MADE IN TOKYO
Made in Tokyo, το
Momoyo Kaijima, Yoshiharu Tsukamoto και Junzo Kuroda.
38 “Urban Design Reader | Learning from Architectural Ethnography,” accessed October 26, 2023, https://urban-design-reader.de/atrium-behaviorology/learning-from-architectural-ethnography.
39 Kaijima, Kuroda, and Tsukamoto, Made in Tokyo, 9.
Εικ. 31 : Pet architecture 001, Made in Tokyo (2001) Real estate agencty, Pet Architecture (2001)
40 Kaijima, Kuroda, and Tsukamoto, 60–61.
41 Anastasia Gkoliomyti and Yoshiharu Tsukamoto, “Collections of the Present in the 20th Century and Beyond: Tokyo’s Fieldwork and Guidebooks as Curatorial Practices,” European Journal of Creative Practices in Cities and Landscapes 3, no. 1 (December 22, 2020): 26, https://doi.org/10.6092/issn.2612-0496/10226.
42 Kaijima, Kuroda, and Tsukamoto, Made in Tokyo, 11.
43 Momoyo Kaijima (Atelier Bow-Wow)
44 “Atelier Bow-Wow: Tokyo Anatomy,” Archinect, accessed July 18, 2023, https://archinect. com/features/article/56468/atelier-bow-wow-tokyo-anatomy.
Παράλληλα, οι Atelier-Bow-Wow
Machiya,
45 Kitayama Koh, Tsukamoto Yoshiharu, and Nishizawa Ryue, eds., Tokyo Metabolizing: Japan Pavilion at the 12th International Architecture Exhibition, La Biennale Di Venezia, August 29November 21, 2010 (Mostra Internazionale di Architettura, Tokyo: TOTO Publ, 2010), 54–55.
Εικ. 34 : Tower Machiya (2010)
Εικ. 37 : Koisuru-Buta Laboratory (2012)
Οι Atelier Bow-
Fukushi Gakudan,
46 “Tohoku Earthquake and Tsunami,” accessed January 20, 2024, https://education.nationalgeographic.org/resource/tohoku-earthquake-and-tsunami.
47 Islands and Villages | Atelier Bow-Wow in Momonoura, 2018, https://www.youtube.com/ watch?v=rjBBLHtHaqs.
Εικ. 40 : Εσωτερικό
Κoisuru-Buta Laboratory (2012)
48 Hansen Lecture: Yoshiharu Tsukamoto - Architectural Behaviorology, 2019, https://www. youtube.com/watch?v=rl3rRkkC5PM.
49 “Social Sustenance,” accessed January 21, 2024, https://www.domusweb.it/en/architecture/2013/06/24/social_sustenance.html.
Εικ. 41 : White Limousine Yatai (2003)
Tsumaari Art Triennale
50 Laurent Stalder et al., eds., Atelier Bow-Wow: A Primer (Exhibition Atelier Bow-Wow, Köln: Verl. der Buchhandlung Walther König, 2013), 71–81.
Εικ. 42 : House & Atelier Bow-Wow (2005)
HOUSE & ATELIER BOW-WOW
51 Koh, Yoshiharu, and Ryue, Tokyo Metabolizing, 56.
52 Atelier Bow-Wow, Graphic anatomy Atelier Bow-Wow, ed. Nobuyuki Endo, 9. pbl (Tokyo: Toto Shuppan, 2013), 138.
53 Current Work: Yoshiharu Tsukamoto, Atelier Bow-Wow, 2015, https://www.youtube.com/ watch?v=Ab3RJD6Nizo.
Εικ. 52 : White Limousine Yatai (2003)
WAJIR Ō KON & ATELIER BOW-WOW
Στο ‘Kogengaku Nyumon’
