“The Tradition Continues” is a triptych. It is composed of three paintings that could individually be displayed. However, the blanket, tones and shadows from one painting have been continued into the next to create an overall composition. Krzyston found it to be an exciting challenge to compose a large statement piece by incorporating the three separate paintings.
AAs we cruise into the new year, there’s an unmistakable rumble of excitement in the air. January in Arizona isn’t just about resolutions and fresh starts; it’s also a time when our state becomes the epicenter of the automotive world. From the roar of engines at Barrett-Jackson to the gleam of chrome under our desert sun, this month celebrates our enduring love affair with the automobile.
This issue of Images Arizona is a testament to the intersection of art and engineering that defines automotive culture. Our cover story spotlights Phoenix artist Mark Vinci, whose innovative sculptures transform crushed car parts into sophisticated wall art. Vinci’s work is a powerful reminder of the beauty and potential that can be found in the unexpected, capturing the attention of collectors across the Southwest and beyond.
We also explore the vibrant car culture that thrives in our community. From charitable initiatives to exclusive collections, our feature on cars and coffee events showcases how these gatherings are more than just about admiring beautiful machines — they’re about building connections and driving positive change in our community.
For history buffs and nostalgia seekers, our roundup of Arizona’s automotive museums offers a fascinating journey through time. From Route 66 relics to miniature marvels, these collections preserve the machines and memories that have shaped our state’s rich motoring heritage.
This month’s photo essay, featuring the work of photographer Michael Rosenzweig, captures the essence of Arizona’s car culture against the backdrop of our dramatic landscapes. Through his lens, we see how our year-round perfect weather and breathtaking scenery create the ideal canvas for automotive artistry.
Here’s to a year filled with new adventures, open roads and the endless possibilities that lie ahead.
Happy New Year, and happy driving!
Shelly Spence Publisher, Images Arizona
Photography by Loralei Lazurek
Effortless Elegance
THE ART OF LUXURIOUS LIVING
At Sue Bickerdyke Interiors, we believe true luxury lies in the thoughtful layering of refined details. When my client requested a sophisticated yet relaxing bedroom environment, I knew each element would need to whisper elegance while embracing comfort.
The foundation begins with life’s essential luxury — a premium comfort mattress paired with carefully selected sleep pillows. Against this canvas, a custom-tufted bed in rich, leather-look upholstery creates a commanding presence, while tone-on-tone herringbone-striped wallpaper adds subtle sophistication to the walls.
Every layer tells a story of considered design. Luminous glass lamps in serene blue echo the room’s accent hues, while the bedding suite showcases exquisite attention to detail — from faux fur Euro shams to frame-embroidered cream pillows with precise contrast welting. A statement accent pillow in blue, adorned with cream banding, crowns the arrangement, while a sumptuous faux fur throw stands ready for chilly desert evenings.
The finishing touch? A luxurious bench in rich velvet, its open handles adding both function and refinement. Visit our showroom to discover how we can transform your bedroom into a sanctuary of effortless elegance, where every detail contributes to an atmosphere of sophisticated comfort.
SUE
STEPHEN WEBSTER’S 40-YEAR JEWELRY REVOLUTION
Thursday, Jan. 30, from 4–8 p.m.
Immerse yourself in four decades of revolutionary jewelry design. Meet celebrated designer Stephen Webster by appointment throughout the day, followed by an evening celebration showcasing his journey from apprentice to celebrity jeweler. View iconic pieces worn by Elizabeth Taylor, Madonna and Ozzy Osbourne.
WWith 50 concerts featuring distinguished artists and celebrity performers, Arizona Musicfest’s upcoming season stands as its most ambitious yet. The landmark series cements the organization’s status as a cultural cornerstone of North Scottsdale while delivering unprecedented variety to its devoted audience.
“This season marks transformative growth for Arizona Musicfest,” notes Allan Naplan, executive and producing director. “From new artists making their Arizona Musicfest debuts to return engagements of beloved audience favorites, we’re creating extraordinary experiences that make our community of donors and patrons proud.”
The star-studded lineup includes one of music’s most vibrant and iconic performers, Lyle Lovett; Broadway legend Mandy Patinkin; and audience favorite Michael Feinstein, who returns to honor his friend Tony Bennett in a concert featuring the Carnegie Hall Big Band. Broadway sensation Sutton Foster makes her highly anticipated debut, while Pink Martini celebrates its 30th anniversary tour on the Arizona Musicfest stage.
Writer Joseph J. Airdo // Photography Courtesy of Arizona Musicfest
Texas Tenors
The season’s programming reflects Arizona Musicfest’s commitment to diverse musical experiences.
“As a nonprofit organization, we’re deeply committed to delivering performances that resonate with our community’s sophisticated and varied cultural appetite,” Naplan explains. “Each season, we carefully curate a blend of classical masterworks, contemporary artists and beloved entertainers that showcase musical excellence across genres.”
By popular demand, the season welcomes back The Barricade Boys, the lauded stars of London’s West End who previously wowed audiences with their high-energy performance featuring some of the greatest hits of pop, rock, swing and musical theater. Michael Cavanaugh also returns with a new concert experience celebrating the music of the world’s great singer-songwriters.
“It has been thrilling to witness how Arizona Musicfest’s success and expanded offerings have transformed North Scottsdale’s cultural landscape,” Naplan says. “Over the past decade, our dramatic growth has not only elevated the area’s cultural character but has also generated significant economic impact for our community.”
That impact also resonates beyond the concert hall.
“You can see this most visibly on concert nights, when local restaurants overflow with patrons enjoying pre-performance dining,” explains Naplan, noting that the City of Scottsdale’s Tourism Development Committee and City Council recently recognized the nonprofit organization’s vital role in attracting visitors to the area.
This momentum has inspired bold new initiatives, including an expansion of the Musicfest footprint.
“We’re particularly excited to introduce concert performances, this April, at the Herberger Theater in downtown Phoenix,” Naplan says. “This venue expansion allows us to introduce Musicfest’s signature artistry and high-caliber performances to new audiences while maintaining our strong core presence in North Scottsdale.”
As one of Scottsdale’s premier cultural institutions, Arizona Musicfest continues to enhance the quality of life for both residents and visitors.
“Our success stems directly from our unwavering commitment to both artistic excellence and community service,” Naplan says. “We’ve built our reputation on consistently delivering performances and programs that meet the highest standards.”
azmusicfest.org
Feb. 10 // 7:30 p.m. // Highlands Church // 9050 E. Pinnacle Peak Road, Scottsdale // $43+
On Monday, Feb. 10, Jazz at Lincoln Center Presents brings the soul of New Orleans and the spirit of Mardi Gras to North Scottsdale in this vibrant celebration of the Crescent City’s musical legacy. The program showcases the brilliance of composers who defined and transformed jazz, from pioneers Jelly Roll Morton and Louis Armstrong to modern masters Ellis Marsalis and James Black.
Under the direction of pianist Luther S. Allison, alongside vocalists Quiana Lynell and Milton Suggs, this extraordinary ensemble captures the innovative spirit and timeless appeal of America’s most musical city. The performance promises an immersive journey through New Orleans’ rich cultural heritage, demonstrating why the city remains a pinnacle of musical innovation and inspiration.
“We are thrilled to continue our partnership with Jazz at Lincoln Center Presents, bringing their outstanding musicians to Arizona Musicfest,” Naplan says. “As America’s preeminent jazz institution, Lincoln Center showcases a remarkable roster of both legendary performers and rising stars.”
Jazz at Lincoln Center Presents: New Orleans Songbook — The Spirit of Mardi Gras
Frankie Moreno & Tony DeSare: Coming Together
Feb. 22 // 7:30 p.m. // Highlands Church // 9050 E. Pinnacle Peak Road, Scottsdale // $43+
On Saturday, Feb. 22, two of today’s most dynamic performers join forces for an electrifying evening of music.
Five-time Las Vegas “Headliner of the Year” Frankie Moreno teams up with acclaimed singer-songwriter and pianist Tony DeSare for a high-energy showcase spanning the Great American Songbook to rock ‘n’ roll and beyond.
Both celebrated for their masterful piano skills and magnetic stage presence, Moreno and DeSare bring their unique chemistry to this special collaboration. The performance promises a playful musical conversation between two artists at the height of their powers, each bringing his distinctive interpretations to beloved classics and contemporary hits alike.
“When Frankie and Tony share our stage, audiences will experience an extraordinary showcase of artistry, flair and electric musical chemistry,” Naplan says. “As individual performers, these dynamic singer-pianists have commanded some of the world’s most prestigious venues. Together, their combined talents promise to deliver one of the most memorable and riveting performances of our season.”
