Fine Art, Antiques and Jewellery Auction To include the late Michael Berthoud Collection of H&R Dani

THE FINE ART, ANTIQUES & JEWELLERY AUCTION

to include

The Michael Berthoud Collection of H&R Daniel

FINE ART, ANTIQUES & JEWELLERY AUCTION

to include The Michael Berthoud Collection of H&R Daniel

Sale Date:

Wednesday 20th September 2023

Auction starts at 10am

FINE ART, ANTIQUES & JEWELLERY AUCTION

How to bid:

In person at Halls

By Telephone*

By Commission Bid* Online

*Telephone & Commission bids must be placed by 4.30pm the day prior to the sale

Wednesday

20th September 2023

Auction starts at 10am

If ID has not been provided previously when registering to bid, or the form of identification has expired since, we will require ID in order to register all bidders.

Auction no. 4152

Back cover illustration - Lot 182

Halls Holdings House Bowmen Way, Battlefield, Shrewsbury, SY4 3DR

Halls Holdings Limited Company Registration No. 06597073 VAT Registration No. 549 7365 94

T: 01743 450 700

E: fineart@hallsgb.com

W: hallsgb.com/fine-art

Maryanne Lineker-Mobberly

maryanne@hallsgb.com

BA (Hons)

Alexander Clement BA (Hons) Silver & Jewellery

Asian Art & Senior General Valuer

alexander@hallsgb.com

Caroline Dennard BA (Hons)

Ceramics & Militaria

carolined@hallsgb.com

Abigail Molenaar

Paintings & Prints MA BA (Hons)

abigailm@hallsgb.com

Books & Manuscripts

fineart@hallsgb.com

Coins & Medals

fineart@hallsgb.com

Chris Moore

Derek Ainsworth

MEET THE TEAM

Stamps Specialist fineart@hallsgb.com

Chloe Delpy-Harding

Fine Art Administration fineart@hallsgb.com

Chloe Barlow

BA (Hons)

Carl Humes

Porter

Fine Art Administration & Digital Marketing fineart@hallsgb.com

Andy Neal fineart@hallsgb.com

Neil Haywood

Porter fineart@hallsgb.com

Halls Holdings House Bowmen Way, Battlefield, Shrewsbury, SY4 3DR

T: 01743 450 700

E: fineart@hallsgb.com

W: hallsgb.com/fine-art

1 A VICTORIAN WING HANDLED SILVER BASKET

Martin, Hall & Co, London 1892, of lobed oval form with pierced border and engraved base, with beaded rim and handle, all raised on decorative pierced oval foot, 26cm wide, 22cm high, weight approx 17oz

£200 - £300

2 A SILVER ICE BUCKET/ WINE COOLER

P H Vogel & Co, Birmingham 1988, of circular form with four reeded bands to the waist and two lion mask loop handles, the body with interior rubber and glass lining, the cover with flaming finial, 19.5cm high

£500 - £700

3 A PRESENTATION SILVER SALVER

Emile Viner, Sheffield 1962, of shaped circular form with gadrooned rim, the centre engraved ‘Presented to Lieutenant J.M.E. Brown by his Borther Officers on the occasion of his marriage’, surrounded by facsimile signatures, all raised on three leaf capped scroll feet, 32cm diameter, total weight approx 29.7oz

£300 - £500

4 A PRESENTATION SILVER SALVER

Mappin & Webb, Sheffield 1963, of shaped circular form with gadrooned rim, the centre with facsimile signatures, all raised on three claw and ball feet, 30cm diameter, total weight approx 26.6oz

£300 - £500

5 A THREE PIECE SILVER TEA SERVICE

Robert Pringle & Sons, Birmingham 1930, each of oval form with gadrooned rim and engraved presentation ‘Fortwilliam Golf Club Captain Prize 1931’ ‘Won by T. Curran’, comprising; a teapot with ebonised handle and finial, 13.5cm high, a two handled sugar bowl, 9cm high and a cream jug, 10cm high, each raised on four compressed bun feet, total weight approx 34.5oz (3)

£300 - £400

6 A FOUR PIECE SILVER TEA SERVICE

Fenton, Russell & Co Ltd, Sheffield 1924, each piece of circular form with decorative pierced rim and engraved ‘L’ to the bodies, comprising; a teapot with turned wood handle and finial, 14cm high, a hot water jug, 21.5cm high, a two handled sugar bowl, 8.5cm high and a cream jug, each raised on four out swept feet, 8cm high, total weight approx 63.8oz (4)

£1000 - £1500

7 A VICTORIAN SILVER SALVER

A B Savory & Sons , London 1864, of circular form with pierced rim with applied wreath decoration, the centre with bright cut engraved decoration and crest, raised on three pierced bracket feet, 25.5cm diameter, weight approx 18.8oz

£180 - £220

8

A GEORGE IV SILVER TEAPOT

makers mark rubbed, London 1828, of compressed melon form with embossed floral decoration, the acanthus leaf capped scroll handle with ivory spacers, the hinged cover with cast floral finial, all rasied on four shell and scroll bracket feet, 12cm high, weight approx 18.3oz (at fault)

9

AN EDWARDIAN NOVELTY SILVER PIN CUSHION

in the form of a bull with a mother of pearl cart, Adie and Lovekin, Birmingham 1908, the naturalistically modelled bull mounted with silver cart with mother of pearl stylised shell body, 15.5cm long

£500 - £700

10

A SET OF SIX GEORGE III NEWCASTLE SILVER FIDDLE PATTERN TABLE FORKS

John Walton, Newcastle 1807 each approx 21cm long, total weight approx 13.2oz (6)

Note: Registration of an ivory item. Submission reference: TBHLLCRJ

£150 - £200

£150 - £200 9 11

A COLLECTION OF FIDDLE AND THREAD PATTERN SILVER FLATWARE

Robert Stebbings, London 1911-1913, comprising; six tablespoons, twelve dessert spoons, twelve teaspoons, twelve dessert forks and six ladles, together with a set of six Fiddle and Thread pattern silver table forks, William Eaton, London 1833 and a further set of six Fiddle pattern silver table forks, Benjamin Davis, London 1832, the twelve table forks each engraved ‘F’, total weight approx 119oz (60)

£1000 - £1500

A FOUR PIECE SILVER TEA SERVICE

Roberts & Dore Ltd, Sheffield 1961 each piece of oval form, comprising; a teapot with ebonised handle and finial, 15cm high, a hot water jug with engraved presentation inscription ‘To our dear parents on the occaion your 25th Wedding Anniversary bless you both and thank you Bernard & Brenda’, with ebonised handle and finial, 24cm high, a two handled sugar bowl, 9cm high and a cream jug, 10.5cm high, total weight approx 55.3oz (4) £500 - £700

Please note all successful bids are subject to a Buyer’s Premium of 24% plus VAT

A PAIR OF GEORGE III PAUL STORR SILVER ENTREE DISHES AND COVERS

Paul Storr, London 1807

each of circular form with gadrooned rim and engraved crest, the domed covers with stylised snake loop handle mounted to acanthus leaf surround, the rims and covers numbered ‘1’ and ‘2’, 26.5cm diameter, 17cm high, total weight approx 106.5oz (2)

£2000 - £3000

14 A PAIR OF SPANISH WHITE METAL CHAMBERSTICKS

each with elongated pierced handle and raised on spreading foot with support to the handle, stamped ‘BAR’ beneath cross, 31.5cm long, total weight approx 29oz (2)

£400 - £600

15 A MID-LATE 19TH CENTURY OVAL PENDANT MOUNT

for portrait miniatures, probably by John Brogden, the yellow metal mount with blue and white enamel border set with pendant lug with rope and bead wire work embellishment, the reverse of the lug with plaque signed ‘J.B’, the pendant housing an oval miniture on card depiciting Lt-General Nicholas Nepean (Royal Navy). Governor of Cape Breton, Nova Scotia, (1757-1823), with label to the reverse ‘Under the Patronage of H.M. The Queen & Royal Family Painted by Miss Bond Oakley Place Southsea’, the pendant measures approx 87mm x 52mm (including lug).

£600 - £800

16

A UNTESTED BLUE SPINEL AND DIAMOND CLUSTER RING

designed as a central cushion cut untested spinel claw set in white metal within a border of sixteen brilliant cut diamonds, all mounted to yellow metal shank, not stamped, ring size O, weight approx 3.7g

£300 - £500

17

A VERA WANG LOVE 18CT WHITE GOLD DIAMOND CLUSTER RING AND A VERA WANG LOVE 18CT WHITE GOLD DIAMOND AND SAPPHIRE HALF ETERNITY RING

the cluster ring designed as a central emerald cut diamond claw set within a border of fourteen brilliant cut diamonds, flanked to each side by a baguette cut diamond and graduated brilliant cut diamond shoulders, the sides of the mount also set with two square cut sapphires, ring size K, the half eternity ring designed as a row of nineteen brilliant cut diamonds claw set over a row of fourteen round mixed cut sapphires, ring size L, total weight approx 10.2g, both presented within original boxes and outer boxes with accompanying card certificates Note: Diamond cluster ring is currently retailing for £5000 and the diamond and sapphire half eternity ring is currently retailing for £2000

£1200 - £1800

18

A PLATINUM SINGLE STONE OLD CUT DIAMOND RING

claw set to tapering shoulders, ring size L 1/2, weight approx 4.7g

£1200 - £1800

19

AN ITALIAN YELLOW METAL GOLD CHAIN NECKLACE

the double entwined circular links with push clasp and attached safety catch, stamped ‘750’ ‘580 AR’, 43cm long, weight approx 34g

£600 - £800

20

A DIAMOND ETERNITY BAND

designed as twenty brilliant cut diamonds claw set in white metal to white metal shank, not stamped, ring size O 1/2, weight approx 4.1g

£600 - £800

21

A SAPPHIRE AND DIAMOND CLUSTER RING

designed as a central round mixed cut sapphire claw set in white metal within a border of ten brilliant cut diamonds, the yellow metal shank stamped ‘18ct plat’, ring size O, weight approx 4.5g

£400 - £600

22

A GRADUATED THREE STONE DIAMOND RING

designed as a central round brilliant cut diamond flanked to each side by a further brilliant cut diamond, all claw set in white metal to yellow metal shank, stamped ‘18ct plat’ and ‘.100’, ring size O, weight approx 3.3g

£300 - £500

23 AN 18CT GOLD UNTESTED SAPPHIRE AND DIAMOND ETERNITY RING

designed as sixteen marquise cut untested sapphires interspersed with brilliant cut diamonds, all claw set in yellow gold, the shank with import mark for London 1991, ring size Q, weight approx 6.5g

£300 - £500

24 AN 18CT GOLD THREE STONE DIAMOND RING

the three slightly graduated brilliant cut diamonds claw set in white gold to yellow gold shank, hallmarked London 1975, ring size Q, weight approx 3.6g

£400 - £600

25 A DIAMOND, SEED PEARL AND ENAMEL BROOCH

designed as a central old cut diamond set to blue enamel circular plaque within a green enamel border all set within openwork white enamel lobed surround set with eight seed pearls, the yellow and white metal reverse not stamped, with attached safety chain, 25mm wide, weight approx 6g, within fitted Heming & Co box.

£200 - £300

26

A GRADUATED THREE STONE DIAMOND RING

the three old cut diamonds all claw set in white metal to white metal shank, ring size K, not stamped, weight approx 2.9g

£600 - £800

27

A SINGLE STONE DIAMOND PENDANT SUSPENDED ON 18CT WHITE GOLD CHAIN

the brilliant cut diamond within eight claw mount weighs approx 1.50cts, the box link white gold chain with bolt ring clasp, chain measures approx 38cm long, total weight approx 4.1g

£2000 - £3000

28

A PLATINUM THREE STONE SYNTHETIC DIAMOND RING

designed as three slightly graduated brilliant cut synthetic diamonds claw set to platinum shank, ring size O, weight approx 6.1g

£600 - £800

29 - 30 NO LOT

31 A VICTORIAN YELLOW METAL OVAL LOCKET with buckle decoration, suspended from yellow metal broad oval link chain with bolt ring clasp to the locket lug, chain measures approx 40cm, locket measures approx 38mm x 29mm, one link stamped ‘15’, total weight approx 41g

£700 - £900

32 AN EARLY 20TH CENTURY OPAL PENDANT

designed as an oval opal plaque suspended from knife edge bar mounted with further oval opal, all claw set in yellow metal, stamped ‘15ct’, suspended from yellow metal chain with bolt ring clasp, chain measures approx 38cm long, weight approx 3.6g, together with an early 20th century single opal set bar brooch, stamped ‘15ct’, 60mm long, weight approx 4.2g (2)

£300 - £500

33 A VICTORIAN 18CT GOLD THREE STONE DIAMOND MOURNING RING

designed as three graduated old cut diamonds claw set in yellow gold within black enamel, the inner yellow metal shank hallmarked Chester 1880, engraved ‘Hannah Smith died Aug 31.1880 aged 82’, ring size S, weight approx 4.7g

£400 - £600

34 AN 18CT GOLD SAPPHIRE AND DIAMOND STYLISED BUCKLE BRACELET SET WITH EMKA WATCH

the broad 18ct yellow gold brick link buckle bracelet mounted with diamond and sapphire set stylised bow with hinged fastening opening to reveal EMKA 17 jewels watch, 21.5cm long, total weight approx 83g

£2000 - £3000

35 A 9CT GOLD UNTESTED SAPPHIRE SET STYLISED BUCKLE BRACELET

the broad yellow gold brick link bracelet terminating in channel set sapphire point set with graduated sapphire stylised bow buckle clasp, 22.5cm long, weight approx 88.7g

£1000 - £1500

36 A DIAMOND FLORAL CLUSTER RING

designed as a central old cut diamond claw set in white metal within a border of seven old and mine cut diamonds, the white metal shank stamped ‘Plat’, ring size P, weight approx 3.3g

£600 - £800

37 A

19TH CENTURY SEED PEARL AND ENAMEL LOCKET

LATE

the yellow metal oval locket mounted with graduated split seed pearls in marquise motif with two blue enamel bands, pendant measures approx 54mm x 32mm (including lug), not stamped, weight approx 24.1g

£600 - £800

38 A LATE 19TH CENTURY YELLOW METAL LOCKET

of plain polished oval form, 60mm x 36mm (including lug), weight approx 31.7g, presented within fitted box

£300 - £500

39 A LATE 19TH CENTURY DIAMOND SET BROOCH

the central old cut diamond star set to circular mount with rope twist border, the enclosed reverse set with lock of hair, with attached safety chain, 30mm diameter, weight approx 14.3g

£200 - £300

40 A TANZANITE LINE BRACELET

designed as five rows of five oval mixed cut tanzanites, all claw set in yellow metal and interspersed with single pierced yellow metal links, the lobster claw fastening stamped ‘10k’, 16.5cm long, weight approx 10.2g

£300 - £500

41 A TANZANITE AND DIAMOND PENDANT ON CHAIN

the oval cut tanzanite claw set in white metal within a surround of sixteen brilliant cut diamonds and mounted with three further brilliant cut diamonds, with attached tapered baguette cut diamond set lug, all suspended from 9ct white gold chain with bolt ring clasp, chain measures approx 45cm, pendant measures approx 39mm x 21mm (including lug), total weight approx 12.2g

£2500 - £3000

42 A YELLOW METAL ELONGATED LINK ALBERT with attached swivel and T-bar, intermittent links stamped ‘9ct’, 38.5cm long, weight approx 25g

£300 - £500

43

43 A DIAMOND SET STYLISED KNOT BRACELET

attributed to Verdura, the articulated bracelet designed as ten diamond set stylised knot links each set with twentyone brilliant cut diamonds claw set in white metal, the integral push clasp with attached safety catch, stamped to the revsere ‘Pt900’ ‘Verdura’, 18.5cm long, weight approx 21.5g Note: This bracelet is being sold on behalf Salvation Army

£3000 - £5000

44 A 9CT GOLD CULTURED PEARL SET NECKLACE

designed as a 9ct yellow gold rope twist chain with attached textured cage link chain set with thirteen single cultured pearls, all with bolt ring clasp, length of chain approx 66cm, total weight approx 19.8g

£250 - £350

45 AN EARLY 20TH CENTURY MOONSTONE FRINGE

NECKLACE

designed as five rows of graduated oval and circular cabochon moonstones all collet set and suspended from graduated single circular cabchon moonstones set to yellow metal chain, the bolt ring clasp stamped ‘15c’, chain measures approx 46cm, weight approx 11.2g

£400 - £600

The Michael Berthoud Collection of H&R Daniel

‘Michael Berthoud had three great loves in his life, his family, his cats, and his English Porcelain’

Photo credit: Jamie Garbutt Photography

Michael Berthoud had three great loves in his life, his family, wife Molly, their children, grandchildren and great grandchildren, his cats, and English Porcelain.

It would be invidious to attempt to place these in order of importance, but it would be true to say that the pots of Henry and Richard Daniel would be high on that list.

He found his first piece a rather unprepossessing cup and saucer in a junk shop in Worthing in 1972. In the following years from his base in Kent and more recently in Shropshire, many parts of the country were explored in the search for other specimens.

Early on, a dealer with an enormous stock of mostly damaged porcelain explained to him the two main groupings as understood at that time. There was Rockingham (pronounced Rock’nm) and “best Rockingham”. The former with gilding and the latter with landscapes or flowers. Scholarship has advanced considerably since those days.

The publication of an article in the Art and Antiques magazine in 1976 by Geoffrey Godden encouraged Michael to believe that his own researches were advanced enough to make the publication of a monograph viable and this appeared in 1980.

That this would lead to the formation of a thriving research and collecting society gave him enormous pleasure, as the sharing of knowledge was of the greatest importance to him.

