story, or one representation that can fully capture the word

and contexts to learn about the challenges they’ve overcome,

“refugee.” We are students, leaders, and friends, who — just

Contributing Writer

the projects they’re working on, and the ways they are taking

like you — dream of a world that can be safe, secure, and full

Sheryl Winarick - @swinarick

ownership of their stories. We also chose to highlight those

of joy and meaning.

Special Thanks

who may have never experienced displacement but are none-

Hussein Al-Baiaty - @refutees

My hope isn't just to leave you feeling inspired but that

To the 300+ Instagram followers who helped translate

you'll also feel compelled to roll up your sleeves and join us

the word "welcome" into their languages. The languag-

One thing I wish people knew about refugees is that their

in doing the work. You will encounter several calls to action

es on the front cover represent the 10 countries who

experiences are three-dimensional, complex, and not lim-

in the pages that follow, but please remember that this issue

ited to tragedy and pain. I think you’ll see in this issue that

is itself a call to action, a call toward solidarity, collaboration,

this is true. This issue is so important because it recognizes

and empathy.

theless on the frontlines in refugee advocacy.

the need for refugees to tell their stories on their own terms and then fulfills that acknowledgement by amplifying their stories through its pages.

You’ll read stories about repurposing life jackets into

-AHMED M. BADR, @MESOPOTAMI

Author, "While the Earth Sleeps We Travel" & Guest Editor

host the most refugees per 1,000 inhabitants: Lebanon, Jordan, Turkey, Chad, Uganda, Sudan, Sweden, South Sudan, Malta, and Djibouti.

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This issue of the Goodnewspaper was printed in June 2020 and released in July 2020.

W E H AV E G O O D N E W S

4

Sesame Street Opens Its Doors to Syrian Refugees For more than 50 years, Sesame Street has been a source of entertainment and education for children, providing lessons

Life Jackets Create Jewelry — And Opportunities — For Refugees

on challenges affecting childhood such as racism, divorce, autism, grieving, and more. Now the show is introducing new characters: refugees displaced by the war in Syria.

Afghan Refugee Gives Out Food Vouchers to People Affected By COVID-19

You can see piles of bright orange life jackets discarded

“At this point, there are lots of 7-year-olds who were born

An act of kindness is going a long way to help people hit by the

across the rocky beaches in Lesbos, Greece, signifying

as refugees from Syria” and remain far from permanent

coronavirus pandemic. Nemat Azizi, an Afghan refugee and

the perilous journey that refugees are willing to take to

resettlement, a Sesame Street staff member told the New

insurance office owner, helped those struggling financially

create a better life. Now a startup in Minnesota is using

York Times. “That’s not changing soon.”

by giving out hundreds of grocery vouchers worth $150 each.

the jackets to create jewelry and draw attention to the

According to the Times, nearly seven out of 10 Syrian

It started when Azizi donated $500 of his own money. He

residents have been forced to leave their homes since the

soon realized just how many people were affected in his town

The company, Epimonia, transforms the life jackets into

start of the conflict in 2011. More than 11 million people

of Bellevue, Nebraska, and he called on business owners and

jewelry, and half the profits go to organizations that help ref-

have been displaced, with only 150,000 of those people

members of the community to chip in. Soon he had raised

ugees adapt to resettlement. The startup’s founder, Moham-

permanently resettled.

hundreds of dollars through his Facebook fundraising page.

global refugee crisis.

ad Maalim, is a Somali-American refugee who was born in

Sesame Street’s model for early childhood education

The donations benefit restaurant and salon workers who lost

Dadaab, a refugee camp in Kenya and one of the largest refu-

includes lessons on the alphabet, counting, and colors,

their jobs because of the pandemic so they can get daily es-

gee camps in the world. His family moved to Minnesota with

of course, but also historically tackles more complicated

sentials and take care of their loved ones.

the help of a UN resettlement program. Now he’s the first in

topics, so in many ways this pivot into including refugees

his family to finish school and attend college.

is unsurprising.

Azizi told Newsweek that reflecting on his hardships as a refugee — fleeing Afghanistan, going to India, and then mov-

"With the current political climate that was going on in our

Less than 2 percent of humanitarian aid worldwide is

country, I wanted to shed a positive light on refugees," Maal-

targeted at education, according to the Times. The series,

"Getting the opportunity to come to the United States

im told the media organization Freethink.

called Ahlan Simsim ("Welcome Sesame" in Arabic),

as a refugee has always motivated me to give back," he told

Maalim first proposed the Epimonia idea during a college

will address challenges such as housing insecurity, social

Newsweek. "I believe in communities sticking together,

social business competition. His first product was a wrist-

isolation, and safety because these challenges affect

especially during tough times like these. There have been

band that's made out of lifejackets, called the “Embracelet.”

children’s development in a significant way, including issues

multiple times in my life that I have received help and now

A partner organization collects life jackets from the Greek

with brain development, gene expression, and the ability

that I am able to give forward, I am and will continue doing so

beaches and sends them to the company’s factory in Minne-

to build the fundamental tools of resiliency, the Times

for as long as I can."

sota, where former refugees work to create the jewelry.

said. The show will focus on identifying and managing

"When you wear this bracelet, you basically symbolize that

difficult emotions.

you stand for refugees. Refugees are human beings, just like

Sesame Street estimates that their series will reach as

all of us. They all want opportunities to provide for their fam-

many as nine million children — what they expect to be

ilies, and that's what the bracelets stand for," he said.

the largest early-childhood intervention in the history of

He hopes to expand to a full clothing line soon.

humanitarian response.

ing to the U.S. — motivated him to help others.

WHAT'S THIS? THIS IS THE GOOD BAR. We believe in celebrating good and then joining in and making a difference ourselves. The Good Bar is full of recommendations from the Good Good Good community on how to take action in meaningful ways. Start small and work your way up.

HOW TO SUPPORT REFUGEES DURING THE PANDEMIC GO OD

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UNHCR has been doing important work for refugees in the midst of the threat of COVID-19. You can learn more about their responses and the experiences of refugees during this time at medium.com/@UNHCR.

Donate to Preemptive Love. They're on the frontlines rushing food to thousands of refugees locked down with no other way to eat, providing medical care, creating digital jobs, and more. preemptivelove.org/covid19

Look up your community's local resettlement agency.

You can call them or email them and ask how you can help your neighbors during this uniquely challenging time. They'll be able to direct you to meaningful action.

How to Restore Faith In Humanity and Hope For Our Future

W E LCO M I N G N E WCO M ERS

5

values, beliefs, and customs. Emotions overtake the numbers

example, I love the Multicultural Refugee Coalition in Austin,

and facts, and you can’t reason with emotions. Essentially,

Texas, Eat Offbeat in New York City, Justice For Our Neigh-

the migration issue cuts directly to the core of who we are.

bors in Grand Rapids, Michigan, and Welcoming America

So, who are we? I found myself asking about five years ago,

initiatives all around the United States. When Clarkston,

frustrated with the growing gap not only between rhetoric

Georgia became one of the most multicultural square miles

and reality surrounding migrants and refugees, but also be-

in the U.S. because of refugee resettlement, local residents

tween people living in our society. Feeling so much polariza-

created Refuge Coffee Co. as a meeting place to share coffee

Most people I meet really love their home country, much like

tion and alienation at home caused me to realize this is not

and culture and get to know each other. They bring the com-

the way we love our family. Home is part of who we are, which

only an immigration and refugee issue, but also a question

munity together to celebrate different religious holidays with

might explain why most people in the world (96.5 percent)

about the kind of community where I want to live. How do we

food, dancing, and art. Volunteers use the space to teach Eng-

live in the country where they were born. The number of

bridge the gap? How can we live in harmony with people we

lish and job skills to their new neighbors. When I was there

international migrants is relatively small, around 3.5 per-

perceive as different? How do we cultivate the kind of com-

for the annual Refuge Coffee 5K, I heard a runner exclaim

cent of the world’s population, according to the UN’s World

munity where everyone feels a sense of belonging and value,

with glee, “The world could be like this!” Another Georgia

Migration Report 2020. That’s roughly 272 million people,

no matter where they come from or why?

native said he doesn’t like to travel, so he appreciates getting

By Sheryl Winarick

and the overwhelming majority move for reasons related to

It turns out, people all over the world are working hard to

work, family, and study. But 26 million people are officially

answer these questions, finding creative ways to bring people

At the end of the day, meeting people where they are and

designated as refugees, as UNHCR reported in June 2020,

together to better understand who we are and who we want to

connecting on a heart level feels like the best way to restore

and another 4.2 million are asylum-seekers who must meet

be (individually and collectively), to support each other, and

faith in humanity and hope for our future. Something as sim-

the definition of a refugee in order to gain lawful status in the

to enjoy the spaces where our journeys overlap.

ple as a potluck dinner party provides a fun opportunity to

country where they seek refuge.

to explore the world through his own community.

