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Dear Reader,
Thank you for picking up the latest issue of Television Asia Plus!
If the last few months have been any indication, TV productions are doing well and everyone’s goal now is to sell internationally be it licensing rights or streaming. The Asian market is also flooded with great content with studios trying their best to get eyes on their shows through creative marketing campaigns and more.
It is also at this time that viewers are glued to whatever their screen of choice is with the Paris 2024 Olympics. Live sports has been thriving and we talk about that in this issue as well.
On this issue’s cover story we have Paul Calleja, CEO of GlobalM discuss his thoughts on how Asian content can compete on a global scale.
For our first feature story, we have Akili Kids! and their continued success since launching during the pandemic in 2020 with help from PlayBox Neo
And our final feature story is all about capitalizing on viewership in sports with a piece by Jason Leonidas, Regional VP, Australia & ASEAN, New Relic
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The heart-breaking, real-life story of a mother’s love, courage and determination to change the Double Jeopardy Law, and see her daughter’s murderer brought to justice, is to be dramatised by ITV starring Sheridan Smith as the woman who took on the Criminal Justice System
Written by screenwriter Jamie Crichton ( All Creatures Great and Small, The Last Kingdom, Grantchester ) the series recounts how tenacious mother of three, Ann Ming, battled for 15 years so that her daughter’s murderer could finally face justice, having been controversially acquitted following two mistrials.
Ann Ming, who will act as consultant throughout the production process, said of the television adaptation: “I am very pleased that Hera Pictures will tell the story of my campaign to
overturn the Double Jeopardy Law. My daughter’s killer was wrongfully acquitted, and a number of years later confessed to her murder, for which he could only be prosecuted for perjury due to the 800-year-old Double Jeopardy Law. I wasn’t going to let this stand in my way of getting justice for Julie. I’m overwhelmed that Sheridan Smith will be playing me. Having such an iconic and talented actress portray me is truly wonderful.”
The four-part series has been commissioned for ITV by Head of Drama, Polly Hill and Senior Drama Commissioner Helen Ziegler, who will oversee production of the drama on behalf of the channel. I Fought The Law will air on ITV1 and ITVX
All3Media International will be responsible for the international distribution of the series.
Studio 100 International, in collaboration with Caligari Film (Germany), Studio Isar Animation (Germany), and 3 Doubles Producciones (Spain), has announced the pre-production of their new action-comedy CGI movie, DOUGIE DOLITTLE Targeting a core demographic of kids aged 8-12 years and a family audience, this hilarious movie is planned for delivery in Q4/2026. Studio 100 Film is handling global sales and will introduce the film at Marché du Film in Cannes.
The project is driven by an impressive creative team including producers Gabriele M. Walther (Caligari Film) and Thorsten Wegener (Studio 100 International), and features the artistic visions of Art Directors Luis Guggenberger, as well as
Thomas van Kummant. Writer
Mark Slater is joined by acclaimed script consultant Philip LaZebnik. Regina Welker is directing the film
“DOUGIE DOLITTLE is a fresh new take on the theme of communication with animals,” stated Gabriele M. Walther of Caligari Film. “The main character Dougie has inherited this special gift genetically from his grandfather, the famous Doctor Dolittle. In this way, we create a link to a well-known character, but tell the story in a new and modern way for a younger audience.”
“We are genuinely excited to introduce DOUGIE DOLITTLE at Cannes’ Marché du Film,” added Thorsten Wegener of Studio 100 International. “This film represents another significant step in our ongoing mission to create
captivating, family-friendly content that resonates with global audiences. We believe Dougie’s journey, a tale of coming of age, finding your place in life and your relationship with the environment, will inspire and entertain viewers of all ages.”
Leading entertainment company CJ ENM announced that it will co-produce films and TV series with TBS Group, one of the top five private broadcasters in Japan, for the next three years
CJ ENM and TBS Group previously signed a business agreement for joint production in 2021 to boost the quality of content for the global market. Branching out, the two companies will move forward to produce over three TV series and two films in a collaborative effort over the next three years. The co-produced TV series will air on TBS television channels, and one series is already scheduled for a primetime slot in 2025.
Since forming a strategic alliance in 2021, CJ ENM and TBS Group have been jointly developing numerous creative projects
including scripted and non-scripted shows, films, and animation. In March 2024, the two companies hosted their first creator workshop program, inviting around fifty top content creators to exchange creative insights. The second workshop will be held in Japan within the latter half of the year.
A CJ ENM representative remarked, “The two companies have established a cooperative system from years of partnership. With CJ ENM navigating the global expansion of K-culture with its unmatched production capabilities and TBS owning attractive IPs, we will mutually produce content that will grasp audiences worldwide.”
Streaming exclusively on JioCinema Premium, House of the Dragon S2 is available in English, Hindi, Tamil, Telugu, Kannada, Bengali, and Marathi, which premiered last June 17th, with episodes dropping weekly every Monday, along with the US.
Based on George R.R. Martin’s “Fire & Blood,” the series tells the story of House Targaryen, following the tumultuous power struggles within the noble family as they navigate political intrigue, familial rivalries, and the looming threat of civil war
in their quest to reclaim the Iron Throne. Set in a world of dragons and dynasties, the series explores the complex dynamics of ambition, loyalty, and betrayal as key figures vie for control over the Seven Kingdoms.
Starring Matt Smith, Olivia Cooke, Emma D’Arcy, Eve Best, Steve Toussaint, Fabien Frankel, Ewan Mitchell, Tom Glynn-Carney, Sonoya Mizuno, and Rhys Ifans. Additional returning cast includes Harry Collett, Bethany Antonia, Phoebe Campbell, Phia Saban, Jefferson Hall, and Matthew Needham, the new season will see Abubakar Salim, Gayle Rankin, Freddie Fox, Simon Russell Beale, Clinton Liberty, Jamie Kenna, Kieran Bew, Tom Bennett, Tom Taylor, and Vincent Regan
In addition to House of the Dragon S2, JioCinema Premium unlocks access to a plethora of top international content in local languages, wholesome Kids & Family entertainment, genre-defining originals, blockbuster movies, and exclusive before-TV premieres and live channels, in up to 4K quality.
Producer Akira Morii from THE SEVEN, known for the globally successful Netflix series ALICE IN BORDERLAND, and director J.Q. Lee from Film Monster, a Korean production label under SLL, known for ALL OF US ARE DEAD, have announced their collaboration on a new drama series for the global market. This is an action-packed spectacular drama series featuring a protagonist who has acquired special abilities, and it is already in development.
