Perception of... º N 15-19
Gülistan Kenanoğlu
AGU, Bachelor of Architecture
gulistankenanoglu@gmail.com +905415441269
UNDERGRADUATE’PORTFOLIO
I am Gülistan Kenanoğlu, born in Diyarbakır in 1996. I graduated from Silvan Anatolian-Teacher High School. I studied at Universty of Mary Washington for language school. I am currently studying my bachelor degree on architecture at AGU.
Gülistan Kenanoğlu AGU, Bachelor of Architecture gulistankenanoglu@gmail.com +905415441269
i
EDUCATION 2015-2019
2015
Abdullah Gul University, Department of Architecture, Kayseri, Turkey
Architecture [B.Sc]
University of Mary Washington, ELS, Language Center Degree of 108 out of 112
PROFESSIONAL EXPERIENCE 2018
Displacement of the City, RIBA President Medal Selection, 2018 Part1 [http://www.presidentsmedals.com/Entry-47581]
08.2018
Betonart Architecture Summer School, Summer Training
06.2018
Aboutblank Architecture & Urban Design, Office Internship, Istanbul, Turkey
07.2017
PaftaMAG, magazine, Bilkent Universty, Ankara, Turkey Graphic representation [other works] YılmazKoçlar Insaat, Construction Site Internship, Izmir, Turkey Interior design works & rough and fine construction works
2018-2019 2016-2017
AGU Design Club, chair[wo]man of the board, Kayseri, Turkey workshops, seminars, lectures
2014-2016
AGU CinemaNight Club, the founder & chair[wo]man of the board, Kayseri, Turkey
CURRICULUM VITAE
2018-
SOFTWARE&SKILLS AutoCAD, Adobe Photoshop CC, Adoce InDesign CC, Adobe Illustrator CC, Adobe After Effects CC, Rhinoceros, Grasshoper, CNC and Laser Cut machine user
LANGUAGE Kurdish [mother tongue], Turkish, English, Italian [beginner]
INTEREST Digital art, Psychology, Human-beings, Video production, Cinema, Graphic Reproduction, Sketching/Drawing
ii
Perception of... º N 15-19
Gülistan Kenanoğlu
AGU, Bachelor of Architecture
gulistankenanoglu@gmail.com +905415441269
There are no facts, only interpretations. Friedrich Nietzsche iii
01-10 Slow City, Topography + Mind & Body Interaction
Fall 2017, Architectural Design Studio 301 / Kartal, Istanbul, Turkey Design development, graphic representation, research gathering, programming, rendering
11-20 Space Craft, Space Creation Fall 2017, Architectural Design Studio 301/ Magic Eye, Bad Romance Design development, graphic reperesentation, rendering
21-30 Consume It! Produce It!, Territorality + Basic Spatial Needs
Fall 2018, Experimental Design Studio / Kayseri, Turkey Design development, graphic representation, research gathering, technical resolution, a partial size prototyping, full scale fabricating, construction inseption and testing, scheduled budget and program, documenting process video production, a research paper
31-40 Foldable Pavilion, Structural Morphology + Geometry
Fall 2017, AGU Design Week’17 / Kayseri, Turkey Technical resolution, a partial size prototyping, full scale fabricating, construction inseption and testing
17-27 July 2019, Betonart Architecture Summer School, Kayseri, Turkey Design development, technical resolution, a partial size prototyping, full scale fabricating, graphic representing, scheduled budget and program, construction inspection and testing
49-54 Transparent Frontiers, Designer Identity + Participatory Design
Fall 2018, AGU Design Week’18 / Kayseri, Turkey Design development, research gathering, technical resolution, video production, construction inseption and testing, full scale fabricating, scheduled budget and program, documenting process
TABLE OF CONTENTS
41-48 Bağlaç, Articulation of Parametricism + Form Finding
55-60 Dynamic Touch, Biomimesis + Kinetic Structure
Spring 2015, Introduction to Architecture / Tavlusun, Kayseri, Turkey Design development, graphic representation, research gathering, programming, rendering
61-68 Transcreation of Mars, Space-Time-Human Parallax + Interfered Topography
Fall 2018, High-Tech Product Development / Tharsis Plateau, Mars Design development, research gathering, technical resolution, graphic representation, programming, a research paper
69-78 A-void, Architectural Design Studio 401
Fall 2018, Architectural Design Studio / Kültepe, Kayseri, Turkey Design development, graphic reperesentation, rendering
91-100 Personal Interest, Architectural Design Studio 202
iv
SLOW CITY [Topography + Mind and Body Interaction] Kartal, Istanbul Fall 2017 [Academic]
The individual project encompasses development of a brief for a social urban/rural program that relate to more than 100pax. Followed by the design of a masterplan and conceptual design of the required buildings in relationship with context as well as non-physical counterparts. The projects will be mostly composed of diagrams, demos, mock-ups and models as well as orthographic and perspective representations. Rethinking the urban and rural fabric understanding concepts like “networks”, mechanic assemblages”, milieu and atmospheres. Defining social flow and re-Defining interrelationships imagining for the physical make-up of the fast contemporary exchange environments.
