CREATIVITY
INTENTIONS
SUBSTANTIATION
IMAGINATION
DESIGN IDEATIONS
LEARNINGS
HEMANT
jOSHI
ARCHITECTURE
ABOUT ME:HEMANT JOSHI, 3RD YEAR B.ARCH. MBM COLLEGE OF ENGINEERING AND ARCHITECTURE JODHPUR(RAJASTHAN). DOB: 23/08/1994. SCHOOL:ST. PAUL’S SNR. SEC. SCHOOL(JODHPUR).
TECHNICAL SKILLS
OBJECTIVE: SEEKING AN ARCHITECTURAL INTERNSHIP PROGRAMME TO EXPOSE MYSELF TO THE DESIGN PROCESS OF THE PROFESSIONAL WORLD.
AUTO-CAD
SKETCH-UP
MY AIM IS TO DISCOVER AND APPRECIATE THE FINER NUANCES OF WHAT MAKES A DESIGN SIGNIFICANT. A SEARCHER BY SOUL AND TRYING TO QUESTION THE BLACK AND WHITE AND FINDING ANSWERS IN THE GREY
PHOTOSHOP 7
INDESIGN CC
WORKSHOPS/SEMINARS:
PARAMETRIC SHELL. TESSELATION AND PARAMETRICISM. CREATIVE THINKING. ARCHITECTURE JOURNALISM.
BRICK JAALI CLAY MODELING
RHINOCEROS 5
MICROSOFT OFFICE
0
ACHIEVEMENTS:
AS A TROPHY COORDINATOR GOT MY COLLEGE TEAM SHORTLISTED IN TOP 100 COLLEGES (ANDC2016-17).
10
20
30
40
50
60
70
80
90 100
NON-TECHNICAL SKILLS RESEARCH
HOLISM I SENSITIVITY I ENIGMA
WRITING PRESENTATION COMMUNICATION HAND-DRAFTING SKETCHING WATER COLOUR
“SHIVAM”, RAMDEOCHOWK, NAVCHOWKIA, JODHPUR 342001 RAJASTHAN (INDIA)
+91-9983517691 hemantjoshi2394@gmail.com
CREATIVITY
INTENTIONS
SUBSTANTIATION
DESIGN IDEATIONS
LEARNINGS
IMAGINATION
MY OEUVRE A STORY OF THE SEASONS
PARIKRAMA/PROMENADE
MY FIRST DESIGN EVER
FORM FOLLOWS PLAY
6-11
14-19
22-23
26-27
ANDC TROPHY 2016-2017 30-33
DOCUMENTATION
34-41
ARCHITECTURAL DETAILING
YANTRA HOUSING (HIG-EWS TOWERS)
MISCELLANEOUS
EMAIL:
hemantjoshi2394@gmail.com
PHONE: +91-9983517691
42-45
46-51
52-53
ARCHITECT’S RESIDENCE
AN ARCHITECT’S RESEDENCE IN SHIMLA (HIMACHAL PRDESH). IN THE SERENE VALLIES OF HIMALIYAS. THE ARCHITECT HAPPENS TO HAVE A PASSION FOR DANCE AND THE SITE IS CONTOURS DOWN TO A LAKE . THE ARCHTECT LIVES WITH HIS FAMILY OF BOTH PARENTS, KIDS, AND WIFE.
A STO
ORY OF THE SEASONS
ARCHITECT’S RESIDENCE SHIMLA PROJECT BRIEF: THE DESIGN BRIEF ASKED US TO DESIGN AN ARCHITECT’S RESIDENCE, WHO LIVES WITH HIS FOR (8 EMPLOYEES) PLACED ON THE SAME SITE..
FURTHERMORE, THE ARCHITECTT HAPPENS TO HAVE A PASSION FOR DNCE AS WELL, HENCE A DANCE STUDIO IS TO BE ENCORPORATED INTO THE DESIGN .
THE EXCERCISE INTENDED TO MAKE US WORK IN AN UNFAMILIAR CONTEXTAND TO SPECIFICALLY FOCUSED ON THE WAY WE STUDIED AND UTILISED THE SITE.
INFORMATON
FAMILY AND PARENTS AND ALSO RUNS AN OFFICE
GEOGRAPHY THE SITE: THE SITE IS ALLOCATED IN THE VALLIES OF SHIMLA BESIDE A LAKE WITH AN AREA OF 5000 SQ.FT.THE SITE AS SURVEYED HAS 4 BASIC LEVELS, COUNTING THE LEVEL OF WATER/ LAKE AS 0.0METRE AND THE SITE GOES TO
+4.7
WHICH
METRES, IS
ALSO
TH LEVEL OF THE CONNECTING ROAD FROM THE CITY .
SITE SPECIFIC DESIGN
LOCATION
INTO THE VALLEYS
7
CONTEXT
8
THE VOLUTION OF VOLUMES : FOLLOWING
EVOLUTION OF THE THE BASIC
DIAGRAMS
DESCRIBE THE
INSPRATION
DESIGN. STARTING FROM 1
SKETCH OF THE PLAN FORM TO THE
FINAL FORM AS PER GIVEN REQUIREMENTS..
6 8 HEMANT JOSHI : hemantjoshi2394@gmail.com
ABSTRACTION
5
4
SUPREMA
CON
FUNCTION
THE
3
SITE ANALYSIS THE GIVEN SITE LIES IN AN RELATIVELY ISOLATED AREA, THIS SECLUSION FROM THE URBAN FABRIC PROVIDES A SEREN VALLEY ENVIRONMENT OF SHIMLA THAT IS LEVERAGED IN THE DESIGN.
IMPORTANT FACT:
THE LAKE TO WHICH THE SITE CONTOURS DOWN , IS CONNECTED TO A LARGER LAKE WHICH IS ON A LOWER LEVEL. HENCE, THE WATER IN THE LAKE NEVER RISES ABOVE ONE METRE , THUS, THE DESIGN USES THIS GEOGRAPHICAL FACT TO PLACE THE LOWER FLOORS CLOSE TO THE WATER AND HAVE PIERS THAT
YOU DIVE DEEPER INTO
THE
S E R E N I T Y.
D
A B FRAMING VISTAS
ATISM
C
THE GIVEN SITE HAD FOUR MAJOR “VISTAS” THAT WERE
NCEPTION
3
LETS
INTERSTING
IN
THERE
OWN
WAYS.
THE
CONCEPTION F THE PLAN FORM INVOLVES PLANNING ALONG AXES THAT FRAMED THESE
FOUR VISTAS.
INSPIRATION FROM PAINTINGS : SUPREMATISM IS AN ART FORMTHAT IS NOT HUMAN CENTRIC. IT INVOLES MAKING ART WITH ONLY GOMETRICAL ENTITIES AND GIVING ARTISTIC MEANING TO THEM. THE PLANFORM OF
2
1
THEDESIGN IS AN ABSTRACTION OF THESE FAMOUSE SUPREMATIST PAINTINGS. 9 HEMANT JOSHI : hemantjoshi2394@gmail.com
THE PLAN FORM AND IT’S JUSTIFICATION: THE GIVEN SITE IS EXTENSIVELY USED TO LEVERAGE THE DESIGN CONCEPT. THE PLAN FOR IS SPREAD OUTTO CREATE SP PRIVATE SPACES AS WELL AS FAMILY SPACES AND ALSO AN OFFICE WITH 6-8 EMPLOYEES. THE GEOMANCY OF THE DESIGN CONSISTES OF PRIMARY SHAPES BUT ARRANGED IN SUPREMTIST WAYS TO PROVIDE MEANING.
THE DESIGN CONSISTS OF SPACES THAT ARE USED IN DIFFERENT SEASONS, LIKE THE PIER AREA, THE FAMILY LOUNGE, THE OPEN DECK AND THE POOL WOULD BE MOSTLY USED IN THE SPRING OR THE PLESANT SUMMERS WHILE DURING WINTERS THE FAMILY MEMBERS WOULD COZE UP IN THE LIVING ROOM NEXT TO THE FIREPLACE OR
THE
INDOOR
POOL
OR
THE
HOMETHEATRE..
