GSA_Unit 14 - Studio Journal: Semester 1

EXTRA-ORDINARY ARCHITECTURES OF ENTERPRISE Unit Fourteen Studio Journal 2016

University of Johannesburg. Graduate School of Architecture. Unit 14 Studio Journal 2016. Edition 01.

This publication is produced by UrbanWorks Architecture & Urbanism for and with the support of the Faculty of Art, Design and Architecture’s Graduate School of Architecture, University of Johannesburg.

May 2016 Edition 1

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University of Johannesburg. Graduate School of Architecture. Unit 14 Studio Journal 2016. Edition 01.

STUDio JoUrnAl/ This journal documents the process of the year long studio by collating various activities and support material ‘live’ as the studio unfolds. it is conceptualised as a companion, repository, reference and memoir of the studio, its participants and the outcomes.

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TABLE OF CONTENTS 1. UniT 14 inTroDUcTion 2. UniT 14 2016 3. STUDioS act 1. fetish manifesto act 2. mi casa / su casa act 3. landscraping a lexicon / three geographies rEviEW #1 act 4. the art of making rEviEW act 5. manipulating forces 4. rESoUrcES 5. crEDiTS

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QUARTER 2 SPEcUlATion MAKinG, TESTinG WAYS oF WorKinG EXPErT & TEcHnicAl inPUT

TERM 3 TEcHnicAl DEvEloPMEnT ArcHiTEcTUrAl TrAnSlATionS

TERM 4 ArcHiTEcTUrAl MASTErY & rEFinEMEnT

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AcT 4. THE ArT oF MAniPUlATinG ForcES (3) AcT 5. MAniFESTinG nArrATivES (4 +2)

ProJEcT 6.1.

ProJEcT 6.2.

University of Johannesburg. Graduate School of Architecture. Unit 14 Studio Journal 2016. Edition 01.

PAcKAGinG For FUrTHEr in-DEPTH EnQUirY (rESEArcH, PUBlicATion), SYnTHESiS, DESiGn BUilD / rEAl ProJEcT.

AcT 3. lAnDScrAPinG A lEXicon (3)

2018 inTErnATionAl AlliAncES, GoinG ABroAD (inTErnATionAl EXcUrSion), DEvEloPinG liTErAcY,

AcT 2. Mi cASA / SU cASA (2)

2017 TESTinG ProPoSiTion, STAKinG A clAiM, BUilDinG liTErAcY, STArTinG THE cAMPAiGn

QUARTER 1 SPATiAl liTErAcY SEnSinG PlAcE AlTErnATivE vocABUlAriES

2016 AcT 1. FETiSH MAniFESTo (1)

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AcT 2.

AcT 4.

AcT 1.

Saul Steinberg Masquerade by Inge Morath

PROJECT 1: FETISH MANIFESTO This project forms a means of introducing each other to ourselves. Through this project you will be able to express where your core skills lay in terms of mediums and hint as to where your architectural (or personal) interest lay. You will be using architectural /spatial fragments as part of your composition. This can be from any source that you feel best captures your experiences - Instagram, iPhoto Album, Facebook, etc. Through understanding these we are able to align your personal story to Unit framework. The exercise also test your ability to produce with your intuition and do so in a rapid manner - 60min per drawing. To allow you to reect on your own means of working and process, you will be asked to record yourself during the AcT 3. making of this project. This outcome will be your portrait for the year and will be how you will be remembered (or forgotten).

DURATION: 1 Week (Individual) OUTPUT: 5 x A3 Square format Illustrations (mixed media), One per day (in rapid succession) , 2min stop-frame video of your process.

KEY WORDS: 60min drawings, Super-skills, Reection, POSTSCRIPT: Fetish Manifesto was our first project of this studio. The aims were to introduce ourselves to each other through skills and mediums we are most comfortable with. Using architectural and spatial references from our past, a self portrait was produced of how we see ourselves and would like to be understood. The exercises tested our ability to produce quickly, working AcT 4. with our intuition and instincts. Each drawing was limited to no more than 60minutes.

Over five days, one drawing (or artefact) UNIT 14 / STUDIO JOURNAL per day wasSchool produced.

These become symbolic declarations as to who we are, where we come from and our aspirations as University of Johannesburg.

Graduate of Architecture.

Unit 14 Studio Journal 2016. Edition 01. creatives. Onwards and upwards!

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Looking deep and differently into the everyday to see its potential to a shape a future through architecture.

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INTRODUCTION Adrian lauhoud’s succinctly elaborates on post traumatic urbanism as “…the evidence of the aftermath – the remains of an event that are missing.

How does a system make sense of an experience that exceeds its capacity for integration? Since recognition is only ever retroactive, the process of reintegrating the event, of sense-making, begins when we start to sift through the evidence, to build a plausible story, to construct a narrative and develop the coordinates of a new experiential landscape. Slowly repetition returns to weave its supportive tissue, and new futures come to replace old ones. Trauma is the drama in which both history and the future are at stake, held in a suspended crisis; the cards have been thrown up in the air but they have not yet landed. Trauma stages the point at which the system must reimagine itself or perish.”

