Sought-after Village of Sunrise in Desert Mountain
— Offered at $6,495,000 — Picture a meticulously reimagined residence, crafted to perfection by the renowned Jaque Bethke, this stunning abode comes complete with a coveted Golf Membership (subject to approval). 4 bedrooms, 5 baths, spacious office/flex space adaptable as a fifth bedroom with its own ensuite. Luxurious designer touches grace every corner, infusing elegance into every detail. The heart of the home is the newly reimagined kitchen. Outdoor entertainment awaits with a new barbecue area installed in 2024, newly upgraded pool and spa, and a pristine putting green. Offering unparalleled privacy, comfort, and convenience, this sophisticated retreat comes fully furnished, providing a turnkey solution for those who appreciate the pinnacle of interior design.
JAQUE BETHKE
DESIGNOLOGIST | ARCHITECTICIAN | (RE) ENGINEER
Jaque.Design
Jaque@Jaque.Design JAQUE BETHKE DESIGN
MEETS ARTISTRYVersatility
At Sue Bickerdyke Interiors, we believe in the power of versatile spaces that inspire. This stunning room exemplifies our philosophy — a chameleon-like area that seamlessly transitions from a sophisticated home office to an executive suite or an intimate meeting room for sharing ideas. The key lies in the details that spark joy and fuel creativity.
The contemporary desk, paired with an artfully detailed cream leather chair, invites productivity. Bryce Pettit’s striking black raven sculpture adds an element of intrigue, while Jane Word’s leather quail pillow brings a touch of whimsy. The tranquil skyline painting by Axton-Giddings sets a calming mood, perfect for deep focus or collaborative discussions.
The energy you invest in selecting pieces for your home resonates with family and guests alike. That’s why we curate elements that you’ll truly love, creating spaces that adapt to your needs while reflecting your unique style.
Don’t miss art night on Nov. 21 at Sue Bickerdyke Interiors, featuring Axton-Giddings and their innovative “Promises” collection.
Axton-Giddings’ exquisite “Promises” collection exemplifies customizable artistry. These 12-by-12-inch wooden squares showcase unique collages with textures, custom ceramics, tile and handmade glass accents. Each one-of-a-kind piece invites you to mix and match, creating a personalized arrangement. Available as singles, they embody Axton-Giddings’ commitment to adaptable, distinctive design.
THIRD THURSDAY ART NIGHT FEATURING AXTON-GIDDINGS
THURSDAY, NOVEMBER 21 FROM 4 TO 7 PM Artist insight with Joe and Mary Axton-Giddings speaking at 5:15 PM
AMY LAY
Rose Ears, 10” x 20”
TREVOR SWANSON Quiet Energy, 18” x 24”
BRYCE PETITT Promise to Keep Up, 68” tall
SUE KRZYSTON Holding onto Yesterday, 18” x 24”
Promises, 12” x 12”
What's Inside?TABLE OF CONTENTS
VALOR’S VOICE: IMPRINTS OF HONOR BRIDGES GENERATIONS
WAVES OF BRILLIANCE: ONDYN’S FLUID DESIGNS SET TO MAKE SPLASH IN DESERT 46
REFLECTIONS IN LIGHT: BIG ART ILLUMINATES CANAL CONVERGENCE
WAVES OF BRILLIANCE: ONDYN’S FLUID DESIGNS SET TO MAKE SPLASH IN DESERT 46
S ANDERSON LINCOLN S ANDERSON LINCOLN
From the Publisher
Publisher Shelly Spence
Managing Editor Joseph J. Airdo
Graphic Designer
Meaghan Mitchell
Contributing Writers
Joseph J. Airdo
Francine Coles
Shannon Severson
Photographers
Francine Coles
Loralei Lazurek
Advertising Sales
Cindi Calcinari
860-966-3271 cindi@imagesaz.com
Images Arizona P.O. Box 1416
Carefree, AZ. 85377 623-341-8221
shelly@imagesaz.com imagesarizona.com
AAs the crisp autumn air settles over Arizona, we find ourselves embracing the season of gratitude and reflection. November brings with it a tapestry of warm colors, cooler temperatures and a renewed appreciation for the beauty that surrounds us in our desert home.
This month’s issue of Images Arizona is a celebration of the vibrant spirit of our community and the breathtaking landscapes that make our state truly unique. Our pages are filled with stories that capture the essence of autumn in Arizona and showcase the incredible talent and creativity that thrive here.
We’re excited to share the rebranding journey of Veterans Heritage Project to Imprints of Honor, exploring how this remarkable organization continues to affect lives and preserve the stories of our veterans. Our cover story spotlights Tara Maria Famiglietti’s ONDYN Fine Jewelry, delving into how her innovative designs blend movement, light and luxury to create wearable art.
We also shine a light on Canal Convergence, Scottsdale’s premier annual light art festival, featuring the returning artist group Big Art and their three mesmerizing installations. Meanwhile, this month’s photo essay, featuring the stunning work of photographer Randy Reinhart, captures the golden hues and rich textures of Arizona’s fall foliage. These images serve as a reminder of the fleeting beauty of the season and the importance of taking time to appreciate the natural wonders around us.
As you flip through the pages of this month’s issue, I hope you’ll be inspired to explore the beauty of our state, honor those who have served and embrace the spirit of gratitude that defines this season. Whether you’re admiring a piece of fine jewelry, experiencing a light art installation or simply enjoying a quiet moment in nature, take time to appreciate the unique charm of autumn in Arizona.
Happy Thanksgiving!
Shelly Spence Publisher, Images Arizona
Photography by Loralei Lazurek
Kathleen Hope
CONTEMPORARY ARTIST
Discover the unexpected beauty of cement in art with local Arizona artist Kathleen Hope. Her innovative use of cement and pigment creates textural, colorful pieces that challenge perceptions of this industrial material. Join us for an evening of artistic exploration that will change how you view cement forever.
ARTIST RECEPTION
Thursday, November 21
p.m.
Two Peas in a Pod 36” by 36”
Golden Girl
60” by 48”
IIn 2004, history teacher Barbara Hatch was struck by a student’s question: “Is ‘Saving Private Ryan’ real?” This simple inquiry sparked a movement that would touch the lives of nearly 60,000 Arizona students and thousands of veterans. Hatch began inviting World War II veterans to speak to her class — those who signed up to give the “last full measure of devotion” for our country.
From these humble beginnings, Hatch’s effort expanded over the years to become the awardwinning nonprofit known as Veterans Heritage Project. Now, as the organization celebrates its 20th anniversary, it is rebranding itself as Imprints of Honor. Last month, the elegant showroom of Sanderson Lincoln Boutique in Scottsdale Quarter buzzed with anticipation as veterans, students and community leaders gathered to unveil the organization’s new identity.
Writer Shannon Severson // Photography by Blanka Thomas
Veterans Heritage Project founder Barbara Hatch celebrates the organization’s rebranding to Imprints of Honor with Vietnam War veteran Joe Brett.
The name honors our veterans’ legacy of service beyond self. Michelle DiMuro “
“I’m excited for the rebranding to Imprints of Honor,” says Michelle DiMuro, the program’s executive director. “I think the name helps us stand apart, connects to the character development and lasting impact made on our students, and honors our veterans’ legacy of service beyond self.”
While the name has changed, the mission hasn’t. The personal histories of veterans provide character and civic education, inspire patriotism and give youth the chance to interact with these community heroes. Student chapter participants have conducted nearly 3,000 interviews and published the impactful personal stories in 20 volumes, titled “Since You Asked,” all preserved in the Library of Congress.
At the conclusion of each school year, veterans are honored at regional community receptions and book signings. They attend as honored guests, signing books for students and receiving their oral history recordings and a copy of the book, which becomes a cherished family heirloom.
In the 2023–24 academic year, 30 school partners participated, reaching students ranging from seventh through 12th grade. School chapters typically act as after-school clubs led by dedicated teachers who are passionate about connecting students and veterans. Some schools, including Notre Dame Preparatory in Scottsdale, have made Imprints of Honor an academic class that meets history and English standards. Last year alone, 205 students interviewed 244 veterans, and the organization awarded 10 college scholarships ranging from $1,500 to $17,500 per year for four years.
While Imprints of Honor is an Arizona-founded program, other states are embracing its value, with pilot programs taking off in Tennessee and Florida.
Kerry Ahern, Imprints of Honor’s board president, shared a personal testament to the program’s impact at the rebranding celebration. His daughter, a four-year participant at Cactus Shadows High School, interviewed a Vietnam War veteran, a World War II veteran and a Gold Star mother.
Honoring Heroes
This Veterans Day, join Imprints of Honor and the town of Carefree for a special celebration honoring those who have served our nation. The event will feature stirring music and inspiring speakers, showcasing the powerful connection between veterans and the next generation.
Headlining the event is David Allwine, a Vietnam War veteran and former POW whose remarkable story is featured in the 2024 edition of “Since You Asked.” Allwine’s firsthand account promises to offer attendees a profound glimpse into the sacrifices made by our veterans.
Also speaking is Capt. Sofia Ripa, an Imprints of Honor alumna who has gone on to serve as an active-duty Marine. A past recipient of the Alumni Service Award, Ripa embodies the program’s mission of inspiring youth through veterans’ stories. Her journey from student participant to military service demonstrates the lasting impact of Imprints of Honor.
This event offers a unique opportunity to witness the full circle of Imprints of Honor’s mission — from preserving veterans’ stories to inspiring the next generation of service members.
imprintsofhonor.org
Veterans David Lucier (second from left) and Joe Brett (second from right) stand proudly between Imprints of Honor staff members Sarah Johnson (left) and Kate Finnegan (right).
Veterans Heritage Project founder Barbara Hatch and current Imprints of Honor board president Kerry Ahern prepare to address attendees at the rebranding celebration.
Past Veterans Heritage Project board president Mike Burns (left) shakes hands with current Imrpints of Honor board president Kerry Ahern.
“She couldn’t have gotten the same perspective from a book or a classroom lecture,” Ahern observed, proudly noting that she recently graduated from the University of Arizona and continues to volunteer at Imprints of Honor events.
Students take more into adulthood than just the stories they’ve transcribed. The intangible benefits include interviewing, writing and editing skills, mentorship by American heroes, and a sense of connection to their communities and nation. Veteran participants have expressed how impressed they are with the students they encounter, witnessing firsthand the transfer of patriotism and duty to the next generation.
DiMuro is excited about the future of Imprints of Honor.
“I am looking forward to growing our program outreach within the education community,” she says. “We’re demonstrating how our curriculum provides character education as well as approved activities for the Arizona Seal of Civics Literacy.”
The organization is also exploring various implementation models.
“In addition to our after-school chapter model, we offer the program as a capstone project for high school seniors or even as an extracurricular class,” DiMuro explains. “We also have an online independent contributor option for home-schooled students or students who want to participate but don’t yet have Imprints of Honor in their school. As we partner with more schools, we can then connect more students with veterans and fulfill our mission.”
With each story preserved, each veteran honored and each student inspired, Imprints of Honor continues to weave a rich tapestry of American heritage. As the organization steps into its third decade, it stands as a testament to the power of connection, the importance of remembrance and the enduring spirit of service that defines our nation.
imprintsofhonor.org
ART & WINE FESTIVALS
Discover the world’s finest Artists and Craftsmen at Arizona’s premier Art & Wine Festivals. Enjoy live music, delicious food, and superb wine tastings from dozens of local wineries. Free admission.
