Hanker Magazine Issue Six

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ISSUE SIX FUN / AUGUST – SEPTEMBER 2014

DOM

SEBASTIAN

ERIN

FLANNERY

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TWO

BAD

K R I S TA

SEEDS LAJARA

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ANNU

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LUSCHIA

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KILPELÄINEN PORTER

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AMY

SIA

NEOCAMP

www.hankermagazine.com

Hanker Magazine is an independent, bi-monthly publication showcasing creative individuals, groups and organisations within the fields of art, design, illustration, photography, music, fashion and everything in-between.

Every issue features an array of creatives brought together under a particular theme, resulting in a consistent eyeful of inspiration. We put the focus on the works and leave the clutter to those awful mainstream magazines.

ISSUE SIX FUN / AUG – SEPT 2014

FOUNDING EDITOR Dillon McIntosh — www.dillonmcintosh.com

FEATURED DOM SEBASTIAN — www.domsebastian.com TWO BAD SEEDS — www.twobadseeds.com ANNU KILPE LÄINEN — www.annukil.com AMY SIA — www.amy- sia.com ERIN FLANNERY — www.erinart.net KRISTA LAJARA — www.klpstudios.co LUSCHIA PORTER — www.luschiaporter.com NEOCAMP — www.neocamp.net

COVER IMAGE DOM SEBASTIAN — www.domsebastian.com

© HANKER MAGAZINE 2014 WWW.HANKERMAGAZINE .COM

EDITORS L E TTE R PAG E 9

THEME BR OW S E PAGE 1 0

D OM S E BAS TI AN PAG E 1 2

TWO BA D S E E D S PAGE 2 4

ANNU KIL PE L ÄIN E N PAG E 3 8

AMY SIA PAGE 50

E R IN FL AN NE R Y PAG E 6 2

KRISTA L AJ ARA PAGE 7 2

L US C H I A P ORTE R PAG E 8 2

N E OC AMP PAG E 9 0

E D I TOR S L ET T ER I S S UE S IX – THE ‘FUN’ ISSUE Welcome to the sixth issue, the 'fun' issue.

Issue Six is all about colour, having fun and being vibrant, whether that be through the work you create or your personality and the way you portray yourself.

Featured in Issue Six of Hanker Magazine is; cover creative Dom Sebastian, Australian bloggers Chloe Cumming and Kirsten Morrison from Two Bad Seeds, Finland born-London based illustrator Annu Kilpeläinen, textile print/fashion designer Amy Sia, Australian artist Erin Flannery, New York based photographer Krista Lajara, Australian designer and illustrator Luschia Porter and Irish music genius Neocamp.

Don't forget to check out the Hanker Magazine website where you can keep up to date on everything between issues.

Issue Six is availa ble in print and digital download.

Visit www.hankermagazine.com for the details.

As always thank you to everyone that contributed to the creation of this issue and thank you to everybody reading and viewing this magazine. I hope you enjoy the contents within and I encourage you to go and check out the featured crea tives and their work.

Dillon McIntosh Founding Editor

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T H — M E — W —

E —

B R O —

Each issue we will share six things with you that relate to the theme. The topics include; music, book/magazine, fashion, design, photography, art, film, whatever/random, online, eat/drink, place and event. If you'd like to submit your own six things for the next issue visit: www.goo.gl/ugcmgh

S E —

ART

MUSIC

Ve r s a ce x P O W! WO W! – M ura l w w w. v im eo. com/9 7 6 0 2 3 6 8

RÜFÜS – Su nd rea m (Music Video) www.vimeo.c o m/91590180

PHOTOGRAPHY

ONLINE

C o lo ur e d Film Fr ames www.the -impossible -project.com

Rh ythm & Rep ea t www.rh ythma nd rep ea t.c om

FASHION

MAGAZINE

L a zy O af x G arf ie ld w ww. lazy oaf. com

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Who are you and where are you from?

I’m Dom Sebastian and I’m from Eas t London!

Who and/or what inspires you and your work?

