Vladimir Gorlinsky
Accent sequence
<2009>
Performance Notes 1 Synchronization of pianist and electronic part is performed by dint of the electronic click, sounding through headphones. 1 It is very important to adhere of absolute, mechanic exactitude of interpretation of rhythm. 1 Practically each sound (irrespective of real loudness) must be performed subito, with very sharp attack always.
P.
Press the keys soundless and keep them (follow of duration of the thick line). Keep the keys till appearance of following sound, then displace your hands fast as possible to the necessary area.
El.
The part of the electronic relay: 1. One click 2. Double click 3. Repeated click
CD B
C
E
I
To strike the right keyblock by the right hand fingers.
A T
F/
Press down the damper pedal and keep it (follow of duration of the thick line).
To slide fast on the right keyblock by the right hand palm.
T
Put the right hand fingers on the right keyblock, and then sharply throw down your hand.
H
To strike the left keyblock by the left hand fingers.
F
Non-uniform switching of the relay with high speed.
J
0
Put the left hand fingers on the left keyblock, and then sharply throw down your hand.
G
L
To strike (or slide) the right piano cheek by the right hand fingers.
The right hand is on the bass strings (subcontroctave). To strike the strings by the fingers bones with subsequent blocking of strings. The left hand is on the keyboard. Perform harmonics of the strings, which was blocked by the right hand.
To slide fast on the left keyblock by the left hand palm.
M
Press down the damper pedal with great force (with strong thud). Whereat lift up the pedal with great accent (tear off foot from the pedal very sharply).
To strike (or slide) the left piano cheek by the left hand fingers.
Perform this fragment of 5 times. P.
sf
"
5
A
At repetitions the basic tempo can change to a great extent! For example: for the first time it will be q=64, in the second time — q=80, in the third time — q=60, in the fourth time — q=110, and in the fifth time it will be q=61. In this case it's necessary to follow about the electronic click, which accurately mark all of changes of tempo.
©VG2009
Accent sequence
q=64
1
Electronics.
A
7
P.
El.
El.
sf
" sf
F /
sf
0
C
C
sf
G
sf
C
sf
3
0
A
3
sf
F
2 C
ŠVG2009
3
G
sf
sf
C
A
F
sf
F sf
10 (12)
/
C
C
A
E
sf
8
F
9 (11)
P.
A
5
C
" sf
sff
2 (3,4,5,6)
Piano
Vladimir Gorlinsky
D
B
2
13
sf
A
sf
P.
/
0
F/
3
0
G
sp
sf
sf
D
El.
15
14
sf
F
(r.h.)
sf
E
sff
3
0 sf
G
sff
F/
sf
sf
C 18
sf
3
0 sff
A
/ F
D
El.
/
0
C
0 sf
3
sff
P. sp sf
A
sff
sf
El.
D
17
sf
A
sf
sfff
EC
sp
P.
F /
G
/ 0
3
16
sf
3
A
C
F
sfff
C
F
/
0
A sff
E
F
sfff
/
0
19
B
20
sf
3
sff
P.
sff
sp
F
sff
A
F / 0
C
20 (22)
sfff P.
0
2
sfff
E
C
0
F/
C
24 (25)
smf
C
A
sff
D
3
sfff
A
sfff
0
C
C
26 (27)
sfff P. sff
El.
3
0
sfff
sfff
El.
F
sff
/ /
sfff
sff
D 21 (23)
F/
sff
sff
sfff
sff
C E
El.
sf
3
sfff
A
F/
spp
E
2
0
C
sfff
A
F
spp
C
/
2
0
E
4
28
P.
El.
sfff
A
spp
q=70
P.
El.
3
sp
F
spp
H
F/
spp
0
G
spp
C E
C
sppp
sf
F
spp
spp
spp
smp
D
F
smp
E
C
I
H 0
G
spp
C
H
34
32
spp
spp
E
/ F
I
spp
G
C
spp
sp
I
C
sppp
H 0
F
3
/
C
smp
sp
El.
sppp
sffff
sffff
E
smp
A
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0
E
33
P.
F/
I
31
30
D
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35
sf
G
spp
B
smf
F /
0
smf
C CE
E
I
36
P.
spp
El.
H
I
smp
E
sff
sff
F
sff
smp
F
B
G
sp
H
A
C E
B
I
sp
H A
sf
G
smp
C
I smp
H sp
43
/ 0
smp
0
smf
0
smp
C EB
smp
sf
smp
sp
sp
0
I
smf
F /
40
C
sp
H
smf
smp
42
sp
E 39
5
I
A
3
B
smf
sp
/
smf
0
F/
A
sppp
CE D D D
37
sp
CEC
F/
B
smf
sp
H
H
smp
sp
sp
41
El.
sppp
C
smp
spp
spp
G
P.