Discover the allure of Aaron Henry’s jewelry, where traditional craftsmanship meets contemporary design. Each piece, crafted through a meticulous 10-step process, showcases the warm, rich glow of 18- to 19-karat gold. Don’t miss this chance to meet the designer and find your next family heirloom.
CELEBRATION OF ITALIAN JEWELRY
NOVEMBER 8–9
Friday and Saturday from 10 a.m.– 5 p.m.
Experience the epitome of Italian elegance and craftsmanship with our curated collection from FOPE, Roberto Coin, Mattia Cielo and Nanis. From FOPE’s innovative Flex’it system to Roberto Coin’s iconic designs, Mattia Cielo’s futuristic creations and Nanis’ artisanal beauty, this event brings the best of Italian jewelry artistry to you.
NOVEMBER 22–23
Friday and Saturday from 10 a.m.– 5 p.m.
Step into a world of unparalleled luxury with our high jewelry event featuring David Gross, Robert Procop, and David Weisz. Marvel at rare, highquality gemstones set in breathtaking designs that push the boundaries of jewelry artistry. This is your chance to experience true opulence!
HOLIDAY ULTIMATE GIFT GUIDE
A CURATED JEWELRY SHOWCASE
DECEMBER 10-21
Tuesday through Saturday from 10 a.m.– 5 p.m.
’Tis the season for giving, and we’ve curated the ultimate collection of jewelry to make your holiday shopping a breeze. From timeless classics to cutting-edge designs, our Holiday Ultimate Gift Guide showcases an array of pieces to delight every recipient. Join us for an extended celebration of style and generosity.
Grace Renee Gallery is a refreshingly beautiful way to explore fine contemporary art in the breathtaking shadows of the Sonoran Desert foothills of Carefree, Arizona. Artfully designed jewelry, inspiring sculptures, spectacular wall art, stunning ceramics and more await.
UPCOMING EVENTS
WAVES OF BEAUTY
ONDYN JEWELRY SHOWCASE
DECEMBER 12–13
Friday and Saturday from 10 a.m.– 5 p.m.
ONDYN, the brainchild of jewelry designer Tara Maria Famiglietti, redefines fine jewelry with its innovative approach to movement and light.
At the heart of ONDYN’s design is Famiglietti’s signature articulated diamond bezel setting, a groundbreaking technique that sets the brand apart in the world of luxury jewelry. This unique setting allows each meticulously handcrafted 18-karat gold piece to flow and adapt to the wearer’s body like a second skin, creating a symbiotic relationship between jewelry and wearer.
Join us for this exclusive introduction to a rising star in the world of jewelry design.
COMMUNITY
November 2024
Writer Joseph J. Airdo
Through Dec. 31
‘JANET TOWBIN: MEDITATIVE MINDSCAPES’
Experience the meditative artworks of Paradise Valley artist Janet Towbin in this solo exhibition at Scottsdale Public Art. Towbin’s pieces explore pattern, line and nature through drawing, photography, painting and printmaking. The show features mandalas, mirrored patterns and analog collages, alongside a digital loop of her work and a how-to on creating your own mandala. Free. See website for gallery hours. Civic Center Public Gallery, Scottsdale Civic Center Library, 3948 N. Drinkwater Blvd., Scottsdale. scottsdalepublicart.org
Through Nov. 3
‘THIS’
Experience the witty and unromantic comedy “THIS” by Melissa James Gibson at The Theatre Artists Studio. This bright, contemporary play follows Jane, a poet without a muse and a single mother navigating the complexities of middle age. Watch as Jane and her lovable yet confused friends stumble through life’s uncertainties with humor and heart. $30; senior, student, military and group discounts available. See website for show times. The Theatre Artists Studio, 12406 N. Paradise Village Parkway East, Scottsdale. 602-765-0120; thestudiophx.org
Through Nov. 30
FALL COLORS TOUR ON VERDE CANYON RAILROAD
Experience the breathtaking autumn scenery of Verde Canyon on this scenic rail journey. As summer fades, witness the golden riparian foliage and changing hues of the forest along the tracks. This four-hour excursion offers perfect warm afternoons and the chance to see fall colors at their peak. $109. 1 p.m. Verde Canyon Railroad, 300 N. Broadway, Clarkdale. 800-582-7245; verdecanyonrr.com
Through Jan. 20
LIGHT BLOOM
Experience the mesmerizing convergence of nature and light at LIGHT BLOOM, a captivating exhibit by HYBYCOZO at the Desert Botanical Garden. This stunning installation features geometric light sculptures that transform the desert landscape, casting intricate shadows and vibrant hues as daylight fades. Created by artists Yelena Filipchuk and Serge Beaulieu, LIGHT BLOOM invites visitors to explore the fascinating intersection of science, math and nature. Included with DBG admission or membership. Monday–Wednesday, 8 a.m.–8 p.m.; Thursday–Sunday, 8 a.m.–9 p.m. Desert Botanical Garden, 1201 N. Galvin Parkway, Phoenix. dbg.org
Nov. 1
AVA’S TREE HOUSE GALA
Support families affected by pediatric cancer at the fifth annual Ava’s Tree House Gala benefiting the Arizona Cancer Foundation for Children. This elegant evening features a cocktail hour, exquisite dinner and an exclusive after-party with a live performance by multi-platinum country artist Cole Swindell. Celebrate 10 years of ACFC’s impact while helping provide vital support to families managing childhood cancer. See website for ticket prices. 6 p.m. The Phoenician, 6000 E. Camelback Road, Scottsdale. azcancerfoundation.org
Nov. 1–2
DREAMY DRAW MUSIC FESTIVAL
Mark your calendars for the return of the Dreamy Draw Music Festival, bringing indie and alternative music to
one of the best-selling artists of all time. $43+. 2 p.m. and 7:30 p.m. Highlands Church, 9050 E. Pinnacle Peak Road, Scottsdale. 480-422-8449; azmusicfest.org
Nov. 2
LIVE AT ARCOSANTI: GALACTIC HARMONY AND RIVERS RUN WILD
Experience a magical night of music under the stars at Arcosanti’s outdoor amphitheater. Sedona’s Rivers Run Wild opens at 7 p.m. with intentional sonic medicine music, followed by Phoenix-based folkadelic medicine jam band Galactic Harmony at 8:30 p.m. Enhance your visit with an optional 2 p.m. tour of the experimental city (additional fee). Limited overnight camping available. $20 concert tickets; $25 camping fee (40 spots available). Doors open at 6 p.m. Arcosanti, 13555 S. Cross L Road, Mayer. 928-632-7135; arcosanti.org
Nov. 2-3
DAY OF THE DOG
Celebrate man’s best friend at the annual Day of the Dog (Pet-A-Palooza) in Old Town Scottsdale. This pet-friendly event features treat samples, pet accessories, activities for dogs and their owners, and opportunities to socialize with fellow pet lovers. Dubbed “the social event of the year for dogs and their people,” this festival transforms Second Street into a canine paradise. Remember to bring water for your furry friend. Free. 11 a.m.–3 p.m. Old Town Scottsdale, 3720 N. Marshall Way, Scottsdale. petapaloozawest.com
COMMUNITY
November 2024
Writer Joseph J. Airdo
Nov. 8–9
ITALIAN JEWELRY EXTRAVAGANZA: FOPE, ROBERTO COIN, MATTIA CIELO AND NANIS
Immerse yourself in the world of Italian luxury jewelry. This event showcases exquisite pieces from four renowned Italian designers, each bringing their unique style and craftsmanship to the forefront. Free. 10 a.m.–5 p.m. Grace Renee Gallery, Historic Spanish Village, North Hum Road, 7212 E. Ho Road, Carefree. 480-575-8080; gracereneegallery.com
Nov. 2–3
LA PROCESIÓN: DÍA DE LOS MUERTOS CELEBRATION
Experience a unique blend of nature and tradition at Desert Botanical Garden’s Día de los Muertos celebration. This two-day festival features new elements focusing on the legend of the cempasúchil flower (marigold) and the hummingbird. Marvel at monumental marigold flowers crafted by Oaxacan artisans and handcrafted hummingbirds from Taxco silversmiths. The event culminates in La Procesión, a garden-wide procession featuring colorful alebrijes and the symbolic burning of worries. Included with DBG admission. Noon–6 p.m.; Procession 5–6 p.m. Desert Botanical Garden, 1201 N. Galvin Parkway, Phoenix. 480-941-1225; dbg.org
Nov.
