ARCHITECTURAL PORTFOLIO 2012-2014 GWUIHYUN (GLENN) SHIN
Village typology materialization of place contradiction of stories spiritual presence L’ESPRIT FRANÇAIS
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ACADEMIC WORK
OVERLAPPING HISTORIES
COMPETITION ENTRY
2014 2013 2012
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단독작품
ABORIGINAL CULTURE AND ART CENTER OVERLAPPING HISTORIES (sm 1_2nd, 2012)
OVERLAPPING HISTORIES PROJECT Aboriginal Culture and Art Centre LOCATION Harring Island in Victoria DATE Semester 1,2012 NOTE Architectural Design Studio 1_Earth This proposal is to design a gallery on Harring island in Victoria. The gallery will suggest three different subjects which are Indigenous inhabitants of Australia, British colonizers and Reconciliation between the two. The conceptual idea for this building is overlapping histories. Aborigine’s and Australian’s histories cannot be separated. Colonization can be interpreted as invasion or new settlement at the same time. They have to try to understand each other and make themselves together. The building is comprised of a wing dedicated to Aboriginal culture and history, a second wing dedicated to the history of colonization in Australia, and finally a wing dedicated to reconciliation between the two cultures. At the centre of the building, there is a lawn and, stage under the building-Gallery No.1. This tilted lawn can be used as natural open event hall.
Gallery. 1
Inhabitant of Australia
Gallery. 2
Reconciliation
Gallery. 3
British Colonization
CONNECTION OF DIFFERENT PARTS
GENERATION OF ENTIRE JOURNEY
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A B A
C B A
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PARTIE DIAGRAM
2 | OVERLAPPING HISTORIES
overlapping and leaning on each other
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1. Programatic Elements 2. Section A & C 3. Plan 4. Elevation Perspective
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2 | OVERLAPPING HISTORIES
1. Perspective from above 2. Interior feature on 1st level 1 3. Interior feature ob 1st level 2
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3 | OVERLAPPING HISTORIES
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단독작품
STUDLY PARK BOATHOUSE Village typology
(sm 2_2nd, 2012)
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VILLAGE TYPOLOGY B
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D
This village-like building is the proposal of boathouse located at Studly Park in Victoria. Main environmental features are that small river stream is in front of the site and steer hill behind. In this project, I needed to use same design strategies of one of famous architects, Alvaro Siza, which I choose for this course. He is a contextual architect and functionalist. At the same time, he plays with user perspectives to provide special experiences in the building by blocking and opening views. I used his design strategies to create suitable building on the site.
C
PROJECT Studly Park Boathouse LOCATION Studly Park in Melbourne, Australia. DATE Semester 2,2012 NOTE Architectural Design Studio 2_Water
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B C
The building is divided into 5 different units which are public toilet, cafe kiosk, kitchen, restaurant, and boathouse. Each unit has different function and role. Between the 5 different units I designed pathways that can be used by staffs and also, users. Users can make their own journey through whole site and experience every aspect of the site. All the units are situated on different levels of ground. I tried not to design a huge building on the site because it would not be fit with surroundings and break peaceful and beautiful natural atmosphere.
