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CREATIVITY

INTENTIONS

SUBSTANTIATION

IMAGINATION

DESIGN IDEATIONS

LEARNINGS

HEMANT

jOSHI

ARCHITECTURE

ABOUT ME:HEMANT JOSHI, 3RD YEAR B.ARCH. MBM COLLEGE OF ENGINEERING AND ARCHITECTURE JODHPUR(RAJASTHAN).

DOB: 23/08/1994.

SCHOOL:ST. PAUL’S SNR. SEC. SCHOOL(JODHPUR).

TECHNICAL SKILLS

OBJECTIVE: SEEKING AN ARCHITECTURAL INTERNSHIP PROGRAMME TO EXPOSE MYSELF TO THE DESIGN PROCESS OF THE PROFESSIONAL WORLD.

AUTO-CAD

SKETCH-UP

MY AIM IS TO DISCOVER AND APPRECIATE THE FINER NUANCES OF WHAT MAKES A DESIGN SIGNIFICANT. A SEARCHER BY SOUL AND TRYING TO QUESTION THE BLACK AND WHITE AND FINDING ANSWERS IN THE GREY

PHOTOSHOP 7

INDESIGN CC

WORKSHOPS/SEMINARS:

PARAMETRIC SHELL. TESSELATION AND PARAMETRICISM. CREATIVE THINKING. ARCHITECTURE JOURNALISM.

BRICK JAALI CLAY MODELING

RHINOCEROS 5

MICROSOFT OFFICE

0

ACHIEVEMENTS:

AS A TROPHY COORDINATOR GOT MY COLLEGE TEAM SHORTLISTED IN TOP

100 COLLEGES (ANDC2016-17).

10

20

30

40

50

60

70

80

90 100

NON-TECHNICAL SKILLS RESEARCH

HOLISM I SENSITIVITY I ENIGMA

WRITING PRESENTATION COMMUNICATION HAND-DRAFTING SKETCHING WATER COLOUR

“SHIVAM”, RAMDEOCHOWK, NAVCHOWKIA, JODHPUR 342001 RAJASTHAN (INDIA)

+91-9983517691 hemantjoshi2394@gmail.com

CREATIVITY

INTENTIONS

SUBSTANTIATION

DESIGN IDEATIONS

LEARNINGS

IMAGINATION

MY OEUVRE A STORY OF THE SEASONS

PARIKRAMA/PROMENADE

MY FIRST DESIGN EVER

FORM FOLLOWS PLAY

6-11

14-19

22-23

26-27

ANDC TROPHY 2016-2017 30-33

DOCUMENTATION

34-41

ARCHITECTURAL DETAILING

YANTRA HOUSING (HIG-EWS TOWERS)

MISCELLANEOUS

EMAIL:

hemantjoshi2394@gmail.com

PHONE: +91-9983517691

42-45

46-51

52-53

ARCHITECT’S RESIDENCE

AN ARCHITECT’S RESEDENCE IN SHIMLA (HIMACHAL PRDESH). IN THE SERENE VALLIES OF HIMALIYAS. THE ARCHITECT HAPPENS TO HAVE A PASSION FOR DANCE AND THE SITE IS CONTOURS DOWN TO A LAKE . THE ARCHTECT LIVES WITH HIS FAMILY OF BOTH PARENTS, KIDS, AND WIFE.

A STO

ORY OF THE SEASONS

ARCHITECT’S RESIDENCE SHIMLA PROJECT BRIEF: THE DESIGN BRIEF ASKED US TO DESIGN AN ARCHITECT’S RESIDENCE, WHO LIVES WITH HIS FOR (8 EMPLOYEES) PLACED ON THE SAME SITE..

FURTHERMORE, THE ARCHITECTT HAPPENS TO HAVE A PASSION FOR DNCE AS WELL, HENCE A DANCE STUDIO IS TO BE ENCORPORATED INTO THE DESIGN .

THE EXCERCISE INTENDED TO MAKE US WORK IN AN UNFAMILIAR CONTEXTAND TO SPECIFICALLY FOCUSED ON THE WAY WE STUDIED AND UTILISED THE SITE.

INFORMATON

FAMILY AND PARENTS AND ALSO RUNS AN OFFICE

GEOGRAPHY THE SITE: THE SITE IS ALLOCATED IN THE VALLIES OF SHIMLA BESIDE A LAKE WITH AN AREA OF 5000 SQ.FT.THE SITE AS SURVEYED HAS 4 BASIC LEVELS, COUNTING THE LEVEL OF WATER/ LAKE AS 0.0METRE AND THE SITE GOES TO

+4.7

WHICH

METRES, IS

ALSO

TH LEVEL OF THE CONNECTING ROAD FROM THE CITY .

SITE SPECIFIC DESIGN

LOCATION

INTO THE VALLEYS

7

CONTEXT

8

THE VOLUTION OF VOLUMES : FOLLOWING

EVOLUTION OF THE THE BASIC

DIAGRAMS

DESCRIBE THE

INSPRATION

DESIGN. STARTING FROM 1

SKETCH OF THE PLAN FORM TO THE

FINAL FORM AS PER GIVEN REQUIREMENTS..

6 8 HEMANT JOSHI : hemantjoshi2394@gmail.com

ABSTRACTION

5

4

SUPREMA

CON

FUNCTION

THE

3

SITE ANALYSIS THE GIVEN SITE LIES IN AN RELATIVELY ISOLATED AREA, THIS SECLUSION FROM THE URBAN FABRIC PROVIDES A SEREN VALLEY ENVIRONMENT OF SHIMLA THAT IS LEVERAGED IN THE DESIGN.

IMPORTANT FACT:

THE LAKE TO WHICH THE SITE CONTOURS DOWN , IS CONNECTED TO A LARGER LAKE WHICH IS ON A LOWER LEVEL. HENCE, THE WATER IN THE LAKE NEVER RISES ABOVE ONE METRE , THUS, THE DESIGN USES THIS GEOGRAPHICAL FACT TO PLACE THE LOWER FLOORS CLOSE TO THE WATER AND HAVE PIERS THAT

YOU DIVE DEEPER INTO

THE

S E R E N I T Y.

D

A B FRAMING VISTAS

ATISM

C

THE GIVEN SITE HAD FOUR MAJOR “VISTAS” THAT WERE

NCEPTION

3

LETS

INTERSTING

IN

THERE

OWN

WAYS.

THE

CONCEPTION F THE PLAN FORM INVOLVES PLANNING ALONG AXES THAT FRAMED THESE

FOUR VISTAS.

INSPIRATION FROM PAINTINGS : SUPREMATISM IS AN ART FORMTHAT IS NOT HUMAN CENTRIC. IT INVOLES MAKING ART WITH ONLY GOMETRICAL ENTITIES AND GIVING ARTISTIC MEANING TO THEM. THE PLANFORM OF

2

1

THEDESIGN IS AN ABSTRACTION OF THESE FAMOUSE SUPREMATIST PAINTINGS. 9 HEMANT JOSHI : hemantjoshi2394@gmail.com

THE PLAN FORM AND IT’S JUSTIFICATION: THE GIVEN SITE IS EXTENSIVELY USED TO LEVERAGE THE DESIGN CONCEPT. THE PLAN FOR IS SPREAD OUTTO CREATE SP PRIVATE SPACES AS WELL AS FAMILY SPACES AND ALSO AN OFFICE WITH 6-8 EMPLOYEES. THE GEOMANCY OF THE DESIGN CONSISTES OF PRIMARY SHAPES BUT ARRANGED IN SUPREMTIST WAYS TO PROVIDE MEANING.

THE DESIGN CONSISTS OF SPACES THAT ARE USED IN DIFFERENT SEASONS, LIKE THE PIER AREA, THE FAMILY LOUNGE, THE OPEN DECK AND THE POOL WOULD BE MOSTLY USED IN THE SPRING OR THE PLESANT SUMMERS WHILE DURING WINTERS THE FAMILY MEMBERS WOULD COZE UP IN THE LIVING ROOM NEXT TO THE FIREPLACE OR

THE

INDOOR

POOL

OR

THE

HOMETHEATRE..