Sometimes we have to turn our attention away from the

engage more people in conversations that spark trust and

I offer these numbers for context. It’s not easy to leave

headlines to see how much good there really is in the world.

compassion. And it only takes one spark to light the dark-

home, and most people don’t. For those who do, in my expe-

That’s what I’ve discovered over the past five years as I’ve

ness. A collective dedication to this kind of bridge-building is

rience as an immigration attorney, it’s not for lack of love of

traveled around the United States and the world exploring

exactly what will draw us into a brighter and more just world

their home country but rather with an abundance of hope

the ways people experience migration through intentionally

where everyone feels truly seen and welcome.

for creating a better life. Everyone I know shares the same

inclusive community conversations. We talk about culture

desire to live in a free society where we feel safe and have the

and identity, faith and spirituality, food and hospitality, and

Sheryl Winarick is an immigration attorney who

opportunity to thrive. People dream of being allowed to work

anything else that naturally emerges. Each conversation is

helps people navigate complex legal systems to

hard, of being able to contribute, of helping to sustain the kind

unique, but one thing is consistent. Sharing our lived expe-

pursue their dreams and goals in the United States.

of environment where their children can thrive, too.

riences and feelings — hopes and fears — in mixed company

She is equally committed to connecting people with

Unfortunately, host countries are increasingly hostile to

with longtime residents and newcomers, including immi-

diverse life experiences to cultivate deeper awareness

immigrants in general and to refugees and asylum-seekers in

grants and refugees, challenges the narratives people write

and appreciation for our shared humanity. Her home

particular. The most vulnerable people in the world somehow

about us, whoever “us” is.

base is Austin, Texas, where she finds refuge hiking

seem like the most threatening because they come from plac-

Everywhere I go, I meet people who are excited to share

es perceived as significantly different — different cultures,

local initiatives welcoming and supporting newcomers. For

and paddle boarding around the lake.

HOW TO WELCOME REFUGEES IN YOUR COMMUNITY GO OD

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Lessen the assumed differences between you and refugees. A great place to start is Buzzfeed's YouTube video called "Questions You've Always Wanted To Ask A Refugee."

If you're a person of faith, you can encourage your congregation to get involved with the refugee community.

Check out these Jewish, Christian, and Islamic nonprofits: HIAS, World Relief, and Islamic Relief USA.

Volunteer with local initiatives that welcome and support refugees. You can visit welcomingamerica.org/ programs/our-network to find organizations in your area. (If there isn't one — you can start one!)

6

C R E AT I V I T Y I N D I S P L AC E M E N T

Crafts Help Refugees Find Community and A Living In New Places A local crafts initiative is helping refugees in Idaho find community — and even a way to earn some spending money.

Artisans for Hope teaches crafting skills and English, takes participants on field trips, and helps them find jobs and launch businesses.

One participant, Bahija Karim, came to Idaho from Afghanistan in 2005 and told AP that because of Artisans for Hope, “we could make something for ourselves, for them, for the country, for the community.”

Artisans for Hope created a traveling quilt project to change the perception of refugees.

In partnership with the Idaho Commission traveled through Idaho, Oregon, and Utah to

Artists Turned Empty Dutch Prisons Into Colorful Homes For Refugees

display them.

An artist group called United Painting in

on the Arts, artisans created story quilts and

“It was for me a very good experience

the Netherlands has transformed an empty

because I was seeing support from people,”

prison into a colorful home for refugees.

quilt project participant Wafaa Alwan said to

Plunging crime rates in the country have left

AP. Alwan came to the United States from Iraq

prisons empty, and many are closing down.

and joined Artisans for Hope after opening up

But the government is now using some of

to a friend about her homesickness.

these empty prisons to house refugees, a

“It’s not just a center for crafting,” Alwan said to AP. “It’s a healing center for

population that’s growing as more migrants arrive in the country seeking asylum.

us. It’s really a second chance for refugee

Many of the refugees who are living in the

ladies to find a place to live and prosper

restyled prisons stay for at least six months,

in the community.”

and they’re free to come and go as they

Other groups across the U.S. are doing

please. According to National Geographic,

similar work to help refugees heal and

many of the residents spend their time

find community through crafting. In 2007,

practicing their Dutch skills, learning to ride

Sharon McCreary helped found A Little

bikes, and building lasting friendships.

Something, a women’s refugee crafts

The project “aimed to transform this huge

organization in Denver. They sell crafts and

complex with six giant grey towers that

give artisans 75 percent of the earnings.

have long been an eyesore in Amsterdam’s

“We provide a venue for refugee women

skyline,” United Painting writes on their

to craft together, build a community, make

website. The group worked collaboratively

some friends, and have a safe way to interact

with local artists to revamp the building

with each other and talk about what they’ve

into a welcoming, bright place for refugees

been through,” McCreary told AP.

to live.

C E L E B R AT E G O O D N E W S

7

Ex-Refugee Now Makes Video Games For Peace

Painting Helps Mental Health at Refugee Camp In Iraq

Lual Mayen spent years of his childhood living in a refugee

About 11,000 displaced Yezidis live at the Bajed Kandala

camp in Uganda, more than 200 miles from his birthplace

refugee camp in Iraq. Here you’ll find Joint Help for

in Sudan. But now he works out of a corporate office in

Kurdistan, one of the eight NGOs operating in the camp.

Washington, D.C., worlds away from where he grew up.

Established by Kurdish-Swedish doctors in 2016, the

Mayen endured painful and traumatic experiences grow-

organization provides not just the medical aid the camp’s

ing up: His two sisters died while making the journey to the

residents so desperately need, but holistic and educational

conscripted as child soldiers. And he witnessed bombings

Renowned Photojournalist Set Up A Photography Workshop For Refugee Children

regularly. Now his mission is peace-making.

UNICEF estimates that nearly five million Syrian refugee

lessons to arts and crafts resources, all a welcome reprieve

Mayen is now a video game developer leading his own

children require humanitarian assistance. A world-

from camp life, according to the Iraqi news organization

company, Junub Games, that creates video games aimed

renowned photojournalist wanted to teach these children

Rudaw. The initiative was originally meant to be a short-

at peace-building and conflict resolution. He created his

how they can use art and creativity to express themselves,

term project, but at the request of the camp’s residents,

first game, Salaam (“peace” in Arabic), while still living as a

heal, and tell their stories.

JHK became a more permanent camp fixture. All the

refugee camp. He didn’t have enough food. His friends were

activities, too.

JHK provides everything from coding classes to English

refugee. For three years his mother worked sewing clothes

The photojournalist, Reza Deghati, traveled to the

to save enough money to buy her son a $300 dollar laptop.

Kawergosk refugee camp in Iraqi Kurdistan in 2013 and

He was determined to make good on his mother’s sacri-

established Exile Voices, a project bringing reporting and

“People who’ve been coming for a while seem to find it

fice and walked three hours daily to a cafe, where he could

photography to refugees. He established a photography

much easier to communicate their emotions and talk about

charge the computer. He began building his first game and

workshop, the Reza Visual Academy, for children in the

difficult things with us,” JHK volunteer Mattina Hiwaizi

was later granted a visa to move to the U.S. while serving

camp aged 11–15.

said to Rudaw. Hiwaizi is a fine art graduate from London

as a consultant for the World Bank.

“When I start a workshop, I used to say to my students that

classes are volunteer-led and run anywhere from three to six times a week.

and has visited the camp eight times.

The company’s products are largely informed by Mayen’s

I’m not there to teach them photography but to give them

There is a lack of psychosocial support available to

experiences growing up playing soccer, looking for food in

a tool that will allow them to tell the world, in a universal

refugees and internally displaced people, but program

bushes, and hiding from nightly bombs. In the game, players

language, their desires, their dreams, [and] their lives,”

participants said access to art helps.

take on the role of a refugee fleeing falling bombs, finding

Deghati told the news organization France 24.

“I do it for my brain. Nothing else,” participant Barzan

water, and getting energy points that ensure survival in a

One participant, Maya Rostem, told Borgen Magazine,

Khaider said to Rudaw. “When you suffer from something

virtual world that moves from war-torn to peaceful as the

“I want to learn photography because I believe that with it,

you can show [art] to your friends, your community.

game goes on.

everyone can see what I feel and how we live.”

Through my painting I can say, 'I suffer from this, this is

Players can get a leg-up in the game with real-world

In 2015, Deghati, with the help of the UNHCR and the

money, all of which goes to sponsor a refugee through Ju-

Mairie de Paris, organized a photo exhibition that featured

nub’s NGO partners. Through its in-game transactions,

the work of Syrian refugee children from Kawergosk. The

people can make a real difference in the life of refugees

exhibition, titled “A Dream of Humanity,” humanizes the

“I paint for my dreams,” he said. “I paint for my

while also allowing players to step into the shoes of some-

refugee conflict and shares the voices of Syrian refugee

hopes, things in my mind, to start a new life,” Khaider

one experiencing a similar childhood to Mayen.

children through visual art.

said to Rudaw.

my meaning, these are my difficulties.'”