8
‘SOME ENCHANTED EVENING’
Experience a century of Broadway magic with Arizona Musicfest’s presentation of “Some Enchanted Evening.” This jazz-infused celebration explores the American Songbook’s most enduring hits from the golden age to today, combining timeless music and dance. Led by Emmy-nominated trumpeter and crooner Benny Benack III, the performance also features singer and social media sensation Stella Katherine Cole and tap dance phenom Jabu Graybeal. $54+. 4 p.m. and 7:30 p.m. Scottsdale Marriott at McDowell Mountains, 16770 N. Perimeter Drive, Scottsdale. 480-422-8449; azmusicfest.org
Nov. 8–Dec. 30
POLAR EXPRESS
Experience the magic of the holiday season aboard the Grand Canyon Railway’s Polar Express. This enchanting 90-minute journey takes passengers from Williams, Arizona, to the “North Pole,” where Santa and his reindeer await with gifts. Enjoy hot chocolate, cookies and a reading of the classic story while traveling through the nighttime wilderness. See website for prices and schedule. Grand Canyon Railway, 233 N. Grand Canyon Blvd., Williams. thetrain.com
Nov. 9
PARADISE REPUBLICAN WOMEN’S CLUB
Join the Paradise Republican Women’s Club for its engaging monthly meeting, offering attendees a chance to network with like-minded individuals, enjoy a delectable breakfast and gain insights from a special guest speaker. With a focus on promoting Republican values and fostering political engagement, this event aims to empower and educate members while encouraging meaningful connections within the community. Free. 8:30 a.m. Maggiano’s Little Italy, 16405 N. Scottsdale Road, Scottsdale. prwcaz.org
Nov. 9
AMORE SOIREE: TULUM MEETS THE DESERT
Experience the vibrant atmosphere of Tulum at the inaugural Amore Soiree. This upscale festival features exclusive tequila tastings with more than 70 brands, Afrobeat house music by Shimza, OVEOUS and Pasta Rada, and a curated selection of food vendors. Enjoy a beer garden, merchant area and unique “phoneless” ticket option for full immersion. A portion of proceeds benefits Laveen Youth Sports. $49+. 21+. 4–9 p.m. Scottsdale Civic Center, 3939 N. Drinkwater Blvd., Scottsdale. amoresoiree.com
Nov. 10
‘AN AMERICAN CELEBRATION’
Experience a patriotic musical tribute with the Scottsdale Symphonic Orchestra’s “An American Celebration.” Guest conductor Chuck Stewart leads the orchestra in a program honoring Veterans Day, featuring works by Copland, John Williams and Elgar. The concert includes a special salute to veterans. $10+. 4 p.m. Scottsdale Center for the Performing Arts, 7380 E. Second St., Scottsdale. scottsdalesymphonicorchestra.org
Nov. 10
VETERANS
DAY TRIBUTE CONCERT
Honor our nation’s veterans at this special tribute concert featuring the Phoenix Brass Collective and performers from Pinnacle Presbyterian Church. The full brass choir will be joined by organ, choir and soloists in a stirring musical salute. Free. 3 p.m. Pinnacle Presbyterian Church, 25150 N. Pima Road, Scottsdale. phxbrass.com
Nov. 14–Dec. 23
‘IT’S A WONDERFUL LIFE’
Experience the beloved holiday classic “It’s a Wonderful Life” in this annual theatrical tradition at Don Bluth Front Row Theatre. Directed by Cheryl Schaar, this adaptation brings Frank Capra’s iconic film to life on stage. Follow George Bailey’s touching journey as his guardian angel Clarence shows him the true value of his life one fateful Christmas Eve. This heartwarming production captures the spirit of the season with warmth, humor and joy. $30+; senior, student, military and youth discounts available. See website for showtimes. Don Bluth Front Row Theatre, 8670 E. Shea Blvd., Suite 103, Scottsdale. 480-314-0841; donbluthfrontrowtheatre.com
Nov. 15–16
AARON HENRY: MODERN HEIRLOOMS IN GOLD
Meet jewelry designer Aaron Henry and explore his collection of modern heirloom pieces. Experience the unique glow of his creations, achieved through a special 10-step process using 18to 19-karat gold. Free. 10 a.m.–5 p.m. Grace Renee Gallery, Historic Spanish Village, North Hum Road, 7212 E. Ho Road, Carefree. 480-575-8080; gracereneegallery.com
COMMUNITY
November 2024
Writer Joseph J. Airdo
Nov. 15–Dec. 29
WORLD OF ILLUMINATION
Experience dazzling drive-thru light shows at two Arizona locations. In Glendale, “Rockin’ Christmas” at Desert Diamond Casino features a mile-long symphony of lights, animated displays and musical themes. In Tempe, “Enchanted Safari” at Tempe Diablo Stadium offers a wild holiday journey with exotic animals and festive scenes. Both 30-minute experiences feature millions of lights synchronized to holiday music. $39.99 per vehicle. 6–10 p.m. See website for locations. worldofillumination.com
Nov. 15–24
‘FOOTLOOSE’
Experience the energy and rebellion of the classic musical “Footloose” in this teen production at Scottsdale Desert Stages Theatre. When Ren moves to a small town where dancing is banned, he shakes things up and challenges the status quo. Featuring iconic songs and dynamic choreography, this heartfelt story celebrates the importance of understanding between generations. See website for ticket prices and showtimes. Scottsdale Desert Stages Theatre at Fashion Square, 7014 E. Camelback Road, Suite 0586, Scottsdale. 480-483-1664; desertstages.org
Nov. 17
‘THE GREAT ORGAN SYMPHONY’
Experience the majestic sounds of Saint-Saëns’ Symphony No. 3, featuring organ soloist Dr. Jeremy Peterman, in this captivating performance by the Scottsdale Philharmonic. Under the baton of Principal Conductor Vanja Gjumar Nikolovski, the program also includes Brahms’ Academic Festival Overture and Liszt’s Les Préludes. $20+; free for students and armed services members and veterans. 4 p.m. La Casa de Cristo Lutheran Church, 6300 E. Bell Road, Scottsdale. scottsdalephilharmonic.com
Nov. 17
‘SLIDING IN STYLE — TROMBONE CHOIR’
Experience the rich, resonant sounds of the trombone at MusicaNova Orchestra’s Chamber Series opener, “Sliding in Style - Trombone Choir.” Led by MusicaNova principal trombone Brad Edwards, this concert features the nationally renowned ASU Trombone Choir performing original music and works by female and BIPOC composers. Enjoy a rousing afternoon of unique brass music in an intimate setting. $20; $15 for students. 2 p.m. St. Anthony in the Desert, 12990 E. Shea Blvd., Scottsdale. musicanovaaz.org
Nov. 21
CONCRETE CANVAS: KATHLEEN HOPE’S CEMENT AND PIGMENT ART
Experience the innovative artworks of local Arizona artist Kathleen Hope, who transforms cement and pigment into stunning visual pieces. This exhibition showcases Hope’s unique approach to materials and color. Free. 4–7 p.m. Grace Renee Gallery, Historic Spanish Village, North Hum Road, 7212 E. Ho Road, Carefree. 480-575-8080; gracereneegallery.com
Nov. 22–23
OPULENCE! A HIGH JEWELRY EXTRAVAGANZA
Indulge in the world of high jewelry with exceptional pieces from David Gross, Robert Procop, and David Weisz. This event showcases rare, high-quality gemstones and exquisite designs unlike anything else in Arizona. Free. 10 a.m.–5 p.m. Grace Renee Gallery, Historic Spanish Village, North Hum Road, 7212 E. Ho Road, Carefree. 480-5758080; gracereneegallery.com
Nov.
24
‘MESSIAH’ SING-ALONG
Experience the joy of Handel’s “Messiah” at the third annual Arts at Ascension “Messiah” Sing-Along, now hosted at North Scottsdale United Methodist Church. This family-friendly event features soloists and choristers from the Arizona Masterworks Chorale and the North Scottsdale UMC choir, accompanied by the Women’s Orchestra of Arizona. Audience members are invited to join in singing the choruses or simply enjoy listening. Free. 3 p.m. North Scottsdale United Methodist Church, 11735 N. Scottsdale Road, Scottsdale. arizonamasterworks.com
Nov. 27–Jan. 12
ZOOLIGHTS
Experience the Valley’s favorite holiday tradition as millions of twinkling lights transform the Phoenix Zoo into a dazzling winter wonderland. This year’s ZooLights features a brand-new light show, an extended light tunnel and festive activities for all ages. Enjoy cozy s’mores pits, sip hot cocoa and capture a photo with Santa as you stroll through illuminated pathways alongside animal habitats. See website for prices. 5:30–10:30 p.m. Phoenix Zoo, 455 N. Galvin Parkway, Phoenix. 602-286-3800; phoenixzoo.org
COMMUNITY
November 2024
Writer Joseph J. Airdo
Nov. 29–Dec. 30
LAS NOCHES DE LAS LUMINARIAS
Experience the magic of the holiday season at Desert Botanical Garden’s Las Noches de las Luminarias, a beloved Southwestern tradition since 1978. Stroll along paths illuminated by 8,000 flickering luminarias and twinkling holiday lights. Enjoy musical performances, festive food and drinks, and the stunning LIGHT BLOOM exhibit by HYBYCOZO. The event also features the “Fernando Botero: El Maestro” exhibition. $41.95; youth and member discounts available. 5:30–9:30 p.m. Desert Botanical Garden, 1201 N. Galvin Parkway, Phoenix. 480-481-8188; dbg.org
Nov. 29–Dec. 24
THE MAGICAL CHRISTMAS JOURNEY TO THE NORTH POLE
Experience a festive holiday adventure on Verde Canyon Railroad’s Magical Christmas Journey to the North Pole. This one-hour round-trip excursion features a beautifully illuminated depot, miniature village and encounters with holiday characters before boarding. The train journey takes passengers through a magic tunnel to Santa’s Secret Tracks, where they’ll see creatively decorated North Pole buildings. Santa joins the return trip, interacting with children and distributing gifts. $40+. See website for schedule. Verde Canyon Railroad, 300 N. Broadway, Clarkdale. 800-293-7245; verdecanyonrr.com
Nov. 29–Dec. 29
PRATT BROTHERS CHRISTMAS AT RAWHIDE
Experience Arizona’s biggest Christmas celebration at Rawhide Western Town. This magical holiday event features 6 million lights across 15 acres, a holiday express train ride, nightly parade, stunt shows and dazzling light displays. Enjoy live entertainment, holiday shopping and festive activities for the whole family. $24+. Wednesday–Sunday, 6–10 p.m. Rawhide Western Town, 5700 W. North Loop Road, Chandler. prattbrotherschristmas.com
Dec. 2
FOOTHILLS CARING CORPS
13TH ANNUAL GOLF CLASSIC
Support vital services for older adults and individuals with disabilities at the Foothills Caring Corps’ 13th Annual Golf Classic. This year’s event honors the legacy of Noah, founder of Kendrick Wealth Management and devoted FCC supporter. Enjoy a day of golf at the prestigious Mirabel Private Golf Club while contributing to FCC’s critical programs, including mobile meals, medical transportation and mobility equipment loans. Multiple ways to participate: play golf, become a sponsor or make a direct donation. See website for registration and pricing details. Mirabel Private Golf Club, 37100 N. Mirabel Club Drive, Scottsdale. 480488-1105; foothillscaringcorps.com/golf-classic
SCOTTSDALE ARTS DISTRIBUTES COMMUNITY ARTS GRANTS
Scottsdale Arts has awarded $151,000 in Community Arts Grants to 22 organizations, supporting local arts and culture initiatives. Funded by the city of Scottsdale and administered by Scottsdale Arts, the program aims to foster long-term growth in Scottsdale’s creative sector. Recipients include Scottsdale Artists’ School, which will use funds for general operating expenses, and Childsplay Theatre, which will present “Maddi’s Fridge” in Scottsdale elementary schools. The program has provided over $1.9 million in funding since its inception. scottsdalearts.org
Lom Wong // Photos by Jim Harris
Acheive your Best Body
A N D R E S T O R E Y O U R H E A L T H
PP e r s o n a l i z e d a n d D o c t o r -
S u p e r v i s e d W e i g h t L o s s
The Center for Integrative Healing & Wellness’ medical weight loss program integrates FDA-approved medications with a natural and holistic approach to address the underlying biological and physical issues responsible for weight gain.
In addition to losing weight and keeping it off, The Center for Integrative Healing & Wellness’ medical weight loss program provides clients with the tools they need to reduce the risk of coronary artery disease, stroke and type 2 diabetes as well as optimize hormones for energy, health and longevity
T h e M o s t C o m p r e h e n s i v e & S u c c e s s f u l P r o g r a m A v a i l a b l e
The Center for Integrative Healing & Wellness’ medical weight loss program is designed to help clients be the healthiest they have ever been, in the best body that they have ever had.
Regardless of the amount of weight you want to lose, the spa-like clinic’s Integrative Team will monitor and guide you throughout the process of reaching your goal. Our clients typically lose 15–20% or more of their body weight an average of 53 pounds in 6–12 months
Best of all, the program ensures that patients maintain lean muscle mass and keep the weight they lost off for life. That is because, unlike other programs, our weight loss program looks not only at scale weight but also takes into consideration body fat, muscle mass and water weight, which all affect one’s ultimate goal.
H o r m o n e T e s t i n g N u t r i t i o n a l & F i t n e s
m e d i c i n e S u p p o r t
L e d b y B o a r d C e r t i f i e d P h y s i c i a n
ONDYN JEWELRY
DESIGNED BY TARA
MARIA FAMIGLIETTI
Experience the fluidity of fine jewelry with Ondyn, designed by Tara Maria Famiglietti. Inspired by the movement of water, these pieces blend contemporary design with timeless elegance. Join us for this exclusive introduction to a rising star in the world of jewelry design.
AAs the autumn sun rises over Cave Creek, Chantz Stewart’s silhouette cuts a determined figure against the rugged landscape. With a rope in hand and fire in her eyes, she’s preparing for a pivotal moment — the first chance qualifier for the inaugural Kimes Ranch Million $ Breakaway.