PERSONAL INTENT WITH THE DESIGN : INITIALLY THE PLAN FORM OF TH RESIDENCE WAS AN CONCEPTIONAL ABSTRACTION OF SUPREMATIST PAINTINGS, AND THEN IT LATER MORPHED INTO VOLUMS PLANNED ON LEVELS CONTOURIG DOWN ONTO THE LAKE.

THE MAIN AIM OF THE DESIGN WAS TO FRAME THE

4-5

PTOMINENT

EXPIRINCE

VISUALLY

VISTAS

AND

STIMULATING

MAKETHE AND

TO

LEVERAGE THE SERENITY OF LIVING IN THE HILLS.

THE

DESIGN

SUITS

THE

LIFESTYLE

OF

THE

ARCHITECT. THE OFFICE AND THE RESIDENCE ARE INTERCONNECTED WITH THE DANCE STUDIO O UPPER LEVE; AND BEDROOM OF THE ARCHITECT ON THE LOWER LEVEL. ALONG WITH A PRIVATE DECK. LIVING LIFE ON MULTIPLE LEVELS INA METAPHORICAL SENSE.

KHAT-KHUNNI CONSTRUCTION : THE

AGE

OLD

VERNACULAR

CONSTRUCTION

TECHNIQUE OF KHAT-KHUNNI IS A PROMINENT PART OF

THE

TRDITIONAL

URBAN

FABRIC

OF

SHIMLA.

IT INVOLVS THE USE OF SANDSTONE RUBBLE OR ASHLARS

STACKED TOGETHER AND

BONUD WITH

PINE WOOD IN A WAY SHOWN IN THE FIGURES.

10 HEMANT JOSHI : hemantjoshi2394@gmail.com

SCALE: 1: 400 11 HEMANT JOSHI : hemantjoshi2394@gmail.com

FRONT

BACK

ELEVATION

ELEVATION

LEFT SIDE

ELEVATION

RIGHT SIDE

ELEVATION

SEASONAL USE OF SPACES 12 HEMANT JOSHI : hemantjoshi2394@gmail.com

ALL DRAWINGS IN SCALE

(LVL+4.7M) (LVL+4.3M) (Lvl+3.2M).

(LVL+2.6M).

(LVL+0.6M) (LVL-+ 0M) (LVL -1.4M) (LVL -1.9M)

INSPRATION

CONJECTURE

BUILT ENVIRONMENT CAN BE AN ARTFULL DECEIT…

LOWER FLOOR (LVL-3.7M) LAKE LEVEL (LVL-4.7M)

ROOF LEVEL

(LVL+4.7M)

PORTICO SITE LEVEL

(LVL+0.6M)

DESIGN INTENTIONS

ROOF LEVEL CEILING LEVEL LOWER ROOF LOWER CEILING LEVEL SITE LEVEL ROAD LEVEL POOL DEPTH 1 POOL DEPTH 2

(LVL+ 1M)

SITTING AREA (LVL-0.3M)

LAKE LEVEL

(LVL-4.7M)

ROOF LEVEL

(LVL+4.7M)

UPPER FLOOR (LVL+1M) SITE LEVEL (LVL+0.6M) POOL DEPTH 2 (LVL -1.9M)

THE VIEW FROM THE DRIVEWAY :

FAMILY LOUNGE (LVL-3.7M) LAKE LEVEL (LVL-4.7M)

THE VIEW FROM THE DRIVEWAY AS ONE ENTRS THE SITE THIS VIEW IS FRAMES THE LONGEST VISTA OF THE PANORMA AROUND THE SITE. AS ONE EXECUTES A TURN ON THE DRIVEWAY AND MOVES INTO THE SITE HE COULD SEE BEYOND THE BUILT FORM AND THIS WAS THE ONE OF THE MAIN INTENTIONS OF THE DESIGN. ROOF LEVEL

(LVL+4.7M)

OFFICE PLINTH (LVL+1M).

STEP-DOWN (LVL-0.4M) OFFICE DECK PERSONAL (LVL-1.9M) DECK FAMILY LOUNGE (LVL-3.7M) LAKE LEVEL (LVL-4.7M)

E: 1: 400

ROOF LEVEL

(LVL+4.7M)

CEILING LEVEL (LVL+4.3M) PLINTH LEVEL SITE LEVEL ROAD LEVEL DECK

(LVL+1M).

(LVL+0.6M) (LVL-+ 0M) (LVL-0.4M)

PRIVATE DECK (LVL -2.9M) LAKE LEVEL

(LVL-4.7M)

SECION AT AA’

ROOF LEVEL

(LVL+4.7M)

CEILING LEVEL LOWER ROOF

(LVL+4.3M) (LVL+3.2M).

LOWER CEILING (LVL+2.6M).

SITE LEVEL (LVL+0.6M) DECK (LVL-0.4M) PERSONAL DECK (LVL-1.9M) LOWER FLOOR LAKE LEVEL

(LVL-3.7M) (LVL-4.7M)

SECTION AT BB’ HEMANT JOSHI : hemantjoshi2394@gmail.com

13

PARIKRAMA RURAL TRAINING CENTER

“LOOSING ONE’S SENSE OF LIFE IS A GOOD WAY TO LEARN...... A CAMPUS MUST BE A PLACE TO GET LOST.....A PLACE OF ONCE “NOT-KNOWING” AND THEN “KOWING......’.” : BV DOSHI

GET LOST TO FIND YOURSELF....

ACCOMMODATION BLOCK

RURAL TRAINING INSTITUE

ACADEMIC BLOCK ADMIN BLOCK

JODHPUR

TEACHER AND STAFF CIRCULATION STUDENT CIRCULATION

PROJECT BRIEF:

1

THE DESIGN EXCRCISE INVOLVED WORKING IN GROUPS OF

FIVE

AND

EXECUTING

THE

ALLOTED

DESIGN

PROBLEM. IN OUR CASE -RURAL TRAINING CENTER.

YOUTH UNEMPLOYMENT TOGETHER WITH THE CREATION OF WORTHWHILE RURAL LIVELIHOODS HAS EMERGED FOR DECADES AS MAJOR INTRACTABLE PROBLEMS IN INDIA.

A

RURAL

TRAINING

CENTER

IS

AN

INTITUTE

GOVERNMENT RUN OR AFFILIATED BY AN INDUSTRIAL ORGANISATION PROVIDE

TO

THEM

TRAIN

SKILLS

RURAL

TO

PEOPLE

SUSTAIN

A

AND

DECENT

LIFESTYLE IN THE RUSH OF THE URBAN WORLD.

ROLE:

3

GROUP LEADER; CONCEPT FORMULATION; PLANNING OF

THE

(PLANS

CAMPUS;

AND

ACADEMIC

SECTIONS)

OVERALL

BLOCK

DESIGN

4

PRESENTATION.

LEARNED COORDINATING WITH OTHERS BY ALWAYS GETTING

PEOPLE

TOGETHER

AND

THINKING

ABOUT NOT JUST PROMINENT BUT ALSO POSSIBLE CHALLENGES OUT

OF

ND THE

TRYING GROUP

TO

FIND

DYNAMICS

SOUTIONS SITUATION.

PERSONAL INTENT WITH THE DESIGN :

ASSIGNMENT

WAS

TO

UNDERSTAND

A

TYPICAL

RURAL TRAINING CENTER AND INTERRELATIONSHIP BETWEEN VARIOUS FUNCTIONS OF THE UNIT. BUT THE MAIN CHALLENGE WAS TO MAKE IT A COMFORTABLE ENVIRONMRNT FOR THE RURAL PUPILS,. IT IS OBSERVED THAT THE RURAL PEOPLE BESIDES

LACKING BASIC

EMPLOYABILITY SKILLS TEND TO HAVE MORE AXIETY AND MOST LACK SELF CONFIDENCE. HENCE, THE MAJOR FOCUS OF THE DESIGN WAS TO MAKE THE STUDENTS

FEEL COMFORTABLE-AT HOME-AT EASE.

