A Maverick kind of Architecture - Guido Mitidieri Architect

GUIDO MITIDIERI architect selected works 2012/2015

Menu The Chef recommends:

COMPETENCES AND CURRICULUM VITAE

Starter: workshops

4

SUDESCO

Ayia Napa 2014

5

HELLASTOCK

Athens 2014

11

2 LAGHI

Pietrasanta 2015

17

After and Before: metric survey SAINT LION CHURCH

Pistoia 2014

23

Main dishes:

WELCOMING MIGRANTS IN LAMPEDUSA

31

GIVE VENICE BACK TO THE VENETIANS

43

A NEW URBAN PROJECT FOR BASEL

50

Second dishes:

DRAWINGS EUROTRIP

Europe travel 2016

56 64

Desserts: PEOPLE I GET INSPIRATION FROM 20 THINGS THAT I LIKE 20 THINGS THAT I DO NOT LIKE

1.

68 69 70

2.

Who am I?

NATIONALITY:

italian

My name is Guido Mitidieri and I始m an italian architect. Architecture is

DATE OF BIRTH:

my game, is the way I can best

14 January 1990, Florence

express myself. Fortunately it始s a collective game in which everyone could has their small or big part to

EMAIL:

play. In this way my architecture

guido.mitidieri@varchi.cloud

becomes time, where to construct buildings means to build a situation

LINKEDIN:

in which the individual can fit.

linkedin.com/in/guido-mitidie-

Because to build is not just a chemi-

ri-1455a6119?trk=nav_responsi-

cal composition of elements, it始s life.

ve_tab_profile_pic

3.

Education 2004-2009 2009-2015 2012-2013

Scientific Lyceum: vote 84/100 Graduated Summa cum Laude at University of Architecture in Florence (highest possible grade in italian system) One year Erasmus at the Ecole National Supérieure dʼarchitecture de Strasbourg

Languages Italian English French

mother tongue Level B2 Level B2

Computer Skills Autocad Photoshop Illustrator Indesign Rhinoceros

Artlantis Cinema 4d Ftool Open Office

Other Skills and Interests Actor Drummer Cook Bartender

theater course with Caterina Fornaciai (director) in Florence musician in local bands playing Reggae, Funky and Ethnic music Iʼve cooked since I was a child. Cooking is the easiest way I explain myself Iʼve worked for 1 year in a neighborhood bar in Pistoia

Work Experiences 2015 2015 2015 2010-2015 2010-2014 2014

Work experience with the Architect Andrea Giraldi - Pistoia Work experience with the Architect/Artist Mauro Nerini - Pistoia Secretary in the Administration Office at the Engineering Department Political Representative of Students at the Department of Architecture Active member of the Studentʼs Association “Collettivo di Architettura” ARK: www.collettivoark.blogspot.it/ Coordinator/Organiser of the Autoconstruction Workshop “WAARK”, in collaboration with studio “Orizzontale” of Rome in Florence.

2014

www.facebook.com/workshoparchitettura2014/?fref=ts Member of the staff of “LMA. Educational laboratory for modelling and reverse engineering” at the Department of Architecture in Florence

Starter Workshops These works are a selection of international workshops that I did during my studies.

These kind of approach to project and build introduced me to the theme of the autoconstruction. As a contemporary architect my aims are to reduce the cost of a building, to spread my knowledge, to create a community during the construction period and to make the people participate in the process of art making.

4.

SUDESCO

international summer workshop

SUSTAINABLE DESIGN IN COASTAL AREAS

WORKSHOP

Ayia Napa, Cyprus

5.

23 Jul. - 05 Aug. 2014

Can a new coastal path act as a catalyst for Ayia Napa始s redevelopment? Currently, the coastline is completely disconnected from the town. Ayia Napa has became a seaside resort, yet with no sense of being close to the sea. The aim is to open and connect the coastline to the main urban area, proposing a new piece of light coastal infrastructure by the creation of a sea path, celebrating tradition and culture from Ayia Napa.

MY ROLE IN THE TEAM GROUP Group Leader - Concept Maker - Graphic and Photos

6.