PERSONAL INTENT WITH THE DESIGN : INITIALLY THE PLAN FORM OF TH RESIDENCE WAS AN CONCEPTIONAL ABSTRACTION OF SUPREMATIST PAINTINGS, AND THEN IT LATER MORPHED INTO VOLUMS PLANNED ON LEVELS CONTOURIG DOWN ONTO THE LAKE.
THE MAIN AIM OF THE DESIGN WAS TO FRAME THE
4-5
PTOMINENT
EXPIRINCE
VISUALLY
VISTAS
AND
STIMULATING
MAKETHE AND
TO
LEVERAGE THE SERENITY OF LIVING IN THE HILLS.
THE
DESIGN
SUITS
THE
LIFESTYLE
OF
THE
ARCHITECT. THE OFFICE AND THE RESIDENCE ARE INTERCONNECTED WITH THE DANCE STUDIO O UPPER LEVE; AND BEDROOM OF THE ARCHITECT ON THE LOWER LEVEL. ALONG WITH A PRIVATE DECK. LIVING LIFE ON MULTIPLE LEVELS INA METAPHORICAL SENSE.
KHAT-KHUNNI CONSTRUCTION : THE
AGE
OLD
VERNACULAR
CONSTRUCTION
TECHNIQUE OF KHAT-KHUNNI IS A PROMINENT PART OF
THE
TRDITIONAL
URBAN
FABRIC
OF
SHIMLA.
IT INVOLVS THE USE OF SANDSTONE RUBBLE OR ASHLARS
STACKED TOGETHER AND
BONUD WITH
PINE WOOD IN A WAY SHOWN IN THE FIGURES.
10 HEMANT JOSHI : hemantjoshi2394@gmail.com
SCALE: 1: 400 11 HEMANT JOSHI : hemantjoshi2394@gmail.com
FRONT
BACK
ELEVATION
ELEVATION
LEFT SIDE
ELEVATION
RIGHT SIDE
ELEVATION
SEASONAL USE OF SPACES 12 HEMANT JOSHI : hemantjoshi2394@gmail.com
ALL DRAWINGS IN SCALE
(LVL+4.7M) (LVL+4.3M) (Lvl+3.2M). (LVL+2.6M). (LVL+0.6M) (LVL-+ 0M) (LVL -1.4M) (LVL -1.9M)
INSPRATION
CONJECTURE
BUILT ENVIRONMENT CAN BE AN ARTFULL DECEIT…
LOWER FLOOR (LVL-3.7M) LAKE LEVEL (LVL-4.7M)
ROOF LEVEL
(LVL+4.7M)
PORTICO SITE LEVEL
(LVL+0.6M)
DESIGN INTENTIONS
ROOF LEVEL CEILING LEVEL LOWER ROOF LOWER CEILING LEVEL SITE LEVEL ROAD LEVEL POOL DEPTH 1 POOL DEPTH 2
(LVL+ 1M)
SITTING AREA (LVL-0.3M)
LAKE LEVEL
(LVL-4.7M)
ROOF LEVEL
(LVL+4.7M)
UPPER FLOOR (LVL+1M) SITE LEVEL (LVL+0.6M) POOL DEPTH 2 (LVL -1.9M)
THE VIEW FROM THE DRIVEWAY :
FAMILY LOUNGE (LVL-3.7M) LAKE LEVEL (LVL-4.7M)
THE VIEW FROM THE DRIVEWAY AS ONE ENTRS THE SITE THIS VIEW IS FRAMES THE LONGEST VISTA OF THE PANORMA AROUND THE SITE. AS ONE EXECUTES A TURN ON THE DRIVEWAY AND MOVES INTO THE SITE HE COULD SEE BEYOND THE BUILT FORM AND THIS WAS THE ONE OF THE MAIN INTENTIONS OF THE DESIGN. ROOF LEVEL
(LVL+4.7M)
OFFICE PLINTH (LVL+1M). STEP-DOWN (LVL-0.4M) OFFICE DECK PERSONAL (LVL-1.9M) DECK FAMILY LOUNGE (LVL-3.7M) LAKE LEVEL (LVL-4.7M)
E: 1: 400
ROOF LEVEL
(LVL+4.7M)
CEILING LEVEL (LVL+4.3M) PLINTH LEVEL SITE LEVEL ROAD LEVEL DECK
(LVL+1M). (LVL+0.6M) (LVL-+ 0M) (LVL-0.4M)
PRIVATE DECK (LVL -2.9M) LAKE LEVEL
(LVL-4.7M)
SECION AT AA’
ROOF LEVEL
(LVL+4.7M)
CEILING LEVEL LOWER ROOF
(LVL+4.3M) (LVL+3.2M).
LOWER CEILING (LVL+2.6M). SITE LEVEL (LVL+0.6M) DECK (LVL-0.4M) PERSONAL DECK (LVL-1.9M) LOWER FLOOR LAKE LEVEL
(LVL-3.7M) (LVL-4.7M)
SECTION AT BB’ HEMANT JOSHI : hemantjoshi2394@gmail.com
13
PARIKRAMA RURAL TRAINING CENTER
“LOOSING ONE’S SENSE OF LIFE IS A GOOD WAY TO LEARN...... A CAMPUS MUST BE A PLACE TO GET LOST.....A PLACE OF ONCE “NOT-KNOWING” AND THEN “KOWING......’.” : BV DOSHI
GET LOST TO FIND YOURSELF....
ACCOMMODATION BLOCK
RURAL TRAINING INSTITUE
ACADEMIC BLOCK ADMIN BLOCK
JODHPUR
TEACHER AND STAFF CIRCULATION STUDENT CIRCULATION
PROJECT BRIEF:
1
THE DESIGN EXCRCISE INVOLVED WORKING IN GROUPS OF
FIVE
AND
EXECUTING
THE
ALLOTED
DESIGN
PROBLEM. IN OUR CASE -RURAL TRAINING CENTER.
YOUTH UNEMPLOYMENT TOGETHER WITH THE CREATION OF WORTHWHILE RURAL LIVELIHOODS HAS EMERGED FOR DECADES AS MAJOR INTRACTABLE PROBLEMS IN INDIA.
A
RURAL
TRAINING
CENTER
IS
AN
INTITUTE
GOVERNMENT RUN OR AFFILIATED BY AN INDUSTRIAL ORGANISATION PROVIDE
TO
THEM
TRAIN
SKILLS
RURAL
TO
PEOPLE
SUSTAIN
A
AND
DECENT
LIFESTYLE IN THE RUSH OF THE URBAN WORLD.
ROLE:
3
GROUP LEADER; CONCEPT FORMULATION; PLANNING OF
THE
(PLANS
CAMPUS;
AND
ACADEMIC
SECTIONS)
OVERALL
BLOCK
DESIGN
4
PRESENTATION.
LEARNED COORDINATING WITH OTHERS BY ALWAYS GETTING
PEOPLE
TOGETHER
AND
THINKING
ABOUT NOT JUST PROMINENT BUT ALSO POSSIBLE CHALLENGES OUT
OF
ND THE
TRYING GROUP
TO
FIND
DYNAMICS
SOUTIONS SITUATION.
PERSONAL INTENT WITH THE DESIGN :
ASSIGNMENT
WAS
TO
UNDERSTAND
A
TYPICAL
RURAL TRAINING CENTER AND INTERRELATIONSHIP BETWEEN VARIOUS FUNCTIONS OF THE UNIT. BUT THE MAIN CHALLENGE WAS TO MAKE IT A COMFORTABLE ENVIRONMRNT FOR THE RURAL PUPILS,. IT IS OBSERVED THAT THE RURAL PEOPLE BESIDES
LACKING BASIC
EMPLOYABILITY SKILLS TEND TO HAVE MORE AXIETY AND MOST LACK SELF CONFIDENCE. HENCE, THE MAJOR FOCUS OF THE DESIGN WAS TO MAKE THE STUDENTS
FEEL COMFORTABLE-AT HOME-AT EASE.