Khaider told Rudaw that the aim of his art is to relax and focus on hopes for a better future.

HOW TO SUPPORT REFUGEE ENTREPRENEURSHIP GO OD

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Learn about entrepreneurs who are refugees. Meet Yassin from Yassin's Falafel House at squareup.com/ dreams/yassin, and read "10 refugees who will change your perception of entrepreneurship" on UNHCR.org.

Support refugee-owned restaurants. If you live in NYC, you can support Eat Offbeat, which hires refugees who love cooking as catering chefs and recipe creators in partnership with the International Rescue Committee.

Encourage your company to support refugee entrepreneurs and small businesses by providing loans, offering training programs or incubators, and facilitating their access to market. Learn more at tent.org.

#MEWEINTL

8

Meet the Organization Helping Refugees Heal Through Storytelling He left his job at the UN and in 2014 founded his nonprof-

lying on a foreign NGO. And MeWe International doesn’t

it, MeWe International. (The name “MeWe” comes from the

only work with refugees — the program is also for asylum

two-word poem by Muhammad Ali, who Mohi-Ud-Din met

seekers in Texas, incarcerated youth in Washington, D.C.,

at a mosque when he was a child). He piloted the program in

and even social entrepreneurs at large companies, among

the Zaatari refugee camp in Jordan, one of the largest refu-

other communities.

gee camps in the world with more than 200,000 Syrians. The program now exists in 12 countries.

of places, there’s still resistance and resilience and hope. You

now to where we want to be,” Mohi-Ud-Din said. “We tend

don't have to be a refugee or someone who's been through

to have our narrative of our life defined by one thing, and our

trauma to have that power inside of you. It’s inside all of us.”

program [creates] spaces through communication and sto-

family. His parents are from the disputed territory Kashmir,

rytelling [to discover] things more meaningful than pain.”

his father a doctor who moved to the U.S. for a job opportu-

The group centers on the power of creativity and story-

nity and met his mother on their wedding day. As a child,

telling to help participants enhance and transform their psy-

Mohi-Ud-Din traveled yearly between Kashmir, where many

chological wellbeing and build resilience, leadership skills,

of his relatives still live, and Maryland, where he grew up.

and community engagement. The initiative’s central goal is

At 18 years old, he visited Kashmir to create a multimedia

to provide a space for participants to reframe the narrative

piece documenting human rights violations in the region. He

of their experiences and define them on their own terms, all

interviewed his relatives and other people in the commu-

while practicing teamwork, leadership, and self-expression.

nity and witnessed a connection between storytelling and

“The story you tell yourself about yourself shapes how

Later, in 2009, he set up a program to help street children and migrant youth in Morocco and provided more than 300

you engage with the people on the planet around you,” Mohi-Ud-Din said.

Refugee participants undertake a journey toward heal-

ment. In the year he was in Morocco, he saw a behavioral

ing the trauma that forced them to flee their homes. MeWe

shift within the children, further confirming his idea about

trains refugees to facilitate the program, which includes ex-

the effectiveness of art and communication therapies.

ercises in breathwork, goal-setting, video blogging, and other

tions team at the United Nations, Mohi-Ud-Din learned about the displacement of Syrians and thought his earlier program could evolve into something bigger.

“THE STORY YOU TELL YOURSELF ABOUT YOURSELF SHAPES HOW YOU TREAT YOURSELF, AND HOW YOU TREAT YOURSELF SHAPES HOW YOU ENGAGE WITH THE PEOPLE ON THE PLANET AROUND YOU”

you treat yourself, and how you treat yourself shapes how

children with tools for educational and emotional develop-

Years later, while working on the strategic communica-

beings that has fight in it,” Mohi-Ud-Din said. “In the darkest

“Storytelling is a vehicle that takes us from where we are

Mohsin Mohi-Ud-Din is the first American born into his

healing trauma.

“There's something in the DNA and the blood of all human

narrative therapy exercises. Participants share their work in small groups and with the greater community.

The initiative is self-sustaining and co-created with the

PHOTOGRAPHY BY WYATT WINBORNE #MEWEINTL

participants so they can run it on their own instead of re-

HOW TO SUPPORT REFUGEES IN THE ARTS GO OD

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Engage with poetry, art, photography, and storytelling from displaced young people at narratio.org. Narratio activates, supports, and highlights the creative expression of young storytellers from over 18+ countries.

Purchase beautiful refugee-made products. In partnership with UNHCR, MADE51 offers refugee artisans a way to earn an income to rebuild their livelihood and re-establish their independence. made51.org

Donate to Lighthouse Relief to support their youthrun magazine and their Youth Engagement Space in the Ritsona Refugee Camp in Greece. You can learn more at lighthouserelief.org/operations.

MORE GOOD NEWS

This Organization Helps Teach Refugee Women Literacy and Driving Skills A woman in New Haven, Connecticut founded an organization that's helping refugee and immigrant women establish independence through personal, in-home tutoring programs. The organization, called Elena’s Light, offers English classes, healthcare literacy and health habits

Virtual Reality Puts You In the Shoes of Someone In A Greek Refugee Camp Two young women who met while volun-

classes, and child wellness classes, all offered with customizable curriculum and flexible class times — completely free of charge.

teering at a refugee camp in Greece are now

The organization's most unique offering

on a mission to help young people express

is preparation assistance for Connecticut’s

themselves. Daphne Morgen and Hannah

driver’s license test so refugee women don’t

Brumbaum met in 2017 at Ritsona Refu-

have to rely on public transportation, which

gee Camp, a small camp outside of Athens

can be confusing and stressful for new

housing more than 600 refugees from Syr-

residents in an unfamiliar city.

ia, Afghanistan, Somalia, and Iraq. Togeth-

The organization’s founder, Fereshteh

er they built a youth arts program that sup-

Ganjavi, has a long history in the field of

ports and engages young people.

education. At the age of 22, she was living

They created a youth center, creative

in Tehran and founded a secret elementary

storytelling workshops, a digital platform

school for Afghan children. The school

called Youth UnMuted, and a youth-led

served more than 300 students a day and

magazine called the Ritsona Kingdom

was the only form of education for its

Journal, components serving together as

undocumented Afghan students, who were

a platform to elevate voices of displaced

barred from the Irani educational system

youth. Now they’re embarking on a new

because of their citizenship status.

project to use virtual reality to help young people tell their stories.

Ganjavi applied for refugee status in the United States, and after a years-long

The virtual reality project allows partic-

process, she arrived in the U.S. in 2011. She

ipants to step into the shoes of a displaced

founded Elena’s Light — named after her

person in Greece, bringing to participants

daughter Elena, meaning “light” in Farsi

the voices of the young people and the con-

— after realizing that many other refugee

text in which they are forced to live direct-

women struggled with the same challenges

ly. Anyone can go to the Youth UnMuted

she faced when she was new to the country.

website to find the immersive virtual real-

After overcoming troubles navigating

ity project to see a glimpse into a refugee

a new culture, Ganjavi found success as a

camp in central Greece. The 20-minute

professor at The University of New Haven

experience is full of first-hand accounts of

and as a healthcare coordinator. Now the

the people who live in the camp plus facts

organization helps other women realize the

and figures about the refugee crisis.

same level of success.

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A N I N T E RV I E W W I T H U N H C R ' S D E P U T Y H I G H C O M M I S S I O N E R

A Peek Into the World of a Top Official at the UN’s Refugee Agency

By Ahmed M. Badr

Kelly T. Clements is an optimist with a remarkable responsi-

You’ve worked with refugees for almost three decades now.

What’s the most challenging part of sharing stories about displacement, and how do you balance hopeful storytelling with the often-dire situations on the ground?

to these problems, but it can be something that can help to improve a situation.

lives, their families. They may have serious trauma or injury

How has COVID-19 impacted UNHCR operations across the world? And what is UNHCR doing to prepare communities for potential infection?

from whatever it is they were fleeing. It is their story — it's not

We are working closely with the World Health Organization

our story. We try to translate it in a way that it speaks to people

to support governments, making sure to reinforce health

who want to support what we're trying to do.

standards. We operate in about 57 countries right now where

We hear stories of people uprooted from their homes, their

bility. As Deputy High Commissioner of the United Nations

The numbers don't speak as well as individual stories,

we're either the partial or the full health provider with our

Refugee Agency (UNHCR), she is at the forefront of the effort

which can allow a person to relate to another person. You can

partners in sometimes very remote refugee settlements

to protect the world’s nearly 80 million refugees and forcibly

talk about a refugee who was once an engineer or a teacher,

or camps.

displaced individuals.

or a high school student, or someone who was just starting

We've been quite fortunate to date because so far there has

elementary school. It could easily be our kids. It could be our

not been a big outbreak in a refugee setting. For some of our

family. It could be us.

operations, we probably won't see the peak of the infection for

Deputy High Commissioner (DHC) Clements has worked with displaced populations for the past three decades, and prior to joining UNHCR in 2015, she served in various roles at the

There are very few people I've encountered who don't have

another couple of months. And we have colleagues that are

U.S. State Department, including Deputy Assistant Secretary

a dream of some sort. They want to go back home. They want

working in some very difficult environments that haven't been

of State in the Bureau of Population, Refugees, and Migration,

to make sure their children are safe. They want to make sure

able to get out because of travel restrictions.

where she was responsible for humanitarian issues in Asia

they have something in the pot for dinner that night. They

But there are also some positive aspects. We've seen refugees

and the Middle East.

want to start their own business. We may only be able to share

taking a leadership role in many of these communities,

We spoke to DHC Clements about how UNHCR uses story-

a few stories, but there are millions who have similar dreams.

especially in circumstances where international staff have to

telling to humanize refugees, how to best mobilize support and

We must be able to convey suffering and tragedy, but it's

relocate away from more rural areas. So you see contexts where

resources while navigating the difficult intersection between

also important to convey hope. The stories of hope inspire

refugees are our community outreach volunteers — they're the

politics and humanitarianism, and how UNHCR is aiding dis-

action to a greater extent than those of suffering and tragedy.

ones providing information on public health, and in some areas

placed communities during the COVID-19 pandemic.

they're the doctors, the nurses, the ones taking care of those who

You have a difficult job with remarkable responsibilities.