INTERESTS AND USERS FROM NICOSIA

THE LOCALS People from Cyprus come to Ayia Napa for seasonal work

€ €

€

HOLIDAYS

The coast is occupied by hotel and luxury houses

€

€

€

€

€

MUNICIPALITY Politicians want to increase revenue and tourism for all year

CLUBBERS

AYIA NAPA, CYPRUS

In summer Ayia Napa is invaded by thousands of party tourists

PROBLEMS TERRITORIAL STRATEGY

SEASONAL LIFE During winter Ayia Napa becomes a ghost town that needs a lot of money for maintenance

The design proposal aims to increase the interconnection between Ayia Napa and the nearby towns so that not only local workers have to go to the city but also tourists are attracted to the hinterland. To do so the Ayia Napa coast is thought as a small, light and mobile showcase to show the Cypriot territory.

DISCONNECTION The town is disconnected from the seaside

POLARISATION There is a polarisation of work and life between Ayia Napa and the rest of the territory

DERYNEIA

INTERESTS CONNECTIONS

BORDER Turkey/Cyprus

CHURCH BORDER FRENAROS

paraliminiʼs seasonal lake

PARALIMINI

STREET NATURE

SOTIRA PROTARAS

Nissi Beach

AYIA NAPA

BOAT TURISM AGRICULTURE

KONNOS

Limanaki

SANCTURAY

Capo Greco

7.

TRADITIONAL

sea lovers path 8.

sea infrastructure 9.

10.

HELLASTOCK

*the greek word for Bellastock

ARCHITECTURAL EXPERIMENTATION TOWARDS AN EPHEMARAL CITY

WORKSHOP

Athens, Greece

11.

28 Aug. - 04 Sep. 2014

CONCEPT

In order to response to a natural calamity my group has decided to build a structure suspended from the ground. The form is due to the trojan horse, a symbol that is dear to the greeks that we think could create positive psycological reaction.

In addiction, this composition of the structure creates differents spaces that could satisfy the different needs of inhabitants. It allows the common daily demands of people in order to maintain the co-existance of public, private, and semi-public spaces.

layout A

layout B

layout C

HELLASTOCK

the workshop structure:

The entire workshop was projected and directed by students of the University of Architecture of Athens.

It was divided into two different places and times.

The first part took place at the University of Architecture. All the participants were hosted in the school, that was transformed in a big laboratory of common life.

It took 1 week. In this time I could participate at both theoretical and practical lessons. The group was taught how to build with scaffolds, how to use ropes and how to make nodes with them. These were the skills that would have been used during the construction.

The second part took place on the port of Piraeus where 250 people, mostly architecture students from all over Europe, built their own project of an ephemeral house. All projects were linked by a common structure that allowed the accesses.

In this way an ephemeral city was born where the participants lived for five days. It was not just a construction project, but also an investigation of alternative ways of lifestyles and common living.

14.

MY ROLE IN THE TEAM GROUP

USED SCAFFOLDS

Concept Maker - Hand Drawer and schemes Scaffolds node responsable

2x5 mt 2x3 mt 10x2,4 mt 9x2 mt 17x1 mt

USED FABRIC 15,4 mq wide membrane 4,5 mq narrow membrane

USED ROPE 64 mt, diameter 12mm 104 mt, diameter 8mm

11.

16.

THE CITY AND THE WATER

ARCHITECTURE, ARTS AND SELF CONSTRUCTION EXPERIENCES

Regeneration of the “Due Laghi” Artisan Area with Santiago Ciruceda (Recetas Urbanas)

WORKSHOP

Pietrasanta, Italy

17.

07 Sep. - 20 Sep. 2015

UP DOWN

architect

idea

PROJECT STRATEGY

people

Fabio Romiti - Iron Worker

The entire area is inhomogeneous in use, in size building, in material and access to the public space

2

?

