Guarisco Gallery
Albert
Sisley
André
A founding member of French Impressionism, ALFRED SISLEY executed this landscape during his mature stage—the 1870–80s—which is characterized by “his lightest, most luminous, and lyrical paintings.” SISLEY lived in Marly-le-Roi from 1874 to 1877. His home looked out on the abreuvoir, or watering pond, which was the only surviving remnant of the water gardens of the former royal palace at Marly.
Literature
Camfield, Arnauld, Clements, Calté, et. al., Francis Picabia Catalogue Raisonné (1898–1914) ( 2014), vol. 1, pg. 238, no. 233 (color illus.)
Alfred Sisley (1839-1899)
L’abreuvoir de Marly-le-Roi, ca. 1875 Signed lower right Oil on canvas 12-7/8” x 16-1/4 unframed 20” x 24” framed Literature:
COVER:
E. Cucuel
Summer Quiet 33” x 27” fr.
Daulte, François, Alfred Sisley, Catalogue Raisonné de l’oeuvre peint (Lausanne, 1959), (no. 173, illus.) De Renoir à Vuillard, Marly-le-Roi, Louveciennes, leurs environs (exh. cat. Musée-Promenade, Marly-le-Roi, Louveciennes, 1984), p. 108 (illus.) Mary Anne Stevens, ed., Alfred Sisley (exh. cat. Royal Academy of Arts, London; Musée d’Orsay; Walters Art Gallery, Baltimore, 1992–1993), p. 160
F. Picabia
Sant-Germaine l’Auxerrois, Paris (ca. 1905/06) 33” x 37 ¼” fr.
Albert André
Femme à la promenade 54 ¼” x 43 ½” fr.
The Post-Impressionist painter Albert André was a close friend and student of Renoir and was his first biographer. Renoir admired André’s work and mentored the artist’s career. André became an accomplished and important Post-Impressionist painter who exhibited frequently during his lifetime at all of the important venues of modern art. Albert André’s works are found at major museums worldwide: Musée d’Orsay; Metropolitan Museum; Art Institute of Chicago; Museum of Fine Arts, Boston; Museo Nacional Thyssen-Bornemisza; Museum of Fine Arts, Houston; National Museum of Western Art, Tokyo.
Cassatt M. Cassatt
Portrait of Master St. Pierre as a Young Boy, 1906 29 ½” x 22 ¾” unfr. 38” x 31” fr.
A. Thieme
Magagnosc, Provence 37 1/8” x 43 ½” fr.
A. Thieme
Le Jardin classique à Grasse 39” x 45” fr.
M. Luce
Les laveuses au bord de la Cure à Bessy 23 ½” x 26 ¾” fr.
Literature: 1) Breeskin, Mary Cassatt, A Catalogue Raisonné of the Oils, Pastels, Watercolors, and Drawings (Wash., D.C., 1970) 2) Breeskin, Adelyn Dohme, Mary Cassatt: A New Catalogue Raisonné of the Paintings, Pastels, and Watercolors Published by Adelyn Dohme Breeskin (Adelson Galleries, NY, 2015) 3) Mary Cassatt among the Impressionsists (exh. cat. (1969)) 4) A Selection of Drawings, Pastels, and Watercolors from the Collection of Mr. and Mrs. Lester Francis Avenet (exh. cat. (1969) Exhibited: 1) The Collectors’ Collection, An Exhibition of Paintings and Sculptures from the Private Collections of Joan and Lest Avnet, Wilfred P. Cohen, and Alfredo Valente, Adelphi University, Garden City, N.Y., January– February, 1968 2) Mary Cassatt among the Impressionists, Joslyn Art Museum, Omaha, Neb.,, April–June, 1969 3) A Selection of Drawings, Pastels and Watercolors from the Collection of Mr. and Mrs. Lester Francis Avnet, New York Cultural Center, December 1969–January 1970
Lebasque
Marval
Women artists, authors, and poets have enriched the cultural world throughout history. Today works by women artist are highly sought after for both private and museum collections. J. Marval
L’ Automne 67” x 67” fr.
H. Lebasque
Jeune femme promenade dans le parc
11” x 16” fr.
Museums
H. Lebasque
Vase de Chrysanteme 40” x 32” fr.
• Musée d’Orsay, Paris • Louvre • Musée de L’ Art Moderne, Paris • Fogg Art Museum • Detroit Institute of Arts • Indianapolis Museum of Art • Musée des Beaux-arts, Nantes • Musée des Beaux-arts, Caen • National Museum of Western Art, Tokyo
H. Lebasque
Les Gorges du Loup, route de Grasse 38” x 45” fr.
Exhibited: Paris, Societe des Artistes Independants, 1905
G. D’ Espagnat
Bouquet des Fleur 30 x 26” fr
E. Villéon
Harvest in Salvar 34” x 39” fr. Exhibited: Paris, 1960 London, 1965
G. D’ Espagnat Au Jardin 36 3/8” x 43 ¾” fr.
M. Walter
Tuck’s Point, Massachusetts 34” x 40” fr.