Akira Morii has been known as the producer of hit Netflix drama series such as ALICE IN BORDERLAND Season 2, which set a record for the highest viewing hours as a Japanese Netflix production, as well as YU YU HAKUSHO, which ranked second in the world among all the drama series in all languages, including English, in the first week after its release.
Currently, each is in the process of producing the sequels to their respective globally acclaimed hit works, ALICE IN
BORDERLAND Season 3 and ALL OF US ARE DEAD Season 2. Amidst global attention, they have initiated a new international co-production project
This project came about through a proposal from J.Q. Lee to collaborate with Morii, known for producing a series of global hit works originating from Japan. J.Q. Lee mentioned, “Although Morii plays on a global stage, he possesses a meticulous sensibility that is unique to Japanese. I wanted to collaborate
with him in anticipation of receiving good stimulation.” Morii added, “As a big fan of the Director J. Q. Lee’s work, I was pleasantly surprised and delighted when he approached me with a proposal this time.”
The development of the long plot is already underway, and Morii and J.Q. Lee will proceed to scriptwriting after further discussions. Concurrently, they also plan shooting and production schedules and details regarding the cast and content will be announced in the future
Something Special, Seoul-based independent international Format agency, announced they acquired international licensing rights for the experimental reality game show The Penthouse Game which aired on July 2022 on Channel A and local streamer WAVVE. This show will be available for buyers to review at the LA Screenings Independent.
The Penthouse Game is a brandnew experimental reality game show features individuals going through financial difficulties and competing for a cash prize. This thrilling competition features challenges to determine who will
occupy the ultimate power of the penthouse. The players will utilize the gold tokens and move around using the elevator in the middle. There will be three hosts who will play different key roles in the show.
Jin Woo Hwang, Something Special President & Executive Producer stated, “Something Special is pleased to announce acquisitions for international licensing. We are honored that producers come to Something Special to take their shows out of Korea. The Penthouse Game is already gaining traction in Korea and in select markets, and both are set to be audience favorites.”
Discovery Taiwan and MediaTek have collaborated on Chasing Breakthrough. This visually stunning short documentary features the people and nature of the Guilin Province in China. It is captured using a smartphone powered by the MediaTek Dimensity 9300 flagship 5G smartphone platform.
The documentary is set in Yangshuo, in the Guilin Province of China, and features its unique karst landscape. A renowned paradise for rock climbers, it spotlights the unsung heroes of the region: the Yangshuo Volunteer Rescue Team. These dedicated volunteers, who
often operate behind the scenes, are celebrated for their critical role in ensuring climbers’ safety and preserving the natural environment.
Viewers will journey with the Yangshuo Volunteer Rescue Team led by renowned wilderness rescue expert and rock climber Sun Ling Ye, as they perform rigorous reallife simulations and drills to hone their skills, even during the harsh winter months. Watch as they test their resilience and team collaboration effectiveness under extreme pressure, accelerating each response time while adhering to strict
safety protocols. The documentary demonstrates to the world their passion for rock climbing, the importance of teamwork, and the respect for and preservation of the local environment.
Chasing Breakthrough is filmed in part using a smartphone powered by the MediaTek Dimensity 9300 flagship 5G smartphone platform. MediaTek is the world’s #1 smartphone chipset supplier and an industry leader in developing imaging and AI technologies for mobile devices, among many others
Following the success of Chasing Biodiversity: Hainan, Discovery Taiwan and MediaTek’s previous documentary in 2023, this year’s collaboration aligns with World Day for Cultural Diversity for Dialogue and Development. World Day is a global event led by UNESCO and supported by the United Nations to promote peace and harmony, encouraging the recognition of differences with the goal of creating a harmonious world.
Chasing Breakthrough is produced by Avant-Garde Media
Global Agency’s new hit drama Red Roses has been renewed for Season 2. The drama has been a great success. The production company “Gold” has begun preparations
for the series’ sequel season and announced that new episodes will be coming soon, with viewers eagerly awaiting them. The drama is being aired on NOW on prime time and has 62 commercial hours for the first season.
The captivating drama managed to attract great interest from viewers during its first season and gained a solid place for itself in the Turkish television world. The series has attracted a lot of attention with its impressive script, strong acting performances and stunning production quality. The drama’s first season is one of the most talked about series in Turkey. Since the day it was first broadcast, it has been by far the highest rated series on Mondays.
Red Roses tells the poignant story of Meryem, married off at 14 in an Islamic sect, and now battling bravely to prevent her daughter Zeynep suffering the same cruel fate as the bride of the sheikh’s grandson.
The series has a star cast featuring Ozcan Deniz, Ozgu Namal, Mert Yazıcıoglu, and Hazal Turesan. The drama is produced by Gold Film
For the second season, the producers aim to offer viewers more excitement and surprises. In the new season, the characters’ stories will be deepened and storytelling full of dramatic events will keep viewers glued to the screen
In another historic collaboration, ABS-CBN’s film production outfit Star Cinema and GMA Network’s film production company GMA Pictures are teaming up for the first time to produce Hello, Love, Again, the highly anticipated sequel to Philippines’ blockbuster hit Hello, Love, Goodbye
ABS-CBN star Kathryn Bernardo and GMA Network artist Alden Richards will be reprising their well-loved characters, Joy and
Ethan, in “Hello, Love, Again.” Box-office hit film director Cathy Garcia-Sampana, who helmed the original film, returns to direct the sequel that will be shot in Canada.
The film’s theatrical release begins on November 13, 2024 in the Philippines, with international releases following thereafter For many years, Star Cinema has been telling heartwarming stories of Filipinos and shedding light on the realities of Filipinos living and
working abroad through silver screen features. Among its remarkable films from the past decades are “Anak (The Child), ” “Barcelona: A Love Untold,” “Caregiver,” “Dubai,” “In The Name of Love,” and “Milan.” Star Cinema, along with APT Entertainment and Agosto Dos Pictures, also produced the highest-grossing Filipino film of all time, “Rewind.”
Meanwhile, GMA Pictures has produced notable films that touch on key social issues in the Philippines. It led the production of critically acclaimed movies “Muro Ami (Reef Hunters)” and “Deathrow,” the historical drama, “Jose Rizal,” as well as blockbuster hits like “Let The Love Begin” and “Ang Panday (The Blacksmith).” Last year, it released the movie “Firefly” which earned the Best Picture award in the 2023 Metro Manila Film Festival.