ROLE Designer + Drawer [Individual]
CONTRIBUTION Understanding of phonomenology of the space + Designing a space by caring about the spatial qualities
PROFESSORS/SUPERVISORS Nilüfer Kozikoğlu nkozik@gmail.com Özlem Kevseroğlu Durmuş ozlem.kevseroglu@agu.edu.tr
SLOW CITY
[Topography + Mind and Body Interaction]
[03]
[Fall 2017 / Kartal, Istanbul]
SLOW CITY
[04]
SLOW CITY
[Topography + Mind and Body Interaction]
[05]
[Fall 2017 / Kartal, Istanbul]
SLOW CITY
[06]
[Topography + Mind and Body Interaction]
SLOW CITY
The topic of the project was creating an interactive relation between ‘urban’ and ‘rural’. The notions of ‘desolation’, ‘alianation’, ‘uniformity’ and ‘monotony’ were the dominant character of the site. Therefore, historical characteristic of Istanbul shows that Heybeliada, Validebağ and Yakacık (the site) were place that people want to go for a healthy life. The project aims to bring that historical memory back. Therefore, the site has a great potential and qualities in the case of topography and location. The mind and body interaction center come to light by useing that historical memory and topographical qualities.
[07]
[Fall 2017 / Kartal, Istanbul]
SLOW CITY
[08]
SLOW CITY
[Topography + Mind and Body Interaction]
[09]
[Fall 2017 / Kartal, Istanbul]
SLOW CITY
[10]
SPACE CRAFT [Space Creation] Magic-eye, Bad Romance Fall 2017 [Academic]
The joint design problem targets at comprehending ‘the building’ as an architectural artifact formed by social, economical and cultural context. The aim of the studio is to develop an understanding of space, scale, tensions and relations between “bodily” experience and the “mechanical space” of the community. An old machine is going to be chosen by the young architecture candidate as a space for the development of the programme / scenario for an alien / bug in a chosen life conditions(earth, ocean, outer space, etc).An implementation of a small scale minimal programme in the chosen space with pre-determined life conditions is going to be experienced.
ROLE Designer + Drawer [Individual]
CONTRIBUTION Execution of concept + Production of model + Understanding of spatial qualities
PROFESSORS/SUPERVISORS Nilüfer Kozikoğlu nkozik@gmail.com Özlem Kevseroğlu Durmuş ozlem.kevseroglu@agu.edu.tr
[Space Creation]
Bad Romance the life of ‘Reservoir’
SPACE CRAFT
In Cern,the Big Bang theory test were performed to understand the evolution of the world. The expectationwas to see a small replica of the world. However, it was not like that. The universe that called as ‘Bad Romance’ come to light.