What are some of the materials and tools you use?

My staple materials are my camera, a sheet of blue card, spray paint and Photoshop.

Then sometimes the studios and lighting with coloured gels.

I’m inspired by things around me, for my Jurassic Marble collection I was initially inspired by a photograph I took at a supermarket on Brick Lane, the colours of the tiles and lights lead to the overall visual of the collection. However in a lot of my work, particularly the photography style, I’m in spired by retro styled scientific equipment photography especially those really flatly lit photos of surgical tools on blue backgrounds. I’m also quite inspired by the internet and of course a lot of 80s and 90s graphic design.

You have your hand in a few different creative fields such as fashion, music and design but if you had to pick a favourite which would it be and why?

When did you first start being creative?

Is there anything you're currently working on that we should know about?

I’m going to say fashion as it ’s not just the creation of clothing that interests me, it ’s the photography, packaging, advertising etc. as well, so there’s a lot of things to work on ! Still love the broadness of graphic design though, and of course those areas I just mentioned also come under graphic design.

I’ve been creative all my life!

If you had to describe your style of work what would you say?

I’d say fun and electric with a hint of retro. I’ve been using a lot of fruit in my work recently so you could say it was fruity.

A lot of people ask me what ‘genre’ my work is or what style my photography is, however I can never pin point an exact description!

Yes! I’m currently working on a collection called ‘ Virtual Nostalgia’ which is a new range of clothing based on the idea of feeling nostalgic for a certain visual / aesthetic, even though it may have no connection to you. Also the Fruit Collection, which was originally planned for June, but I’ve made a few changes since then! Also working on a collaboration with designer Anny Wang. ●

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T WO BAD S EE DS ww w.twoba d s e e d s . c o m

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Who are you and what is Two Bad Seeds?

We are Chloe Cumming & Kirsten Morrison. Two Bad Seeds is a mixture of an online magazine and a blog, or a ‘ blogazine’ if you will. It ’s a platform for us both to publicly declare our love for the creative world we live in, and we hope to inspire and enrich those who pass through our digital pages.

Where in the world are you from?

The 'not to be under estimated' city Brisbane, Australia.

When and how did Two bad Seeds come abou t?

with a neat little side of public relations experience having previously worked for an international fashion label as well as other highly reputable Australian businesses both in the fashion and retail industry.

Having just moved into a new role, at the same time Two Bad Seeds launched, it has been a balancing act that had to be re mastered, but at least it was a very familiar feeling having always worked full time whilst running a previous blog. Kirsten is an event manager for one of Brisbane’s premier art centres, working on a range of events from product launches, festivals, weddings and pretty much anything else you can think of, as well as doing freelance creative styling on the side.

Are you still doing those things today?

Initially we connected on Twitter through mutual Brisbane blogging contacts, and quickly became ‘internet friends’. Chloe tweeted that she needed some London travel tips, and Kirsten, having lived there previously, emailed through an extensive list. We were both running independent blogs at the time, and decided that since we got alon g so well and liked what each other was doing on our own, we should team up and take photos of one another on the weekends. After we both outgrew our previous blogs, we took a hiatus but realised we missed being creative and having an online presence – but also realised we didn’t want to go in to anything alone. After several months of brainstorming, planning and creating content, Two Bad Seeds was born! We decided with the name Two Bad Seeds because we wanted to shake things up and go against the norm of blogging. It was a bit tongue in cheek.

Before Two Bad Seeds was formed what were you d oing?

Not much has changed from what we were previously doing to what we are doing now. Chloe works in branding, marketing

Yes – still working full time on top of Two Bad Seeds! We might need to consider clones at this rate.

What inspires the content found on Two Bad Seeds?

The content on Two Bad Seeds is split in to a few varying categories (fashion, travel, beauty, lifestyle) and is either inspired directly by our own lives, travels and experiences or a creative concoction of our two minds for our editorial style shoots.

Realness and authenticity are both things that we aim to achieve on Two Bad Seeds.