ITV Studios and Hulu have closed a package deal that will see it become the US home of the first two seasons of Twofour’s groundbreaking queer dating series I Kissed A… I Kissed a Boy premiered on Hulu in June as part of the streamer’s Hulu Has Pride LGBTQ+ month-long celebration. Season two – I Kissed a Girl –will exclusively premiere on the US streamer later this year
The award-winning I Kissed A Boy, which aired in 2023 was the UK’s first
ever gay dating show. I Kissed A Girl, is currently airing in the UK and has been lauded by reviewers across the board.
In addition to Hulu, TV2 Echo and TV2 Play in Denmark and TVNZ in New Zealand have picked up both seasons of the show, and 10Play in Australia, VMI in Ireland, and YES in Israel have acquired I Kissed A Boy
Tom Clark, Global Sales and Commercial Strategy, Global Partnerships, ITV Studios said, “It’s our absolute pleasure to bring this
trail-blazing series to the world. We’re so delighted that Hulu, which has been the home of Love Island UK for many years and will launch the upcoming season this summer, will be its US home. I Kissed A… deserves every inch of the critical acclaim it has garnered for its “genre-defining” approach, it’s really exciting to see it transition to a global reality brand.”
David Brindley, Twofour’s Chief Creative Officer and Executive Producer for I Kissed A… said, “There’s a huge global need for positive queer representation on our TV screens, so we couldn’t be more thrilled that Hulu will be taking our series to US viewers.
The ‘I Kissed A…’ world is a joyful, uplifting, and entertaining new take on the reality genre, and we’re incredibly excited to be sharing the stories of our brilliant boys and girls with everyone across the Atlantic.”
The package deal, which also includes An Audience with Kylie, and Selling Super Houses was brokered by Stephanie Coon, Director, US Sales, Global Partnerships. Twofour is part of ITV Studios.
TF1 has boarded the upcoming suspense thriller Nightsleeper, following a deal with Fremantle. Produced by Fremantle’s Euston Films for BBC One and BBC iPlayer, the 6×60 series is written by BAFTA award-winning writer Nick Leather (Murdered For Being Different) and stars Alexandra Roach (The Light in the Hall) and Joe Cole (Gangs of London)
Nightsleeper is a real-time thriller about the hacking of a sleeper train travelling from Glasgow to London, and
a government agency’s frantic efforts to intervene in the rapidly-escalating events onboard. Can two people who’ve never met, one on the train and one not, work together to save the lives of its disparate group of passengers as the Heart of Britain overnight service hurtles towards what might quite literally be its final destination?
Al De Azpiazu, SVP of Sales & Distribution, French Speaking Europe, Italy, Spain & Portugal, International, Fremantle said
“Nightsleeper is an edge-of-yourseat thriller that is set to excite and challenge audiences, making it the perfect addition to TF1’s content offering. We’re proud to be partnering with TF1 to introduce it to French audiences.”
Sophie Leveaux, Artistic Director of Acquisitions & International Drama Development, TF1 said “We’re delighted to partner with Fremantle to add this series to our line-up. This addictive thriller fits in perfectly with our content offering, both in linear mode on TF1 and on our TF1+ streaming platform.”
The series is executively produced by Euston Films’ managing director, Kate Harwood with Nick Leather, Jamie Magnus Stone and Gaynor Holmes for the BBC. The series is directed by Jamie Magnus Stone (Doctor Who, Ten Pound Poms) and John Hayes (Dublin Murders). Created and written by Nick Leather with Laura Grace (Episodes 4 and 5). Producing is Jonathan Curling (The Sister, Baghdad Central). Co-Producer is Daisy Costello. Fremantle handles global distribution
Prime Video India has once again turned heads with yet another unique marketing campaign for its Amazon Original series Panchayat Season 3, which launched last May. Following closely on the heels of a highly successful first round of a hybrid marketing campaign undertaken for the grand unveiling of the premiere date of the series, Prime Video came up with yet another novel promotional idea. Panchayat’s iconic mascot –lauki – was seen in a new and unique avatar; as giant inflatable balloons. This campaign highlights how brilliance often lies in simplicity, turning an underestimated vegetable into a captivating symbol that grabs everyone’s attention and generates intriguing conversations, and not just Panchayat fans. The lauki’s makeover parallels the series’ narrative, where seemingly ordinary elements take on extraordinary significance
The three-day marketing campaign, carried out from May 25 to May 27, saw these gigantic lauki-shaped inflatable balloons stamped with the Panchayat premiere date, atop taxies, roaming across Mumbai, Delhi, and Jaipur. These Lauki balloons were also placed in popular public locations, creating huge buzz and anticipation about Panchayat and its new season’s premiere date. From May 25th onwards, Mumbaikars
spotted them at Juhu beach and Carter Road and Jaipur residents saw them at the iconic Raj Mandir movie theatre. From May 27th onwards, the balloons are featured at crowdpulling locations of Connaught Place and South Extension in Delhi.
A simple yet groundbreaking marketing campaign kept the fans excited, building anticipation for the return of Panchayat on Prime Video
Factual specialist Autentic is further expanding its channel business with the launch of its first YouTube channel “Autentic Documentary”. The factual channel will feature documentaries covering a diverse range of topics, including remarkable technologies, fascinating people, breathtaking nature, and current trends from around the globe
“Autentic Documentary” is the newest addition to Autentic’s fastgrowing portfolio of high-quality factual channels. Over the past two
years, the company has launched six international and German-language FAST channels, including “Terra Mater WILD”, “Autentic Travel”, “Autentic History”, and “SPIEGEL TV Konflikte” Patrick Hörl, Managing Director of
Autentic comments, “YouTube is a top destination for anyone looking for high-quality long-form content and documentaries. We want to offer our content everywhere where people are enthusiastic about exciting real-life stories.”
ABP News Live, one of the leading digital news platforms in India, has solidified its position as the most viewed Hindi news live stream in India, according to the latest rankings of Chrome Digital Track for Week 17 of 2024 (April 20-26) from 8 AM –10 PM. The channel’s unwavering commitment to comprehensive and insightful news coverage has resonated deeply with audiences.
The Chrome Digital Track report,
which measures viewership across platforms including connected TVs, mobile devices, YouTube, and OTT applications, revealed that ABP News Live secured an impressive 35.20 million unique viewers during the week. This remarkable feat underscores the channel’s ability to captivate audiences with its incisive reporting and breaking news updates.