Augustin Hadelich In Recital
March 11 // 7:30 p.m. // La Casa de Cristo Church // 6300 E. Bell Road, Scottsdale // $43+
On Tuesday, March 11, one of classical music’s most compelling artists takes the Arizona Musicfest stage. Grammy Award winner Augustin Hadelich, celebrated worldwide for his phenomenal technique and insightful interpretations, will bring his masterful artistry to an intimate solo recital that promises to showcase his signature ravishing tone.
A dual American-German citizen born in Italy, Hadelich has established himself among the great violinists of our time. Named Musical America’s “Instrumentalist of the Year” in 2018, he appears regularly with the world’s foremost orchestras and on the most prestigious stages. His acclaimed recordings demonstrate remarkable versatility across the violin repertoire.
“Arizona Musicfest takes enormous pride in our rich history of presenting classical music’s greatest artists, and Augustin Hadelich brilliantly continues this distinguished tradition,” Naplan says. “Recognized as one of today’s premier violin virtuosos, his appearance in an intimate solo recital represents a true coup for our classical concert programming.”
“
It has been thrilling to witness how Arizona Musicfest’s success and expanded offerings have transformed North Scottsdale’s cultural landscape. Allan Naplan
The Piano Guys
March 22 // 2 p.m. and 7:30 p.m. // Highlands Church 9050 E. Pinnacle Peak Road, Scottsdale // $79+
On Saturday, March 22, global sensation The Piano Guys will bring their genre-defying artistry to Arizona Musicfest for two performances. Since their humble beginnings in a southern Utah piano shop, this powerhouse quartet—Jon Schmidt (pianist, songwriter), Steven Sharp Nelson (cellist, songwriter), Paul Anderson (producer, videographer), and Al van der Beek (music producer, songwriter)—has revolutionized instrumental music.
Their bold compositions transcend traditional boundaries, seamlessly blending classical with pop, rock and film scores. With six No. 1 debuts on Billboard’s Top Classical Albums chart, over 2 billion global streams and more than 2.3 billion YouTube views, The Piano Guys have built a devoted worldwide following through their innovative arrangements and captivating performances.
“I’ve been eager to bring The Piano Guys to Arizona Musicfest, as they’ve consistently sold out their prior performances across the Valley and around the world,” Naplan says. “While they have a massive global following, I realize some in our community may be discovering them for the first time. They’re unlike anything you’ve seen before.”
A Toast to Steve & Eydie
March 15 // 2 p.m. // Highlands Church // 9050 E. Pinnacle Peak Road, Scottsdale // $58+
On Saturday, March 15, Arizona Musicfest celebrates the extraordinary legacy of Steve Lawrence and Eydie Gormé, the beloved duo who personified the staying power of the Great American Songbook. Their son, Emmy-nominated composer David Lawrence, joins forces with Tony Award winner Debbie Gravitte for this special afternoon of nostalgia and musical excellence.
Accompanied by the 30-piece Musicfest Pops Ensemble performing the duo’s original orchestrations, Lawrence and Gravitte bring fresh energy to America’s most treasured standards. The program captures the humor, style and undeniable chemistry that made Steve and Eydie a constant presence on television, stage and recordings throughout the ‘50s, ‘60s and ‘70s.
“We’re creating a special nostalgic afternoon at Arizona Musicfest when their son David Lawrence joins Tony Award-winner Debbie Gravitte,” Naplan says. “Adding a personal touch, David will share intimate recollections of his famous parents while performing their biggest hits with our Musicfest Pops Ensemble.”
COMMUNITY
January 2025
Writer Joseph J. Airdo
Through December
’A FISTFUL OF COLORS’
More than 50 objects illuminate color’s role in Western art and culture at this comprehensive exhibition featuring paintings, sculptures, photography, textiles and design pieces from various eras. Docent-led tours daily at 11:20 a.m., 12:20 p.m. and 1:20 p.m. $12–$28; children under 5 free. Monday–Saturday 9:30 a.m.–5 p.m. (Thursday until 9 p.m. November-April), Sunday 11 a.m.–5 p.m. Western Spirit: Scottsdale’s Museum of the West, 3830 N. Marshall Way, Scottsdale. westernspirit.org
Through Jan. 11
’MERYL MCMASTER: BLOODLINE’
The Heard Museum presents 48 large-scale photographs by Canadian artist Meryl McMaster exploring Indigenous heritage, identity and memory through her mixed Plains Cree, Dutch and British ancestry. Exhibition includes two new video-based works. $26; youth, student, senior, member and American Indian discounts available. Tuesday-Sunday, 10 a.m.–4 p.m. Heard Museum, 2301 N. Central Ave., Phoenix. 602-252-8840; heard.org
Through Jan. 26
’SEUSSICAL THE MUSICAL’
The Phoenix Theatre Company brings Dr. Seuss’ beloved characters to life in this whimsical musical featuring Horton the Elephant, the Cat in the Hat and more. See website for ticket prices and showtimes. Recommended for ages 3 and up. Hormel Theatre at The Phoenix Theatre Company, 1825 N. Central Ave., Phoenix. 602-254-2151; phoenixtheatre.com
Jan. 4
NEIL BERG’S ‘THE ‘60S: PEACE, LOVE & ROCK N’ ROLL’
Hit songs from the Beach Boys, Beatles, Rolling Stones, Janis Joplin and Jimi Hendrix come alive in this musical celebration of the 1960s. $54–$92. 2 p.m. and 7:30 p.m. Highlands Church, 9050 E. Pinnacle Peak Road, Scottsdale. 480-422-8449; azmusicfest.org
Jan. 7
CAROLYN EYNON SINGERS AUDITIONS
This accomplished community choir welcomes experienced singers, especially tenors, to audition for its spring concert season. Prepare a short solo. Auditions 5:30–6:30 p.m., followed by optional rehearsal until 9 p.m. North Scottsdale United Methodist Church, 11735 N. Scottsdale Road, Scottsdale. 650-746-4237; cesingers.org
Jan. 8
’CODED MESSAGES AND SONGS OF THE UNDERGROUND RAILROAD’
Dr. Tamika Sanders explores the hidden communication methods that helped enslaved people escape to freedom, including coded songs, quilts and secret signs. Through storytelling and music, learn how over 100,000 people found their way to freedom between 1810 and 1850. Free. 6:30–8 p.m. Heritage Square Lath House Pavilion, 602 E. Adams St., Phoenix. heritagesquarephx.org
Jan. 10–12
MARICOPA COUNTY HOME & GARDEN SHOW
Arizona’s largest home expo features more than 1,000 vendor booths showcasing home improvement products, decor and landscaping. Includes tiny home tours, plant pavilion, food samples, kids’ activities and gardening workshops. $5; seniors 55+ $2 Friday 10 a.m.–1 p.m.; children 4–12 $2; free admission Friday and Sunday 3-5 p.m. 10 a.m.–5 p.m. Arizona State Fairgrounds, 1826 W. McDowell Road, Phoenix. 602-485-1691; maricopacountyhomeshows.com
Jan. 10–26
’THE LIGHTNING THIEF: THE PERCY JACKSON MUSICAL’
Scottsdale Desert Stages Theatre presents this teen production based on Rick Riordan’s best-selling novel about a young demigod’s adventures. See website for showtimes and ticket prices. Scottsdale Desert Stages Theatre at Fashion Square, 7014 E. Camelback Road, Suite 0586, Scottsdale. desertstages.org
Jan. 11
PARADISE REPUBLICAN WOMEN’S CLUB
Join the Paradise Republican Women’s Club for its monthly meeting featuring networking, breakfast and a guest speaker. The group focuses on promoting Republican values and political engagement. Free. 8:30 a.m. Maggiano’s Little Italy, 16405 N. Scottsdale Road, Scottsdale. prwcaz.org
Jan. 11–12
ARIZONA WEDDING SHOW
More than 200 wedding vendors and experts showcase everything from gowns and catering to unique services. Features fashion shows, giveaways and chances to win wedding packages. LGBTQ+ friendly event with LGBT Weddings-approved vendors. $12–$18; children under 10 free with paid adult. 8:30 a.m.–3 p.m. Phoenix Convention Center, 33 S. Third St., Phoenix. arizonaweddingshow.com
