Graham Oakley Architectural Design Portfolio

GRAHAM OAKLEY A r c h i t e c t u r a l D e s i g n Po r t f o l i o

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The Urban Periscope : ESRI - The Urban Ubservatory Fall 2015 Bachelor | Design VII. Vicenza Study Abroad Collaboration | Partner | Isabela Guzman Instructor | Albertus Wang

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Recycled Collective Art : Austin Commission of Environmental Studies Spring 2015 Bachelor | Design VI Personal Work Instructor | Kourtney Baldwin

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Cardo Plana May 2016 Design Competition Partner | Alex Terry

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Artists Retreat : A.C.E.S River Cleaning Proposal Spring 2015 Bachelor | Design VI Personal Work Instructor | Kourtney Baldwin

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Remolding the Rivers Edge : Fashion & Design Institute Fall 2015 Bachelor | Design VII. Vicenza Study Abroad Collaboration | Partner | Isabela Guzman Instructor | Albertus Wang

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Culinary Creatives : Orlando Culinary Complex Fall 2014 Bachelor | Design V Personal Work Instructor | Michael Lindsey

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1 The Urban Periscope ESRI : Urban Observatory Undergraduate Final Year August 2015 - December 2015 Rome, Italy Partner: Isabela Guzman Critic: Albertus Wang Historically Rome is the node that helps define how we perceive and understand the world, but this perception is impaired by the density that visually pollutes our surroundings at the ground level. The issue of perceiving so much at one time inhibits your understanding of what’s in front of you. The proposed tower offers a visual accessibility and connectivity above this ground level to help understand what has been built, by transporting you to framed views above the city.

The Urban Observatory Technology was created by Richard Wurman (TED) alongside Jack Dangermond (ESRI). The technology is a comparative analysis tool that compiles maps and real time data which helps discover urban issues on a larger scale. The idea of understanding the past and addressing current issues advises us on what steps to take to move forward.

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Framed Views: The tower offers six framed views as you transition through. The views are positioned and juxtaposed within the form to guide your eyes to predominant landmarks around the city. As one moves up the circulation spaces, tears within the skin give glimpses of the surrounding city, but its not until you reach these framed platforms that give you the eye opening view that is careful constructed.

Its not until you reach the sky deck that you are opened up to a 360 view of Rome.

Images: Photos show a daily routine of market life within Campo di Fiori. Understanding peoples interaction to the spaces gives the ideas of what can be added to their everyday lives.

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Spacial programmatics are organized in the importance and Precedents surrounding the central parts of Rome offer a hierarchy of the spaces. Offices are kept closest to ground great understanding as to how monumentality and organized level to relate to the human scale. As you move up the

spacial programming can offer the occupant a great

intervention you are transitioned through different ideas of architectural experience. We offer the same experience with libraries, printed libraries, technological libraries, and visual the vertical tower completing the roman square and adding libraries.

a beacon to visually ground you to a location.

Exploded Axon 1 Skin 2 Circulation 3 Viewing Spaces 4 Structures

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Analytical Drawing: The drawing analyzes major landmarks and their relation to the central city of Rome.

Spacial construction of each landmark is broken down and related to simple three dimensional shapes

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1 Entry Foyer 2 Offices 3 Conference Room 4 Atrium 5 Library 6 Exterior Reading space 7 Courtyard 8 Urban Observatory 9 Observation Deck 10 Restrooms 11 Auditorium 12 Exterior Veiwing 13 Interior Viewing

Opposite Page A View of Campo di Fiori B Via la Corda Entrance

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This Page A North Elevation Opposite Page B Exterior Library View C Urban Observatory D View from Observation Deck E East Elevation

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Austin Commission of Envionmental Studies Undergraduate Final Year January 2015 - May 2015 Austin, Texas, US Critic: Kourtney Baldwin The city of Austin, Texas is known for its “weirdness,” but after immersing yourself into the culture and understanding the people that make up this city you’ll begin to see that theres nothing really “weird” about it. Austin has an immense art and music culture that brings a livelihood to the city. The art community have no shame in sharing their works with each other through the venues of galleries and through the medium of graffiti art.

This proposal of a head quarters for the A.C.E.S. is drawn from the concept of bringing graffiti out of a negative spotlight. The building is hinged around a main concrete armature that spans the entry atrium to the top classroom levels. The wall is visible from every level, and like every graffiti artist knows is that art that is visual to everyone is the main goal. The building offers a safe, respected, and open way for artists of the city to house and showcase there works in a professional environment while giving the city of Austin a central hub to tackle the environmental issues in the community

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The city of Austin offers a collective community that shares its feelings through a series of expressive art pieces spread through across the streets. The Hope Outdoor Gallery has a spirit of unified artists that has an ever-changing and evolving feel. Artists and spectators fill this space and share its essence together. Ideas, styles, and designs are all shared amongst artists and visitors.

