Fiscal Year 2022 Annual Report

HENRY ART GALLERY FISCAL YEAR 2022 ANNUAL REPORT

A LETTER TO OUR COMMUNITY

The Henry has championed new artists and new work since our doors opened in 1927 as the first art museum in the state of Washington. During fiscal year 2022 we advanced our mission to engage all people in the transformative power of contemporary art and ideas through a robust roster of exhibitions, programs, and collaborations with regional partners—onsite, online, and in our community.

Our commitment to international artists regularly brings cultural diversity to the region. This year’s exhibitions presented works by 32 artists from countries including Bolivia, Canada, Japan, Mexico, Spain, Syria, Turkey, and the United States. We launched a program to bring art to public spaces with Bodies of Discovery—Naomi Fisher: Thermodynamic Flower, presented in downtown Seattle’s Occidental Square. A focus on the creation of new work, as well as a balanced offering of art by established and emerging artists, resulted in a rich exhibitions program that presented varied perspectives and viewpoints.

To generate new scholarship and provide lasting records of our artistic program, we initiated the production of publications for many of our exhibitions, that feature scholarly essays, artist interviews, and interpretive materials alongside images of work installed in our galleries. These free brochures accompanied the following exhibitions: Elaine Cameron-Weir: STAR CLUB REDEMPTION BOOTH; Gary Simmons: The Engine Room; Diana Al-Hadid: Archive of Longings; and Packaged Black: Derrick Adams and Barbara Earl Thomas.

Our holdings of over 28,000 objects were enhanced by 87 gifts, including works by Marsha Burns, Elaine Cameron-Weir, Sue de Beer, Luis Gispert, Gary Hill, Eirik Johnson, Akio Takamori, and Barbara Earl Thomas. We highlighted works from the collection in Viewpoints, our series of presentations (onsite and online) pairing objects from our holdings with commentary by University of Washington faculty, students, staff, and members of our community.

Over 70 public and education programs hosted artists, musicians, poets, performers, scholars, and writers. We continued to focus on collaborative program development— working with 34 UW partners and 39 regional organizations to create meaningful engagements across campus and beyond. Throughout the year, we also continued our efforts to shape an equitable organization, diversifying our staff and board, and inviting a broad range of voices into our artistic program and collection.

All of us at the Henry are steadfast in our belief that the art being made at this time will help us understand our changing world. While the Henry is small enough to be nimble, we are large enough to be bold. We are grateful for the support of our members, patrons, UW colleagues, artists, peers, and friends who share our vision of a world where art leads everyone to discover new possibilities in themselves, others, and the world around them.

Thank you!

SYLVIA WOLF John S. Behnke Director

A YEAR IN REVIEW

The Henry believes in the power of art to challenge norms, transform hearts, and build community.

Artistic innovation and critical inquiry are key to fostering a culture of creativity campus-and region-wide. We seek a world where lives are enhanced by engagement with living artists and original works of art, and where dialogue and debate about the complex ideas of our time expand our experiences.

EXHIBITIONS

Hostile Terrain 94

SEP 2020 – OCT 2021

Elaine Cameron-Weir: STAR CLUB REDEMPTION BOOTH

APR 3 – SEP 12, 2021

Gary Simmons: The Engine Room

APR 3 – AUG 22, 2021

Sonolocations: A Sound Works Series

JUN – AUG 2021

Viewpoints: A Gee’s Bend Quilt by Mary L. Bennett

JUN 12 – OCT 3, 2021

Will Rawls: Everlasting Stranger

JUN 17 – AUG 15, 2021

Naomi Fisher: Thermodynamic Flowers

SEP 11 – DEC 1, 2021

Diana Al-Hadid: Archive of Longings

OCT 2, 2021 – FEB 6, 2022

Packaged Black: Derrick Adams and Barbara Earl Thomas

OCT 2, 2021 – MAY 1, 2022

Picturing Identity:

Portrait Photographs from the Henry Collection

OCT 8, 2021 – JAN 16, 2022

Viewpoints:

Queer Visibility: Dean Sameshima and Anthony White

OCT 8, 2021 – JAN 16, 2022

Math Bass: a picture stuck in the mirror

OCT 16, 2021 – MAR 6, 2022

EL SUEÑO: THE FLOWERS THAT BLOOM

NOV 18, 2021 – APR 17, 2022

Space Between:

Photographs from the Collection

FEB 4 – MAY 29, 2022

Viewpoints:

Double Dare Ya: Burns, Kurland, & Ross-Ho

FEB 4 – JUN 26, 2022

Donna Huanca:

MAGMA SLIT

APR, 2 – FEB 5, 2023

ektor garcia: matéria prima

APR 2 – SEP 4, 2022

Henry Teen Art Collective: The Fall

MAY 27 – SEP 4, 2022

2022 University of Washington

MFA + MDes Thesis Exhibition

MAY 28 – JUNE 26, 2022

Paul Mpagi Sepuya: Monsen Photography Lecture

JUN 4 – SEP 25, 2022

KEY PROGRAMS & EVENTS

07/01/21

Black Spatial Elegance: Sight and Sound

07/03/21

The Engine Room Residencies: Ishmael Butler

07/07/21

Black Spatial Elegance: Serious Tings

07/15/21

Unpacking Form and Function: Ceramics

07/17/21

The Engine Room Residencies: Jambalaya Jam

07/17/21, 07/18/21, 07/24/21, 07/31/21, 08/14/21

Will Rawls: Everlasting Stranger Performance

07/22/21

Unpacking Form and Function: Clothing and Textiles

07/29/21

Unpacking Form and Function: Jewelry

07/31/21

Will Rawls: Everlasting Stranger Performance

08/12/21

Unpacking Form and Function: Ceramics

09/11/21

Works Cited: experiments in dismantling texts with Elaine Cameron-Weir and Amaranth Borsuk

09/18/21

FISCAL YEAR 2022 (JUL 1, 2021 – JUN 30, 2022)

Thermodynamic Flower Performance

09/25/21

Screening – Naomi Fisher: Concrete Flowers

09/30/21

Artist Talk: Diana Al-Hadid

10/02/21

Derrick Adams and Barbara Earl Thomas in Conversation

10/16/21

Math Bass: a picture stuck in the mirror performance

11/10/21

In Conversation: Anthony White & Nina Bozicnik

11/07/21

ArtVentures: Offerings: Paper Flowers with Alicia Mullikin and El SUEÑO

11/12/21

Monsen Photography Lecture: Catherine Opie

11/18/21

El SUEÑO Paper Flower

Making/Installation

11/18/21

Re/frame: Obstructed Views

12/02/21

In Conversation: Dean Sameshima & Nina Bozicnik

12/03/21

ArtVenture—Moo, Meow, Moan: Storytelling & Shapeshifting with Soya

12/09/21, 12/11/21

Page & Body as Archive: Writing and Movement Workshop with Patrycja Humienik

12/16/21

Re/frame: Artist’s ChoiceDiana Al-Hadid

12/16/21

Packaged Black & The Geography of Innocence

01/13/22

The Work of Collaboration with Barbara Earl Thomas, Derrick Adams, Janelle Iglesias, and Lisa Iglesias