At a time when politics and humanitarian efforts are so intertwined (for better and for worse), how has this affected how you navigate your role?

have contracted the infection.

A very smart person told me early in my career that there

to be forgotten within their host community, particularly

As the number two in the organization, I always need to be pre-

is nothing about refugees that isn't political. It's one of the

when we will have more extensive testing and when vaccines

pared to step in for the High Commissioner and speak for the

reasons why I spent the majority of my career in government

become available. We should include everyone, not just the host

organization, publicly and internally. The day-to-day responsi-

— at the State Department, an institution that uses diploma-

country’s citizens, as no one is safe until everyone is safe.

bilities have to do with making sure that we are equipped as an

cy to bring governments and people together to try to solve

organization to protect and aid forcibly displaced people around

problems. Really, refugees are a result of when governance

the world and to support the host communities that are impact-

fails. We are a protection agency and a humanitarian agency,

ed. This requires money, people, and technology.

but we're quite different from, say, a relief agency.

Can you tell us about your role as Deputy High Commissioner and the responsibilities that come with the job?

We have over a thousand partners in over 130 countries, over

It’s our job to work closely with governments to strength-

500 field locations, and 17,000 team members. Then there are

en their procedures so people can exercise their right to

many more thousands of members of that broader team who are

asylum and find safety in another country, and in some

trying to protect and aid. It's the central role of this office to be

circumstances, protection within their own countries. Pol-

able to bring all of that together. Ultimately my role is to work in-

itics very quickly becomes interlaced with humanitarian

side the organization to make sure that our teams are supported.

challenges. We say that humanitarian aid is not a solution

When it comes to storytelling and displacement in the time of COVID, we have to be careful not to subject displaced populations to further discrimination. We don’t want refugees

Kelly T. Clements is the Deputy High Commissioner for UNHCR — the UN Refugee Agency — where she supports a dedicated workforce of 17,000 to deliver protection and aid to the nearly 80 million forcibly displaced people around the world. Humanitarian for a lifetime, she lives in Geneva, Switzerland with her family and enjoys connecting over hikes, travel, and sports.

SY R I A N YO U T H E M P OW E R M E N T

Former Refugee Set Up An Organization That Prepares Refugees For College When George Batah moved to the U.S. as

partnership that provides students one-

a refugee at the start of the Syrian conflict

on-one English tutoring both over the

in 2011, he was one of 33 young Syrians

summer and during the school year.

who arrived as a group of college transfer

“We all have a duty to help and to do

students. He and the other students had

something,” Batah said. “I felt that there

to overcome many of the challenges of

was some good that could be done there if

navigating a new educational system

we could focus and bring the right people

without much support. But they managed,

to help.”

and now they want to help other students achieve similar dreams.

At the end of the nonprofit’s first year, nine students gained admission into

In 2016, Batah and a number of his

selective universities including Harvard,

cohorts set up a mentorship program

MIT, and Stanford. Nearly 100 students

to help other young Syrians who have

have completed the program and have

dreams of attending college in America.

collectively earned more than $14 million

The nonprofit, called Syrian Youth

in scholarships. Some of their students

Empowerment, searches for the brightest

have now gone on to receive job offers

high school students in Syria, many of

from top companies such as Google and

whom live in refugee camps.

Goldman Sachs. Batah is encouraged that

Each student is assigned a volunteer mentor, who works remotely with

the students have grown into positive Syrian examples and role models, he said.

the students over Skype, Facebook,

“What I'm really hopeful about is that

Whatsapp, and email to provide students

we are building a class of future leaders

with everything they need to apply to

who will help Syria, Iraq, or any country

colleges, including SAT test prep, essay

that they are from, a class of leaders who

and application editing, support with

will support, help, and contribute to their

the visa application process, and support

countries,” Batah said.

in attaining a TOEFL qualification

The group is expanding to other nations

(a standardized test that measures

and aims to become the global leader in

the English language ability of non-

supporting higher education for students

native speakers). SYE is also piloting a

in conflict zones.

13

AHMED M. BADR

14

Rewriting Tragedy: Transcending Displacement Through Creative Expression My family was resettled to the U.S.

United Kingdom. We didn’t have anything

twelve years ago, on May 19, 2008. Since

to lose, and so we applied. A little over six

then, I have been on a mission to human-

months later, we received a phone call.

ize the global perception of refugees by launching projects that allow displaced young people to express themselves on their own terms, and I have worked with

PHOTO BY EDWARD GRATTAN

living room.

I ran to her, worried that something horrible had happened.

international institutions to ensure that

She picked me up in her arms, gleefully

we amplify these voices in a nuanced, dig-

announcing that we had four one-way tick-

nified manner.

ets to Sioux Falls, South Dakota. I was ec-

When told in the mainstream, refugee stories tend to overwhelmingly focus on

Ahmed M. Badr is the guest editor of this

The word refugee is usually associated

tragedy — the reason(s) behind why an in-

issue of the Goodnewspaper. This article

with both an ending and a beginning. An

dividual had to flee their home countries.

includes excerpts from his upcoming book,

ending in that it represents the loss of a pre-

Through workshops and interviews with

“While the Earth Sleeps We Travel: Stories,

vious life, a previous security. The ending

hundreds of displaced young people, it has

Poetry, and Art from Young Refugees

forces us into a kind of new beginning, one

become clear that the dominant “refugee

Around the World,” due from Andrews

in which we must completely recreate our

narrative” is too one-dimensional. In actu-

McMeel in October 2020.

present in hopes of a better life.

ality, it’s far from a singular narrative, but

"STORIES ARE LIKE WINDSHIELD WIPERS DURING A STORM; THEY WON’T GET RID OF ALL OF THE RAIN, BUT THEY WILL MAKE OUR WAY CLEARER."

I heard my mother screaming from the

What happens in between is often ignored,

rather a multitude of experiences impos-

and that is why the refugee narrative needs

sible to understand through the singular

to be redefined and given a three-dimension-

dimension of tragedy.

static, and I assumed that Sioux Falls was just a cab ride away.

PHOTO BY EDWARD GRATTAN

al, realistic human face. At the time, I did not understand why our house had been bombed.

—

I did not understand why wars were neces-

Instead, the tragedies of displacement must be acknowledged as part of the story, not

sary and why we couldn’t go back home. The

After two years in Syria, my family was

the story in its entirety. We must create

word “refugee” was foreign to me.

faced with a tough choice: stay there and

spaces where the displaced can transcend

struggle financially, or go back home and

their displacement, spaces where their sto-

sacrifice our safety. My parents could

ries can freely articulate their past, present,

not find jobs in Syria, and Iraq was un-

and future.

— I was just about to turn 10 when I learned

safe. Mama and Baba both worked as civ-

It’s hard to process that number. 80 mil-

Baba told me that stories are like wind-

that we were part of the 1 percent. No, not

il engineers in Baghdad for twenty-four

shield wipers during a storm; they won’t get

the one about wealth. But the 1 percent of

years and were on paid leave, which was

rid of all of the rain, but they will make our

all refugees that are resettled. On June 17,

about to expire.

way clearer.

2020, just ahead of World Refugee Day, the

Sometimes we briefly returned to Bagh-

sents: 80 million humans with an infinite

Two weeks before my eighth birthday, he

UN announced a startling new number: 1

dad to visit family. On one of those long bus

number of stories, each full of pain and

told me that our house was bombed. A week

percent of the world’s population (near-

rides, my father spoke to the driver about our

triumph, struggle and resilience, hope

later, our family left Baghdad, and we found

ly 80 million people) is now displaced.

situation and learned of a United Nations

and despair. There is no one story that

our way to Aleppo. Back then, before the Syr-

So now only 1 percent of 1 percent of the

refugee program that would take approx-

can represent this population, so we must

ian civil war, Aleppo was a beautiful city,

world’s population will get the opportunity

imately 1 percent of everyone who applied

work to actively amplify multiple voices

teeming with life and safety.

to resettle.

and relocate them to the United States or

and experiences.

lion. 1 percent of humanity.