H.J.J. Geoffroy At the Fountain 32” x 27 1/2” fr.
P.M. Dupuy
Sous le parasol, Villers-sur-mer 32 ¾” x 26 ¾” fr.
E.F. Carlier
La cruche cassée 29” H x 10” W x 10” D
T. Mostyn
Garden Memory 27” x 34” fr.
T. Mostyn
Garden of the Fountain 26 ½” x 33 ½” fr.
E. Pieters
Maternal Care 52” x 44” fr.
J. W. Hamilton
Sundown at the Village 35” x 40 ¼” fr.
Exhibited: Venice 1905
G. Balande
Déjeuner au bord de la Seine 47 ½” x 37” fr.
S. Birch
April Morning, Newlyn, Carnwall 28” x 32” fr.
C. Kluge
Bazouges-sur-le-Loire 39 ¾” x 39 ¾” fr.
M. Kuehne
The Open Window 36 ½” x 30 ½” fr.
F. Unterberger
Ankunft der Fischer in Capri 60” x 55” fr.
G. Hitchcock
The White Lilies 55 ¾” x 47 ½” fr.
George Hitchcock was one of the best known of the American expatriate painters and held memberships in prestigious academies and associations in the United States and abroad. Hitchcock is most noted for his impressionist pictures of brilliantly colored Dutch tulip fields and capturing Dutch peasant women in serene everyday life experiences.
H.C. Pissarro
Neige au bois Jôdin 24 ¾” x 28 ¼” fr.
Les tulipes mauves 37 ½” x 29 ½” fr.
C
Jean-Pierre
assigneul
Gingham-checked Vest 44 x 36 ½” fr.
Femme assise 41” x 33” fr.
Femme Alongée 37” x 44” fr.
Les ombres du soir 33” x 39” fr.
Treasures
F. Mason
29“ x 41” fr
Under $12,500
C. Rowbotham
21¾” x 33¼” fr.
M.L. Bruyas
21¼” x 24¼” fr.
J.J. Jenkins
28 ½” x 23 3/8” fr.
C. Levier
F. Ede
26½” x 33¾” fr.
32” x 28” fr.
C.C. Henderson 11½” x 15½” fr.
H.A. Barnoin
13½” x 15½” fr.
E. Guarisco
9½” H x 9” W x 5½” D
W. Lee
8½” H x 11” W x 5¼” D
E.H. Laporte
32” x 28” fr.
33” H x 10” L x 10” W
H.J.J. Geoffroy 28 ¾” x 22 ¾” fr.
C. Levier
32” x 38¼” fr.
E. Pechaubes 25½” x 29” fr.
E. Guarisco
14½” H x 15” W x 11” D
L. Jambor
32” x 28” fr.
A. Mohrien
15¾” x 18½” fr.
E. Renssen
32¼” x 24¾” fr.
S.C. Bjulf
33¾” x 30¼” fr.
M. Moreau
33” H x 16” W x 12” D
D. Scafidi
20¼” x 24¼” fr.
H.C. Pissarro 24” x 29¾” fr.
H.C. Pissarro 24” x 291/8” fr.
Homer Iconic American Painter
One of the foremost painters of 19th-century America and one of the preeminent figures in American art, Homer was most noted for his figures in landscape and marine scenes. He was the most highly respected artist in the nation, vying with James McNeil Whistler and John Singer Sargent for the most important American artist.
“In the Wheatfiield” is a quintessential Homer. Featuring a local young woman embedded in a wheatfield, Homer masterfully uses natural light to give a golden glow. Likely painted in Gloucester, Massachussetts where Homer spent his summers. W. Homer
In the Wheatfield, 1873 22 ½” x 14” unframed 29 6/8” x 21 5/8” framed Literature: Goodrich and Gerdts, Record of Works by Winslow Homer, Vol. II: 1867 through 1876 (New York, 2005), no. 428, p. 209 (illus.) Exhibited: American Paintings from Public and Private Collections, Hirschl and Adler Galleries, New York, 4 December 1967–13 January 1968
A. Richmond
Two Children in a Barn 32 ¾” x 38 ¾” fr.
M.E. Loustau
Nature morte de fleurs et vase 33” x 29” fr.
E. Marcke de Lummen E. Petit
Cows Grazing in a Pasture 32” x 39” fr.
Hunting Scene 31 1/2” x 36” fr.
J. Krouthen
A Summer Afternoon Rest 38 ¾” x 48 ¾” fr.
J.E. Blanche
Henriette Chabot with Peonies 46 3/8” x 54 1/4” fr.
F. Unterberger
Capri 60” x 55” fr.
G. de Jonghe
Afternoon Repose 45 ½” x 37 ½” fr.
