A R C H I T E C T U R E
P O R T F O L I O
G REG O RY WANG
CO N TE N TS
I
RE:IMAGINING GORDON WILSON FLATS STUDIO 42 | MELBOURNE SCHOOL OF DESIGN Student Housing / Urban Landscape
MYSTIQUE HOTEL
II
STUDIO 31
III
STUDIO 02
IV
V
VI
VI I
| 2021
|
MELBOURNE SCHOOL OF DESIGN Hotel
| 2020
LANTERN OF SUBJECTIVITY |
MELBOURNE SCHOOL OF DESIGN Translation Centre
| 2020
THE TOMB OF THE FORBIDDEN LIBRARY ARCI 312
|
VICTORIA UNIVERSITY Library
| 2019
SPRING STREET HIGH-RISE AAT
|
MELBOURNE SCHOOL OF DESIGN High-rise Building
| 2020
TOGETHER WITH THE TREES BEE BREEDERS COMPETITION Meditation Cabin
| 2021
OSULLOC TEA MUSEUM FOR: AMORE PACIFIC | MASS STUDIES Te a H o u s e / M u s e u m
| 2020
RE:IMAGINING THE GORDON WILSON FLATS
I
R E:I MAG I N I N G TH E GOR D ON WI LS O N F L ATS Once a social housing complex for the state
historic place by Heritage New Zealand and
of New Zealand and the city of Wellington,
therefore preservation of the heritage of the
the Gordon Wilson Flats has been left
building is essential.
vacant for almost a decade. Issues with its structural integrity led to the closure of the building and was sold to the local university.
The re-imagining of Gordon Wilson Flats
New Zealand is experiencing a housing
provides social living conditions for students
crisis with a lack of housing on the market.
of the city and revitalises the current site
This has a consequent effect on rental
by activating the public realm interface.
affordability
increasingly
The inclusion of a small university building
diff icult for students who don’t have much
and
becomes
and public activities creates a social and
time on their hands to earn a source of
functional mix, aimed to enhance vitality
income while they’re studying. The current
within the space.
building is classif ied as a category one
4
SCENARIO 1 .0
Retai n Retaining the existing c onditions of t he site w ith changes to t he p rogrammatic arrangements t o the interior s pace w ill be t he m ost cost e ffecti ve s olution. T his will a lso be t he b est solution r egarding the pr eser vation of heritage .
SCENARIO 2 .0
Alter Subtracting volume f rom the North of the building w ill create a v isual permeability f or t he s tairs/connection t o the University on t o of t he b ank. T he connection w ill be m ore visually connected to the r oad belo w
Existin g Mass ter
The e xisting building i s designed i n a
RetainAlter Retain Alter modernistRebuild aesthetic and oneRebuild of N ew
AlterRebuild
Zealand’s m ost historic b uildings i n this style.
SCENARIO 3 .0
Rebuild
Rebuild for purpose due to i t’s structural concerns. There have b een proposed plans to c omplet ely redevelop the site entirely b ut t his is n ot i n the spirit o f retaining heritage .
Alter Retain Alter
I.
Rebuild Retain Alter Rebuild
PUBLIC LEVEL
II.
Alter Rebuild
COMMUNAL SPACES
5
Rebuild
III. CENTRE MASS
IV. REMOVE MASS
MELBOURNE SCHOOL OF DESIGN
| 2020
ic Level Communal Public Level Communal Space Communal Space Centre Communal SpaceMass Centre Space Mass Centre Mass Remove Centre Mass Remove Mass Remove
ors ecting Structure Floors Structure Connecting Floors Structure Access Structure Access MASSING DIAGRAMS
Access
AAT
|
lic Level Public Communal Level Communal Space Communal Space Communal Space Centre Mass Centre Space Mass Centre Mass Centre Remove Mass Remove Mass Mass Remov V. CONNECTING FLOORS VI. STRUCTURE VII. ACCESS VIII. ROOFTOP MASS
Rooftop Access Mass Rooftop Mass Rooftop
ect
RE:IMAGINING THE GORDON WILSON FLATS
Goals
Provide Housing solutions for Students in today’s competitive Rental Market
Preserve the Heritage of Gordon Wilson Flats
Enhance the Street interface of the Site
Create a Small Institutional Complex for the University
6
Create a Village which promotes Social and Functional Mix
Street Activation
Community
Create an Urban intervention which links the Hilltop Victoria University Campus to the City
Connect
Street Activation
AAT
|
MELBOURNE SCHOOL OF DESIGN
| 2020
7
SITE PLAN
RE:IMAGINING THE GORDON WILSON FLATS
8
I.
