Atlanta After Property II | Samples Catalog

Page 1

FALL 2022

ATLANTA AFTER PROPERTY

VOL. 2

SAMPLES CATALOG

FALL 2022

URBAN DESIGN STUDIO II

COLUMBIA GSAPP

A6820-1

INSTRUCTORS:

EMANUEL ADMASSU

NINA COOKE JOHN

CHAT TRAVIESO

JELISA BLUMBERG

REGINA TENG

A.L. HU

GALINA NOVIKOVA

TABLE OF CONTENT COLLECTIVE SAMPLES

01 Queering The City 02 Queering Green Infrastructure 03 Mexico-United States Border 04 Jodhpur Brahmapuri 05 Shanty Town 06 Trap Houses 07 Siachen Glacier 08 Remembrance as Resistance 09 Fire Hydrants 10 The Villages in Guangzhou 11 Chawls of Mumbai 12 Manek Chowk 13 Autonomous Organism 14 Multi-Temporal Arcade 15 Ephemeral Ownership 16 Outdoor Domesticity 17 Open Grazing 18 Republic of Rose Island 19 Sonoran Desert Foraging 20 Communal Construction 21 Koliwadas, The Extension Jugaad 22 Hehuatang, Nanjing, China 23 Blurring Edges of Property 24 Courtyard House 25 Practice of Namaz 26 Dharavi 2

QUEERING THE CITY

Property serves as occasions where one tries to covertly rebel against the imposed set of regulations, whilst capital serves as a mask subsequently. playing by their own rules while presenting the world with what it wants to see.

FACADE UD STUDIO II GSAPP | SAMPLES CATALOG
BEHIND THE
SAMPLE 01
4
Laura Aguilar, 2001
FOUND IMAGES UD STUDIO II GSAPP | SAMPLES CATALOG
Bakers Bakery, 2016
SAMPLE 01
Gabriella N. Baez Magnum Foundation, 2021
6
Bakers Bakery, 2020
DIAGRAM UD STUDIO II GSAPP | SAMPLES CATALOG
SAMPLE 01
8
Heer Shah, Maria G Flores, Tippi Huang, Yaoze Yu

QUEERING GREEN INFRASTRUCTURE

After property is a interface to allow people to be themselves against what property expects.

GREEN INTERFACE UD STUDIO II GSAPP | SAMPLES CATALOG
SAMPLE 02
10
Bedroom Boy, Salman Toor, 2021
FOUND IMAGES UD STUDIO II GSAPP | SAMPLES CATALOG
Back Lawn, Salman Toor, 2021
SAMPLE 02
Parts and Things, Salman Toor, 2019
12
The Queen, Salman Toor, 2020
DIAGRAM UD STUDIO II GSAPP | SAMPLES CATALOG
SAMPLE 02
14
Heer Shah, Maria G Flores, Tippi Huang, Yaoze Yu

Mexico-United States Border

INTANGIBLE CROSSING

On the premise that it is impossible to change the spatial division of the Mexico-United States border by established physical boundaries, the concept of the“ individual” itself should be respected is over the idea of the “group identity”. Through spatial design, we can awaken those intangible Cultures and bloodline connections and thus cross the fragmentation brought by spatial politics.

UD STUDIO II GSAPP | SAMPLES CATALOG
SAMPLE 03
16
Luise Torres/AFP/Getty Images, 2019
FOUND IMAGES UD STUDIO II GSAPP | SAMPLES CATALOG
Gordon Hyde, 2007
SAMPLE 03
Borderline, The Washington Post, 2018
18
Rio Grande, Politica Estera, 2014

Border

Tribes

Crossing Border Language

Di erent Language Overlay

Di erent Language Overlay

Coincide with Tribes

20

Jodhpur Brahmapuri

Defying the binary divide between property ownership and steering towards varying degrees of in between conditions where the middle ground have been expanded for greater shared spaces.