(Architectural Digest, 2010) The sudden and extreme forces which coalesce in post-1994 Johannesburg makes this young city an opportunistic one for our exploration. We are interested in the consequence of emergent socioeconomic practices in shaping our context and the role of architecture in influencing urban trajectories.

Johannesburg continues to hold the raw markings of mans crude economic pursuits upon its landscape lending insightful evidence upon which to draw speculations. This year, the Unit will align with this uncompromising force of Enterprise - the powerful UNIT 14 / STUDIO JOURNAL

means through which our cities propels and produces itself.

Enterprise presents itself acutely through human need and greed throughout diverse geographies allowing us to borrow, expropriate and reimagine radical other alternatives using local and established logics. Three exemplary post-apartheid geographies (township, suburb, inner city) are identified to explore and exploit emergent practices, agencies and spaces. logics and practice are transplanted to antagonise, exaggerate and test radical alternative possibilities. This Unit concerns itself with ‘how’ we go about producing an equally extraordinary architecture that relates to the extra-ordinary time we are in. Using post-1994 Johannesburg as a laboratory we aim towards an architecture that establishes a reciprocity to place and people -in so doing becoming worthy artefacts of our time as David Goldblatt observes through his seminal book - Structures of Things Then “ Held in its bricks and mortar was an intricate web of ideas and values which constituted the beliefs of this community regarding their relationship not only to the ineffable, but also to themselves within the world they inhabited. it was, indeed, their self-image made manifest. Gradually i came to see structures and their form as expressions of value.”

University of Johannesburg. Graduate School of Architecture. Unit 14 Studio Journal 2016. Edition 01.

The first quarter comprises short exercises and field trips to develop a means of reading and representing socio-spatial logics of these sites which will be decoded to produce a ‘lexicon of Emergent Spatialities’. The lexicon forms the empirical basis to make informed speculations towards a city formation that honours local practices through a responsive and speculative architecture. The second quarter introduces technical, methodological and representational inputs to test spatial translation through short design projects.

You will be designing an architectural strategy that employs lessons learnt through these investigations to create a Mall for Johannesburg (Extra-ordinary Architecture of Enterprise) SEMESTEr 1 (QUArTEr 1 AnD QUArTEr 2) Quarter 1 08 February - 25 March (Weeks 1-7) AcT 1. FETiSH MAniFESTo Week 1: Wednesday 10 February 2016 - Monday 15 February 2016 (1 Week) • • •

input: lecture, Prologue, Project brief (Handed out in class) readings: The Street, The room and Human Agreement (l. Kahn) output: Pin-up Monday 15 February 2016

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AcT 2.1. Mi cASA Week 2: Monday 15 February 2016 - Monday 22 February 2016 (1 Week) • input: representational techniques, Project brief (Handed out in class) • readings: The Structure of Things Then (D. Goldblatt) • output: Pin-up Monday 22 February 2016

•

AcT 2.2. SU cASA Week 3: Monday 22 February 2016 - Monday 29 February 2016 (1 Week) • input: representational techniques, Project brief (Handed out in class) • readings: tbc • output: Pin-up Monday 29 February 2016

AcT 4. ArT oF MAniPUlATinG ForcES Week 8, 9 & 10: Monday 04 April 2016 - Monday 25 April 2016 (3 Weeks) • input: lecture, Artist Stephen Hobbs (in studio), lecture, Specialist input by centre for Affordable Housing Finance in Africa (Adelaide Steadly), input by government specialist on land uses, by-laws and zoning. Project brief (Handed out in class) • readings: Star Horizon (Woods), Understanding ambiguous spaces (Sou Fujimoto), Drawings that take sides (Emre Altürk), Delirious new York (Koolhaas), right to the city (Harvey) • output: Week 8: Daily pin ups (Tuesday - Friday 08h30), Week 9: Pin up Monday 11 April 2016, Week 10: Pin up Monday 18 April 2016

M2 interlude#1(a): A ProloGUE containing 5 images that describe your pursuit, a title and a 100 word abstract. 29 February 2016.

AcT 3. lAnDScrAPinG A lEXicon Week 4,5 & 6 : Monday 29 February 2016 - Monday 21 March 2016 (3 Weeks) • input: lecture, Plato’s cave, Project brief (Handed out in class).

• readings: Post Traumatic Urbanism (lahoud), The Stranger (Schütz), learning from las vegas, recombinant Urbanism (Shane) UNIT 14 / STUDIO JOURNAL

output: Pin-up / exhibition Monday 21 March 2016 (week long)

M2 interlude #1(b): FinAl ProloGUE containing 5 images that describe your pursuit, a title and a 100 word abstract. 21 March 2016.

Quarter 2 04 April - 20 May (Weeks 8-14)

hand out requirements. 18 April 2016.

AcT 5. MAniFESTinG nArrATivES Week 11, 12, 13 & 14 : Monday 25 April 2016 Monday 23 May 2016 • • •

input: lecture, Specialist input by Tanya Zack readings: S’kop (Zack & lewis), narrative Architecture (coates) output: Pin up Monday 09 May 2016, Final Pin-Up (Mid Year Portfolio review) 23 May.

M2 interlude #3(a): HDc – 1 Form (Draft) 25 April M2 interlude/#3(b): HDc – 1 Form (Final) 09 May nB. Dates are subject to change. Please be alert for communication from the Unit 14 staff for any adjustments.

