The Garrick Gazette Issue 582 December 2020
Garrick Theatre Club (Inc) www.garricktheatre.asn.au 16 Meadow Street, Guildford PO Box 122, Guildford WA 6935 Editor: Douglas Sutherland-Bruce
In this issue:
Garrick Theatre Club (inc) 16 Meadow Street, Guildford
Proudly Presents
Managing Carmen Carmen by DAVID WILLIAMSON
2020 Calendar
2
Annual General Meeting
6
Auditions
3
Editorial
2
Obituary
4
Review
9
Request for Help
11
The Committee
7
The Hound of the Baskervilles
4
Directed by Siobhan Vincent
by arrangement with Origin Theatrical, on behalf of Samuel French Ltd
Thu Fri Sat Sun Feb/ 25 26 27 28* Mar 4 5 6¶ 7* 11 12 13
Tickets: Adults - $25 Concession - $22 Members - $20 Children 12 & under - $15 Booking: 9378 1990 or www.TryBooking.com
Curtain Up Evenings: 8:00pm Matinées: 2:00pm ¶ Matinée and Evening * Matinées only
25
th
Warning ; sexual references and coarse language
February to 13th March, 2021
The Garrick Gazette Published by: Printed by: ISSN (Print edition): ISSN (Online edition)
The Garrick Theatre Club (Inc) Docuprint 2652-4678 2652-4686 Copyright 2020 1
“The word theatre comes from the Greeks. It means the seeing place. It is the place people come to see the truth about life and the social situation.” - Stella Adler
EDITORIAL “THERE HAVE BEEN MANY plagues in the world as there have been wars, yet plagues and wars always find people equally unprepared. ... they did not believe in pestilence. A pestilence does not have human dimensions, so people tell themselves that it is unreal, that it is a bad dream which will end. But it does not always end and, from one bad dream to the next, it is people who end, humanists first of all because they have not prepared themselves.” ― Albert Camus, The Plague We see the daily figures, yet again another day has passed with no community contagion - only returning travelers safely confined in quarantine, and each day we grow a little more confident, a little more blasé, a little more careless. And yet the restrictions on theatre remain in place, 60% of capacity only, even while our borders are loosened and we welcome friends and family from New South Wales and Victoria without quarantine. And yet we wait for the first unknowingly contagious person to start the virus off in our largely unprotected society, living as we do, like the boy in the bubble. But our medical experts know and are preparing. As of the 5th December contact tracing has been re-introduced and audiences will need to provide their time of attendance, name, address and contact details, or sign in with an app, using the QR code provided for both public, cast and crew. Prepare for the worst, hope for the best. In the meantime we carry on doing what we do best ... producing quality entertainment. It is not for me to comment on the quality of our latest production, The Importance of Being Earnest, we have experienced and perceptive critics and adjudicators for that, but I will say that, wearing my director’s hat, I am incredibly proud to have been part of this production and to have worked with this company of actors and the technicians and back stage army who produce such a fine effect. Audiences have been most appreciative, and more importantly are voting with their pockets - most shows are completely sold out, with just the odd ticket or two here and there being available. Our Booking Officer, Elaine, suffered a tragic family loss during the run but nonetheless has carried on with some help from the committee. The President and Executive Committee wish all our readers, casts, crews, members and audiences a Safe, Happy Christmas and Holiday Season. Until we next see each other on the green ...
Douglas Sutherland-Bruce, Editor.
Any views expressed in this editorial are those of Dr Sutherland-Bruce alone and may not reflect those of the President and Executive Committee
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AUDITIONS MANAGING CARMEN Manage; Adam Giltrow will play Shane and Crew Kailem Mollard will play Sam and Crew Ellien van Heerwaarden will Crew.
FOLLOWING A SERIES OF well-attended auditions by talented actors,Director Siobhan Vincent is excited to announce her cast and crew for the upcoming production of Managing Carmen; Cast: Brent will be played by Thomas McCracken; Max will be played by Tim Fraser; Rohan will be played by Rhett Clarke; Jessica will be played by Sarah House and Clara will be played by Pauline Rosman.