AXONOMETRIC - NORTH EAST
II. AXONOMETRIC - SOUTH EAST
AAT
|
MELBOURNE SCHOOL OF DESIGN
| 2020
9
III. STREET INTERFACE WITH SITE IV. CAFE RENDER
RE:IMAGINING THE GORDON WILSON FLATS
10
I.
TYPICAL FLOOR PLAN 1 - STUDENT HOUSING
II. TYPICAL ACCOMMODATION ROOM
AAT
|
MELBOURNE SCHOOL OF DESIGN
| 2020
11
III. GROUND FLOOR PLAN - STUDENT HOUSING IV. PLAZA RENDER
MYSTIQUE HOTEL
12
MYSTIQUE HOTEL SITE AXONOMETRIC
II
M YST I Q UE H OTE L CONCEPT: MANIPULATION
focused - architectural outcome. To further
Manipulation is def ined as the act of altering
enhance our understanding of our concept,
the perception or behaviour of an individual.
we were required to produce a series of small scale designs in the form of a hotel bottle, and a travel wallet. This exercise is to strengthen
STRATEGY: PERSPECTIVE
our process and develop a rigour to our
Perspective is the view of the world based on
process.
an individual position socially, physically, and The building is separated into three different
intellectually.
masses. The podium, where public functions and back of house functions can occur, the The pedagogy of Studio 31 is a process
tower where hotel rooms and guest rooms are
focused design methodology, with a concept
situated, and the ‘crown’ of the building where
that relates to one of the human senses. The
additional public functions are situated. We
concept of manipulation is scrutinised and
can see the changes in the floor slab on the
always to be thought of in every aspect of
south façade, which enables manipulation of
the design, resulting in a rigorous - concept
the perspective on each floor within the hotel.
13
M
A
S
S
IN
G
HOTEL MASSING
R
O
W
N
E
C
GR
LE
VE
L
1
M
OU
ND
EL
3
OO
R
MA
SS
S AS TO
VE
L
E EV
L
LE
V LE
FL
MA
2
M
MA
SS
CO PU UR BL TY IC AR D
IN
G
CO PU UR BL TY IC AR D
S AS
SS
L
4
MA
SS
PO IC
BL
PU
R WE
| 2020
AN
S RM S TE CCE NG L A LO OTE RM SS TE CCE H T OR L A SH OTE H
D
M IU
MA
SS
IN
CO PU UR BL TY IC AR D
G P P OU B L OL IC
MELBOURNE SCHOOL OF DESIGN
ND
PL
|
OU
OR
STUDIO 31
GR
O FL
MYSTIQUE HOTEL
14
MYSTIQUE HOTEL SITE AXONOMETRIC
B
C
BIN CHUTE
LAUNDRY CHUTE
SERVICE ELEVATOR
D
STAIRCASE PRES.
A
E
F
G
H
SHARED LOUNGE
FIRE RISER
ELECTRICAL / DATA RISER
UP
STAIRCASE PRES.