Wajirō Kon,
55 Momoyo Kaijima, Junzo Kuroda, and Yoshiharu Tsukamoto, eds., Made in Tokyo, 1. publ (Tokyo: Kajima Publ, 2001), 11.
τίτλο “Collections of the Present in the 20th Century and Beyond: Tokyo’s Fieldwork and Guidebooks as Curatorial Practices”,
Made In
Bow
Atelier
56 Anastasia Gkoliomyti and Yoshiharu Tsukamoto, “Collections of the Present in the 20th Century and Beyond: Tokyo’s Fieldwork and Guidebooks as Curatorial Practices,” European Journal of Creative Practices in Cities and Landscapes 3, no. 1 (December 22, 2020): 9–32, https://doi.org/10.6092/issn.2612-0496/10226.
57 Gkoliomyti and Tsukamoto, 27.
Made In
Η Izumi Kuroishi,
Aoyama Gakuin University,
Wajirō Kon.
“Retrospective Kon Wajirō” (2011), και το “Design and Disaster: Kon Wajiro’s Modernologio ” (2014). 60
58 Anastasia Gkoliomyti,
59 Gkoliomyti.
December 1, 2024.
60 Canadian Centre for Architecture (CCA), “Visiting Scholar Seminar: Izumi Kuroishi,” accessed January 31, 2024, https://www.cca.qc.ca/en/events/32504/visiting-scholar-seminar-izumi-kuroishi.
Το 2016, δημοσιεύει
Urban Survey and Planning in Twentieth-Century Japan: Wajirō Kon’s “Modernology” and Its Descendants.
η Kuroishi
“απογόνων”, του Kon,
“Design Surveys”, “Avant Garde and Spontaneous Surveys”
“Market-Oriented Surveys”. Το Made in Tokyo
Made in Tokyo: Architecture and Living, 1964/2020
61 Izumi Kuroishi, “Urban Survey and Planning in Twentieth-Century Japan: Wajiro Kon’s ‘Modernology’ and Its Descendants,” Journal of Urban History 42, no. 3 (May 2016): 579, https://doi.org/10.1177/0096144216635151.
62 Kuroishi, “Urban Survey and Planning in Twentieth-Century Japan.”
63 Atelier Bow-Wow and Sunil Bald, “Atelier Bow-Wow,” BOMB, no. 149 (2019): 59.
Wajirō Kon & Atelier Bow-Wow
Atelier Bow-wow
Wajirō Kon
του Made in Tokyo
Wajirō Kon
ο Tsukamoto
Wajirō Kon (1925)
Atelier
(2001)
Wajirō Kon
Atelier Bow-Wow
Waseda.64 Οι Atelier Bow-Wow
64 Tom Gill, “Kon Wajiro, Modernologist,” Japan Quarterly, Vol. XLIII, No.2 (April-June), Pp.198-207, April 1, 1996, 4, https://www.academia.edu/7218444/Kon_Wajiro_Modernologist.
65 Momoyo Kaijima, Junzo Kuroda, and Yoshiharu Tsukamoto, eds., Made in Tokyo, 1. publ (Tokyo: Kajima Publ, 2001), 188.
Εικ. 56 : Modernologio, Wajirō Kon (1930), Bow-Wow’s exhibition, Harvard University (2017) Atelier Bow-wow
Wajirō Kon
Yoshiharu
Isozaki, “Architectural Museum of Revolution”.
Arata
66 Gill, “Kon Wajiro, Modernologist.”
68 Laurent Stalder et al., eds., Atelier Bow-Wow: A Primer (Exhibition Atelier Bow-Wow, Köln: Verl. der Buchhandlung Walther König, 2013), 4–5.
Wajirō Kon.
1 Momoyo Kaijima, Junzo Kuroda, and Yoshiharu Tsukamoto, eds., Made in Tokyo, 1. publ (Tokyo: Kajima Publ, 2001), 15.
Akasegawa, Genpei, Matthew Fargo, Masayuki Qusumi, Jordan Sand, William Marotti, and Reiko Tomii. Hyperart: Thomasson. 2nd ed. Los Angeles: Kaya Press, 2024.
