RELISH VOL.3: Seattle

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ALEXANDER CODD

JESSE EDWARDS

ANTHONY WHITE

JOE NIX

BLADE PALACE

JOHN KEATLEY

BLAKE BLANCO

JOSH R MCDONALD

BRANDON VOSIKA

JOSHUA THOMPSON

BRIDGET SEXAUER

KADE MARSILI

CADY BOGART

KYLE SMITH

CHEYENNE RANDALL

LEO SHALLAT

CHRIS OLIVER

LINA CHOLEWINSKI

CHRISTOPHER DEREK BRUNO

MARIEL ANDRADE

CLEO BARNETT

MARY COSS

DANIEL MARIN

MARY IVERSON

DEANE MCGAHAN

NICK BEEBA

DEVIN LISTON

SCOTT FULLER

DRIE CHAPEK

SEASON EVANS

DUFFY LEG

TIFFANY DAE

ELECTRIC COFFIN

TREVOR JAMES BROWN

HOA HONG

VETA BAKHTINA


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READ THIS RELISH has arrived in Seattle, a city with a rich cultural history and wildly resilient creative community. As one of the fastest growing cities in the US, the influx has had a massive impact on the art scene — thoroughly deserving of celebration. Seattle is no stranger to being a gateway for creators experimenting and trying new flavors. Rarely does a group of such diverse and talented individuals join together in the shared vision of support and empowerment. We’ve got a real good squad in this edition. Life is a contact sport. Mix it up. Reach out.


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ALEXANDER @ACODD ACODD.COM

Born and raised in Seattle, Alexander has been a native to the city since 1991. He graduated with a major in history from the University of Washington in 2014, hoping to one day teach. However, as he began painting following his freshman year in 2011, those dreams and aspirations to teach soon shifted towards his love for painting. Since 2011, he’s been painting using primarily spray paint and stencils. With influences from Shepard Fairey and Banksy; his initial interest in graffiti transitioned from freehand-writing to stenciling. He focuses on maintaining a street-feel with his work with heavy influences from his favorite masters, Picasso, Pollock and Munch. He incorporates their unique styles with Hip-Hop and Pop-Culture to create this hybrid of culture and art; what is painted onto the canvas is Alexander’s interpretation and appreciation for what seems to be the essence of the subject as well as the culture of the arts both past and present.

CODD

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ANTHONY @CULTURALCRISIS BOYWITHPLASTIC.COM

White is a Seattle-based artist and the first in his family to complete four years of professional training, currently using PLA to create his ‘limited edition’ objects and lustful paintings. Portraits of digital intimacy, nostalgic memorabilia, and desire in excess coalesce to form White’s identity in his sculptural paintings, themselves meticulously spun from common plastic. They disrupt the hierarchy of status and its symbols by placing trivial souvenirs and accouterments in luxurious environments and vice versa. His process requires repetitive acts with attention to detail to craft a visually lush, ornate surface. Drawings, stickers, graffiti, and other gestural marks lie on the surface of the selfie-capturing mirrors that begin to act as a facade, and a barrier between the viewer and subject, prescribing a narrative for their particular situation. Clouding our perception, he addresses the way in which we perceive and present ourselves and the fallacies in representation through digital platforms.

WHITE


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BLADE @BLADEPALACE BLADEPALACE.COM Blade Palace is a psychedelic garage rock band birthed in the dark, damp womb of a Seattle basement. Made up of members Rob Nightingale (vocals, guitar), Elliot Preston (vocals, guitar, synth), Kurt Roy (bass), and Nate Louis (drums); the band bathes you in eerily tranquil psychedelic waters, then tosses in a toaster; shocking you with 1,000 volts of pure electricity. Fuzzy guitars in a cacophonous chaos course through your veins while driving drumbeats and thumping bass slither around your brain and squeeze. Described by one fan as “being shocked to death by electric eels while tripping on acid,” the band’s frenetic live show is slowly submerging the Pacific Northwest under its psychedelic spell; like the mist rising from the forest floor, enveloping first the trees, then rolling down the hillside until the entire town is blanketed in a fog so thick one’s own hand is a stranger to their eyes.