THIS WAS ACHIEVED BY THE SHAPE AND THE STYLE OF THE BUILDING, IT SHOULD BE SUCH THAT IT DEVELOPS AN INTERACTIVE ENVIRONMENT FOR THE RURAL YOUTH. 16 HEMANT JOSHI : hemantjoshi2394@gmail.com
INTENTIONS
THE GOLDE
CHABUTRA LEARNINGS
ACTIVE SPACE OF EDUCATION
ALTHOUGH THE THE PRIMARY OBJECTIVE OF THIS
INSPIRATION
EXPERIENCE:
INTERACT
THE IND NOT CEN
THE WAY TO NOT B ANXIOUS OF THE URBAN WORLD AREA OF MAXIMUM FOOTFALL
IS TO NOT BE AFRAID OF IT RATHER BE FAMILIAR WITH IT. THE RURAL YOUTH, WHO ARE MOSTLY TOTALLY UNAWARE OF THE WORLD AROUND AND LEAD BLEAK LIVES WITHOUT HOPE FOR A IMPROVEMENT IN THE
N
WAYS OF THERE LIFESTYLE., COULD BE CHANGED BY MAKING THEM CHANGE THERE MINDS, AND THEIR WAYS
2
OF THINKING. THIS COULD BE DON BY EXPOSING THEM TO NEW THINGS, NEW ENVIRNMENTS TO FOSTER THERE NEWLY DISCOVERED TALENTS AND TO IMPART THEM NOT JUST THE SKILSS BUT THE RIGHT ATTITUDE TO LED LIFE.
EXPOSURE
COMES
FROM
INTERACTION
WITH
DIFFERENT PEOPLE, AND THE DESIGN LEVERAGED THE
SAME
NOTION
INTERACTION
BY
PLACES
IN
INSTALLING THE
MAXIMUM
CAMPUS
AND
SURROUNDING THEM WITH OPEN WORKSHOP AREAS THAT CONSEQUENTLY PRODUCE ACTIVE SPACES AND AN
ENVIRONMENTS
OF
EDUCATIONAL
ACTIVITIES.
PLANNING OBJECTIVES: THE BASIC AIM WAS TO INTRODUCE AN INNOVATIVE
5
APPROACH, AND
CREATE
ACHIEVE
THERMAL
INTERACTIVE
COMFORT
ENVIRONMENTS.
THE BASIC LAYOUTOFTHE CAMPUSWASASSESSED ( FIGURE 1 AND 3 ) AND MORPHED IN THE SHOWN WAYS, THE RED AND THE BLUE AXES REPRESENTTHE OVERALL CHOREOGRAPHY OF MOVEMENT IN THE CAMPUS (FIGURE 4, 5, AND 2)..
THE GOLDEN TRIANGLE (FIGRE 2) IS THE METAPHORICAL SPACE THAT LIES AT THE JUNCTION OF THESE AXES, THAT IMPLE\IES THAT MAXIMUM PEOPLE PASS BY THIS SPACE. THIS GIVES US AN OPPORTUNITY TO UTILISETHAT IN A CREATIVE WAY SO AS TO INCRESE STUDENT INTERACTION.
EN TRIANGLE
THE “GOLDEN TRIANGLE” IS TREATED BY INSTALLATION
TION
VERNACULAR SPACES FOR SITTING AND INTERACTION.
OF SITTING SPACES INSPIRED BY THE “CHABOOTRAS”-
DIAN PLAN IS NTRIC… bv doshi
CAMPUS LAYOUT 17 HEMANT JOSHI : hemantjoshi2394@gmail.com
THE ACADEMIC BLOCK:
ORIENTATION: THE ORIENTATION OF THE CAMPUS IS EAST TO WEST THE USE OF COURTYARDS IS EXTENSIVECOURTS ALLIGNED TO SOUTH EAST DIRECT PROVIDES WARMM
SITTING
SPACES
WHILE
THE
EAST
COURTS
ARE
SITTINGS
IN
WEST FOR
VENTILATION: THE
ENTIRE
CAMPUS
IS
ORIENTED TO SOUTH WEST TO NORTH EAST FOR THE DIRECT FLOW OF THE AVERAGE SURFACE WINDS THROUGHOUT THE YEAR.
THERE ARE TREES PLANTED IN THE WEST AND NORTH EAST DIRECTION TO PREVENT WINTER WINDS AND LOO.THE COURTS AND
CORRIDORS
INTERNAL
PROVIDE
VENTILATION
.
18 HEMANT JOSHI : hemantjoshi2394@gmail.com
WINTERS.
ALLIGNED SUMMER
PARIKRAMA/ PROMANADE: PROMENADE APPARANTLY INTRODUCED BY AR. LE CORBUSIER
MEANS
MOVEMENT IN,
AROUND
OR
THROUGH THE SPACE IN A COMPLEX CIRCULATION SYSTM. WHILE, PARIKRAMA MEANS GOING AROUND SOMETHING -CIRCUMAMBULATION- IT INVOVLES MOVING AROUND SOMETHING SACRED IN CONCENTRIC OR IRREGULAR PATHS TO EXPERINCE A CONTEMPLATIVE STATE OF MIND.
I
BELIEVE THAT PARIKRAMA WAS A LONG
BACK
INTERPRETATION OF THE PROMANADE IN
RELIGIOUS
CONTEXT,
INTENDED
THROUGH
THIS
DESIGN
I
TO HAVE AN ABSTRACTION OF THE SAME IN A METOHORICAL SENSE AND USE IT IN THE PLANNING OF THE ACADEMIC BLOCK.THERE ARE WAYS TO ENTER THE
SAME
SPACE
THROUGH
DIFFERENT
PATHS.
CIRCULATION : ALTHOUGH THERE ARE ELONGATED CORRIDORS FOR THE PURPOSE AS SUGGESTED ABOVE, BUT THE Y ARE WELL CONNECTED FOR THE SAKE OF THE PHYSICALLY CHALLENGED. THERE ARE RAMPS THAT GO ON THE LEVEL OF CLASSROOMS AS WELLAS THE LEVEL OF LABS.
THE SECTION BELOWSHOWS THE SPLIT OF THE ACADEMIC BLOCK FROM THE PLINTH LEVEL, BOTH FLOORS ARE REACHED WITHIN THE HEIGHTS OF 1.8 METRES RATHER THAN HAVING A 3 METRE FLIGHT FROM THE GROUND FLOOR.THIS SPLIT IN LEVELS REDUCED CIRCULATION AREA.
ACADEMIC BLOCK SECTION SCALE: 1: 400
19 HEMANT JOSHI : hemantjoshi2394@gmail.com
L+0.45M
LVL+1.2M
LVL+1.5M
LVL+2M
LVL+2.3M
LVL+2.3M
LVL+0.45M
LVL-+0M
LVL+0.45M
ENTRY
LVL+0.45M
LVL+0.45
FIRST FLOOR THE FIRST FLOOR HAS THE LIBRARY AND THE CLASSES LIKE
FOR
MAJOR
MACHINERY,
THESE
ARE
LAB
BLOCK
TO
KEEP
TECHNICAL
CONSTRUCTION,
SEPERATED ON
COURSES
A
EXXCSSIVE
FROM
DIFFERENT NOISE
20 HEMANT JOSHI : hemantjoshi2394@gmail.com
ETC.
THE LEVEL
IN
CHECK.
LVL+0.45M
GROUND FLOOR THE GOUND FLOOR CONSISTS OF LABS ELEVATED FROM THE PLINTH FOR ACOUSTIC COMFORTS IN THE BLOCK.
AND
THE
CLASSROOMS
FOR
LANGUAGES,
RETAILING AND PERSONALITY DEVELOPMENT THAT ARE PLACED NEAR THE SITTING AREA. THE SEMINAR ROOMS ARE ALSO PLACED IN THE QUIET CONER.