M2 interlude #2(a) DrAFT ProPoSiTion STATEMEnT as per hand out requirements. 04 April 2016.

M2 interlude #2(b): ProPoSiTion STATEMEnT as per

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UNIT FOURTEEN 2016

We are a young and curious bunch, both in unit leaders and in student make-up. As a unit our efforts are focused on Johannesburg, yet only three of us call this city our place of origin. Our fresh eyes bring a unique perspective to the readings of this city’s particularities and percularities. We are the class of 2016.

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TUTORS: TG_THIRESH GOVENDER JB_JHONO BENNETT TS_TULIZA SINDI

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AcT 1.

1 WEEK /

FETISH MANIFESTO

A MEAnS oF inTroDUcTion / UnDErSTAnDinG SKillS & ABiliTiES / AnnoUncinG PErSonAl UniQUE TAlEnTS / SElF rEFlEcTion / rAPiD DrAWinGS / inTUiTion

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This project forms a means of introducing each other DUrATion: 1 Week (individual) to ourselves. Through this project you will be able to express where your core skills lay in terms of mediums oUTPUT: Saul Steinberg Masquerade by Inge Morath and hint as to where your architectural (or personal) 5 x A3 Square format illustrations. one per day (in interest lay. You will be using architectural /spatial rapid succession) fragments as part of your composition. This can be 2min stop-frame video of your process.

PROJECT 1: FETISH MANIFESTO from any source that you feel best captures your experiences - instagram, iPhoto Album, Facebook, etc. rEFErEncES: This project means introducing other tolee ourselves.

Through this project you will be able to express where your Through understanding these we areforms able to aalign your of Ways of Seeingeach (BBc Tv Series, Berger), Self personal story to Unit core framework. portraits by William Kentridge, Jackson Pollock, Bruno (or personal) interest lay. You will be using skills lay in terms of mediums and hint as to where your architectural Munari. architectural /spatial as part of your composition. This can be from any source that you feel best captures your The exercise also test your ability to produce withfragments your intuition and do so in experiences a rapid manner.-ToInstagram, allow you iPhoto Album, Facebook, etc. Through understanding these we are able to align your personal story to reflect on your own to means of working and Unit framework.process, The exercise also test your ability to produce with your intuition and do so in a rapid manner - 60min per you will be asked to record yourself during the making drawing. To allow you to reect on your own means of working and process, you will be asked to record yourself during the of this project. This outcome will be your portrait for making project.(or This outcome will be your portrait for the year and will be how you will be remembered (or forgotten). the year and will be how you willofbethis remembered forgotten).

DURATION: 1 Week (Individual)

OUTPUT: 5 x A3 Square format Illustrations (mixed media), One per day (in rapid succession) , 2min stop-frame video of your process.

KEY WORDS: 60min drawings, Super-skills, Reection,

POSTSCRIPT: Fetish Manifesto was our first project of this studio. The aims were to introduce ourselves to each other through skills and mediums we are most comfortable with. Using architectural and spatial references from our past, a self portrait was produced of how we see ourselves and would like to be understood. The exercises tested our ability to produce quickly, working UNIT 14 / STUDIO JOURNAL with our intuition and instincts. Each drawing was limited to no more than 60minutes. Over five days, one drawing (or artefact) University of Johannesburg. Graduate School of Architecture. Unit 14 Studio Journal 2016. Edition 01. / 17 per day was produced. These become symbolic declarations as to who we are, where we come from and our aspirations as

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Tova lubinsky

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Tova lubinsky

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roleof De Jager

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roleof De Jager

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roleof De Jager

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Salome Monyai

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carla Gaum

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natache iilonga

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ilsa Ann Achilles

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ilsa Ann Achilles

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nicholas Abrahams

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nicholas Abrahams

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AcT 2.

MI CASA / SU CASA

2 WEEKS / 1 WEEK MI CASA, 1 WEEK SU CASA

EXPlorinG PErSonAl & FAMiliAr SPAcE / MEAninG AnD vAlUES oF SPAcE / cHArAcTEr & ATMoSPHErE / Socio-SPATiAl rElATionSHiPS / ArcHiTEcTUrE & vAlUES / inHEriTED STrUcTUrES / PAliMSEST / MEAnS oF rEPrESEnTATion

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This is a two part project. The purpose of it is to sensitise you to your own habitat (one that you are most familiar).

You will need to observe, interpret and document it in a manner that best communicates its value, operaton and meaning. You will need to show how the space is occupied and how it supports life. Attention will be drawn to the various elements that enable its workings, such as furntiure, time, people, light, etc. This will be presented to your colleagues annonomously - you will be paired based on how well the representation and interpretation aligns . The second part of the studio will ask that you take your partners home and assert your own desires. fantasies and obsessions onto - a place of your wildest dreams. You need to embrace or rejct their history and make a case for it. The idea of architecture as inherited infrastructure will be exlpored.

DUrATion: 2 Week (Groups of 2) PoSSiBlE oUTPUT: 1 x Plan 1:100, 1 x Section 1:100, 1 x Mixed Media (A3 Square) rEFErEncES: Structure of Things Then (Goldblatt), The room, The Street and human Agreement (louis Kahn), Thinking for Architects (Bordeaux).