[13]
Long ago, there was a universe called as ‘Bad Romance’ that come into existence as two part. ‘Single-eye’ and ‘Magic-eye’ ate the parts of it but there is not a physical connection between them. Reservoirs, which is the creature that has no ability to move, live in the universe. In the Bad Romance, there is only a place that one creature can live in and there is no place for another one. So that when one Reservoir die, another one replace it. The life period of a reservoir is not certain because only they die after they see all universe with their eyes. Reservoir has its own universe full of beautiful, beautiful, dramatic, gloominess and blur spaces. By watching the environment, Reservoir can feed itself although it has no ability of mobility. Even if the bad romance has limitation of frontier, and feels the universe as infinitive. Reservoir actually live in the single-eye part that is surrounded by a moveable platform with the numbers of lenses. These lenses have different color and shape. Therefore the lenses take reflection of the magic-eye city, that has different life style that Reservoir want to see and it is like a huge screen, from different perspective and bring them to the Reservoir. The reflection can be in different color, upsite-down, in an elliptic or a lank form. The reflection are not only a visual material but also it is showing the life and Reservoir feel feels like it is living in there. It is like Reservoir surrounded by lifeless life. The universe has the power of imagination and lenses serve them to Reservoir as an artifical life.
[Fall 2017 / Magic Eye, Bad Romance]
SPACE CRAFT
[14]
[Space Creation]
SPACE CRAFT
‘Reservoir’ lives to feed its visual pleasure. It has a limitation of frontiers but the feeling of it is like it‘s infinitive. Magic-eye city come to light as a result of reflection of visual material. The universe power of imagination and reservoir lives it as an artificial life.
[15]
[Fall 2017 / Magic Eye, Bad Romance]
SPACE CRAFT
[16]
SPACE CRAFT
[Space Creation]
[17]
[Fall 2017 / Magic Eye, Bad Romance]
SPACE CRAFT
[18]
SPACE CRAFT
[Space Creation]
[19]
[Fall 2017 / Magic Eye, Bad Romance]
SPACE CRAFT
[20]
CONSUME IT! PRODUCE IT! [Territorality + Basic Spatial Needs] Kayseri, Turkey Fall 2018 [Academic]
Course is based on experimental design and its professional application process, in related with interdisciplinary design problem solving. It is focused on not only a design process but also its technical and application project/process requirements. The aim of the course is to design a user centered street furniture in AGÜ Campus by involving it with the identity of the environment. User requirements and context are used as an input during all stages of the design process. video link: https://www.youtube.com/watch?v=x-8IBxm8Lok&t=60s production: https://youtu.be/EZwnR2WXsI4 the paper: https://issuu.com/gulistankenanoglu/docs/consumeit_produceit_
ROLE Designer + Producer [Individual]
CONTRIBUTION Execution of concept + Production of full scale model + Understanding of territoralities
PROFESSORS/SUPERVISORS Vacide Batül Kurtuluş betul.kurtulus@agu.edu.tr Ayşegül Kıdık aysegul.kidik@agu.edu.tr
CONSUME IT! PRODUCE IT!
[Territorality + Basic Spatial Needs]
Conceptual Framework Conceptual framework [23]
[Fall 2018 / Kayseri, Turkey]
CONSUME IT! PRODUCE IT!
People afraid to touch each other both physically and psychologically. There is transparent frontiers between them. To break the frontiers, they need to do nothing and just watch each other. Since, the furniture will be made by chocolate or else, it will be remained ‘consumption’. In this case, borders between people and uncomfortable feelings will be consumed by reducing the lines. The interactive between humanbeings-humanbeings and humanbeings-street furniture will be produced. The installation will be actively used and be a part of the process design.
[24]
[Territorality + Basic Spatial Needs]
CONSUME IT! PRODUCE IT!
dimensions
[25]
human behaviors
[Fall 2018 / Kayseri, Turkey]
CONSUME IT! PRODUCE IT!
The inner structure designed to make a record of ‘ human behaviours’ which is the initial concept of the edible space. The deformation of the inner structure will present -which spaces were used active and which ones were passive- during the process.
