SELECT WORKS 18 | GUNN

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SELECT WORKS CURRENT TO 2018 GUNN CHAIYAPATRANUN SELECT WORKS 18

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CONTENTS The projects featured in this portfolio represent architectural design works produced by Carnegie Mellon University fifth year BArch student Gunn Chaiyapatranun. With a Minor in Architectural History and Japanese Studies, Gunn has a keen interest in the social and human interactions with the built and natural environment, as well as topics of historical preservation and the emotional nuances that are an inevitable part in the act of building.

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2018 ULTRA VIOLET

GUNN


Curriculum Vitae 4-5

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JUDD

2

TEATRUL VIATA

A High Rise

A New National Theater of Romania

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MATTER MATTERS

4

ENVIRONMENTAL CHARTER SCHOOL

A Freshwater Educational Center

A Sustainable Middle School

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NAVIS

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SACO BATHS

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A Celestial Observatory

A Lakeside Bath House

6-9

10-13

14-17

18-21

22-25

26-29

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SKILLSETS

EDUCATION

ANALOG Drawing Drafting Model Making Woodworking

CARNEGIE MELLON UNIVERSITY Pittsburgh, PA Bachelor of Architecture Minors in Architectural History and Japanese Studies

DIGITAL Rhinoceros 3D Grasshopper Vray Ecotect Analysis SketchUp AutoCAD Revit 3D Studio Max Photoshop InDesign Illustrator After Effects

Graduation May 2019 Dean’s List

FABRICATION Lasercutting CNC Router 3D Printing LANGUAGES English (Fluent) Thai (Fluent) Mandarin Spanish Japanese

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WORK EXPERIENCE Architects 110 Bangkok, Thailand Jun-Aug 2018 Assisted in the schematic design of hospitals, public healthcare centers, MRT stations and hotels in different parts of Thailand. DOMO Architecture New York, New York Jun-Aug 2017 Assisted in on-site surveys, and the development of construction documents for a penthouse renovation in the Upper East Side, research, and schematic design of a townhouse project in Morristown, New Jersey.

GUNN


CURRICULUM VITAE

INVOLVEMENT Carnegie Mellon University School of Architecture Brochure Designer 2015 Teaching Assistant Human Factors in Architecture w/ Prof. Christine Mondor 2017

Architects 49 Limited Bangkok, Thailand May-Jul 2016 Assisted with the design development and model making of shopping centers and condominiums in Bangkok and Vientiane. Translated documents in English, Thai and Mandarin Chinese for Chinese client. Office of Bangkok Architects (OBA) Bangkok, Thailand May-Jul 2015 Assisted in making massing models in SketchUp and the drawing of building elevations and sections in Autocad. Helped make renders in Photoshop.

Teaching Assistant Historical Survey of World Architecture and Urbanism I w/ Prof. Diane Shaw 2019 SIAM Thai Student’s Association Design Chair 2014-2019 LUNAR GALA Fashion Designer (Chinoiseries) 2018

RECOGNITION Annual Epic Metals Design Competition Award 1st Place The Pittsburgh History and Landmarks Foundation Prize for Essay on Japanese Architecture 1st Place, 2017

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JUDD

A HIGH RISE Fall 2018 This Museum Annex to the Judd Foundation and Residential tower in SOHO is faithful to artist Donald Judd’s philosophy and aesthetic beliefs. Set just across the street from the Ironcast-facade foundation, the annex mimics the floor level heights of the foundation in order to create a dialogue between the two buildings through spatial alignment perceivable at street level, while consistent with Judd’s interest with the act of mirroring and reflection. The motifs on the castiron facade are also mirrored intellectually, converting classical pilasters into decorative Miesian channels and extrusions. The gallery levels celebrate Judd’s love of expressing the process of building with exposed weld marks, fireproofing and ductwork. But as one progresses upwards through the galleries, the finishes get finer and more polished, removing the visitor from the context and focusing their senses on the artwork.

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JUDD

+ 132.0’

RESIDENTIAL UNIT SECTION 2

+ 121.5’

RESIDENTIAL UNIT SECTION 1

+ 93.5’

MECHANICAL ROOM

+ 70.5’

DAYLIT GALLERY

+ 60.0’

“WHITE BOX” GALLERY

+ 49.5’

GALLERY

+ 35.5’

GALLERY

+ 21.5’

GALLERY

0.0’

MUSEUM + RESIDENTIAL LOBBIES

- 11.0’

ART + BOOKSTORE

- 24.0’

CURATORIAL OFFICES

LONGITUDINAL SECTION 0 1 2 1/4” = 1’ - 0”