Jan. 16
NEW WEST VISIONS: CONTEMPORARY WESTERN ART SHOWCASE
Experience a fresh take on Western art with works by Maura Allen, Kenneth Pekoe, Julie Sneed and Michael Swearingin. This exhibition reimagines traditional Western themes through a contemporary lens. Free. 4–7 p.m. Grace Renee Gallery, Historic Spanish Village, 7212 E. Ho Hum Road, Carefree. 480-575-8080; gracereneegallery.com
ART & WINE FESTIVALS
Cave Creek Fine Art & Wine Festival
January 10-12
Kierland Fine Art & Wine Festival
February 1-2
Tubac Festival of the Arts
February 5-9
Wigwam Festival of Fine Art
February 15-16
Stagecoach Village Fine Art & Wine Festival
March 7-9
Sonoran Arts Festival March 21-23
SanTan Village Art & Wine Festival
March 29-30
Prescott Mother's Day Festival May 10-11
Discover the world’s finest Artists and Craftsmen at Arizona’s premier Art & Wine Festivals. Enjoy live music, delicious food, and superb wine tastings from dozens of local wineries. Free admission. vermillionpromotions.com
623.734.6526
“AscensionA Phoenix Rising” in Cool Blue Patina 32”T x 11”W x 10”D by Jason Napier
COMMUNITY
January 2025
Writer Joseph J. Airdo
Jan. 9–March 27
’MAPS: CONTOURS OF A STORY’
Explore artistic interpretations of maps in this juried exhibition at Scottsdale Civic Center Library. Features diverse media including sculpture, felted wool, textiles and digital prints, each illustrating unique stories and concepts through mapping. Free. Gallery hours vary. Civic Center Public Gallery, Scottsdale Civic Center Library, 3948 N. Drinkwater Blvd., Scottsdale. scottsdalepublicart.org/exhibitions
Jan. 16–Feb. 21
’DONE TO DEATH’
Don Bluth Front Row Theatre presents this comedy about five mystery writers collaborating on a TV series. $36–$40; senior, student, military and youth discounts available. See website for showtimes. Don Bluth Front Row Theatre, 8989 E. Via Linda, Suite 118, Scottsdale. 480-314-0841; donbluthfrontrowtheatre.com
Jan. 17–Feb. 2
’BIRTHDAY CANDLES’
The Theatre Artists Studio presents Noah Haidle’s touching drama about one woman’s journey through five generations, from age 17 to 101. $30; senior, military and group discounts available; students $15. See website for showtimes. The Theatre Artists Studio, 12406 N. Paradise Village Parkway East, Scottsdale. thestudiophx.org
Jan. 18
PINK MARTINI
This genre-defying “little orchestra” celebrates its 30th anniversary with Brazilian sambas, Parisian cafe songs, retro jazz and pop classics. $65–$129. 2 p.m. and 7:30 p.m. Highlands Church, 9050 E. Pinnacle Peak Road, Scottsdale. 480-422-8449; azmusicfest.org
Jan. 18–19
CELEBRATE THE MUSIC OF HAWAII
The Musical Instrument Museum’s two-day celebration showcases Hawaii’s rich musical traditions through live performances, cultural demonstrations and educational exhibits showcasing Hawaiian instruments, dance and song. $20; discounts available for youth and members. 9 a.m.–5 p.m. Musical Instrument Museum, 4725 E. Mayo Blvd., Phoenix. 480-478-6000; mim.org
Jan. 18–26
BARRETT-JACKSON SCOTTSDALE AUCTION
“The World’s Greatest Collector Car Auctions” returns, featuring rare vehicles, celebrity appearances, thrill rides from top automakers and an extensive exhibitor marketplace. See website for schedule and ticket prices. WestWorld of Scottsdale, 16601 N. Pima Road, Scottsdale. 480-421-6694; barrett-jackson.com
Jan. 19
ARIZONA CONCOURS D’ELEGANCE
Rare and classic vehicles compete at the seventh annual Arizona Concours d’Elegance, featuring more than 100 rare and classic vehicles. This year’s theme, “The Art of
Automotive Engineering,” includes 16 judged classes and Best of Show awards. Enjoy a garden party atmosphere with period costumes encouraged. Proceeds benefit local arts and Make-A-Wish Arizona. See website for ticket prices and hours. Scottsdale Civic Center, 3939 N. Drinkwater Blvd., Scottsdale. arizonaconcours.org
Jan. 19
WINTER YOUNG MUSICIANS CONCERT
Arizona Musicfest showcases top young classical talent from across the state in this annual performance celebrating emerging artists. $28.50. 1 p.m. Musical Instrument Museum, 4725 E. Mayo Blvd., Phoenix. 480-422-8449; azmusicfest.org
Jan. 22
’AUTUMN’
The Phoenix Symphony presents works inspired by fall, featuring Vivaldi’s “Autumn” from “The Four Seasons” and Piazzolla’s “Otoño,” plus pieces by Mahler and Wagner. Features conductor Alex Amsel and violinist Rolf Haas. See website for ticket prices. 11 a.m. Musical Instrument Museum, 4725 E. Mayo Blvd., Phoenix. 602-495-1999; phoenixsymphony.org
Jan. 24–26
ARIZONA BALLOON CLASSIC
Watch colorful hot air balloons fill the morning sky and evening Desert Glows (Friday-Saturday). Features tethered balloon rides, BMX stunt shows, family fun zone, live entertainment and Street Foodfest. Morning ascensions free, 7–9 a.m. daily. Afternoon/evening activities $22; seniors $18; active military, veterans and children under 12 free. Noon–9 p.m. Friday-Saturday, morning only Sunday. Free parking. Goodyear Ballpark, 1933 S. Ballpark Way, Goodyear. abcfest.com
Jan. 24–26
DESERT LIVING PHOTOGRAPHY WORKSHOP
Taliesin West presents an intermediate/advanced workshop exploring the Sonoran Desert landscape and apprenticebuilt shelters. Includes complimentary tour, breakfast and lunch, photo sessions and group critiques. Participants need a DSLR camera and a laptop with Adobe Lightroom. $700; members $630. Friday 3:30–6:30 p.m., Saturday 7 a.m.–6:30 p.m., Sunday 7 a.m.–3 p.m. Taliesin West, 12621 N. Frank Lloyd Wright Blvd., Scottsdale. franklloydwright.org
COMMUNITY
January 2025
Writer Joseph J. Airdo
Jan. 29–Feb. 1
STEPHEN WEBSTER: ICONS ONLY — 40-YEAR RETROSPECTIVE
View four decades of Stephen Webster’s revolutionary jewelry design, featuring archived pieces worn by Elizabeth Taylor, Madonna and Ozzy Osbourne. Meet the designer by appointment during the day Jan. 30, 10 a.m.–4 p.m., followed by celebration 4–8 p.m. Exhibition continues Jan. 31 and Feb. 1, 10 a.m.–5 p.m. Grace Renee Gallery, Historic Spanish Village, 7212 E. Ho Hum Road, Carefree. 480-575-8080; gracereneegallery.com
Jan. 24–26
’THE TRAILBLAZING MUSIC OF JONI MITCHELL, CAROLE KING AND CARLY SIMON’
The Phoenix Symphony celebrates three legendary singersongwriters with orchestral arrangements of hits including “Both Sides Now,” “You’ve Got a Friend” and “You’re So Vain.” Features conductor Ted Sperling with vocalists Morgan James, Bryonha Marie and Melody Betts. Friday–Saturday 7:30 p.m., Sunday 2 p.m. See website for ticket prices. Orpheum Theatre, 203 W. Adams St., Phoenix. 602-495-1999; phoenixsymphony.org
Jan. 25
‘MICHAEL CAVANAUGH: THE MUSIC OF THE GREAT SINGER-SONGWRITERS’
Arizona Musicfest presents Tony and Grammy nominee Michael Cavanaugh performing hits by Paul Simon, Don McLean, Neil Diamond, James Taylor and more. $54–$92. 2 p.m. and 7:30 p.m. Highlands Church, 9050 E. Pinnacle Peak Road, Scottsdale. 480-422-8449; azmusicfest.org
Jan. 25
PHXART AMPLIFIED
Phoenix Art Museum presents its fourth audiovisual experience featuring bands from Arizona, Mexico and the Southwest. Includes food vendors, specialty cocktails and art programming throughout the galleries. $50; seniors $40; youth $20; members $30; children under 5 free. 10 a.m.–10 p.m. Phoenix Art Museum, 1625 N. Central Ave., Phoenix. phxart.org
Jan. 25
’RESISTANCE AND UNITY: WOMEN RISE’
MusicaNova Orchestra celebrates women in classical music with works by Reena Esmail, Victoria Yagling and others, featuring cellist Rhonda Rider. Program includes Vaughan Williams’ “Fantasia on a Theme by Thomas Tallis.” 6 p.m. See website for ticket prices. Musical Instrument Museum, 4725 E. Mayo Blvd., Phoenix. 480750-9466; musicanovaaz.com
Jan. 25
’THE SOUND OF MUSIC’
Arizona Musical Theatre Orchestra presents Rodgers and Hammerstein’s beloved musical in concert, featuring vocalists and full orchestra. $40; educators and students $20. 7 p.m. All Saints Lutheran Church, 15649 N. Seventh St., Phoenix. azmto.org