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Graphic anatomy Atelier Bow-Wow . Edited by Nobuyuki Endo. 9. pbl. Tokyo: Toto Shuppan, 2013.
Chevroulet, Irene Vogel. “The Architecture of Japan: Discovery, Assimilation and Creation—Josiah Conder Opens the Way.” Accessed January 4, 2024. https://www.academia.edu/22132467/The_Architecture_ of_Japan_Discovery_Assimilation_and_Creation_Josiah_Conder_ Opens_the_Way.
Gill, Tom. “Kon Wajiro, Modernologist.” Japan Quarterly, Vol. XLIII, No.2 (April-June), Pp.198-207, April 1, 1996. https://www.academia. edu/7218444/Kon_Wajiro_Modernologist.
Goffi, Federica and Izumi Kuroishi, eds. The Routledge Companion to Architectural Drawings and Models: From Translating to Archiving, Collecting and Displaying. Abingdon, Oxon ; New York: Routledge, 2022.
Hays, K. Michael, Momoyo Kaijima, and Yoshiharu Tsukamoto. Architectural Ethnography: Atelier Bow-Wow . Edited by Jennifer Sigler and Leah Whitman-Salkin. The Incidents. Berlin: Sternberg Press, 2017.
Kaijima, Momoyo, Junzo Kuroda, and Yoshiharu Tsukamoto, eds. Made in Tokyo. 1. publ. Tokyo: Kajima Publ, 2001.
Kato, Hidetoshi, and Motoko Hori. “Characteristics of Theories of Japanese Culture.” Review of Japanese Culture and Society 1, no. 1 (1986): 62–71.
Koh, Kitayama, Tsukamoto Yoshiharu, and Nishizawa Ryue, eds. Tokyo
Metabolizing: Japan Pavilion at the 12th International Architecture Exhibition, La Biennale Di Venezia, August 29 - November 21, 2010 Tokyo: TOTO Publ, 2010.
Kon, Wajiro, and Izumi Kuroishi. “Selected Writings on Design and Modernology, 1924–47.” West 86th: A Journal of Decorative Arts, Design History, and Material Culture 22, no. 2 (2015): 190–216.
Kuroishi, Izumi. “Everlasting Inspirations of Archival Architectural Drawings in Japan.” In The Routledge Companion to Architectural Drawings and Models, by Federica Goffi, 235–48, 1st ed. London: Routledge, 2022. https://doi.org/10.4324/9781003052623-19.
Nakabayashi, Hiroshi. “Uzo Nishiyama’s Planning Methodology Based on Investigations of Common People’s Lives.” International Planning History Society Proceedings, October 29, 2018, 1128-1137 Pages. https://doi.org/10.7480/IPHS.2018.1.2757.
Shinada, Kyoichi, and Tōkyō-Kōgyō-Daigaku, eds. Pet Architecture Guide Book. World Mook 327. Tokyo: World Photo Pr, 2002.
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Smith, Henry D. “Tokyo as an Idea: An Exploration of Japanese Urban Thought until 1945.” Journal of Japanese Studies 4, no. 1 (1978): 45–80. https:// doi.org/10.2307/132072.
Stalder, Laurent, Lena Amuat, Eidgenössische Technische Hochschule Zürich, and Atelier Bow-Wow, eds. Atelier Bow-Wow: A Primer ; [on the Occasion of the Exhibition Atelier Bow-Wow, 28 February - 21 March 2013, ETH Zurich]. Köln: Verl. der Buchhandlung Walther König, 2013.
Traganou, Jilly, and Izumi Kuroishi, eds. Design and Disaster: Kon Wajiro’s Modernologio. New York: Japan Foundation : Parsons The New School for Design, 2014.
Tsukamoto, Yoshiharu, Ryuji Fujimura, and Eric Shiner. “Typo-Morphology of Tokyo.” Perspecta 40 (2008): 32–41.
