HSO 1920 PROGRAM BOOK 2 by hawaiisymphonyorchestra1

TWO SEASONS J. Scott Janusch HSO Principal Oboe

HARRY POTTER AND THE GOBLET OF FIRE™ IN CONCERT FRIDAY, NOVEMBER 1 / 7:30 PM SATURDAY, NOVEMBER 2 / 7:30 PM SUNDAY, NOVEMBER 3 / 4:00 PM

TWO SEASONS

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CONTENTS

IN THIS ISSUE

filmsinCONCERT I | MASTERWORKS III

PROGRAM BOOK 2

5 7 8 16 HARRY POTTER CHARACTERS, NAMES AND RELATED INDICIA ARE © & ™ WARNER BROS. ENTERTAINMENT INC. WIZARDING WORLD TRADEMARK AND LOGO © & ™ WARNER BROS. ENTERTAINMENT INC. PUBLISHING RIGHTS © JKR. (S19)

PAGE 16 - J. SCOTT JANUSCH

Very Merry Holiday

On the cover: Halekulani Masterworks III: Oboist J. Scott Janusch MASTERWORKS SPONSOR: HALEKULANI

filmsinCONCERT SPONSOR: SHERATON WAIKIKI

Executive Director’s Message 2019/2020 HSO Roster filmsinCONCERT I

Harry Potter and the Goblet of Fire™ in Concert

Halekulani Masterworks III

Two Seasons Guest Artists and Program Notes

HSO Associates

HSO Donors

Tribute List

42 ʻŌhiʻa Lehua Society 44

HSO Board/Staff

HSO Sponsors

Tickets and Patron Services 3610 Waialae Avenue, Honolulu, HI 96816 Monday - Friday, 8:30 am - 4:30 pm 94-MUSIC (808) 946-8742 tickets@hawaiisymphonyorchestra.org HISymphony.org

CONNECT WITH US HAWA I‘ I SYMPHONY ORCHESTRA

So as I reflect on these programs and the many others that we have enjoyed during the past six years, I am grateful for the support of everyone who makes these concerts possible. At the top of the list are our phenomenal musicians and staff, who consistently produce concert excellence every time. It has been a tremendous honor to serve this orchestra as both a musician and as its CEO. To our donors and patrons, we cannot thank you enough. My parting request is that you will continue to treasure and nurture this very special ensemble. While we have made great progress, there is much more that can be accomplished and your support can make it possible. I will carry many fond memories with me and I hope you will continue to make more with every performance. n

J O N AT H A N PA R R I S H

I am so pleased that my final concerts as Executive Director of the HSO will include three sold-out performances of the fourth installment in the Harry Potter™ film series and a Halekulani Masterworks that features one of our own amazing musicians and my longtime colleague, Principal Oboist J. Scott Janusch. Scott performs the debut of a work for oboe and orchestra on his new oboe made of 300-year-old kauila wood. The piece was written by my friend, Jon Magnussen, inspired by the history and culture of the place that I have called home for 21 years.

EXECUTIVE DIRECTOR

A HUI HO

Jonathan Parrish Executive Director Hawai‘i Symphony Orchestra

HAWA I‘ I SYMPHONY ORCHESTRA

FRIDAY, NOVEMBER 15

SATURDAY, NOVEMBER 16

SUNDAY, NOVEMBER 17

11:00am - 5:00pm Free concerts in Royal Hawaiian Center (The Royal Grove) in International Market Place (Queenâ&#x20AC;&#x2122; s Court)

Doors 3:00pm / Concert 4:00pm ANA HONOLULU MUSIC WEEK 2019 Final Concert

12:00pm - 1:00pm Lunchtime concert by University of Hawai i

Doors 11:00am / Concert 12:00pm Eden Kai Concert

Doors 6:00pm / Concert 7:00pm ANA GALA CELEBRATION

Doors 1:30pm / Concert 2:00pm Ryu Goto Concert in Hawai i with Hawaii Chamber Music FestivalÂ and Iolani SchoolÂ $35

Kiyotaka Sugiyama Kalapana Hawai i Symphony Orchestra Hawai i Youth Symphony University of Hawai i Orchestra Joseph Stepec

* Sales from this concert will be donated by ANA to music education Hawai i Symphony Orchestra Ka Leo o Laka i ka Hikina o ka LÄ for children in Hawai i 3:00pm - 5:00pm Ryu Goto Ryoko Moriyama and Friends Ryoko Moriyama Doors 3:30pm / Concert 4:00pm Kiyotaka Sugiyama NÄ Mele o KalÄ kaua Danny Kaleikini Royal Hawaiian Band Robert Cazimero Kalapana Doors 7:00pm / Concert 7:30pm Kayli Ka iulani Carr Leo Pasifika Voices of the Pacific Quinn Kelsey Quinn Kelsey, Pene Pati, Pene Pati Malia Ka ai-Barrett and Blythe Kelsey MÄ lia Ka ai-Barrett $35 Shunichi Tokura Hula HÄ lau O Kamuela Doors 7:00pm / Concert 8:00pm Akira Senju THE ANGEL ON MY SHOULDER TOUR Keitaro Harada Engelbert Humperdinck

$100/$70/$60/$50/$30

$100/$80/$60/$50/$45

November 15 - 17 Blaisdell Concert Hall, Royal Hawaiian Center, International Market Place, Bishop Square, The Ritz-Carlton Residences, Waikiki Beach, Kawaiaha o Church, Kapi olani Park Bandstand, Hawaiian Mission House

808-321-3198 hnlmusicweek.org

JOANN FALLETTA | ARTISTIC ADVISOR

Fixed Violin I Member ** Fixed Violin II Member *

VIOLA

Mark Butin, Principal Steven Flanter, Associate Principal Colin Belisle Jean-Michel Jacquon Carlo Malanima^ Rebecca Matayoshi Lynn Tamayoshi^ Melvin Whitney Anna Womack Sandra Wong

CELLO

Mark Votapek, Principal Sung Chan Chang, Associate Principal Pauline Bai Anna Callner ^ Karen Fujimoto Cello (Qiele) Guo Jeff Hamano^ Nancy Masaki Joshua Nakazawa Tugce Bryant^

DOUBLE BASS

John Gallagher, Acting Principal Matthew Love, Acting Associate Principal Vladimir Bernstein^ Hayden Joyce^ John Kolivas Randy Wong^ Sayuri Yamamoto

FLUTE

Susan McGinn, Principal Claire Starz Butin, Associate Principal

TRUMPET Zach Silberschlag, Acting Principal ^ Jo Ann Lamolino, Associate Principal Brian Prunetta

TROMBONE

Jason Byerlotzer, Principal Michael Maier, Acting Associate Principal^

BASS TROMBONE Rudi Hoehn^

TUBA

PICCOLO/3RD FLUTE Edna Jeon^

T.J. Ricer, Acting Principal^

OBOE J. Scott Janusch, Principal Michelle Feng, Associate Principal

Brad Davis, Principal Chris Cabrera, Associate Principal

ENGLISH HORN/3RD OBOE Leo Ziporyn^ CLARINET Louis DeMartino, Principal Norman Foster James F. Moffitt, Associate Principal E-FLAT CLARINET Norman Foster BASS CLARINET James F. Moffitt BASSOON Tommy Morrison, Acting Principal^ Philip Gottling III

TIMPANI

PERCUSSION

Becca Laurito, Principal Jordan Schifino, Associate Principal Chris Cabrera

H AWA I ‘ I SY M P H O N Y O R C H E ST R A

Ignace Jang, Concertmaster Claire Sakai Hazzard, Associate Concertmaster Judy Barrett, Assistant Concertmaster Hung Wu, Principal Violin II Darel Stark, Associate Principal Violin II Asia Doike^ Nikki Ebisu^ Rami Gepner Katharine Hafner* Helen Higa** Alexandra Khamiovich^ Ki Won Kim Timothy Leong Michael Lim Helen Liu Yuseon Nam Daniel Padilla Maile Reeves* Rachel Saul Schifino Sheryl Shohet Nancy Shoop-Wu Mio Unosawa Herzog* Emma Votapek* Fumiko Wellington Duane White

2019 / 2020 ROSTER

VIOLIN

HARP

Constance Uejio, Principal

ORCHESTRA LIBRARIAN Kim Kiyabu, Principal

PERSONNEL MANAGER Mark Breitenbach °

on leave one year position

PHOTO BY: JOHN KUAMO‘O

CONTRABASSOON Philip Gottling III HORN Anna Lenhart, Principal Jamie Sanborn Acting Associate Principal^ Colton Hironaka, Assistant Principal^ Marie Lickwar^ George Warnock Eric Kop

For more information about the Hawai‘i Symphony Orchestra or about the individual musicians, please visit: HISymphony.org/hawaiis-symphony/the-musicians The musicians employed by the Hawai‘i Symphony Orchestra are members of the Musicians’ Association of Hawai‘i, Local 677 of the American Federation of Musicians.