ELEVATOR LOBBY FIRE RISER
COMMUNICATIONS ROOM
ELECTRICAL CUPBOARD
UP
HVAC RISER
ELEVATOR LOBBY
HVAC RISER
A
A
(LEVEL 9)
TYPICAL HOTEL FLOOR PLAN - LEVEL 9-11
TWIN QUEEN / SINGLE QUEEN
TYPICAL ROOM
5
10
* SHARED COMMON AREA CHANGING EVERY
15
THREE FLOORS. (KITCHEN, OUTDOOR TERRACE, SHARED WORKSPACE)
STUDIO 31
|
MELBOURNE SCHOOL OF DESIGN
| 2020
SUITE
0
S H O RT T E R M A C C O M M O DA T I O N - P O D H O T E L C O R R I D O R
MYSTIQUE HOTEL
MALE CHANGING ROOM
DELIVERY BAY
FEMALE CHANGING ROOM
FRANCIS
OFFICE
BIN CHUTE
STORAGE / STORES
STAIRCASE PRES.
LAUNDRY / RUBBISH ROOM LAUNDRY CHUTE
FIRE RISER
SERVICE LIFT
ELECTRICAL / DATA RISER
UP
WET SERVICES
CAFE STORAGE
HVAC
WC
WC
WC
WC
CAFE STORAGE
LIFT LOBBY
CAFE BOH
AT FRANCIS CONN
CAFE / BAR
16
A
UP
EXPRE LIFT TO TOP
COVERED OUTDOOR AREA
COLLINS
GROUND FLOOR PLAN
S STREET
DN
RAMP TO BASEMENT PARKING
PORTE COCHÈRE
HOTEL FOYER
RECEPTION
STAIRCASE PRES.
UP
COMMUNICATIONS ROOM
FIRE RISER
ELECTRICAL / DATA RISER
UP
LIFT LOBBY
TRIUM S - COLLINS NECTION
WET SERVICES
WC
WC
WC
WC
HVAC
17
RECEPTION OFFICE / LUGGAGE
TOILETS
RETAIL
RETAIL
A RETAIL
THROUGH-FARE TO HOTEL LOBBY RETAIL
RETAIL
RETAIL
RETAIL
MELBOURNE SCHOOL OF DESIGN
ESS PUBLIC P PUBLIC SPACE
| 2020
RETAIL
STUDIO 31
|
S STREET
0
1
2
3
4
5
10
MYSTIQUE HOTEL
I
18 II
I.
TYPICAL SUITE - ENTRANCE
II. TYPICAL SUITE
III
19
STUDIO 31
|
MELBOURNE SCHOOL OF DESIGN
| 2020
IV
III. TYPICAL SINGLE / TWIN ROOM - ENTRANCE IV. TYPICAL SUITE / TWIN ROOM - BATHROOM
LANTERN OF SUBJECTIVITY: TRANSLATION IN THE VOID
III
L ANT ER N O F S UB J ECTIVI TY BRIEF
individual, contributing their own subjective
Empowering a Creative Group
interpretations
adding
personality,
CREATIVE
relationship between the translator and the
Translator
parties is unique, as a level of trust is instantly granted to the translator. Translators are never
I am a machine, seen with no emotion.
engaged in an active role in a conversation or
A piece of one’s puzzle.
transaction; their role is purely to facilitate the
A mediator between two cultural codes.
requirements of the parties. They are never
Let me show you my suppressed emotions;
“under the spotlight”. They devote their life
The subjective truth behind my craft.
to the role of the translator, left in a state of
The pedagogy of Studio 2 is to design a unique architectural typology, designed for the empowerment of a creative group in society. By using conventional orthographic drawing
techniques,
images
should
represent a phenomenological experience of architecture. These drawings are heightened by the controlling the use of tone, hatch and 20
while
emotion, individual essence, and pizazz. The
line work. Translation requires an individual to act as a mediator between two parties, usually f rom two different cultural backgrounds. The translator can be seen as a creative
identity crisis. This is what leads to the need of empowering the translator as a creative. The Lantern of Subjectivity sheds light on the profession of the translator and the history of translation in cultural exchange. The architectural device of the void – one light and one dark - creates two juxtaposed atmospheric
conditions.