PALACE

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BLAKE BLANCO @BLAKEBLANCO BLAKEBLANCO.COM “My goal with painting is to connect with the viewer and maintain a state of constant discovery. I do this by incorporating subjects that oppose each other rather than flow together and I search for ways to connect them.” “Adorn The Day” is a series of paintings placing figurative sculptures in a position where they become the viewer and are provided a chance to admire the brilliance of nature. Blake’s interest within this series is focused around the longevity and impermanence of the paired subjects. In one hand you have a state of beauty captured in stone that is everlasting and relished by all of mankind. In the other a product of nature that is ephemeral and delicate. “It’s my belief that while enduring the struggles of life there is a light that can be found within these subjects and if you allow them to they will adorn the day.”



C A S C O

A N T I G U O

LO C AT I O N S PIONEER SQUARE | 115 OCCIDENTAL AVE SOUTH SEATTLE WA SOUTH LAKE UNION | COMING SUMMER 2019

@CASCOANTIGUOSEA

CASCOANTIGUORESTAURANTS.COM


ARTWORK BY DAVID RICE



BRANDON @BRANDONVOSIKA BRANDONVOSIKA.COM Brandon Vosika lives in a haunted apartment building in Seattle, Washington, where he works on acrylic paintings, small sculptures, watercolor drawings and the pursuit of ghost stories and a life well-lived. Delivering genuine sentiment with a simple palette and uncomplicated execution, Brandon makes little attempt to hide what he feels in his paintings. The viewer is not presented with an essay to read or asked to solve a riddle, they are given an unashamed picture of a moment in the artist’s life.

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BRIDGET @LAZARETTA LAZARETTA84.TUMBLR.COM Bridget Sexauer’s paintings are inspired by her time working as a Marine Electrician on board the M/V Golden Alaska and is the result of putting a female with a tendency to anthropomorphize everything she sees in an engine room with no shortage of beautiful corrosion and industrial aesthetic. Her dream is to one day form an artist residency program on an old navy ship where artists from all trades can come together, share ideas, and travel the world. Until then, she is excited to continue painting the many robot-like faces she encounters on the job.

SEXAUER




CADY @THEQUEENCITY CADYBOGART.COM Cady Bogart is an artist living in Seattle, Washington who specializes in large-scale acrylic painting. Painting for me is a thinking process, a way to engage in a kind of internal discourse. In my work, I deconstruct the human form. I am inspired by tattoos, unique color palettes, and the crisp line work of iconic mid-century cartoons. I continually strive for my paintings to show the celebration of life and what it means to be human.

BOGART

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CHEYENNE @INDIANGIVER CHEYENNERANDALLART.COM Cheyenne Randall, b. 1978, investigates identity, the idea of celebrity obsession and apotheosis in his work. Working in digital photography, Photoshop, paint, and wheat paste installation, the artist delves into constructed notions of individuality and the semiotics of representation, while concurrently questioning subcultural practices such as tattooing and graffiti, examining the liminality between sanctioned and unsanctioned works of art. The artist also represents his indigeneity by including iconic images of indigenous North American leaders and honoring them with a reverence and contemporary aesthetic – cementing the fact that Native America was and is still here ­— illuminating notions of survivance. In his public art installations, Randall democratizes art, creating a gallery space en plein air and eliminating hierarchical and institutional structures of authority. In his Shopped Tattoo series, the artist superimposes tattoos onto iconic historic and celebrity figures, redressing their identity, interrogating material and popular culture — while also questioning practices of self-identifying and the representation of imbricated identities. In Randall’s landscapes, the artist creates surreal imagery, subverting colonial views of the landscape, land ownership, and fetishization of the natural world.

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CHRIS @CJO37 CHRISJOLIVER.COM Chris Oliver is a sculptor who has recently relocated to Seattle from Ithaca, New York. He received his BFA in sculpture from Marlboro College and his MFA in sculpture from SUNY Albany. Working in a variety of media ranging from minute 3-D prints to large hand-built permanent outdoor installations that shape their environment over time, his work examines the fine line between sculpture and common objects through manipulations of scale and context. Oliver’s work has been exhibited both throughout the northeast and nationally. Most recently, he installed largescale pieces at The Wassaic Project in Wassaic, New York, I-Park in East Haddam, Connecticut, and The Sculpture Center in Cleveland, Ohio. He has taught sculpture at Cornell, SUNY Binghamton, SUNY Albany, Marlboro College and Ithaca College. Oliver currently serves as sculpture faculty at Bellevue College.