HAWA I‘ I SYMPHONY ORCHESTRA

F I L M S I N CO N C E RT

HARRY POTTER AND THE GOBLET OF FIRE™ IN CONCERT

FRIDAY NOVEMBER 1 | 7:30PM SATURDAY NOVEMBER 2 | 7:30PM SUNDAY NOVEMBER 3 | 4:00PM

Harry PotterTM is mysteriously entered into the Triwizard TournamentTM, a grueling contest among three wizarding schools in which he confronts a dragon, water demons and an enchanted maze only to find himself in Lord Voldemort’s grasp. All will change when Harry, Ron and Hermione leave childhood forever and face challenges beyond their imagining.

HARRY POTTER characters, names and related indicia are © & ™ Warner Bros. Entertainment Inc. Harry Potter Publishing Rights © JKR. (s19)

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CONNECT WITH US 8

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Shih-Hung Young conductor Shih-Hung Young, Chinese conductor and violinist from Taiwan, born in Kuala Lumpur, Malaysia and later came to the United States. He received his Bachelor’s and Master’s of Music degrees from The Juilliard School and a Doctorate of Music from State University of New York at Stony Brook. Dr. Young has been on The Juilliard School Pre-College Division faculty since 1995. An active conductor of classical symphonic literatures, film scores and operas, and a performer of solo and chamber music recitals, Dr. Young serves as a conductor for Howard Shore’s Academy Award-winning The Lord of the Rings: Live to Projection & The Lord of the Rings Symphony. Hans Zimmer’s award winning score Gladiator: Live to Projection, collaborating with Golden Globe winner Lisa Gerrard. The Godfather Live, Dreamworks Animation in Concert and Harry Potter Film Concert Series. Performing with orchestras in Belgium, Bulgaria, Czech Republic, Denmark, Finland, France, Germany, Iceland, Italy, Moscow, St. Petersburg, Luxemburg, Norway, Sweden, Perth Australia, Taiwan, Ravinia Festival in Chicago, Houston, Utah, San Diego, Santiago Chile, Madrid, Milan, Rome, Barcelona and many more destinations. Completing The Lord of the Rings Trilogy cycle in San Jose California, Florence Italy, and Paris France. Dr. Young has toured the world sharing stories through music. He was the associate conductor/concertmaster of the US National tour of Tony-winning Broadway show The Light in the Piazza, My Fair Lady and Radio City’s Rockettes-Christmas Spectacular Arena Tour. Upcoming concerts include performances in Nanjing, Taipei, Aarhus Denmark, Shanghai and Beijing. n

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maestro

H I S Y M P H O N Y. O R G

Patrick Doyle composer Patrick Doyle is a classically trained composer. He graduated from the Royal Scottish Academy of Music in 1975 and was made a Fellow of the RSAM in 2001. In 1989 director Sir Kenneth Branagh commissioned Patrick to compose the score for feature film Henry V, conducted by Sir Simon Rattle, and they have subsequently collaborated on numerous pictures, including Much Ado About Nothing, Hamlet, As You Like It and Cinderella. Patrick and Branagh’s collaboration within film and theatre has continued to this day, with performances worldwide that include Branagh’s 2015 production of The Winter’s Tale which ran at the Garrick Theatre in London’s WestEnd. Patrick has been commissioned to score over 50 international feature films, including Harry Potter and the Goblet of Fire, Gosford Park, Sense and Sensibility, Indochine, Carlito’s Way and A Little Princess. His work has led to collaborations with some of the most acclaimed directors in the world, such as Regis Wargnier, Brian De Palma, Alfonso Cuaròn, Ang Lee, Chen Kaige, Mike Newell and Robert Altman. Patrick has received two Oscar, two Golden Globe, one BAFTA and two Cesar nominations, as well as winning the 1989 Ivor Novello Award for Best Film Theme for Henry V. He has also been honoured with a Lifetime Achievement Award from The World Soundtrack Awards and Scottish BAFTA, the Henry Mancini Award from ASCAP and the PRS Award for Extraordinary Achievement in Music. In 2015 Patrick completed work on the music for Walt Disney’s live action version of Cinderella, directed by Branagh and marking their eleventh film collaboration to date. Patrick also completed recording a solo piano album, made up of a collection of his film scores to date, which was released by Varese Sarabande in July 2015. Recent films include theremake of Scottish classic ‘Whisky Galore’ and Amma Asante’s ‘A UnitedKingdom’. n

composer

HAWA I‘ I SYMPHONY ORCHESTRA

Justin Freer CineConcerts co-founder American composer/conductor JUSTIN FREER was born and raised in Huntington Beach, CA. He has established himself as one of the West Coast’s most exciting musical voices and is a highly sought-after conductor and producer of film music concerts around the world. Freer began his formal studies on trumpet, playing in wind ensembles, marching bands and community orchestras. He quickly turned to piano and composition and composed his first work for wind ensemble at age eleven. Continuing trumpet performance while studying piano and composition, Freer saw multiple wind ensemble, choral and big band performances of his music while still a teenager and gave his professional conducting debut at age sixteen. Continually composing for various different mediums, he has written music for world-renowned trumpeters Doc Severinsen and Jens Lindemann and continues to be in demand as a composer and conductor for everything from orchestral literature to chamber music at some of the most well known concert halls, festivals, music clinics and conventions in the world. Major League Soccer called upon Freer to compose and conduct music for the 2011 and 2012 Major League Soccer Championship Cups in Los Angeles, CA. He has served as composer for several independent films and has written motion picture advertising music for some of 20th Century Fox Studios’ biggest campaigns including Avatar, The Day the Earth Stood Still, Dragonball Evolution and Aliens in the Attic. As a conductor Freer has appeared with some of the most well-known orchestras in the world including the Chicago Symphony Orchestra, Cleveland Orchestra, London Philharmonic, Los Angeles Philharmonic, New York Philharmonic, Philadelphia Orchestra and Philharmonia Orchestra. He is also one of the only conductors to have ever conducted in both the ancient Colosseum and Circus Maximus in Rome. Renowned wind conductor and Oxford Round Table Scholar Dr. Rikard Hansen has noted that, “In totality, Freer’s exploration in musical sound evoke moments of highly charged drama, alarming strife and serene reflection.” In recent seasons his works have been performed by the Musashino Academia Musicae Wind Ensemble, Texas All-State Symphonic Band, the Grand Symphonic Winds and the wind bands of the University of North Texas, Purdue University, Kansas State University, University of North Dakota, University of Illinois, Indiana University, UCLA, St. Cloud State University, and Cal State University, Los Angeles, among many others. His music has also appeared as a subject of discussion at the Oxford Round Table of Scholars and has been performed throughout the world from New York City’s Carnegie Hall to Tokyo Opera City Concert Hall. Freer has been recognized with numerous grants and awards from organizations including ASCAP, BMI, the Society of Composers and Lyricists and the Henry Mancini Estate. He is the Founder and President of CineConcerts, a company dedicated to the preservation and concert presentation of film, TV and media music set to picture with whom he has produced, curated and conducted hundreds of full length music score performances live with film for such wide ranging titles as Gladiator, The Godfather, Breakfast at Tiffany’s, It’s A Wonderful Life, Rudy and the entire Harry Potter Film Franchise - he also spent several years as one of the principal conductors for The Lord of the Rings Trilogy In Concert and conducted the European concert run of Titanic.

co-founder

Mr. Freer earned both his B.A. and M.A. degrees in Music Composition from UCLA, where his principal composition teachers included Paul Chihara and Ian Krouse. In addition, he was mentored by legendary composer/conductor Jerry Goldsmith. n