LVL+0.45M
LVL-+0M
LVL+1.2M
LVL+1. 5M
LVL+1.5M
LVL+1.5M LVL+1.5M LVL-+0M
LVL-1.8M
LVL-1.8M
LVL-1.8M LVL+1.5M
DOWN UP
LVL+1.5M
LVL-1.8M
LVL+1.5M
LVL+1.5M
LVL-1.8M
LVL+0.45M
5M
LVL+1.5M
LVL-1.8M
LVL-1.8M
LVL-1.8M
LVL+1.5M
LVL+1.5M
LVL+1.5M
LVL-1.8M
LVL+0.45M
LVL+0.45M
LVL-1.8M
LVL+0.45M LVL-+0M
LVL+0.45M LVL-1.8M LVL+0.45M LVL-+0M
SCALE: 1: 400 21 HEMANT JOSHI : hemantjoshi2394@gmail.com
TRADITIONAL AND MODERN KIOSKS
THE FIRST DESIGN PROBLEM EVER INTRODUCED TO THE CLSS WAS TO DESIGN A KIOSK. ONE FOR THE TRADITIONAL MRKET-PLACE OF JODHPUR ‘GHANTA-GHAR’. AND THE OTHER ONE FOR A MORE MODERN URBAN ENVIRONMENT LIKE MALLS.
CON DIFF
NCURRENT DESIGN IN FERENT CONTEXTS
TRADITIONAL ARCHITECTURE
SITE SPECIFIC PERSONAL INTENT WITH THE DESIGN : THE SITE ALLOTED FOR THE PLACEMENT OF THE THE KIOSK IS THE TRADITIONAL MARKET
OF
JODHPUR-GHANTAGHAR.
HENCE, IT WAS IMPORTANT TO BRING IN THETRDITIONAL ESSENCE
THIS
WAS
EXERCISED
OF THE
BY
CITY.
MEANS
MODERN ARCHITECTURE
ACCESSORIES KIOSK:
CO
PROTOTYPES
OF
MATERIAL: THIS TEMPORARY STRUCTURE IS
ENTIRELY
PROCESSED
SINCE,
MADE IN
THE
THOROUGHFARE
UP
OF
BAMBOO
DIFFERENT
FORMS.
KIOSK
LIES
AT
INTERSECTION
THE THE
SHAPE OF THE KIOSK ENABLES BETTER VENDING
WITH
MORE
DISPLAY
AREA.
SCALE 24 HEMANT JOSHI : hemantjoshi2394@gmail.com
ONCURRENCE
CONCEPT
ACCESSORIES KIOSK: PERSONAL DESIGN : INTENT WITH THE THE PRESENTED KIOSK WAS SPPOSED TO BE SETUP IN A MALL, HENCE, WE WERE SKED TO BRING IN MODERNISM.THIS ESSENSE OF MODERNISM IS INTERPRETED IN THE SHAPE OF THE KIOSK.
IT’SAMODULAR STRUCTUREAND AN ATTEMPT TO DECONSTRUCT THE TRADITIONAL “VOLUMES” WITH
USE
MATERIAL LIKE AND
OF
MODERN
FIBRE GLASS
COMPRESSD
BOARDS
LE: 1: 60 25 HEMANT JOSHI : hemantjoshi2394@gmail.com
CYBER CAFE COFFEE SHOP
THE EXCERSCISE INTRODUCED INTENDED TO EXECUTE A DESIGN IN THE ALLOTED PRIMARY FORM (PYRAMID IN MY CASE) AND TO BECOME APPRECIATIVE AND APPREHENSIVE ABOUT THE SAME.. THE SITE LIES IN JODHPUR, A HOT AND DRY REGION , HENCE BASIC CLIMATIC RESPONSEIVENESS IN INDUCED INTO THE DESIGN AND FORM GENERTION.
FO PL
ORM FOLLOWS LAY.....!
CYBER CAFE CUM COFFEE SHOP PERSONAL INTENT WITH THE DESIGN : THE SITE LIES IN JODHPUR WHICH IS A HOT AND DRY REGION WITH EXTRME SUN RADIATION AND DIURNAL TEMPERATION. TO PREVENT HET INTAKE THE MAJOR WINDOWS AR PLACED ONLY IN THE NORTH AND SOUTH DIRECTIONS WHILE IN THE WEST AND EAST DIRECTINS LIGHT ENTERS THRIUGH SLIT WINDOWS.
THE WAS
EXCERCISE THAT WAS TO
(PYRAMID
USE IN
THE
MY
INTRODUCED TO
ALLOTED
CASE)
AND
PRIMARY TO
US
FORMS
EXPLOIT
THE
GEOMETRY TO BRING OUT A CRDEIBLE OUTPUT.
THE PYRAMIDIS SPLIT INTO 6 PIECESTO CREATE SLIT WINDOWS ALONG THE SLANT OF THE PYRAMID. THIS LETS IN LIGHT JUST ENOUGH TO ILLUMINATE THE SPACE AND THUS THE INSIDE REMAINS COOL. THROUGHOUT THE SUNNY DAYS IN JODHPUR. THIS IS DEMONSTRTED THROUGH THE MODEL PICTURE AS SHOWN. THE CYBER CAFE IS PLACED ON A TRUSS STRUCTURE JUST TO HAVE
LARGE PILLARLESS SPACE BENEATH.
28 HEMANT JOSHI : hemantjoshi2394@gmail.com
TYPOLOGIE
FUSIO
PLAYING WITH THE PYRAMID
ON
GROUND FLOOR
SCALE: 1: 90
SITE PLAN
SCALE: 1: 200
LIGHT AND SHADOW FUNCTIONFOLOOWS FORM
ES
UPPER FLOOR
CONCEPT
ISOMETRIC VIEW
WEST SIDE ELEVATION
SECTIONS
EAST SIDE ELEVATION 29 HEMANT JOSHI : hemantjoshi2394@gmail.com
URBAN M
CREATIVITY
COMPETITION
TEAM WORK
GROUP DYNAMICS
LEARNINGS
PARALLEL PROJECTIONS
MEMOIRS
NASA WORK DURING THE YRAR OF 2016-2017 I HAD BEEN THE TROPHY COORDINATOR OF 4 TROPHIES:-
ANDC(2016-17)
WRITING ARCHITECTURE
NARIGANDHI ROPHY 2016-17.
ZNDC (ZONAL NASA2016))
THE ANDC TROPHY GOT SHORTLISTED IN TOP 100 COLLEGE ENTRIES.
ANDC 2016-2017 PROJECT : THE
REVITALISTION
BAZAAR,
THE
TRADITIONAL
MAIN
OF
ADA
AND
THOROUGHFARES
SETTLRMRNT
OF
UBH
OF
JODHPUR.
THE AND
PRESENTATION IN FORM TWOA1 SHEET PAINTINGS.
ABOUT ADA-UBHA BAZAAR :
PROJECT BRIEF : THE ADA (HOSRIZONTAL) AND UBHA (VERTICAL) BAZAAR THE OF
ANDC
BRIEF
PARALLEL
REIMAGINING
SUGGESTED
PROJECTION OUR
CITY,
AS OUR
THE A
NOTION WAY
OF
ARCHITECTURAL
FORM AND TIME DEPICTION IN A DISTINCT WAY.
IT
ALSO
ASPECTS A
NEW
ASKED OF
US
TO
URBANISATION
EXPOSURE
TO
COVER AND
URBAN
MANY
TO
ROADSARETHE MAINAXIALAND RADIALROAD OFTHEWALLED CITY OF JODHPUR THAT INTERSECT AT A RIGHT ANGLE. THESE WERE AND STILL ARE THE MAIN MARKET STREETS THAT CONNECT THE GHANTA-GHAR TO THE RESIDENCIAL SECTORS OF THE OLD WALLED CITY. THESE ACT AS THE URBAN SPINE TO THE ECONOMY OF THE PEOPLE OF JODH[UR.