Garrick Theatre Club (inc) 16 Meadow Street, Guildford
Proudly Presents
Managing Carmen Carmen by DAVID
Creatives/Footy Show team; Jake Newby has designed the set plus light and sound -scape Caileb Hombergen-Crute will work as Technical Manager; Colleen Bradford will play Caro and be in charge of Wardrobe; Teagan Harris will play Daisy and do Makeup; Roxi Moore will be Stage Manager; Clayton Reichards will Assistant Stage
WILLIAMSON
Directed by Siobhan Vincent
by arrangement with Origin Theatrical, on behalf of Samuel French Ltd
Thu Fri Sat Sun Feb/ 25 26 27 28* Mar 4 5 6¶ 7* 11 12 13 Curtain Up Evenings: 8:00pm Matinées: 2:00pm ¶ Matinée and Evening * Matinées only
Tickets: Adults - $25 Concession - $22 Members - $20 Children 12 & under - $15 Booking: 9378 1990 or www.TryBooking.com Warning ; sexual references and coarse language
25th February to 13th March, 2021
WHAT’S ON ELSEWHERE
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REVIEWS THE IMPORTANCE OF BEING EARNEST REVIEW by GORDON THE OPTOM The Importance of Being Earnest is a mockery The Scene: It is 1897 in the south of England, of the aristocracy, written by Dublin-born the Victorian era when, despite Queen Victoria playwright Oscar Fingal O’Flahertie Wills having 9 children, sex is an awfully bad word. Wilde. This timeless comedy was an immediate triumph when first performed in 1895. Oscar The Set: Act 1 Afternoon teatime in was one of London’s most fashionable Algernon’s aristocratic sitting room in Half Moon playwrights. After studying at Dublin and Oxford Street. Due to the massive scene changes that University, he lectured in the United States are to take place, the white walls only have a and Canada. He also wrote Salome, but was couple of oil paintings and pale peppermint refused a performance licence. flock wallpaper. However, the well-appointed Wilde prosecuted the father of his lover, furnishings (Roxi Moore) were superb. Oak the Marquis of Queensberry, for libel but the framed chaise-longue and matching chairs. In defence determined that he was gay, so instead the corner was a beautiful plant stand, centre Wilde was imprisoned for two years’ hard stage a dining table set with finest Royal labour. He died in Paris aged only 46 – sadly Doulton crockery and to the side a small wine destitute. table. The writing style of this play allows it to be presented in many ways. I have seen Act 2 Is in the well-tended country garden cross-dressing, a farce, a risqué version, one of Jack Worthing’s Hertfordshire manor. The where the actors were asked to ‘ham it up’, a side walls are covered by ivy and trellising. The presentation where the young men were both rear dark limestone wall has two arches and played by gentlemen holding Seniors Cards, climbing roses: centre stage a full set of garden thankfully here we have the true Wilde version. furniture. It is acted with a strong grasp of the characters yet with a subtle and droll style of delivery. There are many dry comments and snide remarks slipped into the script, try and catch them all. This brilliant and extremely lively, two-and-ahalf-hour satire – with a laugh a minute – from the Garrick Theatre Club can be seen at the Garrick Theatre, 16 Meadow Street in Guildford. The curtain rises at 8.00 pm on these ingenious and yet absurd performances on Thursday, Friday and Saturday evenings until Saturday 12th December. There are matinées at 2.00 pm on Sunday 29th November and 6th December. This theatre is small and unfortunately Covid has made it L to R: Cecily (Olivia Fellows) and Gwendoline (Pauline Rosman) take tea and smaller, please book early. compare diaries 4
Act 3 Jack’s drawing room has patio doors leading onto the garden, furnished with a fine collection of Victorian furniture. A Victorian oak book trough, a tea trolley, a dining table replete with silver wear and more fine china.
