Scene Magazine - February 2021 | WWW.GSCENE.COM

Page 39

Scene 39

SEX ON SCREEN

John Mercer, professor of gender and sexuality at Birmingham City University’s School of Media, discusses Channel 4’s It’s A Sin, sex on screen and influencing representations

) Sex and sexual activity is a feature of

many people’s adult lives, so I’m always a little bit surprised that it’s still the case that a sex scene in a TV show can provoke so much comment and even outrage, more than perhaps representations of gun or knife crime, physical assault and murder, which are commonplace in drama but thankfully not commonplace in people’s lives. What ‘influence’ seeing actors performing sex scenes might have is similarly an odd, and a loaded, question. Does seeing a murder on a Tuesday afternoon in Father Brown on BBC One influence an audience of furloughed workers and retirees to go out on killing sprees? I’ve yet to see the evidence that would suggest this.

“The fact that a sex scene in It’s A Sin can still provoke so much comment and in 2021 still elicit casual homophobia passed off as legitimate comment provides the strongest case for the importance of this programme being commissioned and broadcast”

IT'S A SIN. PIC CRED: CHANNEL 4

Talking about sex on screen tends to emerge as a hot topic in the mainstream press and

subsequently on social media because of the popularity and high-profile nature of a specific programme. In 2020, BBC’s Normal People attracted a lot of attention because of the lengthy sex scenes and the visibility of Paul Mescal’s penis in many of these scenes. Penises often seem to be very upsetting to people who complain about this kind of material.

“Does seeing a murder on a Tuesday afternoon in Father Brown on BBC One influence an audience of furloughed workers and retirees to go out on killing sprees?” This year a furore has been generated by Russell T Davies’ It’s A Sin and a sex scene in the first episode. Predictably, a British tabloid newspaper with a long reputation for fomenting offence among its readers, was at the heart of this with coverage that social media users were quick to notice and used terms like ‘shock’ to frame gay sex in a very different way to the ways it describes straight sex scenes in Netflix’s Bridgerton. The implicit, and in fact, fairly explicit homophobia of The Sun’s coverage and the weasel words it was then to use to justify

its decisions should come as no surprise to anyone. It certainly won’t surprise anyone who is old enough to remember the AIDS crisis in the mid-1980s and the kind of reportage that The Sun and other tabloids routinely ran to stoke anxiety and a legacy of homophobia that generations of gay men have had to contend with since then. The fact that a sex scene in It’s A Sin can still provoke so much comment and in 2021 still elicit casual homophobia passed off as legitimate comment provides the strongest case for the importance of this programme being commissioned and broadcast. We can easily imagine that we live in a much more tolerant society than we did in the 1980s, but The Sun article and the reaction to it tends to demonstrate that we don’t need to scratch far below the surface to find attitudes that have no place in the here and now. This is not a trivial matter about a sex scene in a Channel 4 show that was expressly designed to provoke comment – and I support Davies for his decision, which is a political as well as an artistic one. We are currently again in lockdown and living under conditions in which a government has passed legislation that is unprecedented in making sexual activity between adults that are not cohabiting effectively illegal. These are political decisions that affect everyone but disproportionately affect people, gay males or otherwise, who do not choose to organise their intimate lives around monogamous cohabitation. Sex is political and sexual representation is also therefore political and seeing adults desiring each other and perhaps having desires that we do not share is one of the ways in which we can understand other people’s lives and experiences. This is an influence that seeing sex on screen could perhaps have and one that I am very much in favour of.


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Articles inside

ARTS Alex Klineberg

2min
page 43

LAURIE’S ALLOTMENT

1min
page 51

TWISTED GILDED GHETTO

3min
page 50

WALL'S WORDS

2min
page 50

RAE'S REFLECTIONS

4min
page 49

SCENE & DONE IT

2min
page 48

GOLDEN HOUR

2min
page 48

CRAIG’S THOUGHTS

5min
page 47

STUFF & THINGS

2min
page 46

HYDES’ HOPES

2min
page 46

TURN BACK THE PAGES

8min
pages 44-45

By David Fray

2min
page 43

PAGE'S PAGES

5min
page 42

The Last Literary Outlaw

5min
page 41

AT HOME with Michael Hootman

3min
page 38

ALL THAT JAZZ

2min
page 37

CLASSICAL NOTES

5min
page 36

Trans Can Sport wins award from The Federation of Gay Games

2min
page 11

Putting the LGBTQ+ in team

1min
page 13

Celebrating LGBTQ+ voices featuring Sussex writers of colour

2min
page 10

Young Carers’ Project

3min
page 35

Worthing Pride set to return

1min
page 9

The Bedford Tavern launches Urban Cooking Collective

1min
page 9

Sea Serpents seek new sponsors

1min
page 8

All About Community: new report celebrates Lunch Positive

3min
page 8

OBITUARY: Keith Kerr, 1946-2020

3min
page 6

Brighton & Hove LGBT Community Safety Forum closes

2min
page 3

TEA, TUNES & TINKERING

2min
page 34

Fighting ‘the heteroactivist enemy’ and other approaches

4min
page 27

Reflections on Vaccines

4min
page 26

Simply (B)iconic

6min
pages 20-21

LGBTQ+ Life Through A Lens

3min
pages 30-31

Celebrating LGBTQ+ History Month in Brighton & Hove

5min
pages 22-23

THE COAST IS QUEER

1min
page 7

THE ‘MAGIC’ FARM

10min
pages 24-25

Paul Burston

5min
page 40

Not on my Watch

7min
pages 18-27

Brighton’s Frock Star

7min
pages 32-38

EuroStars Drag Contest

2min
pages 29-31

Sex on Screen

3min
page 39

You’ve never had it so good

4min
page 14

Not to be Trussted

4min
page 15

Trans World Sport

4min
page 28

What’s next for gay saunas

4min
pages 16-17
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