Jan. 25–26
ARIZONA BAO AND DUMPLING & FRIED CHICKEN AND WINGS FESTIVALS
Sample diverse offerings from local vendors, including dumplings, steamed buns, fried chicken and wings, at
this seventh annual double-header event. Features anime merchandise, art vendors and live music. Different vendors each day. Free parking. Children 12 and under free. 11 a.m.–5 p.m. Centennial Plaza Park, 8401 W. Monroe St., Peoria. phoenixfoodfestivals.com
Jan. 25–26 ’LA BOHÈME’
Arizona Opera presents Puccini’s beloved tale of young artists in Paris. Saturday 7:30 p.m., Sunday 2 p.m. See website for ticket prices. Symphony Hall, 75 N. Second St., Phoenix. 602-266-7464; azopera.org
Jan. 27
SUTTON FOSTER
Arizona Musicfest presents two-time Tony Award winner Sutton Foster in a special Broadway concert. The star of “The Music Man,” “Thoroughly Modern Millie” and “Anything Goes” showcases her vocal artistry and charm. $65–$129. 7:30 p.m. Highlands Church, 9050 E. Pinnacle Peak Road, Scottsdale. 480-422-8449; azmusicfest.org
Jan. 30
THE FABULOUS FIVE FEATURING NICOLE PESCE & FRIENDS
Arizona Musicfest presents Valley favorite Nicole Pesce joining forces with We3 and piano duo Stephanie Trick and Paolo Alderighi for an evening of jazz, swing, ragtime and blues. $54–$76. 4 p.m. and 7:30 p.m. Pinnacle Presbyterian Church, 25150 N. Pima Road, Scottsdale. 480-422-8449; azmusicfest.org
Jan. 31–Feb. 2
WATERFRONT FINE ART & WINE FESTIVAL
Juried fine art, wine tasting and live music fill the Scottsdale Waterfront during this Thunderbird Artists festival. Features paintings, sculptures, photography, jewelry and more. $5 admission (cash only); wine tasting with souvenir glass $15 (cash preferred). Free parking. 10 a.m.–5 p.m. Scottsdale Waterfront, 7135 E. Camelback Road, Scottsdale. thunderbirdartists.com
Feb. 1
HUMAN NATURE: BACK TO THE SOUNDS OF MOTOWN
Arizona Musicfest presents Australia’s acclaimed vocal group performing Motown classics like “Dancing in the Street” and “Stop! In the Name of Love,” plus their own Australian pop hits. $54–$92. 2 p.m. and 7:30 p.m. Highlands Church, 9050 E. Pinnacle Peak Road, Scottsdale. 480-422-8449; azmusicfest.org
COMMUNITY
January 2025
Writer Joseph J. Airdo
Feb. 1–March 30
ARIZONA RENAISSANCE FESTIVAL
Step back to the 16th century at this 50-acre medieval theme park featuring 16 stages of entertainment, jousting tournaments, 200 artisan shops and period food and drink. Over 2,000 costumed characters bring the Village of Fairhaven to life. $36; children 5–12 $24; 4 and under free. 10 a.m.–6 p.m. Saturdays and Sundays. Arizona Renaissance Festival, 12601 E. Highway 60, Gold Canyon. 520-463-2600; arizona. renfestinfo.com
Feb. 1
NIAF REGIONAL ARIZONA GALA
The National Italian American Foundation celebrates Italian American excellence at its black-tie gala featuring honorees Francis Joseph DeBlasi (NIAF Honoree Award) and Chef Dom Ruggiero (Tomaso Maggiore Culinary Excellence Award). The evening includes a cocktail reception, dinner and awards program. Proceeds benefit NIAF and the Baller Dream Foundation. See website for ticket prices. Cocktail reception 6 p.m., dinner 7 p.m. Caesars Republic Scottsdale, 7126 E. Camelback Road, Scottsdale. niaf.org
Feb. 1
SCOTTSDALE PARADA DEL SOL HISTORIC PARADE & TRAIL’S END FESTIVAL
The Scottsdale Charros present the 71st annual Western parade featuring 150 entries including floats, horse riders, marching bands and stagecoaches. The parade begins at 10 a.m., followed by the Trail’s End Festival noon–4 p.m. with live entertainment, a kids’ zone, food trucks and Western activities throughout Old Town. Free. Parade route: Drinkwater Boulevard along Scottsdale Road to Brown Avenue and Indian School Road, Scottsdale. scottsdalewesternweek.com
Feb. 1–2
ARIZONA INDIAN FESTIVAL
Experience Arizona’s Indigenous cultures through traditional arts, crafts, food and entertainment. This intertribal event showcases cultural tourism and contemporary Native American communities. Free. Saturday 9 a.m.-6 p.m., Sunday 10 a.m.–4 p.m. Scottsdale Civic Center, 3939 N. Drinkwater Blvd., Scottsdale. arizonaindiantourism.org
Feb. 1–2
KIERLAND FINE ART & WINE FESTIVAL
Explore artwork from around the world at this outdoor festival featuring sculptures, paintings, jewelry, glass art and more. Sample wines from 16 Arizona wineries while enjoying live music throughout the weekend. Wine tasting packages include a commemorative glass and tastings: Saturday $35, Sunday $30. Free admission and parking; valet available. 10 a.m.–5 p.m. Kierland Commons, 15205 N. Kierland Blvd., Scottsdale. vermillionpromotions.com
Feb. 2
WOMEN’S ORCHESTRA OF ARIZONA VALENTINE’S CONCERT
The Women’s Orchestra of Arizona presents its annual Valentine’s celebration, featuring a romantic program that includes Mozart’s “Marriage of Figaro Overture” and Schumann’s “Symphony No. 4.” See website for ticket prices. 3 p.m. North Scottsdale United Methodist Church, 11735 N. Scottsdale Road, Scottsdale. womens-orchestra-arizona.org
Acheive your Best Body
A N D R E S T O R E Y O U R H E A L T H
PP e r s o n a l i z e d a n d D o c t o r -
S u p e r v i s e d W e i g h t L o s s
The Center for Integrative Healing & Wellness’ medical weight loss program integrates FDA-approved medications with a natural and holistic approach to address the underlying biological and physical issues responsible for weight gain.
In addition to losing weight and keeping it off, The Center for Integrative Healing & Wellness’ medical weight loss program provides clients with the tools they need to reduce the risk of coronary artery disease, stroke and type 2 diabetes as well as optimize hormones for energy, health and longevity
T h e M o s t C o m p r e h e n s i v e & S u c c e s s f u l P r o g r a m A v a i l a b l e
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H o r m o n e T e s t i n g N u t r i t i o n a l & F i t n e s
m e d i c i n e S u p p o r t
L e d b y B o a r d C e r t i f i e d P h y s i c i a n
IIn the early morning hours, as sunrise paints the McDowell Mountains in golden hues, North Scottsdale’s automotive culture comes alive. Here, in one of the Valley’s most prestigious corridors, cars and coffee events aren’t just casual gatherings — they’re carefully curated experiences that reflect the area’s commitment to automotive excellence and sophisticated lifestyle.
The region has earned its reputation as the epicenter of Arizona’s luxury car culture. Exotic supercars and rare classics regularly grace the streets, but it’s during these monthly morning gatherings that the full breadth of North Scottsdale’s automotive passion is on display. From the charitable spirit of Alpio’s at Troon to the historic legacy of Penske Automall’s decadelong tradition, and the exclusive sophistication of the Scottsdale Motorsports Gathering, each event offers its own distinctive interpretation of car culture.
These gatherings serve as more than just displays of exceptional automobiles — they’re forums for connection,
philanthropy and community building. Whether you’re admiring a rare Ferrari amid the nostalgic ambiance of Alpio’s 1950s-themed venue, discussing automotive history at the Penske Racing Museum or experiencing the curated excellence of Scuderia Southwest’s member collections, each event provides a unique window into North Scottsdale’s automotive soul.
What sets these gatherings apart isn’t just the caliber of vehicles on display or the prestigious venues that host them — it’s the deep sense of purpose that drives each event. From raising hundreds of thousands of dollars for local charities to preserving automotive heritage for future generations, these aren’t just car shows; they’re vital threads in the fabric of North Scottsdale’s community.