CHRISTOPHER

@DEREKBRUNO CHRISTOPHERDEREKBRUNO.COM

After his education in industrial design, Christopher Derek Bruno has moved about the United States cultivating his approach to design, sculpture, and the creation of imagery. Currently residing in Seattle, his recent work references an ongoing analysis of the cognitive visual experience. Bruno’s work has been exhibited in: New York, San Francisco, Los Angeles, Seattle, Portland, Houston, Atlanta, and Miami; internationally in: London, Berlin, Hamburg, Rome, Moscow, along with a series of sitespecific installations in the Azores.

BRUNO

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CLEO

CLE

@CLEOBARNETT CLEOBARNETT.COM Cleo Barnett is a Pākehā and White American curator, artist, and creative director. Currently based in Seattle, Washington, her practice explores the relationship between public art, storytelling, and collective liberation grounded in sustainability. Cleo’s work at the intersections of art and cultural organizing has taken her around the world, curating and participating in exhibitions, festivals, and public art campaigns across the United States, New Zealand, Europe, Australia, and Asia. Cleo holds an MA in art and public policy from New York University, and a double BA in political science and international business from the University of Auckland. Alongside her art practice, Cleo is an active working public art curator.

BARNETT BA


EO

ARNETT





DANIEL @DEPARTMENTM DEPTM.COM Creating under the conceptual moniker Department M, Daniel Marin’s paintings bring together elements of pop, abstraction, street art, carpentry and décollage depicting colorful and surreal moments in time. Marin sources imagery from magazines, comic books, newspapers and many other forms of media, blending features from each to craft the images in his work. Each piece is created using a layering approach made up of steps of silk-screening, freehand painting, hand cut stenciling and collage work, producing impactful compositions built on the artist’s patience and pleasure. A self-taught artist from Miami, FL, Marin’s work portrays engaging scenes with underlying stories and hints of both humor and tension, all left for the viewer to piece together.

MARIN

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@DEANEMCGAHAN DEANEMCGAHAN.COM Deane McGahan is a contemporary sculptor who is inspired by the desire to create unconventional forms that push the boundaries of the material employed. Altering what ordinarily is the solid uniformity of concrete into casts that seem pulled, stretched, in transit. To revise what is normally the process of casting the wet matrix of concrete into a solid block. To discover instead a form that looks like a sound wave instead of a static obelisk — a reverberation rather than an inert constant. Her aim is to create work that inspires, connects and contributes — work that bridges the abstraction of human emotion and solid objects. If there is a message in her work, it is the suggestion that an untamed feeling might be captured for a moment in the immutable; a snapshot, as it were, of flow caught in an object and held in stasis.

MCGAHAN


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LISTON @DEVINLISTON DEVINLISTON.COM Devin Liston is a multimedia artist from Seattle who now lives and works in Los Angeles. Liston’s career started in collective art teams including CYRCLE and DEVNGOSHA. At the end of 2014, Liston began his solo career. The scope of his art ranges from large-scale murals to studio oil paintings, drawings and designs. He has worked and shown in Los Angeles, New York, London, Paris, Puerto Rico, Seattle, Iceland and Hong Kong.


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DRIE CHAPEK @DRIETREE DRIECHAPEK.COM Drie develops a common visual language of natural imagery to communicate the common goal of personal development. The comfort of familiar elements appears (fruits, intestines, bone) as well as an opening to the unknown abstracted space. Thick, raw and intentionally composed marks build upon thin layers of wash to provide depth of texture and application of paint as a sensual experience. This visual field creates a conscious space for the viewer to travel within the architectural construct of the image. I’m inspired by the soulful imagery of iconic religious art, mandalas, indigenous art and visionary work. These works act as visual reminders to hold on to our ideals of self-realization; reminders to do the work so we can connect to our good.