UD STUDIO II GSAPP | SAMPLES CATALOG
COLOR, SPACE, PHENOMENOLOGY
SAMPLE 04
22
Getty Images, 2019
FOUND IMAGES UD STUDIO II GSAPP | SAMPLES CATALOG
Suzy Bennett, 2021
SAMPLE 04
Nila Newsom, Shutterstock, 2021
24
Tuul and Bruno Morandi, Getty Images, 2013
DIAGRAM UD STUDIO II GSAPP | SAMPLES CATALOG
SAMPLE 04
26
Ruxuan Zheng, Jingyi Liu,Jiani Dai,Chongyang Ren

SHANTY TOWN

SPACES OF INFORMAL GROWTH

Tracing informal growth and transitions that happen in a space defying patterns of city growth. They define their own life cycle in property - presence, interaction, growth to their absolute absence. The tensions between this independent system and the existing city is crucial.

UD STUDIO II GSAPP | SAMPLES CATALOG
SAMPLE 05
28
Wu Jianping, 2000
FOUND IMAGES UD STUDIO II GSAPP | SAMPLES CATALOG
Lalen Rios Luna, 2022
SAMPLE 05
Lalen Rios Luna, 2022
30
Virtual Shanghai, 1921-1949
DIAGRAM UD STUDIO II GSAPP | SAMPLES CATALOG
SAMPLE 05
32
Nupur Shah, Simran Gupta, Aashwita Yadav, Rohin Sikka

TRAP HOUSES

SPACES LACKING OWNERSHIP

Properties abandoned and not owned by anyone, can be used temporarily in any manner deemed right by multiple occupants. Not being under surveillance gives rise to various illegal activities, one after the other or even at the same time to happen there.

UD STUDIO II GSAPP | SAMPLES CATALOG
SAMPLE 06
2018 34
CreatorLA,
FOUND IMAGES UD STUDIO II GSAPP | SAMPLES CATALOG
Alexis Montero, 2018
SAMPLE 06 NBC, 2018 The New York Times, 2016 36
DIAGRAM UD STUDIO II GSAPP | SAMPLES CATALOG
SAMPLE 06
38
Nupur Shah, Simran Gupta, Aashwita Yadav, Rohin Sikka

SIACHEN GLACIER

SHIFTING BOUNDARIES

Blurring boundaries through shifting landscapes and anthropological intervention

With no clear demarcated boundaries, territorial control is dealt in elevations and identified through the mountain peaks. With the seasonal melting and refreezing of the Siachen Glacier, geopolitical boundaries are continually renegotiated and blurred.

UD STUDIO II GSAPP | SAMPLES CATALOG
SAMPLE 07 Ciril Jazbec, 2015 40
FOUND IMAGES UD STUDIO II GSAPP | SAMPLES CATALOG
Thsulemani, 2012
SAMPLE 07
Koonyongyut/iStock/Getty Images, 2019 42
Google Earth Pro, 2022
DIAGRAM UD STUDIO II GSAPP | SAMPLES CATALOG
SAMPLE 07
44
Anagha Arunkumar, Donnal Baijnauth, Haoyu Hu, Xu (Chelsie) Cheng

REMEMBRANCE AS RESISTANCE

Civic engagement and protest as a powerful tool to spatialize and memorialize historic events of deep significance, from the machinations of real estate speculation and development.

UD STUDIO II GSAPP | SAMPLES CATALOG
AFRICAN BURIAL GROUND
SAMPLE 08
1776 46
Library of Congress,
FOUND IMAGES UD STUDIO II GSAPP | SAMPLES CATALOG
Keith Meyers/New York Times, 2003
SAMPLE 08
AP Photo/Mark Lennihan, 2020
48
National Park Service, 2018
DIAGRAM UD STUDIO II GSAPP | SAMPLES CATALOG
SAMPLE 08
50
Anagha Arunkumar, Donnal Baijnauth, Haoyu Hu, Xu (Chelsie) Cheng

FIRE HYDRANTS

BLURRING BOUNDARIES

In a world after property a transit space triggers creative, non-conform behaviour. Individuals express their own biographies, relationships, ties and interests within blurring boundaries that happen in a stringent yet ambivalent context.