GIVE
DESIGNING.
THE SITE: THE CHOSEN SITE LIES IN JODHPUR, A VERY FAMOUS MARKET
PLACE,
NAMED
THE
ADA
BAZAAR
AND
UBHA BAZAAR. THE INTENTION IS TO ANALYZE AND REVITALIZE THE PRESENT MARKET CONDITIONS AND ITS SURROUNDINGS IN ORDER TO DEVELOP THE NEW
32 HEMANT JOSHI : hemantjoshi2394@gmail.com
1
AND UNIQUE IDEAS TO REGENERATE THE VITALITY OF ITS STREETSCAPE AND ALSO MAKE IT INCLUSIVE.
SITE JUSTIFICATION : THE FIGURE 1 SHOWS THE BUOLT MASS AROUND THE ROADS. THE REGION HAS MIXED LAND USE, THAT IS RESIDENTIAL AND COMMERCIAL SPACES OCCURING SIMULTANEOUSLY.
PRESENT CONDITION
MOREOVER THESE SUPPORT THE ECONOMIC ACTIVITY OF GHANTA-GHAE AND THUS THE ENTIRE CITY. INITIALLY THESE WERE THE ECONOMIC BACKBONE OF THE CITY OF JODHPUR.
TODAY THIS REGION OF THE CITY MAKES A BUSINESS/ TRANSACTION OF MORE THAN A MILLION DOLLARS PER WEEK. HENCE, THESE MARKETS ARE EXTRMRLY CRUCIAL AND NEED TO BE SUSTAINED FOR THE SAKE OF THE FIINANCIAL STABILITY OF THE CIITY.
2
3
FIGURE 2 AND 3 DEPICT THE OVERALL ECONOMIC AND TOURIST ACTIVITY RESPECTIVELY OF THE WALLEDCITY. 33 HEMANT JOSHI : hemantjoshi2394@gmail.com
THE PAINTINGS INSPIRATION FROM ZAHA HADID’S PAINTINGS
: THE PRESENTATION OF THE CONTEXT WAS INSPIRED BY THE PAINTINGS OF ZAHA HADID AND WE DEVELOPED A TWISTED PLAN FORM OF THE STREET, WHICH TAKES THE STREET VIEW FROM 2D TO 3D TO STREET PERSPECTIVE.
THE INTERVENTION : THE
STRATEGIC
LONG
TERM
SUSTAINABLE CULTURAL
DEVELOPMENT
MEASURES
WILL
FOR
DEVELOPMENT, REACTIVATION
ENABLE
REVITALISATION, BUSINESS
OF
THE
AND BAZAAR.
A SCHEMATIC PROPOSAL DIVIDED INTO 4 STAGES AND EACH STAGE IS OF ON AN AVERAGE OF 5 YEARS.
INTENT WITH THE DESIGN : THE MAIN AIM OF THE PROPOSED INTERVENTION IS TO SUSTAIN THESE MARKETPLACES IN THE FUTURE AND MAKE THEM MORE EFFICIENT AND ACCSSIBLE .
TAKING
IT
STRUGGLE
FROM FOR
A THE
STAGE
WHERE
COMMON
MAN
THERE
IS
TOEVEN
WALK IN THE STREETS TO A STAGE WHERE EVEN A PHYSICALLY OR VISUALLY CHLLENGED PERSON COULD
SHOP
AROUND
IN
THESE
STREETS.
1
STAGE ONE: STAGE 1 (SPACE SUFFICIENCY):THE FIRST STAGE COMPRISES OF MEASURES OF
GENERAL
CONTROL COMPRISES
VIA
MAINTENANCE
POLICIES.
OF THE
THE
AND
FIRST
FOLLOWING
34 HEMANT JOSHI : hemantjoshi2394@gmail.com
STAGE
POLICIES:-
2
STAGE TWO
STAGE 2 (ZONING AND STRUCTURE):THIS
STAGE
CATEGORISATION
COMPRISES TO
OF
BRING
GENERAL
ORDER
AND
STRUCTURE IN THE ADA AND THE UBHA BAZAAR.
STAGE THREE: SAFETY AND INCLUSIVITY
THIS
STAGE
BASICALLY
INVOLVES THE POLISHING OF THE MARKET PLACE AND
PROVIDING
ANCILLARY FACILITIES THE
STAGE
OF
.
COMPRISES FOLLOWING
DEVELOPMENTAL STEPS.
STAGE FOUR:
3
4
(PROSPERITY):FINALLY, AT THE LAST STAGE,AT THIS STAGE THE SCENARIO OF THE MARKET IS IN A HOPEFUL CONDITION. THE ELEVATION TREATMENT LEAD TO STREETSCAPE OF ENTIRELY
JODHPUR’S
HERITAGE ESSENCE. OUR PROPOSAL BRINGS THIS MARKET PLACE EASILY. BE
AT
EVERY ITS
FROM THE STREETSCAPE
THEMED
FINEST AND
MARKET
WOULD
FUNCTIONAL WAY. 35
HEMANT JOSHI : hemantjoshi2394@gmail.com
DOCUMENTATION AND CONSERVATION
JASWANT-THADA I JAWAHAR-NIWAAS PALACE
JAWAHAR-NIWAS PALACE PROJECT : THE
FOLLOWING
CLASS THE
PROJECT WAS A SECOND YEAR
GROUP EXCERCISE
PROJECT.
THE
INTENTION
OF
WAS
AMEASURE-DRAW
THE
TO
ARCHITECTURE OF JAWHAR-NIWAS PALACE (JAISALMER).
TTHE
EXERCISE
JAWAHAR
WAS
NIWAS
WAS
DIVIDED
TOOK
CARE
DOCUMENT
PALACE
INTO OF
TO
THE
GROUPS
DIFFERENT
AND SET
THE
THE
ENTIRE
CLASS
EACH
GROUP
OF
DRAWINGS.
MY ROLE:-
I WAS PART OF THE DETAILING GROUP. SO MY
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
PROJECT BRIEF :
SECTION A-A'
ROLE WAS TO LEAD THE TEAM AND ALSO DRAW THE
AUTOCAD
DRAWINGS
AND
GATEWAY
SHEET
RENDERINGS OF THE ELEMNTS OF THE PALACE LIKE THE BAY-WINDOW (JHAROKHAS),
AND THE CHATRIES. MOTIF 1
THE SITE: THE SITE IS LOCATED IN JAISALMER ON THE OUTSCIRTS OF THE THE CITY OF JAISALMER. IT WAS INITIALLY A PALACE FOR THE ROYALS BUT NOW IT’S A 3-STAR HOTEL WITH OUTDOOR POOL, A RESTAURANT AND OFFERS HORSE BACK RIDES AND OTHE RAJPUTANA EXPERIENCES.
38 HEMANT JOSHI : hemantjoshi2394@gmail.com
"JAWAHAR NIWA
RIBBON B MOTIF F RIBBON C MOTIF D MOTIF E MOTIF 1
PILLAR
MOTIF B
MOTIF C
I
MOTIF B MOTIF C MOTIF G
MOTIF D
RIBBON A
MOTIF E
RIBBON A ELEVATION
MOTIF F RIBBON 2 RIBBON C
I
PILLAR MOTIF G
PLAN
AR PALACE", JAISALMER - MEASURED DRAWING
SHEET TITLE:
B.ARCH II YEAR 2015-2016 SHEET NO.:
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
39 HEMANT JOSHI : hemantjoshi2394@gmail.com
JASWANT-THADA PROJECT : THE
FOLLOWING
CLASS THE
GROUP EXCERCISE
ARCHITECTURE
PROJECT
WAS
A
PROJECT.
THE
INTENTION
OF
WAS
AMEASURE-DRAW
THE
OF
TO
JASWANT-THADA
THIRD
YEAR
JODHPUR.