“When Kimes announced the Million $ Breakaway, I committed to roping seriously again,” Stewart says. “The opportunity to compete for this kind of purse is once in a lifetime.”
Stewart’s journey from her Cave Creek ranch to the glittering arena at WestWorld of Scottsdale embodies the spirit of the modern cowgirl – blending time-honored traditions with groundbreaking opportunities. The Million $ Breakaway, set for Nov. 27–30, isn’t just another rodeo; it’s a seismic shift in the landscape of women’s rodeo.
Amanda Kimes, vice president of Kimes Ranch, explains the event’s significance.
Writer Joseph J. Airdo // Photography Courtesy of Chantz Stewart
Practice makes perfect: Chantz Stewart refines her technique at her Cave Creek ranch, where every second counts.
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The opportunity to compete for this kind of purse is once in a lifetime. Chantz Stewart
“We wanted to create a premier event to spotlight the fastest-growing event in rodeo, provide a stage as well as an unprecedented prize purse for these elite female athletes, and welcome our hometown community to join in the excitement,” Kimes says.
For Stewart, whose roots in the equestrian world run deep, this event represents more than just a chance at glory.
“Being based out of Cave Creek and Scottsdale is a blessing,” she reflects. “When the weather starts to cool down, this area becomes a mecca for all forms of roping.”
Breakaway Roping 101
The Basics: Breakaway roping is a rodeo event where a mounted cowgirl attempts to lasso a calf around the neck.
The Setup: The cowgirl starts in a “box” next to the chute holding the calf. A barrier rope stretches across the box, giving the calf a head start.
The Action: When the calf is released, the cowgirl chases it on horseback and throws her loop. The rope is tied to the saddle horn with a string.
The Finish: Once the loop is around the calf’s neck, the cowgirl stops her horse. The force breaks the string, signaling the end of the run.
Timing: The clock starts when the barrier releases and stops when the rope breaks from the saddle horn.
Scoring: The fastest time wins. There is a 10-second penalty for breaking the barrier early.
The Catch: Only a “bell collar” catch (around the calf’s neck) is legal.
Equipment: Cowgirls use special breakaway ropes that are flagged with a bright cloth for visibility.
Speed: Top breakaway ropers can catch their calf in about 2 seconds!
A modern cowgirl: Chantz Stewart embodies the blend of tradition and progress at the heart of the Million $ Breakaway event.
The path to the main event isn’t easy. After Images Arizona’s press deadline, Stewart will have competed in the first chance qualifier in Oklahoma, Oct. 18–20. If she hasn’t secured her spot there, she’ll have one more opportunity at the last chance qualifier in Scottsdale on Nov. 27. Either way, she’s determined to be part of the Million $ Breakaway event in Scottsdale — a 10-round showdown with a million-dollar purse at stake.
“The most challenging aspect of breakaway roping is getting the timing down,” Stewart explains. “It’s a matter of tenths and hundredths of a second that makes the difference between winning and losing.”
As Stewart prepares, the impact of the Million $ Breakaway ripples through the community. Local businesses in Cave Creek and Scottsdale are gearing up for the influx of competitors and spectators, while the event shines a spotlight on the area’s rich Western heritage.
“I believe this event will grow this industry even more in this area,” Stewart says. “It will bring awareness to Breakaway Roping, especially in Scottsdale. I hope it brings attention and gets more women interested so that they can pursue this sport as well.”
Kimes agrees.
“We have three days of thrilling competition followed by a stellar lineup of some of our favorite country artists to entertain after the roping,” she adds. “We hope our Scottsdale community joins us and shares in this monumental event.”
For spectators new to the sport, Stewart offers a primer.
“Breakaway roping is a timed event,” she explains. “It starts when you cross the timeline/barrier and stops when the end of your rope breaks off your saddle horn, and the flagger drops the flag. It’s exciting because when done right, you blink and you’ll miss it.”
In a sport where every second counts, Stewart is ready to make history — one throw at a time.
“Thank you to Kimes Ranch, Matt and Amanda Kimes, for their support of this event,” Stewart says, her gratitude evident. “And most importantly, for giving women the opportunity to compete for lifechanging money.”
milliondollarbreakaway.com
A day in the life: Chantz Stewart tends to her herd, balancing ranch work with her pursuit of breakaway roping glory.
Cave Creek’s Chantz Stewart hones her skills at her ranch, preparing for the Million $ Breakaway challenge.
IIn a sun-drenched studio in Phoenix, Ray Richardson’s skilled hands dance across a block of maple, coaxing the form of a cactus wren from the wood. With each precise cut, the bird seems poised to take flight, capturing the essence of Arizona’s rugged beauty.
This masterful piece, “Island,” is more than just a sculpture — it’s the face of this year’s Hidden in the Hills Artist Studio Tour, a testament to the vibrant artistic community thriving in the Desert Foothills.
Arizona’s largest and longest-running artist studio tour, Hidden in the Hills, returns to the Desert Foothills community for its 28th year during the last two weekends of November.
Coordinated by the nonprofit Sonoran Arts League, this year’s free, selfguided tour features 179 artists at 44 studios throughout Cave Creek, Carefree and North Scottsdale.
Artist Ray Richardson stands proudly beside his masterpiece “Island,” a wood sculpture that captures the essence of Arizona's rugged beauty. // Photo by Jules Gallatig, Middle Red Studio
Writer Susan Kern-Fleischer
Showcasing both nationally recognized and emerging artists, the popular art tour attracts thousands of patrons who appreciate fine art and seek a variety of mediums, styles and price ranges. With the event taking place the weekends before and after Thanksgiving, the tour also attracts holiday shoppers who want to find an original, unique gift.
Chosen to grace the front cover of this year’s artist directory, Richardson’s “Island” depicts a cactus wren starting to leap into the air from a prickly pear cactus.
“Ray’s piece is so unique,” says Gail Haire, a longtime HITH participant and highly acclaimed oil painter who serves as the event’s co-chair. “His workmanship is outstanding, and we were drawn to the intensity of colors, both on the bird and the cactus. Ray specializes in carving birds from wood, and his full body of work is remarkable. This is his first year participating in Hidden in the Hills, and we’re thrilled to feature ‘Island’ on this year’s artist directory cover.”
With each bird I sculpt, I endeavor to capture the humor, whimsy and wonder that I experience in the world, and to express it in a way that is unique but relatable. Ray Richardson “
“Island,” Ray Richardson's captivating wood sculpture of a cactus wren, graces the cover of this year's Hidden in the Hills Artist Studio Tour directory.
Terry and Marilyn Alexander
Terry and Marilyn Alexander, steel and glass sculptors based in Fountain Hills, aim to encapsulate the essence of the Southwest with a modern, abstract flair. Their captivating piece, “Truth Teller,” featured on the back cover of this year’s artist directory, commands attention at 57 inches tall and 24 inches wide. Crafted from steel, glass, paint and patina, this distinctive sculpture exudes both boldness and tranquility. As newcomers to the Hidden in the Hills Artist Studio Tour, the Alexanders will be showcasing their work at Elaine Coffee’s Studio No. 32 in Cave Creek.
“Sun King” by Ray Richardson, crafted from maple and manzanita, captures the vibrant red-faced warbler that the artist encountered during a hike on the Mogollon Rim.
Growing up in Northwest Connecticut, Richardson was enthralled with birds at a young age. He loved spending time outdoors, and his grandmother fueled his interest through nature books and magazines. She also introduced him to comic books, where he was captivated by the idea of using lines, shapes and colors to tell stories. Later, after serving in the Navy, Richardson attended community college and found his passion for fine art. While he excelled in oil painting, he began working in carpentry, which opened the door to woodworking.
He began carving birds in the early 2000s while working outside on a client’s project.
“The property had a beautiful garden filled with hummingbirds, and they would buzz me as I was carving,” Richardson recalls. “I was so enthralled that I started wondering if I could capture the moment in wood. I believe that was the catalyst moment for me.”
Carving birds from wood seemed natural for Richardson, particularly since some of his earliest childhood drawings were of birds.
“I think that wood is very well-suited for the avian form,” he explains. “Their aerodynamic characteristics can be quite elegant, maybe even deceptively simple. I think there’s also something about the space that they occupy that makes them a compelling subject. Birds live in this liminal space between heaven and earth. I think that fuels human imagination in ways both scientific as well as mythic.”
His favorite birds are swallows, particularly barn swallows. Their colors, dynamism and ties to human beings check all the boxes of interest for him.
When Richardson moved to Arizona in 2015, he began including landscape elements in his bird sculptures.
Marless Fellows
Marless Fellows, a veteran of the Hidden in the Hills Artist Studio Tour, returns for her 18th year as the host of Studio No. 23 in Cave Creek. Her oil painting, “Skittles,” selected for the back cover of this year’s artist directory, belongs to her “Donkeys of the World” series, depicting a donkey from Israel. Growing up on a small horse ranch in Apache Junction, Fellows cultivated a deep affection for the West and embraced the Western lifestyle. Inspired by her husband’s grandfather, she embarked on her artistic journey. Fellows identifies as a colorist, with a representational style that brings her subjects to life.
Ray Richardson’s “The Violet Hour,” inspired by T.S. Eliot’s poetry, showcases the artist’s mastery in blending red oak, maple and polymer to create a lifelike cactus wren.
“Part of the excitement of moving to Arizona was experiencing a new landscape drastically different from New England’s,” he reflects. “Learning about and interacting with the flora and fauna, particularly the birds, is still a huge part of the adventure and renewed inspiration in my work. I don’t do much photography, but I keep a notebook about experiences. I had been sculpting birds for some years back East, but I think that a change can be seen in my work after the move to the desert. I started to include the landscape as well as materials, such as cholla rib and manzanita root, for example.”
Scott Rispin
Scott Rispin’s vibrant, richly textured abstract landscapes invite viewers to question their perceptions and see the world anew. With a career spanning over three decades, Rispin’s artistic journey began in his hometown of South Lake Tahoe. His acrylic and oil painting, “The Red Tree: The Pattern of Space,” gracing the back cover of this year’s artist directory, drew inspiration from the interplay of sunlight filtering through trees and cacti. As a Queen Creek resident and first-time participant in the Hidden in the Hills Artist Studio Tour, Rispin will be a guest artist at Cindy Kovak’s Studio No. 36 in Cave Creek.
Celest Michelotti
Celest Michelotti, a Tucson-based artist making her debut at the Hidden in the Hills Artist Studio Tour, will showcase her exquisite jewelry at painter Toni Perrin’s Studio No. 6 in Carefree. Her sophisticated pearl cluster neckpiece, featured on the back cover of this year’s artist directory, is a testament to her skill and creativity. Handcrafted with 22-karat gold, sterling silver and white cultured freshwater pearls, the piece reflects Michelotti’s innate connection to metalworking. Despite her classical training as a pianist, the metal “in her genes” — a legacy passed down from her grandfather, father and brother, all of whom have worked with metals in various capacities — demanded artistic expression.
Nancy Pendleton
Nancy Pendleton’s love affair with Phoenix began at age 20 when she visited the city for a short stay — and never left. Her affection for the desert metropolis shines through in her vibrant, textural and stylized desert landscapes. “Blue Sky,” her playful mixed media painting featured on the back cover of this year’s artist directory, combines handmade paper and acrylic paint on canvas. Pendleton returns to the Hidden in the Hills Artist Studio Tour, eager to unveil her latest creations at her sister Sandy Pendleton’s Studio No. 21 in Cave Creek. Visitors can look forward to her new series of “Pretty Pricklies” paintings and her captivating “Modernist Movement Abstracts.”