I hope that the return to the market through Halls of a collection formed with as much an eye for visual delight as much as study potential would have further pleased him.

As Michael wrote in the forward to his book “this is an attempt to redress the balance and to restore Henry Daniel and his works to their rightful place in English ceramic history – not far below the summit “

Nicholas Berthoud

August 2023

The Michael Berthoud Collection of H&R Daniel

Please note all successful bids are subject to a Buyer’s Premium of 24% plus VAT

46 H&R DANIEL A RARE FRUIT AND FLOWER BASKET

circa 1825-30

in the same shape as those produced for the Earl of Shrewsbury service, adorned with trompe l’oiel fruit and flowers including a peach, cherries, apricots, a large white and pink rose and convolvulus, raised on four scrolled feet with a marbled underside to the base, marked in puce script ‘H&R Daniel, Stoke-upon Trent, Staffordshire’, 17cm x 20cm, overall height including handle 17cm (restored).

Provenance: The Michael Berthoud Collection.

Literature: Illustrated in Smith, B. 2017. Identifying Daniel Ornamental Wares. Royal Leamington Spa: Think Design and Print, pages 226-228. This reference is hereafter referred to as ‘Identifying Daniel Ornamental Wares’. £200 - £300

The Michael Berthoud Collection of H&R Daniel

47 H&R DANIEL A TRIO OF A COFFEE CUP, A TEACUP AND A SAUCER

circa 1827

‘Second Gadroon’, variation A, with marbled pink and maroon ground reserved with handenamelled panels of flowers, pattern 4473, unmarked, saucer 14.7cm diameter (3).

Provenance: The Michael Berthoud Collection.

Literature: Illustrated in Berthoud, M. 1980. H.&R. Daniel 1822-1846. Kent, Micawber Publications, plate 20. This reference is hereafter referred to as ‘H&R Daniel’.

£120 - £180

Please note all successful bids are subject to a Buyer’s Premium of 24% plus VAT

48 H&R DANIEL A TRIO OF A TEACUP, A COFFEE CUP AND A SAUCER

circa 1827

pattern 4413, of ‘C’ scroll shape, decorated with pink vine leaves, gilt leaves and tendrils, the cups raised on three ‘daisy wheel’ feet, saucer numbered in gilt, coffee cup 7.6cm high, saucer 14.5cm diameter (3).

Provenance: The Michael Berthoud Collection.

Literature: A teapot in this pattern is illustrated in Berthoud, ‘H.&R. Daniel 1822-1846’ and Smith, B., & Beardmore, B. 2009. ‘H&R Daniel (1822 - 1846) Identifying Daniel Porcelain Tablewares. Reading: Daniel Collectors Circle, page 126 (hereafter referred to as ‘Daniel Porcelain Tablewares’).

£300 - £500

49 H&R DANIEL A DESSERT SERVICE

circa 1824-5 of cusped form, pattern 3835, with lilac sprigged vines and grapes, decorated with gilt sprays and individual flower specimens to the centre of each piece, the service comprising seventeen dessert plates, 21.6cm diameter; three oval dessert dishes, 28cm wide and a pair of curved triangular dishes, 23.5cm wide, some pieces numbered (some damages).

Provenance: The Michael Berthoud Collection.

£150 - £200

50 H&R DANIEL A PORTER MUG

circa 1830-35

the green ground with a gilt oval-edged panel enclosing monogrammed initials ‘WC’, with a white panel decorated with seaweed and shells including ammonite and conch shells, opposed by a further panel of flowers and fruit including currants, cherries and pink roses, unmarked, 9.5cm high, 10cm diameter.

Provenance: The Michael Berthoud Collection.

Literature: Illustrated in Identifying Daniel Ornamental Wares, page 248. £120 - £180

Please note all successful bids are subject to a Buyer’s Premium of 24% plus VAT

51 H&R DANIEL A MIXED GROUP OF DESSERT AND TEA WARES COMPRISING A DESSERT CENTREPIECE

circa 1840 of ‘Mary Talbot’ shape with twin handles, with a green border, painted to the centre with a large named specimen of ‘Chrysanthemum Indicum’, numbered and titled in iron red to the base, 22.5cm high; a pair of ‘Second Gadroon Variation A’ plates, mazarine blue borders with groups of three yellow flowers alternating with yellow paterae, enamelled with flower sprays, unmarked, but similar to pattern 4326, 22.7cm diameter; a ‘C’ scroll slop basin and matching bread and butter plate, pattern 4415, mazarine blue border with yellow panels, enamelled with flowers, unmarked; a ‘Chelsea’ dessert plate, pattern 8127, circa 1843, the French blue border with gilding, enamelled with flowers and butterflies to the centre, numbered, 24cm diameter; a ‘Rococo’ scroll dessert plate, with matt blue border and large central botanical study, numbered, 22.5cm diameter; a ‘Shell Bordered’ dessert plate, pattern 5127, matt green border with yellow and gilt flowers, painted to the centre with a floral spray, numbered, 22cm diameter; and a ‘Ribbed Variation A’ bread and butter plate, pattern 4822, pink ground with gilt and white moulding, nicely enamelled with a central floral spray, numbered, 23.5cm diameter (9) (damages, repairs).

Provenance: The Michael Berthoud Collection.

£60 - £80

52 H&R DANIEL A SET OF THREE DESSERT PLATES

circa 1830

pattern 4549, of ‘Ribbed Variation A’ form, enamelled with flowers on a white ground, with gilt butterflies to the centre and a moulded border in blue and gilt, all numbered, 22.2cm diameter.

Provenance: The Michael Berthoud Collection.

Literature: One plate is illustrated in Berthoud, H&R Daniel, pl. 79.

£40 - £60

53

H&R DANIEL A TRIO OF TEACUP, COFFEE CUP AND SAUCER

circa 1824 of ‘First Gadroon’ form, pattern 3907, enamelled with nicely painted floral sprays, numbered, saucer 14cm diameter (3)

Provenance: The Michael Berthoud Collection.

Literature: The teacup is illustrated in Berthoud, H&R Daniel, pl. 16.

£60 - £80

54 H&R DANIEL A PART DESSERT SERVICE

circa 1830

pattern 4988, of ‘ribbed’ form, Variation A, with broad apple green borders, decorated with large botanical studies of flowers, comprising two square dishes, numbered to bases, 28cm wide and six plates, 22.5cm diameter (8)

Provenance: The Michael Berthoud Collection. Sold together with a purchase receipt for the pair of dishes and four of the plates, from Grosvenor Antiques, London, in 1976.

Literature: One of the square dishes is illustrated in Berthoud, H&R Daniel, plate 78 and further illustrated in Smith and Beardmore, Identifying Daniel Tablewares, page 147. £200 - £250

Please note all successful bids are subject to a Buyer’s Premium of 24% plus VAT

55 H&R DANIEL A DESSERT ICE PAIL AND COVER

circa 1828

of ‘Shrewsbury’ shape and twin-handled campagna form, the cover with a butterfly finial, decorated with peach and mazarine blue hatched panels, the centre painted with two large opposing baskets of polychrome flowers, flanked by subsidiary floral sprays, unmarked, 29cm high (extensive body cracks).

Provenance: The Michael Berthoud Collection.

Literature: Listed as provisional pattern Dan199 in Smith and Beardmore, Identifying Daniel Porcelain Tablewares.

The Michael Berthoud Collection of H&R Daniel

£300 - £400

56 H&R DANIEL

A ‘MAYFLOWER’ BASKET

circa 1828

pattern 4632, moulded with pink flowers and gilt-scrolled cartouches painted with a brightly coloured flower spray, in blue and gilt scrolled rim, painted number, 22cm long x 17cm wide (handle broken and re-stuck).

Provenance: The Michael Berthoud Collection.

Literature: Illustrated in H&R Daniel, plate 62.

£80 - £120

57 H&R DANIEL A SMALL GROUP OF ORNAMENTALS COMPRISING A SMALL ‘MAYFLOWER’ JAR AND COVER

circa 1830, probably from a standish, applied with blue florets with yellow centres, green leaves with two yellow perching birds, unmarked, 9cm high (restored); a ‘Mayflower’ spill vase, numbered ‘1992’ in iron red, 11cm high; and a vase, circa 1828, of twinhandled ‘196’ shape, apple green ground, decorated with opposing panels of flower sprays to front and reverse, with gilt rims and handles, unmarked, 24.5cm high (4, including cover)

Provenance: The Michael Berthoud Collection.

Literature: The twin-handled vase is illustrated in Berthoud, H&R Daniel, colour plate G.

£70 - £100

58 H&R DANIEL

A BREAKFAST MILK JUG

of ‘First Gadroon’ shape, circa 1826-7, with a scroll handle, decorated with a lilac panelled body with gilt shark’s tooth and gilt sprays, pattern 3955, numbered, 15.5cm high; a ‘C-Scroll’ border cream jug, raised on four daisy wheel feet, decorated with a broad band of pink with gilt rose buds and sprays, numbered, 12cm high; a cream jug, circa 1831, of ‘Shell Variation C’ shape, with a maroon ground featuring asymmetrical yellow panels, pattern 5678, unmarked, 9cm high; a cream jug, of ‘Second Bell’ shape, given provisional pattern number ‘Dan102’, printed and hand coloured with flowers and turquoise scrolls, unmarked, 13cm high and a ‘Sutherland’ shape cream jug, given provisional pattern number DAN152, painted with a centre trailing band of flowers with gilt and blue scrolls, unmarked, 15cm high (5)

Provenance: The Michael Berthoud Collection.

£70 - £100

59 H&R DANIEL A DESSERT CREAM BOWL WITH COVER

circa 1825

pattern 4281, of ‘Second Gadroon’ shape, painted with a landscape to the cover and interior, the white ground with lilac sprigs of roses, thistles and shamrocks highlighted in gilt, further decorated with gilt cornucopia, unmarked, 15cm high

Provenance: The Michael Berthoud Collection.

£60 - £80

60 H&R DANIEL A TWIN-HANDLED VASE

circa 1825-30

pattern 159, the maroon-red ground with a finely painted oval white panel containing a basket of flowers, surrounded by raised and burnished gilding, unmarked, 25cm high.

Provenance: The Michael Berthoud Collection. Sold together with the original purchase receipt from Halls in 1998, purchased as a Christmas gift from his son.

Literature: See Smith, Identifying Daniel Ornamental Wares, page 201, fig.361 for this vase illustrated.

£100 - £150

The Michael Berthoud Collection of H&R Daniel

61 H&R DANIEL

TWO LANDSCAPE DESSERT PLATES

the first of ‘Second Gadroon’ form, circa 1827, pattern 3970, with a pale blue/grey border and a centrally painted picturesque landscaper of a figure standing before a ruined abbey, numbered, 21.6cm diameter; the second, of ‘Shell Dessert’ form, circa 1830 pattern 4908, with a Dresden green border and centrally painted with a named view of a castle, titled to the reverse ‘The Church and Castle of Scurlogstown Co. of Eastmouth’, numbered, 22cm diameter (most likely taken from a drawing by George Petrie for Excursions through Ireland) (2)

Provenance: The Michael Berthoud Collection.

Literature: The shell plate is illustrated in Berthoud, H&R Daniel, pl. 70. £40 - £60

62 H&R DANIEL

A GROUP OF DESSERT AND TEAWARES

comprising a dessert plate of ‘Ribbed Variation C’ form, circa 1830, white ground with lilac springing, 22.5cm diameter; a further plate, with lilac moulding of birds similar to pattern 4828, circa 1831, 21cm diameter; a pair of dessert plates, of ‘Shrewsbury’ form, pattern 4258, transfer-printed in over-glaze purple with flowers, gilt moulding, unmarked, 21cm diameter; two ‘Gadrooned’ plates, printed in green and blue with a bird on a branch beside a vase of flowers, 19cm and 23cm diameter; a ‘Plain Edge Variation A’ side plate, pattern 4810, printed in on-glaze purple with leaves, the outlined flowers hand coloured in pink and the leaves in green, numbered in green, 21cm diameter; a ‘First Gadroon’ Twiffler plate, circa 1830, transferprinted in blue with a botanical print, unmarked, 17cm diameter; a ‘First Gadroon’ tea plate, printed with three sprays of flowers and fruit, unmarked, 19cm; sold together with a part tea service, pattern 3967, of ‘First Gadroon’ form, green bordered with painted floral sprays to the centre of the cups, comprising a breakfast cup, two saucers, six sideplates, 19cm diameter and a pair of bread and butter plates, 23cm diameter; and one further, similar breakfast cup, with a green ground and painted with flowers to the interior (qty)

Provenance: The Michael Berthoud Collection.

Literature: The ‘Ribbed Variation C’ plate is illustrated in Berthoud, H&R Daniel, plate 79. £40 - £50

Please note all successful bids are subject to a Buyer’s Premium of 24% plus VAT

63 H&R DANIEL A PART DESSERT SERVICE

circa 1827 pattern 4268, of ‘Shrewsbury’ shape, painted with exotic birds in the manner of George Davis to the centre, the border divided into green and buff panels, elaborate gilding, the service comprising four dessert plates, 21.2cm diameter; a single dessert dish with shell handle, 13cm long and a pair of oval dishes, 27cm wide, some pieces numbered in iron red (7) (damages, repairs)

Provenance: The Michael Berthoud Collection.

Literature: See Berthoud, H&R Daniel, colour plate C. £60 - £90

64 H&R DANIEL A STANDING NAMED VIEW DESSERT CENTREPIECE

circa 1841 of ‘Pierced’ or ‘Queen’s Shape’, the drab border with printed and gilded flowers, painted to the centre with a landscape scene, titled ‘Dryburgh Abbey’ to the base in iron red, otherwise unmarked, 25cm high.

Provenance: The Michael Berthoud Collection.

Literature: This comport is illustrated as pattern 7162 in Smith and Beardmore, Identifying Daniel Tablewares, however, the given description describes a similar design on the same shape, decorated with printed and enamelled flowers, rather than a landscape. Berthoud, H&R Daniel, also illustrates a cream bowl in this pattern, pl. 89 £60 - £80

65 H&R DANIEL THREE TEAPOTS AND COVERS

the first, of clipped square form, pattern 3807, circa 1822, enamelled with roses and flowers, with ribbon and wreath moulding, numbered, 13.5cm high; the second, of ‘Second Gadroon’ form, circa 1826, enamelled with flowers, raised on four feet, 14.5cm high; and the third, of ‘Etruscan’ shape, pattern 3859, mazarine blue ground with yellow bordered cartouches of flowers, numbered, 14.2cm high (6, including covers) (some damages, repairs.

Provenance: Michael Berthoud Collection. The Second Gadroon teapot is also ex. Godden Collection.

£70 - £100

66 H&R DANIEL A MIXED GROUP OF DESSERT WARES

comprising a plate, of ‘Pierced or Queen’s shape, circa 1841, pattern 8089, with a drab border decorated with a floral garden, further decorated to the centre with a still life of fruit including peaches, strawberries and damsons, unmarked, 24.5cm diameter; a further plate, of the same form, with a green trellis panelled border, printed and hand-coloured with fruit and flowers, unmarked, given provisional pattern number ‘Dan168’, 24.5cm diameter; a pair of ‘Shell Pierced’ dessert plates, green border alternating with buff perforated panels, central decorated with a spray of flowers and fruit, numbered, 22.5cm diameter; a plate, of ‘Shrewsbury Shape’, circa 1828, pattern 4661, the green ground painted with four crownshaped panels of birds on branches, flanked by a garland of flowers, 22.5cm diameter; a pair plates, pattern 3886, of ‘cusped form’, circa 1823, mazarine blue ground with gilded border, with a central panel of a vase of flowers on a table, unmarked, 21.5cm diameter; and a ‘Second Gadroon’ plate, white ground enamelled with floral sprays, 21.5cm diameter.

Provenance: The Michael Berthoud Collection.

Literature: Both ‘Pierced or Queen’s’ shape plates are illustrated in Berthoud, H&R Daniel, plate 92. The ‘Shrewsbury’ plate is illustrated in plate 47.

£50 - £80

Please note all successful bids are subject to a Buyer’s Premium of 24% plus VAT

67

H&R DANIEL AN ‘EARL OF SHREWSBURY’ ARMORIAL LOW PEDESTAL DESSERT COMPORT

circa 1827 painted to the centre with the crest with the earl’s coronet, within an apple-green border reserved with floral and exotic bird panels, framed with gilded foliate scrollwork, unmarked, 21cm diameter and 6cm high (restored)

Provenance: The Michael Berthoud Collection. Notes: Daniel secured the patronage of the Earl of Shrewsbury, who ordered several services during his refurbishment of Alton Towers in 1827. The Earl died in that same year and the title passed to his nephew John, the sixteenth Earl, who continued placing orders with Henry and Richard Daniel. Reputedly, items were ordered for ‘every room in the castle’.

£150 - £250

68 H&R DANIEL

A TRIO OF A TEACUP, COFFEE CUP AND SAUCER

circa 1825

pattern 3964, of ‘First Gadroon’ form, the elaborate pattern consisting of a pink ground with gilt and reserved white sprays, painted panels of polychrome enamelled exotic perching birds, numbered, saucer 13.5cm diameter (3)

Provenance: The Michael Berthoud Collection

£50 - £70

69 H&R DANIEL A TEACUP AND SAUCER

circa 1824-25 of ‘Second Gadroon Variation A’ form, pattern 4114, the pale lilac ground with enamelled panels of butterfly, fruit and flowers, unmarked, teacup 5.5cm high, saucer 14.2cm diameter.

Provenance: The Michael Berthoud Collection.