(Siobhán Vincent), one of society’s Grande Dames, who will be accompanied by her beautiful daughter, Gwendolen (Pauline Rosman). Unexpectedly, Algernon’s best friend Ernest (Jonathan Hoey) a landed gentleman, calls around to tell the self Congratulations centered Algernon that he to James Nailen for his intends proposing to the ingenious set design with ever-adoring Gwendolen. adaptability. Many hours of Algernon mentions work – mainly by James – to Ernest that he has went into the construction. found a cigarette case The delightful set painting with a love message was by the Compton to ‘Jack’ engraved in it. family – Michelle, Harry Could it be that Ernest is and Sami. leading a double life? Who Jonathan Hoey - not looking all that sad in full The lighting and is Algernon’s secret friend mourning sound design, along with ‘Bunbury’? the technical operation, The lecherous was by Caleb Hombergen-Crute. His mentors Algernon discovers that Jack’s ward, Cecily and assistants were Reuben Fildes, Geoff Holt, (Olivia Fellows) is almost 18 years old, wealthy Stuart Ridgeway and Arund Pearce. and desperate for a boyfriend. Surreptitiously, Stage manager Roxi Moore and Algernon finds out where she lives and assistant Harry Compton had huge set decides to pay her a visit, posing as her ward, changes, which in themselves would have Jack’s brother. Algernon arrives whilst Cecily been a nightmare, but with such a small stage and virtually no wings where does one put the two sitting room furnishings and all of the garden décor? First you get a stage mentor! I have never heard of this position before but the clever skills of Chelsea Knight were certainly required. Then with Steven O’Halloran’s muscles the scenechange magic took place. The music selection and editing – mainly from Gilbert and Sullivan – was by Lyn Brown. Algernon(Sean Wcislo) is a young, flashy but impoverished society gentleman. Lane, his butler (Alan Shaw) or ‘gentleman’s gentleman’ as they were known then, tidies up Algernon’s flat in preparation for the arrival of the dreaded aunt; the curt and domineering Lady Bracknell Muffin Time! Algy (Sean Wsiclo) [Left] and Earnest (Jonathan Hoey) 5
is studying with her elderly tutor and governess, Miss Prism (Kerry Goode). Being a typical teenager, Cecily is immediately besotted with Algernon. When the prim Miss Prism goes out for a walk with her close – nudge nudge, wink wink – Scottish friend (immaculate accent), the local rector Dr. Chasuble (Ray Egan), for the first time in her life, the passions flow – well trickles. When they return from the walk there are numerous interruptions from Cecily’s senile butler, Merriman (Alan Shaw) and his two housemaids – and carers – Milly (Jenna McGoughan-Shaw) and Tilly (Samantha ‘Sami’ Compton) who cramp Miss Prism’s style. Will love come true for anyone? Make-up artiste, Tegan Harris has done a wonderful job, creating natural aging on Merriman. The costumes! What can one say? Marjorie DeCaux, Colleen Bradford, SarahJane Hombergen-Crute have produced perfection. The outfits were accurate for the period and stunning. From Algy’s the beautifully tailored, tweed Norfolk shooting jacket, to the highly detailed pastel silks of the young women. Then there was Lady Bracknell’s amazing coffee coloured satin outfit, complete with a matching feathered fascinators and bronze spangled jewellery. Very impressed with the fine collection of quizzers and lorgnettes. All the costumes were perfectly fitted and stitched. Tremendous detail. Even when being worn, care was taken with minor embellishments such as cuff-links cravat pins and even leaving the bottom button of a waistcoat undone. Then there were the maids’, butlers’ and vicar’s regalia, all perfectly correct. The actors seemed very at home in their costumes, with the ladies swirling their dresses and the men flicking their coat tails as they sat down. Even though unyielding director, Douglas Sutherland-Bruce and his wonderful assistant director Kerry Goode are chalk and cheese, as a team they are magnificent. The cast was immaculate, all word perfect, superb diction with precise upper-class English accents. I have seen Jonathan Hoey in nine
Cecily (Olivia Fellows) and Algy (Sean Wsiclo)