As the following pages reveal, each of these gatherings contributes something unique to the region’s automotive tapestry, creating a monthly calendar of events that celebrates both the machines themselves and the passionate individuals who bring them together.
Writer Joseph J. Airdo
SCOTTSDALE MOTORSPORTS GATHERING
In an era where car shows often prioritize spectacle over substance, the Scottsdale Motorsports Gathering has chosen a different path. As Arizona’s original cars and coffee event, this first Saturday monthly gathering at Market Street at DC Ranch has evolved from its humble 2001 beginnings into something quite distinctive — an exclusive community of genuine automotive enthusiasts.
“Scuderia Southwest, which began in 2001 as just a few guys meeting for coffee, holds the distinction of being Arizona’s original cars and coffee gathering,” explains David Crofford, president of the organization.
“The event grew tremendously over the years, eventually attracting up to 800 display cars and 3,500–5,000 spectators monthly. However, in 2019, we made the strategic decision to step back from the ‘show’ business model and transform into a private membership club.”
This transformation reflects a deliberate shift in focus. While the monthly gatherings remain open to spectators, only members’ vehicles are displayed, creating an atmosphere that emphasizes
quality over quantity. The beautiful Market Street at DC Ranch setting provides an elegant backdrop for these carefully curated displays.
“While we still host our monthly cars and coffee event — The Scottsdale Motorsports Gathering at Market Street at DC Ranch — we’ve shifted our focus,” Crofford notes. “The beautiful venue perfectly showcases our members’ vehicles, but we’re intentionally not a ‘car show.’ Instead, we’re a community of rare, high-performance sports and collector car owners. Our members come together for meaningful activities including technical discussions, organized drives, social gatherings, garage and museum tours, and special guest speaker events.”
This approach has created something unique in the Valley’s car culture — a gathering that combines the accessibility of a public event with the sophistication of a private club.
“This approach allows us to maintain the passion and camaraderie of our original gatherings while creating a more intimate environment for true automotive enthusiasts,” Crofford reflects.
Photos by Rob Mains Photography
ALPIO’S AT TROON CARS & COFFEE
Where classic Americana meets modern car culture, Alpio’s at Troon Cars & Coffee has created something truly distinctive in the North Valley’s automotive landscape. Hosted in a venue that feels like stepping into a 1950s time capsule, complete with life-size Rat Pack mannequins, vintage gas pumps and military aircraft models suspended from the ceiling, this monthly gathering draws an impressive crowd of 750–800 car enthusiasts.
But it’s not just the unique setting that sets this event apart — it’s the spirit of giving that permeates every gathering.
“What makes us unique is our commitment to giving back,” explains Alpio Barbara, the venue’s founder. “Through our tip jar donations and matching funds program, we’ve raised over $550,000 for St. Vincent de Paul’s dental facility over the past seven years. Before that, we also proudly supported Phoenix Children’s Hospital.”
The event itself, held every second Saturday from 6 to 9 a.m., offers a welcoming atmosphere enhanced by complimentary coffee and doughnut holes — serving between 400 and 600 cups and up to 30 dozen pastries each gathering. Breakfast burritos are available for a small donation, with proceeds supporting their charitable initiatives.
Barbara, a successful entrepreneur who was named Tire Dealer of the Year by Modern Tire Dealer magazine in 2016, brings the same passion for excellence to these gatherings that made his Redwood General Tire in California so successful.
“Our mission is to help those in need who are less fortunate than we are,” he reflects. “We’re blessed with so much, and it’s important to remember that not everyone has the same opportunities. That’s why giving back is at the heart of everything we do here.”
This commitment to community service extends beyond the monthly gatherings.
“What truly sets us apart is our commitment to community service throughout the year,” Barbara notes. “We organize three major charitable drives. In June, our water drive collected more than 2,500 bottles for those in need during the hot Arizona summer. Our November turkey drive brought in 52 turkeys plus $13,000 in donations to help families during Thanksgiving. December’s toy drive resulted in nearly $120,000 in contributions to St. Vincent de Paul, bringing joy to countless children.”
Barbara’s pride in his community is evident as he concludes, “I’m incredibly proud of our car enthusiasts. They don’t just show up for the cars — they show up to support our community all year long. Their generosity makes a real difference in people’s lives.”
PENSKE AUTOMALL CARS & COFFEE
Longevity speaks volumes in the ever-evolving world of cars and coffee events, and Penske Automall’s third Saturday gathering has earned its place as one of Arizona’s most enduring automotive traditions. For over a decade, this event has drawn enthusiasts to the prestigious Scottsdale 101 Autocollection, where the backdrop of high-end dealerships creates an appropriately upscale setting for one of the Valley’s most diverse car shows.
“We typically see over 200 people attend our event regularly, with 75–125 cars on display,” explains Patrick J. Hozza, museum director at the Penske Racing Museum. “The mix is wonderfully eclectic — you’ll find everything from rare Ferraris to classic 1950s trucks. This diversity is what makes our gatherings so special.”
The event’s staying power is a testament to its quality and consistency.
“What truly sets us apart is our longevity — we’re one of Arizona’s longestrunning cars and coffee events, having operated continuously for over a decade,” Hozza notes with pride.
Location plays a crucial role in the gathering’s success.
“Our location at the Penske Racing Museum offers something unique,” Hozza explains. “We’re situated in the heart of the Scottsdale 101 Autocollection, a premier Penske Automotive campus that houses some of the world’s finest automotive brands — Ferrari, Lamborghini, Bentley, Porsche, Audi and BMW, among others. This setting creates the perfect backdrop for our monthly gatherings.”
The combination of a museum setting, premier automotive brands and a welcoming atmosphere has created an event that bridges the gap between casual enthusiasts and serious collectors. Whether you arrive in a vintage pickup or the latest supercar, the focus remains on sharing automotive passion and building community connections.
Experience
Scottsdale Motorsports Gathering
First Saturday of every month // 7–10 a.m. // Market Street at DC Ranch 20789 N. Pima Road, Scottsdale // Free for spectators scuderiasouthwest.com/carsandcoffee
Alpio’s at Troon Cars & Coffee
Second Saturday of every month // 6–9 a.m. // Alpio’s at Troon 10452 E. Jomax Road, Scottsdale // Free // alpiosattroon.com
Penske Automall Cars & Coffee
Third Saturday of every month // 8–10 a.m. (7–9 a.m. during summer) Penske Racing Museum // 7191 E. Chauncey Lane, Phoenix Free // penskeautomall.com/cars-coffee
TThe smell of chemicals and the sound of hammering metal first drew me into the world of jewelry making. It was 1976, and I had just started at Medway College of Design in Rochester, Kent — the original Rochester, mind you. My high school career adviser had suggested I become a boilermaker at Chatham Dockyard, which appealed to me about as much as entering the undertaking business. Instead, I’d enrolled in fashion design, inspired by my musical hero David Bowie’s art school background.
But fate had other plans. After a lesson or two among the sewing machines and drama of fashion classes (quite a shock for someone fresh from an all-boys school), I found myself wandering the corridors. That’s when I discovered students crafting pieces that looked like treasure, and I was instantly hooked. Within a week, I had switched to jewelry and silversmithing, beginning a journey that would lead me from apprentice to “jeweler to the stars.”
Those early days were pure punk rock meets precious metals. While other preapprentices studied basic math and English, I had permission to bring in my Bowie and Roxy Music records, the soundtrack to my education in the power of a hammer, flame and piercing saw. This fusion of rebellion and craftsmanship would become my signature — though I didn’t know it yet.
The pre-apprenticeship course was almost purely practical, focusing on
Writer Stephen Webster
A model showcases Stephen Webster's bold, avant-garde jewelry designs, exemplifying his signature blend of traditional craftsmanship and edgy aesthetics.
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I took a peek inside and discovered a world I could never have imagined. There were students hammering pieces of white metal, accompanied by flames, grime and the smell of chemicals... I was hooked. Stephen Webster
Stephen Webster receives recognition from His Majesty King Charles III, a testament to his contributions to British jewelry design and craftsmanship.
ABOUT STEPHEN WEBSTER
British jewelry designer Stephen Webster has been crafting fine jewelry for over four decades. Known as the “Rock ‘n’ Roll Jeweler,” Webster revolutionized the industry by combining traditional craftsmanship with edgy, contemporary design. His signature collections, including Crystal Haze and Thorn, have adorned celebrities from Elizabeth Taylor to Machine Gun Kelly. Webster’s pieces are distinguished by their bold use of colored gemstones, innovative techniques and unconventional motifs. He was awarded an MBE (Member of the Order of the British Empire) in 2013 for his services to training and skills in the British jewelry industry.
the fundamentals of metalworking. I learned to appreciate the nuanced techniques held within each tool — how a slight adjustment in hammer pressure could transform a piece, how the careful control of flame could mean the difference between perfection and disaster. These lessons would prove invaluable throughout my career, even as my designs pushed further into uncharted territory.