We don't support or believe in portraying something you’re not and anything we write about, talk about or promote we truly believe in. We aim to bring our readers fresh engaging content and not something that we have trawled the internet to meaninglessly repost. We try and incorporate something that is inspirational or has depth with our 'personal' posts - this is particularly the case with our outfit or editorial style content and generally the theme is inspired by either how we felt on that day when shooting the looks or how we felt at the time when we sat down and

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put it all together. Usually we start w ith a simple idea and add and refine elements until we are happy. There is also a certain element of ‘winging it ’ – we find a lot of it comes to us on the day as it happens!

What has been the hardest part of running Two Bad Seeds?

The hardest part of running Two Bad Seeds is just time! As we both work in full time jobs, and do freelance on the side on top of the site, it can get a little difficult juggling our schedules to not only shoot content for the blog but also to edit photos, collect garments and write the posts, especially if you need to a dd into the mix a photographer ’s schedule or anyone else involved in the shoot!

How does Two Bad Seeds have fun?

We will happily admit that we are both kind of odd in our own little ways and definitely have a silly side. It doesn’t take much for us to have fun together, we don’t take ourselves too seriously so it ’s easy to have a laugh when you can laugh at yourselves!

Travelling and exploring new cities is probably the thing that brings us the most joy, as well as pretty much anything that involves good food. Fun on 'shoot days' means bringing along our favourite music and having a mid- shoot dance session – nothing like pretending you’re Iggy to let your fun sid e out!

What advice could you give someone looking to start their own blog?

We would suggest to plan things out carefully before you start, treat it like a business fro m the word go so you don’t

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have to backpedal or correct too much down the track. Don’t plan too far ahead though – you might start second guessing yourself. We found the hardest part is just starting! Don’t be afraid to put yourself out there or of what anyone might think, if it makes you happy then keep at it. You have no idea who might read something or see something you do that inspires them to also follow their dreams.

What's next for Two Bad Seeds?

We like to think that Two Bad Seeds hasn't yet developed its full identity, which makes things a little bit more exciting for us. We know the direction we would like to travel, but are currently happy to just sit back and see where things take us. We both have dreams of traveling more and living overseas and both agree that at some stage we would like to get the website to a place where we can both run it to coincide with our independent lives. We both also have separate creative skill sets that we would like to incorporate into the website as a service offering. Kirsten has worked with a number of people sourcing and styling for shoots and Chloe is a freelance graphic designer. Whilst we benefit from one another's skills for our own projects together, we would love to start working with people along the way, to help make their creative dreams a reality. Ultimately, we feel very strongly about giving back so whatever we do, we want to make sure it has a positive impact and will be investing time and resources in to varying charities along the way. We have a few projects in the pipeline, but they are still in the development stage and we are happy keeping them under wraps for now! ●

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Tell us a bit about yourself...

Who are you and where are you from?

I'm an illustrator, from Finland and currently living and working in London.

Who or what inspires you and your work?

It is quite random, sometimes it is just little ideas that come from seeing things on the stree t. I try my best to see as many exhibitions (and museum shops) as I can and I love watching random documentaries. There is so many artists and creatives and just great people who inspire me i t is very hard to list a few just general ly people with strong character and big life goals!

How would you describe your work to someone?

Bright and alive, usually build around little details of everyday life - in close distance.

Patterns, fun and cars.

What is the creative process for your work? What kind of materials, tools and techniques do you use?

I have few sketchbooks for ideas, I scribble

down things and they come together in my head some point later. I usually sketch out loose sketches first and then mark loose things on pencil and colour in with either acrylics or Posca pens. Then the artworks evolve as I colour more, and at the end I scan the artwork in and do little clean ups if needed on the computer.

Because this is the 'fun' issue, what do you think is the funnest part of being an illustrator?

Definitely creating the artworks and planning on things and doing research!

Paper work and hunting down invoices not so much. And obviously meeting other artists and illustrators - generally fun type of people!

What's next? Is there something you're currently working on?