£40 - £60

70 H&R DANIEL

SIX CREAM JUGS

comprising two variation B shell jugs raised on four moulded feet, circa 1830-34, in pattern 5574, and pattern 5299, a cream jug in a shell hybrid shape (listed as pattern Dan96); all unmarked, a Second Gadroon variation A cream jug, pattern 4506, numbered; a ‘First Bell’ shape jug, circa 1836, decorated with gilt, 11.5cm high; and a further, larger jug, painted with flowers (handle repaired), tallest 14cm high (6)

Provenance: The Michael Berthoud Collection.

Literature: Both of the ‘Shell Variation B’ jugs are illustrated in Berthoud, H&R Daniel, plate 67. The ‘First Bell’ jug is illustrated in plate 82.

£50 - £70

Please note all successful bids are subject to a Buyer’s Premium of 24% plus VAT

71 H&R DANIEL A STANDING DESSERT CENTERPIECE

circa 1824-6 of ‘First Gadroon’ shape, painted in coloured enamels with gilt-line quatrefoil panels of floral sprays, within richly gilt foliate borders, circa 1830 (firing crack to underside of base).

Provenance: The Michael Berthoud Collection.

Literature: Illustrated in Smith, Identifying Daniel Ornamental Wares, p. 56. This comport is described as bearing a ‘strong resemblance to that on the Shrewsbury services, of which it may form a part, or it could be from a service made to match.’ It is given a provisional pattern number of Dan117.

£120 - £180

72 H&R DANIEL A PART DESSERT SERVICE

circa 1825 pattern 4019, of cusped form with lilac vine springing, finely painted with large central flowers in polychrome and a gilded outer edge border, comprising three canted dessert dishes, 28cm wide and seven plates, 22cm diameter (some damages) (10).

Provenance: The Michael Berthoud Collection.

Literature: Pieces illustrated in Berthoud, H&R Daniel plates 38, 43 and colour plate D(II).

£70 - £90

73 H&R DANIEL A TEAPOT, SUCRIER, TEACUP AND SAUCER

circa 1824-5

pattern 3956, of First Gadroon shape, the rose pink borders decorated with olive green and raised gilt butterflies and shells, teacup and teapot numbered in gilt, teapot 14.5cm high (6, including covers)

Provenance: The Michael Berthoud Collection.

£300 - £500

74 H&R DANIEL A DESSERT CENTERPIECE

circa 1835

pattern 6681, likely the dessert version of the ‘Second Bell’ teaware shape, of twin-handled form, with a ‘French’ midblue border featuring gilt scaled panels and a combed inner edge, painted to the centre of the dish with male and female capercaillies in a landscape, unmarked, 20cm high.

Provenance: The Micheal Berthoud Collection.

Literature: Illustrated in Smith, Identifying Daniel Ornamental Wares, p.71.

£100 - £150

Please note all successful bids are subject to a Buyer’s Premium of 24% plus VAT

75 H&R DANIEL A PAIR OF SQUARE BREAD AND BUTTER PLATES

circa 1828 of ‘Shrewsbury’ shape, of twin-handled form, with green borders painted with enamelled roses and scrolling gilt and a further central enamelled spray, unmarked, 27cm wide (2).

Provenance: The Michael Berthoud Collection.

Literature: A single plate illustrated in Berthoud, H&R Daniel, pl. 37. Listed as provisional pattern number ‘Dan179’ in Smith and Beardmore, ‘Identifying Daniel Tablewares’, p.228. £40 - £60

76 H&R DANIEL

A SMALL COLLECTION OF DESSERT WARES AND ONE BREAD AND BUTTER PLATE

comprising a pair of cusped dishes, circa 1824, the apricot border with gilt sprays, painted to the centre with floral sprays, unmarked, 22cm wide; a ‘Second Gadroon’ plate, circa 1827, pattern 4357, with a scalloped apricot border and enamelled flowers to the centre, unmarked, 21cm diameter; a ‘First Gadroon’ plate, circa 1824, pattern 3968, with a pale blue border and enamelled basket of flowers to the centre, faintly numbered, 21.5cm diameter; a ‘Rococo Scroll’ plate, in a pattern similar to the ‘Green Plaid’ design for Mortlock’s in 1837, painted to the centre with enamel flowers, unmarked, 22cm diameter; a ‘C Scroll’ plate, pattern 4377, the white ground with a rose border alternating with other sprays, the centre moulded with blue on-glaze enamel, numbered, 21cm diameter; a side dish, of ‘Second

Gadroon Variation B’ form, circa 1828, the white ground decorated with floral sprays, 25.5cm wide; and a further low oval dessert dish, of ‘Second Gadroon Variation B’ form, with green ground border, finely painted to the centre with a garden scene of a nest of eggs and flowers, unmarked, 29cm wide, with a matching dessert plate, 22.5cm diameter; together with a circular bread and butter plate from a tea service, pattern 4822, of ‘Ribbed A’ form, with a pink and gilt border and centrally enamelled flowers, numbered, 23.5cm diameter (10)

Provenance: The Michael Berthoud Collection.

Literature: The ‘First Gadroon’ plate is illustrated in Berthoud, H&R Daniel, colour plate D and the ‘C-Scroll’ plate is illustrated in colour plate D (v).

£60 - £80

H&R DANIEL A GROUP OF TEAWARES

comprising a sucrier and cover, pattern 5249, circa 1831, of ‘Shell Border’ form with a rose finial to the cover and raised on four shell feet, the cream ground with enamelled perching birds in a tree above a nest, numbered, 14.5cm high; a sucrier and cover, of ‘Shrewsbury’ form, circa 1827, pattern 4235, enamelled with flower sprays, gilt hatches and flourishing, raised on four feet, numbered, 15cm high; a further sucrier and cover, with ‘Dresden Embossed’ flowers, unmarked, 14.5cm high; four slop basins, comprising ‘Second Bell’, pattern 6823, circa 1838, with drab lobed border with seaweed gilding, printed and hand-coloured flowers, 20cm diameter; ‘Shell A’, pattern 4789, the deep rose pink ground with yellow kidney-shaped panels, acanthus leaves and gilding, numbered, 17cm diameter; ‘Ribbed A’, pattern 4821, green exterior border with internal central gilt motif and sprigs, numbered, 17cm wide; ‘Shell B’, white ground with polychrome flowers and brown leaves, numbered, 18cm diameter; sold together with one slop basin, possibly Daniel, internal cobalt blue border with yellow and gilt flowers, centrally painted with a spray of flowers, numbered 2199, 17.2cm diameter (11cs including covers) (damages)

Provenance: The Michael Berthoud Collection.

Literature: A teacup and saucer in pattern 4789 is illustrated in Berthoud, H&R Daniel, pl. 69 £70 - £90

H&R DANIEL TWO LAVENDER SPRIGGED DESSERT CENTERPIECES

circa 1825-6

of cusped, twin-handled form raised on pedestal bases, the first in pattern 4019, painted with large central flowers and a gilt band around the edge, numbered to the base, 33cm wide, the second in pattern 3835, featuring a slightly similar but more complex gilt spray design, unmarked, 35cm wide, both 25cm high (2) (one at fault)

Provenance: The Michael Berthoud Collection.

Literature: Items in the 4019 pattern are illustrated in Berthoud, H&R Daniel, colour plate D(ii), plates 38 and 43

£70 - £90

79 H&R DANIEL A TEAPOT AND COVER

circa 1830-32 of ‘Shell Variation B’ form, pattern 5207, with a dragon spout and raised on four moulded shell feet, rose finial to the cover, decorated with a yellow ground with gilt perching birds and weeping willows, numbered, 14.5cm high.

Provenance: The Michael Berthoud Collection.

Literature: Illustrated in Berthoud, H&R Daniel, pl. 65 and Smith and Beardmore, Identifying Daniel Tablewares, p.154.

£40 - £60

80 H&R DANIEL THREE VASES

circa 1825-35

comprising a spill vase, of wavy rim form with twin ring handles and a beaded upper and lower foot, nicely painted with a single panel of an exotic bird, unmarked, 12cm high; and two similarly shaped pot pourri vases (lacking covers), circa 1822-24, the first with mazarine blue ground, of twinhandled form with ornate animal head handles and a pierced upper rim, painted with roses to the neck and a canted panel of assorted flowers including a tulip, poppy and convolvulus, unmarked, 24.5m high; the second, lacking handles, finely painted with garden scenery including an ornamental vase on a plinth and a statue with garden flowers, and an opposing large spray of pink roses, 26.5cm high (all at fault).

Provenance: The Michael Berthoud Collection.

Literature: Illustrated in Smith, Identifying Daniel Ornamental Wares, fig. 385. £40 - £60

81

H&R DANIEL A COFFEE CUP AND SAUCER

circa 1827 of ‘C’ scroll border shape, the cup raised on three ‘daisy-wheel’ feet, the pale yellow border decorated with groups of three roses with further mixed floral sprays to the centre, unmarked, cup 7.5cm high, saucer 14.5cm diameter (restored).

Provenance: The Michael Berthoud Collection.

Literature: Exhibited in the Northern Ceramic Society’s ‘Flowering of British Ceramics’ Exhibition in 2022. £100 - £150

82

H&R DANIEL FOUR ‘MAYFLOWER’ DESSERT PLATES

circa 1828 comprising three in pattern 4632, enamelled with floral sprays within yellow, blue and gilt scroll moulded cartouches on a yellow and pink moulded ground, numbered; and a single 4634 plate, with orange moulded flowers, 22cm diameter (4)

Provenance: The Michael Berthoud Collection.

£120 - £150

83

H&R DANIEL A GROUP OF FIVE H&R DANIEL EGG CUPS

circa 1825-30

including a double-ended example painted with a small pair of opposing landscape scenes with roses, gilt and other flowers, 5cm high; a further example painted with pink bunches of grapes and brown leaves, 5.2cm high; a lilac sprigged example, internally decorated with flowers and externally with trailing gilt sprays, 5.8cm high, and two others (5) (a.f)

£40 - £60

84 H&R DANIEL A PARTIAL TEA AND COFFEE SERVICE

circa 1828

pattern 4678, of plain edge variation A shape, decorated with pink flowers on apricot bands, comprising a teapot and cover, sucrier and cover, cream jug, slop basin, nine teacups, two coffee cups and six saucers, sold together with a similar teapot lacking cover, pattern 4677, plain edge variation B, 17.5cm high (24 pcs including covers)

£120 - £180

85

H&R DANIEL

A GROUP OF EARTHENWARES

comprising an oval twin-handled sauce tureen stand, with a hexagonal well, transfer-printed in the ‘Chinese Scenery’ pattern (type C), printed ‘Scroll China’ mark, 20.8cm wide; a small ‘Japan Groups’ platter, pattern 1906, associated printed blue factory mark, 25cm wide; and a similar

‘Japan Groups’ plate, pattern 1929, 25.5cm diameter and also a standing comport, pattern 1902, printed mark and numbered, 14cm high; a ‘Japan Stone Ware / Lion and Scroll Pennant’ pattern plate, transferprinted in and green and red with handcolouring, printed factory mark, 23.2cm diameter; a ‘Polychrome Birds’ plate, of ‘plain-edge’ form, transfer-printed, with underglaze blue Arms mark with ‘Daniel’ scroll, then over-printed in black with Mason’s Patent Ironstone mark, 25.5cm diameter; a Shell-Shaped dish, numbered 1763, 22cm diameter; an ‘Oriental Vases’ dinner plate, 26.5cm diameter, printed in brown/black, printed ‘Ne Plus Ultra’ factory mark, 26.5cm diameter; together with speculative items comprising a plate, with printed pink border, printed and handcoloured flowers, numbered 4573 in iron red, 22.2cm diameter; and a tureen stand, printed in red, faint impressed mark, 21cm wide.

Provenance: The Michael Berthoud Collection

£50 - £70

Provenance: The Michael Berthoud Collection.

Provenance: The Michael Berthoud Collection.

86

H&R DANIEL

A TEACUP AND SAUCER

circa 1827 of ‘Shrewsbury’ shape, pattern 4250, the mazarine blue ground decorated with oval panels of birds, with yellow border panels and hatched gilding, remnants of pattern number, teacup 6.5cm high overall and saucer 14cm diameter (2)

Provenance: The Michael Berthoud Collection.

£50 - £70

87

H&R DANIEL

A TEACUP AND SAUCER

circa 1824 of ‘London’ shape, with ribbon and wreath moulding, pattern 3867, enamelled with flowers and butterflies, unmarked, cup 6.5cm high and saucer 14.4cm diameter (2)

Provenance: The Michael Berthoud Collection.

Literature: Illustrated in Berthoud, H&R Daniel, pl. 2 and 3 and Smith and Beardmore, Identifying Daniel Tablewares, p. 101.

£60 - £80

H&R DANIEL

A SCARCE BASKET

circa 1830 of single-handled form in a pattern similar to teaware pattern 4630, the mayflower basket with moulded florets in blue with yellow centres, decorated with small floral sprays in panels and moulded shells in pink, unmarked, 17cm overall height.

Provenance: The Michael Berthoud Collection.

Literature: See Smith, Identifying Daniel Ornamental Wares, p.90. £200 - £250

Please note all successful bids are subject to a Buyer’s Premium of 24% plus VAT

89 H&R DANIEL A SCARCE DINNER SERVICE TUREEN AND COVER; TOGETHER WITH TWO DINNER PLATTERS

the tureen, circa 1830, of ‘Second Gadroon’ form, the white ground with a blue striped pattern and gilt gadrooned edges, unmarked, 25.3cm diameter; the two graduated meat platters, of ‘Mary Talbot’ form, circa 1840, pattern 6389, orange border, printed and hand coloured with flowers, numbered, 37cm and 47.5cm (4 pcs including cover).

Provenance: The Michael Berthoud Collection.

Literature: The tureen is illustrated in Berthoud, H&R Daniel, plate 29.

£40 - £60

90 H&R DANIEL THREE TEAPOTS AND COVERS

and a part service the first teapot circa 1830-34, of ‘Ribbed Variation B’ form, pattern 5229, printed and hand-coloured in colours with a Fence design, unmarked, 16.5cm high; and the second, of ‘First Bell or Bath’ shape, circa 1834-5, pattern 6161, printed and hand coloured with flower sprays and moulding pick out in green, unmarked, 17.5cm high; and a ‘Second Bell’ teapot, printed and hand coloured with flowers (all at fault); and a part service, of ‘Second Gadroon’ form, pattern 4002, decorated with sepia trays, comprising slop basin, 18.5cm diameter; six sideplates, 18.5cm diameter; one plate, 21cm diameter and a further plate 22.5cm diameter (qty).

Provenance: The Michael Berthoud Collection.

£30 - £50

91 H&R DANIEL

A RARE PAIR OF PASTILLE BURNERS

lacking covers, circa 1824 with pink grounds, raised on four lions paw feet, superbly painted with panels of flowers, fruit and butterflies, matching teaware pattern 3913, unmarked, 8.5cm high.

Provenance: The Michael Berthoud Collection.

Literature: H.&R. Daniel 1822-1846, colour plate A(ii).

£300 - £500

H&R DANIEL TWO STANDING DESSERT CENTREPIECES

circa 1828-30 of shell border shape raised above square gilt pedestals, the first, pattern 4543, with a Dresden green ground, with large fruit and flower painting to the interior, marbled base; the second, of shell border shape, with a light blue ground and large flower painting to the interior, plain unmarked bases, 21.8cm high (both at fault).

Provenance: The Michael Berthoud Collection.

Literature: Both are illustrated in Smith and Beardmore, Identifying Daniel Tablewares, the blue example being given provision pattern number DAN170.

£70 - £100

93 H&R DANIEL

A SMALL GROUP OF TEA AND COFFEE WARES comprising a ‘C’ scroll teacup, raised on daisy wheel feet, and matching saucer, circa 1827, with a green border and painted flower sprays, unmarked, a further ‘C’ scroll’ coffee cup, the lemon yellow ground painted with floral swags alternating with gilt lozenge motifs, pattern 4366, unmarked; a very finely decorated saucer, of ‘Shrewsbury’ shape, circa 1827, the maroon red border with slightly raised gilding of acorns and flowers, painted to the centre with a bird in a landscape, unmarked, 14.2cm diameter; together with five further ‘Shrewsbury’ shape saucers, patterns 4329 and 4318; a ‘C’ scroll shape saucer, pattern 4271, with green borders decorated with rich panels of flower sprays flanked by roses, 15cm diameter; a ‘Spode Bell shape’ coffee cup, pattern 3863, with enamelled flowers and seeded gilt panels, numbered, 7.5cm high; a ‘Shell Variation B’ saucer, pattern 5060, 14.5cm diameter; a plain edge Variation C coffee cup, with a lavender border enamelled with roses and a bird on a branch to the interior, 8.4cm high; together with a further coffee cup and further teacup (14) (some repairs).

Provenance: The Michael Berthoud Collection.

£70 - £90

94 H&R DANIEL

A TEACUP AND SAUCER

circa 1828-30

pattern 4039, of ‘Old English’ shape, mazarine blue panels with gilt vine leaves and grapes, alternating with panels of flowers in landscapes, numbered, teacup 5.5cm high, saucer, 14cm diameter (2)

Provenance: The Michael Berthoud Collection.

£40 - £60

95 H&R DANIEL A TEACUP AND SAUCER

circa 1827

pattern 4412, of ‘C’ scroll shape, the cup raised on three ‘daisy wheel’ feet, the maroon ground reserved with oval panels of enamelled flowers surrounded by complex burnished and raised gilt scrolls, further decorated with gilt birds in branches between the panels, numbered in gilt, teacup 6.8cm high, saucer 14.8cm diameter (2)

Provenance: The Michael Berthoud Collection. Exhibited at the Northern Ceramic Society ‘Flowering of British Ceramics Exhibition’ in 2022.