H.J.J. Geoffroy
He Who Breaks the Glasses Must Pay 34” x 26 ¾” fr.
G. Rouault
D. Wilks
Carlotta 25 ½” x 22” fr.
A Menorah of Freedom 17”H x 26” W x 11” D
Rouault George Rouault is most associated with the avant-garde movements of Fauvism and Expressionism.
His relationship with MATISSE, MARQUET, and CAMOIN influenced Rouault’s particular brand of fauvism, while his association with VAN GOGH led to his most noted stylistic innovation heavy black contouring and use of dramatic contrasts.
B. Browne
Circus Acrobats 28 ½” x 32 ¼” fr.
G. Dayez
Woman at her Toilette 36 ½” x 44” fr.
G. Terzian
La bouteille noire 32 ¼” x 28 ¼” fr.
E. Friesz
Sailboats at the Quai du Parti, Toulon 23 ¾” x 19” fr.
A. Lhote
La salle à manger 22” x 25” fr.
B. Buffet
Nature Morte au fond Rouge 39” x 53” fr.
Salvador Dali 76” x 85” fr.
J. Le Bescond J. Le Bescond
Equation 41 ¼” x H x 23 ½” W x 10 ¾” D
Adagio 62” H x 21” W x 23” D
E. Renssen
Still-life with Flowers and Lemons 31” x 39” fr.
N. Okonkwo
Celebration 28” H x 32” W x 20 ¾” D
C. Vénard
Tournesols et les fruits 50 ¾” x 50 ¾” fr.
N. Okonkwo
Sky Goddess 13” H x 7” W x 8” D
E. Renssen
Seated Woman with Guitar 46” x 37 ¼” fr.
C. Vénard
Nature morte en rouge et noir 51” x 51” fr.
C. Vénard
Roi et Joker 51” x 51” fr.
E. Renssen
The Bridges of Amsterdam 30 ½” x 42 ¼” fr.
Powell The innovative artist Doug Powell creates the illusion of three-dimensional form through the use and arrangement of recycled, or up-cycled, computer keyboard keys. Up-cycling has a positive environmental impact due to the reuse and re-purposing of manufactured objects. The reuse of materials has been employed by artists throughout history from Amish quilters and American folk artists to Modern Masters, such as Picasso, Joseph Cornell, and Robert Rauschenberg. Marilyn 72” x 67” fr.
Kyu-Hak
LEE Kyu-Hak Lee is a contemporary South Korean artist specializing in mixed-media mosaic. His unique and signature method of creation involves wrapping pieces of Styrofoam—the most exemplar material of modernity for Lee— with strips of magazine, newsprint, or traditional Korean hanji paper. Lee arrived at his mixed-media technique while exploring the strong and expressive brushstrokes found in the work of Van Gogh, with Lee’s tightly-wound mosaic pieces meant to simulate the bravura brushwork of the famous Post-Impressionist. Each one of the artist’s works contain between 25,000 and 30,000 individually cut, shaped, and wrapped pieces.
Moument: Self-Portrait with Bandaged Ear & Pipe 57 ¼” x 46 ¼” fr.
Salvador Dali 76” x 85” fr. Monument: Degas, Dancer in Green 58” x 45 ½” fr.
Monument: Degas, Dancer Practicing at the Barre 58 ¾” x 45 ½” fr. Monument: Degas. Dancer Practicing at the Barre 58 3/4” x 45 1/2” fr.
C. Alan
Narrative Horse: Arabian (Feather Horse) 43” x 43” fr.
Detail
Craig
ALAN
Narrative Dress: “Matter of Course” 50 ¾” x 40 ¾” fr.
Populus: Dame Elizabeth Taylor, “Liz” 46 1/2” x 46 1/2” fr.
D. Wilks
Balance 39” H x 19” W x 6” D
C. Alan
Populus: E Pluribus Unum (Liberty) 65 ½” x 53 ¾” fr.
E. Guarisco
The Stallion II 20” H x 20” W x 12” D
S. York
Stallion Dreams 21” H x 23” W x 11” D
E. Mattini
S.Y. Hong
Heuristic #09 39 ½” x 39 ½”
Mosaic-Orchestration VIII 45 ¼” x 39 ½” fr.
A. Gazier
Vert émeraude 76 3/4” 44 ¾” unfr.
A. Gazier
Lumière du soleil 76 ¾” x 38 ¼” unfr.
V. George
Torch Horse (II) 51” x 63” fr.
H.C. Pissarro
Venise en Fêtes 26 ½” x 31” fr.
Guarisco Gallery At The Four Seasons Hotel
2828 Pennsylvania Avenue, NW | Washington, DC 20007
www.guariscogallery.com (202) 333-8533 guariscogallery@guariscogallery.com
P. Palmer
Just Kids 49 ½” x 37 ½” fr.
PRESORTED STANDARD U.S. POSTAGE
PAID
PERMIT #273 ANNAPOLIS, MD