Tsukamoto, Yoshiharu, and Casey Goodwin. “Park as Philanthropy: BowWow’s Redevelopment at Miyashita Koen.” Thresholds, no. 40 (2012): 91–98.
Tsukamoto, Yoshiharu, Momoyo Kaijima, and Atorie Wan, eds. Behaviorology. New York: Rizzoli, 2010.
Wajirō, Kon, and Ignacio Adriasola. “What Is Modernology (1927).” Review of Japanese Culture and Society 28, no. 1 (2016): 62–73. https://doi. org/10.1353/roj.2016.0024.
Yoshida, Nobuyuki, and Izumi Kuroishi, eds. Dwelling Studies and Japan’s Women Architects. Kenchiku-to-Toshi, no. 616 (2021) = 2022, 01. Tokyo: A+U Publishing Co., Ltd, 2022. Κωνσταντινίδης, Αρης.
(1937-1990). Πανεπιστημιακές
2013. ΑΡΘΡΑ
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Betsky, Aaron. “ATELIER BOW-WOW.” Artforum (blog), June 1, 2006. https:// www.artforum.com/columns/atelier-bow-wow-174183/.
“Critical Metabolism. Interview with Yoshiharu Tsukamoto – Atelier Bow-Wow | Quaderns 2011 – 2016.” Accessed January 14, 2024. http://quaderns. coac.net/en/2014/04/atelier-bow-wow/.
Forty-Five. “Under the Banner of Street Observation by Terunobu Fujimori.” Accessed September 26, 2023. https://forty-five.com/papers/underthe-banner-of-street-observation.
Gómez Lobo, Noemí, Yoshiharu Tsukamoto, and Diego Martin. “Jiyūgaoka as Women’s Realm: A Case Study on Tokyo Genderfication” 4 (December 18, 2019): 1–25. https://doi.org/10.15274/tpj.2019.04.02.4.
“Kitamoto Station Plaza: Tokio, Japón | 2012 – 2015.” ARQ (Santiago) , no. 91 (December 2015): 64–69. https://doi.org/10.4067/S071769962015000300010.
Nuijsink, Cathelijne, and Momoyo Kaijima. “Timber Behaviorology.” Architectural Theory Review 25, no. 1–2 (May 4, 2021): 136–51. https:// doi.org/10.1080/13264826.2021.1971832.
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Tsukamoto, Yoshiharu, Momoya Kaijima, and Junzo Kuroda. “MIT = Madie in Tokyo: Hybrid Structures in Tokyo: A Publication by Atelier BowWow, Tokyo.” Text/html,application/pdf,text/html, November 3, 2000. https://doi.org/10.5169/SEALS-80000.
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Abásolo Llaría, José. “El Arquitecto Como Etnógrafo. Trabajo de Campo y Representación En Las Investigaciones de Kon Wajirô, 1917-31.” Rita_, no. 15 (May 2021). https://doi.org/10.24192/2386-7027(2021) (v15)(07).
Gkoliomyti, Anastasia. “The Relational Ecologies of the Undisciplined ‘Mr. Kon,’” n.d.
Gkoliomyti, Anastasia, and Yoshiharu Tsukamoto. “Collections of the Present in the 20th Century and Beyond: Tokyo’s Fieldwork and Guidebooks as Curatorial Practices.” European Journal of Creative Practices in Cities and Landscapes 3, no. 1 (December 22, 2020): 9–32. https:// doi.org/10.6092/issn.2612-0496/10226.
Jacquet, Benoit. “On Things to Come: What Contemporary Japanese Architecture Should Be Like,” January 1, 2015. https://www. academia.edu/12381677/On_Things_to_Come_What_ contemporary_Japanese_architecture_should_be_like.