My formal apprenticeship took me to London’s historic Hatton Garden, where I learned the traditional art of chain-making at Saunders & Shepherd, a 150-year-old company. The area itself had a fascinating history, becoming “Hatton Garden” in the 16th century when Queen Elizabeth I bestowed the title and estate to one of her courtiers — apparently a very good dancer — much to the dismay of the bishop of Ely, the previous landlord.
But repetition breeds restlessness, and chainmaking is exactly what it sounds like: repetitive. By that time, I was aware of jewelry being made that was more progressive than the traditional designs I was replicating day in and day out.
At 19, sporting a decidedly punk aesthetic, I plucked up the courage and knocked on the door of a really modern jewelry shop called John Donald on Cheapside (anything but cheap), a street leading up to St. Paul’s Cathedral. John himself answered and, confronted by a punky-looking 19-yearold, was a little taken aback. Right there on the doorstep, I asked if he had any jobs for a really good jeweler, halfway through his apprenticeship. To my utter surprise, he said yes and doubled my salary from 25 pounds to 50 pounds a week.
Each day meant a new design challenge, new materials, new possibilities. Donald was part of a revolutionary group of jewelry designers, including Andrew Grima, Gerda Flöckinger, and Wendy
Ramshaw, who had broken free from the rigid constraints of post-Victorian fine jewelry. Their work, inspired by nature, architecture and space, showed me what was possible when tradition met innovation.
After leaving John Donald, I ventured out on my own, taking on work that often fell below my capabilities but paid the rent. A breakthrough came when DeBeers commissioned me to design and make a piece for the owner of the winning horse at the King George VI and Queen Elizabeth Stakes trophy race at Royal Ascot. The commission came with an invitation to race day, where my girlfriend and I reveled in the champagne and canapés — a glimpse of the luxury world I would later inhabit.
The real adventure began when a Canadian shop owner offered me a position in Banff, Alberta. Having never been on a plane, I found myself landing in minus 30 degrees Celsius weather, wondering where on Earth we’d sell jewelry in this snowcovered wilderness. My Aunt Peg had bought me my first winter coat for the trip, but nothing could have prepared me for that cold. The morning after my arrival, I woke to a bright blue sky and snow-covered mountains, convinced I’d been kidnapped. Instead, my new boss took me skiing — a smart move that sealed the deal.
Mike, my new boss and a geologist with a passion for minerals and gems, had moved from Ottawa to Banff to set up a rock and mineral store. He saw an opportunity to include jewelry for the Japanese and American tourists. As far as he was concerned, he would give me the rocks and the shop, and I would do the rest. Great, except I wasn’t really a designer. I could draw, though, so with a baptism by fire, I got stuck in.
Very quickly, confronted by gems I had never heard of — tanzanite, tourmaline, tsavorite, and best of all kunzite — I started to apply my making skills to the rocks in front of me and, with a wing and a prayer, came up with the goods. At least goods enough for the après-ski crowd. Soon, I had recruited three other British jewelers from my old art school, building a small empire in the Rockies. But when it snowed on my birthday — Aug. 13 — I knew it was time for a change.
After a brief, unsuccessful return to London, where my new style wasn’t well received, Mike called again. He’d sold the Banff business and was moving to Santa Barbara. Would I join him? California definitely wouldn’t snow on my birthday, so I agreed.
We hit Montecito running, and within months, something extraordinary happened: Elizabeth Taylor bought one of my cocktail rings. My mom back home didn’t believe me when I called to tell her — she had worshipped Liz as one of the original Hollywood icons. Throughout my four years in Santa Barbara, I created pieces for an impressive roster of clients: the Douglas family, Goldie Hawn, Oprah. It was the ‘80s, gold was king, and color reigned. I loved it.
Returning to London with my then-wife, I was determined to create pieces that reflected my roots and personal style rather than the California aesthetic I’d mastered. The transition wasn’t immediate—fine jewelry moves at a snail’s pace — but experimentation led to innovation. I developed Crystal Haze, a technique of layering clear faceted quartz over opaque colored stones like turquoise, agates or obsidian. The effect was spectacular.
After a while, I thought I was onto something. I was asked to give a talk at the prestigious Baselworld watch and jewelry show in Switzerland. Despite a long
Stephen Webster's innovative designs showcase his mastery of both traditional and avantgarde jewelry styles.
Stephen Webster's Full Bleed
Stephen Webster, the "Rock 'n' Roll Jeweler," has revolutionized the fine jewelry industry over his four-decade career.
waiting list, I was offered a booth for the following year. There, I premiered Crystal Haze along with other designs that featured diamonds and gold but with the unlikely inspiration of tattoo imagery and thorns. It wasn’t exactly what the establishment of fine jewelry circles might naturally embrace — and they didn’t. I sold nothing.
Undeterred, because my wife, Assia, loved it, I took a booth at The Couture Show in Phoenix. To call it a booth is Realtor talk for what was a table in the cupboard under the stairs. Despite the lack of visibility, a certain David Yurman found me and asked who I was. I told him, and he said I had the best jewelry he’d seen in years. Very quickly, my table became the busiest spot at the show, and I won the Editor’s Choice for Best in Show. My brother David and I had to head straight back to London to start recruiting jewelers.
Shortly after that initial trade success, I got the opportunity of a lifetime — a chance to present my work to Madonna, then the most famous woman on the planet. After a couple of stiff gins, I knocked on her door. As I waited in the lobby, I smelled burning and saw wisps of smoke coming up the stairs. Madonna appeared through the smoke — a proper rock star entrance, I thought — only to announce, “I’m sorry, I just burned the toast.” That icebreaker led to a decade-long wave of success in the new designer jeweler movement.
The Crystal Haze collection became a phenomenon, redefining what fine jewelry could be. It wasn’t just about the innovative stone-cutting technique; it was about challenging the established norms of the industry. We were creating pieces that spoke to a new generation of jewelry lovers — those who wanted their accessories to make a statement beyond mere luxury.
Our determination to push boundaries while maintaining impeccable craftsmanship caught the attention of the fashion world. From making Madonna and Guy Ritchie’s wedding rings to designing for Pink, Christina Aguilera, Natalie Imbruglia and, most recently, Machine Gun Kelly and Megan Fox, we’ve maintained our position at the intersection of fine jewelry and rock ‘n’ roll. Each piece tells a story of rebellion and refinement, punk attitude and precise execution.
The journey hasn’t always been smooth. The fine jewelry industry can be notoriously resistant to change, and there were plenty of skeptics along the way. But that resistance only fueled our creativity. Together with my wife, Assia, and my brother, David, we’ve built something truly unique. Their unwavering support and business acumen have been as crucial to our success as my designs. We’ve weathered economic storms, changing tastes and industry upheavals by staying true to our core philosophy: exceptional craftsmanship with an edge.
Our determination, attitude, humor and rock aesthetic, combined with impeccable craftsmanship and passion, have shaped the brand that we’ve built over almost five decades. Seven years ago, Amy Webster joined Assia, David and me in the business as art director, bringing fresh perspectives while honoring our rebellious heritage. Nika, our youngest, has served an apprenticeship on the bench and just started her own jewelry repair and alteration business. The rebellion continues, but now it spans generations.
As I prepare for our 40-year retrospective at Grace Renee Gallery this January, I can’t help but smile at that punky 19-year-old who dared to knock on John Donald’s door. He had no idea where that courage would lead — but I’m grateful he took the risk. There are still a few chapters yet to be told in this story, and I’m excited to see where they lead.
Christina Aguilera wears Stephen Webster's designs, illustrating his enduring appeal among music and fashion icons.
Writer Joseph J. Airdo // Photography by Michael Rosenzweig
IIn the soft light of an Arizona sunrise, a vintage Corvette gleams against a backdrop of russet desert mountains, its chrome catching the golden-hour glow. This is where automotive culture meets fine art — in the spaces between metal and mountain, in reflections that capture both machine and landscape, in compositions that reveal the soul of both car and country.
Arizona’s unique environment creates an automotive photographer’s paradise. The state’s preservationfriendly climate keeps classic cars pristine long past their years, while year-round show seasons and dramatic natural backdrops create unprecedented photographic opportunities. From dawn shoots in the Sonoran Desert to twilight captures in downtown Scottsdale, each image celebrates both the vehicles and their environment.