4

6

10

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REFLECTED CEILING PLAN

LEVEL B2

LEVEL B1

LEVEL G

LEVEL 2

LEVEL 3

LEVEL 4

LEVEL 5

LONGITUDINAL SECTION

FLOOR PLAN

LEVEL B2

LEVEL B1

LEVEL G

LEVEL 2

LEVEL 3

LEVEL 4

LEVEL 5

CURATORIAL OFFICES

ART + BOOK STORE

GALLERY + RESIDENTIAL LOBBIES

GALLERY 1 | CONTEXTUAL

GALLERY 2 | CONTEXTUAL

GALLERY 3 | CONTEXTUAL

GALLERY 4 | WHITE BOX

Top: Reflected Ceiling Plans and Floor Plans of Gallery, Curatorial Offices and Two Residential Units Above: Renders of galleries at levels 2, 5 and 6, showing the different treatments of finish material

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JUDD FOUNDATION

MUSEUM ANNEX + RESIDENCES GUNN CHAIYAPATRANUN

MECHANICAL FLOOR

LEVEL 6

LEVEL 7

LEVEL 8

INTERLOCKING DUPLEXES AND PENTHOUSE UNITS

SECTION 1

LEVEL 6

LEVEL 7

GALLERY 5 | DAYLIT

RESIDENTIAL 1+2 | INTERLOCKING DUPLEX

SECTION 2

LEVEL 8

0 2 4 1/8” = 1’ - 0”

8

12

20

28

LEVELS 9 + 10

LEVELS 11 + 12

LEVELS 13 + 14

LEVELS 15 + 16

RESIDENTIAL 3+4 | DUPLEX

RESIDENTIAL 5+6 | DUPLEX

RESIDENTIAL 7 | TWO-LEVEL PENTHOUSE

RESIDENTIAL 8 | TWO-LEVEL PENTHOUSE

0 4 8

16

24

40

56

1/16” = 1’ - 0”

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TEATRUL VIATA A National Theater Spring 2018 This National Theater of Romania, Sibiu is designed to be the home stage of the worlds current third largest international theater festival. It situates in the context of a medieval city, and borrows the material palette from its neighboring historical landmarks. Its three theaters reflect on the turbulent history of the region from Saxon occupation to modern-day independence.

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JUDD

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MATTER MATTERS

A Freshwater Education Center In Collaboration with Adam Kor Fall 2017 This project considers the implications of material and time in architecture. Leveraging the gallery’s proximity to the river edge, concrete is selected as the choice of material to register the passage of time. Water brings concrete to life, then immortalizes its form when it leaves the cast. Although it is conventionally considered as mass, and connotes heaviness, and has a very corporal presence, it always starts off in fluid form. How can the process of casting express concrete’s fluid nature? A series of cast experiments were executed to explore the endless possibilities of concrete.

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+47.0

+47.0

+30.5

+30.5

+15.0

+15.0

Longitudinal Section 1’- 0” = 1/4”

+47.0

+30.5

+21.0

+15.0 +15.0

+11.0

Transverse Section 1’- 0” = 1/4”

+3.0

+0.0

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ENVIRONMENTAL CHARTER SCHOOL A Freshwater Education Center Spring 2017 This middle school in aims to increase the interaction of students within their grade by organizing the classrooms into three sets of three classrooms, each set having access to a central meeting room and form larger spaces or connect to other classrooms. The staggered stacking of classrooms allows for optimal sunlight exposure, as well as dynamic views from one level to the next. The several intelligent energy efficient systems of the building are taught as part of the school curriculum, complete with interactive dashboards and operable windows and louvers.

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NAVIS

A Celestial Observatory Spring 2017 3-Day Competition 12th Annual Epic Metals Competition 1st Place Winning Design In Collaboration with Timothy Khalifa Designed like a chashitsu (Japanese Tea Room), the celestial observation shelter is a simple one-story space planned intentionally to be almost uncomfortably small, with little to no fenestration on each of the four walls. This provides an environment of intimacy an conversation, while directing attention towards the sky above.

Steel flashing

Toris® EPIC Metal Roof Deck

Photovoltaic Panels

Clear Twinwall Polycarbonate 1/2”

Celestial Camera Obscura opening JCPenney Home™ Mirage Blackout Cordless Cellular Shade

Sliding (Operable) Glass Window Roof

AC-DC Converter

Obscura Blackout blinds (Attached to roof deck corrugation)

Corrugated Polycarbonate roof Single-glazed window

1 1/2” Plywood Sleeping Deck

Panel-Battery Cord Sleeping Deck Support Beam Sun Xtender Solar Batteries

Obscura Projection Surface Clear Twinwall Polycarbonate 1/2” Toris® EPIC Metal Floor Deck GlulamRibs 6” @ 4’ C-C

Footings adjustable to terrain

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Drainage Holes (Metal Perforations)