The
building
provides transparency in the act of translation, with the intent of leaving visitors with an understanding of their subjective stance on information communicated to them – regardless of their sources. A010
SECTIONAL MODEL
1
or s T of he U Tr n a n ve sla ilin tio g D n o 0
0. 5
A002
0
0. 5
1
1:2
5
m ro ay eF w nc lley tra A En old e Th
n ee w n et m B lu g o in C id am l S l r lu oo G D in Tw
L
W
O E
Y
E
H
L L
1
A R
0. 5
E M L esh Sta C igh ir in asti t P A to th ng ene Th Vis e P tra rea ua Sh atte tio d l P aft rn n er . s m ea bil ity
0
1:1
0
T
X
H
IB I O TE F D N T S H O L F A E F IC T O E R S
A
T
A
s es
D
kn ar
ht
Y
D
Lig
of
of
id Vo
id Vo
lic
b Pu db
ee lF
ua Vis ith
tic us
kw
ac
o Ac
S UBJECTIVITY
3 2 1
OF
4
K TO AK K UR Y O EG
A
,
5
Flo
ati
ng
Sc
re e
n
of
10
re -d
ire c
tio
n
Re
irs
Sta
W ces L ash sed W ight ing Sla all D o s ow f N b n atu Sh r aft al
n
tio
la
sh
wa n-
ow
cu Cir
D
L ANTERN
0
TRANSLATION IN THE VOID
I. Objects of the surrounding context
21
contrast the colour of the building to clearly distinguish the architectural intervention. Circulation stair threads are created by using steel mesh grating to allow light to penetrate the already dark void. The southern orbiting sun in Japan sheds light through the grating
II. Protruding f rom the habitable roof plane, the two voids - the void of light and the void of darkness - can be seen as dominating f igures in the architectural outcome. The juxtaposed atmospheric conditions are accentuated through the use of material composition. The dark void is a constructed of thick reinforced concrete and the light void, glazed in thin metal f ramed windows.
I.
AXONOMETRIC DRAWING
II. MODEL
MELBOURNE SCHOOL OF DESIGN
the space.
|
the phenomenological experience of
STUDIO 02
of the dark void, in turn heightening
| 2020
to cast shadows into the internal space
22
I.
II. ZOOM GROUND LEVEL PLAN
GROUND LEVEL PLAN
LANTERN OF SUBJECTIVITY: TRANSLATION IN THE VOID
STUDIO 02
|
MELBOURNE SCHOOL OF DESIGN
| 2020
23
I.
II. DETAIL SECTION
ZOOM SECTION
LANTERN OF SUBJECTIVITY: TRANSLATION IN THE VOID
BREAKING NEWS
ةلجاع رابخأ
24
முக்கிய செய்தி
תושיערמ תושדח
‘MAGIC DRAWING’
STUDIO 02
|
MELBOURNE SCHOOL OF DESIGN
| 2020
яңалыклар
ニュース速報
25
TOMB OF THE FORBIDDEN LIBRARY
IV
TOM B OF T HE FO RB I D D E N L I B RA RY Based on the Sonnet “A balloon laden with
theaters, security for the premise, etc. The
knowledge”, authored by Percy Bysshe Shelley,
vertical circulations is emphasized by the use
the architectural narrative of the re-designed
of shear walls and is interpreted immediately
library is derived f rom a single line f rom the
through the accent of the handrails expressed
sonnet - “The Watch-light by a patriots lonely
on the exterior of the building (refer to
tomb”. From this line two architectural bodies
perspective section). The tower is located
are extracted in the form of the Tower, and the
on the south side, at the main intersection
Tomb; together igniting the f ruition of The
between Victoria Street, Wakef ield Street and
Tomb of the Forbidden Library.