Literature: A similar teacup and saucer are illustrated in Identifying Daniel Porcelain Tablewares, p.126

£200 - £250 95

94

Ceramics & Glass

96

H&R DANIEL A PAIR OF POT POURRI VASES

circa 1822-25

lacking covers, of campagna type with twin mask handles, raised on a short cylindrical plinth with gilt acanthus leaves above a square gilt base, decorated with a ‘Shrewsbury green’ ground, hand-enamelled opposing panels of flowers within complex frames, the lower bodies moulded with acanthus leaves in white and yellow with gilt tracing, unmarked, 26.5cm high (restored)

Provenance: The Michael Berthoud Collection.

Literature: Illustrated in Smith, Identifying Daniel Ornamental Wares, page 60. £500 - £700

97 H&R DANIEL A DESSERT ICE PAIL

circa 1823-4

of cusped form, pattern 3835, with lilac sprigged vines and grapes, gilt sprays and further large polychrome sprays of flowers, unmarked, 26cm high (faults).

Provenance: The Michael Berthoud Collection.

£80 - £120

98 H&R DANIEL

A GROUP OF DESSERT DISHES

comprising a ‘Second Gadroon’ plate, circa 1826, pattern 4012, the mazarine blue ground with enamelled shells and flowers, numbered, 21cm diameter; a ‘Second Gadroon’ dessert dish with shell handle, pattern 4027, with a pink border and central flower spray, unmarked, 24cm diameter; a square ‘Shell B’ dessert dish, pattern 5574, circa 1834, the white ground with gilt detail to the moulding and trailing foliage, numbered, 26cm; a ‘First Bell’ square dessert dish, circa 1836, pattern 5750, decorated with maroon zigzag stripes with yellow shading, numbered, 27.5cm wide; a square dessert plate, numbered pattern ‘5803’ but matching others numbered pattern 6823, drab border with seaweed gilding, printed and handcoloured with flowers, 28cm wide; and a ‘Shell Border’ square dessert dish, circa 1830, pattern 4531, with a broad maroon border, inner border of gilt-c-scrolls and painted with a large floral spray to the centre, unmarked, 27cm wide (6)

Provenance: The Michael Berthoud Collection.

Literature: Some pieces illustrated in Berthoud, H&R Daniel: Pattern 4012 plate, colour plate D; Pattern 5750, plate 84.

£60 - £80

99 H&R DANIEL A GOOD QUALITY PORCELAIN

POT POURRI VASE AND COVER

circa 1822-27

of twin-handled form, with a butterfly finial to the pierced cover, the vase with a frilled acanthus lined upper rim, the maroon ground decorated with two front-facing oval panels of enamelled polychrome floral sprays, opposed by secondary raised gilt scenes featuring a female figure beside a tree with houses beyond, and a further similar scene featuring a male to the cylindrical plinth base, raised on a square plinth pedestal base, unmarked, 37.1cm high (repaired).

Provenance: The Michael Berthoud Collection.

Literature: Illustrated in Smith, Identifying Daniel Ornamental Wares, page 233.

£250 - £300

100 H&R DANIEL A DESSERT CREAM BOWL

circa 1830 of ‘Shrewsbury’ shape with a butterfly finial to the cover, the white ground decorated with printed and enamelled birds, unmarked, no pattern number given but comparable with patterns in the 5000 range, 17cm high; sold together with a scarce coffee pot and cover, with an Acanthus moulded base, variation E, given provisional pattern number ‘Dan153’, printed and painted withflowers, unmarked, 23cm high (2) (a.f).

Provenance: The Michael Berthoud Collection.

Literature: The cream bowl is illustrated in Berthoud, H&R Daniel, pl. 33.

£40 - £60

101 H&R DANIEL A TEAPOT AND COVER

circa 1828

pattern 4763, of shell A shape, on raised pedestal foot, with a peach border decorated with gilt leaves, pattern numbered in puce, 14cm high.

Provenance: The Michael Berthoud Collection. £60 - £80

100

Please note all successful bids are subject to a Buyer’s Premium of 24% plus VAT

H&R DANIEL A GROUP OF SCARCE H&R DANIEL EARTHENWARES

comprising a black transfer-printed ‘Neapolitan’ soup plate, black printed mark, 26cm diameter; a ‘Chinese’ scenery tureen stand, 23.5cm wide; and dinner plate, 26cm diameter, blue printed marks; a ‘Canovian Statues’ purple printed plate, with puce titled ‘HD&CO’ factory mark, 25.5cm; ‘Nankin’ green printed plate, a further plate, with orange border and transfer-printed and hand coloured with flowers and foliage, 22cm diameter; a low pedestal comport dish, the apricot ground decorated with printed and painted flowers typically found on porcelain wares in the 5-6000 range, pattern number 1678, 22cm diameter.

Provenance: The Michael Berthoud Collection.

103

H&R DANIEL A DESSERT SHELL SIDE DISH WITH TWO DESSERT PLATES

circa 1822-3

of cusped form, painted with scattered flower sprays in polychrome with a gilt edge, two pieces numbered, shell dish 22.5cm wide and plates 22cm diameter (3).

Provenance: The Michael Berthoud Collection.

Literature: A similar plate in pattern 3820 is illustrated in Berthoud, H&R Daniel, pl. 13. For pattern 3840, see Smith and Beardmore, Identifying Daniel Tablewares, p.99.

£50 - £70

104 H&R DANIEL A POT POURRI VASE

circa 1822-27

decorated with a green ground with enamelled baskets of flowers in oval panels edged in gilt, with frilled acanthus leaves to the upper rim, on a cylindrical column above a square plinth base, unmarked, 26cm high; together with a ewer, circa 1825, decorated in the teaware pattern 4069, with enamelled exotic birds in white panels framed by raised gilt C-scrolls, on a square pedestal base, unmarked, 31cm high (both a.f) (2)

Provenance: The Michael Berthoud Collection.

£50 - £70

105 H&R DANIEL A TEAPOT AND COVER WITH MATCHING SUCRIER AND COVER

circa 1827

pattern 4058, of ‘Second Gadroon’ shape with acanthus scroll handle and feet, variation A, the mazarine blue ground decorated with yellow panels and enamelled flowers, numbered in gilt, teapot 14.5cm high, sucrier 14cm high (4, including covers)

Provenance: The Michael Berthoud Collection.

Literature: Illustrated in Identifying Daniel Porcelain Tablewares, p. 110.

£80 - £120

106 H&R DANIEL AN OVAL DISH

circa 1824 of ‘cusped’ form with ribbon and wreath moulding, decorated with enamelled shells and moths, unmarked, 28cm wide

Provenance: The Michael Berthoud Collection.

Literature: Illustrated in Berthoud, H&R Daniel, plate 4.

£70 - £90

107 H&R DANIEL A COFFEE CUP AND SAUCER

circa 1826

pattern 4025, ‘First Gadroon’ shape, the lilac/blue ground reserved with alternate opposing panels of birds and flowers, linked by a band of yellow and gilt oak leaves, unmarked, coffee cup 6.4cm high, saucer 13.5cm diameter (2).

Provenance: The Michael Berthoud Collection.

Literature: A coffee cup and saucer in this pattern are illustrated in Daniel Porcelain Tablewares, p.108.

£80 - £120

108 H&R DANIEL TWO H&R DANIEL DESSERT PLATES AND MATCHING DESSERT DISH

circa 1827 of ‘Shrewsbury’ shape, pattern 4276, the broad pink band border enclosing painted landscapes including figures, numbered in gilt, pair of plates 21.2cm diameter, single oval dish 28cm wide.

Provenance: The Michael Berthoud Collection.

£70 - £90

109 H&R DANIEL EIGHT ASSORTED ‘MAYFLOWER’ DESSERT PLATES

circa 1828

comprising three in pattern 4632, moulded florets edged in pink, with painted flowers, three in pattern 4527, moulded florets in white on a blue ground, one in pattern 4630, and another in pattern 4631, numbered, 22cm diameter (some damages, old repairs).

Provenance: The Michael Berthoud Collection.

Literature: One pattern 4527 plate is illustrated Berthoud, H&R Daniel, plate 64.

£40 - £60

110

H&R DANIEL A PAIR OF SQUARE PORCELAIN CABINET PLATES

circa 1824

pattern number 3902, of ‘cusped’ shape with ribbon and wreath moulding, painted by William Pollard with central sprays of strawberries and flowers including harebells, roses and forget-me-nots, one plate numbered to the reverse, 21.5cm square (2).

Provenance: The Michael Berthoud Collection.

Literature: One plate is illustrated in Berthoud, H&R Daniel, colour plate B(i).

£150 - £200

111

H&R DANIEL A PAIR OF H&R DANIEL DESSERT DISHES

circa 1826

pattern 3824, of cusped form, decorated with a mazarine blue ground with gilt dots and hatching, the yellow panels gilded with anthemion, painted roses to the centre, numbered, 23.5cm diameter.

£60 - £80

112

H&R DANIEL A DESSERT ICE PAIL

circa 1830

of ‘Shell Border’ form, pattern 5808, the apricot ground with a band of enamelled flowers, domed cover with a finial in the form of a bunch of grapes, unmarked, 27.5cm high (damages, repairs)

Provenance: The Michael Berthoud Collection.

Literature: Illustrated in Berthoud, H&R Daniel, on the front cover and colour plate E.

£50 - £70

113 H&R DANIEL AN UNUSUAL DESSERT SHELL DISH

circa 1828-30

of ‘Shrewsbury’ shape, painted with naturalistic feathers against a pale yellow ground to the centre, the moulded border highlighted with gilt, initialled ‘JD’ in iron red to the base, 23cm wide

£60 - £80

Please note all successful bids are subject to a Buyer’s Premium of 24% plus VAT

Ceramics & Glass

H&R DANIEL A H&R DANIEL TEACUP AND COFFEE CUP WITH A SIMILARILY MATCHED SAUCER

circa 1827 the cups of of ‘C’ scroll shape, pattern 4415, the mazarine blue border with yellow painted panels, enamelled flowers and rich gilding, raised on three ‘daisy wheel’ feet, unmarked, the saucer pattern 4495, second Gadroon variation A, with a scalloped mazarine blue border with inner yellow panels separated by gilt loops, decorated with a central spray of enamelled flowers, numbered, saucer 14.5cm diameter (3).

Provenance: The Michael Berthoud Collection.

£70 - £90

115

H&R DANIEL A GROUP OF H&R DANIEL SCENT BOTTLES OR ESSENCE JARS

lacking covers, circa 1830-35 of baluster form with moulded flowers and leaves, with pale pink, pale blue, light green and dark blue grounds, variously painted with fruit, a landscape and birds, unmarked, 24cm high (damages, repairs) (4)

Provenance: The Michael Berthoud Collection.

Literature: Illustrated in Identifying Daniel Ornamental Wares, page 83.

£100 - £150

H&R DANIEL A ‘MAYFLOWER’ TEACUP AND SAUCER

circa 1828-30

pattern 4630, of moulded form with florets edged in pale blue, painted with small flower sprays with moulded shells in pink and yellow, numbered, teacup 6.9cm high, saucer 14.5cm diameter (2)

Provenance: The Michael Berthoud Collection.

Literature: Illustrated in H&R Daniel, plate 63.

£100 - £150

117 H&R DANIEL A PART TEA SERVICE

circa 1827

pattern 4413, of ‘C’-scroll form, the bowl raised on ‘daisy’ wheel feet, decorated with pink leaves and gilding comprising teapot and cover with matching sucrier and cover, slop bowl, two saucers, and two bread and butter plates, 23cm diameter, teapot faintly numbered to one foot, teapot 18cm high, sucrier 15cm high, bowl 18cm diameter (9 pcs including covers) (faults)

Provenance: The Michael Berthoud Collection.

Literature: The teapot is illustrated in Berthoud, H&R Daniel, plate 59.

£100 - £150

118

H&R DANIEL ATTRIBUTED TO H&R DANIEL A SMALL CIRCULAR POWDER BOX AND COVER

circa 1828

the claret red and gilt round painted to top and bottom with two landscape scenes of a lake with a country house beyond and a floral garden, unmarked, 8.5cm diameter

Provenance: The Michael Berthoud Collection.

£60 - £80

Please note all successful bids are subject to a Buyer’s Premium of 24% plus VAT

H&R DANIEL A MIXED GROUP OF DINNER AND TEA DESSERT WARES

comprising a set of six soup plates, circa 1842, pattern 7333, of ‘Mary Talbot’ shape, pale fawn ground with reserved white flowers and leaves, printed and handcoloured decoration of roses and other flowers contained within gilt scrolls, puce printed retailer’s mark ‘J Allsup, 16 St Pauls Church Yard London’, numbered, 26cm diameter; a base for a muffin dish, pattern 3978, of ‘First Gadroon’ form, broad pink border with gilding, unmarked, 19.5cm diameter; a pair of sideplates from a tea service, of ‘Shell Variation B’ form, with green panelled borders, enamelled with perching birds on branches, similar to pattern 5263, unmarked, 15.8cm diameter; a bread and butter plate, pattern 4641, of ‘Second Gadroon Variation A’ form, decorated with loose sprays of roses in green, gilt lined edge, unmarked, 22cm diameter; and nine other plates (Qty)

£50 - £70

120

H&R DANIEL A MIXED LOT OF DESSERT WARES

comprising a ‘Shell Pierced’ plate, circa 1835, pattern 5813, unmarked, 22.5cm diameter; a ‘Mary Talbot’ plate, circa 1938-46, unmarked, 24cm diameter and two ‘Chelsea’ plates, circa 1843-46, pattern 8276 and 8755, all painted with landscapes; together with a ‘Chelsea’ low oval dish, of twin-handled form, pattern 8115, with enamelled flowers and gilding, 33cm wide; and a further low oval dish, of ‘ribbed’ shape, circa 1830-35, transfer-printed and hand coloured with a bird on a branch and flowers to the border, unmarked, 27.5cm wide.

Provenance: The Michael Berthoud Collection. The low ‘Chelsea’ oval dish is illustrated in Berthoud, H&R Daniel, pl.93. £50 - £70

121

H&R DANIEL A TEACUP AND SAUCER

circa 1844-46 of ‘Savoy’ shape, the cup of pedestal form, pattern 8837, pink ground with gilt mouldings, numbered, teacup 9cm high, saucer 15.5cm diameter (2)

Provenance: The Michael Berthoud Collection.

Literature: Illustrated in Smith and Beardmore, ‘Identifying Daniel Tablewares’, p.204.

£40 - £60

122

H&R DANIEL A ‘MAYFLOWER’ SCENT BOTTLE OR ‘ESSENCE JAR’

lacking cover, circa 1830-35 pattern 179, of single-handled form, with moulded florets in yellow, featuring a panel painted with flowers on a dark ground and an opposing panel featuring a landscape, reserved with gilt scrolls, unmarked, 23.4cm high.

Provenance: The Michael Berthoud Collection. Previously ex. Lynne Price collection (co-author with Michael Berthoud of ‘Daniel Patterns on Porcelain’)

Literature: This shape is illustrated in the Daniel pattern book pages (V&A) and Identifying Daniel Ornamental Wares, p.76.

£80 - £120

123

TWO ENGLISH ALE JUGS

circa 1828-30

each applied with lilac springing, one further decorated with gilt wheat ears and stars and dedicated to ‘Ann Trobridge’, unmarked, tallest 22.2cm high (2)

Provenance: The Michael Berthoud Collection.

Literature: Both jugs are illustrated in H&R Daniel, plate 45, where they are attributed to Daniel. The named jug is described as having ‘partly collapsed in firing and may have been kept by a worker at the factory’. However, there has been some debate in recent years as to their origin and doubts regarding manufacture by H&R Daniel.

£70 - £100

122

Please note all successful bids are subject to a Buyer’s Premium of 24% plus VAT

124

H&R DANIEL A PAIR OF H&R DANIEL SCENT BOTTLES OR ‘ESSENCE JARS’

lacking covers, circa 1830-35, of single-handled baluster form with a plain loop handle, the Dresden green ground with moulded flowers and leaves left in white, each bottle with a pair of opposing panels of flowers reserved within gilt grounds, unmarked, 25.6cm high (2)

Provenance: The Michael Berthoud Collection.

Literature: Illustrated in Smith, Identifying Daniel Ornamental Wares, p.86. One bottle is further illustrated in Berthoud, H&R Daniel, plate 112.

£100 - £150

125 H&R DANIEL A PART DESSERT SERVICE AND A FURTHER SINGLE DESSERT COMPORT

the service ‘of ‘Shell Bordered’ form, circa 1830, pattern 5019, with claret border and centrally painted still life of fruit, vegetables and flowers, unmarked, comprising a pair of low standing comports, 22cm diameter and 6cm high and six dessert plates; sold together with another low comport, of pierced shape, circa 1841, the green border with yellow panels, painted to the centre with a peach, unmarked, 23cm diameter (9)

Provenance: The Michael Berthoud Collection.

Literature: The green bordered comport illustrated in Berthoud, ‘H&R Daniel’, pl. 91. £40 - £50

126 H&R DANIEL TEAWARES PAINTED BY WILLIAM POLLARD

comprising a teacup and saucer, circa 1824 pattern 3959, of ‘First Gadroon’ shape, painted by William Pollard with wildflowers, unmarked, teacup 5cm high, saucer 14cm diameter; together with a sucrier and cover, square plate and a coffee cup, pattern 3862, of ‘Etruscan’ form, the green ground with gilt dots and hatching, with yellow panels containing gilt anthemions, decorated with flowers, sucrier numbered, plate 21.3cm wide (5)

Provenance: The Michael Berthoud Collection.

Literature: A teapot and teacup in pattern 3959 are illustrated in H&R Daniel, plates 11 and 12.