Toris 7® EPIC Metal Wall Panel Toris® EPIC Metal Floor Deck

Glulam Columns 6” @ 4’ C-C GlulamRibs 6” @ 4’ C-C 1 1/2” Plywood Sleeping Deck

Clear Twinwall Polycarbonate 1/2”

N

4.00”

Camera Obscura Projection surface

7.00”

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NAVIS

Window Detail

Camera Obscura Detail Steel flashing

Photovoltaic Panels

Sliding Tracks

40.4406 N, 79.9959 W

Glulam Beam 6” @4’ C-C

Toris® EPIC Metal Roof Deck Sliding (Operable) Glass Window Roof

Sliding (Operable) Glass Window Roof

Corrugated Polycarbonate roof Celestial Camera Obscura opening

RISE Loosing oneself as the universe opens up above. A series of operable windows slide open to allow for the eventual exit of the universe and accentuate the vertical relationship.

Scale: 3/4” = 1’-0” 0

6”

1’

2’

4’ Scale: 3/4” = 1’-0” 0

2’

4’

Complimenting this sense of curiosity with a greater understanding of its origins, a camera obscura allows for the entrance of the universe through a projection onto the floor, an opportunity to use the space as a dynamic learning environment. Bringing the wonders of the universe into the confines of a “classroom”, where students can feel their presence amongst the stars.

Wall to Roof Detail PV Panel Toris® EPIC Metal Roof Deck Sliding (Operable) Glass Window Roof

Enhancing a sense of continuity, and constant awareness of being in a vessel. A single plane swoops from the entrance of the universe to its exit. The plane forms the space, acting as a floor system, an enclosure system and a structural system.

1’

ENLIGHTEN

This geometry is inspired by ship hulls which represent adventure and discovery and the sextant, an instrument of maritime navigation and astronomical study, emphasizing the practical use of celestial observation as a means of wayfinding and understanding our relative presence in the universe.

IMMERSE

6”

Corrugated Polycarbonate roof JCPenney Home™ Mirage Blackout Cordless Cellular Shade Single-glazed window

Clear Twinwall Polycarbonate 1/2” Toris® EPIC Metal Floor Deck GlulamRibs 6” @ 4’ C-C

Scale: 3/4” = 1’-0” 0

6”

1’

2’

4’

EXPERIENCE Designed like a chashitsu (Japanese tearoom), the celestial observation shelter is a simple one-story space planned intentionally to be almost uncomfortably small, with little to no fenestration on each of the four walls. This provides an environment for intimacy and conversation, while directing attention towards the sky above.

Steel flashing

Toris® EPIC Metal Roof Deck Clear Twinwall Polycarbonate 1/2”

Photovoltaic Panels Celestial Camera Obscura opening

Sliding (Operable) Glass Window Roof

JCPenney Home™ Mirage Blackout Cordless Cellular Shade

AC-DC Converter

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Obscura Blackout blinds (Attached to roof deck corrugation)

Corrugated Polycarbonate roof Single-glazed window

1 1/2” Plywood Sleeping Deck

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1

SITUATE

2

PITTSBURGH, PA

FRICK PARK

SUNRISE VIEW

Glulam structural ribs Toris® Floor Deck (With flat interior surface) SOUTHERN SKY

Plywood sleeping deck removeable for reorganizations of space and replacements.

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4

Structural Columns & Beams (End beams rest on Toris 7® in step 6)

Sliding Glass Window Panels

5

4

Toris® metal roof deck with camera obscura opening punctured, is attached to the bottom side of beams

REET

A ST

IETT

HENR

Toris 7® Epic Metal Wall Panels (EW)

ON A

MILT

PV Array

UE

VEN

N

Corrugated `Polycarbonate Roof

Clear Twinwall Polycarbonate (NS)

ASSEMBLE MODULARITY

The shelter is designed as an aggregation of attach additional bays to the end in the event of an expansion. The adjustable footings produced in the sectional perspective below also allows situation in uneven terrains.

Drainage Holes (Metal Perforations)

Toris 7® EPIC Metal Wall Panel Toris® EPIC Metal Floor Deck

Glulam Columns 6” @ 4’ C-C GlulamRibs 6” @ 4’ C-C 1 1/2” Plywood Sleeping Deck

Camera Obscura Projection surface

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Clear Twinwall Polycarbonate 1/2”

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SACO BATHS A Bath House Spring 2016 Bath houses are extremely dynamic environments in terms of thermal experiences, and what makes it an even more significant activity is the fact that it is the site of the most intimate of architectural experiences. This is because people are at their most vulnerable, without any protection of clothing, and are coming into immediate tactile contact with architecture in a way that they would never in most situations. In addition to purification, bathing is also a recreational activity in which people partake to relax themselves, as it is where humans derive the most physical pleasure by thermal means. This project examines these nuances by the design of a bath house in Saco Lake, New Hampshire.

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