Here, every vehicle tells a story. A Honda Civic catches perfect light in a parking lot, revealing unexpected beauty. A restored muscle car gleams against red rocks. A Jeep traverses rugged terrain, demonstrating the raw power of automotive engineering. From rare classics to daily drivers, each photograph transcends simple documentation to reveal the sculptural beauty inherent in automotive design.
Our state’s diverse automotive culture provides endless inspiration. Monthly gatherings at Rock Point Church draw hundreds of vehicles, from meticulously restored classics to modified modern machines. Downtown shows in Florence and Prescott offer historic architecture as a backdrop, while off-road adventures into the wilderness showcase vehicles conquering Arizona’s rugged terrain. Each setting presents its own photographic challenges and opportunities.
Photographer Michael Rosenzweig captures the intimate relationship between Arizona’s car culture and its breathtaking landscapes. Through careful composition and masterful timing, his images tell stories of mechanical beauty, human craftsmanship and the enduring allure of the American Southwest — where chrome meets cactus and engineering meets art. In these photographs, we see more than just vehicles; we witness the convergence of human ingenuity and natural splendor, each frame a testament to Arizona’s unique automotive heritage.
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When you’re not used to off-roading, you don’t realize what these vehicles can do. Those situations make for some spectacular Jeep photos. Michael Rosenzweig
Some of these cars have fascinating histories. Owners will spend 15 to 20 minutes telling you about their restoration process or their family’s history with the vehicle.Michael Rosenzweig
Between the year-round shows, the Route 66 heritage and the incredible preservation conditions, Arizona has an amazing car culture. Michael Rosenzweig
About the Photographer
Michael Rosenzweig’s journey into automotive photography began in 1987 while in high school with a curiosity for cameras and a passion for cars. What started with slide film and weeklong waits to see results has evolved into a sophisticated digital craft that marries his technical expertise with artistic vision.
As a software engineer specializing in AI technology, Rosenzweig brings a unique perspective to his photography. His technical background enhances his understanding of digital imaging, while his artistic eye seeks out the perfect composition.
The transition from New England to Arizona marked a turning point in Rosenzweig’s photographic journey. The state’s dramatic landscapes and year-round car culture provided new creative opportunities. His portfolio expanded beyond automotive work to include wildlife photography, particularly the wild horses of the Salt River and Arizona’s diverse bird population.
His approach to automotive photography is refreshingly democratic. Whether shooting a rare classic or a modified daily driver, Rosenzweig seeks out the unique character in every vehicle.
“Not everyone is driving a ‘63 Corvette Split Window or a Lamborghini,” he explains. “But everybody has a story about their car and people love sharing those stories — especially car lovers.”
When not photographing at car shows or dawn meetups, Rosenzweig can often be found exploring Arizona’s backroads in his “photo Jeep,” seeking pristine landscapes for his environmental automotive portraits. His work celebrates both the mechanical precision of automotive design and the raw beauty of the Southwest, creating images that resonate with car enthusiasts and art lovers alike.
Through his lens, Arizona’s automotive culture comes alive — one frame, one story, one carefully composed image at a time.
mdrimages.com
IIn Mark Vinci’s Phoenix studio, crushed car parts — including pieces of a Mini Cooper — transform into sophisticated wall sculptures. It’s a far cry from the pristine automobiles on his Sicilian grandfather’s New Jersey car dealership lot, where his parents would often drop off their rambunctious son for an afternoon of supervision.
Young Mark would spend hours in his grandfather’s car, rolling windows up and down while 1960s pop music from New York City’s WABC-AM filled the air. Though his tendency to doodle during class often got him into trouble at school, these afternoons with Grandpa Tony, who was “entertained to entertain” his artistic grandson, became cherished memories that would influence his creative path for decades to come.
SHIFTING GEARS
Despite his classroom antics, Vinci’s artistic talent couldn’t be ignored. His second grade teacher recognized his potential and entered him in an archdiocesewide art contest, where he won first place.
“It was a scene of the western U.S., though I’d never been,” Vinci recalls. “A landscape, kind of minimal with cirrus clouds. My only references at the time were National Geographic, ‘Bonanza’ and Disney. I’d love to see it again. My parents recognized my talent. I took some courses in art, but I was a lazy kid. If it was an assignment, I wasn’t interested.”
Writer Shannon Severson // Photography by Loralei Lazurek
Mark Vinci in his Phoenix studio, where crushed automotive parts await transformation into sophisticated wall sculptures.
He was always most interested in comic illustration, but when he reflects on his life, cars — especially unusual ones — have always been a touchpoint. His high school art teacher, Harry Minzer, took note of Vinci’s very first assignment — a black-and-white drawing of a motorcycle. Minzer became a mentor and prompted Vinci to pursue art in college.
After earning a fine arts degree in design from Kutztown University in Pennsylvania, Vinci launched a career in advertising in Atlanta, where his parents had relocated.
His first boss headed a small but dynamic three-person Atlanta advertising agency — creating groundbreaking campaigns for clients like FedEx and Daniel Construction. Vinci’s work there earned him his first industry award.
Then, he met Peter Hudson, the art director of Atlanta magazine, who would become both a close friend and transformative mentor, challenging Vinci’s artistic conventions and expanding his creative horizons.
My work is dynamic visual abstraction about urban movement... snippets and fragments framed and defined by the cityscape, quickly forgotten, yet leaving a residual imprint that is an unconscious distillation of our collective experience. Mark Vinci
“It was one of the cooler offices I’d ever been in,” Vinci recalls, his voice still animated by the memory. “He had all this artwork on his walls. It was by people who weren’t necessarily mainstream illustrators. They were innovators — Brad Holland, Marshall Arisman. He didn’t hire people doing photorealistic imagery. He wanted more painterly artists. He’d call them and say, ‘I have an article; do whatever you want for it.’ They had freedom. Peter won awards for this approach.”
Hudson was also a motorcycle enthusiast, but his taste ran to European performance racing brands like Ducati, Moto Guzzi and Vincent Black Shadow — a far cry from the Harleys, Triumphs and Hondas that Vinci knew. The two bonded over their shared passion for motorcycles and cars, with Hudson eventually selling Vinci his first Citroen.
“He broke my New Jersey provincialism,” Vinci muses. “He didn’t dismiss it, but he opened all these windows. He was very much about the creative process. When he asked to see my portfolio, he said, ‘Your life must suck. You’re creative. You have skills beyond just pasting stuff down.’ That was a big deal for me, especially as a 21-year-old.”
In the ensuing years, Vinci continued to explore different views of illustration, including offbeat European comics, and pushed himself creatively by attending the School of Visual Arts in New York City under Arisman to hone his lifedrawing skills. He’d met his now-wife, Cat, in Atlanta — an opposites-attract love story. He admired her calm nature, extensive travel experience and deep knowledge of fine art, printmaking and photography.
“She’s chill and I’m not,” he says with a laugh. “She’s white bread and I’m not.
She knew everything about fine art. I [met her and] thought — not only is she cute, she knows everything!”
The couple alternated between New York City and Atlanta, building impressive careers — Vinci at CBS and CNN, Cat at CNN and MTV. During this time, Vinci found himself at the forefront of the analog-to-digital revolution, creating sports graphics under Don Sperling, the legendary founder of NBA Entertainment.
DESERT ACCELERATION
The Vincis’ journey eventually led them to Phoenix in the mid-1980s, a landscape that had already captured Mark’s artistic imagination during earlier visits. The move proved fortuitous — he soon won three consecutive Emmy Awards for broadcast graphics at KTVK-TV, then an ABC affiliate, while immersing himself fully in the Southwestern environment he had long admired.
Today, the couple occupies a light-filled Ralph Haver-designed home where they both create and display their art. They have lived in Phoenix for 30 years this time around. It’s a long way from that car lot in Newark, New Jersey, but some things never change. Vinci remains affable, energetic, quick-witted and bold, full of stories and ideas. With more than 40 years of creative accomplishment under his belt, he continues drawing, painting, designing and experimenting with his talents.
In 2001, Vinci’s career reached a significant milestone when he was awarded the prestigious PollockKrasner Foundation grant for his vivid abstractionist landscapes, which drew influence from fellow New York artists Franz Kline and Willem de Kooning. The triumph was short-lived — he received the grant just five days before Sept. 11, when the art world ground to a halt.
This market disruption added new challenges to an already transitional period in Vinci’s life. After leaving television graphics in 1998, he embraced various occupations, including working as a chauffeur for Blue Star Transportation. His passengers ranged from politicians attending the annual McCain Sedona Forum to celebrities like Michael Jordan and Michael Eisner. He also drove trucks, worked construction and took on other jobs that kept him moving while he continued to develop his artistic vision.