Mercer Street, and is the gateway connecting the city to sea. The tower acts as a focal point
The tower of the library is primarily planned for
and immediately, the public users of the space
spaces which require privacy and segregation
recognize that the space below is the main
f rom the main library space. The functions
entrance to the library. Architecturally the
or spaces which occur in the tower can be
entrance is not a volume itself, but is created
expressed as the supporting programmes
through subtracting f rom the landscape. This
for the operations of the public library.
decision was made as adding an additional
Functions include vertical circulation, the core
volume would detract f rom the narrative of
of the building, toilets, off ice spaces, lecture
the tomb and tower pairing.
26
TO
MB
TC WA
SITE AXONOMETRIC
O HT
WE
R
TO M TR B U C TU
R
E
STRUCTURE AS ARCHITECTURE
S
On the ground floor shear walls are TO W TR E U R C TU R
E
used to evoke the encapsulation of move upwards, lateral load resisting
S
TA
IR
W A
LL
S
S
being situated within a tomb. As we shear walls are transitioned into braced f rames to allow the upper floors to
F L TO M + OO B R R O S O F
allure to the notion of opening up. An
C
vierendeel truss is utilized in order to create a large open atrium space.
27
| 2019 VICTORIA UNIVERSITY ARCI 312
|
G
F
L2
L3
L4
L5
L6
L7
L8
L9
S
is therefore enhanced. Additionally, a
S
IS S O TA R IR
T FL OW + OO ER R R O S O F
S H W EA A R LL S
emphasis on the notion of the tomb
I.
BUILDING STRUCTURE
II. FLOOR LEVEL - EXPLODED AXONOMETRIC
28
SITE PLAN
TOMB OF THE FORBIDDEN LIBRARY
ARCI 312
|
VICTORIA UNIVERSITY
| 2019
29
PERSPECTIVE SECTION
30
ENTRANCE PERSPECTIVE
TOMB OF THE FORBIDDEN LIBRARY
ARCI 312
|
VICTORIA UNIVERSITY
| 2019
31
SPRING STREET HIGH-RISE
32
V
SPR I NG ST RE E T H I G H - RI S E
I
3
J 6000 1500
1500
1500
1500
320
2 -
F01
F03
F03
F03
F01
SG01
SG01
SG01
SG01
SG01
VG01
VG01
VG01
VG01
VG01
BULK HEAD CLAD WITH GYPSUM BOARD
3100
VERTICAL EXTRUDED ALUMINIUM SOLAR FIN CONCRETE COLUMN CLAD WITH GYPSUM BOARD
STACK JOINT SKIRTING DUCT F03 L25
FFL
CAST IN-SITU CONCRETE SLAB SG01
SG01
SG01
SG01
SG01
VG01
VG01
VG01
VG01
VG01
SUSPENDED CEILING
3400
DOUBLE GLAZED VISION PANEL MULLION
C02
3
-
-
5
PHOTOVOLTAIC SPANDREL GLASS HOOK-ON CURTAIN WALL BRACKET
A4.6 F03 FFL
Spandrel Zone
SG01
SG01
SG01
SG01
VG01
VG01
VG01
VG01
VG01
1160
- 300
SG01
910
L24
+2700
Structural / Services Zone
3
+2490