THIS WAS ACHIEVED BY THE SHAPE AND THE STYLE OF THE BUILDING, IT SHOULD BE SUCH THAT IT DEVELOPS AN INTERACTIVE ENVIRONMENT FOR THE RURAL YOUTH. 16 HEMANT JOSHI : hemantjoshi2394@gmail.com

INTENTIONS

THE GOLDE

CHABUTRA LEARNINGS

ACTIVE SPACE OF EDUCATION

ALTHOUGH THE THE PRIMARY OBJECTIVE OF THIS

INSPIRATION

EXPERIENCE:

INTERACT

THE IND NOT CEN

THE WAY TO NOT B ANXIOUS OF THE URBAN WORLD AREA OF MAXIMUM FOOTFALL

IS TO NOT BE AFRAID OF IT RATHER BE FAMILIAR WITH IT. THE RURAL YOUTH, WHO ARE MOSTLY TOTALLY UNAWARE OF THE WORLD AROUND AND LEAD BLEAK LIVES WITHOUT HOPE FOR A IMPROVEMENT IN THE

N

WAYS OF THERE LIFESTYLE., COULD BE CHANGED BY MAKING THEM CHANGE THERE MINDS, AND THEIR WAYS

2

OF THINKING. THIS COULD BE DON BY EXPOSING THEM TO NEW THINGS, NEW ENVIRNMENTS TO FOSTER THERE NEWLY DISCOVERED TALENTS AND TO IMPART THEM NOT JUST THE SKILSS BUT THE RIGHT ATTITUDE TO LED LIFE.

EXPOSURE

COMES

FROM

INTERACTION

WITH

DIFFERENT PEOPLE, AND THE DESIGN LEVERAGED THE

SAME

NOTION

INTERACTION

BY

PLACES

IN

INSTALLING THE

MAXIMUM

CAMPUS

AND

SURROUNDING THEM WITH OPEN WORKSHOP AREAS THAT CONSEQUENTLY PRODUCE ACTIVE SPACES AND AN

ENVIRONMENTS

OF

EDUCATIONAL

ACTIVITIES.

PLANNING OBJECTIVES: THE BASIC AIM WAS TO INTRODUCE AN INNOVATIVE

5

APPROACH, AND

CREATE

ACHIEVE

THERMAL

INTERACTIVE

COMFORT

ENVIRONMENTS.

THE BASIC LAYOUTOFTHE CAMPUSWASASSESSED ( FIGURE 1 AND 3 ) AND MORPHED IN THE SHOWN WAYS, THE RED AND THE BLUE AXES REPRESENTTHE OVERALL CHOREOGRAPHY OF MOVEMENT IN THE CAMPUS (FIGURE 4, 5, AND 2)..

THE GOLDEN TRIANGLE (FIGRE 2) IS THE METAPHORICAL SPACE THAT LIES AT THE JUNCTION OF THESE AXES, THAT IMPLE\IES THAT MAXIMUM PEOPLE PASS BY THIS SPACE. THIS GIVES US AN OPPORTUNITY TO UTILISETHAT IN A CREATIVE WAY SO AS TO INCRESE STUDENT INTERACTION.

EN TRIANGLE

THE “GOLDEN TRIANGLE” IS TREATED BY INSTALLATION

TION

VERNACULAR SPACES FOR SITTING AND INTERACTION.

OF SITTING SPACES INSPIRED BY THE “CHABOOTRAS”-

DIAN PLAN IS NTRIC… bv doshi

CAMPUS LAYOUT 17 HEMANT JOSHI : hemantjoshi2394@gmail.com

THE ACADEMIC BLOCK:

ORIENTATION: THE ORIENTATION OF THE CAMPUS IS EAST TO WEST THE USE OF COURTYARDS IS EXTENSIVECOURTS ALLIGNED TO SOUTH EAST DIRECT PROVIDES WARMM

SITTING

SPACES

WHILE

THE

EAST

COURTS

ARE

SITTINGS

IN

WEST FOR

VENTILATION: THE

ENTIRE

CAMPUS

IS

ORIENTED TO SOUTH WEST TO NORTH EAST FOR THE DIRECT FLOW OF THE AVERAGE SURFACE WINDS THROUGHOUT THE YEAR.

THERE ARE TREES PLANTED IN THE WEST AND NORTH EAST DIRECTION TO PREVENT WINTER WINDS AND LOO.THE COURTS AND

CORRIDORS

INTERNAL

PROVIDE

VENTILATION

.

18 HEMANT JOSHI : hemantjoshi2394@gmail.com

WINTERS.

ALLIGNED SUMMER

PARIKRAMA/ PROMANADE: PROMENADE APPARANTLY INTRODUCED BY AR. LE CORBUSIER

MEANS

MOVEMENT IN,

AROUND

OR

THROUGH THE SPACE IN A COMPLEX CIRCULATION SYSTM. WHILE, PARIKRAMA MEANS GOING AROUND SOMETHING -CIRCUMAMBULATION- IT INVOVLES MOVING AROUND SOMETHING SACRED IN CONCENTRIC OR IRREGULAR PATHS TO EXPERINCE A CONTEMPLATIVE STATE OF MIND.

I

BELIEVE THAT PARIKRAMA WAS A LONG

BACK

INTERPRETATION OF THE PROMANADE IN

RELIGIOUS

CONTEXT,

INTENDED

THROUGH

THIS

DESIGN

I

TO HAVE AN ABSTRACTION OF THE SAME IN A METOHORICAL SENSE AND USE IT IN THE PLANNING OF THE ACADEMIC BLOCK.THERE ARE WAYS TO ENTER THE

SAME

SPACE

THROUGH

DIFFERENT

PATHS.

CIRCULATION : ALTHOUGH THERE ARE ELONGATED CORRIDORS FOR THE PURPOSE AS SUGGESTED ABOVE, BUT THE Y ARE WELL CONNECTED FOR THE SAKE OF THE PHYSICALLY CHALLENGED. THERE ARE RAMPS THAT GO ON THE LEVEL OF CLASSROOMS AS WELLAS THE LEVEL OF LABS.

THE SECTION BELOWSHOWS THE SPLIT OF THE ACADEMIC BLOCK FROM THE PLINTH LEVEL, BOTH FLOORS ARE REACHED WITHIN THE HEIGHTS OF 1.8 METRES RATHER THAN HAVING A 3 METRE FLIGHT FROM THE GROUND FLOOR.THIS SPLIT IN LEVELS REDUCED CIRCULATION AREA.

ACADEMIC BLOCK SECTION SCALE: 1: 400

19 HEMANT JOSHI : hemantjoshi2394@gmail.com

L+0.45M

LVL+1.2M

LVL+1.5M

LVL+2M

LVL+2.3M

LVL+2.3M

LVL+0.45M

LVL-+0M

LVL+0.45M

ENTRY

LVL+0.45M

LVL+0.45

FIRST FLOOR THE FIRST FLOOR HAS THE LIBRARY AND THE CLASSES LIKE

FOR

MAJOR

MACHINERY,

THESE

ARE

LAB

BLOCK

TO

KEEP

TECHNICAL

CONSTRUCTION,

SEPERATED ON

COURSES

A

EXXCSSIVE

FROM

DIFFERENT NOISE

20 HEMANT JOSHI : hemantjoshi2394@gmail.com

ETC.

THE LEVEL

IN

CHECK.

LVL+0.45M

GROUND FLOOR THE GOUND FLOOR CONSISTS OF LABS ELEVATED FROM THE PLINTH FOR ACOUSTIC COMFORTS IN THE BLOCK.

AND

THE

CLASSROOMS

FOR

LANGUAGES,

RETAILING AND PERSONALITY DEVELOPMENT THAT ARE PLACED NEAR THE SITTING AREA. THE SEMINAR ROOMS ARE ALSO PLACED IN THE QUIET CONER.

LVL+0.45M

LVL-+0M

LVL+1.2M

LVL+1.