PROJECT BRIEF : TTHE EXERCISE WAS TO DOCUMENT THE JASWANTTHADA THE ENTIRE CLASS WAS DIVIDED INTO GROUPS AND EACH GROUP
TOOK
CARE OF DIFFERENT SET OF
DRAWINGS. ALTHOUGH, THE SITE IS WELL MAINTAINED AND IS USED AASS A PUBLIC PLACE TOO BUT THE SITE IS NOT LEVERAGED WELL TO IT’S FULL POTENTIAL, HENCE THE INTENTION OF THE EXCERCISE WAS TO ALSO PROPOSE STRATEGIES AND DESIGN SOLUTIONS FOR BETTER CONSERVATION OF THE ARHITURE OF JASWANTTHADA AND TO ALSO HAVE UBLIC AMENITIES LIKE CAFE’S AND RESTAURANTS OR EVEN ZIP-LINES TO GENERATE REVENUE AND ATTRACT MORE VISITORS AND HENCE MGET THE ATTENTION THAT THE STRUCTURE DESERVES.
MY ROLE:-
I WAS PART OF THE DOCUMENTATION/REPORT GROUP. SO MY ROLE WAS TO LEAD THE TEAM AND ALSOCOORDINATE WITH HE REST OF THE TEAMS TO GET THE REQUIRED OUTPUT.
HAVING
THE
JOB
OF
COMPILATION
THE COLLECTED MATTER AND WRITING
OF
THE SAME.
THE SITE: THE SITE IS LOCATED IN JODHPUR ON THE HILLS OF MEHRANGARH
FORT OF THE THE CITY OF JODHPUR. IT
WAS INITIALLY A CENTOTAPH OR THE BURIAL GROUND FOR THE ROYALS BUT NOW IT’S A PYUBLIC PLACE TOO WITH WELL MAINTATINED LAWNS AND INTERIORS AND
EXTERIORS
OF THE
S
MARBLE
40 HEMANT JOSHI : hemantjoshi2394@gmail.com
STRUCTURE.
Fig. 1.38 : Section XX’ of Jaswant Thada
Fig. 1.4 : Reflected roof plan of main building Jaswant Thada
Fig. 1.36 : Side elevation of Jaswant Thada
Fig. 1.42 : Plan of main building Jaswant Thada
41 HEMANT JOSHI : hemantjoshi2394@gmail.com
ARCHITECTURAL 2'
3'
1a' 474
126 126
3a'
3b'
215
259
341
1a
3a
3b
2712
12 13 14 15 16 17 18 19 20
104
251 1583
125
Footing To LOWER TERRACE SLAB
1173
UP
126
126
5
(762X305) C-7 105
105
Footing To SLAB
6
104
4 3
125
474
474
2
UP
1
C-9 (762X305)
126
Footing To SLAB
335
126
C-8 (762X305)
7
1131
C'
8
4564
LVL +900
1173
1872
1844 6780
335
126
2989
1212 126
Footing To LOWER TERRACE SLAB
104
C-13 (762X305)
Footing To SLAB
104
C-11 (762X305)
468
120
126
C-12 (762X305)
126
104
480
E'
104
370474
Footing To SLAB
Footing To LOWER TERRACE SLAB
132
LVL+ 450
LVL+ 900
UP
126
G'
8214 3621
1173
126
335
LVL+ 900
91
C-14 (762X305)
139
6080 1834
1
Footing To LOWER TERRACE SLAB
1548
2
8466
4
5
6
LVL+ 450
1
NORTH
DATE: 13.12.2016
SUBJECT : ARCHITECTURE DETAILING
6790
1425
3
SHEET TITLE : WORKING PLAN
C-15 C-15 (762X305) (762X305)
139
Footing To LOWER TERRACE SLAB
3520
2273
125
475
474
91
DRAWINGS PRESENTED :
125
475
3621
4287
LVL+ 900
6886
D'
DOWN
251
5542
LVL+ 450
LVL+ 450
LVL +1800
230
1397
3924
761
3890
C-6 (762X305)
Footing To LOWER TERRACE SLAB
C-10 (762X305)
1). WORKING DRAWING PLAN.
C-5 (762X305) Footing To SLAB
9
3856
IN A THE GIVEN AREA AND
DRAWINGS OF THE SAME.
LVL +900
10
BY DESIGNING A RESIDENCE
COONSTRUCTION
125
C-5 (762X305)
Footing To Mumty
3c
11
105
8486
385
Footing To STAIRCASE
4026
1085 7246
260
ARCHITECTURAL DETAILING
AND
251
C-4 (762X305)
WAS A THIRD YEAR PROJECT.
WORKING
6790
838
474
126
838
THE
Footing To Mumty
104
C-2 (762X305)
6223
2513 2340
PROJECT :
MAKING
369
6'
3018
C-3 (762X305)
126
1509
1006
1593
EXCERCISE WAS TO LEARN
5813
126 104
261 1140
620
C-1 (762X305) Footing To TERRACE
THE INTENTION OF THE
5' 364
236
Footing To Mumty
104
THE FOLLOWING PROJECT
3c'
2632
1140
2138
671
A' B'
4'
LVL+ 450
833
DETAILING
1'
SUBMITTED TO :- AR. AMIT SANKHLA SUBMITTED BY: HEMANT JOSHI B. ARCH III YEAR
SCALE 1:84
2).COLUMN PLAN
3.)SECTION1 A' B'
2'
3'
1a' 620
4) SECTION 2
1' 126
474
126
104
4'
3a'
3b'
2273
1834
1383
126
6'
C-3 (762X305)
Footing To Mumty
Footing To Mumty
104
2148
5'
C-2
364 (762X305)
236
126 104
1425
6790
C-1 (762X305) Footing To TERRACE
2513 105
215
474
126
C-5 (762X305)
Footing To STAIRCASE
259
341
1a
3a
125
385
C-4 (762X305)
5833
5.) EAST ELEVATION
3c'
C-5 (762X305)
Footing To Mumty
3b
Footing To SLAB
3c
6.) SOUTH ELEVATION. 105
125
474
7.) BEAM PLAN
126
C'
126
104
105
126
104
125
C-7 (762X305)
Footing To LOWER TERRACE SLAB
C-9 (762X305)
126
C-8 (762X305)
474
C-6 (762X305)
Footing To SLAB
Footing To SLAB
Footing To LOWER TERRACE SLAB
4175
8.) EXCAVATION PLAN.
10.) WEST ELEVATION
126
125
475
104
474
D'
126
C-12 (762X305)
126 126
1531
9.)NORTH ELEVATION
C-10 (762X305)
480
E'
126
104
104
C-13 (762X305)
Footing To SLAB
104
Footing To SLAB
468
Footing To LOWER TERRACE SLAB 120
C-11 (762X305)
132
11.) SANITATION PLAN.
2335
Footing To LOWER TERRACE SLAB
126
G'
125
475
474
91
91
C-14 (762X305)
139
C-15 (762X305)
139
Footing To LOWER TERRACE SLAB
12.) TERRACE PLAN.
1834
1
3520
2273
2
SHEET TITLE : COLUMN PLAN
DATE: 13.12.2016
SUBJECT : ARCHITECTURE DETAILING SCALE 1:84
42 HEMANT JOSHI : hemantjoshi2394@gmail.com
6790
1425
4
3
Footing To LOWER TERRACE SLAB
5
NORTH
6
SUBMITTED TO :- AR. AMIT SANKHLA
2
SUBMITTED BY: HEMANT JOSHI B. ARCH III YEAR
S S
LVL+14300 (MUMTY LEVEL)
LVL+7900
A B
LVL+7000 (TERRACE LEVEL)
LVL+4619 UPPER LANDING
3
LVL+3400 DOUBLE HEIGHT LEVEL LVL+2576 LOWER LANDING LVL+1800 SILL LEVEL
GARDEN
LVL + 900 (PLINTH LEVEL)
C
LVL+450 (SITE LEVEL) LVL+-0 (GROUND LEVEL)
D LVL+14300 (MUMTY LEVEL)
E
SHEET TITLE : SECTION 1
DATE: 13.12.2016 NORTH N
SHEET NO.