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DUFFY @DUFFYLEG DUFFYLEG.COM Duffy Leg is a contemporary American artist. His artwork is rooted in skateboarding, street art, hot rods, Americana, motorcycles, rock posters, and punk music all wrapped under the term “Garage Artist”. He uses mix media, collage, painting, and sculpture to explore the themes within garage culture that people relate to and distills them into something ethereal. The artworks created are meant to inspire the viewer to keep dreaming, go faster, drive longer, burn rubber, and extend the journey. Those desires are what connect us all as humans, those desires are what makes us feel alive. By fostering those emotions, the world will hopefully become a better place. Duffy’s work has been displayed nationally and internationally. He works in the studio, garage, and the street. He has done projects with brands, has been an artist in residence for a few companies, and has work in private and public collections.


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ELECTRIC COFFIN @ELECTRICCOFFIN ELECTRICCOFFIN.COM Electric Coffin is a Seattle-based artist collaboration between Duffy De Armas and Stefan Hofmann. Exploring the intersection of art and commerce. Electric Coffin is fueled by a number of sources, both material and ephemeral. These sources encompass knowledge, culture, and the physical remains of industry, mass production, communication, and commerce. Representing the highs and lows of human achievement–the sacred and the profane– they together create the combustible admixture that manifests into large-scale projects, installations, and objects. “What we are seeking is not the real or the unreal but rather the unconscious, the mystery of the instinctive in the human race.”

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HOA @HOAAAHONG HOAHONGART.COM “Painting is my way of recording my existence. What a time to be alive with good music, art and fashion.” Hoa is a figurative oil painter. Her portraits emphasize the fine line between abstraction and realism. As a mixture of sharp and broken details suggests both clarity and ambiguity in the subject she paints, Hoa believes you can never truly know someone completely; only what they allow you to see. “Everything I paint is my reality — nothing more, nothing less. Now it is up to you to interpret what you see as your reality.”

HONG

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JESSE EDWARDS @JESSEEDWARDS_COM JESSEEDWARDS.COM Jesse Edwards began his art studies with graffiti art and then went to Cornish and Gage academy of art from 1998 to 2002. He has shown extensively in Seattle and for the last 10 years has been working in New York City. His work is primarily focused on still life paintings. He’s also well known for his ceramics and has exhibited them nationally, garnering acclaim with various gallery and museum shows.

JESS EDWA


JOE @JOENIX NIXCREATIVE.COM Joe Nix’s paintings are an operational manual into his own view of a functioning world. His configurations are a heavy, yet breathing example of imaginative tools recreated to warp the brain and ignite a sense of purpose. They compress and exhaust everything and anything running through them, executing their part in creating a product of your imagination. Organisms, pipework, sharp bits, designs and abstract elements bring his world to life in a harmony that dispels the myth that all machines are here for us to use.

NIX


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@JOHNKEATLEY KEATLEYPHOTO.COM John Keatley channels his need for control, individuality, and human connection into photographs that leave the viewer with a sense of wonder and intrigue. Responding to his own personal strengths and insecurities, the subjects in his portraits often journey of self-discovery, Keatley delves into topics of identity, individuality, and perception of others in his recent Identity series, leaving the viewer to question how they view others as well as themselves. Ever interested in forging deep bonds in his relationships, Keatley imbues the bold, graphic imagery he creates with authenticity and intentionality. Keatley’s portraits of Anthony Hopkins, Annie Leibovitz, Sarah Palin and Macklemore have been selected into the American Photography annual.

KEATLEY

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JOSH R. @JOSHRM JOSHUAMCDONALD.COM Josh R.M. grew up on a small farm in Central Oregon. His earliest experiences with art included drawing in the wet sand. He became intrigued by the interrupted landscape, inorganic shapes and lines cutting through the scene, like a fence running through a field or a stick dragging through the mud. Josh studied at Eastern Oregon University where he was inspired by both landscape painting and early Modern Art movements like De Stijl. Known for limiting the use of color and painting in a particular set of angles. Josh currently lives in Seattle where he continues to depict themes from his past, explored through an abstract form.