ABP News Live’s top ranking is a significant achievement in India’s dynamic and competitive media
landscape. The channel’s ability to deliver compelling content across multiple platforms has allowed it to connect with viewers seamlessly, regardless of their preferred viewing medium.
As India’s media landscape continues to evolve, ABP News remains committed to upholding the highest standards of journalism and delivering exceptional news experiences to its valued audience
Tata Play, has joined hands with Amazon Prime to offer Tata Play DTH and Tata Play Binge customers multiple ways to access Prime Video’s blockbuster content. Tata Play DTH subscribers can now choose from multiple packs starting from INR 199 per month, that offer a variety of their favourite TV channels along with Prime Lite
with Tata Play. In addition, Binge subscribers can enjoy Prime Lite with Tata Play along with 30+ other popular apps at various price points.
The new price plans from Tata Play Binge put the freedom of choice in the hands of its audience to make their own OTT packs. Prime Video’s addition to the league of 30+ national, international, and regional apps on Tata Play Binge aims to further elevate content bingeing into an even more indulgent experience, all in one convenient location across languages, genres, and devices.
This extensive collaboration between Tata Play and Amazon Prime is dedicated to offering comprehensive value to the customers, ensuring they enjoy video, shipping and shopping benefits. Consumers can enjoy the full selection of amazing shows and movies on Prime Video including the
highly popular Original series like Panchayat, Mirzapur, The Family Man, Dhootha, Inspector Rishi, Farzi, Dahaad, Dil Dosti Dilemma, Poacher, among others, blockbuster movies like Pathaan, Jailer, Ponniyin Selvan I & II, Rocky Aur Rani Kii Prem Kahaani, Tiger 3, and many more, along with international series and movies like Fallout, Citadel, The Lord of The Rings: The Rings of Power, The Idea of You, The Boys, Jack Ryan, Reacher, to name a few.
“While on the one hand, Tata Play’s robust content distribution network will help in expanding Amazon Prime’s outreach to newer audience segments, on the other, addition of Prime Lite Membership with Tata Play will make Binge a more compelling proposition,” said Harit Nagpal, Managing Director and CEO, Tata Play, on this first-of-its-kind partnership
Global video solutions provider, Accedo, has worked with ITV, the UK’s largest commercial broadcaster, to bring its streaming service, ITVX to PlayStation 4 and 5 consoles in the UK, broadening its reach and making its content available to more viewers
Launched in December 2022, ITVX delivers a mix of live linear content, curated FAST channels, and an extensive VOD library ranging from new programme exclusives, premium dramas, documentaries, US series, comedy and reality shows to blockbuster films and more. An adfunded service, ITVX also includes subscription tier ITVX Premium ITVX is already broadly distributed
across the UK market, with 40 million registered users, with launch on Sony PlayStation consoles making its programming available to an even wider audience. Since Accedo had already worked alongside ITV on the initial launch of ITVX, and brings two decades of experience developing video user experiences across multiple platforms, it was well placed to support ITV in expanding the reach of ITVX to PlayStation.
Huw Byrne Jones, Streaming Director of Engineering (Core Experience), ITV, commented: “Launching ITVX to PlayStation 4 and 5 consoles supports ITV’s position as a leader in UK advertiser-funded streaming. Making ITVX more widely available will help us increase
active users and create more value for advertisers. Accedo is a trusted partner, and has been instrumental in supporting ITV in bringing the ITVX service to this platform.”
Prime Video, India’s most loved entertainment destination, has launched MGM+ on Prime Video Channels. MGM+ offers an extensive and enthralling selection of entertainment including critically acclaimed and popular series, blockbuster movies and timeless classics primarily from the iconic Hollywood studio
With an add-on subscription to MGM+ on Prime Video Channels, Prime members can enjoy a vast slate of multi-genre content offerings including classic and cultfavourite movies like Legally Blonde, Hercules, The Prodigy, The Silence of the Lambs, The Girl with the Dragon Tattoo, Robocop, The Vow, Child’s Play, Death Wish, and more, along with much-loved series like Stargate
SG-1, Stargate Atlantis, Teen Wolf, Get Shorty, among others.
“We’re thrilled to launch MGM+ as a Channel for our customers in India, offering an extensive
library of blockbuster, much-loved, and premium content at a single destination – Prime Video. Since launch, our objective with Prime Video Channels has been to provide our customers with increased choice, improved accessibility and greater convenience of watching their favourite content all within a single app,” stated Vivek Srivastava, Head – Prime Video Channels, Prime Video, India “In a short span of time, Prime Video Channels has offered increased reach to both local and global streamers to expand their footprint in India, allowing them to connect with a vast and diverse audience across the country. We are certain that with its vast library of iconic movies and series, MGM+ will entertain and delight Indian customers.”
The large, avid surfing fan base in Australia and New Zealand will enjoy the ride of its life when hundreds of hours of surfingrelated programming launches: SURFER. Created and serviced by acTVe, a leading independent Free Ad-Supported Streaming TV (FAST) channel provider, SURFER brings the content and expertise
of Surfer Magazine to millions of select Samsung smart TVs across Australia, on Samsung TV Plus.
At launch, titles will include Surfer original “Quivers,” the surfing documentary “And Two if By Sea” (written and narrated by Daniel Tosh), the social action feral surf adventure documentary “Isolated” (narrated by
Ryan Phillippe), “Fish: the Surfboard Documentary,” which explores the origin of the fish surfboard, and the festival favorite “Dirty Old Wedge,” about the famed surfing spot in Southern California, along with hundreds more titles and shows.
Samsung TV Plus offers more than 2,500 FAST channels across 24 countries. The service has steadily expanded its reach and content offering, now delivering more than 100 channels across news, sports, entertainment, and more in Australia
“At Samsung TV Plus, we aim to give our viewers access to compelling content across a range of genres, and the SURFER channel is an ideal example,” Samsung TV Plus Head of Business Development – ANZ Ed Love says. “It’s bound to be a popular addition to our current lineup of channels, and will further enhance our sports offering.”
The BBC World Service has announced the creation of the Global China Unit, a new team that will focus on reporting stories on the country’s role in the world
The team will produce a range of original journalism that will be available on the World Service and wider BBC platforms. It will look to answer how China’s economic rise and global influence impacts the rest of the world through analytical, investigative and human interest stories.
Liz Gibbons, BBC Executive News Editor, said “It is becoming harder than ever to tell the story of China within China, so the formation of this unit is incredibly important. We have an exceptionally talented team who will focus their expertise
to uncover a range of stories that look at how China is changing the world.”
