E wocial
start with colours they always get away with attitude but they’ll try to convince you of your mood and what you want they’ll give it to you but it’s only therapy, that’s all they do and for a year she was anti-pioneer singing sappy songs about what went wrong two years before, but even now when the false is true when i call me you when the flag changes colours the language knows when the month changes numbers it’s time to go when the flag changes colours the language knows when the month changes numbers it’s time
K świerczyński
Fikcyjna postać pojawiająca się w komiksach wydawanyc przez DC Comics oraz filmach związanych z postacią Batmana. Został stworzony przez Jerry’ego Robinsona, Billa Fingera oraz Boba Kane’a, Joker po raz pierwszy pojawił się w komiksie Batman vol. 1 #1. Był wzorowany na postaci Gwynplaine’a (Conrad Veidt) z filmu z 1928 roku pod tytułem Człowiek, który się śmieje (The Man Who Laughs), będącego ekranizacją powieści Victora Hugo pod tytułem Człowiek śmiechu.
M gołębiowska
Balet z choreografią Fredericka Ashtona to bardzo precyzyjnie wymyślone widowisko. Złe siostry, tańczone przez mężczyzn, swoim przerysowaniem wzbudzają śmiech niemal przy każdym pojawieniu się na scenie. Wróżka Jesieni ma tak zwrotne i zdecydowane ruchy, że już po kilku chwilach widzowie niemal czują wiatr. Wróżka Zimy jest dostojna i lodowata. Wiosny - żwawa, a Lata ma ruchy bardziej spokojne, leniwe. Kopciuszek i Książę to urokliwa para, która, co jest pokazane na scenie, żyje długo i szczęśliwie.
B haber
Give me the flammable life I’m cold as a match Ready to strike So here I go... Here lies a city on fire Singing along The arsonist choir Now here I go... It started with a spark And burned into the dark Now here I go... There is a river I found Into the wild Under the ground So here I go... A button on a string And I heard everything Now here I go... Oh sweet ignition be my fuse You have no choice you have to choose Bid farewell to yesterday Say goodbye I’m on my way.
c i s n y o a s w h g i h
SOM
ETH
ING FROM NOTHING
M rudnicka
Many of us grew up with this ‘dream-big-or-go-home’ attitude. So we expect our inspirations to come flooding like teenage girls to One Direction gigs – and when they don’t show up we are left disappointed. I’ll try to focus on today only. Just get going.
FOKUS ON TODAY JUST GET GOING
M marszałek
My works focuses on logo and illustration. I am inspired by American sport branding logos and fantasy artists. I grew up drawing, art has always been part of my life. I started drawing when I was a 4-5 years old kid with the different colouring books. I was self-taught man and I started to learn different techniques and mediums like watercolor, pencils, pastels and acryl. I still prefer old art techniques than new one and I feel more a drawer than a painter.
MARCIN
1986 1986 1986
P kondzior
in the world of skyscraper design and manufacturing, bigger is always better, especially when national pride is at stake. With a multitude of designs, projects and businesses all claiming to be ‘sustainable’ in every aspect of modern life, it’s prudent to be extremely cautious about such claims, while trying not to be cynical. The construction of ‘sustainable skyscrapers’ is a prime case in point. But news from China on plans to construct the world’s tallest building with energy-efficiency at the core of its creation seems genuinely
French actress, artist and dancer. She has appeared in more than 40 feature films, been recipient of numerous international accolades, is a published author and has appeared on stage across the world. Coming from an artistic background, she began taking acting lessons during adolescence. After performing in several stage productions, she was propelled into the world of auteurs Jean-Luc Godard (Hail Mary, 1985), Jacques Doillon (Family Life, 1985) and André Téchiné, who made her a star in France with the leading role in his 1985 drama Rendez-vous. Her sensual performance in her English-language debut The Unbearable Lightness of Being (1988), directed by Philip Kaufman, launched her international career. She sparked the interest of Steven Spielberg, who offered her several parts including a role in Jurassic Park which she declined, choosing instead to join Krzysztof Kieślowski on the set of Three Colors: Blue (1993), a performance for which she won the Venice Film Festival Award for Best Actress and a César. Three years later Binoche gained further acclaim in Anthony Minghella’s The English Patient (1996), for which she was awarded an Academy Award and a BAFTA for Best Supporting Actress in addition to the Best Actress Award at the 1997 Berlin Film Festival. For her performance in Lasse Hallström’s romantic comedy Chocolat (2000) Binoche was nominated for an Academy Award for Best Actress.