PoSTScriPT. later, you will visit this exercise to draw (in red line) what the relationship of your lived experience is to the legal extents of the space.

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carla Gaum

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lebohang letsoisa

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lebohang letsoisa

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israel ogundare

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israel ogundare

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ilsa Ann Achilles

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ilsa Ann Achilles

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Gita Makan

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Gita Makan

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Gita Makan

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natache iilonga

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Salome Monyai

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Salome Monyai

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carla Gaum

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victor Martins

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nicholas Abrahams

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nicholas Abrahams

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nicholas Abrahams

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roleof De Jager

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Simon Manuel

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Mfundo Magongo

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Mfundo Magongo

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Manqoba Dlungwane

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Johan le roux

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Tova lubinsky

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Tova lubinsky

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ACT 3.

LANDSCRAPING A LEXICON

3 WEEKS / 1 WEEK FIELDWORK, 1 WEEK SYNTHESIS, 1 WEEK SITE SPECIFIC (GROUP)

IMMERSION INTO PLACE / FIELDWORK / MAPPING / UNDERSTANDING DIVERSE GEOGRAPHIES / INTRODUCING EMERGENT SPATIALITIES / WAYS OF SEEING / COLLEGIALITY & TRUST / DIVERSE ENTERPRISES/ BUILDING SPATIAL LITERACY / SITE INTRODUCTION

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This is where we enter the field to find evidence to support our claims - that something valuable for architecture exisits in Johannesburg. We have identified three specific sites that are exemplary in the manner in which they work regarding enterprise. These sites will form the focus of your fieldwork where you will document emergent spatialities to see how they operate and what brought them into being. The outcomes of this work will be put forward into in a exhibition/ publication and will form a core point of reference in your speculations throughout the unit.

12 x Situational studies per student , 2 x narratives ,1 x situation map , 1 x axonometric showing operations, 1 x mapping of emergent geography, 1 x Public exhibition , 1 x Publication/Catalogue, 1 x synthesis drawing.

REFERENCES: Elements (Koolhaas), Pet Architecture (Artelier BowWow), Learning from Las Vegas (Venturi Scott-Brown), Not No Place (Kreutzveld, Malcommes), Rogue Urbanism, Post-Traumatic Urbanism.

DURATION: 3 Week (Various group arrangments) POSSIBLE OUTPUT:

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13

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Diepsloot

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Steyn City Ivory Park

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Kya Sand

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K

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Melrose Arch

L

M

M

N

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Pennyville

P

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China Mall Q

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Soccer City R

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2

3

4

5

6

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8

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MAPPING THE JOURNEY

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2016 GSA_Unit 14 ResearchAreas

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SITES

B12 Diepsloot D10 Steyn City F12 Lone Hill G9 Kya Sand G12 Monte Casino F16 Waterfall Estate E20 Ivory Park L14 Melrose Arch K16 Alexandra K8 World wear O12 UJ P13 Ethiopian Quarter Q11 China Mall R10 Soccer City R10 Nasrec Memorial Park P9 Pennyville S9 Baragwanath Taxi Rank R6 Hector Pieterson Museum R6 Vilakazi Street S6 Maponya Mall T6 Kliptown UNIT 14 / STUDIO JOURNAL

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GROUP 1: INNER CITY

GROUP 2: IVORY PARK

GROUP 3: MELROSE ARCH

2016 GSA_Unit 14 Focus Areas

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THEMES

SE Security ST Street RC Recreation LS Landscape MO Mobility DW Dwelling CU Culture EP Enterprise PT Politics IN Infrastructure

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Lexicon: GSA_Unit 14 Group Work

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THEMES

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Lexicon: GSA_Unit 14 Group Work

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THEMES

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THEMES

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Lexicon: GSA_Unit 14 Group Work

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Nicholas Abrahams/Natache Iilonga

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Tova Lubinsky/Gita Makan

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GROUP 1

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Victor Martins / 150

Spatial Enterprise

1

3

Most Ethiopian retailers in Jeppe are pooling some of their financial risk through the use of the customary practice of Ekub, a voluntary rotating credit and savings scheme whose members make regular payments into a pooled pot and from which each member draws money in turn.

Stores in this building located at the confluence of two narrow corridors that extendthrough two recently interlinked buildings. Nine shops front onto the shorter corridor .Shops and stalls are found in the basement and on the first floor. Altogether there are 162 retail outlets occupythe ing just 3 floors of these 2 contiguous building

5 These retail spaces are a combination of the characteristics of Jeppe-style trading with small spaces offering shopping on several levels and the characteristics of suburban malls with wide passageways, high-intensity lighting, controlled access points and inward-facing shops.

2

The profit margins per item in Jeppe are exceptionally low.

Shopkeepers talk of profits of R1.00 and R1.50 on most items.