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H I S Y M P H O N Y. O R G

Brady Beaubien CineConcerts co-founder Interlace Media, an award-winning motion graphics company. As a premiere CG animation studio and creative agency for feature films, Interlace has defined the global campaigns of over 100 major Hollywood movies, including the Avatar, X-Men, Rio, Ice Age, and Die Hard franchises. In 2013 Beaubien co-founded CineConcerts, a company dedicated to reinventing the experience of theatrical presentation and orchestral music. He currently produces CineConcerts’ titles full repertoire of film concert experiences, including Gladiator Live, The Godfather Live, DreamWorks Animation in Concert, It’s a Wonderful Life in Concert, Star Trek: The Ultimate Voyage, and the Harry Potter Film Concert Series. Beaubien has helped lead the company’s vision of new genres and its creative presentations of cherished film and television content, including writing Star Trek: The Ultimate Voyage, a live concert experience that celebrates 50 years of iconic material. Through creative strategy and collaboration, he works to ensure that CineConcerts inspires a return to communal entertainment and continues to offer modern audiences and the world’s youth a chance to reconnect with concert halls and local orchestras. Beaubien is also accomplished in the world of design, with his projects including Matsuhisa Paris at the Le Royal Monceau-Raffles and The Citrus on Hollywood’s Melrose Avenue, an architectural addition to the local cityscape that represents a commitment to the metropolitan and interconnected providence of Los Angeles. At The Citrus, advanced materials and technology merge with wood, concrete and glass in an organic and modernist design. Additionally, Beaubien partnered with award-winning sushi chef Nobu Matsuhisa to design his new restaurant concept – Umeda – and bring it to its current home in the picturesque building. n

co-founder HAWA I‘ I SYMPHONY ORCHESTRA

About CineConcerts

Twitter | Facebook | Instagram CineConcerts is one of the leading producers of live music experiences performed with visual media, and is continuously redefining live entertainment. Founded by Producer/Conductor Justin Freer and Producer/Writer Brady Beaubien, CineConcerts has engaged over 1.3 million people worldwide in concert presentations in over 900 performances in 48 countries working with some of the best orchestras and venues in the world including the Chicago Symphony Orchestra, Cleveland Orchestra, London Philharmonic, Los Angeles Philharmonic, New York Philharmonic, Philadelphia Orchestra, Philharmonia Orchestra, and many more. Recent and current live concert experiences include Rudy in Concert, The Harry Potter Film Concert Series, Gladiator Live, The Godfather Live, It’s a Wonderful Life in Concert, DreamWorks Animation In Concert, Star Trek: The Ultimate Voyage 50th Anniversary Concert Tour, Breakfast at Tiffany’s in Concert, and A Christmas Dream Live. Justin Freer President/Founder/Producer Brady Beaubien Co-Founder/Producer Managing Director Jeffery Sells Head of Publicity and Communications Andrew Alderete Director of Visual Media Mike Ranger Special Projects Director, Ma’ayan Kaplan Senior Marketing Manager, Brittany Fonseca Senior Social Media Manager, Si Peng Project Manager, Gabe Cheng Worldwide Representation WME Entertainment Music Preparation JoAnn Kane Music Service Music Editing Ed Kalnins Playback Operation and Synthesizer Production, iMusicImage Sound Remixing Justin Moshkevich, Igloo Music Studios

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H I S Y M P H O N Y. O R G

Harry Potter and the Goblet of Fire Directed by Mike Newell Produced by David Heyman Written by Steve Kloves Based on “Harry Potter and the Goblet of Fire” by J.K. Rowling Starring: Daniel Radcliffe Rupert Grint Emma Watson Robbie Coltrane Ralph Fiennes Michael Gambon Brendan Gleeson Jason Isaacs Gary Oldman Alan Rickman Maggie Smith Timothy Spall David Thewlis Frances de la Tour Warwick Davis Music by Patrick Doyle Cinematography by Roger Pratt Edited by Mick Audsley Produced by Heyday Films, Patalex IV Productions Distributed by Warner Bros. Pictures

HAWA I‘ I SYMPHONY ORCHESTRA

H A L E K U L A N I M A ST E R WO R K S

TWO SEASONS

SATURDAY NOVEMBER 9 | 7:30PM SUNDAY NOVEMBER 10 | 4:00PM

Keitaro Harada conductor

J. Scott Janusch oboe

As part of the Hawaiian Oboe Legacy Project, principal oboist J. Scott Janusch performs a monumental work that celebrates ancient Hawaiian culture on a unique instrument made of rare kauila wood. Japanese conductor Keitaro Harada makes his HSO debut in this program that connects classical music and Hawaii’s rich natural history. SERGE PROKOFIEV Symphony No.1 (Classical Symphony) I. Allegro con brio II. Larghetto III. Gavotte: Non troppo allegro IV. Finale: Molto vivace

FRANZ SCHUBERT Symphony No.5

I. Allegro II. Andante con moto III. Menuetto. Allegro molto – Trio IV. Allegro Vivace

— INTERMISSION — JON MAGNUSSEN Nā Kau ‘Elua | The Two Seasons Concerto for oboe and orchestra with Western and Hawai‘ian percussion and natural sounds SERIES SPONSOR:

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We kindly ask you to please silence all cellphones and electronic devices. Also, please note that photography and video recordings are prohibited during the performance. Intermission is 20 minutes. Once the performance has begun, seating is at the discretion of the house.

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Keitaro Harada conductor Conductor Keitaro Harada maintains a growing, international presence throughout North America, Asia, Mexico, and Europe. Recently named Music & Artistic Director Designate of Savannah Philharmonic, he will conduct the 2019-20 opening and closing concerts before his inaugural season in 2020-21. Harada’s broad scope of musical interest in symphonic, opera, chamber works, pops, film scores, ballet, educational, outreach, and multi-disciplinary projects leads to diverse and eclectic programs. Recent and upcoming highlights include Houston Symphony, NHK Symphony Orchestra, Yomiuri Nippon Symphony Orchestra, Osaka Symphony, Osaka Philharmonic, Hawaii Symphony Orchestra, Kanagawa Philharmonic Orchestra, Nagoya Philharmonic Orchestra, New Japan Philharmonic, Tokyo Symphony, Tokyo Philharmonic, Fort Worth Symphony, Indianapolis Symphony, Memphis Symphony, Louisiana Philharmonic, Charlotte Symphony, West Virginia Symphony, Tucson Symphony, Phoenix Symphony, Virginia Symphony, and Orquesta Filarmónica de Sonora (México). No stranger to the operatic cannon, Harada returns this season for his debut of Leoncavallo’s Pagliacci with North Carolina Opera, for whom he has previously led productions of Carmen and Britten’s Turn of the Screw. In 2017, he conducted Mazzoli’s Song from the Uproar for Cincinnati Opera, as well as run of Carmen for Bulgaria’s Sofia National Opera and Ballet that reprised with a Japan tour in fall 2018. In past seasons and as Associate Conductor of Arizona Opera, he led productions of Don Pasquale, Le Fille du Regiment, and Tosca. As a 2010 Seiji Ozawa Fellow at Tanglewood, Harada conducted critically-acclaimed performances of Strauss’ Ariadne auf Naxos. Currently finishing his fourth season as Associate Conductor of the Cincinnati Symphony Orchestra and Cincinnati Pops, Harada regularly assists Music Director Louis Langrée, conducts the CSO, POPS, and works with James Conlon and Juanjo Mena for the May Festival. He is a three-time recipient of The Solti Foundation U.S. Career Assistance Award (2016, 2015, 2014), Bruno Walter National Conductor Preview (2013), the Seiji Ozawa Conducting Fellowship at Tanglewood Music Festival, and was a student of Lorin Maazel at Castleton Festival and Fabio Luisi at Pacific Music Festival. In 2018 and 2016, he was invited by Valery Gergiev to serve on the faculty of the Pacific Music Festival. n kharada.com | @KHconductor