The Global China Unit was unveiled as part of a series of events for World Service Presents. There was also a taster of the team’s first piece of work
The report explores how Chinese companies have taken big stages in mines across the world that extract minerals vital to the green economy. These minerals, such as cobalt, lithium and nickel, are crucial for green technology such as electric vehicle batteries.
As Chinese businesses have expanded their investments, they have faced allegations of abuses similar to those often levelled at many other international mining giants. The team spoke to Chinese
workers in Argentina and the Democratic Republic of Congo as well as local communities there and in Indonesia.
The launch, at BBC World Service Presents, also saw a panel discuss coverage of the global China story, with Runako Celina, Rachel Cheung and ChristianGeraud Neema, hosted by BBC Asia Pacific Editor Celia Hatton
KC Global Media, Asia’s leading entertainment network, has announced a strategic portfolio refinement to accelerate growth across key markets. This move involves the closure of the linear Japanese channel, GEM, effective on 31 July 2024
Following a comprehensive review of audience preferences and content landscape trends, KC Global Media has made the strategic decision to
dedicate greater resources to its established and high-performing channels – AXN, Animax, and ONE TV Asia. “This strategic shift allows us to further strengthen our position as a leader in specific content genres,” said George Chien, co-founder, CEO and President of KC Global Media “By focusing on AXN, the destination for thrilling action and drama; Animax, the region’s leading Japanese anime channel; and ONE, the premiere platform for Korean
entertainment, we can deliver a more impactful and targeted content experience for our viewers.”
KC Global Media remains dedicated to providing high-quality entertainment experiences across its core channels. This includes ongoing investments for AXN, Animax and ONE, along with co-production partnerships and regional content development. While the linear Japanese channel, GEM will cease, the channel remains available on demand.
Passion Distribution’s UpStream Media, a subsidiary business focused on digital rights management and digital growth opportunities, celebrates a hugely successful first year with four brand new channel launches. UpStream Media was built upon a roster of successful YouTube and FAST channels, with content accumulating over 2.5 billion views. In its first year as an operating business, UpStream Media has seen an increase of over 250 million views, an additional 100 million hours of watch time, and over two thousand new videos published.
In the past year, UpStream has also launched a number of new channels, showcasing a wide breadth of popular content, including four brand new channels which launched in line with the company’s anniversary:
• Cold Trace: The home of bone-chilling true crime and cold-case documentaries.
• The Clinic: Featuring the best in medical ob-docs.
• Hoarders: Delving into extreme cleaning content.
• And popular format Worst Driver, now has its very own channel.
Passion’s Chief Operating Officer, Nick Rees, commented, “It’s been an incredibly busy year since launch, we’re working with several new content owners for the first time who are all very pleased with how value is being added to their programming. The future looks very exciting with additional channel launches planned, and a further scaling up of the team to maximize output and opportunities.”
This successful first year has been driven by UpStream Media’s continued growth on social platforms along with several new acquisition deals
UpStream Media’s library of channels already includes acclaimed channels Naked Science, Origin, Filth and OMG Weddings. Existing channels also feature iconic brands and awardwinning programming such as Big Fat Gypsy Wedding, Emma Willis Delivering Babies and Traffic Cops
Hybrid, virtual and physical endto-end event broadcast and production specialists, Stream7, is leveraging the reliable connectivity of Dejero GateWay M6E6 network aggregation devices to create its own temporary internet at diverse facilities and venues for live events production and broadcasting
“Because of data security, we’re often presented with restrictions when it comes to accessing the local network infrastructure behind corporate HQ or government building firewalls,” explains Darren Wain, Managing Director, Stream7.
“In the past, it could be incredibly resource-intensive to plan for and establish links, or to hardwire a venue – which also resulted in prohibitive costs. But with GateWay we can create our own network
and resilient internet connection to offer a simpler, more cost-effective package to our clients, without having to tap into the local infrastructure.”
Most recently, Stream7 provisioned a hybrid event for Sheffield Gastroenterology and the World Endoscopy Organisation (WEO) at the Royal Hallamshire Hospital in Sheffield, UK. The Dejero GateWay devices were deployed in one of the teaching hospital’s procedure rooms and in its lecture theater to provide a two-way link during an endoscopy, enabling both in-person and online delegates to watch a broadcast quality surgery in real-time and interact remotely with the surgeons, and each other, during the procedure.
Each GateWay, carrying six SIM cards from diverse network providers, enabled Stream7 to create a secure and isolated temporary network for the WEO event using only blended cellular.
Video feeds from two cameras and data from two endoscopy machines were broadcast to audiences in the lecture theater and to a video conference platform via an NDIbridge using Stream7’s Newtek Tricaster production system.
For other live events, Stream7 has set up the GateWay to combine connectivity not only from cellular, but from other IP networks, including fiber and satellite for primary and backup connectivity with Dejero Smart Blending Technology™
Loud Minds, the London-based indie founded by Tim Haines and best known for its high-end specialist factual and natural history programming, has signed a partnership agreement with White Spark Pictures, the Australian factual indie behind the award-winning, commercially successful VR documentaries The Antarctica Experience and Beyond the Milky Way.
A first agreement of its kind for both indies, the relationship has been established to respond to and drive demand for next-generation VR and immersive experiences in the market. The Loud Minds team, known for developing global brands in groundbreaking TV entertainment, is especially interested in adding to its cross-platform capabilities with ancillary immersive screen experiences and live events for
selected high-concept content and IP on its development slate.
The company is currently in production on Surviving Earth, a highly ambitious eight-part series for Universal Television Alternative Studio, which visits eight dramatic mass extinction moments throughout Earth’s history. Some of Loud Minds’ other programming in development similarly uses state-of-the-art CGI, high-end animation and jawdropping landscapes, which uniquely
lend themselves to immersive experiences, designer VR companion entertainment and longterm content brand extensions.
In addition, White Spark Pictures has recently launched a new technology company, Surround Sync, which offers ‘plug and play’ patent-pending technology that, for the first time, can provide virtual reality cinematic shared experiences for mass audiences and venues around the world
Embracing innovation at every turn, the Saudi Sports Company (SSC) is setting a new standard in sports broadcasting, significantly expanding its global footprint
With strategic investments aimed at harnessing the latest in broadcast technology, alongside the kingdom’s broader efforts in attracting toptier talent and upgrading sports infrastructure, SSC is not just aiming to enhance its domestic appeal but to position the Saudi Pro League among
the elite top 10 leagues worldwide. Central to this ambitious strategy is the partnership with TVU Networks and MEBS, whose state-of-the-art live commentary platform now brings the thrill of the game to an international audience in a multitude of languages, promising an unprecedented level of fan engagement.