“I was already painting the driving environment,” Vinci reflects, “but I knew there was something more radical waiting to emerge.”
That radical transformation arrived during a routine drive, setting the stage for Vinci’s most innovative work yet.
CRASH COURSE IN CREATIVITY
One day, while driving with Cat and their son, Vincent, Vinci noticed a spot in the road that had been overstriped. The sight triggered a memory of Tom Sachs’ art exhibition — a slot car track arranged in a huge New York City gallery, complete with replicas of iconic buildings and the grid of famous streets and avenues. Only the cars and tracks were in color; the rest was crafted in white foam core.
“I thought to myself — what if I got a car and smashed it into things?” he recalls. “What if I put a car piece on the wall and scraped it back and forth? What if I start to use the materials that I see while I drive to make the artwork — like billboard paper and striping material?”
He began mapping out ideas and tracked down the road-striping company, United Rentals. He approached them about spraying items he would bring on days when they serviced their sprayer trucks.
“I got a call some weeks later,” he recalls. “They said to come Saturday at 7 a.m. I stood out there and we sprayed all this stuff. I had ideas — I started asking how the sprayers worked — how wide could they spray and could they splatter?”
The crew, accustomed to driving in straight lines, found themselves caught up in Vinci’s creative enthusiasm. One of those experimental pieces now hangs in United Rentals’ Connecticut headquarters.
“During this same period, I began collage work using discarded billboard paper,” he explains. “I’d use an X-Acto knife to cut them into thousands of pieces and rearrange them to mimic motion blur and interpret the color streaks.”
The ideas flowed like cars on a fast-moving highway.
Inspired by abstract expressionist John Chamberlain, known for crushing car parts into massive, freestanding sculptures, Vinci began his own exploration of automotive materials. He assembled a network of collaborators: auto body shops for wrecked car parts, a friend who owned a paving company and another who built hot rods with access to grinding and welding equipment.
“I’d ask for the most smashed-up car parts, then have them acid-washed,” he says. “I set an appointment with the paving company at a site where they were
putting in a new Taco Bell in the West Valley. I brought the parts and had the guy run them over, then I’d stack them and have him run over them again and again. He said, ‘This is the best!’
“I brought the pieces back to my studio, cut them into chunks with a grinder cutting blade and started moving items around intuitively, taking pictures of my progress. When the composition felt right, I’d weld them together at my friend’s hot rod shop and have them powder coated.”
FULL THROTTLE FORWARD
The resulting works, which have caught the attention of serious collectors throughout the Southwest, are masterfully executed and deliberately open to interpretation. Each piece, ranging from intimate wall sculptures to dramatic large-scale installations, pulses with dynamic energy, inviting viewers to discover their own narratives within the transformed automotive elements.
Vinci continues to explore the crushed car parts series — now highly sought after by both automotive enthusiasts and fine art collectors — while simultaneously returning to more traditional, intuitive forms of painting, reawakening techniques that had lain dormant for years.
“Yes, it’s a satisfying process, but at the same time, there’s an area of creativity that I feel like I’ve let go,” he shares. “That is the more traditional form of painting. I want to bring that back as something I continue to explore. Now I mix abstraction with illustration, always working to capture movement in the pieces.”
Vinci’s current paintings on canvas, which often feature iconic cars such as Ferraris and Porsches alongside abstracted cityscapes, strike a delicate balance between meticulous technique and spontaneous inspiration. His dynamic brushstrokes and elastic use of color capture the essence of movement itself.
Today, Vinci’s artistic journey has come full circle. From those childhood afternoons in his grandfather’s dealership to his current studio where crushed metal transforms into sophisticated wall sculptures, he continues to push the boundaries between automotive culture and fine art. His work stands as a testament to the endless possibilities that emerge when industrial materials meet creative vision — a perfect embodiment of Arizona’s innovative spirit.
markvinciart.com
In his light-filled Ralph Haver-designed home studio, Mark Vinci works on both traditional paintings and sculptural pieces. His current paintings merge his passion for iconic automobiles with abstracted urban landscapes, reflecting his journey from car enthusiast to fine artist.
TThe story of Arizona’s automotive heritage runs deeper than its legendary highways and desert proving grounds. Tucked into communities across the state, 10 remarkable museums preserve not just vehicles but the dreams, innovations and personal stories that drove them forward.
These institutions range from intimate family collections to world-class facilities. Along Route 66, visitors explore both the Mother Road’s evolution and the world’s first museum dedicated to electric vehicles. In Phoenix, championship racing machines maintain their racing-ready condition, while in Tucson, generations of family history intertwine with automotive preservation.
Each museum offers its own distinctive journey through time. Some celebrate the artistic vision of custom designers; others document the evolution of American manufacturing; and a few maintain their collections in running condition — keeping history alive through the rumble of engines and the timeless appeal of chrome and steel.
Writer Joseph J. Airdo
Penske Racing Museum
Buddy Stubbs Motorcycle Museum
Penske Racing Museum
BUDDY STUBBS MOTORCYCLE MUSEUM
Phoenix’s premier motorcycle museum began with a Hollywood stuntman’s passion. After a successful career as both a racing legend and stunt performer, Buddy Stubbs opened his HarleyDavidson dealership in 1966, creating a home for what would become one of the Southwest’s largest collections of rare motorcycles.
“The museum’s collection is the largest in the Southwest, showcasing the development of touring bikes in Europe during the period when HarleyDavidson ruled America,” says Adrien Burkhart, director of marketing and events. “From the earliest examples of street bikes to racing machines, our collection tells the complete story of motorcycle evolution.”
The 3,000-square-foot facility houses more than 130 machines from 37 manufacturers, spanning more than 110 years of motorcycle history. Highlights include an original 1903 HarleyDavidson model and rare specimens from Norton, Vincent HRD, Brough Superior and other legendary makers.
The museum’s docents share fascinating details about each bike, from early street models to racing machines from the 1930s, ‘40s and ‘50s. A particularly impressive display features vintage Triumphs, showcasing the parallel development of European touring bikes during America’s Harley-Davidson era.
Buddy Stubbs Motorcycle Museum 13850 N. Cave Creek Road, Phoenix Saturdays: 11 a.m.–5 p.m. (tours available by request daily) Free admission buddystubbshd.com/museum
PENSKE RACING MUSEUM
The Penske Racing Museum isn’t just a display of historic race cars — it’s a living collection of motorsports excellence. What sets this facility apart is its status as a “running museum,” where each historic race car is maintained in operating condition.
“The collection at the Penske Racing Museum showcases the history of one of the most successful teams in all of motorsports,” explains museum director Patrick J. Hozza. “What makes our museum special is that it’s a running museum — we maintain our race cars in operating condition, preserving these incredible machines as they were meant to be.”
Among the museum’s more than 100 vehicles are several legendary pieces, including the 1974 Porsche that Mark Donohue drove to victory in the first IROC at Riverside, and Danny Sullivan’s 1985 March IndyCar, famous for its “spin and win” victory at that year’s Indianapolis 500. Also on display is Team Penske’s first in-house designed and built Formula One car from 1974. A unique feature pairs each of their 20 Indianapolis 500-winning cars with the corresponding pace car from that year’s race.
Visitors can enhance their experience at the Turn 4 Cafe, located on the museum’s second floor, where Penske Racing’s winning trophies are displayed. The mezzanine offers views of the test track and Land Rover off-road course.
This sophisticated winter cocktail elevates the classic Old Fashioned with an unexpected touch of nostalgia: housemade toasted marshmallow and cinnamon simple syrup. It showcases a delicious blend of bourbon, cognac, aged rum and creme de cacao, and is finished with orange bitters and a perfectly charred marshmallow garnish — an elegant reminder of fireside gatherings on crisp Arizona evenings.
2 toasted marshmallow and orange twists, for garnish
Toasted Marshmallow-Cinnamon Syrup:
8 toasted marshmallows (about 1 cup)
3/4 cup sugar
1 cup water
2 cinnamon sticks
To make the syrup: In a small saucepan, combine all ingredients over low heat until marshmallows and sugar dissolve completely. Remove from heat and allow to infuse for up to five hours. Strain through cheesecloth. Store in an airtight container; syrup will keep in the refrigerator for up to five days.
To make the cocktail: Place all ingredients except garnishes in a mixing glass filled with ice and stir until well-chilled, about 30 seconds. Strain into glasses, each containing a large ice cube. Express orange twist over each cocktail and garnish with toasted marshmallows. thefancypantskitchen.com