[26]
[Territorality + Basic Spatial Needs]
CONSUME IT! PRODUCE IT!
Spatial Organisation and ‘The Edible Material’ Organisation
[27]
[Fall 2018 / Kayseri, Turkey]
CONSUME IT! PRODUCE IT!
[28]
CONSUME IT! PRODUCE IT!
[Territorality + Basic Spatial Needs]
[29]
[Fall 2018 / Kayseri, Turkey]
CONSUME IT! PRODUCE IT!
The way people space themselves says much about their relationships (Howards, H. E.)
[30]
FOLDABLE PAVILLION [Geometry + Structural Morphology] Kayseri, Turkey Fall 2017 [Non-academic]
To explore the conceptual and practical appproaches of deployable structures by modeling a lightweight-structure at the 1:1 scale were the main subject. Furthermore, through these morphological studies, the creation of habitable spaces and architectural components were the core elements of the exploration. Exploring this new design method by using parametric design and fabrication give the opportunity for the real life application. Physical and digital models were used in studying and understanding the complexity of these systems.
ROLE Model Maker [Group]
CONTRIBUTION Execution of concept + Production of model
PROFESSORS/SUPERVISORS Omar Avellaneda ofal81@gmail.com Natalia Torres natatorres84@gmail.com Valentina Beatini valentina.beatini@agu.edu.tr
FOLDABLE PAVILLION
[Geometry + Structural Morphology]
DEPLOYABLE STRUCTURES WITH ARTICULATED BARS
[33]
[Fall 2017 / Kayseri, Turkey]
FOLDABLE PAVILLION
closed
open [34]
FOLDABLE PAVILLION
[Geometry + Structural Morphology]
DEPLOYABLE STRUCTURES WITH POLYGONAL SURFACES
[35]
[Fall 2017 / Kayseri, Turkey]
FOLDABLE PAVILLION
[36]
FOLDABLE PAVILLION
[Geometry + Structural Morphology]
CONSTRUCTION OF THE PROTOTYPE
[37]
[Fall 2017 / Kayseri, Turkey]
FOLDABLE PAVILLION
[38]
FOLDABLE PAVILLION
[Geometry + Structural Morphology]
[39]
[Fall 2017 / Kayseri, Turkey]
FOLDABLE PAVILLION
[40]
BAĞLAÇ* [Articulation of Parametricism + Form Finding] Kayseri, Turkey Summer 2018 [Non-academic]
to be concrete: a morphogenetic approach to be : evolve form one step to another morphogenetic : /gr. morphe: form / eng. genetics [gr genos] / fr. gene: biology science examining the events of soybean extraction, evolution and change in human-beings, animals and plants. The theme of the summer school has emerged with the attractiveness of the phenomenological investigation of ‘being concrete’. With the process-based and open-ended existential parameters spreading over time, we have been faced with the formation of morphogenetic processes. In the morphogenetic process, the form follows the process. bağlaç* [conjunction]: linking two words that have no meaning in their own right but are meaningful in the sentence. published in ‘Betonart’ magazine: https://betonart.com.tr/dergi/aguste-perret video: https://youtu.be/dhjvvNEu5Cw
ROLE Designer + Producer + 3D model maker + CNC - Lasercut user [Group]
CONTRIBUTION Execution of concept + Understanding of concrete as a morphogenetic + Fabrication process
PROFESSORS/SUPERVISORS Birge Yıldırım Okta birgeyildirim@gmail.com Gürkan Okta gurkanokta@gmail.com
BAĞLAÇ*
[Articulation of Parametricism + Form Finding]
[43]
[deformation] [ambiguity] [vagueness]
[Summer 2018 / Kayseri, Turkey]
The project aims to be a link between the two states by using the metaphor as a context to produce a perceptual/ experimental space between the concrete and the person, between the end and the inside of the wall, between the process and the result. The interior of the work which is perceived as two lean walls from outside is shaped by algorithmic abstractions of the connective tissues. This venue encompasses people and aims to provide a new experience. Bağlaç* establishes a relationship between nature and person, person and space.