The transformative power of TVU Networks’ Remote Commentator is reshaping the way the Saudi Sports Company (SSC) approaches live sports broadcasting. By adding the ability to do remote commentary into its production tools, SSC has unlocked a new realm of production scalability and cost efficiency. The addition of TVU’s cloud platform has eliminated the logistical hurdles and environmental impact associated with travel and accommodation, enabling seamless coverage of the Saudi Pro League’s season in a diverse array of languages. “Bringing together the best commentators from across the globe onto one platform, we’ve been able to enrich the viewing experience with
expert insights and a depth of analysis that truly brings the game closer to the fans,” said Amill Lone, CEO at SSC.
The partnership between the Saudi Sports Company (SSC) and TVU Networks has already yielded remarkable results. TVU’s Remote Commentator feature has played a significant role in expanding the league’s global audience by enhancing accessibility through multi-language commentators
Delving into the technology that fueled these milestones, Nader Mokhtar, Director of MCR/ Broadcast and STB Technology at MBC, highlights the pivotal role of TVU Networks, “Our partnership has been a game-changer. The Remote Commentator solution, surpassing all expectations, delivers close to real-time, perfectly synchronized commentaries with glass-to-glass latency faster than any other solutions, all without extra infrastructure. This efficiency has been key to scaling our operations.”
A brand new independent production company with a focus on premium scripted content has opened in London. Alef UK, headed by leading writer/director Gilles Bannier (Blue Lights, Trigger Point) as Creative Director, is set to develop, create and produce high-end scripted programming for global platforms and broadcasters.
A stand-alone subsidiary of Paris-based, awardwinning production house Alef One, led by Nora Melhli (The Tunnel, Carlos Ghosn: The Last Flight), Alef UK will build its own slate of programming for the global market with an emphasis on contemporary drama, reflecting diversity and societal change in all parts of the world.
For its launch, Alef UK has secured an option on Mind Reader, a thriller by best-selling novelist Iain Levison, an award-winning Scottish-American crime writer. Levison’s books have been widely published in France, with some successfully adapted for the screen.
Screenwriter Jonathan Wakeham – To Catch a Killer and the forthcoming Brian Epstein biopic Midas Man – is attached to adapt Mind Reader into a six episode returning series.
Jonathan Wakeham comments, “Alef One has a terrific track record of timely, intelligent and provocative storytelling and Gilles has directed some of the most acclaimed TV series in recent years. So, I’m thrilled to be working with them at the launch of Alef UK, bringing Iain Levison’s taut, witty and alarmingly prescient thriller Mind Reader to television.”
Gilles Bannier explains, “We are extremely pleased to launch Alef UK with such an exciting title and to be working alongside Jonathan as he crafts this fascinating story into a screenplay. Our DNA is to create content with powerful narratives around strong, compelling characters. As an independent unit, we are free to choose projects which we are passionate about and believe in one hundred percent. Nora and I will be working closely with likeminded UK, European and US partners to build truly collegial co-productions and explore our network of writers, directors and wider creative talent.”
French-born Gilles Bannier has lived in London for almost ten years. He most recently directed the first series of Blue Lights for BBC One. Prior to this he directed the first series of critically acclaimed Trigger Point for Hat Trick/ITV which was the channel’s highest rated drama of the past year with an audience of 10.9 million at launch. He worked on the first and second series of Tin Star, starring Tim Roth, for Sky Atlantic/Kudos. Gilles was also Lead Director on Danny Brocklehurst’s crime drama In The Dark for BBC One and directed two series of The Tunnel for Kudos/Shine France/Sky Atlantic/Canal+.
Gilles’ other notable credits include acclaimed crime drama Spiral (Engrenages) for Canal+ and the critically acclaimed Les Beaux Mecs, an eightpart gangster story which received 11 European awards and nominations, including the Prix Italia
Agile Content, the leader in the development of technology and solutions for the provision of television services over the Internet, has announced Koldo Unanue as its new CEO. The appointment was announced alongside Agile’s financial results, following IFRS standards. The company reached €102.6 million in revenue at the end of the 2023 financial year, which is €1.1 million above the previous year, and this appointment will be vital to a new stage of growth opportunities.
Unanue, a telecommunications engineer, marketing expert, and former TV director at Euskaltel and MASMOVIL group, brings over 25 years of experience in the telecommunications sector. He is a key figure in TV service provision, having made a significant positive impact on the digital experience of millions of customers, resulting in increased revenue for Agile Content’s clients.
Koldo Unanue takes over from Alfredo Redondo, who becomes Senior Advisor of the company. Redondo, whose contribution was crucial to the strengthening of the company’s capabilities, will support the next phase of transition, which the company is approaching with a consolidated competitive potential.
Koldo Unanue, CEO, said, “It is my pleasure to join Agile Content in such a fundamental time. I have a firm belief in the company’s value proposition and the impactful role of our technologies and services in the TV business, which aligns with the strategy of Telecommunications Service Providers.”
In 2023, Agile Content saw the successful consolidation of acquisitions, accompanied by the ongoing optimisation of our operations. This year marked a milestone as it operated on fully comparable perimeters to the previous year, benefiting from a seamlessly integrated global organisation. Its international capabilities have been strengthened, and it now stands in a robust financial position following several years of integration efforts.The company’s differentiating factor lies in its technological excellence and operational capacity to contribute successfully to operators’ convergent strategies, leveraging video as a crucial element in marketing and customer loyalty for high-value segments.
Banijay Rights, the global distribution arm of media and entertainment powerhouse Banijay, has announced the appointment of Isabelle Helle as SVP German-Speaking Territories and Poland
Helle will be responsible for executing Banijay Rights’ co-production sales strategy across German-speaking Europe and Poland, where she will represent the leading distributor’s 185,000+ hour-strong catalogue.
An experienced senior sales executive, Helle was formerly Director of BBC Worldwide Germany and has most recently been running her own consultancy, managing various domestic and international projects including high-end coproduction deals in territory.
Based in Cologne, Germany, Helle will report into Claire Jago, EVP EMEA Sales and Acquisitions, Banijay Rights, who said, “Isabelle is an extremely well- respected sales executive with a deep understanding of the German-speaking market. We are thrilled she joins the Banijay Rights sales team as we look to continue our success across Europe.”