Jung, Yoonchun. “Wajiro Kon’s Architectural Theory on the Development of Korean Minka and Its Limitations, 1923-24.” Architectural Research 16, no. 3 (September 30, 2014): 101–7. https://doi.org/10.5659/ AIKAR.2014.16.3.101.
Knoroz, Tatiana. “Devicology: Expanding Fieldwork Possibilities for Architectural Observations in Inhabited Interiors: The Case of Japanese Post-War Mass Housing.” CIDADES, Comunidades e Territórios , no. Sp22. Accessed November 14, 2023. https://www. academia.edu/94684323/Devicology_Expanding_fieldwork_ possibilities_for_architectural_observations_in_inhabited_ interiors_the_case_of_Japanese_post_war_mass_housing.
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Practice in the Context of Post-Criticality: Spatial Thinking from City and Behavior of Atelier Bow-Wow.” In 106th ACSA Annual Meeting Proceedings, The Ethical Imperative , 301–6. ACSA Press, 2018. https:// doi.org/10.35483/ACSA.AM.106.49.
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Εισαγωγική
: Laurent Stalder et al., eds., Atelier BowWow: A Primer (Exhibition Atelier Bow-Wow, Köln: Verl. der Buchhandlung Walther König, 2013), 217.
Εικ. 1: Anastasia Gkoliomyti and Yoshiharu Tsukamoto, “Collections of the Present in the 20th Century and Beyond: Tokyo’s Fieldwork and Guidebooks as Curatorial Practices,” European Journal of Creative Practices in Cities and Landscapes 3, no. 1 (December 22, 2020): 25, https://doi.org/10.6092/ issn.2612-0496/10226.
Εισαγωγική
: Kento Awashima Japan Ryo Namiki,Koji Murakoshi,Yuta Tsunashima,Takanobu Iwamura,Yuji Kuronuma,Shohei Yasuda,Toru Yamada,Sotaro Sakai,Great Kanto Earthquake Memorial Museum,National Film Archive of, “100th Anniversary of the Great Kanto Earthquake How Fires Spread across Tokyo for 46 Hours,” Nikkei Asia, accessed March 4, 2024, https://asia.nikkei.com/static/vdata/infographics/ kanto-earthquake-46hours/.
Εικ. 2: “Postcard Nagasaki Hotel Hong Kong Shanghai Bank Boats People Walking,” eBay, accessed May 23, 2024, https://www.ebay.com/ itm/186046224619.
Εικ. 3: Martin Laflamme, “‘Our Man in Tokyo’: An Ambassador’s View of a Decade of Turbulence,” The Japan Times, November 6, 2022, https://www. japantimes.co.jp/culture/2022/11/06/books/book-reviews/our-man-in-tokyo/.
Εικ. 4: “KON WAJIRŌ, MODERNOLOGUE | Tokyo Time Table,” tokyotimetable, accessed May 24, 2024, https://artscape.jp/report/curator/10011944_1634.html.
Εικ. 5: Yoonchun Jung, “Wajiro Kon’s Architectural Theory on the Development of Korean Minka and Its Limitations, 1923-24,” Architectural Research 16, no. 3 (September 30, 2014): 101, https://doi.org/10.5659/ AIKAR.2014.16.3.101.
Εικ. 6: Federica Goffi and Izumi Kuroishi, eds., The Routledge Companion to Architectural Drawings and Models: From Translating to Archiving, Collecting
and Displaying (Abingdon, Oxon ; New York: Routledge, 2022), 240.
Εικ. 7: “今和次郎 採集講義/今純三と考現学/再考現学:キュレーターズノート|美 術館・アート情報 artscape,” 美術館・アート情報 artscape, accessed May 27, 2024, https://artscape.jp/report/curator/10011944_1634.html.
Εικ. 8: “今和次郎 採集講義/今純三と考現学/再考現学:キュレーターズノート|美術 館・アート情報 artscape.”