5M

LVL+1.5M

LVL+1.5M LVL+1.5M LVL-+0M

LVL-1.8M

LVL-1.8M

LVL-1.8M LVL+1.5M

DOWN UP

LVL+1.5M

LVL-1.8M

LVL+1.5M

LVL+1.5M

LVL-1.8M

LVL+0.45M

5M

LVL+1.5M

LVL-1.8M

LVL-1.8M

LVL-1.8M

LVL+1.5M

LVL+1.5M

LVL+1.5M

LVL-1.8M

LVL+0.45M

LVL+0.45M

LVL-1.8M

LVL+0.45M LVL-+0M

LVL+0.45M LVL-1.8M LVL+0.45M LVL-+0M

SCALE: 1: 400 21 HEMANT JOSHI : hemantjoshi2394@gmail.com

TRADITIONAL AND MODERN KIOSKS

THE FIRST DESIGN PROBLEM EVER INTRODUCED TO THE CLSS WAS TO DESIGN A KIOSK. ONE FOR THE TRADITIONAL MRKET-PLACE OF JODHPUR ‘GHANTA-GHAR’. AND THE OTHER ONE FOR A MORE MODERN URBAN ENVIRONMENT LIKE MALLS.

CON DIFF

NCURRENT DESIGN IN FERENT CONTEXTS

TRADITIONAL ARCHITECTURE

SITE SPECIFIC PERSONAL INTENT WITH THE DESIGN : THE SITE ALLOTED FOR THE PLACEMENT OF THE THE KIOSK IS THE TRADITIONAL MARKET

OF

JODHPUR-GHANTAGHAR.

HENCE, IT WAS IMPORTANT TO BRING IN THETRDITIONAL ESSENCE

THIS

WAS

EXERCISED

OF THE

BY

CITY.

MEANS

MODERN ARCHITECTURE

ACCESSORIES KIOSK:

CO

PROTOTYPES

OF

MATERIAL: THIS TEMPORARY STRUCTURE IS

ENTIRELY

PROCESSED

SINCE,

MADE IN

THE

THOROUGHFARE

UP

OF

BAMBOO

DIFFERENT

FORMS.

KIOSK

LIES

AT

INTERSECTION

THE THE

SHAPE OF THE KIOSK ENABLES BETTER VENDING

WITH

MORE

DISPLAY

AREA.

SCALE 24 HEMANT JOSHI : hemantjoshi2394@gmail.com

ONCURRENCE

CONCEPT

ACCESSORIES KIOSK: PERSONAL DESIGN : INTENT WITH THE THE PRESENTED KIOSK WAS SPPOSED TO BE SETUP IN A MALL, HENCE, WE WERE SKED TO BRING IN MODERNISM.THIS ESSENSE OF MODERNISM IS INTERPRETED IN THE SHAPE OF THE KIOSK.

IT’SAMODULAR STRUCTUREAND AN ATTEMPT TO DECONSTRUCT THE TRADITIONAL “VOLUMES” WITH

USE

MATERIAL LIKE AND

OF

MODERN

FIBRE GLASS

COMPRESSD

BOARDS

LE: 1: 60 25 HEMANT JOSHI : hemantjoshi2394@gmail.com

CYBER CAFE COFFEE SHOP

THE EXCERSCISE INTRODUCED INTENDED TO EXECUTE A DESIGN IN THE ALLOTED PRIMARY FORM (PYRAMID IN MY CASE) AND TO BECOME APPRECIATIVE AND APPREHENSIVE ABOUT THE SAME.. THE SITE LIES IN JODHPUR, A HOT AND DRY REGION , HENCE BASIC CLIMATIC RESPONSEIVENESS IN INDUCED INTO THE DESIGN AND FORM GENERTION.

FO PL

ORM FOLLOWS LAY.....!

CYBER CAFE CUM COFFEE SHOP PERSONAL INTENT WITH THE DESIGN : THE SITE LIES IN JODHPUR WHICH IS A HOT AND DRY REGION WITH EXTRME SUN RADIATION AND DIURNAL TEMPERATION. TO PREVENT HET INTAKE THE MAJOR WINDOWS AR PLACED ONLY IN THE NORTH AND SOUTH DIRECTIONS WHILE IN THE WEST AND EAST DIRECTINS LIGHT ENTERS THRIUGH SLIT WINDOWS.

THE WAS

EXCERCISE THAT WAS TO

(PYRAMID

USE IN

THE

MY

INTRODUCED TO

ALLOTED

CASE)

AND

PRIMARY TO

US

FORMS

EXPLOIT

THE

GEOMETRY TO BRING OUT A CRDEIBLE OUTPUT.

THE PYRAMIDIS SPLIT INTO 6 PIECESTO CREATE SLIT WINDOWS ALONG THE SLANT OF THE PYRAMID. THIS LETS IN LIGHT JUST ENOUGH TO ILLUMINATE THE SPACE AND THUS THE INSIDE REMAINS COOL. THROUGHOUT THE SUNNY DAYS IN JODHPUR. THIS IS DEMONSTRTED THROUGH THE MODEL PICTURE AS SHOWN. THE CYBER CAFE IS PLACED ON A TRUSS STRUCTURE JUST TO HAVE

LARGE PILLARLESS SPACE BENEATH.

28 HEMANT JOSHI : hemantjoshi2394@gmail.com

TYPOLOGIE

FUSIO

PLAYING WITH THE PYRAMID

ON

GROUND FLOOR

SCALE: 1: 90

SITE PLAN

SCALE: 1: 200

LIGHT AND SHADOW FUNCTIONFOLOOWS FORM

ES

UPPER FLOOR

CONCEPT

ISOMETRIC VIEW

WEST SIDE ELEVATION

SECTIONS

EAST SIDE ELEVATION 29 HEMANT JOSHI : hemantjoshi2394@gmail.com

URBAN M

CREATIVITY

COMPETITION

TEAM WORK

GROUP DYNAMICS

LEARNINGS

PARALLEL PROJECTIONS

MEMOIRS

NASA WORK DURING THE YRAR OF 2016-2017 I HAD BEEN THE TROPHY COORDINATOR OF 4 TROPHIES:-

ANDC(2016-17)

WRITING ARCHITECTURE

NARIGANDHI ROPHY 2016-17.

ZNDC (ZONAL NASA2016))

THE ANDC TROPHY GOT SHORTLISTED IN TOP 100 COLLEGE ENTRIES.

ANDC 2016-2017 PROJECT : THE

REVITALISTION

BAZAAR,

THE

TRADITIONAL

MAIN

OF

ADA

AND

THOROUGHFARES

SETTLRMRNT

OF

UBH

OF

JODHPUR.

THE AND

PRESENTATION IN FORM TWOA1 SHEET PAINTINGS.

ABOUT ADA-UBHA BAZAAR :

PROJECT BRIEF : THE ADA (HOSRIZONTAL) AND UBHA (VERTICAL) BAZAAR THE OF

ANDC

BRIEF

PARALLEL

REIMAGINING

SUGGESTED

PROJECTION OUR

CITY,

AS OUR

THE A

NOTION WAY

OF

ARCHITECTURAL

FORM AND TIME DEPICTION IN A DISTINCT WAY.

IT

ALSO

ASPECTS A

NEW

ASKED OF

US

TO

URBANISATION

EXPOSURE

TO

COVER AND

URBAN

MANY

TO

ROADSARETHE MAINAXIALAND RADIALROAD OFTHEWALLED CITY OF JODHPUR THAT INTERSECT AT A RIGHT ANGLE. THESE WERE AND STILL ARE THE MAIN MARKET STREETS THAT CONNECT THE GHANTA-GHAR TO THE RESIDENCIAL SECTORS OF THE OLD WALLED CITY. THESE ACT AS THE URBAN SPINE TO THE ECONOMY OF THE PEOPLE OF JODH[UR.

GIVE

DESIGNING.