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maestro

H I S Y M P H O N Y. O R G

J. Scott Janusch oboe J. Scott Janusch has been Principal Oboe of the Hawai’i (Honolulu) Symphony since 1987. He was a scholarship student at the Manhattan School of Music and the Cleveland Institute of Music where he earned his Bachelor and Master of Music degrees. His teachers include John Mack, Elaine Douvas, Henry Schuman and Marc Lifschey. Scott has been the oboist in Chamber Music Hawaii’s ‘Spring Wind Quintet’ since 1996 and is also the organization’s Education/Outreach Coordinator for CMH’s in-school and Community concerts and workshops. Scott has also performed as Principal Oboe with the San Antonio Symphony and the Santa Barbara Symphony, where he was a featured soloist in April 2004. He was also appointed as Principal Oboe of the San Diego Symphony and Opera Orchestra for the 2001/2002 season and appointed to the same position in the Kansas City Symphony by Maestro Michael Stern for their 2010/2011 season. Scott has also been featured as a soloist with the Honolulu Symphony on seven occasions performing the Mozart Oboe Concerto in 1990 and 2002, the Vivaldi d minor Concerto in 1999, the Bach Double Violin/Oboe Concerto and Mozart’s ‘Sinfonia Concertante’ in 2007, the Strauss Oboe Concerto with Andreas Delfs conducting in 2008, and the ‘Concertante’ by Paladilhe and Handel’s g minor Concerto in 2015. Scott has performed with the Los Angeles Philharmonic at the Hollywood Bowl and participated in the Maui Chamber Music Festival, the Colorado Music Festival, the La Jolla Chamber Music Festival, and the Marlboro Music Festival in Vermont. Also a keyboard artist, Scott has performed on the piano, harpsichord, and celesta for the Honolulu Symphony, Ballet Hawaii, Chamber Music Hawaii, and for several faculty recitals at the University of Hawaii. Since 2017 Scott has been Director of the Hawaiian Oboe Legacy Project, a multi-faceted endeavor to have an oboe created out of an endemic rare Hawaiian wood, ‘Kauila’, commission a piece of music to feature the instrument in both chamber and symphonic forms, and to make both of these resources available to the community upon the completion of the initial project year. The Symphonic version, presented in these concerts, represents the culmination of the efforts of many individuals, including the composer, Dr. Jon Magnussen, donors, cultural practitioners, the maker of the oboe, Howarth of London, and the participating artists, all of whom have helped bring this unique project to life. n

oboe

HAWA I‘ I SYMPHONY ORCHESTRA

Jon Magnussen composer Composer Jon Magnussen’s music has been described as “hauntingly beautiful” (Salt Lake Tribune), “beautifully textured” (New York Times), and “thoughtful... deeply imaginative” (L.A. Times). Born in Sierra Leone, and raised in California and Hawaii, his music for the concert hall, drama, dance and film has been commissioned and performed nationally and internationally by organizations including American Ballet Theatre, American Composers Orchestra, Chamber Music Hawaiʻi, Ebb and Flow Arts, ETHEL, Haven Trio, Hawaiʻi Youth Opera Chorus, Hawaii Youth Symphony, Honolulu Symphony, Limón Dance Company (NYC), Lula Washington Dance Theatre, New York New Music Ensemble, New Juilliard Ensemble, New York Percussion Quartet, New York Virtuoso Singers, The Shakespeare Theatre (Washington, D.C.), and St. Luke’s Chamber Ensemble. Organizations funding his music include the Argosy Foundation, Chamber Music America with support from The Andrew W. Mellon Foundation, The Aaron Copland Fund for Music, Honolulu Mayor’s Office on Culture and the Arts, Kosasa Foundation, Library of Congress, Meet the Composer, National Endowment for the Arts, and the Gladys Krieble Delmas Foundation. His recordings appear on the Albany, CMH and Blue Griffin labels. Recent collaborative projects include Pāka ‘a Lanakila!, a Hawaiian-style “Peter and the Wolf” for Chamber Music Hawaii’s Spring Wind Quintet and Hawaiian-language narrator; TWINGE, a chamber work for Haven Trio based on Pulitzer Prize-winning journalist Barry Bearak’s New York Times article “The Day the Sea Came”, and “Nā Kau ‘Elua | The Two Seasons”, an oboe concerto for J. Scott Janusch in chamber and symphonic versions. Magnussen holds doctoral and masters degrees from The Juilliard School where he studied composition with Robert Beaser and participated in seminars with John Corigliano, Ellen Taafe Zwilich and William Bolcom. He also holds degrees from Conservatoire Nationale Supérieure de Musique de Paris where he studied with Jean-Paul Holstein; and Cornell University, where he studied with Steven Stucky and Karel Husa. Magnussen was Artist-in-Residence at the Institute for Advanced Study in Princeton from 2000 to 2007 where he led a new music series (Recent Pasts 20/21) and presented talks, associated with the series, on new music. He is currently Associate Professor of Music at University of Hawai‘i West O‘ahu. n www.jonmagnussen.com

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PROGRAM NOTES T WO SEAS ONS

H A L EK U L ANI M A ST ER WO R K S III

SYMPHONY NO. 1 IN D, OP.25 “CLASSICAL” SYMPHONY Serge Prokofiev In February 1917, Russian peasantry revolted against the Tsarist regime, overthrowing a centuries-old monarchy in favor of a provisional government. Eight months later the Bolsheviks replaced the provisional government, establishing Soviet rule in Russia and changing the face of world politics. During this tumultuous period, Serge Prokofiev composed his First Symphony, a work miraculously free of any reference to the chaotic events transpiring at the time.

b. Sontzovka, Ukraine 23 April, 1891 d. Moscow, USSR 5 March, 1953 First performed by the HSO

The “Classical” Symphony is justifiably associated with Haydn; Prokofiev himself acknowledged his idea of writing a symphony such as Haydn might have composed had he lived until the twentieth century. But the real challenge for him in this work was to write without the piano. He

14 minutes

5 INTERESTING FACTS ABOUT SERGE PROKOFIEV 1. A Child Prodigy Prokofiev’s musical ambitions were fueled by hearing his mother playing Chopin and Beethoven on the piano in the evenings. He composed his first piano piece at five and his first opera aged nine. 2. Family Man After the Russian Revolution, Prokofiev left his homeland with the Soviet Union’s official blessing. He lived in the USA, then Germany and Paris, during which time he married Spanish singer, Carolina Codina, with whom he had two sons. 3. Prokofiev and Stravinsky Prokofiev and his compatriot Stravinsky were friends, although Prokofiev did not enjoy Stravinsky’s later works. Stravinsky modestly described Prokofiev as the greatest Russian composer of his day, after himself. 4. Chess master Prokofiev was a passionate chess player who became friends with world chess champions José Raúl Capablanca, whom he beat in 1914, and Mikhail Botvinnik. 5. Overshadowed by Stalin Prokofiev died at the age of 61 on 5 March 1953, the day Stalin’s death was announced. For three days as the throngs gathered to mourn Stalin, it was impossible to carry Prokofiev’s body out of his home for burial.

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1946

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intentionally removed himself from the piano, believing that melodies conceived without its aid were simply better melodies. Prokofiev also harbored the hope that, in dubbing the work “Classical,” he might encourage it actually becoming a classic. In fact, that is exactly what happened, and with good reason. The work is a masterful achievement in economy of means. With small performing forces, miniature scale of movements, and effective understatement, Prokofiev did indeed create a timeless masterpiece. His transparent clarity pays homage to the elegant eighteenth-century style of Haydn and Mozart; his ironic sense of humor and inventive modulations tie the work to the present century. The “Classical” Symphony is scored for flutes, oboes, clarinets, bassoons, trumpets and horns in pairs; timpani and strings. n —Laurie Shulman © 2019

SYMPHONY NO.5 IN B-FLAT MAJOR, D.485 Franz Schubert Schubert’s early symphonies are far less well known than his later ones, the “Unfinished” in B minor and the “Great” C major Symphony. Some remarkable music rewards the curious listener who seeks out these youthful instrumental works. It is a truism to observe that Schubert could not have written the magnificent symphonic works of his maturity without having undergone the learning process inherent in the earlier pieces. Although Mozart and Haydn were his presumed symphonic models, the distinctive and individual signs of Schubert’s own musical personality are already manifest.

b. Liechtenthal, Vienna, Austria 31 January, 1797 d. Vienna, Austria 19 November, 1828 First performed by the HSO

The Symphony No. 5 in B-flat is the best of the early symphonies, perhaps because of its modesty. It is a chamber symphony, lacking clarinets, trumpets, or timpani. (The scoring matches that of Mozart’s Symphony No. 40 in G minor, K.550.) Schubert’s biographer John Reed describes it as:

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[T]he sunniest and most lyrical of all the symphonies. . . . a work which bears in every bar the stamp of his own lyrical genius, while the spirit of Mozart seems to brood benignly over it. Schubert composed it in September 1816, completing the score on 3 October. A burst of productivity that had carried through from the previous year. During calendar 1816, Schubert composed more than 100 songs, two acts of an opera, another symphony, more than a dozen sacred and secular choral pieces, three violin sonatinas and several other chamber works – all on top of his full time job as a schoolmaster. The completion of this symphony coincided with his decision to abandon the teaching position he detested in favor of the riskier career of a freelance composer. He left his family’s house in order to move into Vienna, which remained his home for the rest of his life. Like most of Schubert’s early symphonies, this one remained unpublished until the 1880s, when the German house of Breitkopf & Härtel made a first attempt at a Schubert collected works edition. Only then did the FRANZ SCHUBERT GOT HIS OWN MEMORIAL IN THE STADTPARK, VIENNA, IN 1872. DESIGNED BY SCULPTOR CARL KUNDMANN, THE SCULPTURE SHOWS SCHUBERT SITTING PENSIVELY, POISED TO PUT DOWN NOTES ON PAPER. THE BASE OF THE STATUE HAS THREE RELIEFS DEDICATED TO THE THEMES MUSICAL IMAGINATION, INSTRUMENTAL MUSIC, AND VOCAL MUSIC. THE STATUE WAS FINANCED BY THE VIENNESE MALE VOICE CHOIR – AN INSTITUTION THAT CONTINUES TODAY.