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D 1
Locating
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Dividing a mass to multiple units
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Generating level differences of units & paths between the units
6 | VILLAGE TYPOLOGY
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Adjusting the height
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Re-locating and reforming the units depending on functions
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Applying Siza’s opening strategies on Each units
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1. Section A,B,C & D 2. Plans 3. Design Strategy 1 -Maximising View by Blocking 4. Design Stretagy 2 -Special Entry by Tall Doors 5. Design Strategy 3 -Using Natural light by Skylight 6. Design Stretegy 4 -Frame View with Contexts
6 | VILLAGE TYPOLOGY
1. Perspective View from deck 2. Design Strategy 5 -Journey through the Site 3. Design Strategy 6 -Contextual Layout of Each Unit
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7 | VILLAGE TYPOLOGY
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WYNDHAM CITY GATEWAY MATERIALIZATION OF PLACE
공통작품
(sm 1_3rd, 2013)
Definition Development_80% Vector Diagrams_70% Line Works_80% Randering_100% Photoshop Images_100% 3D Modeling_50% Physical Fabrication_10%
MATERIALIZATION OF PLACE PROJECT Wyndham City Gateway LOCATION Wyndham in Victoria, Australia DATE Semester 1.2013 NOTE Architectural Design Studio 3_Air Wyndham city is medium-sized and developing city in Victoria. The city is situated between Melbourne (Capital and most popular city in Victoria) and Geelong (Much smaller town than Melbourne city) The Wyndham city aspires to grow much bigger as a form of city in Victoria. By taking this idea, gateway also needs to show the future image of city’s aspiration and growth. Tech Dev.1
Tech Dev.2
Design Dev.1 AIM IMAGE OF CITY’S ASPIRATION AND GROWTH
CONCEPT
Design Dev.2
MATERIALIZATION OF PLACE
Final Design
DESIGN INTENTIONS ALIGNMENT, MOTION & DYNAMISM, FORM AND VOID, PATH PERCEPTION, MAKER, & LIGHT & COLOUR
10 | MATERIALIZATION OF PLACE
Physical Fabrication
Conceptual idea is ‘Materialization of Place’. It will provide a sense of growing city in progress. To articulate the main concept, we decided 6 design intentions, such as Alignment, Motion & Dynamism, Form and Void, Path perception, Marker and light, to deliver the image of new and futuristic city. These are illustrated by one of parametric design skills which is sectioning. It will suggest constructible design and structure but also, showing futuristic image and the city’s aspiration toward the future of them.
1. Experiments of Parametric Design 2. Diagramatic Explanation of Process of Final Design
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10 | MATERIALIZATION OF PLACE
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11 | MATERIALIZATION OF PLACE
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1. 1st model from the technique development stage 1 2. 1st model from the technique development stage 1 3. 2nd model from the technique development stage 2 4. 1st model from the design development stage 1 5. 1st model from the design development stage 1 6. 2nd model from the design development stage 2 7. 2nd model from the design development stage 2 8. 2nd model from the design development stage 2 9. 1:200 model for final design 10. 1:200 model for final design 11. 1:50 detail model for final design
단독작품
SIR ARTHUR CONAN DOYLE MYSTERY PLAY THEATER CONTRADICTION OF STORIES (sm 2_3rd, 2013)
CONTRADICTION OF STORIES PROJECT Arthur Conan Doyle Mystery Play Theatre LOCATION At the Junction of Bourke and Spencer St. in Melbourne, Australia. DATE Semester 2,2013 NOTE Architectural Design Studio 4_Fire
FACADE _Translucent Material _Danpalon Sheets
This building is designed for the honour of Arthur Conan Doyle who wrote world famous mystery series ‘Sherlock Homes’. It is located at the junction of Spancer and Bourke st and entry of Southern Cross Station, which lots of tourist, office workers and travelers from west of Melbourne. Majority of cultural contexts and event spots are situated at east of CBD, so this building will bridge between cultural zone and commercial area. The building is presenting extraordinary impression to people all the time including night time. It can be one of landmark in Melbourne CBD and first impression to tourists coming from Airport.
FRAMES _Supporting Facade Skins
STRUCTURAL MEMBERS _Vertical Reinforced Columns
The building itself is presenting the sequence of general stories of Sherlock homes. The form is twisted from general box shapes. It reflects the first criminal’s action after murdering. They tend to transform and twist important facts that can be useful for investigation. So, the form shows the starting of crime scene. In the building, people can investigate something whether willing or not. They could subconsciously find some clues through the journey like an investigator. Last journey will end up to main proscenium and, audience would find the evidences on the ceiling of it. The mystery will start with exterior and, end up with interior of proscenium theatre.