01/14/22

Critical Issues Lecture: CFGNY

01/20/22

Re/frame: Illumination

01/21/22

Critical Issues Lecture: Andrea Chung

01/28/22

Critical Issues Lecture: 0rphan Drift

02/04/22

Critical Issues Lecture: Catalina Ouyang

02/05/22

Restless Pursuits in Arts & Literature: A Writing Workshop with Rena Priest

02/11/22

Critical Issues Lecture: Tobi Haslett

02/13/22

ArtVentures: Ink & Tape

02/17/22

Re/frame: Forests

02/25/22

Critical Issues Lecture: Dozie Kanu

03/04/22

Critical Issues Lecture: Anthony White

03/05/22

if I could sing you back: a performance with Math Bass & Eden Batki

03/05-06/2022

Math Bass: Selected Videos

03/05/22, 03/06/22, 03/11/22, 04/16/22

Henry Art Liaison Tour: Packaged Black

03/06/22

ArtVentures: Secret Language

03/10/22

Activating Place Final Performance: UW Dance

03/17/22

Re/frame: Orange

04/02/22

Gallery Conversation with ektor garcia

04/03/22

ArtVentures: Movement for Liberation with Cheryl Delostrinos

04/09/22

EL SUEÑO Healing Day

04/10/22

Henry Art Liaison Tour: EL SUEÑO/Skyspace

04/21/22

Re/frame: Childhood

04/22/22

Abderrahmane Sissako’s African Worlds: Life on Earth

04/23/22, 04/24/22

Henry Art Liaison Tour: Languages of Labor

04/23/22

Abderrahmane Sissako’s African Worlds: Waiting for Happiness

05/05/22

Lyra Pramuk: Live in MAGMA SLIT

05/10/22

Instagram Live: Amanda RossHo & Nina Bozicnik

05/19/22

Re/frame: Bull in an Art Gallery

06/05/22

ArtVentures: miku, and the gods

06/09/22

Sounding Care

06/16/22

Henry Gallery Association Annual Meeting

06/17/22

Monsen Photography Lecture: Paul Mpagi Sepuya

06/23/22

Re/frame: Flowers

BOARD OF TRUSTEES

Steve Hoedemaker

Julie Syrdal VICE PRESIDENT Andy Comer

TRU ST EES

FISCAL YEAR 2022 (JUL 1, 2021 – JUN 30, 2022)

Geoffrey T. Barker

Kristen Becker

Bassem Bejjani

Joanna Hess Callahan

Cara Egan*

Jamie Fish

Adam Glant

Lynne Graybeal

Seth Grizzle

Michael Hatch

Jen Milliman Higgins

Liz Lee

Margaret Meister*

Maren Monsen*

Adair Rounthwaite*

Kristen Scott

Molly Jae Vaughan

Robert Wade

Jess Wang*

Kathleen Warren

Maria Yang*

*New Trustee

INCOME EXPENSES

TOTAL OPERATING EXPENSES $5,569,168

Change in Net Operating Assets ($335,961) Financed by planned use of reserves

HONORING OUR DONORS

The Henry thanks the following individuals, foundations, corporations, and public funders for their gifts of art and annual contributions to the Henry Gallery Association between July 1, 2021 and June 30, 2022. The generosity of these donors advances contemporary art and ideas.

INSTITUTIONAL SUPPORT

4Culture

The Andy Warhol Foundation for the Visual Arts

ArtsFund

Bill & Melinda Gates Foundation

Friday Foundation in honor of Richard E. Lang and Jane Lang Davis

Helen Frankenthaler Foundation

The Helen Martha Schiff Foundation

King County

Krekow Jennings, Inc.