It’s an overwhelming figure, but we have to carefully acknowledge what it repre-

AHMED M. BADR

15

"WE ARE THE NARRATIVES OF THE NARRATIVES, THE STORIES OF THE STORIES, AND THE HUMANS NOT BEHIND THE NUMBERS, BUT IN FRONT OF THEM." Refugees can take back the microphone and

Together, we are speaking up and pro-

the airwaves, the pen and the paper, the

claiming to the world that our existence is

brush and the canvas — and shape their

worthy of its attention.

own representation, proving that our voic-

We are the narratives of the narratives,

es stretch beyond the walls of a camp or the

the stories of the stories, and the humans not

margins of asylum documents.

behind the numbers, but in front of them.

PHOTO BY EDWARD GRATTAN

Preorder now at earthsleepswetravel.com While the Earth Sleeps We Travel: Stories, Poetry, and Art from Young Refugees Around the World Pub. Date: October 13, 2020 • Andrews McMeel Publishing, 192 pages, $19.99

Beginning in 2018, Ahmed M. Badr — an Iraqi-American poet and former refugee — traveled to Greece, Trinidad & Tobago, and Syracuse, New York, holding storytelling workshops with hundreds of displaced youth: those living in and outside of camps as well as those adjusting to life after resettlement. Combining Badr’s own poetry with the personal narratives and creative contributions of dozens of young refugees, “While the Earth Sleeps We Travel” seeks to center and amplify the often unheard perspectives of those navigating through and beyond the complexities of displacement. The result is a diverse and moving collection — a meditation on the concept of "home" and a testament to the power of storytelling.

Advance Praise PHOTO BY EDWARD GRATTAN

Ahmed M. Badr is a writer, multi-media artist, social entrepreneur, and former Iraqi refugee. He is the founder of Narratio.org, a platform for youth empowerment through creative expression. Badr has shared his story with millions around the world and through his debut book, "While the Earth Sleeps We Travel: Stories, Poetry, and Art from Young Refugees Around the World" (Andrews McMeel), hopes to amplify and elevate the creative expression of displaced young people. The book features a foreword by Ben Stiller and includes a powerful range of voices, including refugee youth from Iraq, Syria, Afghanistan, Somalia, Palestine, Kenya, Venezuela, Sudan, Bangladesh, and Iran.

“… will reaffirm your faith in human resilience and challenge your assumptions about what it means to be a refugee.”

– Ari Shapiro, Host, NPR’s All Things Considered

“… (a) treasure of a book …”

– Melissa Fleming, Under-Secretary-General for Global Communications, United Nations

“An extraordinary showcase of international creativity. … This book invites a more critical engagement with the differences we assume about one another, and the distances we can bridge by sharing our own stories.”

– Benj Pasek, Tony Award-Winning Composer of Dear Evan Hansen

MORE GOOD NEWS

16

This Syrian-American Helped Free Her Friend From Greek Prison Alexandra Tarzikhan is a remarkable young woman who fled Syria when conflict in the

“We'd have to persuade the officers to let

region erupted in 2011. Tarzikhan, who was

us see her,” Tarzikhan said. “The conditions

born in the U.S. but lived in Syria until she

in the prison are horrendous.”

was 18, attended Northeastern School of

They arranged some impressive media

Law and Tufts School of Medicine when she

coverage, and after calls from international

moved to the U.S.

human rights groups, Mardini was released

“The war in my city of Aleppo really start-

on bail in November 2019 after three months

ed escalating,” Tarzikhan said. “That's when

and was allowed to return to her home in Ger-

it became real to me. I realized I probably

many. She still awaits trial and faces 25 years

won't be able to go back. There were a lot

in prison.

of hospitals that were getting targeted and bombed, and I wanted to understand why.”

Italian Activists Came Up With A Creative Way to Help Refugees In Lebanon

scheming how to free Mardini from prison.

“When I came back from Lesbos, I felt really guilty that I can easily get on a plane again

She began researching health rights and

and leave,” Tarzikhan said. “All the refugees

policies and why medical personnel were

who I admired and that were so resilient

not considered a neutral party in the conflict,

couldn't even do anything. It felt like I was leaving them behind.”

Italians have come up with a creative

expensive requirements to establish legal

and her research led her to the work she does

way to help refugees who travel without

residency in Lebanon, most Syrian refugees

now at the intersection of medicine and law.

She looked for a way to process her emo-

identification documents. Operazione

cannot legally live or work in the country.

In 2015, after learning about the magnitude

tions and prepared a presentation for a World

Colomba — “Operation Dove” in Italian —

And with a network of checkpoints along

of the refugee crisis, she returned overseas as

Refugee Day event.

is an organization that sends volunteers to

the roads throughout the country, anyone

a medical volunteer and researched the legal

live in conflict zones around the world. The

who travels outside the confines of a refugee

system in Europe.

idea is that the presence of foreigners from

camp risks arrest.

“[The presentation] was the first time that I felt like I had a huge weight off my shoulders,

Tarzikhan traveled to Lesbos, Greece three

the first time I was able to actually talk about

So Operazione Colomba volunteers

times to volunteer. On her most recent trip,

it,” Tarzikhan said. “I really enjoyed that ex-

accompany the refugees on trips to the

she met Sarah Mardini, a Syrian refugee who

perience. At the time, the rhetoric around

The project launched in the early 1990s

doctor, to UN offices, and on other errands.

was famously imprisoned for more than 100

refugees was really dehumanizing.”

and now operates in Colombia, Palestine,

They’ve even been able to assist some

days for assisting refugees who were entering

Albania, and Lebanon. Much of their work

refugees with resettlement in Italy.

Greece by boat.

a European country can help protect people who might otherwise be targeted.

So she started a social media campaign called Meet A Refugee, a platform for ref-

relies on nothing more than the power of

Although it’s disappointing that refugees

“The police came,” Tarzikhan said. “I went

ugees to share their stories, showing that

simply having a European passport. With

can’t enjoy the same freedom of movement

into lawyer mode. She had been criminally

refugees are “just like me and you,” she said.

passports, the volunteers can travel more

as others, the dedication of these volunteers

charged with espionage human trafficking.

Tarzikhan is now a fellow at the Center for

easily than refugees, so they travel together.

presents a unique solution, making it easier

Really severe criminal charges.”

International Human Rights at Northwest-

Because there are complicated and

for refugees to accomplish everyday tasks.

Tarzikhan and other volunteers began

ern Pritzker School of Law in Chicago.

HOW TO ADVOCATE FOR REFUGEES THROUGH POLITICS GO OD

BET TER

BEST

Equip yourself with data on how refugees make a positive impact in their communities. A great place to start is newamericaneconomy.org, a bipartisan research and advocacy organization.

Make it clear to politicians running for office that you care about standing up for the rights and safety of refugees and asylum-seekers, and then vote for the best candidate. You can learn more at hias.org/voteforwelcome.

Contact your senator and representative and ask them to support maintaining or increasing the U.S. budget that goes toward foreign assistance. (Less than 1% of the budget.) This helps minimize war and conflict globally.