Stefano di Giusto - Sculptor

The artisan area is not fast and easy recognisible from the street

3

Maurizio Bottazzi - Designer

real needs

The area has a mixed use of space:workers始cars,customers始 cars, trucks for loading and unloading goods. There are no specific areas for use in a safe way and for pedestrians.

group work

GROUP WORK

REAL NEEDS 1

Rachele Pierini - Paintress

make others work

CHECK: competences, ideas, tools, materials

DOWN UP

PEOPLE/CLIENTS

project

everyone work

EVERYONE WORK

CHECK MATERIALS:

GUIDO

-

works on the bamboo symbol at the entrance withe the help of Stefano Pierotti

paint concrete marble processing waste pallet reinforcing iron rods iron processing waste glue scaffolds rope bamboo

CHECK TOOLS:

ELEONORA

-

works on painting the walls and drawing the yellow line

shearing machine welding machine stairs, brushes, bucket hammer and nails level circular saw

CHECK COMPETENCES:

ANNA

- painting - working with iron involving Fabio the artisan into work - knowledge of rope nodes - welding - work with plants involving agronomist into work - work with wood - working with bamboo

cut the bamboo and draws the line on the ground with Rachele Pierini

CHECK IDEAS:

LAURA

- create a symbol to indicate the presence of the artisanal area - using the paint to create uniformity of the surfaces - create reserved spaces

cut the iron and paint the wall and iron too with Fabio Romiti

Stefano Pierozzi - Sculptor

18.

UNIFYING THE SPACE WITH COLOUR The color not only creates a sense of unity and common identity in the space but at the same time produces positive psychological effects on the inhabitants. Like it was done by some artists in Latin America that have colored entire favelas. For example the work of Haas & Hahn for the favela in Rio de Janeiro.

In our project, the yellow color is the thread and gently leads the visitor from the entrance up to the studies of individual artists and then to the lake, creating special optical effects.

At the entrance a forest of ropes and local bamboo signals the presence of the artisan area.

CONCEPT

MY ROLE IN THE TEAM GROUP Group Leader - Concept Maker - Bamboo worker Communication

19.

SYMBOL AS A LINK - bamboo mountain at the entrance

20.

How to Build manual 1

3

2

1

3. 2. iron rod

3. concrete

1.

2.

A B 3.

1. yellow paint 2. scotch

1. bamboo

1. white paint 2. scotch 3. stensil

1,5m in the canna

1m

+

(fuoriterra)

1.

2.

0,5m in the ground

0.5 m (interrato)

2.

1.

2.

3.

vernice da asfalto bianca scotch adesivo stencil

1.

2.

3.

1.

Node detail bamboo - ropes - iron rod

21.

bambĂš tondino ÎŚ 12 cemento

1.

2.

vernice gialla scotch adesivo

After and Before Metric Survey This “course” is about one exam that I did at the University of Architecture in Florence.

It is called “after and before” because only knowing the past, it is possible to go on into the future. This survey may be used in the future for projects that involve this space to become something new and different during the years. It is the metric survey of an ancient church in Pistoia, S. Leone, dated on the XIII century.

22.

S. LEONE CHURCH

METRIC SURVEY, AND RENOVATION EXPERIENCE

University Exam

Pistoia, Italy

23.

2014

SAINT LIONʼS CHURCH History Originated from a fourteenth-century oratory, it was modified several times for want of the Congregation of the Holy Spirit and the Cancellieri family who had the patronage.

The main interventions regarded the presbytery (XVI century) and the porch in front of the facade (1622-1624).

presbytery and in the cupola, with the help of quadraturisti Lorenzo del Moro and Mauro Tesi, to which we owe the decoration of the ceiling of the nave.

In the seventeenth and eighteenth centuries the interior acquired its present appearance, which is presented with baroque and rococo style, with considerable lateral blades (1622)

by Giovanni Lanfranco (Resurrection) and Stefano Marucelli and with great illusionistic effect decorations of Vincenzo Meucci about the “Descent of the Holy Spirit”, in the Painting of San Jacopo the Saint protector of Pistoia

24.

EZIONE TRASVERSALE AA’

D

NE TRASVERSALE AA’

c r

Cupolaʼs cross section AAʼ

EZIONE TRASVERSALE BB’

25.