A
CIRCULATION _Lifts _Major Staircases _Fire Staircases MOVIE THEATRE & PUBLIC SPACES _Level 4th
PROSCENIUM THEATRE _Level G to 3rd _Including Back of House
TRUE FACT TWISTED THE FACT
BLACK BOX THEATRE _Level UG1-UG2 _Including Back of House
INVESTIGATION
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MISSING CLUES DETECTION
EAST
14 | CONTRADICTION OF STORIES
SOUTH
NORTH
WEST
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1. Exploded Diagram 2. Section A&B 3. Elevations
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14 | CONTRADICTION OF STORIES
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1. Ceiling feature in main proscenium theatre 2. Ceiling feature in main proscenium theatre 3. Restaurant upstairs 4. Restaurant downstairs 5. Window on trimmed exterior skin 6. Outdoor cinema 7. Night view of entire building
공통작품 Vector Diagrams_100% Line Works_100%
faith! A place of worship in london spiritual presence (competition entry, 2014)
SPIRITUAL PRESENCE
JOURNEY END
Religion, as a collection of belief, often intended to explain the meaning/ origin of life based on different cultural systems. Each derives their morality and preferred life styles, resulting in conflicts in all kinds scale. This has been major issue in human civilization for thousands of years, and such problem need to be addressed and minimized. To understand conflicts between religions, we were determined to investigate the phenomena of spiritual presence. Presence is a common concept across religions, stating God’s presence in each human being. Dubbed by philosopher and anthropologist, Ludwig Feuerbach, “God is to speak, the outward projection of human’s inward nature.” The act of worship is hence, a conversation with God, your inner-self. As a result, the form emerges as a device for the public to investigate and realized their inner-self or their “God”. The universality of design aimed to embrace the cultural diversity of modern City of London in the long run. The design intended to increase tolerance between people with different believes/ atheists by offering a space for all religion, the sacred and the profane.
JOURNEY START
PROJECT Faith! A Place of Worship in London LOCATION At the northern end of Camley Street Natural Park in London, UK. DATE 07.2014 NOTE Competition Entry
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CAUSE
POLES
STAIRCASE
WATER-FEATURE
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CONCEPT PROJECTION OF INNER-SELF
WATERFRONT PATH
AIMS
ARCHITECTURAL FRAMEWORK
TOLERANCE AND RESPECT
GATE, PAT, PLACE, SILERNCE, LIGHT, WATER
18 | SPIRITUAL PRESENCE
OPEN STAIRCASE
SUSPENDED BRIDGE
PODIUM
1. Programatic Elements & Journey Experience EXIT FROM THE WORLD
STEPS INTO YOURSELF
SPIRITUAL PATH
PROJECTION OF INNER-SELF
TOLERANCE
1 RECONCILIATION
18 | SPIRITUAL PRESENCE
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1. Section explaining the meaning of journey 2. Exterior feature from entrance
riverbank champagne bar in france L’ESPRIT FRANÇAIS (competition entry, 2014)
공통작품
Vector Diagrams_80% Line Wors_80% Photoshop Images_100%
L’ESPRIT FRANÇAIS PROJECT River Champagne Bar LOCATION Next Seine River & Pont des art bridge DATE 07.2014 NOTE Competition Entry
Roof Viewing Deck
L’Esprit Français (i.e The spirit of France), is a concept that resembles the spirit of France in the form via champagne. It is located along river, ‘La Seine’, adjacent to the Pont des Arts and prominent positions from the Louvre Museum. The champagne bar performs as the social hub for both tourists and local Parisians.
Shading Device
This building focuses more on reflecting site-specific characteristics around rather than form following concept. The form does not dominate surrounding features but, it achieves perfect harmony with contexts in terms of color, building height, features and etc. The reason why we aim to achieve these is the site specification of the champagne presenting the meaning of champagne in France. Champagne is only produced from Champagne region of France in the world. Only small amount of grapes in this region can be turned to sparkling wines named Champagne. It is grown and treated by specific climate, water, soils and method. This specialty should be also shown from the Champagne bar that contains these high quality champagnes of France.
Bar Area
Structure
Major Circulation & Riverfront Plaza
INSIDE OUTSIDE
1 VIP AREA 1
2 ROOF VIEWING DECK
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3 EXISTING STAIRCASE 4 ENTRANCE OF SITE 5 ENTRANCE OF BAR 6 TERRACE
MEZZANINE FLOOR LEVEL
7 STAGE 8 CLOAK ROOM 9 OFFICE
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10 KITCHEN
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1 1 PLANT ROOM 12 EMERGENCY EXIT
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13 TO RIVERFRONT PLAZA 14 RIVERFRONT PLAZA
22 | L’ESPRIT FRANÇAIS
FIRST FLOOR LEVEL
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1. X-Ray Isometric Diagram 2. Exploded Diagram 3. Plans
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22 | L’ESPRIT FRANÇAIS
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1. Perspective view 1 from opposite riverbank 2. Perspective view from ramp 3. Perspective view 2 from opposite riverbank 4. Interior feature of bar inside 5. Perspective view from underneath the bridge
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