BAĞLAÇ*
[44]
BAĞLAÇ*
[Articulation of Parametricism + Form Finding]
[45]
[Summer 2018 / Kayseri, Turkey]
BAĞLAÇ*
[46]
BAĞLAÇ*
[Articulation of Parametricism + Form Finding]
[47]
[Summer 2018 / Kayseri, Turkey]
BAĞLAÇ*
...has emerged with the attractiveness of the phenomenological investigation of ‘being concrete’.
[48]
TRANSPARENT FRONTIERS [Designer Identity + Participatory Design] Kayseri, Turkey Fall 2018 [Non-academic]
The aim was to define the frontiers between the past and present. The research area is Germir, Kayseri. When the historical features are considered, it is clear to see that people that has different race, ethnic lived together in Germir. The language, life style, traditions were different but they had a common understanding. There was a frontier between them but it is not a solid one. It was transparent. To express this transparency and life style, the historical back ground and the stories of them were checked. The instillation (the final work) was a tool to express that idea. A short movie: [https://vimeo.com/253833268]
ROLE Video Maker + Curator [Group]
CONTRIBUTION Execution of concept + Producing Instillation + Fabrication process
PROFESSORS/SUPERVISORS Sebla ArÄąn seblaarin@gmail.com
TRANSPARENT FRONTIERS
[Designer Identity + Participatory Design]
[51]
Fall 2018 / Kayseri, Turkey]
TRANSPARENT FRONTIERS
[52]
TRANSPARENT FRONTIERS
[Designer Identity + Participatory Design]
[53]
Fall 2018 / Kayseri, Turkey]
TRANSPARENT FRONTIERS
[54]
DYNAMIC TOUCH [Kinetic Structure] Kayseri, Turkey Fall 2016 [Academic]
It is a weekend house for a photographer in Tavlusun neighbourhood (Kayseri). Tavlusun neighbourhood is far from the noise and congestion of city. It is a good place for people to take a break from city life. It has three part as sleeping and living space and a photograph washing space. We use biomimesis as concept. I choose worm and I use movement of worm and put it on the facade as moveable triangular panels. They are actually sunshades but when sun started to disturb the photographer, the panels will automatically close. Also users of it can open or close it with a remote control.
ROLE Designer + Drawer [Individual]
CONTRIBUTION Execution of concept + Production of model
PROFESSORS/SUPERVISORS Beniamino Polimeni beniamino.polimeni@agu.edu.tr Ahmet Erdem TozoÄ&#x;lu aetozoglu@agu.edu.tr
DYNAMIC TOUCH
[Kinetic Structure]
[57]
Fall 2016 / Tavlusun, Kayseri, Turkey]
DYNAMIC TOUCH
[58]
DYNAMIC TOUCH
[Kinetic Structure]
[59]
Fall 2016 / Tavlusun, Kayseri, Turkey]
DYNAMIC TOUCH
[60]
TRANSCREATION OF MARS [Space-Time-Human Parallax + Interfered Topography] Tharsis, Mars Fall, 2018 [Academic]
The aim of the course is to design the process and test the difficulties and possibiilities of the high-tech products. Therefore, it was an introduction to ‘Dessault System’ which called 3D experience platform that has a specific role on the high-tech production platform. By working in groups which is includes students from different departments [electrical engineering, mechanical engineering, industrial engineering, architecture] was an initial step to the real world studies. the paper: https://issuu.com/gulistankenanoglu/docs/ie396__high-tech_product_developmen
ROLE Designer + Drawer [Group]
CONTRIBUTION Execution of concept + Research gathering
PROFESSORS/SUPERVISORS Ibrahim Akgün ibrahim.akgun@agu.edu.tr
TRANSCREATION OF MARS
[Space-Time-Human Parallax + Interfered Topography]
[63]
Fall 2018 / Tharsis, Mars]
TRANSCREATION OF MARS
Mountains and valleys that are located on the ‘Mars’ surface are emphasized. In every research, the solids and voids spatial qualities [the mountains and valleys are abstracted as solids and voids] of them come to light. Accordingly, datas give a chance to designer to see the possibilities of spatial organizations. The analysis feed the concept of the building and the rough form of it. In that case, the feeling of being on Mars will be experienced [64] on the Earth.