£70 - £100

Please note all successful bids are subject to a Buyer’s Premium of 24% plus VAT

127

H&R DANIEL A TRIO OF A COFFEE CUP, TEACUP AND A SAUCER

circa 1826

pattern 4057, of ‘Second Gadroon Variation

A’ form, finely painted with a Nantgarwtype pattern featuring sprays of enamelled flowers with hatched gilt panels, numbered, saucer 14.5cm diameter (3)

Provenance: The Michael Berthoud Collection.

£50 - £70

128

H&R DANIEL FIVE ASSORTED ‘SHREWSBURY’ SHAPE DESSERT PLATES AND ONE ‘SECOND GADROON’ PLATE

circa 1828-30

comprising a pair, pattern 4227, rich blue borders with floral sprays and single flowers to the centre, one plate numbered, 21.5cm diameter; a further pair, pattern 4339, white ground with a green and buff vined leave border alternating with chained gold rings, enamelled with flowers to the centre, unmarked; and two further claret bordered and floral plates, 21.5cm diameter; sold together with one further dessert plate, ‘Second Gadroon variation B’, with piercing to the border, painted with a spray of flowers in a landscape, faintly numbered, 22.2cm diameter (7)

Provenance: The Michael Berthoud Collection.

£60 - £80

129 H&R DANIEL TWO ARMORIAL PLATES

of ‘First Gadroon’ shape

circa 1826-7

comprising one with the unique crest of Rees Goring-Thomas, Esq. of Gellywernew, Carmarthen, of a heron’s head gorged with a garland of roses, pattern number 4188, numbered, 20.5cm diameter and another, with an unidentified crest and coat of arms, with turquoise border, unmarked, 22cm diameter (2)

Provenance: The Michael Berthoud Collection

£40 - £60

130 H&R DANIEL A TEACUP AND SAUCER

circa 1824

of ‘Second Gadroon’ shape, pattern 3913, the pink ground with gilt and reserved white sprays and finely painted panels of flowers, fruit and butterflies, numbered, teacup 6cm high including handle and saucer 14.4cm diameter (2)

Provenance: The Michael Berthoud Collection

Literature: Illustrated in H&R Daniel, colour plate A(ii)

£30 - £50

Please note all successful bids are subject to a Buyer’s Premium of 24% plus VAT

131

H&R DANIEL

A SMALL SWEETMEAT DISH

circa 1827 of ‘Shrewsbury’ shape, with a green and lemon yellow border and a centre ground painted with scattered flowers, with rare puce script mark ‘H&R Daniel, Stoke upon Trent, Staffordshire’ to the base, 14.5cm diameter

Provenance: The Michael Berthoud Collection. This dish is believed to have been part of the Earl of Shrewsbury order.

Literature: Illustrated H&R Daniel, pl. 36

£100 - £150

Ceramics & Glass

132 H&R DANIEL

TWO DESSERT CREAM BOWLS AND COVERS

circa 1825

pattern 4019, the covers with butterfly finials, decorated with raised lilac sprigs and painted with large naturalistic central flowers, with gilt bands around the cusped edge, unmarked, 16cm high (a.f)

Provenance: The Michael Berthoud Collection

References: Illustrated in Berthoud, H&R Daniel, plates 38 and 39 £60 - £80

133 H&R DANIEL

MICHAEL BERTHOUD’S PERSONAL COPY OF THE H&R DANIEL (1822-1846) BOOK

together with a selection of photographs and photograph slides of H&R Daniel porcelain

£20 - £30

134 H&R DANIEL

THE DANIEL CABINET: A 19TH CENTURY MAHOGANY GLAZED DISPLAY CABINET

the dentil and cavetto cornice above twin astragal glazed doors enclosing three adjustable shelves, lined with a patterned textile, above a single drawer and raised on carved cabriole supports with ball-andclaw feet. 123cm wide x 38cm deep x 203.5cm high.

Provenance: Michael Berthoud, purchased specifically to house part of his collection of H&R Daniel porcelain, thence by descent to the vendor

£200 - £400

Please note all successful bids are subject to a Buyer’s Premium of 24% plus VAT

135 H&R DANIEL A LOW PEDESTAL DESSERT DISH

circa 1844-46 of rectangular ‘Savoy’ form with twin pierced handles, green ground with four enamelled panels of fruit, the centre painted with a large purple orchid and other flowers, unmarked, 27cm wide

£80 - £120

136 H&R DANIEL A LOW PEDESTAL DESSERT DISH

circa 1844-46 of rectangular ‘Savoy’ form with twin pierced handles, maroon ground with gilt, painted to the centre with a landscape scene, unmarked, 27cm wide

£80 - £120

The Michael Berthoud Collection of H&R Daniel

Ceramics & Glass

137

A GOLDSCHEIDER FIGURE

of a girl reading a book modelled by Claire Weiss, no. 6769, painted ‘Weiss’ to the reverse of the base’, incised numbers ‘6769 240 16’, printed factory marks 20cm high.

Literature: Illustrated in Ora Pinhas, ‘Goldscheider, A Catalogue of Selected Models’, Richard Dennis, 2006, p.133.

£200 - £300

138

A NEAR PAIR OF CAUGHLEY ‘FISHERMEN’ OR ‘PLEASURE BOAT’ TASTERS OR ‘CADDY SPOONS’

circa 1785-90, transfer-printed in underglaze blue, of shallow form, unmarked, 5.4cm diameter

£120 - £180

139

A DERBY BISCUIT PORCELAIN GROUP

circa 1775-85

modelled as four putti circling an oak tree, with bird cages, dogs and musical instruments, raised on a rocky base, incised No. 234, 23cm high; sold together with a glass dome with base

£120 - £180

140

A STAFFORDSHIRE ‘MARTHA GUNN’ CHARACTER JUG

circa 1810-20

modelled seated and holding a gin bottle and glass, in a pink flowery dress with green shoes, cuffs and headband over a white mobcap, 21.5cm high

£120 - £180

141 AN UNUSUAL ENGLISH PORCELAIN FLOWER VASE possibly Coalport, circa 1860 after the Sèvres ‘hollandois nouveau ovale’ shape, comprising bulb vase and stand raised on four paw feet, painted with figures in rural landscapes, with gilt scrolls and foliage, unmarked, overall height 20cm high

£150 - £250

142

A

circa 1865

with fox and game finial on a fern ground, the oval base with further hanging game and netted swags, on a turquoise ground, pink interior, model number 2262, raised factory mark, 24cm wide (a.f)

£300 - £400

one lacking cover, circa 1825-30 of twin-handled form, with gadrooned edged and pineapple knop, gilt seaweed or coral ground, the first painted with a named view of the ‘Remains of Monmouth Castle’ opposed by a fancy bird in a landscape, the second with seashells and coral opposed by a group of flowers, impressed ‘BFB’ mark, 16cm overall height

3 pcs including cover)

£400 - £500

143 A HARLEQUIN PAIR OF FLIGHT BARR AND BARR, WORCESTER DESSERT SAUCE TUREENS

GEORGE JONES MAJOLICA OVAL GAME PIE TUREEN AND COVER

144 A LARGE AND RARE MASON’S IRONSTONE ‘NEAPOLITAN’ EWER

circa 1815-20

painted by Samuel Bourne, with scroll handle and fluted neck, two putti sitting on the shoulder below the spout and handle, richly gilded, the panels depicting figures beside a lake with ruins, with a sailing boat and horse riders crossing a bridge beyond, impressed ‘MASON’S PATENT IRONSTONE’ mark, 67cm high.

Notes: For a similar ewer, see Godden, Geoffrey ‘Godden’s Guide to Ironstone’ (Antique Collectors’ Club, Suffolk, 1999)

colour plate 13.

£1200 - £1800

145 A PAIR OF REGENCY ANGLO-IRISH CUT GLASS PINEAPPLE STANDS

cut with horizontal prisms and cross-cut diamonds, on unusual stepped oval feet, 11.5cm high (2)

£120 - £180

144

146

146

A SET OF SIX FACET-CUT WINE GLASSES

circa 1770

the round funnel bowl wheel engraved with ‘OXO’ border to the upper rim, the facet cut stem extending to the base of the bowl with central knop, on conical foot, 15cm high (one glass broken)

£150 - £200

147

JOHN KEELEY (1849-1930)

NORTH WALES LANDSCAPE, A FIGURE AND HORSE CROSSING A STONE BRIDGE

signed lower left, 38 x 48.5 cm, frame 63 x 72.5 cm

£150 - £250

148 DAVID BATES (1840-1921)

A COUNTRY LANE NEAR DEFFORD, WORCESTERSHIRE

signed and dated 1905 lower right, watercolour, 26.5 x 36 cm, frame 47 x 56 cm

£200 - £300

149 WILLIAM HENRY VERNON (1820-1909) APPROACHING SHOWERS ON THE AVON, WORCESTERSHIRE, 1877

oil on canvas, 60 x 91 cm, frame 81 x 110 cm

Provenance: Deceased Estate

£300 - £400

150 CLARENCE ROE (1850-1909)

HIGHLAND LANDSCAPE WITH DEER GRAZING ALONGSIDE A STREAM

signed and dated 1881 lower right, oil on canvas, 60 x 106 cm, frame 76 x 120 cm

Relined £800 - £1200

151 ALFRED VICKERS SNR (17861868) ON THE CONWY, NORTH WALES

signed and dated 1864 lower right, oil on canvas, 53 x 76 cm, frame 65 x 89 cm Old label attached verso

£500 - £800

152 JOSEPH THORS (1835-1920)

RIVERSIDE LANDSCAPE WITH A WINDMILL ON THE HILL BEYOND

signed lower right, additionally signed and indistinctly titled verso, oil on canvas, 49.5 x 73.5 cm, frame 62.5 x 87 cm

Provenance: Deceased estate, purchased from Cambridge Fine Art c.2010, label verso for Broad Street Galleries, Wolverhampton

£1000 - £2000

153 JOSEPH THORS (1835-1920)

WINDMILL IN A LANDSCAPE WITH THATCHED COTTAGES BEYOND

signed lower left, oil on canvas, 61 x 92 cm, frame 75 x 105 cm

Provenance: Deceased Estate, purchased Cambridge Fine Art circa 2010

£1500 - £2000

154 EDMUND GILL (1820-1894)

WATERFALL

signed and dated 1893 lower right, oil on canvas, 50 x 40 cm, frame 67 x 57 cm

Label verso for Eastbourne Fine Art, Sussex

£200 - £400

Paintings & Prints

155

155 SAMUEL FULTON (1855-1941)

JACK RUSSEL TERRIER AND A WEST HIGHLAND TERRIER IN A KENNEL

signed lower left, oil on canvas, 51 x 41 cm, frame 76 x 66 cm

£1000 - £2000

Please note all successful bids are subject to a Buyer’s Premium of 24% plus VAT

156

156

EDWIN

ROUSED, TWO DOGS PAWING AT THE STABLE DOOR 1874

£1000 - £2000

DOUGLAS (1848-1914)

titled and signed on label verso, oil on canvas, 51 x 61 cm, frame 76 x 86 cm

Paintings & Prints

157

157 EDGAR HUNT (1876-1953) CHICKENS, PIGEONS AND RABBITS

Edgar Hunt (1876-1953) Chickens, Pigeons and Rabbits, signed lower left, oil on board, 27 x 37.5 cm, frame 41.5 x 52 cm

Provenance: Deceased Estate, purchased from Baron Fine Art, Chester in 2014, sold

Sotheby’s 13/12/1989 lot 98

£4000 - £6000

Please note all successful bids are subject to a Buyer’s Premium of 24% plus VAT

158

158

ATTRIBUTED TO CHRISTINA ROBERTSON (1796-1854)

PORTRAIT MINIATURE OF A YOUNG GIRL

wearing a white dress and straw hat decorated with blue ribbon, seated holding a bunch of flowers in her lap, in a tree lined landscape with a pair of swans swimming in the water beyond, watercolour on ivory, 12 x 9.5 cm, frame 23 x 20 cm

Note: Registration of an ivory item.

Submission reference: 15LE4KWK

Provenance: Private local collection, previously sold at Halls October 2016

£200 - £400

159

159 JOSEPH

CLARK (1834-1926), THE FARMERS

WOLDERST DA’TER

interior scene with woman seated beside a window peeling potatoes into a bowl in her lap, the eldest daughter looking on, clutching her doll and a baby playing at the mother’s feet, signed and dated 1879 lower right, oil on canvas, 53 x 43 cm, frame 76 x 66 cm. Label verso for Agnews & Sons

£600 - £800

Please note all successful bids are subject to a Buyer’s Premium of 24% plus VAT

160 JAMES ABBOTT MCNEIL WHISTLER (AMERICAN 18341903) ANNIE, 1858

signed and titled in the plate, etching, 11.6 x 7.8 cm (PL)

Provenance: private collection, information verso claims provenance to the collection of Seymour Haden (1818-1910) brother-in-law to Whistler and father of Annie. From the Douze eau-fortes d’apres Nature, or “French Set” published in 1858. In 1858 Whistler stayed with his sister Deborah and her husband Seymour Haden in London, following an injury. During this time Whistler began experimenting with etching and featured his niece Annie in a number of compositions.

£300 - £500

161

JAMES ABBOTT MCNEIL WHISTLER (AMERICAN 18341903) ANNIE SEATED

titled and signed in the plate, 1858, etching, 13 x 9.5 cm (PL)

Provenance: private collection. Information verso claims provenance to Seymour Haden (1818-1910) Whistler’s brother-in-law and father of Annie. In 1858 Whistler stayed with his sister Deborah and her husband Seymour Haden in London, following an injury. During this time Whistler began experimenting with etching and featured his niece Annie in some of his compositions. Annie was aged around 9/10 years old at the time of the etching.

£300 - £500

162

BRITISH SCHOOL (18TH CENTURY) PORTRAIT OF BENJAMIN FREEMAN COLEMAN AND HIS SISTER ANN ELIZABETH COLEMAN, 1761

the elder child shown standing holding a staff and offering the younger seated child some grapes, the young child holding a child’s rattle, oil on canvas, sitters identified and dated verso, 82 x 68 cm, frame 99.5 x 84 cm Handwritten label attached verso inscribed “Portrait of Benjamin Freeman Coleman, father of the Rev. John Noble Coleman. Born in Bristol, 17th October 1758, died and was buried at Ventnor in 1837. He was a kind friend to one an a....”

“...Ann (...his sister) who married the Rev. W Monkhouse, rector of the Monks Sherborne, Dorsetshire, who died many years since” Label verso for Lalonde Brothers and Parhams depositories, Weston-Super-Mare, Bristol

Provenance: Consigned by descendants of the sitters. £600 - £800

162

Please note all successful bids are subject to a Buyer’s Premium of 24% plus VAT

163

MARGARET MURRAY COOKSLEY (C.1850-1927) THE SPILLED FLOWERS

a sobbing maiden seated upon a leopard skin beside a basket of flowers tumbled over the tiled floor, signed and dated 1889 lower right, oil on canvas, 39 x 61 cm, frame 58 x 80 cm

Provenance: private Cheshire collection

£2000 - £3000

164

FREDERICK DANIEL HARDY (BRITISH, 1826-1911), TOURIST SKETCHES

an interior scene with an artist and his assistant showing a family his portfolio, signed and dated lower right ‘1882’, titled on plaque, oil on canvas, 85.5 x 113.5cm, frame 98 x 126cm

Provenance: Private West Midland’s estate. Part of a collection formed from the late 19th century. Thence by descent.

£1000 - £2000

This subject matter is characteristic of the artists work, who specialised in genre scenes. He exhibited at the RA from 1851 to 1898. He was part of the Cranbrook Colony in Kent, which included the artist A.E.Mulready.

WATCHES & CLOCKS

165 AN 18CT GOLD OPEN FACE POCKET WATCH BY H.MORRIS OF BIRMINGHAM

Date: circa 1883

Movement: Fusee lever, signed and numbered 34806, gilt dust cover

Dial: Tooled gilt with black Roman hour markers, subsidiary seconds at 6

Case: Polished and engine-turned, the back with garter cartouche, stamped 18ct to stem and inside back

Size: 51mm

Weight: 113g

Accompaniments: Associated box

£1500 - £2000

166 PIERRE FREDERIC INGOLD: A LADY’S ENAMELLED 18CT GOLD OPEN FACE POCKET WATCH

Date: circa 1840

Movement: Breguet jewelled, key wind and set.

Dial: Gunmetal, black Roman hour markers, gold ring hands

Case: Enamelled with profuse flowers and foliage on a black ground, inner dust cover engraved ‘No.745, Ingold, E.ve de Breguet, Palais Royal, N.177’

Size: 40mm

Weight: 36g gross £700 - £900

Pierre Frederic Ingold (1787-1847) was a watchmaker working in Switzerland, Paris and London. He was a pioneer of mass production and after working with Breguet in Paris he returned to Switzerland to develop techniques for mechanising watchmaking methods. Returning to Paris in 1835 he established the Compagnie d’Horologerie

Parisienne at Palais Royal where the present lot was made. An unsuccessful dalliance with the British watch industry might well have transformed the business were it not for the Worshipful Company of Clockmakers who feared Ingold’s venture would threaten their livelihoods and so blocked the act of parliament that he needed to secure funding. Ingold had much more success in America, however, settling in Boston where mechanisation had already been established. Consequently, the USA and Switzerland led the world in fast, high quality watchmaking while Britain lagged behind, holding on to traditional methods which proved too slow and too expensive.

