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or Chris Cheek) and by the as one the most influent A travessia é o lugar da critics incerteza, da of não-evidência, do estranho. Black Art Jazz Collective, an musicians of European jazz of the Paul B. Preciado ensemble formed by transgénero renowned last three decades. Filósofo instrumentalists, among them The festival, which will again saxophonist Wayne Escoffery renew its partnerships with the Vivemos tempos bizarros. Numa época que devia ser dada à and trumpeter Jeremy Pelt. The association Porta-Jazz (with tolerância econcerts aceitação, passamos por período de violência section of “high-profile” a quintet led by um Portuguese vezes centrado na discriminação. Contudo, o pensamento is completedtantas with the quartet performer Inês Malheiro, in led by Puertoque Rican saxophonist collaboration visual artist se opõe ao poder tem mostradowith resiliência e força de Miguel Zenón, a musician whobase noCarolina Fangueiro) the Woolf e combate. Com texto Orlando deand Virginia is a long-time accomplice of collective Sonoscopia (proposing inspirado em vários acontecimentos de discriminação contra Guimarães Jazz, and two of the a duo of non-conventional a comunidade LGBT, nomeadamente o atentado na cidade de festival’s collaborative projects: improvisation formed by Henrique Orlando (USA), Cláudia Lucas Chéu constrói the traditional concert performed Fernandes and Joana Sá),uma will narrativa que mistura o texto de Woolf com elementos de autoficção. Assim by ESMAE’s big band directed close, as usual, with a big band. by composerseand arranger Ryan This year it will be the reputed cria uma nova ficção e um outro Orlando que visa gerar a Cohan, and the collaboration Frankfurt Radio Big Band, directed reflexão sobre as questões de género e orientação sexual, e sobre between theas Orchestra of by musical director ondas de violência que estas originam.and arranger Guimarães and the Niels Klein Jim McNeely and with Chilean Trio, led by a talented saxophonist saxophonist Melissa Aldana of Germany’s new generation of as soloist, that will have the Orlando (USA), Cláudia jazz musicians.We are living in a bizarre moment responsibilitythe tocity endofthe first in time. At a time when we Lucas Chéu builds a narrative In 2021, Guimarães Jazz thirty-year cycle of Guimarães should be promoting tolerance that combines Woolf’s fiction and acceptance, with documentary footage of this reinforces a dimension of the we are instead Jazz, celebrated with the experiencing a period of violence, massacre. Creating a new fiction festival which has been growing eclecticism and the stylistic, that often revolves around from combining these two elements in recent years,discrimination. related to a However, counter generational gives and geographical life and a voice to a new against power systems attempt closer attentioncurrents devoted to less diversity thatOrlando, are, or in atan least so to reflect have shown resilience andwe fighting on the issuesand of gender known international projects believe, the present the and sexual strength. Based on the text orientation, and the successive that we believe“Orlando”, yo add up more Woolf, future byaVirginia and of jazz. waves of violence that they have Ivo Martins acute sense ofon musical risk and documentary material about the originated. LGBT which massacre emotional intensity arethat occurred in sometimes difficult to achieve in the concerts that take place at the grand auditorium. This year, this dimension will be fulfilled by the Swiss-American avant-jazz group WHO, featuring outstanding Espetáculo com audiodescrição (AD) drummer Gerry e interpretação emHemingway, Língua Gestual Portuguesa (LGP) and the duo formed be Swiss Espetáculo integrado no programa Espetáculo apresentado Mecenas “Cultura para Todos”, cofinanciado por trombonist Samuel Blaser in no âmbito collaboration with French guitarist Marc Ducret, considered by jazz