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1 Community Outreach Entrance 2 Foyer | Atrium 3 Gallery Space 4 Conference Room 5 Office 6 Auditorium 7 Artists area 8 Office 9 Classroom Space 10 Storage 11 Restrooms A Ground Level B Open Gallery C Office/Administration Floor D Auditorium Level E Educational Level F 6th Street Section G Congress Ave. Section

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3 Cardo Plana

Sunbrella | The Future of Shade Design Competition May 2016 Disaster Relief Areas Partner:Alex Terry Cardo Plana is an humanitarian effort, efficient flat-pack system designed to be readily accessible and easily assembled to provide immediate shelter in disaster relief zones. The use of a lightweight torsion box frame allows easy portability and excellent rigidity. The Sunbrella fabric is assembled in an accordion-like fashion to fold into the aluminum frame/housing and to channel rainwater toward a collection system, all while allowing diffuse interior light.

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4 Artists Retreat

A.C.E.S River Cleaning Undergraduate Final Year January 2015 - May 2015 Austin, Texas, US Critic: Kourtney Baldwin Rivers and bodies of water were always places that sparked colonization and areas of peaceful space to work and relax. The Austin Commission of Environmental Studies proposes a project that cleans up Onion Creek, a river running through McKinney State Falls park. The project would tie together the creative artists from the surrounding area and activate a natural and man made cleansing system for the river and the minds of the occupants.

An artist’s retreat is comprised of multiple two-story artist work spaces that situate in and onto the rivers edge, allowing the artists to feel one with the river. The structures are constructed with fins that filter and collect trash debris that flows downriver. The trash and debris could be used as artist materials. If not the trash is removed from the park and recycled at near by recycling centers.

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Opposite Page: The photos document the debris that is collected at the bottom of the falls.

Much of this debris and trash is taken down river and deposited at the river’s banks. The site of the diffferent intervations can begin to accumluate and filter the water from the debris traveling down river. The materiality of the building can act as a filtration system for the park.

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This Page: Renders: The imagery shows a simplistic design of wooden boards and palletes that can be collected from the river or brought in to bring a more rapid construction. The open floor plans give the cerative freedoms to the user.

A solid textured concrete armature is the only part of the buildings that will remain. One the wood has moved on to a new part of its life the river will begin to eat away at the concrete, making it one with the park.

Opposite Page: Diagrams: Initial diagrams find the relationship language of the natural river bends with the cutlural art community.

Where can similarities and a symbiotic relation begin to form.

Photos: A series of two photos speaks of the degredation of the materiality through time. The wood gathered from the site would be used to construct the temporary artist retreats, and with time the currents of the river would dwindle away the natural material back down river.

5 Remolding the Rivers Edge Jewelry | Fashion Design Institute Undergraduate Final Year August 2015 - December 2015 Vicenza, Italy Partner: Isabela Guzman Critic: Albertus Wang The proposed project is derived from the halcyonic gold and lucrative jewelry market that has shaped Vicenza into the gem that we see today.

The dual programs of jewelry and fashion design will be the home to 2000 students and the temporal reaction to the influx of students and trade will continue to respond to the historic narrative that endures.

The lifetime of a gem is a two sided coin, the production side and the glamorous exhibition side. The program separates itself into two categories, the production masses, where the work will be produced, and the exhibition mass, where the final products are showcased. The labor masses intersect, shear, and affect the exhibition mass, not only shaping this main mass but shaping and curating the public spaces, entrances, and water adjacencies.

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Parks Surrounding parks offer residents of Vicenza a place to relax and free themselves from the bustle of market life.

Residential Vicenza’s real estate forms itself from the main corridor of the city then expanding north of Corso Palladio.

34 35 Public Squares Public meeting squares are not just a weekend get-together space; the squares are home to daily trading and retail business.

Retail Surrounding retail locations offer great spaces for potential students to bring their fashion and designs to the people of Vicenza

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Form organization is pulled from the site shape. Allowing Via Carmini to shape the exposition space gives opportunity for the dorms, fashion studios, and design studios to interject and give definition to public spaces and water adjacencies.

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The North entry site and dormitory entrance offer an easy transition from the Vicenza city fabric into a free-flowing intervention. The raised floor plate create a circulatory space that transitions occupants into Piazza di Golleria.

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6 Culinary Creatives Orlando Culinary Complex

Undergraduate Final Year August 2014 - December 2014 Orlando, Florida Critic: Michael Lindsey This culinary complex offers a learning facility centralized around the surrounding tourism and local economic activities in central Florida.

Orlando is known for its booming tourism industry dating back to the 1960’s. With this influx of tourists and local Floridians, a standard of living is now expected of the area. This culinary complex teaches the methods and techniques of cooking that can be used in fine dining restaurants to local mom and pop start up kitchens using fresh and local ingredients.