I just finished a Rally-themed zine printed

by Tan&Loose. And I have been working on a colouring book on Evolution (for Cicada books), and that is coming out later this year. And I am spending August in Finland, seeing friends and family and starting a few new projects - so you will hear of them later on! â—?

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A MY S I A ww w.a my -s i a . c o m

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First off, who are you and where are you from?

Have you always been creative or was it something that developed at a later age?

My name is Amy Sia. I'm an Australian born London based textile print / fashion designer an d licensed artist. I moved to London almost four years ago, but before that was born and raised in Melbourne.

I've always been drawn to visual arts and have always loved to paint. Painting was my favourite thing to do as a child. I used to draw colourful dresses, flowers and faces and these days still do!

Tell us about your label 'Amy Sia', when did you start it?

What is the creative process for your work? What tools, materials and techniques do you use?

I started my label, by making a few scarves for some friends in 2011. I've slowly added a few more products (iphone cases and cushions). I sell the line online and in Selfridges, Heal's and independent boutiques in the UK and Australia.

How would you describe your style of work to someone?

My work is bold and colourful, fun and feminine an d often combines a few techniques such as photography, marbling, drawing and painting which are digitally altered.

Who and/or what inspires you and your print designs?

I love looking at the beauty of God's creation. The natural world is full of beauty. I also am inspired by fashion, art and textiles and prints from other cultures.

I love to look at the work of other artists and designers, some of my favourites are Michael Chase, Georgiana Paraschiv, Yago Hortal, Dale Frank and Helen Dealtry.

Sometimes i'll start designing by looking for a bit of inspiration. I love Pinterest, it's a visual delight! www.pinterest.com/amysia I do have an old school visual diary / scrapbook which I look through and I have some pin boards with tear sheets also. I also look at reference books, photographic nature books, botanical print drawings, pattern and print books or books on artists are always interesting. I take a lot of photos while travelling so I'll sometimes take a look through those.

Once I have found something that is a bit interesting, it might be a small detail or a colour scheme, anything that piques m y interest. I'll paint something inspired by that, something I just feel like painting so will skip looking at things and just paint.

Often I'll spend a few days painting and when I have amassed a lot of paintings I'll scan these in and alter them in photoshop.

I'll chop them up and rearrange them on my computer, alter colours, layer them and just experiment with them. Other times I'll alter a photo I've taken and combine

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Photography: www.jtuliniemi.com

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it with something I've painted or use something I've marbled as a starting point.

What advice could you give someone looking to begin a creative career or start their own label?

It can be a good idea to work for someone else and learn as much as you can. I worked in fashion for five years before I started doing this. It was a great learning experience, I didn't always enjoy every task but it was an extremely valuable experience. It was good to learn about production, costings, sales areas that I'm not necessarily drawn to but are essential to know about when you have your own label.

It's important to make a financial plan, running a label can be expensive. You need to figure out how you will pay for everything especially as the way trad itional wholesale is structured you need to think about cashflow!

Perhaps think about whether starting you r own label is what you really want to do!

I do a mixture of work which includes my label, licensing my artwork and freelancing. I love the variety and having multiple income streams is really helpful.

When something isn't going so well, another area can tide you over. There is often a lot of non creative work when you are running your own label whereas when you freelance or license your work the bulk of your work is creative. However it is really fun seeing a product that you have worked on from start to finish come to life too!

Separate yourself from your work. There will always be rejection whether it's a factory that doesn't want to work with you or a store that doesn't place an order it's important to remind yourself that your worth is not in your work. Hard to do but important to remember. â—?

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First off, who are you and where are you from?

I’m Erin! A female artist living on the east coast of Australia where the coffee tastes good, the ocean sparkles and winter barely exists!

How would you describe your style of work to someone?

I always find this tricky because I often change styles! For the ladies/portraits I’d say something along the lines of… ‘abstracty ’ portraits full of colour and its of pattern a nd detail - sometimes with the coral lips half smudged off and large quantities o f eye shadow in all the wrong places. For the circles (or ‘Luna Seas’ as I call them) I’d say they were huge balls of coloured goodness for your wall.