TRANSCREATION OF MARS
[Space-Time-Human Parallax + Interfered Topography]
Mars has the ‘space’ and ‘time’ dimensions. By exploring planet Mars, human-beings interfere to the spatial world (example of Mars). Therefore, spaces that are affected by human-beings started to have more ‘hard-edges’ and clear cuts. The softness give its place to the hard-edges. Thereby, the pure topography of the Mars surface becomes an interfered topography affected by human-being existence.
[65]
Fall 2018 / Tharsis, Mars]
TRANSCREATION OF MARS
spatial possibilities
[66]
[Space-Time-Human Parallax + Interfered Topography]
TRANSCREATION OF MARS
spatial creation
f o r m f i n d i n g
the surface
the formation of Mars surface are composed by valley and mountain there is a repetation of the surface. (gives a pattern)
[67]
Fall 2018 / Tharsis, Mars]
manifacturing workshops for
test room
offices
TRANSCREATION OF MARS
the structure will be composed by pattern that taken form Mars surface. ‘relationship between the valley and mountain creates a repetation which give the quality to the structure. The factory will be located in the world but follow the pattern. It will be ’transcreation of Mars’. conceptual elevation
The structure will be composed by pattern that taken from Mars surface. ‘Relationship between the valleys and mountains’ creates a repetition which give the quality to the structure. The factory will be located on the Earth but it will follow the pattern. The structure will be transcreation of Mars.
[68]
TRANSCREATION OF MARS
[Space-Time-Human Parallax + Interfered Topography]
[69]
Fall 2018 / Tharsis, Mars]
TRANSCREATION OF MARS
[70]
A-VOID [Topography: as a Living Organism +Parametircism of Urban Theory] Kültepe, Kayseri, Turkey Fall 2018 [Academic]
The theme of this semester is new architectural design in historic context. The analyses include a reading, understanding and evaluation of the historic and cultural context at the given site. Design proposals will be based on the parameters defined by the analyses and respect the existing historic, social and cultural fabric, which will be a palimpsest of different layers. Research Center/Institute is the general definition of the term project. The concept and basis of the ‘research’, which could be social and natural sciences or humanities, may be selected by the students based on their environmental analyses.
ROLE Designer + Drawer [Individual]
CONTRIBUTION Execution of concept + Production of model
PROFESSORS/SUPERVISORS Nilüfer Yöney nilufer.yoney@agu.edu.tr
[Topography: as a Living Organism +Parametircism of Urban Theory]
A-VOID
Is time real?, what makes time tangible and observable in the earth?, or else, time is just a human based product?
[73]
In this continuity, ‘before’ and ‘after’ have a spatial syntax. Time is not the number that one counts, but counted number. According to Aristothales, “moment” links ‘past’ and ‘future’. So, past is the end of the time and future is the beginning of the time. Time is a border that connects them. A universe cannot be imagined without existence of time and space. Time, actually, cannot be make sense without human conscious that experiences it. According to Augustinus, time/moment can barely be measured when it flows. So, one can just be measured ‘present’ moment, but past and future cannot. Since, non-existing things cannot be measured. When ‘moment’ flows, past and future became evident. For Heidegger, time make sense as existing temporality and existence of Dasein’s. All actions can be experienced with time. One never can imagine a earth without time and space.
Fall 2018 / KĂźltepe, Kayseri, Turkey]
A-VOID
temporality time of space/ space of time place within the place flow of the space?