plays, and I have followed Sean through fifteen productions over five years, but never seen these actors work together. What a remarkable natural chemistry flowed, they bounced every line perfectly with their precise facial expressions and twitches terrific. I have seen Lady Bracknell in many guises, with every audience anticipating ‘A handbag!’, but in this performance Siobhán gave us so much more. You will really feel sorry for the loving couples as this viper spits her cruel words. The ingenious dialogue has so many more ‘digs’ and insults than I have ever noticed in the past. With two or three of the cast still attending school, I am sure there is a great future ahead. EVERY actor was spot on with voice, intonation, expression and body language. When I initially heard that The Importance of being Earnest was being staged yet again – I must have seen it more than a dozen times – I asked ‘Why?’ The answer is Douglas and his 100% dedicated cast presented the genuine classic. If the original is brilliant conceived, why try to jazz it up? This production brought a rare standing ovation from me. HIGHLY recommended. Congrats to all concerned. REVIEW by KIMBERLEY SHAW for STAGE WHISPERS. The Importance of Being Earnest by Oscar Wilde. Garrick Theatre, Guildford WA. Directed by Douglas Sutherland Bruce. Nov 26-Dec 12, 6
202. The Importance of Being Earnest, while being one of the most oft produced plays in community theatre, is still a very popular choice for both audiences and theatre companies. Well done, as this production is, it cannot fail to charm - and remains an extremely funny play despite, as director Douglas Sutherland Bruce points out in his program notes, some of the satire now falling flat. Garrick has produced a fairly conventional incarnation of this play, allowing character, language and humour to shine. A beautiful looking show, James Nailen has created three distinct settings on the small Garrick stage, and these are nicely finished and dressed. Caileb Hombergen-Crute has created a lighting design that works well (and is also responsible for an effective soundscape). Costumes are quite exquisite as created by Marjorie de Caux, Coleen Bradford and Sarah-Jane Hombergen-Crute - with some particularly impressive millinery. Our earnest young men are well created, with a lovely sense of camaraderie and effective team-work. Sean Wcislo is a charming Algernon Moncreiff, who has obviously put much more effort into developing his character than getting his bio to whomever did the program. Jonathan Hoey is a gently aristocratic Jack, with lovely breeding and a lovely sense of responsibility. Both have a nice connection with their respective love interests. Pauline Rosman reprises the role of Gwendolen Fairfax, previously played at Curtin
University’s Hayman Theatre. She brings elegance, wit and an ever-so-slightly-raisedeyebrow to the role. Olivia Fellows, in her first adult lead, is a sweet but cheeky Cecily Cardew. I am not sure why this production decided to make Cecily Australian (it is mentioned a couple of times and her fortune is at least partly in Kalgoorlie gold) but it doesn’t detract from the show. Siobhan Vincent is a rather imperious and quite formidable Lady Bracknell - without a hint of Edith Evans - and looks amazing during her impressive performance. Kerry Goode is a sweet Miss Prism, with gorgeous facial expression, who works beautifully with Ray Egan’s rather unique and slightly shaky Canon Chasuble. Alan Shaw very nicely plays both butlers - Lane and Merriman - making a very notable physical transformation at interval. In this incarnation, Merriman is both very elderly and mute, with his lines delivered by two enthusiastic young maids played by Jenna McGougan-Shaw and Samantha Compton. While the girls’ timing is impeccable, I am not sure that the way the lines were divided between the two of them rings true. Well paced, crisp and well understood, Garrick’s The Importance of Being Earnest is a lovely visit to an old friend. A must-see for anyone yet to be acquainted with this show, and an incarnation which remains a joy for those like me, who are familiar with every line.
L to R: Canon Chasuble (Ray Egan) Cecily (Olivia Fellows), Algernon (Sean Wsiclo) Miss Prism (Kerry Goode), Gwendolen (Pauline Rosman) and Lady Bracknell (Siobhan Vincent) 7
2021 PROGRAMME Garrick Theatre Club (inc)
Garrick Theatre Club (inc)
16 Meadow Street, Guildford
16 Meadow Street, Guildford
Proudly Presents
Managing Carmen Carmen
Proudly Presents
by DAVID WILLIAMSON
Directed by Siobhan Vincent
by arrangement with Origin Theatrical, on behalf of Samuel French Ltd
Thu Fri Sat Sun Feb/ 25 26 27 28* Mar 4 5 6¶ 7* 11 12 13 Curtain Up Evenings: 8:00pm Matinées: 2:00pm ¶ Matinée and Evening * Matinées only
Adapted from the screenplay byJONATHAN LYNN Additional materials by Hunter Foster, Eric Price & Sandy Rustin Adapted from the Paramount Pictures Film written by Jonathan Lynn and the board game from Hasbro Inc., Directed by Jordan D’Arcy Tabb