Who and/or what inspires you and your work?

Everything! But honestly I don't mean for it to happen! I’m often rattling around at markets and second hand shops, flicking through fashion magazines, scrolling through my favourite blogs and Pinterest boards - it all seems to enter my brain, mix together and end up on a canvas in subtle ways. Not all at once and not in huge ways but I swear it all sinks in.

Nature also really inspires me for colour combinations - she nails it every time!

Have you always been creative or was it something that developed at a later age?

I’ve always been surrounded by all things creative. I grew up in a very creative household with lots of DIY projects as a little kid - everything from making your own paper and marbling it, blowing eggs

and dyeing them with onion skins for Easter, homemade play- dough, painting anything and everything including the dogs toenails and running around with old film cameras that didn't work. I'm pretty much doing the same thing now except my camera is now digital and actually works.

What is the creative process for your work? What tools, materials and techniques do you use?

I work on bare basics when it comes to tools - you really don't need much.

I have a few favourite brushes that are nearly falling apart but they are like my best friends so I cant let them go! I like to invest in high quality paints in really gorgeous colours that won’t fade. I also use my hands a lot while I'm painting and often wipe it all off the canvas with a dishcloth so i guess they can be classed as tools as well.

I’m always on the lookout for unplanned paint spills, drips and random brush strokes while I paint. I love to build up layers of colour and pattern, then mask it out to create a face or a strong shape.

I really enjoy the masking process! Then to finish I have fun adding in snippets of detail with line and pattern to connect or soften certain sections.

Do you have any advice you could give someone looking to begin a creative career?

Draw inspiration from other artists but don't aim to actually be them. Create your own style, let it evolve slowly, listen to feedback (but also learn to stick to your guns!), surround yourself with experienced lovely people, get an Instagram account and enjoy the ride! ●

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KRI S TA L A JARA ww w.k lps tu d i o s . c o

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Who are you and where are you from?

My name is Krista Lajara and I am just a girl who wants to create. I am currently residing in New York, New York, but I am still a West Virginia girl at heart.

Who or what inspire you and your work?

My work is inspired by the beauty in the world and the beauty in each other. I particularly enjoy shooting women, we are all so beautiful in all different ways.

Photographers who have been inspiring to me are Emily Soto, Lara Jade, and Julia Trotti.

How would you describe your style of work?

I would describe my style as ethereal fashion. I am captivated by the dreamy light and beautiful colors in nature which influence my work.

What's a normal day in the life of Krista Lajara?

A day in my life, if I'm not shooting,

consists of morning coffee with my husband and my puppy, planning out new sessions with my clients, and hours of editing my current work. That is if I don't get distracted by Breaking Bad reruns.

If you weren't doing photography what would you be doing?

That one is hard, as a kid I wanted to be everything - a pilot, a princess, a marine biologist. I would probably be working at Disney or something!

What is your favourite piece of equipment or something you can't live without?

I don't know what I would do without my 50mm lens, it never lets me down!

From personal experience what's some good advice for someone looking to get into photography?

Don't get discouraged, don't listen to those who doubt you, and never settle. If you trust God and work hard, he will pave the way for you. â—?

LU SC H I A P ORTER ww w.lu s c h ia p o r t e r.c o m

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First off, who are you and where are you from?

to let me draw their portraits, no moving please!

Luschia Porter, from Jervis Bay NSW, living in Coogee, Sydney.

What is the creative process for your work? What tools, materials and techniques do you use?

How would you describe your style work to someone?

Multi facete d from experiments in resin work, to furniture designing using metal rod, to illustration and graphic design.

Who and/or what inspires you and your work?

I’m quite attracted to mixing geometry and pastel colours… I think it comes from my lov e of Scandinavian graphic design and architecture. I really love Norwegian architect Reiulf Ramstad’s firm, and the work they did on the tourist points throughout Norway. I also love architect Richard Goodwin's conceptual work regarding parasite architecture and Sydney artist Hollie Martin's multi-faceted practice.