THE SITE: THE CHOSEN SITE LIES IN JODHPUR, A VERY FAMOUS MARKET

PLACE,

NAMED

THE

ADA

BAZAAR

AND

UBHA BAZAAR. THE INTENTION IS TO ANALYZE AND REVITALIZE THE PRESENT MARKET CONDITIONS AND ITS SURROUNDINGS IN ORDER TO DEVELOP THE NEW

32 HEMANT JOSHI : hemantjoshi2394@gmail.com

1

AND UNIQUE IDEAS TO REGENERATE THE VITALITY OF ITS STREETSCAPE AND ALSO MAKE IT INCLUSIVE.

SITE JUSTIFICATION : THE FIGURE 1 SHOWS THE BUOLT MASS AROUND THE ROADS. THE REGION HAS MIXED LAND USE, THAT IS RESIDENTIAL AND COMMERCIAL SPACES OCCURING SIMULTANEOUSLY.

PRESENT CONDITION

MOREOVER THESE SUPPORT THE ECONOMIC ACTIVITY OF GHANTA-GHAE AND THUS THE ENTIRE CITY. INITIALLY THESE WERE THE ECONOMIC BACKBONE OF THE CITY OF JODHPUR.

TODAY THIS REGION OF THE CITY MAKES A BUSINESS/ TRANSACTION OF MORE THAN A MILLION DOLLARS PER WEEK. HENCE, THESE MARKETS ARE EXTRMRLY CRUCIAL AND NEED TO BE SUSTAINED FOR THE SAKE OF THE FIINANCIAL STABILITY OF THE CIITY.

2

3

FIGURE 2 AND 3 DEPICT THE OVERALL ECONOMIC AND TOURIST ACTIVITY RESPECTIVELY OF THE WALLEDCITY. 33 HEMANT JOSHI : hemantjoshi2394@gmail.com

THE PAINTINGS INSPIRATION FROM ZAHA HADID’S PAINTINGS

: THE PRESENTATION OF THE CONTEXT WAS INSPIRED BY THE PAINTINGS OF ZAHA HADID AND WE DEVELOPED A TWISTED PLAN FORM OF THE STREET, WHICH TAKES THE STREET VIEW FROM 2D TO 3D TO STREET PERSPECTIVE.

THE INTERVENTION : THE

STRATEGIC

LONG

TERM

SUSTAINABLE CULTURAL

DEVELOPMENT

MEASURES

WILL

FOR

DEVELOPMENT, REACTIVATION

ENABLE

REVITALISATION, BUSINESS

OF

THE

AND BAZAAR.

A SCHEMATIC PROPOSAL DIVIDED INTO 4 STAGES AND EACH STAGE IS OF ON AN AVERAGE OF 5 YEARS.

INTENT WITH THE DESIGN : THE MAIN AIM OF THE PROPOSED INTERVENTION IS TO SUSTAIN THESE MARKETPLACES IN THE FUTURE AND MAKE THEM MORE EFFICIENT AND ACCSSIBLE .

TAKING

IT

STRUGGLE

FROM FOR

A THE

STAGE

WHERE

COMMON

MAN

THERE

IS

TOEVEN

WALK IN THE STREETS TO A STAGE WHERE EVEN A PHYSICALLY OR VISUALLY CHLLENGED PERSON COULD

SHOP

AROUND

IN

THESE

STREETS.

1

STAGE ONE: STAGE 1 (SPACE SUFFICIENCY):THE FIRST STAGE COMPRISES OF MEASURES OF

GENERAL

CONTROL COMPRISES

VIA

MAINTENANCE

POLICIES.

OF THE

THE

AND

FIRST

FOLLOWING

34 HEMANT JOSHI : hemantjoshi2394@gmail.com

STAGE

POLICIES:-

2

STAGE TWO

STAGE 2 (ZONING AND STRUCTURE):THIS

STAGE

CATEGORISATION

COMPRISES TO

OF

BRING

GENERAL

ORDER

AND

STRUCTURE IN THE ADA AND THE UBHA BAZAAR.

STAGE THREE: SAFETY AND INCLUSIVITY

THIS

STAGE

BASICALLY

INVOLVES THE POLISHING OF THE MARKET PLACE AND

PROVIDING

ANCILLARY FACILITIES THE

STAGE

OF

.

COMPRISES FOLLOWING

DEVELOPMENTAL STEPS.

STAGE FOUR:

3

4

(PROSPERITY):FINALLY, AT THE LAST STAGE,AT THIS STAGE THE SCENARIO OF THE MARKET IS IN A HOPEFUL CONDITION. THE ELEVATION TREATMENT LEAD TO STREETSCAPE OF ENTIRELY

JODHPUR’S

HERITAGE ESSENCE. OUR PROPOSAL BRINGS THIS MARKET PLACE EASILY. BE

AT

EVERY ITS

FROM THE STREETSCAPE

THEMED

FINEST AND

MARKET

WOULD

FUNCTIONAL WAY. 35

HEMANT JOSHI : hemantjoshi2394@gmail.com

DOCUMENTATION AND CONSERVATION

JASWANT-THADA I JAWAHAR-NIWAAS PALACE

JAWAHAR-NIWAS PALACE PROJECT : THE

FOLLOWING

CLASS THE

PROJECT WAS A SECOND YEAR

GROUP EXCERCISE

PROJECT.

THE

INTENTION

OF

WAS

AMEASURE-DRAW

THE

TO

ARCHITECTURE OF JAWHAR-NIWAS PALACE (JAISALMER).

TTHE

EXERCISE

JAWAHAR

WAS

NIWAS

WAS

DIVIDED

TOOK

CARE

DOCUMENT

PALACE

INTO OF

TO

THE

GROUPS

DIFFERENT

AND SET

THE

THE

ENTIRE

CLASS

EACH

GROUP

OF

DRAWINGS.

MY ROLE:-

I WAS PART OF THE DETAILING GROUP. SO MY

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PROJECT BRIEF :

SECTION A-A'

ROLE WAS TO LEAD THE TEAM AND ALSO DRAW THE

AUTOCAD

DRAWINGS

AND

GATEWAY

SHEET

RENDERINGS OF THE ELEMNTS OF THE PALACE LIKE THE BAY-WINDOW (JHAROKHAS),

AND THE CHATRIES. MOTIF 1

THE SITE: THE SITE IS LOCATED IN JAISALMER ON THE OUTSCIRTS OF THE THE CITY OF JAISALMER. IT WAS INITIALLY A PALACE FOR THE ROYALS BUT NOW IT’S A 3-STAR HOTEL WITH OUTDOOR POOL, A RESTAURANT AND OFFERS HORSE BACK RIDES AND OTHE RAJPUTANA EXPERIENCES.

38 HEMANT JOSHI : hemantjoshi2394@gmail.com

"JAWAHAR NIWA

RIBBON B MOTIF F RIBBON C MOTIF D MOTIF E MOTIF 1

PILLAR

MOTIF B

MOTIF C

I

MOTIF B MOTIF C MOTIF G

MOTIF D

RIBBON A

MOTIF E

RIBBON A ELEVATION

MOTIF F RIBBON 2 RIBBON C

I

PILLAR MOTIF G

PLAN

AR PALACE", JAISALMER - MEASURED DRAWING

SHEET TITLE:

B.ARCH II YEAR 2015-2016 SHEET NO.:

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

39 HEMANT JOSHI : hemantjoshi2394@gmail.com

JASWANT-THADA PROJECT : THE

FOLLOWING

CLASS THE

GROUP EXCERCISE

ARCHITECTURE

PROJECT

WAS

A

PROJECT.

THE

INTENTION

OF

WAS

AMEASURE-DRAW

THE

OF

TO

JASWANT-THADA

THIRD

YEAR

JODHPUR.