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TILL • ARENA SEE • ARI WATKINS • ARIANA GARCIA • ARIANNA DE LARA • ARIANNA TARALSON • ARIN KEENE • ARLA MOCK • ARNOLDO MORENO • ARTURO ELENES • ASH KILBACK • ASHLEE GRISHABER • ASHLEY JONES • ASHLEY BROMSTRUP • ASHLEY DERINGER • ASHLEY DUNN • ASHLEY GLEASON • ASHLEY HAAS • ASHLEY HUNTER • ASHLEY LAROSE • ASHLEY O'STEEN • ASHLEY PUDERBAUGH • ASHLEY RINGAMAN • ASHLEY TORRES • ASHLEY VEDRODY • ASHLEY WHITE • ATI'YAH CASH • AUBREE HARMS • AUBRY YOUNG • AUDREY SMITH • AUGUSTA BRYAN • AUSTIN BROWN • AUTUMN CRAWFORD • AUTUMN HARTMAN • AUTUMN STANDIFORD • AVERY MCLAIN • AVERY SANTIN • AVIRAL SRIVASTAVA • AVONLEA ALLRED • AZIZA PLATT • BAILEY MCFARLAND • BAILEY RASMUSSEN • BALEIGH WALDROP • BARB TRUDEAU • BARBARA HIRSCH • BARBARA INCHAUSTI • BARBARA MCCRACKEN • BARBARA WHITE • BARBIE ROGERS • BAYLEE COOK • BECCA BOOTH • BECCA PUFFER • BECCA STEVENS • BECCA TEASTER • BECKA GRUBER • BECKA ROSS • BECKY SIMPSON • BEKA JOY HULL • BELLE CAMERON • BEN & JANICE MILLMAN • BEN HIGGINS • BEN MARSHALL • 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BRIT BARKHOLTZ • BRITT BAKER • BRITT SCOTT • BRITTANI FARRINGTON • BRITTANY RUTLEDGE • BRITTANY CORNETT • BRITTANY DAWSON • BRITTANY FENNER • BRITTANY JOHNSON • BRITTANY KENT • BRITTANY RASMUSSEN • BRITTANY SPOTTS • BRITTANY SPRAGUE • BRITTANY WALSH • BRITTNAY POZEN • BRITTNEY CROOK • BRONTE KASS • BROOKE CREGO • BROOKE COYLE • BROOKE ELLIOTT • BROOKE LARSON • BROOKE NOVOTNAK • BROOKE SHAW • BROOKE SKYPALA • BROOKE WHEELER • BRYAN SCHULDT • BRYAN STROH • BRYCE EVANS • BRYNNE KRISPIN • CAESAR SAMAYOA • CAISSIE LEVY • CAITLIN SAILOR • CALEB CAMPBELL • CALEB HAYNES • CALEB PARKE • CALLIE GOETZ • CAMERON BARNES • CAMERON CARTER • CAMILLE NELSON • CANDICE GUSTAVSON • CARA CREGER • CARA HOHENSTEIN • CARA MCDONALD • CARA SKOWRONSKI • CARI HIGGINS • CARI HURLEY • CARINA HART • CARISSA BARRETT • CARISSA BLOEMEKE • CARL AND FAN SMUCKER • CARL BORDERS • CARLIE BURTON • CARLIE WILLIAMS • CARLY CALLAHAN • CARLY LOPEZ • CARMEN TYNER • CAROL BRIGGS • CAROL DIAMOND • CAROL JANSEN • CAROL JENSEN • CAROLINE DEAN • CAROLINE LEE • CAROLINE LEFTWICH • CAROLINE POSEY • CAROLLYNNE CLARK • CAROLYN DUCHENE • CAROLYN MI • CARRA SYKES • CARRIE DELANEY • CARTER WRIGHT • CASEY TARNAS • CASEY CALLAHAN • CASEY HARVILLA • CASEY KURTT • CASSIA RIES • CASSIE GARBA • CAT FAULKNER • CATHERINE HJERPE • CATHERINE MARTINEZ • CATHERINE NAHAS • CATHI VON • CATHY DURFEE • CATHY KLINE • CAYLIE MINDLING • CELESTE SMITH • CELINE TEO-BLOCKEY • CHAD CANNON • CHAD RODGERS • CHAD SECRAW • CHANDLER SUBRA • CHANDLER WEST • CHANNING GUVERNATOR • CHANTAL SHEEHAN • CHANTELL KNELL • CHARLENE ALLEN • CHARLEY LILJEQUIST • CHARLOTTE ALLAN • CHARLOTTE DONLON • CHARLY LOPER • CHASE BLOOD • CHASE GOFF • CHELSEA FRANCIS • CHELSEA GUDITUS • CHELSEA OLSON • CHELSEA SMITH • CHERI MCCOURT • CHERIE HENNINGSEN • CHERIE WAI • CHERINI GHOBRIAL • CHERYL IVY • CHERYL RAINFIELD • CHEYANNE WHITE • CHING-LYNN CHEN • CHLOE UTCHANAH • CHRIS AGUIRRE • CHRIS BAILEY • CHRIS BETHEA • CHRIS CANTINO • CHRIS CASEY • CHRIS GRAEBE • CHRIS LA POINTE • CHRIS LIVINGSTON • CHRIS OHRMUND • CHRIS SHIFLETT • CHRISSY BOYLAN • CHRISTELLE TORRES • CHRISTIAN NILSSON • CHRISTIAN HOYLE • CHRISTINA BEISER • CHRISTINA BRADIC • CHRISTINA GILLIM • CHRISTINA HALE • CHRISTINA XAN • CHRISTINE SMITH • CHRISTINE BOLAND • CHRISTINE MERRILL • CHRISTINE RODGERS • CHRISTOPHER BARRY • CIM CASTELLON • CINDY FURMANSKI • CINDY LAMINACK • CINDY MEYER-HUNT • CINDY RHINES • CIPRIANO MACABUHAY • CLAIRE ANTONISSEN • CLAIRE COOKINHAM • CLAIRE ZINNECKER • CLARA GINNELL • CLARE THOMAS • CLAUDIA GOAD • CLAY YANCEY • CLAYTON MARTIN • CLEO VAN DOREN • CLIFF HORNE • COLE RYAN • COLIN CHRISTENSEN • COLIN MURPHY • COLLEEN HARVEY • COLLEEN WHEATON • COLLIN BANKO • COLLIN CAVOTE • CONNER O'MALLEY • CONNER SHIPP • CONNIE ALLEN • CONNIE GILBERT • CONNIE GOTTSCHALK • CONNIE REINART • CONNOR JONES • CONNOR O’GRADY • COREY KINSMAN • COREY MCENTYRE • CORMACK GORDON • CORRYN SLOAN • CORTLYN DEES • CORY AMES • COURTNEY SEARCY • COURTNEY COOKE • COURTNEY TROYER • COURTNEY WRIGHT • CRISTA WHITNEY • CRISTY ARIEL • CRYSTAL JAMES • CULLEN SCHWARZ • CYNDIE SUMMERS • CYNTHIA LAWRIE • DAE ERIKSSON • DAGMAWI ELEHU • DAMARES LIMA • DAN DAVIDSON • DAN MURRAY • DAN ROCHA • DANA WAKELEY • DANIEL RIANO • DANIEL GOODMAN • DANIEL GRIFFITH • DANIEL MOLTENO • DANIEL MONROE • DANIEL O'SHEA • DANIELA LEUTWYLER • DANIELLA KORWEK • DANIELLE ABI-SAAD • DANIELLE COKE • DANIELLE DIDOMENICO • DANIELLE HERNANDEZ • DANIELLE VINSON • DANIELLE WENNING • DANIELLE WINSTEAD • DANYELL PULIDO • DARA BELOHLAVEK • DARCY LOWDER • DARCY PLUNKETT • DARREN SZUCH • DAVE HORNE • DAVE BROWN • DAVE DAVENPORT • DAVID BOOTH • DAVID DAVENPORT • DAVID GIBSON • DAVID GRIFFITHS • DAVID HARBURG • DAVID HEPBURN • DAVID HOLETS • DAVID HULL • DAVID HUNTER • DAVID POULIN • DAVID YOUNG • DAVIS GOSLIN • DAWN NORTHRUP • DAWNYALE WOLFE • DEAN JORDAN • DEANDRA CLARKE • DEANIE WHITTEMORE • DEANNA DYER • DEB HILL • DEB KRALOVETZ • DEBBI PANTALEO • DEBBIE DUBOSE • DEBBIE MEDINA • DEBBIE YATES • DEBORAH HESS • DEBORAH KADY • DEE CRANDALL • DENISE CROCHET • DENISE HUTCHINS • DEREK BAIRD • DEVINA FOLEY • DEVORA CURNUTTE • DIANA PALMER • DIANA SMITH • DIANA STACK ROBERTS • DIANA STONE • DIANA SZYMCZAK • DIANA ZSOLDOS • DIANE ALLEN • DIANE REGESTER • DIANNE BROWN • DINA DEL MONICA • DJ DIETER • DOMINIK GAUTHIER • DON TARBUTTON • DONNA BONJOUR • DONNA PAUL • DOREEN WALTERS • DOUG BURNETT • DOUG BURNS • DOUG NAUMANN • DOWLING GIBSON • DREW FLIPPIN • DREW HAHN • DREW SCOTT • DRU DOEHRMAN • DUKE TUFTY • DUSTY HEGGE • DYLAN DAVIS • DYLAN LOVE • DYLAN SCHMER • EDDIE KAUFHOLZ • EDITH WASSERFALL • EJ MCGOWAN • ELA AKTAY • ELEANOR THIBEAUX • ELFE