He enjoys working with domestic hardwoods such as maple, cherry and walnut. Beyond their raw beauty, he likes the way these species shape, sand and take finish.
“Woodworking engages ‘both sides of my brain,’” he notes. “Some of the process is very technical and mathematic, but there’s also lots of room for intuitive exploration and spontaneous play. I feel that wood is kind of like a collaborator with input into the creative process. The figure, grain and anomalies of the lumber often suggest how the material is going to be utilized. Sometimes these qualities inspire me to do something different above and beyond my original intentions.”
With each bird he sculpts, he endeavors to capture the humor, whimsy and wonder that he experiences in the world and to express it in a way that is unique but relatable. He especially likes the challenge of capturing a bird’s movement.
“Wood is essentially a rigid sponge, susceptible to changes in humidity, and that’s always something that I am mindful of, even here in the desert,” he points out. “One of the ongoing learning experiences is how to fasten complicated pieces together. Capturing movement in a piece is definitely a more involved project than sculpting a perched bird looking straight ahead. I attempt to work out as much as I can on paper, but it can be a real process when attempting to translate the two-dimensional into 3D.”
Richardson’s “Island” measures 15 inches wide by 9 inches deep by 19.75 inches high. Much of the piece is made of maple, including the base. His initial inspiration came from encountering cactus wrens shortly after moving to Arizona. He sketched his ideas, but it wasn’t until years later, during the pandemic, that he began sculpting “Island.”
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“As I was working on the piece, the shape of the base suggested the idea of a landmass to me,” muses Richardson, who will be exhibiting and selling his work at Roxanne Eklund’s Studio No. 31 in Cave Creek during this year’s tour.
“That visual idea blended with the deep isolation of those days. I would look out of my garage while I was carving and see my neighborhood...somehow the houses across the street seemed so far away. I think that the wren leaping from the cactus signified my desire to connect with a world that was still turning as it always had, but felt remote.”
hiddeninthehills.org
Ray Richardson’s “Phoenix,” a striking northern cardinal sculpted entirely from maple, pays homage to the natural beauty the artist discovered in Phoenix’s urban reserves.
AA cascade of diamonds shimmers like sunlight on desert sand, each facet alive with movement. This is the magic of ONDYN Fine Jewelry, where designer Tara Maria Famiglietti transforms her love for the sea into wearable art that resonates with Arizona’s sophisticated clientele.
Famiglietti, the creative force behind the award-winning ONDYN line of bezel-set diamond and gold jewelry, has always been drawn to things that sparkle and the allure of the ocean. Her nautical inspirations, born from sailing adventures along the French Riviera, Amalfi and African coasts, the Balearic Islands and the Caribbean, now find an unexpected harmony in the Arizona desert.
Tara Maria Famiglietti, founder and designer of ONDYN Fine Jewelry, brings her nautical-inspired creations to Arizona’s luxury market.
Writer Shannon Severson // Photography Courtesy of Tara Maria Famiglietti/ONDYN Fine Jewelry
“I always loved the water and the sea,” Famiglietti says. “It really instilled this great sense of awe in the power and mysteries of nature. When we were creating ONDYN, I drew on that movement and magic of the sea and the sparkle of the sun’s reflection on the water. That was one of the initial inspirations.”
The name ONDYN, derived from a French fable about a water nymph, also stands for “one dynamic,” reflecting Famiglietti’s guiding belief that jewelry should complement each individual in a fusion of classic, modern and just a little bit edgy.
This fall, Famiglietti brings her designs to Grace Renee Gallery in Carefree, offering Arizona’s discerning collectors a unique opportunity to experience ONDYN’s fluid creations firsthand.
To me, that is the magic of jewelry. I see a woman in a little trinket, kind of dangling, and that’s so romantic to me — and beautiful. Tara Maria Famiglietti “
“We’re thrilled to showcase ONDYN Fine Jewelry at Grace Renee Gallery,” says owner Shelly Spence. “Tara Maria Famiglietti’s designs perfectly capture the essence of modern luxury that our clientele seeks.”
Spence notes that the way ONDYN pieces interact with light and movement resonates beautifully with Arizona’s unique landscape.
“Our customers are drawn to the fluidity and versatility of the jewelry,” she explains. “It’s art that truly comes alive when worn.”
URBAN ORIGINS, NAUTICAL HORIZONS
The wild, untamed sea might seem anathema to the concrete grid of Manhattan where Famiglietti grew up, but as the daughter of fashion designer parents whose clients included rock and rollers, actors, and style icons — Mick Jagger, John Lennon, Diana Ross, Barbra Streisand, and Diane von Furstenberg among them — she was always surrounded by creativity, innovation, and plenty of glitz and glamour.
While fabric and stitching weren’t her medium of choice, that early exposure to the drape and structure of garments on the human form took her on a creative journey. Recognized as a jewelry prodigy at just 20 years old — while still a student at New York City’s Fashion Institute of Technology — Famiglietti’s early contemporary pieces became the foundation for the “clean, luxurious aesthetic” that formally became ONDYN in 2019.
Famiglietti’s articulated designs glide across the skin, rising and falling with the curve of a collarbone, earlobe or arm, much like the undulating waves of the sea — or the rolling dunes of the Sonoran Desert.
“They are little sculptures in a way,” she says, acknowledging that her background in fine arts and sculpture shaped her acumen. “The bezel set really came from my design aesthetic to become a forever piece — something that is a little bit sleek and minimalist in a way, but also a classic, that can be worn
Engineering Elegance
At the heart of ONDYN’s unique designs is the articulated diamond bezel setting. This innovative technique allows each diamond to move independently while remaining securely set, creating a fluid, dynamic effect. The result is jewelry that seems to come alive on the wearer, catching and reflecting light with every movement. This technique requires precise engineering and meticulous craftsmanship, ensuring that each ONDYN piece is not just jewelry but a miniature marvel of design and functionality.
with other jewelry and any kind of dress or jeans. It should always feel effortless; that’s really important to me.”
ONDYN’s signature bezel structure prompted a two-year process to perfect the connections between the often-articulated designs. Each piece is a tiny feat of engineering, achieving fluidity of movement and proper alignment in a three-dimensional structure that seems to dance with desert light.
“I wanted something that could take shape on you and really dance on the ear or the finger, but also feel secure,” Famiglietti explains. “It took some time to get it right. It wasn’t just your average kind of tennis bracelet diamond bezel connection. There was definitely a bit of ingenuity involved in the creation.”
PINNACLES OF PRESTIGE
That ingenuity has garnered her accolades at the highest level of jewelry design. ONDYN has won COUTURE Design Awards for “Best in Diamonds Under $20,000” for three years — the most competitive category of the competition.
In 2021, 2023 and 2024, she won awards in the category for her Diamond Bias line — diamond mesh earrings and necklace that are cowled like silk — and the Grand Fringe Cuff, a bracelet with fronds of articulated diamonds that cascade like a waterfall of light, each diamond catching and reflecting the intense Arizona sun.
“You really have to see all these pieces in person to appreciate the beauty of someone wearing them,” Famiglietti reveals. “The cuff moves and curves like feathers.”
While awards from the jewelry design community are meaningful and have made ONDYN one of the most soughtafter lines, Famiglietti says one of the best compliments she ever received was from the second-generation owner of a jewelry manufacturer who had studied engineering and noted her skill at making each diamond align and move just as it should.
“We were sitting down to go over things, and he said he thought I had studied engineering,” she recalls. “It was the
biggest compliment I ever got. Jewelry can have a beautiful silhouette when it’s one-dimensional, but it has to lay right, or it doesn’t look correct hanging from the ear. My pieces are like little mobiles.”
Famiglietti says that, looking back, movement was always at the root of her designs, even if she didn’t recognize it at the beginning.
“To me, that is the magic of jewelry,” she says. “That’s what attracts me. I see a woman in a little trinket, kind of dangling and that’s so romantic to me — and beautiful. I thank my parents for that. They’re both designers, so it’s always creativity and just creating something different.”
Her upbringing also allowed her to feed off the energy and vigor of the “Big Apple,” where she continues to live today with her husband and two daughters, operating her own studio and showroom that has attracted a coterie of A-list clientele.
ONDYN handcrafted designs grace the necks, ears, wrists and fingers of celebrity trendsetters like Doja Cat, Keke Palmer, Gisele Bündchen, Angelina Jolie and Jessica Alba, to name a few.
DIAMONDS FOR THE DISCERNING
There are just over 100 pieces in the ONDYN collection, with Famiglietti designing fewer than 20 new pieces each year. She starts with paper and pencil sketches, then painstakingly chooses each diamond by carat weight for speculative pieces before the concepts are sent off to production. She says each design is like a little puzzle to select the exact progression and keep it within the price point.
“Every single strand of diamonds has a point of interest that moves, and it’s unexpected,” she says. “The result is sensuous and sexy with a sinuous quality. Clients love the way it feels on — like an adult fidget spinner. It’s sometimes minimalist, but it’s a unique point of view. The pieces are always
conversation starters. I think people are really drawn to something that just has a little more thought to it and seems special.”
Picking a favorite piece is tricky — a bit like choosing a favorite child, but Famiglietti says she does have a go-to piece: the Avalon Ring.
“It’s a true piece that I love and wear every day,” she reveals. “It’s named after my first daughter. It’s a simple silhouette that looks like three rings, but all are articulated. It’s the first piece designed for ONDYN that was completely articulated and not static. I’m proud of it.”
The supremely wearable line can be dressed up or down and will suit the clientele of Grace Renee Gallery and Arizonans’ attitude of casual sophistication. The pieces’ ability to catch and play with light makes them particularly suited to the intense desert sun, creating a mesmerizing display as the wearer moves.
“It’s a testament to Tara’s vision that her nautically inspired designs translate so seamlessly to our desert setting,” Spence says. “ONDYN has quickly become one of our most sought-after collections, appealing to both our local patrons and visitors looking for something extraordinary.”
The designer herself has never visited Arizona but is greatly anticipating her upcoming trip.
“I love the landscape of Arizona,” she says. “It’s one of the [most] beautiful in the whole country; it’s sculptural in a way. I picture curved horizons and beautiful, warm colors. I really can’t wait to see that in person.”
As ONDYN makes its debut in the Arizona market, it brings with it a wave of innovation in fine jewelry design. The fluid, light-catching pieces offer a unique fusion of nautical inspiration and desert aesthetics, promising to become a must-have for discerning jewelry collectors and fashion-forward individuals in the state.
gracereneegallery.com
Writer Joseph J. Airdo // Photography by Randy Reinhart
AAs crisp air replaces summer’s scorching heat, Arizona unveils a lesser-known facet of its natural splendor. Through the lens of photographer Randy Reinhart, Images Arizona this month embarks on a visual journey that challenges preconceptions about autumn in our desert state.
“I think it’s safe to say we’re all drawn to the hues of autumn,” Reinhart muses. “There’s something about the interplay of vivid orange, golden yellow, vibrant red and light pink leaves that captures our imagination. It’s almost too pretty not to photograph.”