4

Cubicle shops that occupy no more than 2 m 2 are rented out at amounts of R2000 per square metre, compared with a rental level in the body of the inner city that is under R180 per square metre

Multiple relations of trade exist between Chinese suppliers and Ethiopian traders in Johannesburg. It is a dense and intimate economic relationship centred on commodities being sourced from China by Chinese wholesalers and directed to Ethiopian traders.

shopowner 1

shopowner 2

shopowner 3

shopowner 4

shopowner 5

shopowner 6 item

R 1.00 shopowner 7

profit R 1.50

GROUP 1

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2 m.sq a store @ R2000 per m.sq item

Lebohang Letsoisa / 151

GROUP 1

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Mfundo Magongo / 152

Site location -Internal and external street edge

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Macro location

GROUP 1

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Victor Martins / 153

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Streets

Manqoba Dlungwane GROUP 1

-Actors and sense of place

]

GROUP 1

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Victor Martins / 155

GROUP 2

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Simon Manuel / 156

GROUP 2

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Simon Manuel / 157

GROUP 2

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Ilsa Ann Achilles

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GROUP 2

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Salome Monyai

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GROUP 3

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GROUP 3

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GROUP 3

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GROUP 3

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GROUP 3

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GROUP 3

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GROUP 3

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#1.

REVIEW

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Students Presenting Review #1 Work

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ACT 4.

THE ART OF MAKING

3 WEEKS / 1 WEEK IN ARTIST STUDIO, 2 WEEKS TRANSLATING

MAKING / THE VALUE OF ARTISTS / TRANSLATING IDEAS / RAPID PROTOTYPING/ COHERENCE OF IDEA THROUGH MATERIALS & MAKING / MODES OF PRODUCTION

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This is a two-part studio. The first is an intense one-week studio session with an artist. Artist have special ability to produce works with uncompromised rigor where ideas are seldom diluted. We will be teaming up with a Johannesburg conceptual artist - Stephen Hobbs to get an insight on how this is done. We will be working from his studio for 5 consecutive days producing a cumilative series of artefacts that focus on the idea of making your ideas tangible - and having some correspondence between your idea and artefact. Your ideas are expected to be exagerated outcomes that are wild, speculative, playful through a focused and highly productive session in-studio. The second part will focus on translating this ideas into more refined outcomes towards a structure or device that we can occupy and possibly construct.

drawing (Part Two) REFERENCES: Start Horizon (Woods), Your Lexicon, Stephen Hobbs, Robert Rauschenberg, Steinbrener & Dempf, Architecture as Craft, Sou Foujimoto.

DURATION: 3 Week (Individual) POSSIBLE OUTPUT: 5 x 3-dimensional mixed media artefacts (Part One), 1 x Set of plans 1:100, 1 x Section 1:100, 1 x Atmospheric

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Steven Hobbs - Abstract ModelExploration Workshop

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Steven Hobbs - Abstract ModelExploration Workshop

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Carla Gaum

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Manqoba Dlungwane

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WORLD TRADE FACADE

ATMOSPHERE Manqoba Dlungwane

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Mfundo Magongo

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Mfundo Magongo

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Israel Ogundare

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Israel Ogundare

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Lebohang Letsoisa

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Lebohang Letsoisa

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Johan Le Roux

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Johan Le Roux

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Johan Le Roux

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Johan Le Roux

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EXPLORATION OF LIGHT AS A FORM OF SECURITY FOR PRECIOUS OBJECTS IN PUBLIC

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Tova Lubinsky

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Tova Lubinsky

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INTENTION University ofCOLLAGE Johannesburg. Graduate School of Architecture. Unit 14 Studio Journal 2016. Edition 01.

ACT 4: ART OF MANIPULATING FORCES TOVA LUBINSKY

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Simon Manuel

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Simon Manuel

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Gita Makan

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Gita Makan

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ATMOSPHERE

ACT 4.2 GITA MAKAN

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Nicholas Abrahams

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Nicholas Abrahams

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Victor Martins

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Victor Martins

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Natache Iilonga

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Natache Iilonga

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20160404_Obscured Visual Connections

20160404_Obscured Visual Connections

20160404_Visual Panopticon

20160404_The Art of Making

20160404_Synthesis

20160404_Framing

20160404_Framing

20160404_Framing

20160411_Security through Visual Connections

20160411_Obscured Visual Connection

20160411_Spatial Resolution with Process

20160411_Periscope

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Ilsa Ann Achilles

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匀䔀䌀唀刀䤀吀夀 䤀一 䌀伀一䘀唀匀䤀伀一 䄀一䐀 䄀 䐀䤀匀吀伀刀吀䤀伀一 伀䘀 倀䠀夀匀䤀䌀䄀䰀 䰀䄀圀匀 UNIT 14 / STUDIO JOURNAL

University of Johannesburg. Graduate School of Architecture. Unit 14 Studio Journal 2016. Edition 01.

㼀℀

Roleof De Jager 刀漀攀氀漀昀 搀攀 䨀愀最攀爀 唀渀椀琀 ㄀㐀

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HIGH PROTEIN VEGETABLES, SUCH AS LENTILS CAN BE BE GROWN ON THE TOP LEVEL

STAIRLESS SHAFT, ACCESS BY CLIMBING UP WALL OR ROPE

TOP LEVEL PROVIDES HEIGHT TO ALLOW FOR SURVEILANCE OF A LARGER AREA

GYM EQUIPMENT AND HUMAN SIZE HAMSTER WHEEL TO CONVERT KINETIC ENERGY INTO ELECTRICITY TO BE STORED IN BATTERY CELLS

PASSAGES ONLY ACCESSIBLE

BY LIFTING 100KG PANELS

FIREMANʼS POLE TO QUICKLY REACT TO CRIME OR EMERGENCIES

“SUPPLEMENTS” SURVEILANCE

REFRESHMENTS SURVEILANCE & ENERGY

PROTEINS & CARBS SURVEILANCE

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ON THE FENCE...