A

B

A始

Univ

Plan metric survey

About the work: method and techniques All this first measurement procedure was performed manually with the use of rigid meter, tape measure, disto laser. Finally with the help of a laser scanner I was able to detect the trend in altitude of the church obtaining the longitudinal and transverse sections.

The architectural metric survey work was carried out in a period of 4 months. There were 3 parts of the job. The first step has had as its goal the measurement of the plant and the positioning of some fixed points of reference. Afterwards I switched to the detailed survey of the major architectural elements: altars, lesene, columns, doors and I proceeded to place them within the previously obtained plant.

26.

Universi

Cʼ

Bʼ

C

SEZIONE TRASVERSALE BB’

versità degli studi di Firenze, Scuola di Architettura

ità degli studi di Firenze, Scuola di Architettura

Rilievo dell’Architettura a.a. 20 Cross section CCʼ

Rilievo dell’Architettura a.a. 2013/14

prof.

DETTAGLIO ARCHITETTONICO VOLUTA ALTARE PRIMO AMBIENTE, SCALA 1:10

Longitudinal section of the nave BBʼcostruzione geometrica tramite proiezioni ortogonali, piano alpha inclinato

SEZIONE LONGITUDINALE CC’

rispetto al P.V. e perpendicolare al P.O.

DETTAGLIO ARCHITETTONICO ALTARE SECONDO AMBIENTE, SCALA 1:20

A

Detailed metric survey of a baroque altar

C

28.

Rilievo dell’Architettura a.a. 2013/14

prof. Maria Teresa Bartoli

studente: Guido Mitidieri

TEMA: CHIESA DI S. LEONE, Pisto

oia

B

C’

29.

TAVOLA 3: sez. dettaglio SCALA 1:50

A’

niversità degli studi di Firenze, Scuola di Architettura

Rilievo dell’Architettura a.a. 2013/14

Main Dishes

These works are a selection of projects that I did during my studies in addition to my final thesis project. Each one of these projects starts from a real condition of social desease. In this sense I donʼt see architecture like an instrument to solve problems, itʼs too slow, but itʼs a way to create “new types of hunger”(Cedric Price), new unexpected needs. These projects are processes of understanding of problems and formulation of questions and maverick solutions.

30.

prof. Maria Teresa B

B’

studente: Guido Mitidieri

TEMA: CHIESA DI S. LEONE, Pistoia

TAVOLA 2: sez. pianta SCALA 1:50

XL, L, M, S

PROJECT AND METAPROJECT FOR THE FIRST WELCOME OF MIGRANTS IN LAMPEDUSA

Thesis project

Lampedusa, Italy

31.

2015

An Abduptive logic for a resilient design Standardized management of people proves to be too rigid and is ultimately ineffective because of the mutability in the short period of migrations.

The most appropriate strategy is one that accommodates in the project this variability. This is a non-classical logic which provides a creative connection of information. Itʼs the Paretoʼs world, that is a model of reality, in which we canʼt study a phenomenon to produce a rigid, long-term engineered answer.

Is more useful a design that tries to figure out the systemʼs vector of changing possibility. In this sense, the project proposes the RE-USE of boats with which immigrants arrive on Italian shores as temporary residences in Lampedusa. It is a decision that uses a widely available resource in the area, cheap and that would otherwise be destroyed. Resilience requires to make the most of what you have available and to transform what is potentially a loss, in a positive growth situation.

Gaussian world

Paretoʼs world

PROBABLE

TRIGGER ANTICIPATORY AWARENESS POSSIBLE

Log of event frequency

PREDICTION

1

2

PLAUSIBLE 3

Log of event size

32.

make humus not war!

Urban Systems Analysis How can a city

Which are the direct

decide to react?

and indirect impacts of migration on a territory?

Vulnerability Assessment

Local people in Lampedusa Infrastructures Primary service of assistance to the people:

Who is more exposed to stress and shock?

Migration Assessments

least forever in the actual terms Non linear system

hospital, canteen...