Tickets: Adults - $25 Concession - $22 Members - $20 Children 12 & under - $15 Booking: 9378 1990 or www.TryBooking.com Warning ; sexual references and coarse language
25th February to 13th March, 2021
Curtain Up Evenings: 8:00pm Matinées: 2:00pm ¶ Matinée and Evening * Matinées only
Tickets: Adults - $25 Concession - $22 Members - $20 Children 12 & under - $15 Booking: Elaine: 9378 1990 or www.TryBooking.com
29th April to 15th May, 2021
By permission of OriginTM Theatrical on behalf of Broadway Licensing
Garrick Theatre Club (inc) 16 Meadow St., Guildford proudly presents:
Garrick Theatre Club (Inc) proudly presents
’s Ben Crocker ntomime pa al on iti trad
nd a l s I e r u s a e r T
A comedy of mature misfits
OUR GANG by David
Thu Fri Sat Sun Apr/ 29 30 1 2* May 6 7 8¶ 9* 13 14 15
Christner
Directed by Douglas Sutherland-Bruce by arrangement with the author Musical Director: Lyn Brown Choreographer: Siobhan Vincent
Directed by Dale James
by special arrangement with the author
Tickets:
Adults - $25 Concession - $22 Members - $20 Family (2A + 2C) - $75 Children 12 & under - $15 Booking: Elaine: 9378 1990 or www.TryBooking.com Tickets: Adults - $25 Concession - $22 Members - $20 Booking: Elaine: 9378 1990 or www.TryBooking.com bookings@garricktheatre.asn.au
Thu Sept/ 16 Oct 23 30
Fri 17 24 1
Sat 18 25¶ 2
Sun 19* 26*
Curtain Up Evenings: 8:00pm Matinées: 2:00pm ¶ Matinée and Evening * Matinées only
16th September to 2nd October, 2021
Nov/ Dec
Thu 18 25 2 9
Fri 19 26 3 10
Sun 21* 28* 5*
Curtain Up Evenings: 7:30pm Matinées: 1:30pm ¶ Matinée and Evening * Matinées only
18th November to 11th December, 2021
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Sat 20¶ 27¶ 4¶ 11
OBITUARY PETER JOHN GILBERTHORPE (1939 - 2020) IT IS WITH GREAT SADNESS that we mark the passing of a long-time member and friend of the Garrick Theatre Club. Peter John Gilberthorpe was born in Rainham Kent in the UK on 17th February 1939 as the only child of Mable and John Gilberthorpe. Peter spent his early life in Rainham - going to school in Rainham and his first job training as an electrian on the Tilbury Docks which is about thirty minutes from Rainham. It was during these years growing up in Rainham that Peter met his first wife Patricia, and from their union Julie, Anthony and Michielle were born and spent the first part of their lives living in Rainham. The family decided to emigrate to Australia and on the 7th August 1971 Peter, Patricia and their family arrived in Perth and settled in Bassendean. In the new country Peter worked diligently to support his family undertaking many jobs until he started his own business the first of two, AC Controls in air-conditioning, then hewent from air-conditioning to nuts and bolts with Bill’s Hardware. After selling up his business he went into Venables and Mitre 10 in Maylands. Peter and Patricia’s marriage broke down and they were divorced in 1989 Peter remained alone until he met Elaine in 1990 on a blind date. Peter never liked to waste time and ever the romantic, he proposed to Elaine on Valentine’s Day 1991 and they were married a year later. Peter and Elaine set up home in Ashfield, Cindy and Troy were still living at home, however their family now consisted of seven children (and it’s lovely to learn that Peter treated Elaine’s children as his own and vice versa). The family now became - Peter and Elaine and their seven children, Julie, Anthony, Mark, Michielle, Glenda, Troy and Cindy - and to Peter’s delight he became grandfather of sixteen and great-grandfater to three and a half great grandchildren. Peter had many loves - he loved live
theatre, Vintage Cars, was involved in a band and he loved to read - some of his favourite authors were Wilbur Smith; Jack Higgins and Bryce Courtney. Along with his hobbies Peter was also a very dedicated community spirited person he was very involved in the starting up of the Bassendean SES, served as President of the Ashfield Dynamo Soccer Club, was on the Bassendean Council for ten years and held the post of Deputy Mayor for one of those years. However the community involvement he loved the most was being Santa Claus for many local communities - such as the Langley Park Hotel and The Garrick Theatre, which was where I (Dale James, immediate Past President) met Peter and Elaine, and on behalf of the committee and members of the Garrick - our sincere thanks to you Peter for all the joy you brought to all the members and patrons throughout your years of meeting and greeting the patrons on the Front of House and being Santa at our Christmas Parties. 9
REQUEST FOR HELP 2020/21 CALENDAR FOR GARRICK THEATRE CLUB (INC): December 12th December 19th