1965

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Symphony No.5 enter the popular symphonic repertoire. Schubert did hear a performance shortly after he composed it; in fact, he likely played viola in the performance. By 1816 the Schubert family string quartet had expanded into a quasi-professional chamber orchestra that met at the home of its conductor, Otto Hatwig. The limited resources of that select group probably accounts for the intimate character of the music. Schubert’s music is cheerful and bouncy, particularly in the outer two movements. The sentimental Andante has some unusual modulations and imaginative scoring for woodwinds. But the most singular movement is unquestionably the Minuet, whose G minor tonality and unexpected severity make its Mozartean ancestry apparent. The score calls for one flute, two oboes, two bassoons, two horns, and strings. n

HAWA I‘ I SYMPHONY ORCHESTRA

NĀ KAU ‘ELUA | THE TWO SEASONS CONCERTO FOR OBOE AND ORCHESTRA WITH WESTERN AND HAWAI‘IAN PERCUSSION AND NATURAL SOUNDS Jon Magnussen Nā Kau ‘Elua | The Two Seasons has two stories. Actually, it has multiple tales, but in the big picture, the oboe that J. Scott Janusch plays is an independent saga from Jon Magnussen’s new work. Both the instrument and the music are intimately linked to Hawai‘i’s rich culture and heritage. Mr. Janusch’s legacy oboe is crafted from wood from a kauila tree [alphitonia ponderosa] native to Kōkeʻe, Kauaʻi. The tree from which the oboe is made is believed to have been – based on the width of its trunk – approximately three hundred years old. After being damaged in a 1980s hurricane, the tree was reclaimed by Ed Kaʻiwi of Anahola. He passed a large piece of it on to luthier Mickey Sussman, who makes guitars and ukuleles from kauila, koa, and other native Hawaiian woods. Sussman was aware that, for years, oboist J. Scott Janusch had thought about commissioning a new oboe crafted from Hawaiian wood, with the thought that the instrument would be a legacy gift to the people of Hawai‘i. Accordingly, he gave some of it to Janusch. Kauila wood is noted for its hardness and density; it will sink in water. Janusch wasn’t certain about the suitability of the kauila wood for a woodwind instrument, but there was one way to find out. He commissioned Howarth of London, an internationally known maker of oboes, English horns, oboes d’amore, clarinets, and bassoons, to craft the new oboe. Howarth’s director, Jeremy Walsworth, was unfamiliar with kauila (most oboes are made from African grenadilla wood).

b. Masanga, Sierra Leone 28 December 1967 These performances are an HSO premiere. This is the world premiere of the orchestral version Approximate Duration 42 minutes

Understandably, Walsworth hesitated to take on the project. In the event, the process took two years, much of which was spent curing the wood until it was stable. Janusch was pleased with the result, particularly the instrument’s accuracy of pitch and overall tonal consistency. “This can serve as a unique bridge between ancient culture and today’s culture,” he said last spring at the time of the chamber version premiere. “The resource is so old, and so special, that it can serve a role as an ambassador, raising awareness about the need to preserve the ’āina, the importance of the resource and its significance. With support from the Hawaiian Oboe Legacy Project and Live Music Awareness, Janusch then commissioned University of Hawai‘i– West Oʻahu Associate Professor Jon Magnussen to write a piece for oboe that would also be a legacy gift to the Hawaiian people. He requested that the work exist in two versions: one for chamber ensemble, and the other with full orchestra. The oboe part is substantially the same in both versions. Magnussen’s chamber version was first performed last May in conjunction with the season finale

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Magic is what we do. Music is how we do it. ‘Iolani offers student musicians opportunities to perform in some of the world’s most magical places such as New York, Chicago, Tokyo and Rome. With more than 20 music elective options, there’s a place for everyone.

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of Chamber Music Hawai‘i. November 9 and 10, we hear the premiere performances of the full orchestra version. Both versions employ Western instruments along with Hawaiian percussion instruments made of bamboo and kauila wood. Magnussen also recorded the sounds of the Kōkeʻe forest to be played at strategic points in the score. And that leads us to the second chapter of this story. Magnussen organized Nā Kau ‘Elua | The Two Seasons in two principal parts corresponding to Hawai‘i’s wet and dry seasons. Each half comprises six individual movements inspired by an aspect of Hawaiian culture or a Hawaiian legend. All twelve segments feature a concept or object historically crafted from kauila wood. Dr. Magnussen’s composer’s note elaborates. The po’e kahiko [people of old Hawai‘i] were well known to use their natural resources in sustainable ways. Nā Kau ʻElua | The Two Seasons celebrates the slow-growing kauila wood, a resource used year-round by the po’e kahiko. The 12-movement design reflects the 12 lunar months of the Hawaiian year, which is divided into two seasons. The words ‘rare’ and ‘endangered’ are often used in connection with kauila wood, but in a not-too-distant past, kauila wood was an everyday companion to the po’e

kahiko, well known for its excellent durability and heft, and for making a wide variety of durable and useful objects, from kapa beaters [iʻe kuku] and war clubs [lā’au pālau] to netting needles [hi’a kā ‘upena] and bowl repairing pegs [kui lā’auI]. To honor this relationship between the po’e kahiko and kauila wood, each of the 12 movements of Nā Kau ʻElua | The Two Seasons is inspired by a mo’olelo [story] featuring a concept or object traditionally made of kauila wood. In recognition of the significant age of the wood [in Janusch’s kailua oboe], Nā Kau ʻElua | The Two Seasons was composed using ‘reclaimed’ musical materials from Antonio Vivaldi’s The Four Seasons (1721), a group of four concertos from roughly the same time as when the Kōke’e kauila seedling began to grow. While the Hawai‘an Oboe Legacy Project extends the life and voice of a beautiful old kauila tree, it also reminds us of the fragility of our planet. Change is a constant, and changes to our world are inevitable. But to many of our native species like the kauila, devastating change is occurring now in the form of losses of habitat from the invasive presence of non-native, habitat-modifying plants, animals, and diseases. When a species disappears, our planet’s biodiversity weakens, negatively affecting our planet’s health as well as our own. The po‘e kahiko practiced aloha ’āina – literally ‘love of the land’ – a practice that recognized the reciprocal relationship between the land and its people and required sustainable stewardship of the āina, land and sea. We in the 21st century have much to learn from the po‘e kahiko as we navigate our present and our future.