167 AN 18CT GOLD HALF HUNTER POCKET WATCH

Date: Circa 1898

Movement: Three-quarter plate signed Fox & Co. London, stamped 30326, stem wind and set

Dial: White enamel, black Roman hour markers, subsidiary seconds at 6

Case: Polished half hunter, blue Roman chapter, stamped 18ct to stem, loop, cover, back cover and dust cover Size: 52mm

Weight: 119g gross £1500 - £1800

166

167

168

AN 18CT GOLD LADY’S OPEN FACE POCKET WATCH

Date: Circa 1904

Movement: Full plate, engraved cock, signed Chas. Seymour, Birmingham, stamped 87478, key wind and set

Dial: Gilt turned and engraved, black

Roman hour markers, blued hands

Case: Engine turned, stamped 18ct to stem, loop, inside back, inside dust cover

Size: 39mm

Weight: 51.8g gross

Accompaniments: Associated key/winder

£500 - £700

169

ETERNA: A GENTLEMAN’S 9CT GOLD BRACELET WATCH

Model: Eterna-Matic Centenaire

Date: 1961

Movement: Cal.1429U 21-jewel, automatic brevette

Dial: Champagne linen, gold baton hour markers, gold sword hands

Case: Polished round, pull-out logo crown, snap-on back engraved, stamped 9ct

Strap/Bracelet: Integral mesh

Buckle/Clasp: Fold-over jewellery

clasp stamped 9ct

Size: 34mm

Weight: 51.5g

£300 - £500

170

OMEGA: A GENTLEMAN’S 18CT YELLOW GOLD DIAMOND SET BRACELET WATCH

Model: Constellation

Reference: 168.0055

Date: Circa 1977

Movement: Cal.1011 23-jewel, automatic, numbered 412*****

Dial: Brushed gold, baton hour markers inset with 24 diamonds, gold faceted hands, date at 3

Case: Polished tonneau, bezel inset with 64 diamonds, logo pull-out crown, screwdown back, stamped 18ct to case back and lug

Strap/Bracelet: Integral bracelet number 468.802

Buckle/Clasp: Engine-turned fold-over logo clasp, no.468.802, stamped 750

Size: 35mm

Weight: 130g gross

Accompaniments: Omega International Guarantee, associated later Omega wood presentation box with outer card case, insurance valuation from 1987

£4000 - £5000

171 OMEGA: A GENTLEMAN’S STAINLESS STEEL CHRONOGRAPH WRISTWATCH

Model: Speedmaster ‘Ed White’

Reference: 105.003-63

Date: 1963

Movement: Cal.321 17-jewel, manual wind, with inner cap

Dial: Black, luminous baton hour markers, white outer 1/5th second divisions, white pointed baton hands with luminous inserts and centre chronograph hand, subsidiary dials at 3, 6 and 9 for constant seconds, 30 minute and 12 hour recording

Case: Brushed and polished tonneau form, black tachymeter bezel insert, logo crown flanked by twin pushers, screw-down back with hippocampus

Strap/Bracelet: Associated brown leather

Buckle/Clasp: Plain stainless steel buckle

Size: Case 38mm, bezel 39mm

Accompaniments: Original stainless steel bracelet with fold-over logo clasp and one end link, signed and numbered 7912 (missing some links)

£4000 - £6000

Watches & Clocks

TUDOR: A GENTLEMAN’S STAINLESS STEEL CENTRESECONDS WRISTWATCH

Model: Prince Oysterdate

Reference: 7966/0 Date: 1966

Movement: Cal.2484 25-Jewel, automatic Dial: Brushed silver, faceted silver baton hour markers, silver hands, red seconds hand, date at 3

Case: Brushed and polished tonneau, pierced lugs, screw-down Rolex logo crown, screw-down Rolex back

Strap/Bracelet: Associated brown leather

Buckle/Clasp: Polished stainless buckle

Size: 35mm

£500 - £800

173

TUDOR: A GENTLEMAN’S STAINLESS STEEL CHRONOGRAPH BRACELET WATCH

Model: Black Bay Heritage chronograph

Reference: 79350 Date: 2017

Movement: Jewelled automatic

Dial: Black, luminous filled dot hour markers, silvered outer 1/5th second divisions with 5 minute markers, subsidiary dials at 3 and 9 for seconds and 45 minute recording, date aperture at 6, polished ‘snowflake’ hands with luminous inserts, silver centre chronograph hand

Case: Brushed and polished tonneau form, screw down back, crown flanked by twin screw down pushers

Strap/Bracelet: Brushed Oyster linknumbered 72060/CP03

Buckle/Clasp: Signed folding clasp

Size: 41mm

Accompaniments: Tudor box, outer card, international guarantee, instruction book, spare bracelet links, spare G10 webbing strap (unused)

£2500 - £3500

174 ROLEX: A GENTLEMAN’S 18CT YELLOW GOLD BRACELET WATCH

Model: Oyster Perpetual

Reference: 6085

Date: Circa 1963

Movement: Jewelled automatic, number F70609/53396

Dial: Silvered, gilt bullet hour markers, black outer minute divisions, gilt faceted lance hands, centre seconds

Case: Brushed and polished tonneau form, engine-turned bezel, screw down back, No.941324

Strap/Bracelet: 18ct brushed and polished expandable Oyster bracelet

Buckle/Clasp: 18k signed fold-over clasp

Size: 33mm

Weight: 81g gross £6000 - £8000 174

175 PATEK PHILIPPE: A GENTLEMAN’S 18CT GOLD WRISTWATCH

Model: Calatrava

Reference: 3420

Date: Circa 1960

Movement: 18-jewel Cal.27-AM400 manual wind, adjusted to heat, cold, isochronism and 5 positions, Seal of Geneva, No.733788

Dial: Sunburst silvered, applied gilt baton hour markers, subsidiary seconds at 6, gilt pointed baton hands

Case: Polished round, snap on back, personal engraving to back, No.431929

Strap/Bracelet: Associated brown

crocodile Buckle/Clasp: Gold-plated buckle

Size: 34mm

Weight: 40g gross

£4000 - £6000

Please note all successful bids are subject to a Buyer’s Premium of 24% plus VAT

Watches & Clocks

176

TWO CASIO G-SHOCK ERIC CLAPTON SIGNATURE EDITION WRISTWATCHES

Ref: MRG-121TEC and GS-100EC

Date: Circa 1998-99

Accompaniments: Casio boxes, outer cards, spare bracelet links, instructions

£150 - £200

177

TWO CASIO G-SHOCK JOHN MAYER HODINKEE EDITION WRISTWATCHES

Ref: DW-6900B (charcoal and white colourways)

Date: Circa 2021

Accompaniments: Casio boxes, outer cards, instructions, warranty cards

£150 - £200

178

GEORGE III INLAID MAHOGANY PAINTED DIAL LONGCASE CLOCK, THOMAS COLLINS OF BOTESDALE

the hood with fret pediment and three brass finials above an arched door flanked by fluted full columns, the trunk with line-inlaid arched door, the base box with conforming inlay, raided on a shaped apron plinth, the 12in painted dial with moonphase to the arch, Ararbic hour and minute tracks, subsidiary seconds dial and calendar dial, the eight-day movement with four knopped pillars, striking on a bell.

54cm wide x 25cm deep x 232cm high

£400 - £600

179 AN 18TH CENTURY LONGCASE CLOCK, SAMUAL ROBERTS, LLANFAIR CAEREINION

the hood with cavetto cornice and turned full columns flanking the door, the trunk with shaped door above a plain base box, a gummed paper label inscribed in ink ‘John Lloyd the maker No.59 - 1781’, the brass dial signed ‘Sam. Roberts Llanfair’, Roman numerals to the chapter ring within moulded figural spandrels, the 30-hour movement striking on a bell, with pendulum and weight

£1500 - £2000

Samuel Roberts is a well documented clock maker of Llanfair Caereinion in the Montgomeryshire region, now Powys, active between 1750 and the 1780s. Records indicate that he crafted some six hundred pieces, roughly twenty per year, earning him an average of £35 per year. To serve the local community, Roberts established a ‘clock club’ with customers paying by installments and entering a lottery for each clock as it was completed. Some of the cases were made by Roberts’ neighbour, the joiner John Lloyd who, unusually for the period, attached paper labels. The present lot is thus labelled. Two further Samuel Roberts clocks were sold in these rooms:

1 September 2021, lot 368 which sold for £2,600 (+fees); and

12 December 2018, lot 527 which sold for £2,800 (+fees).

Watches & Clocks

180

A 19TH CENTURY LOUIS XV STYLE EBONISED BRACKET CLOCK AND BRACKET

the cartouche case surmounted by a brass urn finial and applied with embossed brass swags and scrolls, the 9.5” white enamelled dial having Romand and Arabic numerals, the spring-driven movement with anchor escapement striking the quarter hour on twelve bells with separate strike fusee. Clock 75cm high, bracket 25cm £300 - £500

181

A LOUIS XV STYLE GILT METAL MOUNTED BOULLE BRACKET CLOCK

19th century, the dial with plaque inscribed ‘Martinot A Paris’ The 7 inch circular dial with enamelled cartouche Roman numerals, the twin train movement striking on a bell, with key and pendulum. 55.5cm high.

Provenance: The Southorn Collection £500 - £800 180

A FINE AND RARE EARLY 18TH CENTURY EBONISED QUARTER REPEATING DOUBLE BASKET TOP BRACKET CLOCK JAMES MARKWICK, LONDON

surmounted by a handle of twin figures over a double basket top, the upper and lower sections inset with neoclassical busts within diaper panels, the four corners set with moulded urn finials over a moulded cornice, further mounted with repousse sound frets to the quadrants of the front door and strips to the front and back doors, the side sound frets later replaced with glass, on a plinth base, the 6.75 inch brass dial with shallow arch with strike/ silent ring with gunmetal centre flanked by cherubs bearing torches to the spandrels, the silvered Roman and Arabic chapter ring engraved with fleur de lys half hour, lozenge quarter hour and arrow head hour marks, signed ‘Markwick London’, finely cut and blued steel hands, the finely matted centre with mock pendulum aperture, plain winding squares and chamfered date aperture, the twin gut fusee movement secured by two brass flat-sided circular cams, with verge escapement striking the hours on a bell and repeating the quarters on a nest of six bells, the backplate engraved with symmetrical foliate scrolls. 53cm (20.75ins) high, with key and winder.

Provenance: Acquired from Saxton House Gallery, Chipping Campden, in 1986 for £4,500, thence by descent to the vendor. £8000 - £12000

James Markwick (act. 1692-1730), was the son of James Markwick, following his father as a member of the London Clockmaker’s Company in 1692, becoming a master of the company in 1720. A similar clock by the same maker can be found in the collection of the Philadelphia Museum of Art, accession no. 1988-68-17.

182 182

WORKS OF ART & COLLECTABLES TO INCLUDE ANTIQUITIES

A FINE AND RARE EARLY 18TH CENTURY EBONISED QUARTER REPEATING DOUBLE BASKET TOP BRACKET CLOCK JAMES MARKWICK, LONDON

Bronze cup, Royal tombs of Ur, Mesopotamia, circa 2600 BC

A fragmentary bronze cup with sloping sides and flat base. 9cm

Provenance: The collection of Dr and Mrs Rowland Campion, thence by descent to the vendor. Exhib. The Australian Institute of Archaeology, 1972

£1000 - £2000

According to the quarterly journal of Biblical Archaeology, Buried History, Vol.8, No.3, this cup is one of several that was found in the burial pit of Queen Pu-abi or Ur. The tomb was excavated by British archaeologist, Leonard Woolley, between 1922 and 1934 and was jointly sponsored by The British Museum and the University of Pennsylvania Museum; the finds are split between the two. Queen Pu-abi’s tomb was unique in that it had not been looted and in the array of burial goods that accompanied her. These included a heavy, golden headdress made of golden leaves, rings and plates; a superb lyre complete with a golden and lapis lazuliencrusted bearded bull’s head; a profusion of gold tableware; golden, carnelian, and lapis lazuli cylindrical beads used in extravagant necklaces and belts; a chariot adorned with lioness heads in silver, and an abundance of silver, lapis lazuli, and golden rings and bracelets, as well as her headdress, a belt made of gold rings, carnelian and lapis beads, and other various rings and earrings. Also accompanying the burial of the queen were the remains of 52 attendants who it seems were ritually killed in order to accompany the Queen into the afterlife. For information on the royal tombs of Ur see: Leonard Woolley Ur of the Chaldees: A Record of Seven Years of Excavation, 1954.

184 ALABASTER BOWL, EGYPT, EARLY OLD KINGDOM, 1ST TO 3RD DYNASTY, 3000-1686 BC

with rolled rim, thick walls to the body and sloping shoulders to the small flat base. 9cm high

Provenance: The collection of Dr and Mrs Rowland Campion, thence by descent to the vendor. Exhib. The Australian Institute of Archaeology, 1972.

£100 - £200

Alabaster vessels were used throughout the history of ancient Egypt, but they were particularly popular, and reached a level of craftsmanship, that defines the pre and early dynastic periods of Egypt. The stone is mainly found in Middle Egypt, particularly between Miniya and Asiut. The best known and most important source was the Hatnub quarries, near El-Amarna. Because of its colour and durability, alabaster was regarded as a pure stone and used for a variety of items, such as chapels, pavements in temples, sarcophagi, altars, statues and vessels for use by the Egyptian elite. Large numbers of alabaster vessels were placed in the tombs of the rich during the Old Kingdom, and likely contained foodstuff and unguents. For a description of alabaster vessels in Old Kingdom Egypt, see: Dorothea Arnold, When the Pyramids Were Built: Egyptian Art of the Old Kingdom, 1999

185

BUST OF A PHAROAH, NEW KINGDOM, 20TH DYNASTY, 1189-1070 BC

diorite bust, likely from a full statue, of a pharaoh wearing a Khepresh crown with uraeus cobra to the front. The lentoid eyes are defined by kohl lines, the nostrils are slightly flared, and the fleshy mouth is slightly smiling. 16cm

Provenance: The collection of Dr and Mrs Rowland Campion, thence by descent to the vendor. Exhib. The Australian Institute of Archaeology, 1972

£500 - £700

The khepresh crown, also known as the war crown, became popular at the start of the New Kingdom and is mostly seen being worn by pharaohs engaged in battle, but also engaged in ceremonies. No original khepresh crown has been discovered but based on the representations of them it is believed it was made of stiffened leather that had been dyed blue and covered with a precise arrangement of hundreds of sequins, discs, bosses, or rings. Despite the regularity of the crown being depicted in battle scenes, it is thought that the crown was also meant to evoke the divine power of the pharaoh and was thereby worn to religiously situate kings as manifestations of gods on earth. The uraeus cobra to the front of the crown, and commonly seen on depictions of royalty and gods, represents the goddess Wadjet who was believed to sit on the brow of the king and magically protect him by spitting fire. The style of the carving suggests that the head represents a pharaoh of the 20th dynasty which is generally considered to be the start of the decline of Ancient Egypt. The period is marked by civil war and the loss of pharaonic power to the High Priests of Amun. The pharaohs would move their capital from Thebes to the delta region of the north, and the ancient capital of Heliopolis, leaving the priests of Amun in control of much of the country. The period is also marked by droughts and famine, as well as raids by the Libyans. For a similar example see: The Penn Museum, accession no. E14303

186

ALABASTER BOWL, EGYPT, EARLY OLD KINGDOM, 1ST TO 3RD DYNASTY, 3000-1686 BC with rolled rim, thick walls to the body and sloping shoulders to the small flat base. 9cm high.

Provenance: The collection of Dr and Mrs Rowland Campion, thence by descent to the vendor. Exhib. The Australian Institute of Archaeology, 1972

£60 - £80

Flasks, such as those in the present lot, were used to hold holy water or oil from the shrine of Abu Mena in Egypt. For similar examples see: The Metropolitan Museum of Art, accession no. 25.10.20.73 and The British Museum, accession no. EA69839

187

AN ASSEMBLED GROUP OF LEVANTINE ANTIQUITIES, CYPRO-ARCHAIC PERIOD, 1050-600 BC

To include: A ribbed jug, 700-600 BC, 19.5cm high; a cosmetic conical kohl stick, Laventaine (Turkic), 6th-10th century AD, 9cm; four bichrome dishes, CyproGeometric period, 1050-750 BC, each 9.5cm dia.; A white slip ware cup, 1600–1200 BC, 12cm across; and a two handled grey-buff ceramic kylix dish, early Iron Age, circa 1050-600 BC, 11cm across.

Provenance: The collection of Dr and Mrs Rowland Campion, thence by descent to the vendor. Exhib. The Australian Institute of Archaeology, 1972

£100 - £200

188

A LEVANTINE BICHROME WARE VESSEL, CYPROGEOMETRIC PERIOD, 1050-750 BC

The amphora vessel with cream slip and applied black bands of paint. The flat rim sits on a wide neck and has hoop handles to the side which extend to the shoulder of the body. The neck and body are decorated with horizontal bands of black paint, with a thick band to the shoulder. The vessel sits on a flared ring base. 19cm high (loss to foot rim)

Provenance: The collection of Dr and Mrs Rowland Campion, thence by descent to the vendor. Exhib. The Australian Institute of Archaeology, 1972

£300 - £500

For a similar example see: Medelhavet Museum, Stockholm, Sweden, accession. no. A.007:006

189 ARCHITECTURAL MIRROR FITTING, CYPRO-PHOENICIAN PERIOD, 1100-1000 BC

The alabaster miniature architectural fitting in the form of an papyrus plant with engraved lines to each leaf. To the upper central section of each leaf is the head of a figure, possibly a deity. 11cm

Provenance: The collection of Dr and Mrs Rowland Campion, thence by descent to the vendor. Exhib. The Australian Institute of Archaeology, 1972

£300 - £500

The style is consistent with the Phoenicians who had a presence on Cyprus in the 2nd millennium BC. Similar examples of the papyri-form capitals can be seen in the Nimrud ivories, now in the British Museum. The style of the heads is also consistent with Phoenician types which borrow from Egyptian artistic conventions. The hole to the base indicates that it would have been inserted into a shaft, either that of a sceptre, or a miniature column for a small shrine or possibly a mirror. The possibility that this is part of a mirror handle is born out by similar, papyri form handles, found on Egyptian mirrors.