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Salome Monyai

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Salome Monyai

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#2.

REVIEW

The Art of The Art of Manipulating Manipulating Forces Forces

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UNIT 14

UNIT 14

REVIEW REVIEW 25 April, Monday 12h00 - 14h00 25 April, Monday 12h00 - 14h00 GRADUATE SCHOOL OF ARCHITECTURE STUDIO

GRADUATE SCHOOL OF ARCHITECTURE STUDIO

Guests: Stephen Hobbs (Trinity Session) Sarah Calburn (Sarah Calburn Architects) Nolan Oswald Dennis (Wits SOAP)

Guests: Stephen Hobbs (Trinity Session) Sarah Calburn (Sarah Calburn Architects) Nolan Oswald Dennis (Wits SOAP)

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ACT 5.

THE ART OF MANIPULATING FORCES

4 WEEKS / PLUS 2 WEEKS

RESPONDING TO STORIES / SUBJECTIVITY / PROVOCATION / ARCHITECTURAL EXPLORATIONS / DETAIL SECTIONS / DRAWING THROUGH MODELS

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The real wolrd is unforgiving. there are legal, financial, time, policy, by-law and stakeholder constraints that have the potential to undermine projects. The purpose of this studio is to bring awareness to the very real forces that are present in the current reality. here we choose to ficus specifically around issues of property, markets, ownership, financing. You will observe how property and the economies for different geographies have vastly different logics - yet work none-theless for their constituents. Through understanding some fundamental drivers, you will be better placed to manipulate these for your own agenda. We would like to see how you take fundamental realities and work with them to realise audacious and radical other proposals.

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DURATION: 2 Week (Individual) POSSIBLE OUTPUT: 1 x Set of plans 1:100, 1 x Operational Illustration, 1 x Mixed media respresentation (atmosphere), 1 x before / after condition REFERENCES: Centre for Affordable Housing Finance in Africa, An estate agent, Department Infrastructure Development Gauteng Provincial Government, City of Johannesburg,

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Nick Abrahams

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Nick Abrahams

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Nick Abrahams

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Nick Abrahams

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From here you can access the most

prosperous

or the most

economically deprived

areas in Johannesburg.

...on Mondays the abattoir slaughters.

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Ilsa Ann Achilles

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ᰠ䄀䈀䄀一䐀伀一䔀䐀ᴠ

ᰠ伀䈀匀伀䰀䔀吀䔀ᴠ ᰠ䜀伀唀䜀䔀䐀 伀唀吀ᴠ

䤀一䘀刀䄀匀吀刀唀䌀吀唀刀䔀

䴀䄀一䤀䘀䔀匀吀䤀一䜀 一䄀刀刀䄀吀䤀嘀䔀匀 䐀䔀 䨀䄀䜀䔀刀开 㔀㄀开 ㄀

ᰠ䌀䠀伀䬀䤀一䜀 匀䴀伀䬀䔀 吀䠀䔀夀 䔀䴀䤀吀 䈀䰀唀刀刀䤀一䜀 吀䠀䔀 吀䠀䤀一 嘀䔀䤀䰀 伀䘀

ᰠ吀䔀䴀倀伀刀䄀刀夀 䄀一䐀 唀一䐀伀䌀唀䴀䔀一吀䔀䐀 䰀䤀嘀䔀䰀䤀䠀伀伀䐀匀

䤀一 娀䤀䴀䈀䄀䈀圀䔀ᴠ

唀䤀吀嘀䄀䰀䜀刀伀一䐀ᴠ 䰀䄀一䐀匀䌀䄀倀䔀

䴀伀刀一䤀一䜀 䰀䤀䜀䠀吀

ᰠ匀唀倀倀伀刀吀䤀一䜀 䠀䤀匀 䜀刀䄀一䐀倀䄀刀䔀一吀匀 䄀一䐀 匀䤀匀吀䔀刀匀

ᰠ䰀䔀䘀吀 伀嘀䔀刀 䰀䄀一䐀-

䴀䄀一䤀䘀䔀匀吀䤀一䜀 一䄀刀刀䄀吀䤀嘀䔀匀 䐀䔀 䨀䄀䜀䔀刀开 㔀㄀开 ㈀

䄀吀䴀伀匀倀䠀䔀刀䔀

ᰠ伀一䔀 䴀䄀一ᤠ匀 䴀䔀䄀吀

䴀䄀一䤀䘀䔀匀吀䤀一䜀 一䄀刀刀䄀吀䤀嘀䔀匀 䐀䔀 䨀䄀䜀䔀刀开 㔀㄀开 㐀

䤀匀 䄀一伀吀䠀䔀刀

䴀䄀一ᤠ匀 倀伀䤀匀伀一ᴠ

䤀一吀䔀刀䐀䔀倀䔀一䌀䤀䔀匀

UNIT 14 / STUDIO JOURNAL

University of Johannesburg. Graduate School of Architecture. Unit 14 Studio Journal 2016. Edition 01.