Closing night of The Importance of Being Earnest Christmas Party
January 30th January TBA
2020 Awards Night Auditions for Clue on Stage
February 13th Auditions/Workshop for Trap - 11:00am to 4:00pm th February 20 Auditions/Workshop for Trap - 11:00am to 4:00pm th February 25 Opening night of Managing Carmen, written by David Williamson, directed by Siobhan Vincent March 13th
Closing night of Managing Carmen
April 29th
Opening night of Clue on Stage adapted from the screenplay by Jonathan Lynn additional Materials by Hunter Foster, Eric Price, & Sandy Rustin. Adapted from the Paramount Pictures film written by Jonathan Lynn and the board game from Hasbro, Inc. Directed by Jordan D’Arcy Tabb
May15th
Closing night of Clue on Stage
July 1st July 17th
Opening night of Trap - A TAG Production- written by Stephen Gregg, directed by Natalia Smith and Gail Lusted Closing night of Trap
Opening night of Our Gang, written by David W. Christner and directed by September 16th Dale James October 2nd
Closing night of Our Gang
November 18th
Opening of Treasure Island - the Panto, written by Ben Crocker and directed by Douglas Sutherland-Bruce, musical direction TBC
December 11th December 18th
Closing night of Treasure Island - the Panto Awards Night
ACKNOWLEDGEMENT IN THE HURLY-BURLY of the Annual General Meeting and the excitment of the awrds of Life Membership to Elaine Gilberthorpe and Gail Lusted, two most important items were overlooked, and the immediate Past president, Dale James would like to rectify the omission. Firstly, she would like to thank the outgoing Executive Committee for their hard
work in the sometimes trying times of Covid-19. And secondly to recognise and appreciate the work done by the Rev Les Marshall as Returning Officer for the Garrick Theatre Club Inc, a task he has performed beautifully for four Annual General Meetings from 2017 to 2020 inclusive. Thank you, all. 10
REQUEST FOR HELP CONTAINERS FOR CHANGE AS MANY OF YOU may know the Container for Change scheme has been launched. Rodney has registered Garrick for this and there will be some changes to recycling at the bar. This will be simple enough, cans and glass must be seperated. The big news about this is that anyone can donate their 10c refund. So by using the Garrick scheme i.d you are able to donate your cans’ deposit to the theatre. We will use these refunds to keep up maintenance and upgrade and would be very
much appreciated. (Some projects we are working on at the moment are foyer and bio box upgrades) The process is easy, go to your local depot. The staff take the i.d number and assign a bay, then they take the containers for a quick sort and count, fill in the paper work and return any bags/tubs. It takes ten minutes, tops. Garrick Theatres Scheme I.D is C10292625 We thank you for any assistance you may be able to give us.
pppppppppppppppp The Executive Committee President Rodney Palmer 0478 410 330 Rodpickels@gmail.com Vice President Gail Lusted glusted@westnet.com.au TAG liaison Rodney Palmer 0478 410 330 Rodpickels@gmail.com Treasurer Terry Brown 0449 902 500 tbrown@trc.uwa.edu.au Secretary Kerry Goode kerrygoode@iinet.net.au Production Manager Rodney Palmer 0478 410 330 Rodpickels@gmail.com Production Kerry Goode Siobhan Vincent Douglas Sutherland-Bruce Gail Lusted Ray Egan Jordan D’Arcy Tabb Past President Dale James 0407 426 957 Dalejames911@iinet.net Archivist Tom Goode kerrygoode@iinet.net.au Bookings Elaine Gilberthorpe 9378 1990 Bookings@garricktheatre.asn.au Minute Secretary Barbara Brown 9275 5281 Bar Manager Rodney Palmer 0478 410 330 Rodpickels@gmail.com Wardrobe Colleen Bradford 0414 579 752 Colleenbradford@iinet.net.au and Sarah-Jane Hombergen-Crute 0439 977 250 Sarahjanehc@gmail.com Technical Caileb Hombergen-Crute Projects Manager Geoff Holt 0417 093 590 grholt@iinet.net.au Front of House Yvonne Starr Set Supervisor James Nailen Shed Supervisor Alan Shaw Publicity Douglas Sutherland-Bruce 0418 934 850 Publicity@GarrickTheatre.asn.au Gazette Editor Douglas Sutherland-Bruce 0418 934 850 Publicity@GarrickTheatre.asn.au 2020 Adjudicators Dee Howells David Young Christopher Churchouse Yvette Wall
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The Garrick Gazette Garrick Theatre Club (Inc) P O Box 122, Guildford Western Australia 6935 Print Post Approved 100002309
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SEASON ONE 2021
MANAGING CARMEN by David Williamson Oscar Wilde’s classic comedy of manners, style and serious triviality. Directed by Siobhan Vincent February 25th to 13th March 2021 Bookings: Phone Elaine on 9378 1990 or pgi50478@bigpond.net.au
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