I
spp
38
El.
spp
E
P.
sff
F
/
spp
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E
6
44
P.
El.
F
46
P.
El.
P.
El.
spp
spp
H
0
G
45
B
5
sf
/
sf
0
C
C
G
E
B
I
sf
A
H
49
B
sf
A
sf
sf
/
0
A
C
DE
sff sf
sff
C
sff
6
sf
47
sf
spp
sf
sf
A
sff
B
sf
sp
sf
F
sf
smp
F
sff
D
F
H
sp
spp
I
smf
spp
48
I
F
sff
sf
sf
sff
F
/
0
50
P.
El.
sff
sff
sff
G
P.
El.
sfff
F
CE
C E
E
sff
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sf
B
sff
sff
F/
E
0
sff
CE
A
A
sf
D D
A
53
El.
sff
54
P.
A
52
sff
F
C
7
sff
51
C
8
55
P.
El.
F/
B
sf
A
59
G
sf
I
H
F
/
F
/ F
sff
0
E
sff
G
F
C
0
sff
61
F /
sff
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I
/ 0
sff
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E
A
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C
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0
F/
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E
H
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H
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I
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/ 0
sff
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sf
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0
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I
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G
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A
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H
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I
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El.
A
60
P.
C
El.
57
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58
P.
56
H
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0
A
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/ F
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D
0
H 62
P.
El.
64
P.
El.
G
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G
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F/
0
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3
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0
/
F
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I
0
A
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B
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A
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A
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H
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D
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67
D
0
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0
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A
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F/
0
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DE
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D
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H
G
65
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3
E
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/ 0
9
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H
A
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F
3 I
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G
C
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sff
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H
/ 0
sfff
63
sff
sfff
El.
I
E
66
P.
sfff
sff
0
G
D
sff
I
10
Maximally loud!
68
P.
El.
sffffff
remove rubber mute from the strings g#1
F
sfff
Sine-wave 493,883 Hz
C
69
P.
El.
J 71
P.
El.
G sppp
F sppp
/
J
/
0
G spppp
F sppp
/
J
E
0
sp
CC
C
sp
q=86
70
spp
0 72
CC
73
P.
El.
J
A
sp
T
spp
spp
F
C
sp
T
/
/ 0 G F
0
spp sp
B
T
T
smf
sp
F/ 3 sf
smp
3
G
F
/
76
0
spp sp
sppp sp
3
sp
G
smp
E C
B
sp
F
F
sp
3
spp
C C
B
T
T
G spp spp
sppp
11
3
E
smp
spp
F G
A
sp
F
T
75
El.
J
74
sp
sp
sp
sp
77
El.
T
P.
P.
3
0
spG
B
sppp
78
C
C
3
B
B
3
/
spppp
F
spp
T
0
G
spp
spp
sp
T
79
sp
spp
C
C
K
12
80
P.
El.
83
P.
87
P.
El.
F/
81
T
3
0
smp
sp
C
85
0 F G /
sp smp
sp
3
0 G
/ 0 G F
sp smf
smp
C
88
86
smp
84
F /
sp
82
CC
El.
sppp
89
90
91
sp
C
3
F /
smf
0
C
L 92
P.
El.
El.
smf
sp
spp
A
T
spp
sp
F
spp
J
sp
J /
F /
smp
sp
98
smp
sp
B
/ G F
T
F
sf
E
sp
G
sp
0
G
sp
3
C 0
J / 0 sp
0
T sp
0
smf
G
sp
C
/
0
sp
/
smp
sp
sp
E
T
T
sp
0
/
3
96
T
G F
13
sp
C
smp
94
sp
J
sp
smp
T
T
J
El.
E
T
sp
sp
FG
3
J
sp
97
P.
J
95
P.
93
99
E
M
14
100
P.
El.
105
P.
El.
smp
smp
F/
101
sf
C
0
103
FG
smp spp
104
T
3
T
spp
smp
B
spppp
sf
El.
A T
102
P.
sp
107
T
spp
sp
3
3
F
106
G
spp
F/
smp
C
0
N 108
P.
El.
3
T
smf
smf
F / 0 G
smp
0
smf
F/
smp
smf
sp
F /
sp
3
smf
spp
3
T
0
F/
T
sp
3
G
sp
0
3
G
sp
I
F/
spp
3
spp
0
F
spp
3
T
smp
113
G
111
C
smp
B
0
C ED
G
H
smp
smp
smp
C
smf
15
I
F /
smf
B
smp
F /
H
T
smp
smp
3
3
sp
sf
T
El.