SUBMITTED TO :AR. AMIT SANKHLA
LVL+7900
SIGNATURE :
F:\college\textures\M.B.M._Engineering_College_-_Logo.png
SUBJECT : ARCHITECTURE DETAILING SCALE 1:84
G
SHEET NO. SIGNATURE :
LVL+7000 (TERRACE LEVEL)
SUBMITTED BY: HEMANT JOSHI B. ARCH III YEAR
LVL+4619 UPPER LANDING LVL+3400 DOUBLE HEIGHT LEVEL
4
LVL+2576 LOWER LANDING
GARDEN LVL + 900 (PLINTH LEVEL) LVL+450 (SITE LEVEL) LVL+-0 (GROUND LEVEL)
LVL+14300 (MUMTY LEVEL)
SHEET TITLE : SECTION 2
DATE: 13.12.2016 NORTH N
SUBMITTED TO :AR. AMIT SANKHLA
LVL+7900
SHEET NO.
LVL+7000 SIGNATURE (TERRACE LEVEL)
F:\college\textures\M.B.M._Engineering_College_-_Logo.png
SUBJECT : ARCHITECTURE DETAILING SCALE 1:84
SUBMITTED BY: HEMANT JOSHI B. ARCH III YEAR
:
LVL+6100 (KITCHEN SLAB LEVEL) LVL+5500 (SLAB LEVEL) (LOWER TERRACE) LVL+4700 (CLERESTORY WINDOW LEVEL)
LVL+1800 (KITCH LEVEL)
5
LVL + 900 (PLINTH LEVEL) LVL+450 (SITE LEVEL) LVL+-0 (GROUND LEVEL)
LVL+14300 (MUMTY LEVEL)
SHEET TITLE : EAST ELEVETION
DATE: 13.12.2016 NORTH N
SUBMITTED TO :AR. AMIT SANKHLA
LVL+7900
SHEET NO
LVL+7000 (TERRACE LEVEL)
SIGNATUR
F:\college\textures\M.B.M._Engineering_College_-_Logo.png
SUBJECT : ARCHITECTURE DETAILING SCALE 1:84
GLAZING (with hidden frame)
SUBMITTED BY: HEMANT JOSHI LVL+6100 B. ARCH III YEAR (KITCHEN SLAB LEVEL)
LVL+5500 (SLAB LEVEL) (LOWER TERRACE) LVL+4700 (CLERESTORY WINDOW LEVEL)
SMOOTH FINISH CONCRETE WALLS
6
LVL+1800 (KITCH LEVEL) LVL + 900 (PLINTH LEVEL) LVL+450 (SITE LEVEL) LVL+-0 (GROUND LEVEL)
43 HEMANT JOSHI : hemantjoshi2394@gmail.com
2051 185
2653
4299 3337
SLAB BEAM 1
BEAM 3
BEAM 3
4694
4530
SLAB BEAM 3 SLAB BEAM 2
SLAB BEAM 3
BEAM 3
3928
2051
BEAM 3
4841
SLAB BEAM 2
8823
2654
SLAB BEAM 1
2654
2033
BEAM 3
1844 6731
4694
BEAM 2
BEAM 3
3942
3924
BEAM 2
3920
6764
9053
BEAM 2 941
5564
3646
BEAM 1 1425
2343
BEAM 1
1834
8237
BEAM 1
7 SUBJECT : ARCHITECTURE DETAILING SCALE 1:84
1'
1a'
7263
3'
3a'
4' 3b'
5'
3c'
SIGNATURE : F:\college\textures\M.B.M._Engineering_College_-_Logo.png
6'
8830
A B
B1'
413
1740
924 1039
1067
1067
662
1039
620
A' B'
2'
SHEET NO.
SUBMITTED TO :AR. AMIT SANKHLA SUBMITTED BY: HEMANT JOSHI B. ARCH III YEAR
N
1486
NORTH
SHEET TITLE : BEAM PLAN
B1
7513
C' 7459
3a
3b
3c
2883
6987
1a
5229
C
3860
3972
10511 166 I.C.
D'
D DRESSING ROOM 1400X1600
3275
6465
E
900
E'
7556
BEDROOM 3444X4267
G
2648
2648
G' 2347
SER DUC 914
3426
4326
4894
BATHROOM 2225X1600
3275
D1
D1'
900
UP
H'
H
1987
1834
1
5794
2
3
8
4
SHEET TITLE : EXCAVATION PLAN
SUBJECT : ARCHITECTURE DETAILING SCALE 1:84
8466
5
NORTH N
6
3688
FOYER 5038X
SUBMITTED TO :AR. AMIT SANKHLA SUBMITTED BY: HEMANT JOSHI B. ARCH III YEAR
PORCH 5832X2032
SHEET NO.
SIGNATURE : F:\college\textures\M.B.M._Engineering_College_-_Logo.png
SEPTIC TANK & SOAK WELL LOCATION IF THERE IS NO EXISTING DRAINAGE LINE
I.C.
44 HEMANT JOSHI : hemantjoshi2394@gmail.com
SHEET TITLE : SANITATION PLAN
LVL+7900 LVL+7000 (TERRACE LEVEL) LVL+6100 (KITCHEN SLAB LEVEL) LVL+5500 (SLAB LEVEL) (LOWER TERRACE) LVL+4700 (CLERESTORY WINDOW LEVEL)
LVL+1800 (KITCH LEVEL) LVL + 900 (PLINTH LEVEL) LVL+450 (SITE LEVEL) LVL+-0 (GROUND LEVEL)
9
SHEET TITLE :NORTH ELEVETION
DATE: 13.12.2016 NORTH N
SHEET NO.
SUBMITTED TO :AR. AMIT SANKHLA
SIGNATURE :
F:\college\textures\M.B.M._Engineering_College_-_Logo.png
SUBJECT : ARCHITECTURE DETAILING SCALE 1:84
SUBMITTED BY: HEMANT JOSHI B. ARCH III YEAR
LVL+14300 (MUMTY LEVEL)
LVL+7900 LVL+7000 (TERRACE LEVEL) LVL+6100 (KITCHEN SLAB LEVEL) LVL+5500 (SLAB LEVEL) (LOWER TERRACE) LVL+4700 (CLERESTORY WINDOW LEVEL)
LVL+1800 (KITCH LEVEL) LVL + 900 (PLINTH LEVEL) LVL+450 (SITE LEVEL) LVL+-0 (GROUND LEVEL)
10 DATE: 13.12.2016 NORTH N 3962
5357
F:\college\textures\M.B.M._Engineering_College_-_Logo.png
2844
3301
DINING 5181X4267
TOILET 1400X1600
5311
SUBMITTED BY: HEMANT JOSHI B. ARCH III YEAR 1219
SUBJECT : ARCHITECTURE DETAILING
SCALE 1:84
SHEET NO.
SUBMITTED18288 TO :AR. AMIT SANKHLA
1679
SIGNATURE :
DINING 5181X4267
1066
SHEET TITLE : WEST ELEVETION
DOWN
824
LVL +7014
819
LIVING ROOM 5517X5187
6095
6512
18288
RIDGE LINE
LVL +7014
I.C.
KITCHEN 3787X6172
DOWN
LVL +5490
6336
R X4160
11
3795
1209
RVICE CT 4X1600
LVL+14300 (MUMTY LEVEL)
12
LVL +6100
1295
3520
LVL +5490
LIBRARY 7306X2652
6172 3353
8458
I.C.
NORTH LVL SUBMITTED TO :-
SHEET TITLE : TERRACE PLAN SHEET NO.