610 UB 125 (STEEL UNIVERSAL BEAM) 1
-
2240
3400
TRANSOM
33 SILL COVER
L23
250
+250 FFL
- 300
SG01
SG01
SG01
SG01
SG01
VG01
VG01
VG01
VG01
VG01
EXTERIOR
INTERIOR - HOTEL F03
2 -
HOTEL FACADE - West Elevation
2
1:25 @ A1 Levels 22 - 48
HOTEL FACADE - Section 1:25 @ A1 Levels 22 - 48
CURTAIN WALL FLOOR ANGLE BRACKET
1500
MEGA COLUMN
PARTITION WALL
1
2 +0.00
A4.6
TYPE MARK
MATERIAL
FINISHES
COLOUR
SIZES
PRODUCT
LOCATION
F00
CLADDING
F01
ALUMINIUM COMPOSITE PANELS
FLUORO-CARBON: MATTE
DARK GREY
N/A
ALUCOBOND PLUS
COLUMN CLADDING, SOFFITS, FRAMING, SPANDREL
F02
ALUMINIUM COMPOSITE PANELS
FLUORO-CARBON: MATTE
BRONZE
N/A
ALUCOBOND PLUS
COLUMN CLADDING, SOFFITS, FRAMING, SPANDREL
F03
ALUMINIUM
FLUORO-CARBON: MATTE
BRONZE
N/A
N/A
SOLAR SHADING
VG00
GLAZING
VG01
VISION GLAZING
DOUBLE GLAZED
CLEAR
N/A
-
N/A
SG00
SPANDREL
SG01
PHOTOVOLTAIC SPANDREL
N/A
N/A
N/A
-
CURTAIN WALL - NORTH, EAST, WEST CLERESTORY - LEVEL 50
L00
LOUVRES
L01
ALUMINIUM
FLUORO-CARBON: MATTE
BRONZE
-
-
MECHANICAL FLOORS
T00
FLOORING
T01
CARPET
WOOL
WHITEHAVEN
-
A4.6
INTERIOR C02
Ø400mm CIRCULAR HOLLOW SECTION
T01
810
180
C05
1
-
I
3
UNITISED ALUMINIUM CLADDING UNIT
HOTEL FACADE - Plan 1:25 @ A1 Levels 22 - 48
EXTERIOR
VERTICAL EXTRUDED ALUMINIUM SOLAR FIN TO BLOCK WESTERN SUN
J
4
Finishes Schedule
ALUMINIUM CLADDING OVER COLUMN
CARPET COURT COASTAL HUES
HOTEL ROOMS
IMAGES
MELBOURNE SCHOOL OF DESIGN
1500
|
1500
| 2020
PARTITION WALL
6000 1500
AAT
1
SPRING STREET HIGH-RISE
I
J
330 155
15
15
90
90
90
15
15
155
355
15
15
800 90
90
90
15
15
355
ACOUSTIC CAVITY TO DAMPEN SOUND TRANSMISSION / SERVICES CAVITY
ACOUSTIC CAVITY TO DAMPEN SOUND TRANSMISSION / SERVICES CAVITY ACOUSTIC INSULATION 90 x 45 TIMBER STUD FRAMED WALL
90 x 45 TIMBER STUD FRAMED WALL
2x 15mm GYPSUM BOARD TO DAMPEN SOUND TRANSMISSION. PAINT ACCORDING TO HOTEL COLOUR SCHEME
2x 15mm GYPSUM BOARD TO DAMPEN SOUND TRANSMISSION. PAINT ACCORDING TO HOTEL COLOUR SCHEME
THERMAL INSULATION
THERMAL INSULATION
Ø400mm CIRCULAR HOLLOW SECTION. PAINTED WITH INTUMESCENT AND CONCRETE POURED TO PROVIDE FRL
STEEL COLUMN EMBEDDED IN CONCRETE 1600x800 CONCRETE MEGA COLUMN
+0.00
MOISTURE BARRIER
INTERIOR
MOISTURE BARRIER
C02
CAULKING
RIGID AIR BARRIER (RAB) BOARD
T01
C05
Module Grid
Module Grid
EXTERIOR
4 -
1500
THERMAL INSULATION
ALUMINIUM COLUMN CLADDING CONNECTION TO SPLIT MULLION
1:10 @ A1
TIMBER BATTEN DYNABOLT TO CONCRETE COLUMN
UNITISED ALUMINIUM COLUMN CLADDING. JOINING TO THE UNITISED CURTAIN WALL SYSTEM.