Isabelle Helle, SVP German-Speaking Territories and Poland, Banijay Rights, added, “Banijay Rights is one of the pre-eminent distributors in the international content industry so I’m delighted to join a team of this calibre. There is real opportunity for growth in German-speaking territories and Poland and I look forward to getting started.”
Led by CEO Cathy Payne, Banijay Rights represents a world-class, multi-genre portfolio of standout programming including Survivor, Big Brother, MasterChef, Peaky Blinders, Rogue Heroes, Marie Antoinette, Grantchester, Mr Bean and Black Mirror.
Gaumont has announced the promotion of Sebastien Rossi to Creative Director of Gaumont’s Animation, Kids & Family division. He will report to Terry Kalagian, President of Gaumont Animation, Kids & Family.
In his new role as Creative Director, he will work closely with Gaumont Animation executives to develop and produce leading series and films for the global market, originating from France and Europe. He will also work closely with clients and buyers to deliver premium content that their audiences will love. Rossi will continue to expand his current responsibilities overseeing visual development.
With over 2 decades of experience in the animation and special effects industry, Rossi, who has specialized in CG supervision, blending a passion for visual art with technical expertise, had been serving at Head of CG as Gaumont. Prior to Gaumont, Rossi gathered experience as a CG and FX artist and ultimately graduated to supervise such award winning content as Arcane (Fortiche / Riot, Netflix), Zombillenium (Maybe Movies), and Asterix and the Mansion of the Gods (SND). Over the past 20 years, Rossi has leant his expertise to such companies as Illumination McGuff, Mikros Animation and TeamTO.
Kalagian said, “I am so excited to promote Sebastien into this senior role. He has already proven to be a fantastic and generous creative leader on the team and I have no doubt that his vision and expertise will help navigate us into the exciting future in animation.”
Rossi commented that, “It is a tremendous honor to step into the role of Creative Director at Gaumont under the inspiring leadership of Terry Kalagian. This promotion signifies an exciting new chapter in my journey, building on my deep passion for visual storytelling”.
By Paul Calleja, CEO, GlobalM
We live in a genuinely global marketplace for television. Content from Asian broadcasters and production companies has already proved to be popular around the world. K-dramas such as Kingdom and Squid Game have become breakout hits and primed a worldwide audience for more. The question is, how can media companies capitalise on this? How can they ensure that they reach these global audiences and maximise the return on their production and acquisition costs?
One of the key factors is content distribution. Traditional broadcasting methods involve substantial infrastructure costs which are restrictive, and often less flexible than using the cloud. IP-based delivery significantly cuts down on the need for expensive physical infrastructure and maintenance. This transition not only reduces operational costs but also allows for quicker, more efficient distribution of content to a global audience. By minimising delays and buffering issues, IP-based systems enhance the viewer experience, making Asian content more competitive internationally.
Nothing takes place in a vacuum however, and it is important to recognise that the broadcast industry is moving towards IP at different speeds. Implementing highly scalable Software-Defined-Video-Networks is an imperative here, and allows for seamless integration with existing broadcast systems, enabling a smoother
transition and interoperability between global markets. This transition ensures that Asian content providers can maintain high-quality broadcasting standards while adopting more flexible and cost-effective delivery methods. Interoperability with global broadcast systems allows Asian content to be easily adapted and distributed across various regions, thereby increasing its accessibility and appeal to international audiences. Currently the industry has many different broadcast standards, with multiple
different specifications of HD and UHD content required by different outlets, so flexibility is crucial.
One of the areas where IP-based broadcasting excels is in interactive, on-demand, and crucially personalised content experiences. Features such as viewer engagement tools, real-time feedback, and detailed analytics can be integrated into the content delivery process. These are a win-win for all concerned. Viewers are increasingly demanding personalised experiences that are granular at an individual level, and the companies that provide them find they can increase viewer loyalty and attract a larger, more engaged global audience as a result. For broadcasters, business analytics tools unlock insights into viewer preferences and behaviour, enabling content creators to tailor their offerings to meet audience demands more effectively and maximise the value of both their commissions and their libraries.
The benefits also extend to production. IP delivery facilitates easier collaboration between production teams, even across geographically dispersed locations, enabling creativity and diversity in content creation globally. This flexibility allows for a diverse range of inputs and perspectives, enriching the content creation process. By bringing together talents from various cultures and backgrounds, Asian content can gain a unique, global appeal. And from another standpoint, it means that business continuity can be retained in the face of any potential global disruptors.
best, delivering great content, rather than having to constantly manage systems. Advanced workflows facilitate more efficient project management, reducing production time and costs. Automation can handle repetitive tasks such as editing, encoding, and quality checks, ensuring consistency and high standards. This efficiency enables Asian content producers to deliver high-quality content at a faster pace, keeping up with global demands and trends.
Lastly it is worth considering the importance of strategic partnerships. International distributors and streaming platforms can expand the reach of Asian content to new markets, leveraging existing distribution networks and audience bases. By leveraging existing distribution networks and audience bases, Asian content providers can tap into new markets more efficiently. Collaborations with wellestablished platforms can also enhance the credibility and visibility of Asian content, making it more attractive to a global audience. These partnerships can lead to co-productions, joint marketing efforts, and shared expertise, leading to the establishment of a virtuous circle and further boosting the competitive edge of Asian content on the world stage.
The Asia Pacific ’ s media industry is evolving at a rapid pace and Television Asia Plus is here to provide full coverage and an unbiased look at everything that is happening in the region.
Television Asia Plus embraces Asia Pacific ’ s vibrant broadcast, production, and distribution of content across Free TV, Pay-TV, OTT, short video, livestream and new media platforms We take a look at the trends, the current market, and the freshest news and information on what’s happening in the industry today
Our digital platforms comprising tva onscreenasia com an @TVAsiaPlus on FB, Twitter and LinkedIn cover the latest industry news and movements. Meanwhile our print version is available as bonus distribution at all major trade events including HK Filmart, APOS, Mipcom Cannes and ATF
In the market for over two decades, Television Asia Plus has been proven to be a reliable and reputable television content journal. We reach 15,000 senior content professionals across Asia Pacifi c through our web, social media, e-newsletters and print products
Launched during a pandemic in 2020, Akili Kids! has risen to become the most-watched youth network in Kenya. Since its start on March 30, 2020, over one million video files have been broadcast via the PlayBox Neo’s Cloud2TV virtual channel playout system. Cloud2TV is a cloudbased software-as-a service solution that lets broadcasters operate their playout channels from any location via an easy-to-use web interface.