UD STUDIO II GSAPP | SAMPLES CATALOG
SAMPLE 09
52
Brooklyn Block Parties, The New York Times, 2019
FOUND IMAGES UD STUDIO II GSAPP | SAMPLES CATALOG
Tei Carpenter and Christopher Woebken, 2019
SAMPLE 09
Peter Stackpole/Life Magazine, 1953
54
Showkat Shafi, 2016
DIAGRAM UD STUDIO II GSAPP | SAMPLES CATALOG
SAMPLE 09
56
Devanshi Gajjar, Naumika Hejib, Verena Krappitz, Yashita Khanna

THE VILLAGES IN GUANGZHOU

After- property goes beyond the narrative of physical locations. But it is organized through space-specific resources, including social relations and focuses on the individual people-place relationship.

UD STUDIO II GSAPP | SAMPLES CATALOG
HYPER LOCAL SUPPORT NETWORKS
SAMPLE 10
58
Our China Story, 2021
FOUND IMAGES UD STUDIO II GSAPP | SAMPLES CATALOG
Yann Kebbi, 2016
SAMPLE 10
60
A Study of Ahmedabad, Zankruti Raval, 2017
NO Studio, 2016
DIAGRAM UD STUDIO II GSAPP | SAMPLES CATALOG
SAMPLE 10
62
Devanshi Gajjar, Naumika Hejib, Verena Krappitz, Yashita Khanna

CHAWLS OF MUMBAI

In this poverty-stricken public housing in India, the public and private spaces are blurred, people put their personal belongings in the public space. At the same time, people of different religions and social backgrounds live together and know each other so well that the boundaries between people are also blurred. The expanding chawl is changing the existing urban fabric, and the boundaries between is also blurred.

UD STUDIO II GSAPP | SAMPLES CATALOG
SOCIO CULTURAL SPILLOVER
SAMPLE 11
64
Deepak Joshi, 2021
FOUND IMAGES UD STUDIO II GSAPP | SAMPLES CATALOG
Shrikrishna Patkar, 2017
SAMPLE 11
India Today, 2017
66
Mumbai's BDD, 2019
DIAGRAM UD STUDIO II GSAPP | SAMPLES CATALOG
SAMPLE 11
68
Wenjun Zhu, Hongfeng Wang, Qiannan Guo, Haoyu Zhu

MANEK CHOWK

Through mutual understanding and public supervision, people have different ownership rights and supervisory obligations over public space at different times. Under this premise, Ownership and the obligation to protect public goods are dynamical, improving community vitality and avoiding crime at different time.

DYNAMIC UD STUDIO II GSAPP | SAMPLES CATALOG
SAMPLE 12
70
The Food Dharma, Mehtaworld, 2018
FOUND IMAGES UD STUDIO II GSAPP | SAMPLES CATALOG
The Wanderer, Siddhartha Joshi, 2015
SAMPLE 12
Nirvan Diaries, 2021
72
The Food Dharma, Mehtaworld, 2018
DIAGRAM UD STUDIO II GSAPP | SAMPLES CATALOG NOON MORNING NIGHT
SAMPLE 12
74
Wenjun Zhu, Hongfeng Wang, Qiannan Guo, Haoyu Zhu

AUTONOMOUS ORGANISM

Power, Social relations, and Public interest shape the form of property. Although laws and power regulate the boundary of the property, people redefine and recreate their own space based on their activities and desires, which is strengthened by the bounded relationship between the generations.

As an autonomous organism, the property has been continuously expanding over time and becomes new vital land for the public out of the power control.