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JOSHUA @JOSHUATHOMPSONSTUDIO JOSHUATHOMPSONSTUDIO.COM Joshua Thompson holds a BFA from UWF (2005) and an MFA from PAFA (2008) and has lived and worked in Seattle since 2013. He has worked across many mediums and processes throughout the years but continually comes back to oil painting as his primary focus. There are many things that filter in and out of his work. One common influence comes from natural and man-made structures both as objects and the processes by which they are formed. Building, growth, excavation, decomposition, destruction, symbiosis, temporality, birth, death, and rebirth are all frequent components that dictate process and metaphors within his work.

THOMPSON

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KADE

@KADEMARSILI KADEMARSILI.COM Kade is a multidisciplinary artist based in Seattle, Washington, creating figurative paintings dealing with conflicts of identity, sense of self, and queer youth. Kade is also a freelance illustrator creating works for editorials and designs for local companies.

MARSILI


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KYLE @DIPSAUCE DIPSAUCE.CO Based in Seattle, Kyle is a photographer with a focus on capturing urban environments, forgotten places, and hard to reach locations.

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Uniquely grown in its native forest environment, Guayakí Yerba Mate is cherished as a sacred beverage. Reach deep into yerba mate culture and you’ll discover people have long gathered to imbibe mate to awaken the mind, perform extraordinary feats and to exchange confidences. Even Yari, the mythical goddess of mate decrees it the symbol of friendship. Guayakí’s vision holds that yerba mate culture will power our Market Driven Regeneration™ww business model to regenerate ecosystems and create vibrant communities.

guayaki.com


LEO @LEOSHALLAT LEOSHALLAT.COM Native to Seattle with foundations in hip hop culture, Leo Shallat incorporates movement and lyrical aspects to his multi-disciplinary work. From murals to canvas to interior design, Leo is developing an intuitive symbolic language, inspired by dance, typography, and storytelling. His work explores the intersection of proto-word forms, fine art elements, and everyday objects. What started as a fascination with brushwork has evolved into expression through multimedia. The heart of his creations is an intuitive freestyle flow. Each piece becomes a movement based conversation with the world. Pieces are born from ideas or themes, organically constructed in layers, embedding meaning with each pass. This creates vessels which express concepts at every level — from the tools to the medium to the message. Leo currently lives in Seattle and works as a freelance artist and designer for private and commercial clients.

SHALLAT


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@LINACHOLEWINSKI INSTAGRAM.COM/BONESANDGOLD Lina has a difficult time telling her hands from paint brushes. She is a local Seattle artist focusing on the textures and shadows of the city. For the past six years, she has tenaciously worked to create over 250 public art projects for the city of Seattle through painting murals herself, assisting artists and managing projects. In her spare time, Lina creates line drawings that originally focused on botany and recently have shifted into detailed crosshatch drawings of women and the shadows that fall upon them - and how through it all, they can still shine through.

CHOLEWINSKI

LINA

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@MARIELANDRADE MARIELANDRADE.COM Painting scenes from pre-existing photographs, Mariel Andrade creates portraits; often times manipulating an image or layering them to produce the illusion of one reality versus another. Seeking to evoke the enigma within the viewer, her work draws inspiration from vintage nostalgia, mythology, humor, music, and strangers in old photographs.

ANDRADE


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MARY @MARYCOSS MARYCOSS.COM Mary Coss is an interdisciplinary sculptor and installation artist whose artwork is metaphorical, providing commentary on the human condition. She received an MFA in experimental studios from Syracuse University, igniting a life-long love for bringing social relevance to visual art. Coss has received grants from NEA, Ford and Puffin Foundations, Artist Trust, 4Culture and Seattle OAC. Her exhibitions include galleries, museums, and sculpture parks, with community and public art found throughout the Northwest. Travel is integral to her practice and includes projects at Candyland Arts in Stockholm, Turkey and Guatemala. Upcoming residencies in Ireland will further her research on topics of water and gender. She is a co-founder of METHOD Gallery and inaugural Visual Arts Director of Borealis: A Festival of Light in Seattle.