䴀䄀一䤀䘀䔀匀吀䤀一䜀 一䄀刀刀䄀吀䤀嘀䔀匀 䐀䔀 䨀䄀䜀䔀刀开 㔀㄀开 㔀

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THE HATCH AND COUNTER ARE REACHED VIA SCAFFOLDING. (PERPETUAL COSTRUCTION) A SUBSTREET IS CREATED ABOVE THE SIDEWALK, THIS COULD LEND TO FUTURE SHOPS ALONG THIS SUBSTREET.

ADVERTISEMENTS ARE ADDED TO THE EXISTING STRUCTURE AND MUSIC IS PLAYED TO LURE CUSTOMERS. (PIRATE BROADCAST)

THE APARTMENT IS SUB-LET TO A FRIEND OF THE TENANT WITH THE INTENT TO OPERATE A FAST FOOD OUTLET.

A HOLE IS PUNCHED THROUGH THE WALL TO SERVE AS A HATCH AND COUNTER FOR SERVING FOOD.

AMSDEK SCRUTINIZES TENANTS EXTENSIVELY, BUT ALLOW ENANTS TO SUB-LET WITH MUCH LESS SCRUTINY. A POLITICALLY CONNECTED PERSON RENTS A FIRST FLOOR APARTMENT.

RESERVED PARKING SPACES ARE ALLOCATED TO THE RENTED APARTMENTS. THE PARKING SPACES ARE USED FOR THE PREPARATION OF COW HEADS.

THE TENANTS INFLUENCE ALLOWS THEM TO BEND THE RULES.

A PARTITION WALL SEPERATES THE TENANT FROM THE SUB-LET FAST FOOD SHOP.

ShusiNyama

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Carla Gaum

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Carla Gaum

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Carla Gaum

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Carla Gaum

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Natache Iilonga

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Natache Iilonga

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Natache Iilonga

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Johan Le Roux

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Johan Le Roux

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Johan Le Roux

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ACT 5 MANIFESTING NARRATIVES INFRASTRUCTURE

TOVA LUBINSKY

ACT 5 MANIFESTING NARRATIVES LANDSCAPE

ACT 5 MANIFESTING NARRATIVES

TOVA LUBINSKY

ATMOSPHERE

TOVA LUBINSKY

ACT 5 MANIFESTING NARRATIVES LIVES

TOVA LUBINSKY

Tova Lubinsky

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ACT 5 MANIFESTING NARRATIVES INTERDEPENDENCIES

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Tova Lubinsky

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EXISTING SITE_OAKLANDS SHOPPING CENTER

STEPS LEADING DOWN FROM ROOF CREATE SPACE FOR FOOD VENDORS TO SELL FOOD IN “DRIVE-BY” MANOR LEFT OVER FOOD FROM ROOF FEEDS TO FOOD STALLS VIA THE CONVEYOR BELT

FOOD VENDOR STALLS ON STREET LEVEL

THE BUTCHER AT THE OAKLANDS BUTCHERY NEGOTIATES WITH THE S’KOP BUTCHERS TO MAKE AN ARRANGEMENT, THE S’KOP BUTCHERS SOURCE THE BOVINE HEADS AND GIVE THE OAKLANDS BUTCHERS THE BRAINS AND THE CHEEKS. THE OAKLANDS BUTCHER EXCHANGES THIS FOR THEIR EXTRA BONES AND FAT PRODUCES IN THE BUTCHERY

A HIGH END RESTAURANT OF “LEFTOVERS” IS CREATED ON THE ROOF. THIS USES THE MEATS FROM THE COMBINED BUTCHER’S PRODUCTIONS AS WELL AS LEFT-OVER FRUIT AND VEG FROM THE FRUIT SHOP. CONSUMERS CHOOSE THEIR INGREDIENTS FROM THE CONVEYOR BELT AND ENJOY THEIR MEAL ON THE ROOF.

ROOF-TOP “UITVALBURG” RESTAURANT

PROPOSED INTERVENTION GSA_U14-TOVA LUBINSKY/ACY 5 MANIFESTING NARRATIVES: STRATEGY AND OPERATION

Tova Lubinsky

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Victor Martins

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Victor Martins

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Victor Martins

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Victor Martins

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Israel Ogundare

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Israel Ogundare

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Israel Ogundare

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Israel Ogundare

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Simon Manuel

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Simon Manuel

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Simon Manuel

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The five storey modernist structure has sweeping

ramps encircling a

central core that creates a light well in the building.

talk to someone or buy something from the vendor wanders past with a tray of sweets and loose cigarettes. At 10am some of hour of their thirteen-hour working day. They pass beer around. The smell of coal fire, fresh meat and dagga hangs in the air.

Occasionally a butcher pauses to

ground between the blackened subterranean pillars is uneven. If there was floor it has long been subsumed under, and reshaped by, the cityâ&#x20AC;&#x2122;s dust and runoff and a midden of bone fragments, hair and skin.