UNITISED COLUMN CLADDING PLAN 1:10 @ A1
ALUMINIUM COLUMN CLADDING
3
CLADDING OVERLAP JOINT. FIXED TO TIMBER BATTEN USING STAINLESS STEEL SCREWS
MEGA COLUMN PLAN 1:10 @ A1
Module Grid
1
2
UNITISED CURTAIN WALL PLAN
100
50
189
200 122
50
SILL TRANSOM CONNECTED TO STACK HEAD. (STACK JOINT CONNECTION)
100 189
500mm DEEP POCKET REBATE ALLOWANCE FOR INSTALLATION OF CURTAIN WALL BRACKET
JACKING BOLT FOR VERTICAL ADJUSTMENT SILL COVER OVER SKIRTING DUCT
ANCHOR BOLTS. LOCKED WITH SERRATED WASHER
SKIRTING DUCK
ANCHOR BOLTS. LOCKED WITH SERRATED WASHER
+0.00
FLOOR ANGLE BRACKET. EXTRUDED ALUMINIUM WITH SERRATED FACE PAINTED WITH BITUMINOUS PAINT
F03
T01
70
JACKING BOLT FOR VERTICAL ADJUSTMENT
FLOOR ANGLE BRACKET. EXTRUDED ALUMINIUM WITH SERRATED FACE PAINTED WITH BITUMINOUS PAINT
+250
F03 FFL
INTERIOR
HOOK-ON BRACKET. FIXED WITH BOLT AND CRUNK SCREW TO BACK OF MULLION AND EXTRUDED ALUMINIUM STIFFENER INSIDE.
SL02 180
GALVANISED STEEL SMOKE FLASHING ON TOP OF FIRE STOP
500mm DEEP POCKET REBATE ALLOWANCE FOR INSTALLATION OF CURTAIN WALL BRACKET CARPET 200mm CAST IN-SITU CONCRETE SLAB EMBEDDED CHANNEL CAST INTO CONCRETE SLAB WITH ANCHORS
SPLIT MULLION MALE AND FEMALE CONNECTION
EXTERIOR
HOOK-ON BRACKET. FIXED WITH BOLT AND CRUNK SCREW TO BACK OF MULLION AND EXTRUDED ALUMINIUM STIFFENER INSIDE.
DOUBLE GLAZED CURTAIN WALL VISION PANEL EXTRUDED ALUMINIUM BRACKET. FIN FIXED TO BRACKET AND MULLION
Z FLASHING HOLDING FIRE STOP FIRE STOP SUSPENDING CEILING SYSTEM
- 700
ANGLE BRACKET SUPPORTING CEILING VERTICAL EXTRUDED ALUMINIUM SOLAR FIN
TIMBER BLOCKING EB02
610 UB 125 PAINTED WITH INTUMESCENT TO PROVIDE FRL
810
34
GALVANISED STEEL SMOKE FLASHING
300
EMBEDDED CHANNEL CAST INTO CONCRETE SLAB WITH ANCHORS
GYPSUM BOARD INTERIOR WALL FINISH (15mm). PAINTED BACK PANEL OF SHADOW BOX THERMAL INSULATION VISIBLE SHADOW BOX PANEL
EXTERIOR
INTERIOR
VENTED AND DRAINED CAVITY (90mm) ANGLE BRACKET FIXED TO MULLION DOUBLE GLAZED CURTAIN WALL VISION PANEL MULLION VERTICAL EXTRUDED ALUMINIUM SOLAR FIN
4 6
MEMBER SCHEDULE
FLOOR SL1 Insitu Concrete Slab 300mm thick SL2 Insitu Concrete Slab 200mm thick
Low/ Mid-rise High/ Sky-rise
SPLIT MULLION PLAN DETAIL
5
1:5 @ A1
COLUMNS C1 Steel Column Embedded in Concrete 1800x900 C2 Steel Column Embedded in Concrete 1600x800 C3 Concrete Column 600x600 C4 Steel Column 500mm CHS C5 Steel Column 400mm CHS
Low/Mid-rise High/ Sky-rise High/ Sky-rise Low/Mid-rise High/ Sky-rise
BEAMS EB1 Steel Beam 700 WB 150 EB2 Steel Beam 610 UB 125 B1 Steel Beam 700 WB 150 B2 Steel Beam 610 UB 125 B3 Steel Beam 530 UB 92 B4 Steel Beam 2000 WB
Low/Mid-rise High/Sky-rise Low/Mid-rise Low/Mid-rise High/Sky-rise Mechanical
UNITISED CURTAIN WALL SECTION 1:10 @ A1
1
AXONOMETRIC RENDER Unitised Construction Sequence
Panels are hung on brackets and are fixed and adjusted according to the tolerances on site.