Juliette Binoche
M łuczyńska
You go down to the bottom of the sea, where the water isn’t even blue anymore, where the sky is only a memory, and you float there, in the silence. And you stay there, and you decide, that you’ll die for them. Only then do they start coming out. They come, and they greet you, and they judge the love you have for them. If it’s sincere, if it’s pure, they’ll be with you, and take you away forever.
h
hold you down
I nałęcz
Uczęszczała do Prywatnej Lingwistycznej Szkoły Podstawowej w Częstochowie i do I Społecznego Liceum Ogólnokształcącego STO w Częstochowie. Karierę modelki rozpoczęła w wieku 15 lat. Pierwszy raz wyszła na wybieg w Mediolanie. Dwa i pół roku później wyjechała do Paryża, gdzie ukończyła brytyjskie liceum. Po maturze przeprowadziła się do Nowego Jorku.
BEAUTY
Y T U A BE
BEAU T
BE AU T
Y
Y
M tołłoczko
start with colours they always get away with attitude but they’ll try to convince you of your mood and what you want they’ll give it to you but it’s only therapy, that’s all they do and for a year she was anti-pioneer singing sappy songs about what went wrong two years before, but even now when the false is true when i call me you when the flag changes colours the language knows when the month changes numbers it’s time to go when the flag changes colours the language knows when the month changes numbers it’s time
JENNIFER 25.11.14
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godz. 20
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M dąbrowska
Same bed, but it feels just a little bit bigger now our song on the radio, but it don’t sound the same when our friends talk about you all that it does is just tearme down. ‘Cause my heart breaks a little when I hear your name. It all just sounds like oh... Too young, too dumb to realize.. That I should’ve bought you flowers and held your hand. Should’ve gave you all my hours when I had the chance. Take you to every party ‘cause all you wanted to do was dance. Now my baby’s dancing, but she’s dancing with another man.
Lubię kiedy kobieta omdlewa w objęciu, kiedy w lubieżnym zwisa przez ramię w przegięciu... Michał Żebrowski & Katarzyna Nosowska
K sitkowski
start with colours they always get away with attitude but they’ll try to convince you of your mood and what you want they’ll give it to you but it’s only therapy, that’s all they do and for a year she was anti-pioneer singing sappy songs about what went wrong two years before, but even now when the false is true when i call me you when the flag changes colours the language knows when the month changes numbers it’s time to go when the flag changes colours the language knows when the month changes numbers it’s time
SITKOWSKI SITKOWSKI SITKOWSKI SITKOWSKI SITKOWSKI
B ruszkiewicz
start with colours they always get away with attitude but they’ll try to convince you of your mood and what you want they’ll give it to you but it’s only therapy, that’s all they do and for a year she was anti-pioneer singing sappy songs about what went wrong two years before, but even now when the false is true when i call me you when the flag changes colours the language knows when the month changes numbers it’s time to go when the flag changes colours the language knows when the month changes numbers it’s time
BARBARA BARBARA BARBARA BARBARA
M ostrowska
Ciotka to stworzenie o dwojakiej naturze: czasem przynosi cukierki i temu podobne atrakcje, ale przede wszystkim obślinia (ach, jakie to śłodkie [sic!] dzieciątko, nie pocałujesz cioci?). Pod tym względem wyższość mają wujowie, którzy też przynoszą czekoladki, ale przynajmniej potrafią robić sztuczki magiczne, naprawiać samochód, a czasem nawet dają wystrzelić z posiadanej przez się broni palnej.
Jak Ą J A KOCH dwie y r t s o i S Wikto ria Maliń ska Wiole tta Maliń ska Cioci a
K wozniak
Once upon a time, there was a girl who talked to the moon. And she was mysterious and she was perfect, in that way that girls who talk to moons are. In the house next door, there lived a boy. And the boy watched the girl grow more and more perfect, more and more beautiful with each passing year. He watched her watch the moon. And he began to wonder if the moon would help him unravel the mystery of the beautiful girl. So the boy looked into the sky. But he couldn’t concentrate on the moon.
Klaudia WoĹşniak 2014
designer photographer