Have you always been creative or was it something that developed at a later age?

Pen and paper to start with, and then I move into mocking up ideas using pre existing objects sometimes. It depends on what I'm working on, but it could be a mixture of cutting and sanding back ply wood to casting with resin, to painting and spray painting too.

Do you have any advice you could give someone looking to begin a creative career?

I found uni a really good spot to start to collect my thoughts and to also challenge my mind and my practice. It was also a good place to meet like minded people who encourage your creative needs and who understand them completely. ●

Linzi Stool: www.cafecultureinsitu.com.au/linzi- stool

Always, since age 4 I would force people

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N E OC A MP ww w.n eo ca m p . n e t

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Tell us a bit about yourself...

Who are you and where are you from?

My birth name is Luke, I'm from a small rural town in the north midlands of Ireland.

Where did the name Neocamp come from?

Originally I was interested in the traditional 'camp' system of irony and sincerity and it's relevance to contemporary web culture. I like the vaguely cultish and retro -futuristic connotations of the word.

I wrote a manifesto explaining Neocamp, which you can read here: www.goo.gl/jpCy9L How would you describe your mus ic?

Megalolz. No but seriously: For my first EP, NEOPOP, I got really into casting my Irish experience into this dislocated, international light. Like #celtic on tumblr.

I listen to a lot of pop music, and I'm interested in these micro -trends that happen within mainstream pop music and the weird post-internet stuff you find on soundcloud. So for NEOPOP I was trying to 'do' everything and it turned out as celtic-fag-witch-hop.

Who or what inspires you, your music and the clothes you wear?

I'm really inspired by identity, internet and technol ogy, firstly. Musically, I'm always trying to replicate what I hear, and when I recorded my last EP I was living in London and moved to Brooklyn, and I was definitely influenced by all the culture clashes I was experiencing whilst clinging to this clichĂŠd idea of Irishness.

For instance I loved mashing an Irish Trad sounding vocal on top of a Reggaeton

beat, because in my first flat in Bushwick I'd sing over the reggaeton coming from the latino store downstairs.

Aesthetically, I'm always trying to visualize what NEOCAMP means, so I like to play with web tropes mixed with more traditionally "camp" visual cues like: failure, "glamor shots", florals, genderplay or the fringes of traditional good taste mixed with hyper colour schemes, photoshop selfies, and web trends like vaporwave or sports -goth.

Let's talk about your clip for your track 'Info'BRAND', where was this shot?

It was shot at Riis Beach (local queer beach), and then mostly in Times Square and the subways in Manhattan.

What was the inspiration behind this clip?

America! And New York. The song is about branding yourself, and theres nowhere where the person becomes the brand quite like New York. I wanted to be this kind of Neocamp mascot, and then I liked the idea of interacting with the church of brand and globalisation: Times Square.

Because this is the 'fun' issue, how much fun did you have shooting 'Info'BRAND'?

It was a lot of fun! It was also truly weird, in times square everyone kept trying to pay me, which underlined the whole point of the video for me. But on a personal level, it was very encouraging. Whenever I've done filming projects in Ireland, I've encountered a lot of aggression and homophobia, but people in New York have really seen everything. There was a "you go, gurl" atmosphere. The American celebration of individualism is infectious.

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How importa nt to you is just being yourself and portraying your personal beliefs, whether it be through your music or your appearance?

I'm interested in creating living, breathing work that dea ls with the world on its own terms, but hopefully challenges and empowers the audience in some way. In terms of how I choose to present myself, I like to play with what's 'natural' or 'artificial', so I don't know if I'm "being myself" or presenting an "ideal self", but its important that I have control and I'm having fun with it. I think my beliefs are inescapably intertwined into the music and visuals I create around it.

What's next for Neocamp? Any new tracks or clips we should look out for?

Well, theres a new EP with some new and different vibes and new videos coming very, very soon.

All I can say is the newest 'single' is called Encarta. â—?

Info’BRAND Video: www.youtube.com/watch?v=WUUYDf284OI

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