190

AFTER ALFRED KELLER (18751945), A PATINATED BRONZE FIGURE

OF A

GIRL DANCER DARK BROWN PATINATION

the nude female modelled standing on one tiptoe, her right knee raised, her left arm crooked and her right held forward, inscribed A.Keller, set on a russet-grey polished marble base. 56cm high

£500 - £700

191

A LATE 19TH CENTURY BRONZE FIGURE OF ST. PAUL

modelled seated on a rocky outcrop and wearing flowing robes, his right hand resting on an open book inscribed

‘St.PAUL EDITRE’. 35cm high

£200 - £300

192

AFTER CLODION (1738-1814), A BRONZE BACCHANALIAN GROUP GREEN-BROWN PATINA

modelled as a youth and a maiden accompanied by two putti, they stride over a rocky landscape with trailing vines, set on an ochre marble base. 41cm high

£400 - £600

193 AFTER BENEDATTO BOSCHETTI (1820-1860), A BRONZE FIGURE OF A CLASSICAL MAIDEN

The semi-nude figure standing and wearing flowing robes tied at her waist, she leans over a large tazza which rests on a viney tree stump, set on a plain circular base.

54cm high

£300 - £400

194

A LATE 19TH CENTURY BRONZE DESK STANDISH

of architectural form and cast in relief throughout, the back surmounted by muses seated either side of an urn, the base with twin inkwells and hinged cover to a pen box, flanked by sphynxes, raised on fluted supports with a moulded apron to the front. 31cm wide

£200 - £300

195

A GILT METAL AND GLASS CORNUCOPIA VASE, 19TH CENTURY

The faceted glass vase with lobed rim set into a gilt metal ram’s head base, on a white marble rectangular plinth raised on a moulded cast iron foot. 32cm high

£200 - £300

196 WORKSHOP OF ROBERT MOUSEMAN THOMPSON (KILBURN): AN ENGLISH OAK

CHEESE BOARD

circa 1995, of standard oval form, with carved mouse trademark to handle. 40cm

£100 - £150

197

RÉMY MARTIN LOUIS XIII VERY OLD GRANDE CHAMPAGNE COGNAC

the printed label reading: ‘This cognac was served to HM King George VI & Queen Elizabeth at a banquet at the Château de Versailles in July 1938 & to HM Queen Elizabeth II during her visit to France in 1957’, 1 Baccarat decanter with etched marks. (u. 3cm below base of neck label)

£700 - £1000

198

RÉMY MARTIN LOUIS

XIII VERY OLD GRANDE CHAMPAGNE COGNAC

Alfred Lamb’s Special Reserve Rum1939 Distilled 22/6/1939, United Rum Merchants Special Consignment, bottled at Dumbarton, in wooden presentation case. 75 cl. 40% volume, 1 bottle

Provenance: Won by the vendor’s father in a competition held by the Shropshire Star, October 1996, thence by descent.

£150 - £25w0

199

AN EARLY 18TH CENTURY CARVED OAK DESK OR BIBLE BOX ON STAND

the slope carved with lozenges containing florets, opening to a plain interior with three small drawers, the front carved with foliate scrolls, the stand, possibly associated but contemporaneous, with null-carved frieze and a single guilloche carved drawer above a shaped apron, raised on tapering square supports. 80cm wide x 51cm deep x 114cm high.

£400 - £600

200

A GEORGE III OAK CROSSBANDED DRESSER AND RACK

the ogee cornice above four shelves, the lower flanked by cross-banded spice cupboards, the base with plain top above two cross-banded frieze drawers and a shaped apron, raised on cabriole front supports. 125cm wide x 55cm deep x 212cm high

£700 - £900

201

A 17TH CENTURY OAK AND MARQUETRY WAINSCOT CHAIR

the rectangular panelled back inlaid with floral marquetry, the shaped scroll cresting initialled RE with conforming monogram to right stile, the downswept block-ended open arms on baluster turned supports, embracing a solid seat over plain seat rails, on turned front legs joined by rectangular section stretchers 64cm wide x 47cm deep x 109cm high, seat height 43cm

£400 - £600

202

A 17TH CENTURY OAK FOUR-PANEL COFFER

the top with channel moulded rails and stiles enclosing a plain interior, the front with guilloche carved top rail, the four panels carved with lozenge motifs between channel moulded rails and stiles, raised on extended stiles. 154cm wide x 58cm deep x 71cm high

£200 - £300

203

A 17TH CENTURY CARVED OAK COFFER

the two-panel top enclosing a plain interior, the front with two null-carved panels between guilloche carved rails and central stile, the outer stiles channel moulded, raised on extended stiles. 110cm wide x 48cm deep x 64cm high

£300 - £500

204

A 17TH CENTURY AND LATER CARVED OAK BIBLE BOX ON STAND

the moulded top with carved floral scroll cresting, opening to a plain interior, over scroll-carved front and sides, raised on bobbin-turned supports united by conforming stretchers. 69cm wide x 46cm deep x 93cm high

£200 - £300

205

A JACOBEAN OAK CHEST OF FOUR DRAWERS

the three plank cleated top above a shallow recessed panel of drawer, over three further drawers with geometric bolection mouldings with later brass handles, each side with two panels, raised on extended stiles, losses. 97cm wide x 58 cm deep x 91 cm high

£300 - £400

206

A GEORGE II STYLE FEATHER-BANDED WALNUT SECRETAIRE KNEEHOLE DESK

the quarter-veneered top with moulded edge above a secretaire drawer, enclosing drawers and pigeon holes, above a recessed cupboard door flanked by six short drawers, raised on ogee bracket feet.

75cm wide x 50cm deep x 77cm high

£200 - £300

207

A 19TH CENTURY MAHOGANY GLAZED BOOKCASE CABINET

with pierced swan-neck pediment above a dentil cornice and frieze, the upper section with twin astragal-glazed doors enclosing adjustable shelves, the lower section with dentil frieze over twin panelled doors enclosing further shelves. 138cm wide x 47cm deep x 223cm high

£300 - £500

208

A GEORGE III ROSEWOOD TEAPOT

the sarcophagus caddy with hinged top opening to a fitted interior with four tea boxes and two cut glass mixing bowls, raised on a square section stem above a quatrefoil base raised on claw feet with brass casters. 38cm wide x 33cm deep x 78cm high

£200 - £300

209

A GEORGE III MAHOGANY SERPENTINE FRONTED CHEST

the shaped top above four long graduated cockbeaded drawers, flanked by canted fluted corners, the sides with a little curve by the canted corners, raised on later bun feet, some minor damage. 96 cm wide, 57cm deep, 79cm high

£400 - £600

210

A GEORGE IV FIDDLEBACK MAHOGANY QUARTETTO NEST OF TABLES

with satinwood cross banding and ebony and boxwood stringing, largest. 49.5 width x 34.5 depth x 72cm height

£400 - £600

211

A GEORGE III OAK DRESSER BASE

the rectangular 3-plank top with a ledge back, above 3 frieze drawers with brass swan neck handles, the sides of unusual bowed form, raised on tapering cylindrical legs with small club feet, later back legs. 205 cm wide x 50 cm deep x 74cm high (with ledge 84cm)

By Repute: model farm, Waddeson, Bucks (Rothschild’s Estate).

£400 - £600

Furniture, Carpets & Garden Statuary

212

A GEORGE III OAK DRESSER BASE

the rectangular 3-plank top with a ledge back, above 3 frieze drawers with brass swan neck handles, the sides of unusual bowed form, raised on tapering cylindrical legs with small club feet, later back legs.

205 cm wide x 50 cm deep x 74cm high (with ledge 84cm)

Provenance: From a private Shropshire estate.

£2500 - £3500

Taprell, Holland & Son traded from 1835 until 1843 and was registered at 19 Mary-le-bone Street from 1817-1851. Not much is known about Stephen Taprell, the senior partner, but there was a family connection with William and Henry Holland, the Regency architect. By 1824 Taprell and Holland were highly regarded and this led to their first well known commission, the Athenaeum (182438). Up until 1840 they supplied furniture to Arundel Castle, Harewood House, Ickworth and 7 clubs. William Holland took over the company in 1843. This firm became one of the best furnishing companies of the Victorian era and operated until 1842. Beard, G, Dictionary of English Furniture Makers, published 1986, page 871. A similar, plainer example, of the same width and depth, but of poorer colour and figuring and without the mounts and carved lappeting sold for £3,800 at Dreweatts, Newbury on the 9th of September 2020 9lot 208).

213 A 19TH CENTURY EBONY STRUNG MAHOGANY CELLARETTE CABINET

the ebony strung top above a cupboard door with conforming inlay, enclosing a single fitted shelf, and a cellarette drawer having nine divisions, raised on tapering turned supports, with key. 48cm wide x 46.5cm deep x 92cm high

£200 - £300

214

A GEORGE III MAHOGANY LINEN PRESS

the dentil and cavetto cornice above twin panelled doors enclosing four original slides, the base with two short over two long cock-beaded drawers, raised on bracket feet, with key. 125cm wide x 62cm deep x 198cm high

Provenance: Acquired by the vendor from Richard Chapman antiques, Herefordshire, August 1997.

£400 - £600

215

A GEORGE III MAHOGANY CHEST ON CHEST

the cavetto cornice above a blind fretwork frieze, the upper section with two short over three long cock-beaded and graduated drawers between fluted canted corners, the lower section with three long graduated drawers, raised on bracket feet, with key. 112cm wide x 55.5cm deep x 188cm high

Provenance: Acquired by the vendor from Richard Chapman antiques, Herefordshire, August 1997.

£500 - £700

216

19TH CENTURY WOODEN ARTISTS EASEL BY ROBERSON & CO

99 Long Acre London, adjustable easel with wooden winder and detachable metal winding handle, mounted on wheels. Measurements when not extended 220 x 73 x 70 cm

£400 - £600

217

A VICTORIAN ROSEWOOD TILT-TOP BREAKFAST TABLE

the plain circular top raised on a shaped tapering pedestal above a triform base on compressed bun feet.

135cm wide x 69.5cm high

£200 - £300

218

A 19TH CENTURY INVERTED BREAKFRONT MAHOGANY GLAZED BOOKCASE CABINET

the plain top above a dentil freeze with central carved patera and twin astragal-glazed doors flanked by cabinet doors having oval beaded panels, all enclosing adjustable shelves, raised on tapering square section feet. 244cm wide x 32cm deep x 121cm high

£300 - £500

219

SHAPLAND AND PETTER OF BARNSTAPLE, AN ARTS & CRAFTS

OAK SINGLE WARDROBE

the ogee two-part cornice with heart-pierced apron between, above a mirrored door with copper strap hinges, opening to a plain interior fitted with brass hooks rail, flanked to one side with an embossed copper panel with stylised tulip motifs, and above a single drawer with embossed copper handles, raised on bracket feet, the locks stamped S&P/B. 124cm wide x 57cm deep x 204cm high

£500 - £700

220

SHAPLAND AND PETTER OF BARNSTAPLE, AN ARTS & CRAFTS

OAK WASH STAND

the plain top with gallery back above two frieze drawers and twin cupboard doors, inset with embossed copper panels decorated with stylised tulip motifs, opening to a plain interior, the sides forming shaped supports. 103cm wide x 50cm deep x 90cm high (later modifications, shrinkage to top boards)

£300 - £500

The top and frieze drawers of this washstand are a later adaptation, likely first quarter 20th century.

221

SHAPLAND AND PETTER OF BARNSTAPLE, AN ARTS & CRAFTS OAK DRESSING TABLE

Shapland and Petter of Barnstaple, an Arts & Crafts oak dressing table The rectangular back pierced with hearts and inset with embossed copper panels decorated with stylised tulip motifs, flanking the rectangular swing mirror with bevelled plate, the moulded top above two short and one long drawers having embossed copper handles, the sides forming shaped supports, locks stamped S&P/B. 107cm wide x 50cm deep x 154cm high.

£300 - £500

222

A SET OF EIGHT LOUIS XVI STYLE ‘MONTGOLFIER’ BALLOON BACK DINING CHAIRS

A set of eight Louis XVI style ‘Montgolfier’ balloon back dining chairs, with pierced splats, stuff-over upholstered seats and fluted supports, painted in pale pastel colours, seat height 49cm. (8)

£400 - £500

223

A SET OF SIX LOUIS XVI STYLE ‘MONTGOLFIER’ BALLOON BACK DINING CHAIRS

with pierced splats, stuff-over upholstered seats and fluted supports, painted in pale pastel colours, seat height 49cm. (6)

£300 - £400

Furniture, Carpets & Garden Statuary

Furniture, Carpets & Garden Statuary

224

19TH CENTURY GILT GESSO OVERMANTEL MIRROR

19th Century gilt gesso overmantel mirror

The breakfront cornice with acanthus moulding above three rectangular plates within reeded borders. 137cm wide x 61.5cm high

231

A JOSHAGAN CARPET, 20TH CENTURY

305cm x 203cm

£300 - £500

232

A KASHAN CARPET, 20TH CENTURY

305cm x 203cm

225

A REGENCY REVIVAL GILTWOOD AND GESSO THREE-GLASS OVERMANTEL MIRROR

151cm wide x 71cm high.

£200 - £300

226

A LATE 19TH CENTURY GILTWOOD AND GESSO OVERMANTEL MIRROR

163cm wide x 95cm high.

£100 - £150

227 A KHOTAN CARPET, TURKESTAN, 19TH/20TH CENTURY

352cm x 269cm

£700 - £1000

228 A SAROUK (SAROUGH) RUNNER, 20TH CENTURY 418cm x 84cm

£200 - £300

229 A KASHAN RUG, 20TH CENTURY

290cm x 192cm

£400 - £600

230 A BAKHTIRI CARPET, 20TH CENTURY

355cm x 246cm

£400 - £600

£400 - £600

Client ref. 10

233

A LARGE AFSHAR CARPET, FIRST HALF 20TH CENTURY

Machine woven, 460cm x 367cm

£700 - £1000

234

A LARGE MEREDITH HUGHES BRONZE HORIZONTAL SUNDIAL, ENGLISH, 1778

Signed Meredith Hughes Fecit 1778, the circular dial of light brown patina and well-engraved with compass rose, calendar scale and hour and minutes scale, the shaped and scroll-pierced gnomon for latitude 50 degrees 0 minutes 37.5cm (14.75in) radius

£700 - £1000

235

£200 - £300 234

TWO ANTIQUE CUT WEATHERED LIMESTONE STADDLE STONES AND CAPS, TOGETHER WITH TWO FURTHER STONE BASES

bases 55, 48, 66 and 57cm high, caps 16cm and 13cm high. (6)

£60 - £80

NOW CONSIGNING FOR OUR AUTUMN AUCTIONS...

We offer free valuations every week for Jewellery, Silver, Watches, Asian Art, Ceramics, Glassware, Paintings & Prints, Clocks, Works of Art and more.

Contact us to book your appointment.

A collection of novelty bar brooches consigned to our Silver, Jewellery and Watches Auction on 4th October.

EXPLANATION OF CATALOGUING TERMS FOR PAINTINGS, MINIATURES, SCULPTURES AND PRINTS

Any statement as to authorship, attribution, origin, date and age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. Halls Fine Art reserve the right, in forming their opinion, to consult andrely upon any expert or authority considered by them to be reliable.

1. John Constable

In our opinion a work by the artist. When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named.

2. Attributed to John Constable

In our opinion probably a work by the artist, but less certainty as to authorship is expressed than in the preceding category.

3. Studio of John Constable

In our opinion a work by an unknown hand in the studio of the artist which may or may not have been executed under the artist’s direction.

4. Circle of John Constable

In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil.

5. Style of… follower of John Constable

In our opinion a work by a painter working in the artist’sstyle, contemporary, but not necessarily his pupil.

6. Manner of John Constable

In our opinion a work in the style of the artist and of a later date.

7. After John Constable

In our opinion a copy of a known work of the artist.

8. The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

9. The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand.

10. Dimensions are given height before width.

11. Pictures are framed unless otherwise stated.

ARTISTS RESALE RIGHTS

In accordance with Artists Resale Rights Regulations 2006, all lots marked 'ARR' or '§' which sell for €1000 or more are subject to a resale royalty charge (“Royalty”). This Royalty is payable by the Bidder. The Royalty will be charged at a rate of 4% of the total hammer price (exclusive of Bidder’s premium) for lots selling for amounts up to €50000. For lots selling in excess of €50,001, the Royalty shall be calculated at a reduced rate (details available on request). The Royalty is not subject to VAT and is payable in sterling calculated on the day of sale at the prevailing rate of exchange. Payment shall be passed directly to the Design and Artists Copyright Society (DACS), 33 Great Sutton Street, London EC1V 0DX. For further information please contact the Auctioneers or DACS on 0845 4103410 or visit their website at www.dacs.org.uk.

IMPORTANT NOTICE FOR OVERSEAS BUYERS

Please would all overseas bidders note that if they are bidding from a ‘restricted country’, if they are successful and become the buyer and wish to pay by bank transfer, they will need to provide ID and permit due diligence checks BEFORE payment can be made. If payment is made before this can take place the buyer may end up paying for a cancelation initially, as our bank will not accept payments before the necessary due diligence checks are made.

CONDITIONS OF SALE

1. Definitions. In these Conditions Halls Holdings Limited act only as auctioneers and agents for the seller and the representative of Halls Holdings Limited conducting the auction is called the “Auctioneer”.