I
smf
EC
3
F G
smp
109
CE
3
112
P.
F
T
sp
sp
sp
El.
T
110
P.
smp
sff
B
H spp
0
3
G
spp
C
O Exceptionally gradual precipitation of tempo!
16
114
P.
sp
F
3
/
0
3
T
sp
/
F
sp
0
G
3
sp
117
/ 0
F
smp
C
smp
3
sp
sp
T
119
F smp /
3
120
0
sf
smp
C
F /
smf
0
3
smf
3
0
C
3
/
Fsp
G
C
!
B sp
smp
smf
H
3
3
sp
A
smf
q=e
El.
3
115
C
118
P.
smp
El.
sp
116
P.
B
3
El.
3
0
G
F
smf
C
3
H
smp
/
P 121
P.
3
sf
El.
A
C
C
/
sf
0
G
smp
0
G
sf
127
sff
F
sff
sf
smf
F /
sff
3
0
F/
G
0
sp
smp
smp
128
sff
sf
0
sf
sfff
/ F
0
A
G
sf
sff F/ 0 G
sff
F
C
A
sf
G
C
125
/ F
sp
smf
F
G
C
3
T
sf
C
smp
smp
smp
sf
sf
T
17
smf
3
G
C
smp
B
H
H
F
smp
124
sff
I
3
sf
smp
smf
I
C
3
sf
F/
smp
El.
/ 0
F
3
smf
C
!
126
P.
smf
smp
G
C
q=e
P.
/ 0
F
123
sf
El.
122
sff
C
C
C
C
C
C
sff
Q 18
129
P.
El.
sfff
B
3
0
sff
sfff
sff
C
sff
sff
C
3
sf
C
G
T sff
sff
C
F
T
/
sff
C
C
134
3
A
sff
sfff
I
sff
G
sff
C
0
T
sff 3
C
F
sff
sff
sfff
0
G
F
sfff
C T
I
C
C
T
sfff
C
B
sfff
/ F
sfff
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sff
T
sfff
C
T
sff
sff
C
sfff
sfff
C
C
B
sff
F /
B
T
F
F G
3
C
F G
C
3
sff sfff
sff
sff
3
T
0
sff
3 sfff
132
F/
0
C
C
sff
sff
A
H
A
F /
0
sff
sfff
sff
F/
130
sfff
G
C
sff
C
A
sff
El.
sff
/
C
133
P.
sfff
0
T
F
El.
sffff
sff
131
P.
/
C
0
135
P.
El.
3
A
sfff
G
3
3
sff
sfff
T
sff
!
B q=e
136
sfff
A
C
C
R
B
141
L sf A
sf
F sf
El.
3
sfff
/
C
q=64
3
B
0
G
6
Lsff A
sf
C
G
F
sff
sff
sfff
0
C
F
C
sfff
S
B
Lsff A
12
C
G
154,155, 156,157, 158,159, etc
F
sff
C C
sff
sfff
sfff
sfff
6
sff
6
sfff
A
sff
C
F /
sff
G
T
M
B
sfff
142â&#x20AC;&#x201D;153
sff
sff
M
sff
sff
3
sfff
3
A
sff
sf
P.
137
T
CC CC C
6
sf
C
M
T
B
3
170
sfff
3
F
sfff
C
T
sfff
El.
sfff
138 (139,140)
P.
T
G
sff
C
19
sfff
S T Huge increase of loudness! O P sfffff !! sfffff
F
sfff
n
G
sfff
C C
171
20
172
P.
El.
sfff
sfff
I
3
(l.h.)
H
sffffff
F
sfff
sfff
CC
P.
El.
D
D
D
/ 0 / H
/
sffff
sfff
0
F
D
D
0
174
175
0
sffff
D
pass the note, without releasing the key
sfff sffff
176
F/
G
/
El.
Maximally loud!
173
P.
/ 0
CC
D
177
0
178
179
U The maximum amplifying! 180
P.
El.
sffff
spp
D
184
/ G F
0
sffff
/
F G
H
D
I
H
H
0
sffff
F G
sfff sffff
D
sffff
H
D
sffff
H
H
sffff
sffff
sffff
D
sffff
sffff
0
H
sffff
F /
G
sfff sffff
D
D
D
W
186
187
188
189
190
sffff
H
sffff
sffff
sfff sffff
sffff
0
sffff
sffff
sffff
F/
21
sffff
D
sffff
H H
D
D
sffff
185
sfff sffff
D
V
H
/
F
D
El.
sffff
sffff
P.
sffff
El.
182
sffff
H
183
P.
181
0
G
sfffff
Sine-wave fading
D
D
D
D
C E 15"