PROJECT BRIEF : TTHE EXERCISE WAS TO DOCUMENT THE JASWANTTHADA THE ENTIRE CLASS WAS DIVIDED INTO GROUPS AND EACH GROUP

TOOK

CARE OF DIFFERENT SET OF

DRAWINGS. ALTHOUGH, THE SITE IS WELL MAINTAINED AND IS USED AASS A PUBLIC PLACE TOO BUT THE SITE IS NOT LEVERAGED WELL TO IT’S FULL POTENTIAL, HENCE THE INTENTION OF THE EXCERCISE WAS TO ALSO PROPOSE STRATEGIES AND DESIGN SOLUTIONS FOR BETTER CONSERVATION OF THE ARHITURE OF JASWANTTHADA AND TO ALSO HAVE UBLIC AMENITIES LIKE CAFE’S AND RESTAURANTS OR EVEN ZIP-LINES TO GENERATE REVENUE AND ATTRACT MORE VISITORS AND HENCE MGET THE ATTENTION THAT THE STRUCTURE DESERVES.

MY ROLE:-

I WAS PART OF THE DOCUMENTATION/REPORT GROUP. SO MY ROLE WAS TO LEAD THE TEAM AND ALSOCOORDINATE WITH HE REST OF THE TEAMS TO GET THE REQUIRED OUTPUT.

HAVING

THE

JOB

OF

COMPILATION

THE COLLECTED MATTER AND WRITING

OF

THE SAME.

THE SITE: THE SITE IS LOCATED IN JODHPUR ON THE HILLS OF MEHRANGARH

FORT OF THE THE CITY OF JODHPUR. IT

WAS INITIALLY A CENTOTAPH OR THE BURIAL GROUND FOR THE ROYALS BUT NOW IT’S A PYUBLIC PLACE TOO WITH WELL MAINTATINED LAWNS AND INTERIORS AND

EXTERIORS

OF THE

S

MARBLE

40 HEMANT JOSHI : hemantjoshi2394@gmail.com

STRUCTURE.

Fig. 1.38 : Section XX’ of Jaswant Thada

Fig. 1.4 : Reflected roof plan of main building Jaswant Thada

Fig. 1.36 : Side elevation of Jaswant Thada

Fig. 1.42 : Plan of main building Jaswant Thada

41 HEMANT JOSHI : hemantjoshi2394@gmail.com

ARCHITECTURAL 2'

3'

1a' 474

126 126

3a'

3b'

215

259

341

1a

3a

3b

2712

12 13 14 15 16 17 18 19 20

104

251 1583

125

Footing To LOWER TERRACE SLAB

1173

UP

126

126

5

(762X305) C-7 105

105

Footing To SLAB

6

104

4 3

125

474

474

2

UP

1

C-9 (762X305)

126

Footing To SLAB

335

126

C-8 (762X305)

7

1131

C'

8

4564

LVL +900

1173

1872

1844 6780

335

126

2989

1212 126

Footing To LOWER TERRACE SLAB

104

C-13 (762X305)

Footing To SLAB

104

C-11 (762X305)

468

120

126

C-12 (762X305)

126

104

480

E'

104

370474

Footing To SLAB

Footing To LOWER TERRACE SLAB

132

LVL+ 450

LVL+ 900

UP

126

G'

8214 3621

1173

126

335

LVL+ 900

91

C-14 (762X305)

139

6080 1834

1

Footing To LOWER TERRACE SLAB

1548

2

8466

4

5

6

LVL+ 450

1

NORTH

DATE: 13.12.2016

SUBJECT : ARCHITECTURE DETAILING

6790

1425

3

SHEET TITLE : WORKING PLAN

C-15 C-15 (762X305) (762X305)

139

Footing To LOWER TERRACE SLAB

3520

2273

125

475

474

91

DRAWINGS PRESENTED :

125

475

3621

4287

LVL+ 900

6886

D'

DOWN

251

5542

LVL+ 450

LVL+ 450

LVL +1800

230

1397

3924

761

3890

C-6 (762X305)

Footing To LOWER TERRACE SLAB

C-10 (762X305)

1). WORKING DRAWING PLAN.

C-5 (762X305) Footing To SLAB

9

3856

IN A THE GIVEN AREA AND

DRAWINGS OF THE SAME.

LVL +900

10

BY DESIGNING A RESIDENCE

COONSTRUCTION

125

C-5 (762X305)

Footing To Mumty

3c

11

105

8486

385

Footing To STAIRCASE

4026

1085 7246

260

ARCHITECTURAL DETAILING

AND

251

C-4 (762X305)

WAS A THIRD YEAR PROJECT.

WORKING

6790

838

474

126

838

THE

Footing To Mumty

104

C-2 (762X305)

6223

2513 2340

PROJECT :

MAKING

369

6'

3018

C-3 (762X305)

126

1509

1006

1593

EXCERCISE WAS TO LEARN

5813

126 104

261 1140

620

C-1 (762X305) Footing To TERRACE

THE INTENTION OF THE

5' 364

236

Footing To Mumty

104

THE FOLLOWING PROJECT

3c'

2632

1140

2138

671

A' B'

4'

LVL+ 450

833

DETAILING

1'

SUBMITTED TO :- AR. AMIT SANKHLA SUBMITTED BY: HEMANT JOSHI B. ARCH III YEAR

SCALE 1:84

2).COLUMN PLAN

3.)SECTION1 A' B'

2'

3'

1a' 620

4) SECTION 2

1' 126

474

126

104

4'

3a'

3b'

2273

1834

1383

126

6'

C-3 (762X305)

Footing To Mumty

Footing To Mumty

104

2148

5'

C-2

364 (762X305)

236

126 104

1425

6790

C-1 (762X305) Footing To TERRACE

2513 105

215

474

126

C-5 (762X305)

Footing To STAIRCASE

259

341

1a

3a

125

385

C-4 (762X305)

5833

5.) EAST ELEVATION

3c'

C-5 (762X305)

Footing To Mumty

3b

Footing To SLAB

3c

6.) SOUTH ELEVATION. 105

125

474

7.) BEAM PLAN

126

C'

126

104

105

126

104

125

C-7 (762X305)

Footing To LOWER TERRACE SLAB

C-9 (762X305)

126

C-8 (762X305)

474

C-6 (762X305)

Footing To SLAB

Footing To SLAB

Footing To LOWER TERRACE SLAB

4175

8.) EXCAVATION PLAN.

10.) WEST ELEVATION

126

125

475

104

474

D'

126

C-12 (762X305)

126 126

1531

9.)NORTH ELEVATION

C-10 (762X305)

480

E'

126

104

104

C-13 (762X305)

Footing To SLAB

104

Footing To SLAB

468

Footing To LOWER TERRACE SLAB 120

C-11 (762X305)

132

11.) SANITATION PLAN.

2335

Footing To LOWER TERRACE SLAB

126

G'

125

475

474

91

91

C-14 (762X305)

139

C-15 (762X305)

139

Footing To LOWER TERRACE SLAB

12.) TERRACE PLAN.

1834

1

3520

2273

2

SHEET TITLE : COLUMN PLAN

DATE: 13.12.2016

SUBJECT : ARCHITECTURE DETAILING SCALE 1:84

42 HEMANT JOSHI : hemantjoshi2394@gmail.com

6790

1425

4

3

Footing To LOWER TERRACE SLAB

5

NORTH

6

SUBMITTED TO :- AR. AMIT SANKHLA

2

SUBMITTED BY: HEMANT JOSHI B. ARCH III YEAR

S S

LVL+14300 (MUMTY LEVEL)

LVL+7900

A B

LVL+7000 (TERRACE LEVEL)

LVL+4619 UPPER LANDING

3

LVL+3400 DOUBLE HEIGHT LEVEL LVL+2576 LOWER LANDING LVL+1800 SILL LEVEL

GARDEN

LVL + 900 (PLINTH LEVEL)

C

LVL+450 (SITE LEVEL) LVL+-0 (GROUND LEVEL)

D LVL+14300 (MUMTY LEVEL)

E

SHEET TITLE : SECTION 1

DATE: 13.12.2016 NORTH N

SHEET NO.