This project is located on a seven acre lot on the west side of downtown Orlando near an area of town desperately in need of a community interaction. This project allows for a free-range garden to be utilized by the residents of downtown Orlando. The North portion of the seven acre lot has space for mulitple gardens to be populated.

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Initial Analysis: The city of Orlando continues to grow as tourist travel and choose to extend their stays in the area.

The central part of downtown Orlando is built from the centerline of Interstate 4 the moving east and west. I-4 is your point of origin and starting point of analysis. The idea to build around the central location adds to the ease of accessibility to the surrounding areas.

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Opposite Page: 1 Freshman Test Kitchen 2 Restrooms 3 Offices 4 Classrooms 5 Senior Test Kitchen 6 Kitchen 7 Dining Room 8 Expo Kitchen 9 Courtyard

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Assemblage: Four main components make up any intervention. 1. The core of the building is the backbone on which each of the programmatic elements locks itself into place. 2. The circulation are the connection points to vertical movement and horizontal movement through the core. 3. The pods extrude, intersect, and nest directly into the main core. 4.

The exterior skeleton structure lifts the spaces from the ground level creating public gathering space.

Photos: The photos communicate the material quality and courtyard organization.

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BIO G R A PH Y An organized, driven, and motivated architectural designer and photographer from ‘The City Beautiful’. My particular interest within spatial design is understanding and designing spaces that will tackle issues at hand. My aim is to join a design firm that will help further my knowledge and experience within the architecture field and give me the oppurtunity to become a meaningful and active participant of their team.

GR A HA M O A K L E Y ARCHITECTURAL DESIGNER

100 Dempsey Way Orlando, Florida +1 (407) 446-5301 grahamoa@gmail.com

EXPERIENCE

EDUCATION

SHOW SET DESIG N C O OR DI NATOR

BACHELORS DEGREE

A OA | S e p t . 2 0 1 6 - J u n e 2 0 1 7

UNIV. OF CENTRAL FLORIDA | Au g. 2 0 1 4 - M ay 2 0 1 6

Lea d design tea m member for t he crea t ive design development of Sea World Orla ndo’s 2018 relea se of Infinity Fa l ls.

B ac hel ors of Des i gn i n A rc hi tec ture.

Study A broad - V i c enz a Ins t i tute of A rc hi tec ture.

Teac hi ng as s i s tant f or Val enc i a C ol l ege des i gn c ours es .

GPA - 3 .6

Ma in responsibil it ies enta iled developing design reviews a nd meet ing design dea d l ine del iveries. Correspondence between d ifferent d iscipl ines on projects. 3D model ing, rendering, VR development (a rchitectura l/ ride simula t ion).

Crea t ive design development wa s fa st tra cked a nd given a dea d l ine of eight mont hs.

PROJ EC T M ANAG EM EN T I N T ER N WA LT D IS N E Y WORL D FA M | J u l y 2 0 1 6 - S e p t . 2 0 1 6 Da ily ta sks were meet ing ma na gement, note ta king, a nd ema il correspondence wit h project pa rtners.

ARC H I T EC U R AL DESIG N I N T ER N

AS S O CIATE DEGREE VALENC I A C OLLEGE | Au g. 2 0 1 2 - May 2 0 1 4 A s s oc i ate of A rts i n A rc hi tec ture.

Des i gn Proc tor.

GPA - 3 .7

AS S O CIATE DEGREE VALENC I A C OLLEGE | Ju l y 2 0 1 0 - May 2 0 1 2 A s s oc i ate of Sc i enc e i n Draf t i ng and Des i gn Tec hnol ogy.

GPA - 3 .2

WA LT D IS N E Y WORL D A & F E | J u l y 2 0 1 5 - J u l y 2 0 1 6 P rovided a na lysis of exist ing ride a t tra ct ions a nd recommenda t ion summa ries of design improvements.

Add it iona l responsibil it ies included developing design dra wings for 2016-2017 fa l l protect ion improvements for Anima l Kingdom’s Dinosa ur, t he Contempora ry H otel ’s rooftop, a nd Epcot ’s t he Living Sea s a qua rium dolphin ha bita t.

SKILLS P H OT OSH OP I NDESIGN I LLUST RAT OR

AC C OMPLISHMENT S HONOR ABLE DESIGN MEN TION T H E F UT URE OF S H ADE 2 0 1 6 Partner, Alex Terry, and I were placed in the top 8 of the world for the humanitarian category design.

DESIGN JURY MEMBER UC F /VALENC I A C OLLEGE Critiqued multiple midterm and final reviews for both the UCF and Valencia College design programs.

LIGH T ROOM P REMIERE SKET CH UP AUT OCAD

REFERENCES S co tt B ro o ks | M anager-A rc hi tec ture & Standards W DW Sc ot t.B rook s @d i s ney.c om

T H EA

K o u rtn e y B al dwi n | Tenured A rc . Des i gn Prof es s or

MS OFFICE

k bal dw i n6 @v al enc i ac ol l ege.edu

THANK YOU