MARSCHALL • ELIANA PERLMUTTER • ELISABETH REGESTER • ELISABETH BAYARD-ARTHUR • ELISABETH PREWITT • ELISE GREENE • ELIZA MARCUM • ELIZABETH JUDD • ELIZABETH KIRKPATRICK • ELIZABETH RUSHTON • ELIZABETH STRANDBERG • ELIZABETH ALBERS • ELIZABETH CUMMINGS • ELIZABETH RUSHMORE • ELIZABETH SIRI • ELIZAVETH GOSSETT • ELLEN BLUST • ELLEN CATER • ELLERY SADLER • ELLYSA LIM • ELOHISE MARINEAU • ELOISE GILLAND • EMALEA RIECKHOFF • EMILIE THALER • EMILY VRIESMAN PAYNE • EMILY BARRON • EMILY BERRIER • EMILY CARTER • EMILY CERVONE • EMILY CHANDLER • EMILY EAKES • EMILY FUNKHOUSER • EMILY HALL • EMILY HAUPTMAN • EMILY HAWKINS • EMILY HOFFMAN • EMILY JACOBS • EMILY KRAUSE • EMILY LANE • EMILY LIBERATO • EMILY LYONNAIS • EMILY MATHISON • EMILY MCCARTHY • EMILY NEAL • EMILY RUTT • EMILY STRAND • EMILY UFKES • EMILY WILLIAMS • EMMA AUNGST • EMMA CORLEY • EMMA DECOURCY • EMMA FORBES • EMMA HERLINGER • EMMA JOHNSON • EMMA PARAMORE • EMMA REEVES • EMMA TERRY • EMMA WEIEN • EMMALIE IVEY • ERIC BORGH • ERIC BOWMAN • ERIC CAMPBELL • ERIC ERLANDSON • ERIC KLASSEN • ERIC ROSIER • ERICA AFANADOR • ERICA KRYSL • ERICA MANDY • ERICA STADLER • ERICKA LONG • ERIK GROSS • ERIK VINCENT • ERIN BOWDEN • ERIN MARSHALL • ERIN DWYER • ERIN FISH • ERIN GLOVER • ERIN GORDON • ERIN HAWKINS • ERIN JONES • ERIN LUND • ERIN MACALIK • ERIN MORRIS • ERIN SEWELL • ESTHER FERNANDEZ • ESTHER TAN • ETHAN FRYE • EUGENIA CHOW • EURI PARK • EVA RYAN • EVA WINTERS • EVAN SCHMIDT • EVAN THORPE • EVIE MOE • EVIE RUPP • FABIAN WAY • FAITH HEIDER • FIONA CLARKE • FRAN ALLISON • FRANCES BROWN • FRED LUSKY • GABBY OOSTHUIZEN • GABE RODRIGUEZ • GABE ROSSER • GABI LEPAGE • GABRIELLA MUNOZ • GABRIELLE DEARDUFF • GABRIELLE DIXON • GAIGE MOSHER • GAIL KEMPF • GARRETT MCINNES • GARY BOCIAN • GARY UNDERWOOD • GARY VAYNERCHUK • GAYLA MAZZUCA • GEENA SISOMPHOU • GEENA WAKELEY • GENA SPIRES • GEOFF AUERBACH • GEOFF GOOLSBY • GEORGIA RESNICK • GEORGIANNA BROWNELL • GEORGIE MORLEY • GINNY DAVY • GIOVANNI FUENTES • GISELLE PEREZ • GLORIA SANTIAGO • GLORY ROSE GUY • GRACE GOING • GRACE NICHOLSON • GRACIE MOORE • GRACIE WILKINSON • GRADY HALLENBECK • GRANT GRISSOM • GRANT TRAHANT • GREG COLEMAN AND EDWINA TRENTHAM • GREG HADLOCK • GREG MATHEWS • GREG WILBUR • GREGORY WARED • GRETA SCHLEDORN • GRETCHEN BANNISTER • GUILLAUME LAVALLEE • GWYNETH STEWART • HALEY GALARZA • HALEY JAMES • HALEY MCCORMICK • HALEY MYERS • HALEY WEAVER • HAMZA MOLVI • HANA KNOLL • HANNA LEDERER • HANNA ARATA • HANNAH BRENCHER • HANNAH CATALDO • HANNAH DERR • HANNAH FRANKLIN • HANNAH GRACE GASTON • HANNAH HUDGINS • HANNAH KELLEY • HANNAH LACY • HANNAH MCCULLOCH • HANNAH NEE • HANNAH NELSON • HANNAH RHYNE • HANNAH ROBISON • HANNAH WARREN • HANNAH WEAVER • HANNAH WILLIAMSON • HANNAHJOY CAGAS • HANNE PINKAVA • HAONI WANG • HARLAN PRATER • HARLEY HICKS • HARRIET MORAN • HARRIS FAULKNER • HARRISON TYNER • HAUNANI KALAMA • HAYLEY HESTER • HEATHER ALTERS • HEATHER BOWLING • HEATHER BRUNS • HEATHER CALLAHAN • HEATHER CARLSON • HEATHER DOLEN • HEATHER MILLER • HEATHER REID • HEATHER SEIDEL • HEATHER VALADEZ • HEIDI GALASSI • HELENA CABIROY • HELENA HURRELL • HENRY EDWARDS • HIBA RAZA • HILLARY CAUDLE • HILLARY HOLMES • HILLARY MORIARTY • HILLARY WESTOVER • HOLLY BAILEY • HOLLY BURGESS • HOLLY CATO • HOLLY HANEY • HOLLY HILDEBRANDT • HOLLY SWEETMAN • HOLLY TORROIJA • HOLLY UTT • HOLLY WELCH • HUGH WEBER • HUNTER AMACKER • HUNTER ANGELL • HUNTER SMITH • HYATT AMES • IAN LENAHAN • IAN WARMBRODT • ILSA WEIGEL • INDABA COFFEE ROASTERS • INGRID CORDAK • IRFAN SHABEER • ISAAC HARRELL • ISABELLA GRIFFITH • ISABELLA HUGHES • ISHVARI MARTIN • IVA PAWLING • IVY DOLF • IZZY FRANCIS • J.J. TIGGES • JACI CLARK • JACKIE CURRIE • JACLYN SKAFAS • JACOB EASTHAM • JACOB KENT • JACOB RAMSEY • JACOB SHERMAN • JACOB SINGLETON • JACQUELINE STEENHUIS • JACQUELINE TOMKO • JACQUELYN EASTERWOOD • JAIME RICE • JAIME SCHMIDT • JAIMI BROOKS • JAIRAN WARE • JAKE AND HAILEY SIEBE • JAKE DUDLEY • JAKE INGLE • JAKE THOMAS • JAKE WHITEHEAD • JAMES MALANEY • JAMIE RADOS • JAMIE MILBRANDT • JAMIE SHIER • JAN SEBASTIAN • JANA BARCLAY VANTREASE • JANA CUDNEY • JANA SMITH • JANE VICKERS • JANE ACKERMAN • JANE MCCAULEY • JANE VU • JANET GLOVER • JANET KNIGHT • JANET LASTER • JANET WOOD • JANETTE BATTE • JANICE AMES • JANIE UNDERHILL • JASMINE AMABILE • JASMINE HOISINGTON • JASON VAUGHAN • JASON PEDWELL • JASON SOWELL • JASON Y. LEE • JAZMIN HERNANDEZ • JD STERN • JEAN WENNERLYN JOHNSON • JEAN WOODRUFF • JEANETTE HARTOG • JEANINE GREENBANK • JEANNIE GUSTAFSON • JEDD FLANSCHA • JEFF & ALYSSA BETHKE • JEFF AYARS • JEFF BAYER • JEFF MEACHAM • JEFF SHINABARGER • JEFF SHUSTERICH • JEFF WHITAKER • JEFFREY FELTEN • JEFFREY MANSFIELD • JEN CARDOSO • JEN FALLON • JEN POULSON • JEN STRATTON • JEN SZABO • JENAY ROSS • JENELLE WALKER • JENN BARINAS • JENN HRYNKO • JENNA HOWARD • JENNA LEHR • JENNA RICCOLO • JENNA WANG • JENNI FOXE • JENNI LEWIS • JENNIE WINTON • JENNIFER KELLY • JENNIFER WILSON • JENNIFER BLAKE • JENNIFER CLAPP • JENNIFER CLARK • JENNIFER CUSACK • JENNIFER FRANZEN • JENNIFER HAYES • JENNIFER HUBER • JENNIFER KLOEPPEL • JENNIFER LARIVEE • JENNIFER MAO • JENNIFER MCCARROLL • JENNIFER MCMULLIN • JENNIFER TURPIN • JENNIFER WILLSON • JENNY LEE • JENNY MEYERSON • JENS WAGENER • JEREMY COWART • JEREMY SHAFFER • JEROME KOEHLER • JESS PENNINGTON • JESS WILKINSON • JESSE BERN • JESSE MYERS • JESSE QUIN • JESSICA BAREFIELD • JESSICA CHIN FONG • JESSICA CLELAND • JESSICA FOWLER • JESSICA HEWS • JESSICA HILDEN • JESSICA JOLLY • JESSICA MILLET • JESSICA REINHART • JESSICA REUSCH • JESSICA ROSE • JESSICA W • JESSICA WADE • JESSICA YAGAN • JESUS CHRIST • JILL BELL • JILL & STACY TALBOT-ROBINSON • JILL BARKER • JILL DUELL • JILL HECHT • JILL KOMLOS • JILL NISBET • JILL PARRELLA • JILLIAN