Akili Kids! is a fast-paced entertainment and educational TV network. Approximately 1.2M kids watch every 30 minutes. Cloud2TV seamlessly delivers a mix of over 650 video files every day for Akili Kids!.
“Kids like things to move fast,” said Vincent Grosso, CTO, Akili Networks. “With our schedule of fast-paced
promotions, educational TV clips, marketing messages, and commercials, sometimes video files are switched every 12 to 30 seconds.” Akili uploads targeted promos every day commemorating local holidays and events.
Customized clips are also edited daily. An original series called “Birthday Blast” mentions by name hundreds of kids each week celebrating their birthday.
Files come through in an array of formats that are encoded for playback on the fly for transmission throughout the country via Kenya’s over-the-air 50 Hz PALDVB-T2 based terrestrial broadcasting system. Akili Network receives programming in NTSC (American), PAL (European and other regions); multiple frame rates; and in various video file formats (i.e., MP4 and MOV).
“We’ve reduced our costs considerably because we don’t need to transcode before playout,” explains Grosso. “Our PlayBox server plays out multiple video and audio formats into a single, seamless PAL 50 frame per second stream to the transmitters. That’s been a huge benefit for Akili these last four years.”
A sophisticated transcoder on the PlayBox server supports multiple containers and file formats, including: MPG PS/TS, MXF, QT, AVI, MP4, GXF, MPG2, H.264, ProRes, DNX HD, and MJPEG.
Using Cloud2TV, Akili Kids! has two PlayBox Neo servers located at a data center in Nairobi with secure Internet
access, which feed over-the-air transmitters throughout the country. Content is uploaded to the playout server from Nairobi and New York over the Internet.
Cloud2TV’s remote upload and management capabilities allowed employees to work from home and keep the network on the air. During the pandemic, Akili Network’s scheduling and traffic teams had to access the system from home, using low bandwidth connections to build broadcast playlists. Commercials, promos, and content were uploaded by editors and program coordinators using local, often highly trafficked Internet connections. Big content files, command and control, and QC came from New York. Today, Cloud2TV’s remote upload and management capabilities continue to pay dividends for efficiency and flexibility.
“This is really an awe-inspiring achievement that Akili Network and PlayBox Neo accomplished as a team,” says Van Duke, Director of U.S. Operations, PlayBox Neo. “Their launch was at the at the beginning of the pandemic, many of their operations staff was new to broadcast tv, and the country’s IP infrastructure is less than ideal in spots. And they are now the number one kids’ station in Kenya with a unique blend of dynamic programming. We look forward to seeing what the next four years will bring.”
PlayBox Neo solutions are based on modular products and services which can be easily customized to provide the exact capability needed for any scale of channel playout management - from ingest and scheduling right through to transmission. At the heart of the PlayBox Neo line up is AirBox Neo20, a universal playout and IP streaming solution.
By Jason Leonidas, Regional VP, Australia & ASEAN, New Relic
Live sports are popular across Asia, and for good reason. What other pursuit can unite fans across a region as richly diverse as ours, to witness live moments of awe-inspiring skill and heart-stopping suspense together?
The increasingly connected population in Asia, combined with widespread mobile device usage, creates a great environment for the growth of live sports streaming. A report from Media Partners Asia, projects Asia Pacific sports revenues in TV and online video will grow to a staggering US$8.9 billion by 2026.
As the 2024 Paris Olympics promises some of the most immersive viewing experiences in Olympic history, broadcasters must ensure they are prepared to meet this demand.
We’ve all experienced the agony of missing a game-winning shot because your streaming service falters, or the action on the field being eclipsed by buffering screens and frozen replays. It is paramount for media and entertainment platforms to deliver an engaging and uninterrupted user
experience for every single viewer across every device – laptop, smart TV, mobile phone, or tablet.
Even a second of delay or unavailability can lead to poor reviews, high dropout rates, and loss of a significant portion of subscribers, which ultimately impacts revenue and profitability. The answer to optimising the viewing experience and propelling live sports to unprecedented heights is observability.
Observability offers a detailed perspective across the entire technology stack, enabling insights into its performance and condition. This includes realtime monitoring, tracking, and analysis of complex distributed architectures that will likely include on prem servers, multiple cloud providers and services, virtualised containers and third party APIs. A robust observability platform allows broadcasters to anticipate these surges in demand by analysing historical data and sporting event schedules, and proactively scaling resources accordingly. This approach is a necessity to ensure smooth streaming even during peak viewership times.
The 2024 NFL Super Bowl, arguably the biggest sporting event in the U.S., drew in viewership of nearly 124 million viewers earlier this year, making it the most-watched live broadcast event since the 1969 moon landing. To support this spike in viewership, streaming companies like YouTube TV, Hulu and Paramount+ began preparing their IT infrastructure months in advance to ensure an exceptional viewer experience without outages or major interruptions.
The importance of a seamless viewing experience can not be understated. A New Relic survey found that viewers do not hesitate to switch providers due to interruptions during a live stream. In fact, 58% of survey respondents said they would switch to a different provider to continue watching live events - such as the Super Bowl - in case of interruptions, with Gen Z (64%) and millennials (63%) being the most likely to switch streaming services.
When an outage occurs, quick resolutions are critical for streaming platforms to retain viewers. Successfully broadcasting live events means capturing every second of the action, so an outage on a streaming service means fans could be missing game-changing moments. The switch of providers following an outage can be almost immediate, with nearly half (48%) of respondents saying they would wait less than 10 minutes before switching providers.
With plenty of Asian athletes expected to deliver breakout performances on a global stage in Paris next month, the Summer Olympic Games is expected to produce over 11,000+ hours of broadcast coverage over the 17 days of the games. Amid more competition and strong consumer demand for uninterrupted viewing experiences, streaming companies will increasingly have to ensure their applications are wellequipped to seamlessly broadcast major live events.
Observability enables broadcasters through their digital platforms to put a high volume of content online and meet the viewing demand of a wide range of sports. This presents a huge opportunity for broadcasters to capitalize on this content as much as possible and reach a wide spectrum of sporting fans.
Investing in observability is not just a strategic move; it’s a commitment to delivering a world-class live sports experience. Broadcasters should consider a proactive observability tool that offers real-time insights, predictive analytics, and proactive issue resolution capabilities, so they can identify potential bottlenecks well before they become a problem.