COSS

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MARY IVERSON @THEMARYIVERSON MARYIVERSON.COM Mary Iverson’s paintings explore the balance between the environment and industrial activities, inspiring conversations about our complicated relationship with nature. She enjoys designing murals that bring nature into industrial spaces and loves to collaborate with companies pursuing sustainability goals. Iverson’s main sources of inspiration are the three magnificent National Parks close to her home: Rainier, Olympic, and North Cascades National Parks. She teaches painting and drawing at Skagit Valley College as a tenured faculty member. Iverson lives and works in Seattle.

MARY MA IVERSON IVE


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NICK @NICKBEEBA NICKBEEBA.COM Born and raised in Seattle, Washington, Nick bought his first film point-and-shoot camera just before boarding a flight to Barcelona where he entered a study-abroad program. Five years later, that camera still goes him everywhere.

BEEBA

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SCOTTFULLER.COM Scott Fuller is a multidisciplinary artist whose work is influenced by over 15 years of working as a streetwear designer, muralist, illustrator and creative director. His work is a mash-up of past and present themes that often harken back to the early cartoons of his childhood conjuring up feelings of nostalgia. He approaches his work with precision, crafting boldhigh contrast compositions with strong graphic line work shaping his signature cartoon characters. Scott is a Seattle native who now lives and works in Los Angeles. He has collaborated with clients such as Adobe, NBBJ, Possible and Rudy’s Barbershop to name a few.

FULLER


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SEASON @SDEVANS SDEVANS.COM Season Evans uses quilts as objects and as storytellers. Her quilts are rooted in the simple beauty and utilitarian craftsmanship of traditional quilts yet shaped in form and function by modern techniques. While exploring place and identity, her goal is to connect traditional craft with contemporary life in order to create new narratives. The quilt-making process is intimate, tactile, repetitive; often becoming a meditation which strengthens her relationship between the materials and narrative. Evans is fascinated by the essentials of the materials: the comfort and connotation of textiles, the roots of pattern, the push of geometry, and the joy of contrast. She uses both process and materials to push the boundaries of the historical context of traditional quilt making.

EVANS

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TIFFANY @TIFFANYDAE TIFFANYDAE.COM Dae is an imaginative realist painter born in Hawaii to immigrant parents from Cuba and India. Raised with a passion for culture and environment, she’s evolved masters’ classical oil painting techniques into otherworldly and imaginative works. Dae studied classical painting techniques at the Georgetown Atelier in Seattle. Since graduating she has been working diligently in her studio to bring forth postcards from another world.

DAE


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TREVOR @TREVOB TREVORJAMESBROWN.COM

JAMES These sculptures put complex objects into simple boxes. Once observed and considered in their constricted state, the complexity of the original objects are revealed by chipping away at the surrounding geometric forms. The work posits that dissecting the individual parts of an object does not necessarily define the larger whole. Contemplating a slice of tomato does not give justice to the entire hamburger. As a football coach, having a deep knowledge of passing plays is not sufficient for a well-rounded offense. A pleasant garden is more than flowers, sometimes you need good dirt too. The current work uses canned beverages to explore these ideas further.

BROWN

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VETA @VETABAKHTINA VETABAKHTINA.COM Veta Bakhtina’s paintings and illustrations focus on themes of home, nostalgia, and manifestations of infinity in nature through the lens of a Russian– American immigrant. Veta grew up in St. Petersburg, Russia, at the end of the Communist era and credits her exposure to uncharted nature, and tradition of heritage for much of her inspiration and working style. The artist’s principal thematic work entitled Internal Landscapes is an ongoing portfolio project in symbolic realism in oil and acrylic. The project explores the interplay between decoration and lowbrow realism influenced by traditional Slavic Palekh and Khohloma styles. In this work, the artist explores her trans-cultural experience invoking symbolism from Orthodox, Jewish, and nature-based spirituality.

BAKHTINA


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SPECIAL THANKS

DOM NIERI, SEATTLE’S PRINCE, WHO PLAYED A MAJOR ROLE IN MAKING THIS EDITION POSSIBLE. YOUR SELFLESS DEDICATION TO EMPOWERING CREATIVES IS A HUGE INSPIRATION TO MANY.

SCOTT REDMAN, THE MOST GENEROUS HOST, WHO QUICKLY MADE RELISH FEEL ACCEPTED AND GAVE THIS EDITION AN INCREDIBLE PLACE TO CALL HOME.




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