Chaotic and unpredictable

People who see migrants like a threat for their work

Produce a sense of fear and insecurity Igienic, accomodational, security problems

“The production of ʻhuman wasteʼ - or more precisely, wasted lives, the ʻsuperfluousʼ populations of migrants, refugees and other outcasts - is an inevitable outcome of modernization. It is an unavoidable side-effect of economic progress and the quest for order which is characteristic of modernity” Zygmunt Baumann “Wasted Lives”

you are waste!

In Europe politicians continu cial response to migrations structural phenomenon pro choices.

The migrants problem is creating a and society. In this void are taking organisations that take advantage o that are usually slaved in the count welcome, and in terms of waste.

ue to put at work emergenwhen it is clear that itʼs a oduced by occidental bad

a void in the conscience of people g more place and space criminal of the situation in terms of people, try, in terms of service for the first

PUTTING WASTE TO WORK

(

+

) * N° of landing = Migrants are rescued and housed in Lampedusa for a limited period of time (on average 25 days) in CSPA Center for First Aid and Acceptance and then are transferred to centers on Italian territory

judicial requisition of boat

I love waste, I need it

?

DEMOLITION

?

in 2011 italy spent about 700.000€ to transfert

REUSE OF BOAT

as temporary houses RECLAIMING AND CONVERT THE MEANING OF THINGS TRANSFORM IN RESOURCE SOMETHING THAT HAS NO VALUE

35.

-

-

Principle of settlement The design logic of the center is very simple: a substrate infrastructure that hosts the fixed facilities, housed in adapted containers, to which are attached variable components, boats, which home the migrants for the time of their stay in Lampedusa island. The project is reversible, it means that in the future the rigid infrastructure can accommodate public functions for the use of the island community.

36.

37.

Structural axonometry of a typical tunisian/sicilian boat

scalmo fasciame di coperta

travetti ponte baglio anguilla

scalmo

sopra paramezzale

dormiente

contro paramezzale

scalmo

trave verticale

paramezzale ginocchio

madiere

correnti

ossatura intermedia

chiglia

fasciame esterno

38.

Vertical plan opera viva

falchetta

trincarino opera morta

chiglia

Horizontal plan

Prow It is a wooden boat made with traditional manufacturing and originally designed to be used like fishing vessel. The hull is round or “semidislocante”. This allows a rapid boat acceleration but a low lateral stability (from this derive the frequent capsizing of this kind of boats). The hull structure is “load bearing deck”, in which the deck plan rests directly on beams, rigidly connected to the rib of the ship. The hull is made of red oak laminated wood. Laminated wood is made up of layers of wood glued together, with parallel oriented fibers. Oak is a hard wood that enhances its characteristics when in contact with water. The external covering planking is realized with fir wood completed by “calafataggio”. The “calafataggio” is the traditional technique that allows to seal the hull externally.

Poop

39.

Basic instruments for a basic architecture

40.

41.

RE - USING

RE - THINKING

RE - CYCLING

RE - NOVATION

RE - DUCTION

RE - GULATION

RE - COVERING

RE - SILIENCE

42.

DERIVING VENICE the city of spectacle

HOW TO GIVE BACK VENICE TO VENETIAN PEOPLE

Erasmus exam

Venice, Italy

43.

2013

This project tries to take on two real and evident problems by which Venice is afflicted: the passage of the big cruise ship and the house problem.

The aim is to find a more sustainable solution both for local people, tourists and the laguna ecosystem.

These ecological monsters big like skyscrapers, reaches the city始s port with 5,000 passengers for trip. They are similiar to floating parasitic cities: their bigness devastates the seabed, they stresses the foundations of the buildings and they are incredibly pollutants.

oh my God, it始s the city始s homicide omicide

The houses are mostly rented at impossible prices to tourists. This cause an impoverishment of the social life of the city, as well as higher prices for rentals and the cost of living.

The result is that the city is depopulated of local people which live in large numbers in the nearby town of Mestre, and come only for working on the island.

In addition the laguna始s habitat is in serious danger by pollution, and water level increasing.