Reinhart has explored various corners of Arizona to capture the state’s fall beauty, finding some unexpected gems along the way. His favorite locations for capturing fall’s palette include the West Fork Trail in Oak Creek Canyon and Boyce Thompson Arboretum in Superior.
“West Fork is beautiful year-round, but when those autumn colors start to come alive, you’re going to be hard-pressed to find a prettier hike in Arizona,” shares Reinhart, adding that the Arboretum, which he describes as “still a bit of a hidden gem,” offers a surprising variety of fall colors.
“There’s a cool suspension bridge there with what I believe is a Chinese pistache tree towering above it that makes for the most lovely fall scene. I’ve photographed it several times, but still can’t get enough of it.”
While the high country offers classic autumn scenes, Reinhart also finds beauty in more surprising locations. For those seeking a uniquely Arizonan autumn experience, he recommends the lower Salt River.
“The trees that line the river turn brownish-orange in December, and there are saguaros standing on the hills beyond the trees that will make people realize this isn’t your standard autumn scene,” Reinhart explains.
As Reinhart continues to explore Arizona’s fall landscapes, his adventures have yielded many magical moments, each reinforcing his passion for capturing the state’s autumnal beauty.
There have been a few times when I was exploring a trail when a strong breeze came through and blew a plethora of leaves off their branches, and they just swirled around as they fell to the ground. It’s kind of what it must be like to be in a snow globe, but instead of snow, it’s colorful leaves dancing around you.”
As autumn paints Arizona in warm hues, Reinhart’s photographs serve as a reminder of the state’s ever-changing beauty. His work invites us to explore the hidden corners of our state and witness firsthand the magic of fall in the desert.
There’s something about the interplay of vivid orange, golden yellow, vibrant red and light pink leaves that captures our imagination. It’s almost too pretty not to photograph.
Randy Reinhart
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It’s kind of what it must be like to be in a snow globe, but instead of snow, it’s colorful leaves dancing around you. Randy Reinhart
About thePhotographer
Born in Dallas, Texas, Randy Reinhart moved to Arizona as a child and has called the state home ever since. His journey into photography began casually, with disposable film cameras and cellphone snapshots of Arizona’s famous sunsets.
It wasn’t until 2016 that Reinhart’s passion for landscape photography truly ignited.
“I began doing sunrise hikes at Camelback Mountain as a way to increase my physical fitness,” he recalls. “Sitting on top of Camelback while snapping photos of the sunrise with my phone is when I started to realize how much I enjoyed photographing nature.”
A trip to Zion National Park in 2018 prompted Reinhart to invest in his first dedicated camera. From there, he began exploring Arizona’s diverse landscapes, from the iconic saguarostudded deserts to the lush forests of the high country.
Largely self-taught, Reinhart credits online resources and hands-on experience for his growth as a photographer.
“I am a student of what I call YouTube University,” he jokes. “I’ve learned mostly everything about photography from YouTube videos, from the exposure triangle to composition and even photo editing.”
As Reinhart’s passion grew, so did his skills and the scope of his adventures. A pivotal moment in his photographic journey occurred during a predawn shoot at Roosevelt Lake in February 2019.
“As the sun began to rise, we were treated to what’s still the most incredible sunrise I’ve ever witnessed,” he remembers. “The joy I experienced photographing that moment is what cemented my passion for photography.”
Through his lens, Reinhart has gained a deeper appreciation for Arizona’s diverse landscapes.
“I have such a full appreciation of the diversity of landscapes that Arizona has to offer,” he reflects. “You could be looking at a sea of saguaros and then jump in your car, drive a few hours, and find yourself within an alien desertscape filled with the most unique rock formations on Earth.”
When not behind the camera, Reinhart enjoys hiking, listening to music and participating in Spartan Races.
randy.darkroom.com instagram.com/oh_whataworld
Lens on Leaves
Randy Reinhart’s Fall Photography Tips
• Shoot During Golden Hours: Capture fall colors early in the morning or late afternoon to avoid harsh midday light.
• Find a Focal Point: Use rock formations, trees or water features as subjects complemented by fall foliage.
• Simplify Compositions: Avoid chaotic scenes by focusing on specific elements or patterns in the landscape.
• Get Up Close: Consider macro photography to highlight the details of individual leaves.
• Be Patient: Wait for the perfect moment, like a breeze scattering leaves, to add dynamism to your shots.
WWith nearly 250 years in existence, there are not a lot of firsts left to be had in the vaunted U.S. Army, but Arizona National Guard Chief Warrant Officer 3 Rose Mattie (Ret.) played a key role as one of the first women to train for and serve in combat for the U.S. military. Her daring nature also landed her a role on CBS’ new strategic high-altitude competition show, “The Summit,” airing Wednesday nights following “Survivor.”
As the granddaughter of three World War II veterans, Minnesota-born Mattie was aware of her family’s military legacy, but she didn’t know many details when she decided to join the Army after her first year of college, hoping to help finance her education.
Writer Shannon Severson // Photography by Sean Beale/CBS
Veteran Rose Mattie takes on a new challenge as a contestant on CBS’ “The Summit.”
My service has taught me that you cannot always control what happens to you in life, but you can control how you react. Rose Mattie
She probably couldn’t have anticipated that she would ultimately become a Black Hawk helicopter pilot, soaring through the skies and breaking barriers along the way.
Mattie spent her first nine years as an MOS 62B engineer equipment mechanic and then a chemical, biological, radiological, nuclear specialist, deploying to Iraq for the first time from 2003-05 and then again from 2009-10. Then, her military career took a dramatic turn that would lead her to the forefront of military history.
BREAKING BARRIERS
“In 2010, the Special Operations Command realized that there was a need for trained female soldiers to help with the cultural differences in the Middle East,” Mattie says. “The U.S. military had a law that females were not allowed in combat roles. That meant there were no females in the Special Operations community because they were all combat roles.”
Mattie says a call went out seeking female soldiers who would work with the Army’s elite Special Forces. She attended the first-ever all-female assessment. Hundreds applied, but only about 60 passed muster to train at the John F. Kennedy Special Warfare
Center and School at Fort Liberty, North Carolina. The rigorous selection process was just the beginning of an intense journey that would push Mattie to her limits.
“From there, I deployed to a remote kinetic location with my ‘battle sister’ and female interpreter,” Mattie says.
That elite female program had her deployed as a cultural support team member for special operations with the Green Berets within an Operational Detachment Alpha team in an Afghan village. During this time, she also served in support of the Navy SEALs from 2011-12. This program was so successful that it became the model for the military’s support for women serving in combat, as they do today.
It was against this backdrop that Mattie decided on a new challenge: becoming a Black Hawk helicopter pilot, defying naysayers and gravity itself.
“You never know what you can do unless you try,” she says, her determination palpable. “I’d rather try and fail than not try at all. So many people told me I couldn’t do it, so I did.”
Before she could fly, she had ground school courses that included Survival,
Evasion, Resistance and Escape (SERE) training, a program developed after World War II to train military personnel whose occupations carry a high risk of capture by enemy forces. It is reputed to push the toughest of soldiers to the absolute brink of what one can endure.
“I cannot talk about what we learned or did in that course,” Mattie explains, “but I will say I earned the respect of some of the Vietnam veteran cadre who doubted that I should be there.”
Mattie reveals that she was the only woman in a group of 100 men for Warrant Officer Training and, in her flight company, one of at most two women at any given time. She was definitely underestimated and treated differently as she defied stereotypes and hundreds of years of military tradition, but she didn’t let that stop her.
“I overcame it by my actions,” Mattie says. “Actions speak louder than words. I made sure that I achieved one of the top fitness scores and made sure I flew with the toughest flight instructors.”
Over the course of her service, she married a fellow soldier and became a mom to two children — which caused her to be grounded during certain
The diverse cast of “The Summit,” including former Black Hawk pilot Rose Mattie (fifth from left), prepares for their million-dollar mountain adventure.
Rose Mattie (far right) and fellow contestants face the rugged terrain of New Zealand’s Southern Alps in “The Summit.”
stages of pregnancy, during which time she completed an Aviation Life Support and Equipment course.
“I wanted to make sure that I could still contribute to the team,” Mattie says, her commitment evident. “I had to fight to get approval to go. We learned how to inspect and repair equipment such as life jackets, helmets and other survival gear that can be packed in the helicopter.”
BEYOND THE BATTLEFIELD
Mattie retired from the military in 2019, partly due to her husband’s military career that took the family to Colorado; Hawaii; Chandler, Arizona; and now Germany. Her transition to civilian life brought new challenges and opportunities, but her spirit of service remains undiminished.
She reveals that being a mom and a military spouse turns out to be tougher than flying a helicopter, a statement that speaks volumes about the often-overlooked sacrifices of military families.
“I flew until [my children] were 3 and 1 because I was determined to do it all,” she recalls. “I had to change my mindset to be a pillar of stability for our children, setting the foundation of safety and love during their [early] years.
“It was definitely a hard decision at first because our culture does not see the value in the role of mothers and
people made me feel like I was giving up on my career and losing out on a life of adventure. But now I take my children [along] on my adventures! They have traveled the world with me, they camp and rock climb and I will be teaching them scuba diving soon. They are also resilient and are growing into amazing humans.”
Mattie says her children don’t see gender stereotypes, and when they see a helicopter, they exclaim, “My mom can fly that!” It’s a testament to the impact of her trailblazing career on the next generation.
The adventurous young souls she is raising are the reason behind her appearance on “The Summit,” in which a group of 16 strangers tackle a treacherous journey in the New Zealand Alps to reach a mountain peak for a share of $1 million. Along the way, they must face physical and mental challenges, attempting to avoid being voted out or dropping out.
“I had done some background work in Hawaii, and the kids thought it was fun to see me on TV,” she recounts. “So we didn’t know what this casting call was for, but the kids helped me make a video, and I [was] cast.”
When she boarded a helicopter for the show, it was a special thrill, and Mattie says she was practically ready to take the controls and fly herself to the top of the mountain. As for her new career on the small screen, she says she’s up for adventure and any
opportunity that comes her way. In fact, there’s something familiar about this new world.
“There are a lot of similarities between the entertainment industry and the military, especially behind the scenes,” she says. “My resume is built for that.”
Mattie’s bravery and years of service to country have earned her accolades with family and with veteran organizations, including being named a Storyteller Award Honoree with Imprints of Honor. Mattie appeared in the 2017 fifth edition of the organization’s publication, “Since You Asked.” She has used her story to inspire others with the lessons she’s learned.
“My service has taught me that you cannot always control what happens to you in life, but you can control how you react,” she says, her words carrying the weight of hard-earned wisdom.
Mattie’s journey from the cockpit of a Black Hawk to the peaks of New Zealand and beyond is a testament to the resilience, adaptability and continued service of our veterans. Her story reminds us that the spirit of service extends far beyond the battlefield, enriching our communities and inspiring future generations.
EEnvision a place where light dances on water, where technology breathes life into art and where a community comes alive with wonder. For 10 nights this November, the Scottsdale Waterfront becomes that place. Canal Convergence returns, transforming the city’s iconic canal into an immersive gallery of illuminated artworks that challenge perception and ignite imagination.
This year’s event, running from Nov. 8–17, promises to be the most ambitious yet, with the theme “Reflections” serving as both a visual motif and a call for introspection. The captivating showcase of light-based art features innovative installations from artists around the globe — including Big Art, a Calgary-based studio returning with a trifecta of interactive marvels that embody the event’s luminous spirit.
