Perception of... º N 16-20
Gülistan Kenanoğlu
CCEA MOBA AGU [BA]
gulistankenanoglu@gmail.com +420 774 628 570 - [CZ] +90 541 544 12 69 - [TR]
PROFESSIONAL WORKS UNDERGRADUATE’PORTFOLIO
Perception of... º N 16-20
Gülistan Kenanoğlu
CCEA MOBA AGU [BA]
gulistankenanoglu@gmail.com +420 774 628 570 - [CZ] +90 541 544 12 69 - [TR]
Erhan Vural Co-Founder of AboutBlank Arch. and Urban Design erhan@aboutblank.com.tr +905059309508 Nilüfer Kozikoğlu Founder of Tuşpa NK Architecture / Urban Atölye nkozik@gmail.com +905322413040 Valentina Beatini Assnt. Prof., Dept of Engineering, Aarhus University, Aarhus, Denmark valentina.beatini@eng.au.dk / valbe363@gmail.com +44 (0)742 7699533 Yvette Vašourková Co-Founder of CCEA MOBA Visiting Tutor for Dept of Architecture, ARCHIP , Prague, CZ yi@cceamoba.cz
There are no facts, only interpretations. Friedrich Nietzsche
Consume It! Produce It!, Territorality + Basic Spatial Needs
Space Craft, Form Finding + Spatial Qualities Fall 2017, Magic Eye - Single Eye Design development, graphic reperesentation, research gathering, rendering Trasparent Frontiers, Video Instellaiton
Fall 2017, Talas, Kayseri, Turkey Graphic reperesentation, research and video gathering
Personal Interest, Sketches + Illustrations 2015 - 2020
TABLE OF CONTENTS
Fall 2018, Experimental Design Studio / Kayseri, Turkey Design development, graphic representation, research gathering, technical resolution, a partial size prototyping, full scale fabricating, construction inseption and testing, scheduled budget and program, documenting process, video production, a research paper
Consume It! Prıduce It! / [Instillation]
Selected Project for :Prix de Genève pour l’expérimentation architecturale 2019
[Academic] Role: Designer + Drawer + Model Maker [digital/physical] + Producer Contribution: Execution of concept + Production of full scale model +Understanding of territoralities and basic spatial needs Supervisor: Vacide Betül Kurtuluş [betul.kurtulus@agu.edu.tr] one can take a piece of gelatin by using scissors
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empty space to bring people together
Spatial Organisation
storyboards
patial organization
Organisation longest materials used because it is welcoming facade of the structure
on the enterence, there is longer materials because it is wlecoming shorter materials, used inthe inner part because it is welcomes users to the 4th part of the structure
longest material used in that part to take it by leaning out in sitting level but there is no edible material, so people may take it out in normal 6
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ouching each other
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no trespassing space ‘the edible material’ is shorter to take it by streching out
People afraid to touch each other both physically and psychologically. ere is transparent frontiers between them. To break the frontiers, they need to do nothing and just watch each other. Since, the furniture will be made by chocolate or else, it will be remained ‘consumption’. In this case, borders between people and uncomfortable feelings will be consumed by reducing the lines. e interactive between humanbeings-humanbeings and humanbeings-street furniture will be produced. e installation will be actively used and be a part of the process design.
this is the inner oart of the structure, it is hard to get there, so the material is shorter to take it by streching out, ‘deformation in the inner structure will be clearlly seen.
longest material used in that part to take it by leaning out in sitting level
on the outher facade, longer material used to take it in normal dimension, because it is welcoming space for inside shorter materials used to take it by streching out
Consume It! Prıduce It!
People afraid to touch each other both physically and psychologically. There is transparent frontiers between them. To break the frontiers, they need to do nothing and just watch each other. Since, the furniture will be made by chocolate or else, it will be remained ‘consumption’. In this case, borders between people and uncomfortable feelings will be consumed by reducing the lines. The interactive between humanbeings-humanbeings and humanbeings-street furniture will be produced. The installation will be actively used and be a part of the process design.
AGU / Kayseri - Turkey Fall 2018
Consume It! PrÄąduce It!
Space Craft / [Space Creation]
Space Craft
[Academic] Role: Designer + Drawer + Model Maker [digital - physical] / Contribution: Execution of concept + Production of model Supervisor: Nilüfer Kozikoğlu [nkozik@gmail.com] + İpek Akpınar [akpinari@gmail.com]
Bad Romance the life of ‘Reservoir’ In Cern,the Big Bang theory test were performed to understand the evolution of the world. The expectationwas to see a small replica of the world. However, it was not like that. The universe that called as ‘Bad Romance’ come to light.
Long ago, there was a universe called as ‘Bad Romance’ that come into existence as two part. ‘Single-eye’ and ‘Magic-eye’ ate the parts of it but there is not a physical connection between them. Reservoirs, which is the creature that has no ability to move, live in the universe. In the Bad Romance, there is only a place that one creature can live in and there is no place for another one. So that when one Reservoir die, another one replace it. The life period of a reservoir is not certain because only they die after they see all universe with their eyes. Reservoir has its own universe full of beautiful, beautiful, dramatic, gloominess and blur spaces. By watching the environment, Reservoir can feed itself although it has no ability of mobility. Even if the bad romance has limitation of frontier, and feels the universe as infinitive. Reservoir actually live in the single-eye part that is surrounded by a moveable platform with the numbers of lenses. These lenses have different color and shape. Therefore the lenses take reflection of the magic-eye city, that has different life style that Reservoir want to see and it is like a huge screen, from different perspective and bring them to the Reservoir. The reflection can be in different color, upsite-down, in an elliptic or a lank form. The reflection are not only a visual material but also it is showing the life and Reservoir feel feels like it is living in there. It is like Reservoir surrounded by lifeless life. The universe has the power of imagination and lenses serve them to Reservoir as an artifical life.
Magic-eye /Bad Romance Fall 2017
Space Craft
Transparent Frontiers / [Video Instellation]
Transparent Frontiers
[Academic] Role: Designer + Video Producer Contribution: Designer Identitity + Participatory Design + Social Frontiers Video Link: https://vimeo.com/253833268
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Kayseri - Turkey Fall / 2017
Transparent Frontiers
Personal Interest / [Exploring Design + Art + Architecture]
Personal Interest
[Informal Work]
Human Aphorism / to be asked for ‘desing mag’ to use the work in the magazine
Personal Interest
After noticing several aspects of understand the human being, people’s behaviors, their considerations, and thehidden message(s) behind them are illustrated by using subjective images. Our feelings can be those of happiness, faithfulness, comfort, pride, anger, disappointment, depression, etc. How does one behave when s/he is alone? All subconscious and paraconscious emotions eventually come to light. When you are alone is when you become your true self, and everything which you do is a reflection of the real you and of what is inside you. One can be debating in his or her mind what is right and what is wrong; you can be meditating on what you learned from a book you read, on memories, or on the pain of an unforgotten love to mention a few.
Gülistan Kenanoğlu
CCEA MOBA / AGU [BA] gulistankenanoglu@gmail.com +420 774 628 570 - [CZ] +90 541 544 12 69 - [TR]