The

lives in a crowded room in the inner city, supporting his He

ever a concrete

grandparents and sisters in Zimbabwe.

who

the butchers are well into the fifth

Heads arrive in shopping trolleys.

They are bought at a nearby butchery and are sent by customers who will pay R10 per head for cutting service. Some butchers cut heads for themselves.

They

braai the meat at a makeshift stall rank,

opposite the Metro mall taxi across the park from karzene.

Manqoba Dlungwane

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Manqoba Dlungwane

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1. Taxi drop off and waiting area 2. Planted roof 3. Solar screen 4. Landscaped public podium 5. Glazed roof 6. Spiral stairs 7. Fire oven 8. S’kop cooking area 9. S’kop prep area 11. Taxi pick up area 12. Box gutter 13. Isulated corrugated cladding 14. Precast concrete floors 15. Steel truss 16. Oven chimney 17. Adobe and bottle construction 18. Concrete piling 19. Concrete foundations

16 5

PRODUCTION LAWN

17

2

12

13 TAXI RANK

3

1

15 14

6

GSA_U14-MANQOBA DLUNGWANE/MANIFESTING NARATIVES: SOCIO-TECTONIC SECTION

PLAY SLOPE

4

7

9

8

18 19

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PLAY SLOPE

12

13 GROUND FLOOR

19

GSA_U14-MANQOBA DLUNGWANE/MANIFESTING NARATIVES: FLOOR PLANS

1:100

11

LOWER GROUND FLOOR 1:100

Manqoba Dlungwane

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Lebohang Letsoisa

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COW HEAD TRAIL

2

COW SKIN TRAIL

NIGERIAN RESTUARANT

SKIN CLEANERS

ETHIOPIAN RESTUARANT ETHIOPIAN RESTUARANT TAXI RESTUARANT

ETHIOPIAN RESTUARANT

COW HEAD CHOPPERS

proposition collage COW HEAD CHOPPERS

1

sectional diagram

Supply Chain For The Organic Left Over

ETHIOPIAN RESTUARANT ETHIOPIAN RESTUARANT ETHIOPIAN RESTUARANT NIGERIAN RESTUARANT

NIGERIAN RESTUARANT

TAXI RESTUARANT

outsourced

outsourced

Lebohang Letsoisa

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3

1:50 socio-tectonic section

ETHIOPIAN RESTUARANT

ETHIOPIAN RESTUARANT ETHIOPIAN RESTUARANT 4.2

ETHIOPIAN RESTUARANT

“Taxi drivers Quarters”

ETHIOPIAN RESTUARANT 3.1

“Nigerian Quarters”

Lebohang Letsoisa

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4

4.1

1:100 cross-sectional interdependency plan

1:100 “Nigerian Quarters” floor plan

4.2

1:100 “Taxi drivers Quarters” floor plan

Lebohang Letsoisa

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Mfundo Magongo

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Mfundo Magongo

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Mfundo Magongo

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Mfundo Magongo

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Gita Makan

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Gita Makan

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PROPOSITION University of COLLAGE Johannesburg. Graduate School of Architecture. Unit 14 Studio Journal 2016. Edition 01.

ACT 5: SPATIALISING NARRATIVES GITA MAKAN

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Gita Makan

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Gita Makan

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GSA_U14-SALOME MONYAI/ACT 5: INFRASTRUCTURE

GSA_U14-SALOMEMONYAI/ACT5:LIFE

GSA_U14-SALOME MONYAI/ACT 5: ATMOSPHERE

GSA_U14-SALOME MONYAI/ACT 5: LANDSCAPE

GSA_U14-SALOME MONYAI/ACT 5: INTERDEPENDENCIES

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Salome Monyai

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GSA_U14-SALOME MONYAI/ACT 5: PROPOSITION

Salome Monyai

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Salome Monyai

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GSA_U14-SALOME MONYAI/ACT 5: PROPOSITION -PLANS

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MEDIA.

RESOURCES

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GSA_Unit 14 Pinterest Board

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Facebook Resource Group

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Twiiter Account for #hashtaghomework

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INPUTS

Dr. Beatrice De Carli & Dr. Alex Frediani

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Dr. Tanya Zack / 280

Anele Mahlahlo

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Guy Trangos / 281

THANK YOU The workings and outcomes of UNIT 14 are made possible by the incredible people that are part of and associated with this Unit. We would like to extend special thanks to The University of Johannesburg, UrbanWorks Architecture & Urbansim, Prof. Lesley Lokko, Stephen Hobbs, Prof. Jean-Pierre de la Porte, Tanya Zack, Guy Trangos, Anele Mhlahlo, Sarah Calburn, Beatrice De Carli, Nolan Dennis, our colleagues and friends.

Unit staff: Thiresh Govender Jhono Bennett Tuliza Sindi Unit Fourteen Class of 2016: Nick Abrahams Ilsa Archillies Roelof De Jager Manqoba Dlungwane Carla Gaum Johann Le Roux Natache Iilonga Lebohang Letsoisa Tova Lubinsky Mfundo Magongo Gita Makan Victor Martins Salome Monyai Ogundare Olawayo Israel Manuel Simon UNIT 14 / STUDIO JOURNAL

University of Johannesburg. Graduate School of Architecture. Unit 14 Studio Journal 2016. Edition 01.

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