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The twelve movements of Magnussen’s Nā Kau ‘Elua | The Two Seasons richly evoke the sounds of nature: wind and water, birds and tree foliage in the breeze, the rhythms of life and movement in our islands. Textures are spare and transparent, allowing the unusual timbre of the kailua oboe to favor its lyrical, bucolic tone color. Each of the vignettes is relatively short, but they share a commonality of atmosphere that unify the whole of Nā Kau ‘Elua | The Two Seasons, giving the music a compelling and natural flow. Jon Magnussen earned both his master’s and doctoral degrees at New York’s Juilliard School, studying composition with Robert Beaser. He participated in seminars with John Corigliano, Ellen Taaffe Zwilich, and William Bolcom. He also holds degrees from the Paris Conservatoire, where he studied with Jean-Paul Holstein, and Cornell University, where he studied composition with Steven Stucky and conducting with Karel Husa. Magnussen was Artist-in-Residence at the Institute for Advanced Study in Princeton from 2000-2007. He has served on the faculty of University of Hawai‘i West O’ahu since 2011. Magnussen’s score calls for 3 flutes (3rd doubling piccolo), 2 oboes (2nd doubling English horn), 2 clarinets (2nd doubling bass clarinet), 2 bassoons (2nd doubling contrabassoon), 3 horns, 3 trumpets, 3 trombones,

tuba, timpani, a large percussion complement requiring 3 players and 3 kapa cultural practitioners [Western percussion: marimba, vibraphone, xylophone, glockenspiel, crotales, triangle, suspended cymbal, and 4 woodblocks; Hawaiian percussion: 2 pū’ili (split bamboo), 2 kāla’au (kauila wood sticks for dancing), 4 i’e kuku (kapa beaters), played by cultural practitioners; bass drum, and 4 tom toms], harp, piano, taped nature sounds, solo oboe, and strings. n

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Mahalo to those who have volunteered their time, talent and treasure to help make our season a great success! HSOA LEADERSHIP TEAM

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Jean McIntosh, president Andrea Snyder, past president Natalie Mahoney & George St. John, vice presidents Martha Nakajima, secretary Francia Hamnett, treasurer Bonnie Lisa Pestana, ambassadors Alena Kangas Auyoung, communications Nancy Askew-Regidor, Janey Lau, Jeffrey Lim, Thanksgiving dinner Marco Airaghi Susan Anderson Anton Anderssen Nancy Askew-Regidor Alena Auyoung Henry Beck Tasha-Lei Bio-Militante Amy Blackwell Lila Borges Rita Braun Michael Brodsky Barbara Bronster Carol Ching David Chung Janet Cooke Carol Anne Dickson Toshiko Dose Maryanne Eichorn Louise Emery Kate Gormley Francia Hamnett Michael Hamnett Maria D. López-Haney Edith Harada Mary Hogan

CONNECT WITH US 28

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Madeleine Noa Luuk Oleson Peter Oleson Carol Paris Amanda Perron Bonnie Lisa Pestana Barbara Pretty Jane Redmond Marie Satz Stan Satz Kent Savage Trudy Schandler-Wong Hillary Jean Sebeny Jane Schwager Joann Shapiro Lisa Shugart Lee Shugart Bobbie Slater Andrea Snyder George St. John Sharon Twigg-Smith Jacquelin Villanueva Alvin Wong Miriam Zakimi

FILM LIVE WITH ORCHESTRA PRESENTED BY

HAWAI´I SYMPHONY ORCHESTRA FULL ORCHESTRA CONDUCTED BY STUART CHAFETZ

JANUARY 31 @ 7:30 P.M. FEBRUARY 1 @ 2:00 P.M. AND 8:00 P.M. MUSIC BY

JOHN WILLIAMS

94-MUSIC / HISYMPHONY.ORG / BLAISDELL / TICKETS FROM $27 Tickets also available at the Blaisdell Box Office, Ticketmaster.com or Ticketmaster Charge-by-Phone (800) 745-3000

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THE GIFT OF MUSIC

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HSO BOARD SECRETARY KENNETH S. ROBBINS AT THE 2019 SEASON OPENING GALA AT THE ROYAL HAWAIIAN

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REHEARSAL & AUTOGRAPHED CD

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An invitation to a rehearsal plus an autographed CD from one of our guest artists.

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An opportunity An invitation to the to enjoy a private Maile Royal Circle dinner with a guest artist or conductor. reception.

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Very Merry Holiday

Celebrate the music of the holiday season in style as your HSO pulls out all the stops to make spirits bright, warm your heart and put you in a Very Merry Holiday mood. Santa will be available for photos. Join us for our pre-concert all-inclusive party.

Visit HISymphony.org for more information

DECEMBER 10 / 7:30 PM 94-MUSIC / HAWAIITHEATRE.COM Hawaii Theatre / Tickets from $27

Join your HSO For a Disco Party!

Perhaps a night of ABBA music is the ultimate “guilty pleasure” for us all. Katalin Kiss, Andrea Koziol, Stephanie Martin and Lis Soderberg, and your HSO will get your NYE started with the iconic songs of ABBA in all their pop, rock, dance, and evocative ballad glory ... Mamma Mia!

TUESDAY / DECEMBER 31 7:30 - 9:30 PM 94-MUSIC / HISYMPHONY.ORG

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AMY HĀNAIALI’I JANUARY 10 @ 7:30

Five time Grammy Award Nominee and four time Na Hoku Hano Hano Award Winner Amy Hānaiali’i joins your HSO delivering the soundtrack of these islands

MUSIC OF JOHN DENVER MARCH 27 @ 7:30

Jim Curry, vocals and guitar

The timless music of John Denver with Jim Curry and your HSO.

BLOCKBUSTER SCORES MAY 29 @ 7:30

Maestro Stuart Chafetz leads your HSO through thrilling scores from hit shows and films like Lost, Downton Abbey, X-Files, Game of Thrones, Star Trek and many more!

musicthatPOPS / tickets start at $27 94-MUSIC / HISYMPHONY.ORG MUSIC OF BILLY JOEL

FEBRUARY 28 @ 7:30 Michael Cavanaugh, vocals and piano

Michael Cavanaugh is known as “the new Piano Man” and was crowned by Billy Joel himself appearing in Movin’ Out on Broadway for three years with over 1,200 performances.

musicthatROCKS / tickets start at $36 94-MUSIC / HISYMPHONY.ORG

Up to $999 Rev. Abraham Kahu Akaka Ministries Foundation AmazonSmile Foundation Edmond & Mildred Ayling Fund of the Hawaii Community Foundation Bank of America Charitable Foundation Phyllis G. Glick Trust Hawaii Hotel Industry Foundation Pledgeling Foundation Andy & Jessica Stenz Family Fund, Hawaii Community Foundation Allen and Nobuko Zecha Foundation

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Date Night

SATURDAY AT THE SYMPHONY

2 Concert Tickets

2 Pre-Concert Reception Tickets Saturday at the Symphony at the Honolulu Club

(Includes 2 cocktails each, upscale pupus and entertainment)

A Small Box of Chocolates

1 50

CHOOSE FROM ANY SATURDAY MASTERWORKS HISYMPHONY.ORG/DATENIGHT

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Cherie N. Dubats Denise and Ace Ellinwood Lani and Uson Ewart Joanna Z. Fan Marlies H. Farrell Paul & Jane Field Ronald & Maureen Fitch Matthew & Linda FitzGerald Marc and Alice Flitter Mary Jo Freshley Colleen Furuya Paula Gill Marilyn Wong Gleysteen Kathleen Goto Laure & David Hadder Beverly Haid & Sue Hillman Kimberley Haines Michael Hamnett Edith Harada Margaret Y. Harada Daniel Hartline & Petra Lenz James & Constance Hastings Sally & Tom Hattemer Letitia Hickson Patricia Josephine Hildreth Stephanie Hoe Carolyn Hong John & Shizue Howe Dr. Yujen “Ted” Hsia Diana Huang Carolyn Hyman Louis & Kim Ickler Sharon Inake Ethel C. Iwasaki Noel R. Jaderstrom Rev. Dr. Donald K. Johnson Richard M. Johnson & Jung Nam Lee Annakaarina Jolkkonen Kim Jones Wyatt L. Jones & Dawson Jones Dr. Leilani Kaanehe and Dr. Sandi Kwee Jay & Ann Kadowaki Kiku I. Kealoha Linda Kidani Charles Kim Dr. & Mrs. Robert Kim Laurence N. Kolonel Shirley Krause E. Takeo & Barbara Kudo Julia Chin Kwan Geri Lambert LaVay Lau Wendy Lazer & Dr. Jerome Bookin Ellen LeClair

tickets start at $36 94-MUSIC / HISYMPHONY.ORG

John Venizelos Levas Laurel S. Lindenbach Melissa Loy Benjamin & Eleanor Lum Sharon S. McPhee Deborah Merritt Amy H. Mitsuda Willson & Sally Moore Takako Morimoto Samuel and Gertrud Murray Maxine Nagamine Eric I. Nagao & Lauren Yee Marcia M. Nagao Poranee Natadecha-Sponsel Sam & Carolyn Ng Ruth Pagell Christopher and Joanne Pating Dr. Barbara B. Polk Dr. Tungâ&#x20AC;&#x2122;s Products Anthony J. Radcliffe David J. Randell & Rosemary T. Fazio Zsuzsa Rastegar James & Jane Redmond Heidi Rian Donn M. Sakuda Harold & Joyce Schatz Marcia Schultz Andrew Schumacher Jane Schwager Paul J. Schwind & Mollie Chang Ronald and Lana Marie Seki Diane Shepherd Lisa A. Shigemura Sheryl Shohet Ulrike Siddiqi Paul & Therese Simeone Russell and Suzanne Young Sitch Susan Spangler Joyce G. Spoehr Susan Stahl Donna Tamasese Bruce T. & Rae. N. Teramoto Helen D. Thomas Dianne Towey Jennifer M. & Jose G. Trevino Fred J. Trupiano Rochelle Uchibori Floraine Van Orden Miguel Vasquez Robert A. Wall Timothy Walrod Duane & Carol White John Allan White John Allan White