SUBMITTED TO :AR. AMIT SANKHLA

LVL+7900

SIGNATURE :

F:\college\textures\M.B.M._Engineering_College_-_Logo.png

SUBJECT : ARCHITECTURE DETAILING SCALE 1:84

G

SHEET NO. SIGNATURE :

LVL+7000 (TERRACE LEVEL)

SUBMITTED BY: HEMANT JOSHI B. ARCH III YEAR

LVL+4619 UPPER LANDING LVL+3400 DOUBLE HEIGHT LEVEL

4

LVL+2576 LOWER LANDING

GARDEN LVL + 900 (PLINTH LEVEL) LVL+450 (SITE LEVEL) LVL+-0 (GROUND LEVEL)

LVL+14300 (MUMTY LEVEL)

SHEET TITLE : SECTION 2

DATE: 13.12.2016 NORTH N

SUBMITTED TO :AR. AMIT SANKHLA

LVL+7900

SHEET NO.

LVL+7000 SIGNATURE (TERRACE LEVEL)

F:\college\textures\M.B.M._Engineering_College_-_Logo.png

SUBJECT : ARCHITECTURE DETAILING SCALE 1:84

SUBMITTED BY: HEMANT JOSHI B. ARCH III YEAR

:

LVL+6100 (KITCHEN SLAB LEVEL) LVL+5500 (SLAB LEVEL) (LOWER TERRACE) LVL+4700 (CLERESTORY WINDOW LEVEL)

LVL+1800 (KITCH LEVEL)

5

LVL + 900 (PLINTH LEVEL) LVL+450 (SITE LEVEL) LVL+-0 (GROUND LEVEL)

LVL+14300 (MUMTY LEVEL)

SHEET TITLE : EAST ELEVETION

DATE: 13.12.2016 NORTH N

SUBMITTED TO :AR. AMIT SANKHLA

LVL+7900

SHEET NO

LVL+7000 (TERRACE LEVEL)

SIGNATUR

F:\college\textures\M.B.M._Engineering_College_-_Logo.png

SUBJECT : ARCHITECTURE DETAILING SCALE 1:84

GLAZING (with hidden frame)

SUBMITTED BY: HEMANT JOSHI LVL+6100 B. ARCH III YEAR (KITCHEN SLAB LEVEL)

LVL+5500 (SLAB LEVEL) (LOWER TERRACE) LVL+4700 (CLERESTORY WINDOW LEVEL)

SMOOTH FINISH CONCRETE WALLS

6

LVL+1800 (KITCH LEVEL) LVL + 900 (PLINTH LEVEL) LVL+450 (SITE LEVEL) LVL+-0 (GROUND LEVEL)

43 HEMANT JOSHI : hemantjoshi2394@gmail.com

2051 185

2653

4299 3337

SLAB BEAM 1

BEAM 3

BEAM 3

4694

4530

SLAB BEAM 3 SLAB BEAM 2

SLAB BEAM 3

BEAM 3

3928

2051

BEAM 3

4841

SLAB BEAM 2

8823

2654

SLAB BEAM 1

2654

2033

BEAM 3

1844 6731

4694

BEAM 2

BEAM 3

3942

3924

BEAM 2

3920

6764

9053

BEAM 2 941

5564

3646

BEAM 1 1425

2343

BEAM 1

1834

8237

BEAM 1

7 SUBJECT : ARCHITECTURE DETAILING SCALE 1:84

1'

1a'

7263

3'

3a'

4' 3b'

5'

3c'

SIGNATURE : F:\college\textures\M.B.M._Engineering_College_-_Logo.png

6'

8830

A B

B1'

413

1740

924 1039

1067

1067

662

1039

620

A' B'

2'

SHEET NO.

SUBMITTED TO :AR. AMIT SANKHLA SUBMITTED BY: HEMANT JOSHI B. ARCH III YEAR

N

1486

NORTH

SHEET TITLE : BEAM PLAN

B1

7513

C' 7459

3a

3b

3c

2883

6987

1a

5229

C

3860

3972

10511 166 I.C.

D'

D DRESSING ROOM 1400X1600

3275

6465

E

900

E'

7556

BEDROOM 3444X4267

G

2648

2648

G' 2347

SER DUC 914

3426

4326

4894

BATHROOM 2225X1600

3275

D1

D1'

900

UP

H'

H

1987

1834

1

5794

2

3

8

4

SHEET TITLE : EXCAVATION PLAN

SUBJECT : ARCHITECTURE DETAILING SCALE 1:84

8466

5

NORTH N

6

3688

FOYER 5038X

SUBMITTED TO :AR. AMIT SANKHLA SUBMITTED BY: HEMANT JOSHI B. ARCH III YEAR

PORCH 5832X2032

SHEET NO.

SIGNATURE : F:\college\textures\M.B.M._Engineering_College_-_Logo.png

SEPTIC TANK & SOAK WELL LOCATION IF THERE IS NO EXISTING DRAINAGE LINE

I.C.

44 HEMANT JOSHI : hemantjoshi2394@gmail.com

SHEET TITLE : SANITATION PLAN

LVL+7900 LVL+7000 (TERRACE LEVEL) LVL+6100 (KITCHEN SLAB LEVEL) LVL+5500 (SLAB LEVEL) (LOWER TERRACE) LVL+4700 (CLERESTORY WINDOW LEVEL)

LVL+1800 (KITCH LEVEL) LVL + 900 (PLINTH LEVEL) LVL+450 (SITE LEVEL) LVL+-0 (GROUND LEVEL)

9

SHEET TITLE :NORTH ELEVETION

DATE: 13.12.2016 NORTH N

SHEET NO.

SUBMITTED TO :AR. AMIT SANKHLA

SIGNATURE :

F:\college\textures\M.B.M._Engineering_College_-_Logo.png

SUBJECT : ARCHITECTURE DETAILING SCALE 1:84

SUBMITTED BY: HEMANT JOSHI B. ARCH III YEAR

LVL+14300 (MUMTY LEVEL)

LVL+7900 LVL+7000 (TERRACE LEVEL) LVL+6100 (KITCHEN SLAB LEVEL) LVL+5500 (SLAB LEVEL) (LOWER TERRACE) LVL+4700 (CLERESTORY WINDOW LEVEL)

LVL+1800 (KITCH LEVEL) LVL + 900 (PLINTH LEVEL) LVL+450 (SITE LEVEL) LVL+-0 (GROUND LEVEL)

10 DATE: 13.12.2016 NORTH N 3962

5357

F:\college\textures\M.B.M._Engineering_College_-_Logo.png

2844

3301

DINING 5181X4267

TOILET 1400X1600

5311

SUBMITTED BY: HEMANT JOSHI B. ARCH III YEAR 1219

SUBJECT : ARCHITECTURE DETAILING

SCALE 1:84

SHEET NO.

SUBMITTED18288 TO :AR. AMIT SANKHLA

1679

SIGNATURE :

DINING 5181X4267

1066

SHEET TITLE : WEST ELEVETION

DOWN

824

LVL +7014

819

LIVING ROOM 5517X5187

6095

6512

18288

RIDGE LINE

LVL +7014

I.C.

KITCHEN 3787X6172

DOWN

LVL +5490

6336

R X4160

11

3795

1209

RVICE CT 4X1600

LVL+14300 (MUMTY LEVEL)

12

LVL +6100

1295

3520

LVL +5490

LIBRARY 7306X2652

6172 3353

8458

I.C.

NORTH LVL SUBMITTED TO :-

SHEET TITLE : TERRACE PLAN SHEET NO.