Εικ. 9: Kento Awashima Japan Ryo Namiki,Koji Murakoshi,Yuta Tsunashima,Takanobu Iwamura,Yuji Kuronuma,Shohei Yasuda,Toru Yamada,Sotaro Sakai,Great Kanto Earthquake Memorial Museum,National Film Archive of, “100th Anniversary of the Great Kanto Earthquake How Fires Spread across Tokyo for 46 Hours,” Nikkei Asia, accessed March 4, 2024, https://asia.nikkei. com/static/vdata/infographics/kanto-earthquake-46hours/.
Εικ. 10: Kon Wajirō and Ignacio Adriasola, “What Is Modernology (1927),” Review of Japanese Culture and Society 28, no. 1 (2016): 64, https://doi. org/10.1353/roj.2016.0024.
Εικ. 11: Tom Gill, “Kon Wajiro, Modernologist,” Japan Quarterly, Vol. XLIII, No.2 (April-June), Pp.198-207, April 1, 1996, 204, https://www.academia. edu/7218444/Kon_Wajiro_Modernologist.
Εικ. 12: Miriam Silverberg, “Constructing the Japanese Ethnography of Modernity,” The Journal of Asian Studies 51, no. 1 (February 1992): 41, https:// doi.org/10.2307/2058346.
Εικ. 13: Προσωπικό έργο
Εικ. 14: Anastasia Gkoliomyti and Yoshiharu Tsukamoto, “Collections of the Present in the 20th Century and Beyond: Tokyo’s Fieldwork and Guidebooks as Curatorial Practices,” European Journal of Creative Practices in Cities and Landscapes 3, no. 1 (December 22, 2020): 22, https://doi.org/10.6092/ issn.2612-0496/10226.
Εικ. 15: Wajirō and Adriasola, “What Is Modernology (1927),” 62.
Εικ. 16: Nobuyuki Yoshida and Izumi Kuroishi, eds., Dwelling Studies and Japan’s Women Architects, Kenchiku-to-Toshi, no. 616 (2021) = 2022, 01 (Tokyo: A+U Publishing Co., Ltd, 2022), 164.
Εικ. 17: “The Uzo Nishiyama Memorial Library:UNML,” accessed June 10, 2024, http://www.n-bunko.org/gal.html.
Εικ. 18: Genpei Akasegawa et al., Hyperart: Thomasson, 2nd ed. (Los Angeles: Kaya Press, 2024), 4.
Εικ. 19: Akasegawa et al., 26.
Εισαγωγική Εικόνα 2ης Ενότητας : APG, “// L’ATELIER BOW WOW OU LE DESSIN COMME OUTIL DE PROJET,” Site et cité (blog), January 29, 2016, https://siteetcite.com/2016/01/29/latelier-bow-wow-ou-le-dessin-commeoutil-de-projet/.
Εικ. 20: Laurent Stalder et al., eds., Atelier Bow-Wow: A Primer (Exhibition Atelier Bow-Wow, Köln: Verl. der Buchhandlung Walther König, 2013), 6.
Εικ. 21: “‘We Are Totally Kicked out’ from Working in Tokyo, Says Atelier Bow-Wow,” accessed January 30, 2024, https://www.dezeen. com/2019/10/25/made-in-tokyo-atelier-bow-wow-interview-new-york/.
Εικ. 22: Yoshiharu Tsukamoto, Momoyo Kaijima, and Atorie Wan, eds., Behaviorology (New York: Rizzoli, 2010), 337.
Εικ. 23: Tsukamoto, Kaijima, and Atorie Wan, 337.