“One hundred deep solitudes together form the city of Venice. This is its charm.

An image for the men of the future.”

Frierich Nietzsche

MARGHERA

PROJECT CONCEPT in social houses

small transports

out cruise ship port of Venice 45.

Superimpositionʼs on prejectʼs site

Empty spaces design

Hotel Walford Astoria on projectʼs site

Public - Semi Public - Private spaces

Veniceʼs ghetto on projectʼs site

Mineral and vegetal spaces

Pistoiaʼs town center on projectʼs site

On the right 3 diagrams from the designʼs process. I followed the principle of “Unitarian Urbanis” from Constant Nieuwenhuys meaning a continuos fluid space delimited by different kind of surfaces. I started my design drawing the empty spaces following the Veniceʼs squares and callesʼ pattern in order to obtain the negative form of the buildings.

46.

sport

health

public administration

culture

commercial

school

48.

Study area for local students

Students始t common kitchen

Restaurant

Theatre

Cinema

Saint Marta始s church

Public square

49.

3 COUNTRIES

a new urban project for Basel

Erasmus exam

Basel,Swirtzerland

50.

2013

Germany

Switzerland

France The site project is the swiss city of Basel. This town was built on the border line between three countries: Switzerland, France, Germany. The element that brings continuity to the region and that provides its richness, is the water: the Reno river. The project aims to convert an old river port in a small island that is actually dismissing.

This site is thought by the administration as the new Reno始s door. By the way my intention is not to create a new economic pole completely disconnected by the surrounding. The idea is to built up a mixed neighborhood, a long park path on the river and a rehabilitation of the ancient port buildings.

I don始t want to built a new Manhattan, like the studio MVRDV did on the same lot, but to establish a new memory area open to the future and connected to the past.

51.

CONCEPT

6 5

6 1 1

2

3 4

5

2 3

4

URBAN LAWS 21-24 m

court

15-18 m

fragmentation

9-12 m

platform

52.

green street

platform+fragmentation

Second Dishes

These works are a window on my own perception of reality. How do I see things?

How do I investigate the project, the habitat that surrounds me? They are fragments of spread ideas and approaches, from drawing to travelling, to my own political experience in University and Florence territory. Using different instruments I try to assume different points of view that allowed me to form an olistic and integrated opinion.

55.

DRAWINGS spread works

Drawing is a way to detain and entertain an idea; to understand a project and to explain me to myself

56.

Ideas for living nomad people

57.

CETTE IMAGE N始EST PAS UNE PROPOSITION REALISTE. ELLE SERA始 REALISE始 POUR VISUALISER UNE METHODE. C始EST UNE PROVOCATION.

58.

HOW DO YOU BUILD A TOWN? IS IT POSSIBLE TO DESIGN LIFE AROUND THE SPACE?

The Medieval town was built around the public square. It was a polyfunctional core used during the week as an open-air market, as a place for political conferences or for public events as religious as theatrical.

TOPOGRAPHY > TYPOLOGY

The building agglomeration was generated by a void and a subsequent hierarcical composition of streets.

RELATIONS > URBAN SYSTEM

CIRCULATION CLUSTER

59.

without a nest the bird lives around the world live your life.

60.

WHAT IS LIGHT? Light is an idea, feeling, colour, depth, atmosphere, style, tale, poetic expression. Ligh is a magical power which can add, erase, attenuate, enrich, shade off, exalt, allude, emphasize, make real and acceptable the fantastic or, otherwise, creates transparences that transforms daily and gray reality in something beautiful.

Federico Fellini

These works are a selection of international workshops that I始ve done during my studies.

These kind of approach to projecting and building introduced me to the theme of the autoconstruction. It is a tool for architect to reduce the cost of a building, to spread his knowledge, to create a community during the period construction and to make the people participate in the process of art making.

61.