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Marsha White Patricia Whittingslow Thomas A. Wills Mark K. Wilson, III Calvin Y.H. & Susan Chong Wong Mark D. Wong Randy & Helen Wong George & Mary Ann Wyman Valentina Yarovaya Sally Yoshinaga Everett B. Young Laurie M.H. Zane Debra D. Zedalis Up to $149 Anonymous (29) Deborah A. Agles Heather Arias de Cordoba Jamie Asato Nelisa Asato John L. Ashby Jr. Patricia Augustine Karen Baker & Frank Marone Laura Ing Baker Austin Barnes Brian Baron Virginia Beck Denise P. Bekaert & Felicity O. Yost Zara Berg Josie Bidgood Amy Blackwell Robert & Alexandra Bley-Vroman David Budd John Campbell David E. Cantor Brooke Carroll Leslie Carter James & Olivia Castro Chunmay Chang Diane E. Chang Wesley Chang Dr. Lida Chase Minja Choe David Chung Richard Chung Julia Clark Sherri Nanea Clark Ms. M Gay Conklin Patricia M. Coughlin Marjorie L. Cox Aiko K. & Leslie G. Crandall Nancy A. Davlantes Malia Day Jerald Dunlap

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Laudra B. Eber Rudolf & Edith Ecken-Genova Robert & Patricia Faus Andrew M. Fegan Soo M. Ferrante Larry & Atsuko Fish John and Anne Flanigan Vanessa J Foster Ralph & Eleanor Fujioka Joan Fujita Carol Aiko Fujiyoshi Jeffrey & Shirley Fukushima dianne garcia Gary & Marion Glober Patricia Godfrey Judith Goldman Lois A. Gordon Edwina Gosnell John Graves Werner H. Grebe Judith Guffey Ms. Esther Haas-Hugentobler Mrs. Nyle Hallman Susan K. Hamai Ms. Mitsue Hanabusa Lea & John Heide Lyle Hendricks Rose Herrera Victoria Hersey Glenda C. Hinchey Diane Hino Dawn M. Honda Jayne K. Honda Jenny R. Howard Lorna J G Hu George M. Hudes Alena Hughes Robert & Judith Hughes Susan Hurd Archie & Lynn Ikehara Wallace J. Inglis Chenise Iwamasa Sara Adah Izen Judy Jakobovits Michael Jones Judith T. Kakazu Kenneth and Patricia Kamiya Katherine E. Kaneko Ferne Kawahara Jeam Kawamura Jean K. Kawamura Elaine Kawazoe Claudia K. & Robert C.K. Keaulani Linda Keller

Ann Kelminski Marcia Kemble Elspeth J.C. Kerr Michael & Susan Killion Kevin Kimata Margaret W King Dr. Robert & Adelaide Kistner Ms. Carolyn Koehler Marga Koennecke Takako O. Kokame Floria Komer Janice Kong Christine Kurashige & Barry Whitfield Anne Kwiatkowski Mary Lacques Evelyn B. Lance Matthew S. Lau James & Susanne Lenz Herman Leong Judy & Dennis Lind Gail G. Loden Gail Long Russell Loo Karen L. Loomis Kwong Yen Lum Lois Magnussen Sue & Howard Maier William P. Malm Richard Manshardt Karen Masaki & Paul Freeman David Masunaga Clarence Y. Matsumoto June R. Matsumoto Lynne Matusow Mary & Robert McEldowney Donald O. McInnis Hawaii Symphony Associates Edward & Laurie McKeon Laurie & Ed McKeon Martin & Sharron McMorrow Mariajane C. Mee Jeffrey Mermel Sally & Jeffrey Mermel Ruth Merz Kenneth M. Mijo John Misailidis Roy & Catherine Miyahira Art & Val Mori Milton & Annette Morishige Lynn Murakami-Akatsuka Trent Nakasaki JP and Angie Nelson The Ohio State University Alumni Club of Hawaii

Jerry & Arlene Ono Yukiko H. Onoe Perry Hertitage LTD. Partnership Norma Parado Lorna Park Jonathan Parrish Julie Ann Peterson Kenneth W. Pierce Russell & Patricia Pinho Anne Lee Pohner Myrna L. Pung Diane M Pyles Ms. Susan M. Quintal Judy A. Rantala Richard Rapson Mary Pecot Reese Carole Richelieu Mrs. Carol A. Rumford Ted and Ruth Sakai Robert S. & Mary Louise Sandla Rachel T. Sato Lewis Saul Janice T. Sawada Maureen Annette Schaeffer Charles C. Schenck Judith Scheu John & Eudice Schick Michelle Schneider Marcia G. Schultz Scott Schultz Yasenta Sen’Gerni & Paulette J’Sen Beppie Shapiro Ekaterina Sherstyuk Patricia Shields Colleen Shigeta Kazuo Shirakawa Jennifer Shishido Lee and Lisa Shugart Ted and Patricia Sidor Clifford and Bobbie Slater Rosaalie slater Mr. & Mrs. John Southworth Kathryn & Basil Sparlin Robert Stanfield Vibeke Steenberg Carolyn Steuer Carol S. and Michael P. Sullivan Noelle H. Sutherland Arnold Suzumoto Ms. Gail Switzer Ira & Marilyn Tagawa Elizabeth Tajima Mrs. Stacey Takanishi Pearl Takeuchi

Laura Dressel & David Tallant Alan Tamai Andrew & Virginia Tanji Mr. & Mrs. Remi Taum Mary M. Taylor Sadako Tengan Dr. & Mrs. John B. Thompson Ronald & Patricia Tochiki Werylend Tomczyk Sharman Torkildson Nancy Treer Jillian Turkington Poon Kay S. Uyeda & Ramona A. Ho Thomas Burke & Marie Wagner Robert A Wall Richard & Lorinda L. Waltz Laura Warfield Dr. Stephen & Mrs. Eugenie Werbel Nancy C Whitman Donald Williams Leslie Charles Wilson Linda A. Wilson Kelly C. Wimberly John Wollstein Diane W. Wong Rebecca Wong Patricia Wood Lesley A. Wright Jack & Kathy Yamada Dr. Byron Yasui Norman & Jane Yonamine Mari Yoshihara Don & Judi Young Merv & Joni Young Annette M. Zib

WE GREATLY APPRECIATE YOUR SUPPORT! TO MAKE A DONATION, PLEASE VISIT HISYMPHONY.ORG, CALL 94-MUSIC, OR MAIL A CHECK TO: 3610 WAIALAE AVENUE HONOLULU, HI 96816

HAWA I‘ I SYMPHONY ORCHESTRA

TRIBUTE LIST

MAHALO TO T H OS E W HO HAVE T H O U G H T F U L LY D O N ATE D

The following reflects gifts received between July 1, 2018 - October 17, 2019 IN HONOR

In Honor of Cherie Dubats Birthday Anonymous In Honor of Claire Hazzard Werylend Tomczyk In Honor of Elizabeth Wong and the HSO! Linn Sol Alber In Honor of Emma, Evelyn, and Mark Votapek Patricia Takemoto & Robert Morse In Honor of J. Scott Janusch , an exceptional musician and creator of musical instruments. Mahalo and Gracias Maria D. López-Haney In Honor of Jason Price, Tarisio Auctions Anonymous In Honor of Jean McIntosh & Andrea Snyder Nohara-Abaya Family Fund of the Hawaii Community Foundation In Honor of JoAnn Falletta Gary & Marion Glober Ms. Margaret Capobianco In Honor of Jonathan Parrish Marsha Schweitzer Worldster & Patricia Lee In Honor of Lynn Alper Josie Bidgood In Honor of Makoto, Victoria, and Okaasan Timothy Walrod