Εικ. 24: (πάνω εικόνα) https://www.naibooksellers.nl/the-architectures-ofatelier-bow-wow-behaviorology.html
(κάτω εικόνα) https://www.naibooksellers.nl/commonalities-production-ofbehaviours-atelier-bow-wow-lixil.html
Εικ. 25: https://www.archined.nl/2016/02/commonalities-in-architecture/
Εικ. 26: https://joeylippe.wordpress.com/2014/09/23/commonalities/
Εικ. 27: (άνω εικόνα) https://www.naibooksellers.nl/graphic-anatomyatelier-bow-wow.html
(κάτω εικόνα) https://www.naibooksellers.nl/graphic-anatomy-2-atelierbow-wow.html
Εικ. 28: Atelier Bow-Wow, Graphic anatomy Atelier Bow-Wow, ed. Nobuyuki Endo, 9. pbl (Tokyo: Toto Shuppan, 2013), 92–93.
Εικ. 29: (άνω εικόνα) Momoyo Kaijima, Junzo Kuroda, and Yoshiharu Tsukamoto, eds., Made in Tokyo, 1. publ (Tokyo: Kajima Publ, 2001), Εξώφυλλο
(μεσαία εικόνα) Momoyo Kaijima, Junzo Kuroda, and Yoshiharu Tsukamoto, eds., Made in Tokyo, 1. publ (Tokyo: Kajima Publ, 2001), 54-55.
(κάτω εικόνα) Momoyo Kaijima, Junzo Kuroda, and Yoshiharu Tsukamoto, eds., Made in Tokyo, 1. publ (Tokyo: Kajima Publ, 2001), 80-81.
Εικ. 30: Momoyo Kaijima, Junzo Kuroda, and Yoshiharu Tsukamoto, eds., Made in Tokyo, 1. publ (Tokyo: Kajima Publ, 2001), 60-61.
Εικ. 31: (άνω εικόνα) Momoyo Kaijima, Junzo Kuroda, and Yoshiharu Tsukamoto, eds., Made in Tokyo, 1. publ (Tokyo: Kajima Publ, 2001), 166-167.
(κάτω εικόνα) https://7284grp.wordpress.com/2015/01/09/pet-architectureatelier-bow-wow/
Εικ. 32: Stalder et al., Atelier Bow-Wow, 55.
Εικ. 33: https://data.shinkenchiku.online/en/articles/JT_2010_07_086-0
Εικ. 34: (αριστερή εικόνα) https://data.shinkenchiku.online/en/articles/ JT_2010_07_086-0
(υπόλοιπες εικόνες) https://www.designboom.com/architecture/atelierbow-wow-tower-machiya/
Εικ. 35: https://studio3-blog.tumblr.com/post/171626120642/atelier-bowwow-tower-machiya
Εικ. 36: Stalder et al., 55. | Προσωπική
Εικ. 37: “Koisuru-Buta Laboratory by Atelier Bow-Wow,” Architizer, April 14, 2014, https://architizer.com/projects/koisuru-buta-laboratory/.
Εικ. 38: (άνω εικόνα) Προσωπικό έργο
(κάτω εικόνα) “Koisuru-Buta Laboratory by Atelier Bow-Wow,” Architizer, April 14, 2014, https://architizer.com/projects/koisuru-buta-laboratory/.
Εικ. 39: “Koisuru-Buta Laboratory by Atelier Bow-Wow.”
Εικ. 40:“Koisuru-Buta Laboratory by Atelier Bow-Wow.”
Εικ. 41: “White Limousine Yatai by Atelier Bow-Wow,” Architizer, November 12, 2015, https://architizer.com/projects/white-limousine-yatai/.
Εικ. 42: “House & Atelier / Atelier Bow-Wow | ArchDaily,” accessed October 14, 2023, https://www.archdaily.com/5918/house-atelier-atelier-bow-w?ad_ medium=office_landing&ad_name=article. (Προσωπική επεξεργασία)
Εικ. 43: Προσωπικό έργο
Εικ. 44: Laurent Stalder et al., eds., Atelier Bow-Wow: A Primer (Exhibition Atelier Bow-Wow, Köln: Verl. der Buchhandlung Walther König, 2013), 85.