45

SHEET N DATE: 13.12.2016 NORTH LVL SUBMITTED TO :+-0 HEMANT JOSHI AR. : hemantjoshi2394@gmail.com AMIT SANKHLA N

YANTRA HOUSING Total Site Area = 15094.77 m2 FAR = 1.33 Ground coverage area= 35% of site area=5283.2 m2 Club house = 5% * site = 754.7m2 Parks = 15% * site = 2264.2m2 Total FAR area (built up area)= site*1.33 = 20076 m2 Commercial area = 3% * far area = 602.3 m2 Public and semi public area = 3* far arrea = 602.3 m2 Residential area = far area - (602.3 + 602.3) = 18871.4 m2 Area of EWS = 35% * far area= 7026.6 m2 Area of LIG = 25% * far area = 5019 m2 Area of MIG = 25% * far area = 5019 m2 Area of HIG = 15% * far area = 3011.4 m2

THE H.I.G. APARTMENT THE BASIC VOLUME DECIDED AS PER THE ARES STATEMENT

1

2

VOLUMENTRIC DIVISION TO DERIVE A FORM

THE E.W.S. APARTMENT THEINTENTION:-;TO PROVIDE COMFORTABLE LIVING ENVIRONMENT IN GIVEN AREA LIMITS. PRIVACY IS ASSURED WITH ZONINGAND PLANNING IN LEVELS AT THE SAME TIME THE INNER SPACES OPEN UP TO EACH OTHER TO CREATE A SETUP OF INTERACTION.

SITE PLAN CONCEPTUALLY THE IDEA OF HOLISM IN DESIGNHUMAN CENTRIC SPACES- WAS EXPERIMENTED WITH. THE COMPACT PLANNING CREATED SOME CORNORS,, THESE CORNORS WERE USED TO LEVERAGE THE IDEATION OF HOLISMACOMFORTABLE LITTLE CORNOR OF PEACE AND CONTEMPLATION. IN BOTH THE TYPES OF FLATSIN THE EWS TOWER HAVE :1) A CORNORE OF “KAHTIYA” WITH A JAALI PATTERN AND A CONOR WITH TINTED GLASS WINDOWS ALL OVER.

46 HEMANT JOSHI : hemantjoshi2394@gmail.com

THE SPA BES THE NIC THE AD CAN WH THE OV PAT RO OU

A FLOOR FORMED BY 4 UNITS

4

3

E VOLUME IS SPLIT INTO LEVELS TO PROVIDE PRIVATE ACES FOR THE PARENTS AND THE KIDS SIDE IMPARTING THE TOWER AN INTERESTING FORM E SPLIT VOLUME PROVIDES DIFFERENT PRIVATE CHES FOR THE INHABITANTS THE UPPER LEVEL FOR E KIDS INDUCES THE FEELING OF FUN AND DVENTURE AS LIVING IN A SUSPENDED OR NTILEVERED SPACES IS EXCITING. HEREAS THE ROOM FOR THE GRANDPARENTS GET ERE OWN INTERESTING CORNER WHERE THE VERSIZED WINDOW FRAMES THE GEOMETRIC TTERN OF THE SUSPENDED OR CANTILEVERED OOMS AND OF COURSE THE MAIN BEDROOM OPENS UT TO THE BALCONY .

5

FLOOR FORMED BY 3 UNITS AND A FIRE STAIRCASE

6

TWISTING TOWER WITH SMI OPEN CHAMBERS AND OPEN DECKS FOR PLANTATION

A CORNOR IN EWS FLAT WITH TINTED WINDOW GLASS.

A CORNOR ANOTHER FLAT WITH JAALI WALLS. THE FLOOR PLAN OF EWS APARTMENT

PARKING PLAN

47 HEMANT JOSHI : hemantjoshi2394@gmail.com

HIG APARTMENT VIEWS

HIG FLOOR PLAN

48 HEMANT JOSHI : hemantjoshi2394@gmail.com

CENTRAL LINE PLAN S

C35 (230x600) FOOTING TO TERRACE

C40 (230x600) FOOTING TO TERRACE

C25 (230x600) FOOTING TO TERRACE

C24 (230x600) FOOTING TO TERRACE

C34 (230x600) FOOTING TO TERRACE

C31 (230x600) FOOTING TO TERRACE

C26 (230x600) FOOTING TO TERRACE

C41 (230x600) FOOTING TO TERRACE

C39 (230x600) FOOTING TO TERRACE

C33 (230x600) FOOTING TO TERRACE

C27 (230x600) FOOTING TO TERRACE

C60 (230x600) FOOTING TO TERRACE

C51 (230x600) FOOTING TO TERRACE

C42 (230x600) FOOTING TO TERRACE

C38 (230x600) FOOTING TO TERRACE

C36 (230x600) FOOTING TO TERRACE

C28 (230x600) FOOTING TO TERRACE

C29 (230x600) FOOTING TO TERRACE

C30 (230x600) FOOTING TO TERRACE

C23 (230x600) FOOTING TO TERRACE

C14 (230x600) FOOTING TO TERRACE

C6 (230x600) FOOTING TO TERRACE

C53 (230x600) FOOTING TO TERRACE

C49 (230x600) FOOTING TO TERRACE

C59 (230x600) FOOTING TO TERRACE

C61 (230x600) FOOTING TO TERRACE

C52 (230x600) FOOTING TO TERRACE

C50 (230x600) FOOTING TO TERRACE

C43 (230x600) FOOTING TO TERRACE

C3 (230x600) FOOTING TO TERRACE

C32 (230x600) FOOTING TO TERRACE

C37 (230x600) FOOTING TO TERRACE

C4 (230x600) FOOTING TO TERRACE

C5 (230x600) FOOTING TO TERRACE

C15 (230x600) FOOTING TO TERRACE

C22 (230x600) FOOTING TO TERRACE

C58 (230x600) FOOTING TO TERRACE

C7 (230x600) FOOTING TO TERRACE

C13 (230x600) FOOTING TO TERRACE

C21 (230x600) FOOTING TO TERRACE

C16 (230x600) FOOTING TO TERRACE

C12 (230x600) FOOTING TO TERRACE

C8(230x600) FOOTING TO TERRACE

C48 (230x600) FOOTING TO TERRACE

C62 (230x600) FOOTING TO TERRACE

C57 (230x600) FOOTING TO TERRACE

C54 (230x600) FOOTING TO TERRACE

C44 (230x600) FOOTING TO TERRACE

C2 (230x600) FOOTING TO TERRACE

C17 (230x600) FOOTING TO TERRACE

C56 (230x600) FOOTING TO TERRACE

C46 (230x600) FOOTING TO TERRACE

C45 (230x600) FOOTING TO TERRACE

C11 (230x600) FOOTING TO TERRACE

C9 (230x600) FOOTING TO TERRACE

C63 (230x600) FOOTING TO TERRACE

C55 (230x600) FOOTING TO TERRACE

C47 (230x600) FOOTING TO TERRACE

C1 (230x600) FOOTING TO TERRACE

C18 (230x600) FOOTING TO TERRACE

C20 (230x600) FOOTING TO TERRACE

C10 (230x600) FOOTING TO TERRACE

C19 (230x600) FOOTING TO TERRACE

4731

HIG APARTMENT VIEWS

49

HEMANT JOSHI : hemantjoshi2394@gmail.com

EWS NORTH ELEVATION

EWS APARTMENT V

EWS SOUTH ELEVATION

EWS 50 HEMANT JOSHI : hemantjoshi2394@gmail.com

EWS APARTMENT FLOOR PLAN

VIEWS

FLAT ONE

EWS FLAT TWO 51 HEMANT JOSHI : hemantjoshi2394@gmail.com

MISCELLANEOUS

WORKSHOPS ATTENDED AND CRETIVE WORK THE MIND OF THE YOUNG….

“WHEN WILL I SEE MY WAY CLEAR….?”

THE ROUGH PATH OF REACHING THE TOP

ILLUSION (POSTER COLOR PAINTING)(INTENTION WAS TO EXPLORE THE IDEA OF CREATING AN ILLUSION JUST WITH THE USE OF SHAPES AND BLACK POSTER COLOR).

ME AT THE BRICK JAALI WORKSHOP

ISOMETRIC DRAWING EXERCISE (MEASURE DRAWING THE EXISTING HOUSES IN JODHPUR)

52 HEMANT JOSHI : hemantjoshi2394@gmail.com

DOWN THE DUNGEON

PERSPECTIVE DRAWING EXERCISE

53 HEMANT JOSHI : hemantjoshi2394@gmail.com

THANK YOU EMAIL: hemantjoshi2394@gmail.com PHONE: +91-9983517691