Big Art’s installations invite visitors not just to observe but to engage, play and ponder, blurring the lines between spectator and participant.
Writer Joseph J. Airdo // Photography Courtesy of Big Art
“The PORTAL” glows against the night sky, its circular video screen displaying a kaleidoscope of imagery controlled by participants.
We’ve been conditioned to ‘look, not touch’ when it comes to art, but that’s not how the real world works. Paul Magnuson
“We really don’t create any art that isn’t interactive. It’s what drives us,” says Paul Magnuson, founder and chief imagineer for Big Art. “We’ve been conditioned to ‘look, not touch’ when it comes to art, but that’s not how the real world works. That’s not how we explore, learn, make new discoveries, become inspired.”
Big Art’s first installation, “The ARRAY,” challenges visitors to rethink their relationship with mirrors. Fourteen 6-by-4-foot mirrored structures stand like sentinels along the canal, each waiting to be awakened by a curious passerby.
“The panels are curious and interesting sculptures waiting to be discovered, but it takes someone brave enough to get closer and unlock their secrets,” Magnuson explains.
As visitors approach, their reflections dissolve, replaced by vibrant video content ranging from inspirational messages to whimsical scenes of people dancing.
“When activated, the screen shares messages of hope, positivity and encouragement ... and even funny videos of people dancing, laughing and other fun content like far-off imagined worlds,” Magnuson adds. “It’s all about curiosity, discovery, transformation and, ultimately, inspiration. We want people leaving with a smile and a skip in their step.”
Just a stone’s throw away, “The EQUBE” pulsates with energy, its 10-foot cube housing nearly 10,000 LEDs. This installation invites visitors to become conductors of light, manipulating colors and patterns through an interactive console adorned with arcade-style buttons.
“There is something magical about controlling 10,000 LEDs with the push of a button. It’s really that simple,” Magnuson enthuses. “The whole idea is to see the magic, feel the magic, control the magic.”
“The EQUBE’s” design, reminiscent of a giant equalizer, blurs the line between art and play.
Towering at 17 feet, “The PORTAL” beckons Canal Convergence attendees to step through and explore new dimensions of light and sound.
‘Gaiascope’ by Mindbender Studios (Telluride, Colorado)
“Gaiascope” reimagines the kaleidoscope, featuring three suspended sculptures with 6-foot-long mirrored chambers displaying video art of Arizona’s natural wonders.
“The Gaiascope’s interactive pedestals invite viewers to get curious and interact with the sculptures,” describes Brooke Einbender, founder of Mindbender Studio. “One button on the pedestal switches the videos between real-life footage and my virtual reality paintings inspired by Arizona, merging the natural world with digital art.”
The installation aims to create a sense of wonder and connection to nature.
“The Gaiascope’s tapered design transforms familiar landscapes into mesmerizing optical illusions, inviting viewers to experience Arizona’s wonders visually and viscerally — where awe and mystery take center stage beyond the limits of language,” Einbender explains.
‘Phase Change’ by post- (Ithaca, New York)
Inspired by the nearby Four Peaks, “Phase Change” invites visitors to step inside a mountain split open. During the day, two-way acrylic mirrors create infinite reflections. As night falls, the sculpture transforms into a geodelike beacon, offering glimpses of endless landscapes within.
“We approached Phase Change as an opportunity to reflect on this displacement by bringing the dissected forms of the Four Peaks to Canal Convergence,” explains Emma Silverblatt, principal for post-. “Through responsive backlighting and two-way mirrors, the installation’s surface alternates between translucent reflectivity and full transparency to reveal colorful ‘jeweled’ interiors, referencing the rich resources mined throughout Arizona.”
The installation aims to provoke thought about Scottsdale’s water infrastructure and its dependence on mountain snowpack.
“We hope Phase Change inspires viewers to look ‘beneath the surface’ of their relationship to complex ecologies and to contemplate their own roles within the interconnected cycles of the natural world,” Silverblatt adds.
“Phase Change” by post- brings the dissected forms of the Four Peaks to the Scottsdale Waterfront, inviting viewers to reflect on the displacement of mountain snowpack and its impact on local water infrastructure.
“Gaiascope” by Mindbender Studios transforms familiar Arizona landscapes into mesmerizing optical illusions, merging the natural world with digital art to invite viewers to experience the state’s wonders in a new light.
“We generally do not create works that are static or in a passive state,” Magnuson explains. “To us, there is no line, and all art should involve some type of play.”
Completing Big Art’s trinity is “The PORTAL,” a 17-foot structure that serves as a gateway to other dimensions. Visitors navigate through the towering artwork, uncovering hidden features through an interactive console that commands a circular video screen and LEDs.
“The console we’re using for The PORTAL has two game modes: Simon Says and Arcade,” Magnuson reveals. “In Simon Says, you... well, play a game of Simon Says. It’s a two-stage approach: do you have the curiosity to come to the console, and do you have the perseverance to play, and play, and play, and play again? Each time you pass a level, you are rewarded with new sounds and sights.”
“The PORTAL” explores the allure of gateways to other dimensions, encouraging reflection on both the literal and symbolic meanings of portals.
“This ‘PORTAL’ explores natural human curiosity on a grand level, prompting the viewer to ask themselves: ‘What else is out there?’” Magnuson muses.
Jennifer Gill, deputy director for Canal Convergence, emphasizes how Big Art’s installations align perfectly with this year’s theme.
“All of this year’s selected artworks use physical reflections to inspire psychological reflections among attendees in distinct and unique ways,” she explains. “Visitors to this year’s Canal Convergence will be immersed in both a literal and metaphorical world of reflections.”
Canal Convergence has grown significantly since its inception, evolving into a world-class event that draws visitors from across the globe. The festival not only illuminates the Scottsdale Waterfront but also shines a spotlight on the city as a cultural destination.
“Obviously, it’s a very popular festival, as we see it grow every year,” Magnuson observes. “The Waterfront presents opportunities to play off the water, the pathways, the structures, and even nearby side streets. It’s the perfect setting for a festival of this kind.”
The event’s impact extends beyond the 10-night run, contributing to Scottsdale’s reputation as an arts and culture hub. It draws thousands of visitors, boosting local
Beyond the Lights
Canal Convergence offers more than just stunning light installations. Visitors can immerse themselves in a variety of engaging activities throughout the 10-night event:
Creative Workshops: The Nationwide Innovation Zone hosts nightly reflection-based workshops led by artists, designers and community organizers. “These fun, interactive workshops allow attendees to engage with artists and peers while truly reflecting on artmaking and the world around them,” says Lyndal Pleasant, Canal Convergence engagement consultant.
Live Performances: The Herberger Stage at Soleri Plaza features nightly live music from diverse Arizona-based and regional performers. Highlights include jazz by Kim Weston, indie sounds from Viridian and intergalactic neo-soul by Hyperbella.
Dance Performances: On Nov. 9, catch NicoleOlson|MovementChaos at the “Phase Change” artwork. The following night, the Scottsdale Community College Dance Department presents site-specific dances throughout the Waterfront.
Educational Tours: Nightly tours led by Scottsdale Arts staff offer insights into the artworks. Spanish translation is available on Nov. 10, and American Sign Language translation on Nov. 11.
Special Events:
One Water Brewing Showcase (Nov. 8): Sample beers made with ultra-purified water from Scottsdale’s Advanced Water Treatment Plant.
Opening Celebration (Nov. 9): A fundraiser at the Billie Jo Herberger Lounge.
Women’s Collective Night Run (Nov. 9): A unique nighttime run experience.
Mini Film Festival (Nov. 15–16): More than 30 short films screened at Harkins Camelview at Fashion Square.
‘Fireflection’ by Walter Productions (Phoenix, Arizona)
“Fireflection” brings a fiery spectacle to the canal with eight floating platforms supporting mirrored geometric forms. Hidden flameheads ignite multiple times nightly, creating dazzling fire performances set to music.
“Fireflection explores this natural interplay of light, sound and motion — facilitated by reflection — through this year’s fire-shooting flotilla,” describes Ryan Tucknott, vice president of Walter Productions. “As the LEDs in the platforms twinkle and flash, and blazing flames dance upon mirrored surfaces, they create a kaleidoscope of colors and patterns that highlight the variety and the beauty of reflections in the water and the mirrored surfaces.”
The installation features an exciting new element this year.
“All new for this year, Fireflection will debut a never-before-seen flame effect from our team at Walter, which will add enhanced choreography and surprising movements to the shows,” Tucknott reveals.
‘Molecules’ by The Urban Conga (New York City, New York)
“Molecules” presents a series of deconstructed water molecules rising from the Arizona Canal, brought to life through light reflection and refraction controlled by visitors’ voices.
“Molecules is a series of broken-down water molecules rising from the canal that come to life through the reflection and refraction of light controlled by visitors’ voices,” explains Meaghann Coleman, design principal for The Urban Conga. “The work is meant to showcase that, much like our communities, the water within the canal is created by a series of interpersonal connections between neighboring elements.”
The installation encourages collaboration and interaction.
“Molecules was developed as an open-ended play experience that allows people to look at how their individual response or action can [affect] a larger reaction, and when we can work together with our neighbors, it generates an even larger reaction,” Coleman adds.
Walter Productions’ “Fireflection” debuts a never-beforeseen flame effect, enhancing the nightly fire shows that have become a Canal Convergence staple. // Photo by David Blakeman
The Urban Conga’s “Molecules” features water molecules that come alive through light and visitor interactions, showcasing the power of interpersonal connections.
The Barricade Boys
Pink Martini featuring China Forbes
Michael Feinstein: My Tribute to Tony Bennett 3/3
Some Enchanted Evening featuring Benny Benack III and Stella Cole 11/8
Mandy Patinkin 2/24
Celebrate the Music of Neil Diamond 11/2
‘Synthesis’ by Nicholas Lavella, Immerge
Interactive (Philadelphia, Pennsylvania)
In a first for Canal Convergence, “Synthesis” brings drone technology to the artistic lineup. This kinetic light art installation, performed by drones, captures the transformation from chaos to harmony through dynamic movements in the night sky.
“Synthesis pushes the boundaries of light art by freeing me from physical limitations, allowing the drones to create shapes and patterns that wouldn’t be possible in traditional formats,” describes Nicholas Lavella, president of Immerge Interactive. “Instead of forming static images, the drones interact dynamically, transforming the performance into a living, evolving sculpture.”
The performance unfolds in multiple waves, each exploring the journey from disorder to symmetry.
“The canal’s reflective surface amplifies this effect, doubling the visual impact and inviting viewers to reflect on how they experience light, space and transformation,” Lavella adds.
This innovative use of drones not only expands the artistic possibilities for Canal Convergence but also offers visitors a unique and mesmerizing experience.
“The ARRAY” transforms from reflective surfaces to vibrant video displays, challenging perceptions of self and surroundings.
Nicholas Lavella’s “Synthesis” features drone performances creating evolving light sculptures, their impact doubled by reflections in the Arizona Canal.
businesses and fostering a sense of community pride. The interactive nature of installations like Big Art’s encourages social interaction and shared experiences, creating lasting memories for attendees.
“It’s the magical moment when you push a button and send 10,000 LEDs down a 105-foot tunnel,” Magnuson says, describing the power of interactive art. “The technology to create these magical moments is accessible, affordable and even commonplace in our society. It’s time public art evolved to match other areas of our society.”