FREDIANI • JILLIAN KONYNDYK • JILLIAN LAGGIS • JILLIAN RODGERS • JILLIAN TURKMANY • JIM EVANS • JIM NEWBERRY • JIM THOMPSON • JISELA HESTER • JJ JAXON • JO ANNE WINGATE • JOAN JANAK • JOANN NEWCOMB • JOANNA KOZOLE • JOANNE SCHNEIDER • JOANNE SILVIA • JODI BOND • JODI HUBBELL • JODY LENTZ • JODY MCCOMAS • JOELLE VISCARDO • JOHN ROBERTS • JOHN LAPRAD • JOHN MAES • JOHN MESSINA • JOHN WOODS • JOLENE ROMNEY • JOLENE HERZOG • JON WALDEN • JONAH NEUSS • JONATHAN CLODFELTER • JONATHAN GILONI • JONATHAN RICHARD • JONATHAN WILLY • JORDAN BOWMAN • JORDAN BROWNING • JORDAN CRABTREE • JORDAN FLOWERS • JORDAN GEISERT • JORDAN LOTT • JORDAN SHORT • JORDYN WOLSBORN • JÖRG WURZER • JORIE MORAN • JOSEPH ROCK • JOSEPH ROMAIN • JOSH CHAMBERS • JOSH HICKS • JOSH MEDESKI • JOSH QUINN • JOSH TRONNIER • JOSHUA CHURCH • JOSHUA JONES • JOSHUA STEFFENSON • JOSIE MCHONE • JOY CROCKER • JOY HUBER • JOY NELSON • JOYANN AINLEY • JOYCE JORDAN • JOYCE KLAWITTER • JOYCE PARSON • JUDITH SANDOVAL • JUDY BRISTER • JUDY GOINS • JULIA DURY • JULIA RHYS • JULIA TRAYLOR • JULIANNA LEWIS • JULIANNE BERG • JULIE BOTHUN • JULIE CANTRELL • JULIE KOENIG • JULIE KRONENBERGER • JULIE NICKLAS • JULIE OSBURN • JULIE SAUTTER • JULIE WATSON • JULIE WILLIAMS • JULIE WILSON • JULIE-ANN EDWARDS • JUSTIN ARTOFF • JUSTIN BJORK • JUSTIN HUESTIS • JUSTIN WELDON • JYOTI DADHICH • K. FLAY • K. LEE GRAHAM • KAARIN HOWARD • KACEY MOTE • KACI POLLACK • KACIE WALKER • KAELIN PRIGER • KAILEY THOMPSON • KAILYN BENNETT • KAIT KOHL • KAITLIN DREW • KAITLIN EARNEST • KAITLY OGDEN • KAITLYN AGNEW • KAITLYN CARSON • KAL CACERES • KALEB SCHNEIDER • KALI KIM • KALLAN SORENSEN • KAMRIN BAKER • KANDACE KAMBERG • KARA BRYANT • KARA LEE • KAREN KRECK • KAREN BAGLIERI • KAREN BRIDBORD • KAREN CHAMBLESS • KAREN HANSEN-MORGAN • KAREN HINH • KAREN KALTENHEUSER • KAREN LAGOSH • KAREN SIRES • KAREN WILSON • KAREN YOUNG • KAREY LITTLETON • KARI ESSARY • KARIN ELGAI • KARINA ARAGON-BUCHANAN • KARIS BRISTER • KARISSA KARINS • KARLA SINGER • KARYN EBERLE • KAS GILBERT • KASSIDY GARY • KATE PORIGOW • KATE GRESS • KATE GRIMES • KATE HARALSON • KATE JENCARELLI • KATE KLEIVA • KATE KLIKA • KATE MAEGLEY • KATE NELSON • KATE SYPEK • KATE WISE • KATELYN MAYER • KATELYN WATKINS • KATHARINE BYERLEY • KATHERINE BLAHA • KATHERINE MINNICK • KATHERINE HOWELL • KATHERINE MCCLURE • KATHLEEN H GUNDERMAN • KATHLEEN COTE • KATHLEEN FERNANDEZ • KATHLEEN FLOYD • KATHLEEN GEPP • KATHLEEN NIELSEN • KATHRYN TAYLOR • KATHRYN PEPERA • KATHRYN SCHOON-TANIS • KATHY AMETTI • KATHY FRIEDMAN • KATHY HUBANS • KATIE BECHERT • KATIE BOLLINGER • KATIE BOWEN • KATIE BRAMLAGE • KATIE CHANEY • KATIE DENNIS • KATIE DEVILLEZ • KATIE GWIN • KATIE HARTMAN • KATIE HILL • KATIE JARDIEU • KATIE KNIGHT • KATIE KUTCHIN • KATIE MACC • KATIE MCCARTHY • KATIE MEEHAN • KATIE SLADE • KATIE STEVENSON • KATIE WILKINS • KATIE WILSON • KATIE WOODWARD • KATIE YATES • KATLYN DOUGHERTY • KATRINA CLEBURN • KATRINA GOUDEY • KATRINA HENNESSY • KATY GOLIK • KATY PARTAN • KATY REYNA • KAY COUGHLIN • KAY GAUDIN • KAY HARRIS • KAYLA ARGEROPOULOS • KAYLA BALENTINE • KAYLA SMITH • KAYLA THOMPSON • KAYLA YOUNGLOVE • KAYLAN HUFHAM • KAYLEE BUTZ • KAYLN PIERSON • KEELEE JOHNS • KELCY SCHMIDT • KELLE ORTIZ • KELLEY ENGELBRECHT • KELLI INGRAM • KELLI HUBER • KELLIE DALEY • KELLIE HABER • KELLIE HADDOCK • KELLY BANNING • KELLY BARTLETT • KELLY BLUE • KELLY DOUGHTY • KELLY GLASS • KELLY GREER • KELLY KISSINGER • KELLY KOLFF • KELLY LAVINE • KELLY LIPPS • KELLY VRAJITORU • KELLY ZEISSNER • KELSE DAVIS • KELSEY RUST • KELSEY BRASHER • KELSEY CHERRY • KELSEY LACHANCE • KELSEY MARDEN • KELSEY MAZMANYAN • KELSEY THOME • KELSIE SMITH • KENDALL HANNA • KENDALL ROBERSON • KENDRA O'CONNELL • KENDRA SULLIVAN • KENT AND LYNNE ARNOLD • KENT JACKSON • KENZIE GLOTZBACH • KERIANN NOBLE • KERSTIN FISCHER • KERYL EGAN • KEVIN BAILEY • KEVIN KENT • KEVIN HARVEY • KEVIN ICHIEN • KEVIN KWAN • KIERA EVANS • KIM BAGACINA • KIMBER DRYDEN • KIMBERLEE KOEHN • KIMBERLY ELLEN HAMILTON • KIMBERLY FRY • KIMBERLY ROBLES • KIRSTEN JOHANSSON • KIRSTEN LACKIE • KISMET KILBOURN • KITTY METZ • KLAIRE KIRCHNER • KOHL CRECELIUS • KRISTA BURNS • KRISTA GUSTAFSON • KRISTA JASSO • KRISTA WIMBERLY • KRISTEN ARENS • KRISTEN CAREY • KRISTEN DOLL • KRISTEN KNOBBE • KRISTEN NESBURG • KRISTEN PICKETT • KRISTEN SMUCKER • KRISTI MONTAGUE • KRISTI SCHILD • KRISTIE DICKINSON • KRISTIN DAUGHERTY • KRISTIN WESTPHAL • KRISTIN FRIEDL • KRISTIN JORDAN • KRISTIN KEATON • KRISTINA WALSH • KRISTINA WETTER • KRISTINE SLOAN • KRYSTAL COLON • KRYSTIANA KOSOBUCKI • KT LIPSINER • KURISSA SUN • KURT LIBBY • KYLA WHITTENBERG • KYLE BASSETT • KYLE CARTWRIGHT • KYLE FRESA • KYLE REED • KYLE SCHUMACHER • KYLE THOMPSON • KYLIE MAYFIELD • KYRA SHAPURJI • L HANSEN • LACEY DUCKETT • LACEY HAIGHT • LACY WAGLER • LANCE COX • LANDRE KINGDON • LATSY PARKER • LAURA BENANTI • LAURA BREKKE • LAURA CORACI • LAURA DYSHOLM • LAURA FREEMAN • LAURA GOLDWASSER • LAURA HILLS • LAURA JENKS • LAURA JOHNSON • LAURA KATE WHITNEY • LAURA KIRKENDALL • LAURA KIRTON • LAURA NEAVES • LAURA PARKER • LAURA POLISZOT • LAURA PRICE • LAURA SIEVERT • LAURA ULRICH • LAURA VOIGTSBERGER • LAURA WIED • LAURA ZAPATA • LAURE HOLMGREN • LAUREL DYCK • LAUREL GOULSON • LAUREL MURPHY • LAUREL REHKOPF • LAUREL TYREE • LAUREN TASSIELLO • LAUREN TRAVIS • LAUREN WOODS • LAUREN ADAMS • LAUREN ATHERTON • LAUREN BARNES • 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I know that members of the LGBTQ community face persecution in many countries around the world.

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I want to grow my empathy muscles. Where can I find stories by refugees that are thoughtfully and carefully told? — Bri E.

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