UD STUDIO II GSAPP | SAMPLES CATALOG
THE EXTENDING BOUNDARY
SAMPLE 13
76
Hongfeng Wang, 2020

Milwaukee Journal Sentinel, 2019

FOUND IMAGES UD STUDIO II GSAPP | SAMPLES CATALOG
SAMPLE 13
Hongfeng Wang, 2019
78
Hongfeng Wang, 2019
DIAGRAM UD STUDIO II GSAPP | SAMPLES CATALOG
SAMPLE 13
80
Anchalinad Anuwatnontaket, Mingrui Jiang, Xiutong Yu, Hanfei Fu

MULTI-TEMPORAL ARCADE

TRANSITION AND BLURRED BOUNDARIES

Property is against nature. It is a discrete, arbitrary and exclusionary system of monetary exchange imposed upon landscape, disregarding the value and logic of continuous surfaces, terrain, aquifer and the cultural and ecological memory of a place.

UD STUDIO II GSAPP | SAMPLES CATALOG
SAMPLE 14 The Guardian, 2017 82
FOUND IMAGES UD STUDIO II GSAPP | SAMPLES CATALOG
Jnzl Photos, 2015
SAMPLE 14
Hongfeng Wang, 2021
84
TakeMeTour, 2020
DIAGRAM UD STUDIO II GSAPP | SAMPLES CATALOG
SAMPLE 14
86
Anchalinad Anuwatnontaket, Mingrui Jiang, Xiutong Yu, Hanfei Fu

Ephemeral Ownership

Through expansion and retraction, the night market stalls are in constant flux and negotiating its boundaries through activities and movement within the rigidly defined lines of property.

UD STUDIO II GSAPP | SAMPLES
WUHAN NIGHT MARKET
CATALOG
SAMPLE 15
88
Wuhan Night Market, Hanfei Fu and Jianwen Yang, 2020
FOUND IMAGES UD STUDIO II GSAPP | SAMPLES CATALOG
Wuhan Night Market, Hanfei Fu and Jianwen Yang, 2020
SAMPLE 15
Wuhan Night Market, Hanfei Fu and Jianwen Yang, 2020
90
Bangkok's Chinatown | The Guardian, 2017
DIAGRAM UD STUDIO II GSAPP | SAMPLES CATALOG
SAMPLE 15
92
Caroline Wineburg, Oreoluwa Adegbola, Vir Shah, Reya Singhi

OUTDOOR DOMESTICITY

Within the context of the commons, residents recreate the comforts of space through deviation, expansion, and accumulation.

UD STUDIO II GSAPP | SAMPLES CATALOG
RECLAMATION
FX's Atlanta, 2016 94
FOUND IMAGES UD STUDIO II GSAPP | SAMPLES CATALOG
Haidian Garden, 2019
SAMPLE 16
Unraveling Modern Living. Tatiana Bilbao Estudio, 2020
96
He Zhisen, 2019
DIAGRAM UD STUDIO II GSAPP | SAMPLES CATALOG
SAMPLE 16
98
Caroline Wineburg, Oreoluwa Adegbola, Vir Shah, Reya Singhi

OPEN GRAZING

Multiple actors with circumstances cause property and lines of division to fluctuate. The non-static boundaries of ownershiphuman and non-human - are inspected and negotiated.

UD STUDIO II GSAPP | SAMPLES CATALOG
FLUCTUATING NEGOTIATIONS
SAMPLE 17
100
Getty Images, 2019
FOUND IMAGES UD STUDIO II GSAPP | SAMPLES CATALOG
C. de Bode/CGIAR, 2018
SAMPLE 17
NKTNews, 2020 102
Medium, 2018
DIAGRAM UD STUDIO II GSAPP | SAMPLES CATALOG
SAMPLE 17
104
John Grunewald, Di Le, Jade Durand, Deepa Gopalakrishnan

REPUBLIC OF ROSE ISLAND

Outside of territorial jurisdiction exclusive economic waters, a space is made for resisting demands of governmental ownership of person. Absent is the regime of property in the absolute autonomy of self, universal ability to communicate, a reclaiming sovereignty from a nations control.