WHAT DIRECTS MY DESIGN PROCESS? 1) 2) 3) 4) 5) 6) 7)

NEEDS of the client private or collective MONEY AVAILABILITY choices about work: style, approach, dimensions TERRITORIAL GENEROSITY materials, people knowledge, tradition, past history and future ideas TECHNIQUE AND ARTS FORM ROUND CONSTRUCTION PERIOD REALISATION

Designing for me is a process of questions that starts from a unique fundamental query: what are the needs of my client?

I always start from real needs and then I try to decline them using my formal and technical language.

Form is not such important. If I want to build I know I have to think about one form, but it could be the result of a dialectical process.

62.

63.

TRAVELLING

how I study (in a practical way) and live without borders

EUROPE

13th January 13th February 2016

64.

Means of transport

27 trains

9 coaches

1 car

1 truck

Iʼve always been a traveller. I was born in Florence and one week after I was in Bologna.

I moved for study at the high school, I took a train each morning to reach my University. In my life travelling is a way to survive.

This was the first travel I did all alone. During one month in Europe I tryed to feel the pulse of life in different corner, to gain alternative perception, to open my mind and abandon prejudices. A slow travel, without planes.

An experience of solitude, of happiness, of deep research inside and outside me that let me to understand a bit more the complexity of life and the fact that is not possible to understand it. Trying to solve the contradiction of life and human being is a bad utopia. I can olny try to learn, love and share emotions.

“Think about the idea that you have of normality. Well, forget it! There is no normality

1 ferry boat

because there is no universal judgment for it. It is just an illusion. Societies try to influence people by teaching them what is ”normal": normal to eat, dress or think. Take leave of your social blocks and follow what appeals to you spontaneously. Trust your instincts and do not allow to social prejudices to limit your thirst for knowledge or curiosity. Think about how many good things you know really? How many of your knowledge are the result of your own experience? Do not settle for the opinion of other people because they are not you and maybe trying the same experience you can see different situations. Open your mind to new horizons that other human beings have not reached, follow that inner voice that drives you toward something that no one else would dare. " VAGAMONDO, il giro del mondo senza aerei Carlo Taglia 2015

Berlin, Warschauer Strasse, January 2016

Desserts

Dessert is a special part of the meal. It could look like superficial or unneeded but it始s the last taste that you have in mouth. And the one with wich you get up from the table. So I want to conclude this portfolio with 3 short lists that are still growing up with me and that I take care of.

67.

People I get inspiration from TIZIANO TERZANI

to understand the human being

EMMA BONINO

to know what is right and what is not

LOUIS I. KAHN

when I don始t know what is my role

FEDERICO FELLINI

everytime

ENRICO MATTEI

to make choices

SOU FUJIMOTO

when I want to smile in my work

MAHATMA GANDHI

when I need to remember that I始m nothing

WILLIAM SHAKESPEARE

to understand the words to say my soul

NANNI MORETTI

to laugh on me and on my country

GIO PONTI

for delicate beauty

68.

20 Things that I like The silence Black and white The sea sound A kiss on closed eyes Cooking Bamboo forests Building sand castles and imagine the life of little inhabitants The smell of: new tennis ball, fuel and ginger The blue colour and all its tones Sleep in 7 different beds during the same week Dazed and Confused, by Led Zeppelin Going to the cinema alone The old western movies with John Wayne Putting my fingers in the hot sand and feel it between fingers Train driving alongside Going to a building site to see working people Swimming Read a book in a day The artisanal handmade part of my work Yoga

69.

20 Things that I do not like Pretend to smile Metropolitan train Pornography Red turnips Feeling forced to do something When I can始t stay lonely for a while The sound of certain words The political show The sound of a fork scratched on a dish To waste my time doing things I really don始t want to do Crowded places The film in which the end is known from the beginning Corruption and clientelism To think we sleep a third of our life When my football team losts the match The blood始s smell People who say one thing and do the opposite While I始m trying to get asleep, hearing a mosquito flying on my head The waiting rooms Zoo

70.

RE PRIMO AMBIENTE, SCALA 1:10

togonali, piano alpha inclinato

I始m old school, because I know where I come from

1:10

to

NDO AMBIENTE, SCALA 1:20

Arch. Guido Mitidieri guido.mitidieri@varchi.cloud