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Unitised curtain walls panels are brought inside, hung using a crane, and fixed into place.
The site of our building is 21o rotated from north towards the west. In Melbourne, a good design for western shading is vertical fins at 45o, 800mm deep, and 1500mm spacing. Because our building is already rotated 21o off north, the vertical fins only need to be rotated an additional 24o to meet this criteria for western sun shading. Our modules are spaced at 1500mm so this criteria is also met.
AAT
24o
MELBOURNE SCHOOL OF DESIGN
| 2020
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SITE AXONOMETRIC
TOGETHER WITH THE TREES
VI
TOG ET HE R WI TH TH E TRE E S BRIEF
SUSTAINABILITY AND PERFORMANCE
Kiwi Meditation Cabins is a small 30m2
The structure of the cabin is made f rom
timber cabin located in the Earth Energies
New Zealand grown and manufactured LVL
Eco Sanctuary Precinct in Mangatarata, New
(laminated veneer lumber). This material was
Zealand. Designed to accommodate a small
chosen for its structural properties as well as its
meditation/yoga studio and an essential areas
aesthetic f inish. This lumber is manufactured
processing area, the small cabin allows for
in Nelson NZ.
visitors to the sanctuary to dwell within the forest setting; to recoup and recover in peace. DESIGN DRIVERS Meditation allows people to be at peace with their surroundings, be they internal or
The external claddings are an Abodo Vulcan cladding. This cladding is thermally modif ied New Zealand plantation pinus radiata timber and was chosen for its superior beauty, durability and weathering characteristics.
external, and we wanted to allow that with the
The use of timber is particular good as timber
design. The building opens up to the north by
sequesters
lifting its top lip of the roof, and the junction
emissions f rom the other facilities within the
between floors extends outwards, to create a
Earth Energies Sanctuary complex
carbon,
offsetting
the
carbon
double-height space that allows the aromas f rom the essential oils to flow through the
Gregory Wang + Jack Walker
37
BEE BREEDERS COMPETITION
| 2021
space and into the meditation area.
PERSPECTIVE SECTION (JW)
TOGETHER WITH THE TREES
I
38 II
I.
MEDITATION FLOOR RENDER
II. ESSENTIAL OILS PROCESSING FLOOR RENDER
BEE BREEDERS COMPETITION
| 2021
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III. CLADDING AND WINDOW DETAIL RENDER (JW) IV. BUILDING SHORT SECTION (JW) V.
MODEL RENDER
TOGETHER WITH THE TREES
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TINY MEDITATION CABIN EXTERIOR RENDER
BEE BREEDERS COMPETITION
| 2021
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OSULLOC TEA MUSEUM
VI I
OSU L LOC TE A M US E UM
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PHYSICAL MODEL MADE DURING INTERNSHIP AT MASS STUDIES, SEOUL
FOR: AMORE PACIFIC
| MASS STUDIES
| 2020
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44 OSULLOC TEA MUSEUM
THANK YOU
GREGORY WANG
https://gjwdesign.cargo.site
+62 478 773 215
greg05wang@gmail.com
linkedin.com/in/gregory-wang