In Honor of our 50th wedding anniversary Dr. Stan & Marie Satz In Honor of Paul Kosasa Edward & Stephanie Laws In Honor of Paul Kosasa ABC Stores Chad Karasaki, Aon Risk Services, Inc. of Hawaii. In Honor of Paul Kosasa and the Kosasa Family Accuity LLP/Kent & Jean Tsukamoto In Honor of Peter Drewliner David and Nery Heenan In Honor of Susan Spangler’s 80th Birthday Rebecca Wong In Honor of the soon-to-be-new-grandparents, Constance and Glenn Uejio! Austin Barnes In Honor of Vicky Cayetano Andrew Schumacher Jennifer M. & Jose G. Trevino Ken & Gemie C. Arakawa Worldster & Patricia Lee In Honor of Vicky Cayetano & Marilyn Katzman Timothy Y.C. Choy In Honor of Vicky Cayetano’s Birthday Diane E. Chang Timothy Y.C. Choy IN MEMORY

In Memory of Ah Quon McElrath Gail Long

In Honor of Manoa Strings Debra J. Liu

In Memory of Arman Kitapci Anita Trubitt

In Honor of Martha Kholpin Yasenta Sen’Gerni & Paulette J’Sen

In Memory of Barbara Carlin Kirby H.F. Carlin, Jr

In Honor of Martha Nakajima Anonymous

In Memory of Bob Harbold Mary J Harbold

In Honor of Michael Titterton Gilman & Ruth Hu

In Memory of Carl Crosier Katherine Crosier

In Honor of my mom! Matthew Chapman

In Memory of Carol Amaki Lisa Andres

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In Memory of Chris Uchibori Rochelle Uchibori In Memory of Chuck and Karen Mau, Honolulu Symphony Orchestra violinist John & Susan M. Soong In Memory of Clarence C.M. Lum Francis C.H. Lum & Bertha Y. Lum In Memory of Ellen Masaki Karen Masaki & Paul Freeman In Memory of Fritz Fritschel Carol R. Langner In Memory of Gail Hudson Anonymous In Memory of George Barati Elizabeth Tajima In Memory of Ian M. Cooke Ann M. Castelfranco In Memory of Jane Campbell Patricia Takemoto & Robert Morse Rochelle Uchibori

In Memory of Laurence Shohet Mrs. Nyle Hallman Ronald and Lana Marie Seki Sheryl Shohet In Memory of Lillian Nishi Drs. Steven Nishi & Pamela Tauchi-Nishi In Memory of Luella N Spadaro Serendipity II Fund of the Hawaii Community Foundation In Memory of Max and Lily Lim Lloyd Lim In Memory of Minnie Kosasa Carl Yee & Mary Wong

In Memory of Prof. Terry E. Haney and Capt. Garth M. Haney Lopez Maria D. López-Haney In Memory of Raymond Hutchinson Patricia Josephine Hildreth In Memory of Shigeko and Edward Chock Eric E. Chock In Memory of Stephen Dinion Bernice Dinion Laure & David Hadder Mari Yoshihara

In Memory of my husband, Dwight Emery Louise L. Emery

In Memory of Wah Yun Dang Stanford & Winifred Au

In Memory of Norma Nichols Jean McIntosh Martha Nakajima Rochelle Uchibori In Memory of Otto Renelt Patricia Whittingslow

In Memory of Jean Harling and Marianne Fleece Elizabeth Tajima

In Memory of Paul Barrett Benjamin & Eleanor Lum Dr. Stephen & Mrs. Eugenie Werbel

In Memory of Joanna Fleming Marga Koennecke

In Memory of Paul Barrett, Carl Crosier, Fritz Fritschel, and Norma Nichols Paul J. Schwind & Mollie Chang

In Memory of John R. Mueh, M.D. Wyatt L. Jones & Dawson Jones

In Memory of Peter Brown Antoinette Brown

In Memory of Wesley Y. S. Chang Case Lombardi & Pettit Chenise Iwamasa Dawn M. Honda Eleanor Chang John Venizelos Levas Malia Day In Memory of William Samuel Fay Family and Friends

We deeply regret any oversight that may have occurred in our listing of donors. If we inadvertently made an error or did not acknowledge your gift, please contact Cristina Luck at (808) 946-8742 so it can be corrected. Mahalo! Tribute Gifts Please consider giving to the Hawai‘i Symphony Orchestra in honor or in memory of a loved one. Sponsorships Concert, guest artist and in-kind sponsorships are available at many levels to meet the needs of your business or your individual preferences.

HSO is a 501(c)(3) organization. Donations are tax-deductible. Tax ID (EIN) #45-2861988 HAWA I‘ I SYMPHONY ORCHESTRA

The ‘Ōhi‘a Lehua is the first tree to grow after lava flow. It serves as an appropriate symbol for those who have the Honolulu Symphony Foundation in their estate plans. Whether it’s a straightforward bequest in your will or trust, a charitable gift annuity, or naming the Honolulu Symphony Foundation as a beneficiary of your retirement fund, planned gifts support the HSO’s long-term fiscal stability.

‘ŌHI‘A LEHUA SOCIETY MEMBERS Linn Alber Bill and Gail Atwater George and Mary C. Cassarno Eliot Deutsch and Marcia Roberts-Deutsch Scott Janusch Ignace Jang and Christine Suehisa-Jang John Levas Kristi L. Maynard Lynne Johnson and Randy Moore Natalie Mahoney Arthur Miho Mark Wong and Guy Merola

If you are interested in learning more about the ‘Ōhi‘a Lehua Society, you may email Lynne Johnson at cometkupono@gmail.com. It is not necessary to provide documentation. Your word is enough. However, we appreciate knowing the details of your plan. That way, you can be sure that the gift works as you intended.

HONOLULU SYMPHONY FOUNDATION BOARD OF DIRECTORS

The Honolulu Symphony Foundation was established in 1998 to insure that endowment funds to support a professional orchestra in Hawaii would continue in perpetuity. Lynne Johnson, President Mark Wong, Vice President Lisa Nakamichi, Secretary William E. Atwater Scott Janusch Paul Kosasa Kristi L. Maynard Jonathan Parish Kenneth Robbins

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H I S Y M P H O N Y. O R G

Paul J. Kosasa, Chair Vicky Cayetano, Vice Chair Kenneth S. Robbins, Secretary Shelley Cramer H. Mitchell D’Olier

Richard Ing Marilyn Katzman Jason Kravitt G. Mark Polivka Michael Titterton Virginia Tiu

ADMINISTRATION EXECUTIVE DIRECTOR Jonathan Parrish

Delila Amorin Office Assistant ARTISTIC ADMINISTRATION & PRODUCTION Merle N. Bratlie General Manager Mark Breitenbach Personnel Manager Kim Kiyabu Principal Librarian Julie Montgomery Artistic Administrator STAGE TECHNICIANS IATSE LOCAL 665 CREW Al Omo, Union Steward Charlie Roberts, Sound Sandy Sandelin, Electrician Kim Shipton, Carpenter

Ronen Zilberman HSO Photographer PATRON SERVICES Cristina Luck Patron Services Manager

2019/2020

ARTISTIC ADVISOR JoAnn Falletta

MARKETING Heather Arias de Cordoba Marketing Director

HSO BOARD / ADMIN

BOARD OF DIRECTORS

AD SALES Michael Roth, Roth Communications rothcomm@gmail.com (808) 595-4124 BOX OFFICE 3610 Waialae Avenue Honolulu, HI 96816 1 hour free parking on Center Street, second parking lot E / info@hawaiisymphonyorchestra.org W / HISymphony.org P / 94-MUSIC (946-8742)

CONNECT WITH US HAWA I‘ I SYMPHONY ORCHESTRA

tickets start at $36 94-MUSIC / HISYMPHONY.ORG

SPONSORS $100,000 +

MAHALO NUI LOA TO OUR GENEROUS CORPORATE SPONSORS AND FOUNDATIONS FOR THEIR SUPPORT!

MEDIA $1,000 + PARTNERS

$10,000 +

$20,000 +

THE ARTHUR AND MAE ORVIS FOUNDATION, INC.

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associates

H I S Y M P H O N Y. O R G

THE HONOLULU SYMPHONY FOUNDATION

THE WALLACE, ELIZABETH, AND ISABELLA WONG FAMILY FOUNDATION

SPONSORSHIP OPPORTUNITIES ARE AVAILABLE AT MANY LEVELS. CALL CRISTINA LUCK, AT 946-8742 FOR MORE INFORMATION. HAWA Iâ&#x20AC;&#x2DC; I SYMPHONY ORCHESTRA