2. General. Whilst Halls Holdings Limited make every effort to ensure the accuracy of their catalogues and the description of any lot:-

a. Each lot as set out in the catalogue or as divided or combined with any other lot or lots sold by the seller with all faults, imperfections and errors of description.

b. Halls Holdings Limited do not accept responsibility for the authenticity, attribution, genuineness, origin, authorship, date, age, period, condition or quality of any lot unless they have been instructed in writing by the seller to so certify, and in such case the auctioneers do so as agents of the seller and are not themselves responsible for such claims.

c. All statements whether printed in the catalogue or made orally as to any of the matters set out in (b) above are statements of opinion only and are not to be taken as being or implying any warranties or representations of fact by Halls Holdings Limited unless they have been instructed in writing by the seller to so certify.

d. Any claim under any Statute must be received in writing by the Auctioneers within ten days of the day of the sale.

3. The Auction.

a. The Auctioneer has absolute discretion to divide any lot, to combine any two or more lots or withdraw any lot or lots from the sale, to refuse bids, regulate bidding or cancel the sale without in any case giving any reason or without previous notice. He may bid on behalf of the seller for all goods which are being offered subject to reserve or at the

auctioneer’s discretion.

b. The highest bidder shall be the buyer except in the case of a dispute. The Auctioneer may at his sole discretion determine the advance of bidding or refuse a bid. If during the auction the Auctioneer considers that a dispute has arisen, he has absolute discretion to settle it or to re-offer the lot.

c. Each lot is put up for sale subject to any reserve price placed by the seller.

d. All conditions, notices, descriptions, statements and other matters in the catalogue and elsewhere concerning any lot are subject to any statements modifying or affecting the same made by the Auctioneer from the rostrum prior to any bid being accepted for the lot.

4. Rescission. Notwithstanding any other terms of these Conditions, if within fourteen days after the sale Halls Holdings Limited have received from the buyer of any lot notice in writing that in his view the lot is a deliberate forgery and within twenty-one days after such notification the buyer returns the same to Halls Holdings Limited in the same condition as at the time of sale and by producing evidence, the burden of proof to be upon the buyer, satisfies Halls Holdings Limited that considered in the light of the entry in the catalogue the lot is a deliberate forgery then the sale of the lot will be rescinded and the purchase price of the same refunded. The seller and the buyer agree to be bound by Halls Holdings Limited’s decision.

5. Default. Halls Holdings Limited disclaim responsibility for default by either the buyer or the seller because they act as agents for the seller only and therefore do not pay out to the seller until payment is received from the buyer. Instructions given by telephone are accepted at the sender’s risk and must be confirmed in writing forthwith.

6. In the event of a sale by private treaty both the seller and the buyer agree to be bound by the general and any Special Conditions of Sale.

7. Third Party Liability. Every person on Halls Holdings Limited’s premises at any time shall be deemed to be there at his own risk. He shall have no claim against Halls Holdings Limited in respect of any accident which may occur or injury, damage or loss howsoever caused, save in so far as the injury, damage or loss shall be caused by the direct negligence of Halls Holdings Limited’s employees.

CONDITIONS OF SALE APPLICABLE TO BUYERS

8. Inspection. Opportunity is given for inspection and each buyer by making a bid for a lot acknowledges that he has satisfied himself fully before bidding by inspection or otherwise to all the Sale Conditions, the physical condition of and description of the lot including but not restricted to whether the lot is damaged or has been repaired or restored.

9. Property and Risk. The legal title in a lot shall not pass to the buyer until the lot(s) has been paid for in full and the Auctioneers shall be entitled to a lien on any lot sold until the purchase price (as defined in 10 below) is paid in full but each lot is at the sole risk of the buyer from the fall of the hammer. Each buyer shall forthwith give his full names and permanent address and if called upon to do so by the Auctioneer shall forthwith pay Halls Holdings Limited such proportion of the purchase price as the Auctioneer may require. If the buyer fails to do so, the lot may at the auctioneer’s sole direction be put up again and re-sold.

10. Every bidder shall be deemed to act as principal unless there is in force a written acknowledgement by Halls Holdings Limited that he acts as agent on behalf of a named principal.

11. Removal of goods.

a. No purchase shall be claimed or removed until the sale has been concluded. All lots shall be paid for and removed at the buyer’s risk and expense by the end of the second working day after the sale, failing which the Auctioneer shall not be responsible if the same are lost, stolen, damaged or destroyed, and all lots not so removed shall remain at the risk of the buyer and subject to a warehousing charge. If they are not paid for and removed within seven days of the sale the Auctioneer may re-sell them by auction or privately without notice to the buyer. Any liability which there may be on the part of the Auctioneer in respect of any loss shall be restricted to a maximum of the price paid by the buyer of the lot.

b. In the event of any failure of the buyer to comply with any of the above conditions the damages recoverable by the seller or the Auctioneers from the defaulter shall include any loss arising on any re-sale of the lots, together with the charges and expenses in respect of both sales, and together with interest at 2% above Handelsbanken Base Rate upon the price of any lot which has not been paid for within forty-eight hours of the sale, and any money deposited in part payment shall be held by the Auctioneers on account of any liability of the defaulter to them or to the seller. We accept cash up to €10,000, debit cards, bank transfers and personal cheques. We apologise we do not accept credit cards. Cheques drawn by third parties, whether in the auctioneer’s favour or requiring endorsement, cannot be accepted.

12. Purchase Price. The buyer shall pay the hammer price together with a premium at the stated rates on the hammer price of 24%. under the Auctioneers’ Margin Scheme operated by HM Customs & Excise, the premium does attract VAT as an addition to the stated premium rate.

13. Commission to Bid. Halls Holdings Limited will execute bids on behalf of intending buyers unable to attend the sale at no charge. Halls Holdings Limited undertake to purchase lots as cheaply as allowed by other bids and reserves. Bids must be submitted in writing and whilst every care is taken in carrying out instructions Halls Holdings Limited cannot be held responsible for errors or omissions made in carrying out such bids.

14. Lots on which Value Added Tax is payable on or included in the hammer price are indicated in the catalogue or description sheet with a sign. VAT is payable on or included in the hammer price of such lots at the rates prevailing on the day of the auction.

CONDITIONS OF SALE APPLICABLE TO SELLERS

15. The seller authorises Halls Holdings Limited to deduct commission at the published rate and to retain the buyer’s premium of 24% plus VAT. The seller agrees to pay all special advertising charges and illustration charges (see 24) insomuch that they are reasonable. Scale of Commission - Halls Business tariff card available at all Halls offices and salerooms on request. Value Added Tax. A seller who sends for sale by auction any chattel(s) which is an asset of his business must disclose to the Auctioneer whether or not he is a registered person for Value Added Tax purposes and, if so, his registered number and whether or not he intends to operate the Dealer Margin Scheme covering

works of art, etc. This information must be supplied to the Auctioneer on or prior to delivery of the goods.

16. Instructions. All goods delivered to the Auctioneers’ premises will be deemed to be delivered for Sale by Auction and will be catalogued and sold accordingly unless special instructions are recorded on the receipt.

17. Reserves. Halls Holdings Limited will be pleased to advise on suitable protective reserves but if no reserves have been received prior to the day of the Sale, the lot will be sold without reserve or at the discretion of the Auctioneer. Reserves must be confirmed in writing or notified on the receipt at the time of delivery.

18. Indemnity. Vendors shall indemnify Halls Holding Ltd against any claims in connection with goods sold by Halls on the vendor’s behalf.

19. Collections. The Auctioneers do not themselves undertake the collection of goods but acting expressly as Agents, they will if required, instruct or recommend a carrier on the vendor’s behalf for which there will be a charge.

20. Withdrawals. Where a seller cancels instructions for sale, or where a lot is withdrawn for any reason other than misattribution or authenticity, Halls Holdings Limited reserves the right to charge a fee equal to 20% plus VAT of the reserve price of the lot, or a minmum charge of £50 where no reserve has been fixed, Halls’ lower estimate of the item(s) withdrawn, together with any expenses incurred in relation to the item(s) withdrawn.

21. Insurance. Halls Fine Art are not regulated by the FSA for the provision of insurance to its clients. However, Halls Holdings Limited, for its own protection insures property consigned to it at bottom pre sale estimate, unless the item has been sold, in which instance property is insured at the hammer price for loss, occasioned as a result of theft, fire or negligence whilst in their custody or control.

22. Warranty of Title. The seller warrants to Halls Holdings Limited and to the buyer that he is the true owner of the property or is properly authorised to sell the property by the true owner and is able to transfer good and marketable title to the property free from any third party claims.

23. Photography. Vendors give Halls Holdings Limited the right to photograph and illustrate and promote any lot placed with them for sale and to use such photographs and illustrations at any time at their discretion, whether or not in connection with the auction.

24. Electrical and Mechanical goods. The seller and consignor of electrical or mechanical goods warrants and undertakes to Halls Holdings Limited that on the date received by Halls that the same are safe if reasonably used for the purpose for which they were designed and free from any defect not obvious on external inspection which could prove dangerous to human life or health, and will indemnify Halls its servants and agents against any loss or damage suffered by any breach of the above warranty. Agency. The Auctioneers act throughout as Agents only and are not responsible for any default by the buyer. Halls Holdings Limited disclaim liability for paying the vendor until they have received settlement from the purchaser.

25. Warehousing. The Auctioneers exempt themselves from any liability to goods delivered to their salerooms without sufficient sale instructions,and reserve the right to make a warehousing charge in this respect. A similar warehousing charge will be applicable for goods left on their premises after they have requested the vendor to remove them.

26. Unsold goods. Unsold goods must be collected if they are not to be re-offered within 14 days following receipt of any after sale advice slip. Halls Holdings Limited

reserve the right to sell by auction on behalf of the vendor without reserve any items after this period.

15. Important Notice. Any monies held on your behalf will be held in a Clients Bank Account at the Handelsbanken, Shrewsbury and will be protected by the FSA. Furthermore for your protection, Halls adhere to the Clients Monies rules of the RICS. Any incidental interest earned on such monies will be retained by Halls as part of their terms of engagements, and by instructing Halls to act on your behalf, you are agreeing to and endorsing that course of action. RICS operates a Clients’ Money Protection Scheme (CMPS). This scheme, of last resort, covers direct loss of clients’ money as a result of misappropriation (or equivalent) by a RICS Regulated Firm, up to a £50000 limit. The CMPS nor Halls will provide protection for the failure of a bank. But protection for bank failure is provided by The Financial Services Compensation Scheme up to a £50000 limit. A copy of Halls complaints procedure is on display at all Halls offices, and a copy will be made available to you on request.

15. Online Bidding. Halls Holdings Limited offer an online bidding service via the-saleroom. com for bidders who cannot attend the sale. In completing the bidder registration on www.the-saleroom.com and providing your card details and unless alternative arrangements are agreed with Halls Holdings Limited you:

1. Authorise Halls Holdings Limited, if they so wish, to charge the card given in part or full payment, including all fees, for items successfully purchased in the auction via the-saleroom.com, and

2. Confirm that you are authorised to provide these card details to Halls Holdings Limited through www.thesaleroom.com. We do not accept credit cards. Please note that any lots purchased via the-saleroom.com live auction service will be subject to an additional 5% commission charge + VAT at the rate imposed on the hammer price.

Halls Holdings Limited

Company Registration No. 06597073

VAT Registration No. 549 7365 94

MONEY LAUNDERING

Lots in this sale may be purchased with notes, coins or travellers cheques in sterling provided that the total payable by you does not exceed the equivalent in sterling of €10000. If the amount payable by you exceeds the equivalent of €10000, the balance must be paid otherwise than in notes, coins or travellers cheques. These conditions are in accordance with The Money Laundering Regulations 2003.

CARRIAGE & PACKING

If you are not able to collect in person Halls are happy to suggest a number of local carriers who will be able to arrange packing and shipping for you. Collection or shipping arrangements for lots can be made from midday on the next working day after the auction. Halls Fine Art are a small team so unfortunately has neither the staff, nor the facilities to provide a comprehensive packaging service, meeting buyer’s or carriers’ various

stipulations regarding box sizes and materials. Consequently, Halls will not package items for collection by third parties.Buyers that engage the services of companies that do not fulfill these criteria will be asked to email or write to Halls stating that they, the client, do so entirely at their own risk and take full responsibility for their choice. For further information, please email fineartpayments@hallsgb.com or call 01743 450700

IMPORTANT NOTICE TO JEWELLERY BUYERS

Prospective buyers please note that lots marked with ◉ may be subject to VAT on the hammer price.

Prospective buyers should note that although every effort is made to note repairs, restoration and damage in the catalogue descriptions, a lack of any such note should not be taken to imply that the lot is in perfect condition.

Prospective watch buyers should note that the working order of watches is not guaranteed. All weights stated in the catalogue are approximate only, these figures are for reference only and prospective buyers should satisfy themselves as to the accuracy.

Prospective buyers please note that we do not guarantee amber as being naturally formed and all or parts may be reconstituted. The colour of the amber may vary from the catalogue or online illustration.

Prospective buyers are reminded that coloured gemstones have historically been treated to enhance their appearance. A variety of methods have been, and are currently used to improve both transparency and colour of various gemstones. All yellow and white metals have not been tested. The International Jewellery Trade generally accept these methods. It is not possible for Halls to obtain gemmological reports on all stones offered for sale and therefore all Halls Holding’s estimates assume that gemstones have been enhanced.

IMPORTANT NOTICE TO BOOK BUYERS

Prospective buyers should be aware that general wear to include; creasing, light foxing, small tears, bumped corners, worn boards or weak spine/joints, will not be specified in the catalogue descriptions. Any substantial losses/wear to include detached boards, detached spines or extensive graffiti will be described as ‘at fault’.

Prospective buyers must satisfy themselves with a condition report prior to bidding, Halls Holdings can take no responsibility for condition of purchased lots if condition reports were not requested.

IMPORTANT NOTICE

Although every effort is made to note damage and restoration, the absence of such information does not imply that the lot is free from defects.

Detailed condition reports and email images can be obtained on request until 4.30pm the day prior to the sale.

BEFORE THE AUCTION

What is buyer’s premium?

All UK auctioneers charge a premium in addition to the hammer price. Halls’ Buyer’s Premium is 24% plus VAT for the first £500,000 and 12% above £500,000 per lot

Can I ask questions about lots before the auction?

You can ask for further details and extra images about any lots in our sales and this is especially important if you cannot view the lot in person. We don’t detail condition in our catalogue descriptions and so recommend asking for a condition report and additional images. Our reports provide a general guide to the condition of a lot but are not a forensic examination and so a physical inspection by you or an appointed agent is ideal.

To request a condition report go to the lot of interest and click on the ‘Request a condition report’ button or email fineart@hallsgb.com. Condition reports are always given in writing.

Registering to bid

To bid in any one of our auctions we require all potential buyers to register and provide two forms of identification. This is to comply with existing Anti-Money Laundering Regulations. All our clients need to provide photo ID and proof of name and address by providing the following:

a government issued form of photo identification (plastic card element of a driving licence, or passport)

proof of address such as a bank statement or utility bill, dated within the last 3 months

Please send copies via email to fineart@hallsgb.com when arranging your bid. These documents will be sent to a secure computer and uploaded to your client details.

Please allow plenty of time for registration and before 4.30pm the day before the auction. Bids left after this time cannot be guaranteed and may not be submitted.

Buying ivory

Items made of or containing elements of elephant ivory are subject to trading bans in the USA and China among other jurisdictions, and are subject to CITES regulations in the UK. If you are bidding outside the UK, please ensure you are aware of your country’s regulations BEFORE bidding. We cannot rescind a sale if you are unable to ship ivory to your country

AFTER THE AUCTION

When should I pay for and collect my purchase?

We usually like to receive payment and collection arrangements within seven days of the auction. If you are the successful bidder and once you have paid for your items please arrange a Collection appointment using our Click and Collect service by phoning the office on 01743 450 700 or email fineart@hallsgb.com and state when you would like to collect.

What payment methods can I use?

You can pay with cash (up to £8,000), debit cards and by direct bank transfer. We regret that we do not accept payment by credit card. Cheques should be made payable to Halls Holdings Ltd.

2023 FINE ART AUCTION CALENDAR

1st September - 12th September

Timed - Beverley Fry Studio Sale

Sale no. 6025

20th September

Fine Art, Antiques & Jewellery

Sale no. 4152

29th September - 17th October

A Private Midlands Collection

Sale no. 6026

4th October

Pictures, Ceramics, Collectables & Modern Design

Sale no. 1084

13th October - 31st October

Timed Modern & Contemporary Auction Sale no. 6027

25th October

Silver, Jewellery & Watches Sale no. 1085

1st November

Asian Art Sale no. 1086

15th November

Books, Coins & Stamps

Sale no. 1087

6th December

Fine Art, Antiques & Jewellery

Sale no. 4153

All auctions start at 10am

We offer free valuations every week by appointment only. For details on the closing dates and viewing dates for all of our auctions, go to www.hallsgb.com/ fine-art

COMMISSION BIDDING SLIP

Email confirmation received

Sale Date:

Bidding No.

Please bid on my behalf at the above auction for the following LOTS up to the prices specified, these to be executed as cheaply as allowed by such other commissions or reserves. Please note all successful bids are subject to a Buyer’s Premium of 24% + VAT. I have read and agree to comply with the Notices and Conditions of Sale. Bids must be a multiple of 5 to be accepted. Bids under £30 will not be accepted.

Name (Block letters)

Email

Address (Block letters)

Telephone No

Postcode

Signature Date Time

Important Notice

If bids cannot be read clearly, they will not be executed. Bidders that have not registered before and those who haven't yet provided the necessary ID to comply with current AML regulations, will have to register and provide ID by no later than 4.30pm the day prior to the sale, before their bids can be accepted. Commission bids must be left by 4.30pm the day prior to the sale, any bids left on the day of sale cannot be guaranteed and on day of sale will not be accepted from unregistered buyers.

In signing this bidding slip you are also signing to agree to our terms and conditions stated in our catalogue and online.