As the sun sets each evening, Canal Convergence comes alive, transforming the Scottsdale Waterfront into a playground of light and imagination. Big Art’s installations stand as beacons of innovation, inviting visitors to reflect not just on the art before them, but on their place within a world of endless possibilities.
“It’s the realization, you can touch the art, you are a part of the art,” Magnuson concludes. “The art is ... well, is made by someone with you in mind.”
canalconvergence.org
IIn a harmonious blend of history, artistry and musical innovation, the Musical Instrument Museum in North Phoenix is set to unveil its most ambitious exhibition yet. “Stradivarius and the Golden Age of Violins and Guitars” opens Nov. 8, offering Valley residents and visitors a once-in-a-lifetime opportunity to witness some of the world’s most exquisite and influential string instruments.
“This is truly an exceptional exhibition where we’re showcasing more than 75 phenomenal instruments,” says Matthew Zeller, MIM’s curator for Europe. “It’s a once-in-a-lifetime collection for Arizona. To my knowledge, nothing quite like this has ever been publicly displayed in the state before.”
The exhibition reads like a who’s who of legendary instrument makers, featuring works by Antonio Stradivari, Andrea Amati and Giuseppe Guarneri “del Gesu.” These names resonate through centuries, their creations still revered as the pinnacle of violin craftsmanship.
“We’re dealing with one of the rare types of objects in the world where something made 300 or 400 years ago is still considered the best and is being used by musicians every day,” Zeller explains. “Guests will have the chance to see some of the finest violins by the most renowned violin makers in history.”
Writer Joseph J. Airdo // Photography Courtesy of the Musical Instrument Museum
A Glimpse into History: MIM curator Matthew Zeller carefully inspects a rare 1560s Andrea Amati violin, one of only 23 known to survive. This exquisite instrument, part of MIM’s permanent collection, represents the birth of modern violin making.
Violin by Andrea Amati (Cremona, Italy — 1560s)
Andrea Amati (1505–1577) stands as the patriarch of four generations of violin makers and is widely regarded as the founding father of violin making in Cremona. His form and construction methods continue to influence luthiers today, but his greatest innovation was arguably the unification and standardization of the violin family.
Amati crafted four sizes of viola da braccio (”da braccio” meaning “of the arm” in Italian): the small and large violino, the viola, and the basso, which would later evolve into the violoncello. This particular violin is built on Amati’s small violino pattern.
Only 23 documented Amati violins survive today. While this may seem few, it’s actually a remarkably high number for a 16th-century maker, underscoring how highly valued and carefully preserved Amati’s instruments have always been. The rarity of these instruments belies their outsized impact on the history of violin making and their enduring prestige among musicians and collectors alike.
MIM Collection; Gift of the Robert J. Ulrich and Diane Sillik Fund
We’re dealing with one of the rare types of objects in the world where something made 300 or 400 years ago is still considered the best and is being used by musicians every day. Matthew Zeller
Violin, Jean-Baptiste Vuillaume (Paris, France — 1850)
Isaac Stern, one of the greatest American violinists of the 20th century, once owned and played this exceptional Vuillaume violin. Widely recognized as one of Vuillaume’s finestsounding instruments, it is a meticulous copy of the 1737 “Vicomte de Panette” Guarneri “del Gesù” violin, which Stern also owned.
Born in Kremenets, Ukraine (then part of Poland) in 1920, Stern moved to the United States with his family when he was just 14 months old. His prodigious talent emerged early, leading to his debut with the San Francisco Symphony at age 15. Three years later, he made his New York debut, launching a career that would establish him as one of the most influential violinists of his generation.
Loan courtesy of Kenneth Warren & Son, Ltd.
“Tartini” Violin by Antonio Stradivari (1726)
Antonio Stradivari is widely regarded as the greatest violin maker in history. It is estimated he crafted about 1,000 instruments during his lifetime, with approximately 650 surviving to this day. This particular violin hails from the latter part of Stradivari’s “golden period,” spanning from 1700 to 1727.He made his most mature masterpieces during this era.
While this violin still bears its original label, time has rendered it only partially legible. Interestingly, the seal of Freistaat Bayern (the Free State of Bavaria) is branded below the button, adding to its provenance.
The instrument is presumed to be named after the Italian violinist Giuseppe Tartini, though there’s no definitive proof that he ever owned this specific Stradivarius.
Private Collection
Guitar by Alexandre Voboam, 1652
Guitars crafted by the Voboam dynasty are among the most coveted instruments from the French Baroque period. These guitars are typically classified into three categories: decorative, classical and common. This particular guitar, one of only three surviving Alexandre Voboam instruments from 1652, falls into the classical category.
The instrument’s front is elegantly adorned with a diagonal ebonyand-ivory pistagne inlay pattern, creating a cohesive artistic design across all its components. In contrast to Venetian guitars of the period, which feature vaulted backs, this Voboam guitar has a flat back constructed from five cedar staves, each separated by three-part ebony and ivory dividers.
The ribs of the instrument showcase exquisite craftsmanship, composed of three strips of African blackwood with two ivory bands between them.
Loan courtesy of Austin-Marie Collection
But the exhibition’s scope extends beyond violins. Visitors will discover an array of string instruments, including guitars, lutes and mandolins, each telling a story of innovation and artistic evolution.
“We aim to celebrate these instruments as works of art, as historical artifacts and as musical instruments,” Zeller says. “We also want to draw connections between the different types of instruments and help our guests find meaningful connections to their own lives.”
One such connection lies in the exhibition’s showcase of guitar evolution. An 1834 guitar by Christian Frederick Martin, one of his first made in America after emigrating from Austria, illustrates the birth of an iconic American company still thriving today.
The exhibition doesn’t just display instruments; it brings them to life. More than half of the objects are accompanied by performance videos, allowing visitors to both see and hear these masterpieces in action.
“It’s always an incredibly impactful experience,” Zeller notes. “You don’t need to know all the details to appreciate the differences and similarities. You might notice that one shape is drastically different from another, yet you see elements of it repeated in various objects throughout the exhibition.”
Violin Bow, Eugène Sartory (Paris, France — 1927)
Eugène Sartory (1871–1946), widely regarded as the greatest bow maker of the 20th century, revolutionized bow design by creating a heavier bow with a broader head. This particular bow, of presentation quality, showcases Sartory’s exceptional craftsmanship. Its unique feature is the translucent tortoiseshell frog, which allows viewers to observe the bow’s inner workings.
The bow’s provenance adds to its historical significance. It once belonged to Queen Elisabeth of Belgium, who gifted it to her friend and violin teacher, the renowned Belgian composer and violin virtuoso Eugène Ysaÿe. Ysaÿe, a great patron of Sartory’s work, owned three fine Sartory bows, including this exquisite piece. This connection between royalty, virtuoso performers, and master craftsmen exemplifies the intertwining of art, music, and society in the early 20th century.
Loan courtesy of Kenneth Warren & Son, Ltd.
From the 1560s Andrea Amati violin that essentially birthed the modern instrument to the lavishly decorated guitars of 17th-century Venice, the exhibition traces the golden age of string instrument craftsmanship. It reveals a world where violin and guitar making were not isolated pursuits but interconnected arts influencing each other across European cultural centers.
“We’re showing people that this was an era when incredible innovations were happening, and these developments were far more interconnected than we might otherwise think,” Zeller explains.
As the exhibition prepares to open its doors, it promises to strike a chord with music lovers, history buffs and art enthusiasts alike. In bringing together these rare and beautiful instruments, MIM once again cements its position as a cultural jewel of the Valley, offering an experience that resonates with the sophistication and artistic appreciation of its audience.
“My goal is for people to come here, have fun and experience that joy firsthand,” Zeller concludes. “And if they happen to learn something along the way? Well, that’s wonderful too.”
mim.org
“Coristo” Mandolin by Antonio Stradivari (1700–1710)
Antonio Stradivari’s craftsmanship extended far beyond violins. His repertoire included violas, cellos, guitars, viols and even a harp. He likely crafted the cases and bows accompanying these instruments as well. Among his lesser-known works were mandolins, of which only two are known to survive today.
This particular mandolin derives its name from the Stradivari workshop’s paper pattern for the instrument’s top, labeled “mandolino coristo,” or “choral mandolin.” It features eight strings arranged in four double courses. A ninth peg hole, not original to the design, sits just beneath the cittern-style head. The instrument’s construction aligns with typical mandolin-making techniques of the 17th and 18th centuries.
The mandolin is displayed alongside its case, believed to be original to the instrument. The case interior is paper-lined, while the exterior is covered in leather, secured by studs. Crafted in the style of a lute case, it features a hinge and opens from the bottom.
This presentation not only showcases Stradivari’s versatility as a luthier but also offers a rare glimpse into the broader world of Baroque string instrument craftsmanship.
Loan courtesy of Beare Violins Ltd. Bridging Centuries of Craftsmanship: Matthew Zeller, MIM’s curator for Europe, compares the intricate details of a 1684 Tielke chitarriglia with a circa 1625 guitar from the school of Matteo Sellas. These treasures, on loan from the Austin-Marie Collection, showcase the evolution of string instrument design.
Roasted Carrot Soup with Candied Pistachios
Writer and Photographer Francine Coles
Healthy eating that tastes this good is a game changer! This velvety roasted carrot soup combines nutritious ingredients with rich flavors. Roasting the carrots and parsnips with honey and olive oil brings out their natural sweetness, while simmering and pureeing creates a smooth texture without cream. Topped with candied pistachios, it’s a delicious taste and texture explosion perfect for any season.
Directions:
Yield: 6–8 servings
Ingredients:
Candied Pistachios:
3 tablespoons corn syrup
1 tablespoon sugar
1/4 teaspoon kosher salt
1 1/4 cups shelled pistachio nuts
Roasted Carrot Soup:
2 pounds carrots, peeled and cut into 1 1/2-inch cubes
2 large parsnips, peeled and cut into 1 1/2-inch cubes
2 tablespoons olive oil
2 tablespoons honey
3/4 teaspoon kosher salt, divided
1 tablespoon butter
3/4 cup chopped red onion
8 cups chicken broth
1. For the pistachios: Preheat oven to 325 degrees. Line a baking sheet with parchment paper. In a small bowl, combine corn syrup, sugar, salt and nuts. Spread on prepared baking sheet and bake 15 minutes, stirring every 5 minutes. Cool completely and chop into coarse pieces.
2. For the soup: Preheat oven to 400 degrees. Line a baking sheet with aluminum foil and coat with nonstick cooking spray.
3. In a large bowl, toss carrots, parsnips, olive oil, honey and 1/2 teaspoon salt. Spread on prepared baking sheet in a single layer. Bake 35-40 minutes, stirring once halfway through, until tender and lightly browned.
4. In a large soup pot, melt butter over medium heat. Add onion and cook until tender but not browned, about 3-4 minutes.
5. Add roasted carrots, parsnips and chicken broth to the pot. Bring to a boil, reduce heat to low, cover and cook until vegetables are extremely tender, about 40 minutes. Remove from heat and cool slightly.
6. Puree soup until smooth using a handheld or countertop blender. Season with remaining 1/4 teaspoon salt.
7. Garnish each serving with 1 tablespoon chopped candied pistachios. thefancypantskitchen.com