UD STUDIO II GSAPP | SAMPLES CATALOG
SPACE OF AUTONOMY
SAMPLE 18 Wikimedia, 1968 106
FOUND IMAGES UD STUDIO II GSAPP | SAMPLES CATALOG
Domus n.971, 1969
SAMPLE 18 Rose Island (Isola delle Rose), 1968 Flanders Marine Institute, Maritime Boundaries Geodatabase, 2018 108
DIAGRAM UD STUDIO II GSAPP | SAMPLES CATALOG
SAMPLE 18
110
John Grunewald, Di Le, Jade Durand, Deepa Gopalakrishnan

SONORAN DESERT FORAGING

FORAGING AND NON-EXTRACTIVE AGRICULTURE

The act of defying the extractive nature of land for ones benefit and creating an ecological balance in the utilization of land and natural resources to foster mutually supportive growth and rehabilitation. Sharing of resources, information and networks to create a protective harmonious and stable environment.

UD STUDIO II GSAPP | SAMPLES CATALOG
SAMPLE 19
112
Michael Chiago, 2013
FOUND IMAGES UD STUDIO II GSAPP | SAMPLES CATALOG
Bill Hatcher, 2017
SAMPLE 19
Michael Chiago, 2008 114
CNG Farming, 2017
DIAGRAM UD STUDIO II GSAPP | SAMPLES CATALOG
SAMPLE 19
116
Rutwik Karra, Yue Huang, Devanshi Pandya, Siwei Tang

COMMUNAL CONSTRUCTION

KALINAGO TERRITORY

The act of defying the extractive nature of land for ones benefit and creating an ecological balance in the utilization of land and natural resources to foster mutually supportive growth and rehabilitation. Sharing of resources, information and networks to create a protective harmonious and stable environment.

UD STUDIO II GSAPP | SAMPLES CATALOG
SAMPLE 20 Journal de la Societe des Americanistes, 2016 118

Traditional mask on display, RSS, 2015

FOUND IMAGES UD STUDIO II GSAPP | SAMPLES CATALOG
SAMPLE 20
Ceremony, W.H. Brett, 1868
120
Amanda Castleman, AFAR, 2017
DIAGRAM UD STUDIO II GSAPP | SAMPLES CATALOG
SAMPLE 20
122
Rutwik Karra, Yue Huang, Devanshi Pandya, Siwei Tang

KOLIWADAS, THE EXTENSION JUGAAD

OUTDOOR LIVING ROOMS

The illegal extension of the homes using temporary building materials into the sidewalks beyond their property lines challenges the rigid edges of property both physically and spatially, spilling their domestic and social activities into these outdoor living rooms.

UD STUDIO II GSAPP | SAMPLES CATALOG
SAMPLE 21
124
Adam Cohn, 2018
FOUND IMAGES UD STUDIO II GSAPP | SAMPLES CATALOG
URBZ, 2009
SAMPLE 21
Shweta Agarwal, 2017
126
Heritage Chronicles, 2020
DIAGRAM UD STUDIO II GSAPP | SAMPLES CATALOG
SAMPLE 21
128
Sanya Verma, Zicong Liu, Saloni Shah, Yiwan Zhao

HEHUATANG, NANJING, CHINA

Occupants lives and activities have reshaped the edges of the property, which makes extension and exchange. They define the street as collective property. New spatial qualities have been addressed with these carved in and out vivid lives.

UD STUDIO II GSAPP | SAMPLES CATALOG
EXTENSION AND EXCHANGE OF THE EDGES
SAMPLE 22
130
Zhuanlan Zhihu, 2019
FOUND IMAGES UD STUDIO II GSAPP | SAMPLES CATALOG
Zhuanlan Zhihu, 2019
SAMPLE 22
Zhuanlan Zhihu, 2019
132
Laomenxi, 2019
DIAGRAM UD STUDIO II GSAPP | SAMPLES CATALOG
SAMPLE 22
134
Sanya Verma, Zicong Liu, Saloni Shah, Yiwan Zhao

BLURRING EDGES OF PROPERTY

The edges of property which are based on socio-economic and spatial conditions can provide different realities in the cityscape. These edges can also be shared, exchanged, or borrowed. This opportunity for negotiation can either result in tension or co-existence for user. By removing their own physical barriers, one can extend their property and retrieve the lost public space.