Εικ. 45: Nobuyuki Yoshida and Izumi Kuroishi, eds., Dwelling Studies and Japan’s Women Architects, Kenchiku-to-Toshi, no. 616 (2021) = 2022, 01 (Tokyo: A+U Publishing Co., Ltd, 2022), 151.
Εικ. 46: Kitayama Koh, Tsukamoto Yoshiharu, and Nishizawa Ryue, eds., Tokyo Metabolizing: Japan Pavilion at the 12th International Architecture Exhibition, La Biennale Di Venezia, August 29 - November 21, 2010 (Mostra Internazionale di Architettura, Tokyo: TOTO Publ, 2010), 65.
Εικ. 47: Προσωπικό έργο
Εικ. 48: Προσωπικό έργο
Εικ. 49: (αριστερή εικόνα) “House & Atelier / Atelier Bow-Wow | ArchDaily.”
(υπόλοιπες εικόνες) Koh, Yoshiharu, and Ryue, Tokyo Metabolizing, 61–62.
Εικ. 50: Koh, Yoshiharu, and Ryue, 60.
Εικ. 51: Προσωπικό έργο
Εικ. 52: Stalder et al., Atelier Bow-Wow, 202–9.
Εισαγωγική εικόνα 3ης ενότητας: Nobuyuki Yoshida and Izumi Kuroishi, eds., Dwelling Studies and Japan’s Women Architects , Kenchiku-to-Toshi, no. 616 (2021) = 2022, 01 (Tokyo: A+U Publishing Co., Ltd, 2022), 153. (Προσωπική επεξεργασία)
Εικ. 53: (άνω εικόνα) K. Michael Hays, Momoyo Kaijima, and Yoshiharu Tsukamoto, Architectural Ethnography: Atelier Bow-Wow, ed Jennifer Sigler and Leah Whitman-Salkin, The Incidents (Berlin: Sternberg Press, 2017), 74. (Προσωπική επεξεργασία)
(κάτω εικόνα) Laurent Stalder et al., eds., Atelier Bow-Wow: A Primer (Exhibition Atelier Bow-Wow, Köln: Verl. der Buchhandlung Walther König, 2013), 213. (Προσωπική επεξεργασία)
Εικ. 54: (άνω εικόνα) Anastasia Gkoliomyti and Yoshiharu Tsukamoto, “Collections of the Present in the 20th Century and Beyond: Tokyo’s Fieldwork and Guidebooks as Curatorial Practices,” European Journal of Creative Practices in Cities and Landscapes 3, no. 1 (December 22, 2020): 22, https:// doi.org/10.6092/issn.2612-0496/10226. (Προσωπική επεξεργασία)
(κάτω εικόνα) Kaijima, Kuroda, and Tsukamoto, 47,55.
Εικ. 55: (αριστερή εικόνα) Kon Wajirō and Ignacio Adriasola, “What Is Modernology (1927),” Review of Japanese Culture and Society 28, no. 1 (2016): 64, https://doi.org/10.1353/roj.2016.0024. (Προσωπική επεξεργασία)
(δεξιά εικόνα) Momoyo Kaijima, Junzo Kuroda, and Yoshiharu Tsukamoto, eds., Made in Tokyo, 1. publ (Tokyo: Kajima Publ, 2001), 80. (Προσωπική επεξεργασία)
Εικ. 56: (άνω εικόνα) Shiseido Co Ltd, “Past Exhibition | ‘BEAUTY CROSSING GINZA’ | SHISEIDO GALLERY,” accessed June 23, 2024, https:// gallery.shiseido.com/en/exhibition/1913/
(κάτω εικόνα) “Architectural Ethnography: Atelier Bow-Wow,” Harvard Graduate School of Design, accessed June 11, 2024, https://www.gsd.harvard.edu/exhibition/architectural-ethnography-by-atelier-bow-wow/.
Εικ. 57: Koh, Yoshiharu, and Ryue, Tokyo Metabolizing, 65. (Προσωπική
επεξεργασία)
Εικ. 58: Προσωπικό έργο