45
SHEET N DATE: 13.12.2016 NORTH LVL SUBMITTED TO :+-0 HEMANT JOSHI AR. : hemantjoshi2394@gmail.com AMIT SANKHLA N
YANTRA HOUSING Total Site Area = 15094.77 m2 FAR = 1.33 Ground coverage area= 35% of site area=5283.2 m2 Club house = 5% * site = 754.7m2 Parks = 15% * site = 2264.2m2 Total FAR area (built up area)= site*1.33 = 20076 m2 Commercial area = 3% * far area = 602.3 m2 Public and semi public area = 3* far arrea = 602.3 m2 Residential area = far area - (602.3 + 602.3) = 18871.4 m2 Area of EWS = 35% * far area= 7026.6 m2 Area of LIG = 25% * far area = 5019 m2 Area of MIG = 25% * far area = 5019 m2 Area of HIG = 15% * far area = 3011.4 m2
THE H.I.G. APARTMENT THE BASIC VOLUME DECIDED AS PER THE ARES STATEMENT
1
2
VOLUMENTRIC DIVISION TO DERIVE A FORM
THE E.W.S. APARTMENT THEINTENTION:-;TO PROVIDE COMFORTABLE LIVING ENVIRONMENT IN GIVEN AREA LIMITS. PRIVACY IS ASSURED WITH ZONINGAND PLANNING IN LEVELS AT THE SAME TIME THE INNER SPACES OPEN UP TO EACH OTHER TO CREATE A SETUP OF INTERACTION.
SITE PLAN CONCEPTUALLY THE IDEA OF HOLISM IN DESIGNHUMAN CENTRIC SPACES- WAS EXPERIMENTED WITH. THE COMPACT PLANNING CREATED SOME CORNORS,, THESE CORNORS WERE USED TO LEVERAGE THE IDEATION OF HOLISMACOMFORTABLE LITTLE CORNOR OF PEACE AND CONTEMPLATION. IN BOTH THE TYPES OF FLATSIN THE EWS TOWER HAVE :1) A CORNORE OF “KAHTIYA” WITH A JAALI PATTERN AND A CONOR WITH TINTED GLASS WINDOWS ALL OVER.
46 HEMANT JOSHI : hemantjoshi2394@gmail.com
THE SPA BES THE NIC THE AD CAN WH THE OV PAT RO OU
A FLOOR FORMED BY 4 UNITS
4
3
E VOLUME IS SPLIT INTO LEVELS TO PROVIDE PRIVATE ACES FOR THE PARENTS AND THE KIDS SIDE IMPARTING THE TOWER AN INTERESTING FORM E SPLIT VOLUME PROVIDES DIFFERENT PRIVATE CHES FOR THE INHABITANTS THE UPPER LEVEL FOR E KIDS INDUCES THE FEELING OF FUN AND DVENTURE AS LIVING IN A SUSPENDED OR NTILEVERED SPACES IS EXCITING. HEREAS THE ROOM FOR THE GRANDPARENTS GET ERE OWN INTERESTING CORNER WHERE THE VERSIZED WINDOW FRAMES THE GEOMETRIC TTERN OF THE SUSPENDED OR CANTILEVERED OOMS AND OF COURSE THE MAIN BEDROOM OPENS UT TO THE BALCONY .
5
FLOOR FORMED BY 3 UNITS AND A FIRE STAIRCASE
6
TWISTING TOWER WITH SMI OPEN CHAMBERS AND OPEN DECKS FOR PLANTATION
A CORNOR IN EWS FLAT WITH TINTED WINDOW GLASS.
A CORNOR ANOTHER FLAT WITH JAALI WALLS. THE FLOOR PLAN OF EWS APARTMENT
PARKING PLAN
47 HEMANT JOSHI : hemantjoshi2394@gmail.com
HIG APARTMENT VIEWS
HIG FLOOR PLAN
48 HEMANT JOSHI : hemantjoshi2394@gmail.com
CENTRAL LINE PLAN S
C35 (230x600) FOOTING TO TERRACE
C40 (230x600) FOOTING TO TERRACE
C25 (230x600) FOOTING TO TERRACE
C24 (230x600) FOOTING TO TERRACE
C34 (230x600) FOOTING TO TERRACE
C31 (230x600) FOOTING TO TERRACE
C26 (230x600) FOOTING TO TERRACE
C41 (230x600) FOOTING TO TERRACE
C39 (230x600) FOOTING TO TERRACE
C33 (230x600) FOOTING TO TERRACE
C27 (230x600) FOOTING TO TERRACE
C60 (230x600) FOOTING TO TERRACE
C51 (230x600) FOOTING TO TERRACE
C42 (230x600) FOOTING TO TERRACE
C38 (230x600) FOOTING TO TERRACE
C36 (230x600) FOOTING TO TERRACE
C28 (230x600) FOOTING TO TERRACE
C29 (230x600) FOOTING TO TERRACE
C30 (230x600) FOOTING TO TERRACE
C23 (230x600) FOOTING TO TERRACE
C14 (230x600) FOOTING TO TERRACE
C6 (230x600) FOOTING TO TERRACE
C53 (230x600) FOOTING TO TERRACE
C49 (230x600) FOOTING TO TERRACE
C59 (230x600) FOOTING TO TERRACE
C61 (230x600) FOOTING TO TERRACE
C52 (230x600) FOOTING TO TERRACE
C50 (230x600) FOOTING TO TERRACE
C43 (230x600) FOOTING TO TERRACE
C3 (230x600) FOOTING TO TERRACE
C32 (230x600) FOOTING TO TERRACE
C37 (230x600) FOOTING TO TERRACE
C4 (230x600) FOOTING TO TERRACE
C5 (230x600) FOOTING TO TERRACE
C15 (230x600) FOOTING TO TERRACE
C22 (230x600) FOOTING TO TERRACE
C58 (230x600) FOOTING TO TERRACE
C7 (230x600) FOOTING TO TERRACE
C13 (230x600) FOOTING TO TERRACE
C21 (230x600) FOOTING TO TERRACE
C16 (230x600) FOOTING TO TERRACE
C12 (230x600) FOOTING TO TERRACE
C8(230x600) FOOTING TO TERRACE
C48 (230x600) FOOTING TO TERRACE
C62 (230x600) FOOTING TO TERRACE
C57 (230x600) FOOTING TO TERRACE
C54 (230x600) FOOTING TO TERRACE
C44 (230x600) FOOTING TO TERRACE
C2 (230x600) FOOTING TO TERRACE
C17 (230x600) FOOTING TO TERRACE
C56 (230x600) FOOTING TO TERRACE
C46 (230x600) FOOTING TO TERRACE
C45 (230x600) FOOTING TO TERRACE
C11 (230x600) FOOTING TO TERRACE
C9 (230x600) FOOTING TO TERRACE
C63 (230x600) FOOTING TO TERRACE
C55 (230x600) FOOTING TO TERRACE
C47 (230x600) FOOTING TO TERRACE
C1 (230x600) FOOTING TO TERRACE
C18 (230x600) FOOTING TO TERRACE
C20 (230x600) FOOTING TO TERRACE
C10 (230x600) FOOTING TO TERRACE
C19 (230x600) FOOTING TO TERRACE
4731
HIG APARTMENT VIEWS
49
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EWS NORTH ELEVATION
EWS APARTMENT V
EWS SOUTH ELEVATION
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EWS APARTMENT FLOOR PLAN
VIEWS
FLAT ONE
EWS FLAT TWO 51 HEMANT JOSHI : hemantjoshi2394@gmail.com
MISCELLANEOUS
WORKSHOPS ATTENDED AND CRETIVE WORK THE MIND OF THE YOUNG…. “WHEN WILL I SEE MY WAY CLEAR….?”
THE ROUGH PATH OF REACHING THE TOP
ILLUSION (POSTER COLOR PAINTING)(INTENTION WAS TO EXPLORE THE IDEA OF CREATING AN ILLUSION JUST WITH THE USE OF SHAPES AND BLACK POSTER COLOR). ME AT THE BRICK JAALI WORKSHOP
ISOMETRIC DRAWING EXERCISE (MEASURE DRAWING THE EXISTING HOUSES IN JODHPUR)
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DOWN THE DUNGEON
PERSPECTIVE DRAWING EXERCISE
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