ROOF TOPS IN NEW DELHI UD STUDIO II GSAPP | SAMPLES CATALOG
SAMPLE 23 Gov Insider Asia, 2017 136
FOUND IMAGES UD STUDIO II GSAPP | SAMPLES CATALOG
Vijay Shah, 2012
SAMPLE 23
Sarah Gunawan, 2015
138
Yasmin Mund, 2015
DIAGRAM UD STUDIO II GSAPP | SAMPLES CATALOG
SAMPLE 23
140
Rubin Lian, Yan Huo, Changyup Shin, Ankita Harish Sharma

COURTYARD HOUSE

The courtyard house used to be a singlefamily housing and the courtyard within its property was therefore privately-owned. However, as new owners and their buildings appear in the courtyard, the spatial boundary between private and public began to transform and became blurry.

UD STUDIO II GSAPP | SAMPLES CATALOG
BEIJING, CHINA
SAMPLE 24
142
Beijing Walking. Leo Kui, 2020

a 1950

The courtyard house is well preserved.

Total construction area is 2440.5m

b 1970

Total construction area is 2196.5m, which is 131 percent of the 1950s area

c 1987

Total construction area is 3786.5,. which is 155 percent of the 1950s area

Legend

1950-1970

Inter-Lab,2019

FOUND IMAGES UD STUDIO II GSAPP | SAMPLES CATALOG
Original Building footprint Self - construction during Self - construction during 1970-1987
SAMPLE 24
2019
144
Baidu
Ecns,2013
DIAGRAM UD STUDIO II GSAPP | SAMPLES CATALOG
SAMPLE 24
146
Rubin Lian, Yan Huo, Changyup Shin, Ankita Harish Sharma

PRACTICE OF NAMAZ

SACRED

RITUALS AS SPATIAL PRACTICES

Sacred rituals as spatial practices that cannot be confined in a space nor impacted by societal limitations placed upon the body, but yet it is about how people reorient themselves in relation to time and align with a collective purpose. UD STUDIO II GSAPP | SAMPLES CATALOG
SAMPLE 25
148
Carlo Allegri/Reuters, 2017
FOUND IMAGES UD STUDIO II GSAPP | SAMPLES CATALOG
Amir Hossein Kamali, 2020
SAMPLE 25
Pixwox. @realmuslim life, 2020 150
Bruno Barbey, 1980
DIAGRAM UD STUDIO II GSAPP | SAMPLES CATALOG
SAMPLE 25
152
Iza Khan, Sanah Mengi, Marina Guimaraes

DHARAVI

OUTDOOR LIVING ROOMS

Communities are built by association and social interactions. These spaces of commune are formulated through voids, movement, porosity and alliance that is not limited to the physical realm.

UD STUDIO II GSAPP | SAMPLES CATALOG
SAMPLE 26
154
Shalu Khandelwal | Culture Trip, 2017
FOUND IMAGES UD STUDIO II GSAPP | SAMPLES CATALOG
Flickr. Gynna Millan, 2013
SAMPLE 26
GiveWell, 2010 156
Jonas Bendiksen, 2006
DIAGRAM UD STUDIO II GSAPP | SAMPLES CATALOG
SAMPLE 26
158
Iza Khan, Sanah Mengi, Marina Guimaraes

FALL 2022

URBAN DESIGN STUDIO II

COLUMBIA GSAPP

A6820-1

INSTRUCTORS:

EMANUEL ADMASSU

NINA COOKE JOHN

CHAT TRAVIESO

JELISA BLUMBERG

REGINA TENG

A.L. HU

GALINA NOVIKOVA

ATLANTA AFTER PROPERTY vol. 2

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