[74]
A-VOID
[Topography: as a Living Organism +Parametircism of Urban Theory]
Topography behaves like a living organism and is accumulated and subtracted. Therefore, there will be permanent and temporary structures. Permanent structures will be entrance with lounge and meeting room, laboratory, offices, library, accommodation units and test room (maybe view tower) and pathway. Temporary structures will be exhibition spaces, workshop, seminar room, view tower. So, the construction process of the research center (partially) will be observed by both visitors and researchers. [75]
Fall 2018 / KĂźltepe, Kayseri, Turkey]
A-VOID
The process is the matter in the project. The research center will be open with permanent structures. The temporary ones will be constructed while visitors experience and observe the collective memories of the past. Thus, there will be able to create the connection between the the past and the possible future by means of pathway that will create a concrete border on the intuitional (sezgisel) border. [76]
A-VOID
[Topography: as a Living Organism +Parametircism of Urban Theory]
process permanent and temporary horizontality afford to reach the sky being intimate spatial void squeezed space memory of the topography topography as a living organism
[77]
Fall 2018 / Kültepe, Kayseri, Turkey]
A-VOID
[78]
A-VOID
[Topography: as a Living Organism +Parametircism of Urban Theory]
[79]
Fall 2018 / Kültepe, Kayseri, Turkey]
the pattern created by taking the site into consideration
abstracted into points
regular grid formation
points designation into the grid
grid distortion by considering the points
Points taken from the pattern created by taking the site into consideration designate into the grid. topoğrafyanın canlı olma durumu ve regular grid sisteminin düzenli olma halini kırmak istemesi, gridin deforme olma olasılığıyla çakıştı. keskin yolların git gide eğrisel formları takip etmesi, grid deki deforme olma halini destekledi. Mekanın zamanla değişime uğraması, yani canlı bir organizma gibi davranması, proje sürecine işledi ve zamanla kendini yenileyen ve değiştiren bir altlığa dönüştü.
space
people(user)
z
x
y
pattern variation
pattern height variation desicion
1-3 people
close
intimate
A-VOID
active/passive
pattern deformation
high height 3-5 people
personal
less close
middle height
5-15 people
social
less open low height 20> people
public
open
[80]
A-VOID
[Topography: as a Living Organism +Parametircism of Urban Theory]
[81]
Fall 2018 / KĂźltepe, Kayseri, Turkey]
One’s connection with the world of experience and all other assets is experienced on a space and a time dimension, in case of perceptibility of facts and phenomenon.
A-VOID
[82]
PERSONAL INTEREST [Exploring Design + Art + Architecture] 2014 - 2019 [Non-academic]
Works done by Gülistan Kenanoğlu incase of exploring design, art and architecture.
ROLE Graphic Representation [Individual]
CONTRIBUTION Exploring design, art and architecture
[Exploring Design + Art + Architecture]
PERSONAL INTEREST
Human Aphorism to be asked for ‘desing mag’ to use the work in the magazine
[85]
After noticing several aspects of understand the human being, people’s behaviors, their considerations, and thehidden message(s) behind them are illustrated by using subjective images. Our feelings can be those of happiness, faithfulness, comfort, pride, anger, disappointment, depression, etc. How does one behave when s/he is alone? All subconscious and paraconscious emotions eventually come to light. When you are alone is when you become your true self, and everything which you do is a reflection of the real you and of what is inside you. One can be debating in his or her mind what is right and what is wrong; you can be meditating on what you learned from a book you read, on memories, or on the pain of an unforgotten love to mention a few.
2014-2019
PERSONAL INTEREST
[86]
PERSONAL INTEREST
[Exploring Design + Art + Architecture]
[87]
Human Prototype ...try to be innocent once upon a time there was humanity. people were happy, together and smiling. ...then everything changed
2014-2019
PERSONAL INTEREST
[88]
PERSONAL INTEREST
[Exploring Design + Art + Architecture]
[89]
2014-2019
PERSONAL INTEREST
[90]
PERSONAL INTEREST
[Exploring Design + Art + Architecture]
[91]
2014-2019
PERSONAL INTEREST
[92]
GĂźlistan KenanoÄ&#x;lu gulistankenanoglu@gmail.com +905415441269