Microsoft Corporation

National Endowment for the Arts

National Endowment for the Humanities

Ned & Kayla Skinner Arts Enrichment Fund

Nesholm Family Foundation

The Norcliffe Foundation

Perkins Coie

Peter F. Donnelly Merit Fund Phillips

Seattle Chamber of Commerce

Seattle Office of Arts & Culture

UW Jones Endowed Fund for the Arts

Venandi Creative Volunteer Park Trust

Washington State Arts Commission

ARTIST’S CIRCLE

Geoffrey T. and Anne Barker

Shari Behnke

Bassem Bejjani and Lisa Burns

Erin and Don Blakeney

Aaron Bush and

Catherine Clifford

Joanna and Michael Callahan

Ana Mari Cauce and Susan Joslyn

Charlotte Ford

Carolyn and Gerald Grinstein

Michael R. Hatch

Michael and Elizabeth Hilton

Steve Hoedemaker and Thomas Swenson

Jodie Ireland and Chris Baker

Susan and Furman Moseley

Lee Rhodes and Peter Seligmann

Becky Roberts

Richard Rothschild

Theiline Scheumann*

Jon Shirley and Kim Richter Shirley

David and Catherine Eaton Skinner

William True

Barbara and Charles Wright

CHAIRMAN’S CIRCLE

Julia W. Anderson

Anonymous

Sarah and Richard Barton

Kristen and Saul Becker

Susan Brotman

Seth Grizzle

Ross and Kelsey Henry

Jen and Ash Higgins

Linda McDougall Lewis

Margaret Meister and Joan McBride

Alison and Glen Milliman

Maren Monsen and Jeffry Grainger

Linda Nordstrom

Jacqueline Sorensen Pinch

Eleanor and Charles Pollnow

Jennifer Hintz Roberts and Christopher Roberts

Kristen and Glen Scott

Julie and Bryan Syrdal

Sylvia Wolf and Duane Schuler

DIRECTOR’S CIRCLE

Edie Adams

Chap and Eve Alvord

Dr. Sally Browning and Dr. Richard Pelman

Adam Glant and Josh Lackey

Gary and Vicki Glant

Lynne E. Graybeal

Lesa Sroufe and Matthew Barnes

Walker Family Foundation

COLLECTOR’S CIRCLE

Zane and Alison Behnke

Rodger Benson

T. William Booth

Paul Carlson

Peter and Tonya Farr

Robert and Micki Flowers

Bill and Lindy Gaylord

Jodi Green and Mike Halperin

Anthony Guagliano

Jane Hedreen and David Thyer

Kara Hefley

Hoedemaker Pfeiffer

Alida and Christopher Latham

Liz Lee and Justin Cranshaw

Carla and Don Lewis

Andrea Lounibos

Timothy Pfeiffer

Lucy and Herbert Pruzan

Shaké Sarkis

Alan Veigel and Laura Parma-Veigel

Dr. Barbara Billings and Ernest Vogel

Kathleen Florence Warren and John Austin Wilson

Maria and Jesse Yang

COLLECTION BENEFACTORS

Edie Adams

Shari and John S. Behnke

Philip A. Bernstein and Luisa Recalcati

Dennis Braddock

Marsha Burns

Carl Chiarenza and Heidi Katz

Kelly Darrah

Sean Elwood and Yvonne Puffer

Charlotte Ford

Carolyn and Gerald Grinstein

Gary Hill

Hoedemaker Pfeiffer

The Estate of Leslie Edmonds Holt

Michael Kenna

Robert S. Mcfarlane Jr.

Dr. Arturo F. and Liza Mosquera

Molly A. Nordstrom

Marc Selwyn Fine Art

Rothschild Family Foundation Inc.

Molly Vaughan

William True

William and Ruth True Foundation

Sylvia Wolf and Duane Schuler

IN-KIND DONORS

Graduate Seattle

Chris Nishiwaki

Graypants Studio

KEXP

Overall Creative

The Seattle Times

The Stranger

Walla Walla General Store

ART UNBOUND CAMPAIGN

Provides critical support for the Henry to commission artists to create new works, expand our community partnerships, and center education and equity as a vital part of the museum experience.

We would like to thank the following generous donors who have invested in the transformative power of art.

Edie Adams

The Andy Warhol Foundation for the Visual Arts

Backstad Construction

Bagley and Virginia Wright Foundation

Geoffrey T. and Anne Barker

Shari Behnke

Bassem Bejjani and Lisa Burns

T. William Booth

Joanna and Michael Callahan

Andy Comer and Rachel Greene

Cara Egan and Rob Bradbury

Jamie Fish and Dalen Bakstad

Charlotte Ford

Friday Foundation in honor of Richard E. Lang and Jane Lang Davis

Katharyn Alvord Gerlich

Adam Glant and Josh Lackey

Lynne E. Graybeal and Scott Harron

Jodi Green and Mike Halperin

Seth Grizzle/Graypants

Michael R. Hatch

Jen and Ash Higgins

Steve Hoedemaker and Thomas Swenson

Eric Hurt and David Windstrup

Jodie Ireland and Chris Baker

Janet Wright Ketcham

Liz Lee and Justin Cranshaw

Linda McDougall Lewis

Susan Meiselas

Alaa Mendili and Dinah Dimalanta

Lorna Meyer

Susan and Furman Moseley

Maren Monsen and Jeffry Grainger

Mutuus Studio

The Norcliffe Foundation

Jacqueline Sorensen Pinch

Eleanor and Charles Pollnow

Lee Rhodes and Peter Seligmann

Rothschild Family Foundation Inc./Richard Rothschild

Theiline S. Scheumann*

Kristen and Glen Scott

David and Catherine Eaton Skinner

Drs. Robert and Robin Stacey

Stanlee R. Gatti Designs

Julie and Bryan Syrdal

TEW Foundation/Milliman

William True

Molly Vaughan

VIA Art Fund

Volunteer Park Trust

Robert Wade

Jess Wang and Jon Saperstein

Kathleen Florence Warren and John Austin Wilson

Sylvia Wolf and Duane Schuler

Charlie and Barbara Wright

Virginia* and Bagley* Wright

Maria and Jesse Yang

NEW ACQUISITIONS

A significant cultural resource, the Henry’s collection features the work of national and international artists in a broad range of media including photographs, prints, drawings, paintings, ceramics, costumes, and textiles, collected since the museum’s inception in 1926. Our collecting practices are guided by the museum’s commitment to equity and inclusion and to amplifying diverse voices and ideas. 94 new works have entered the Henry’s collection in fiscal year 2022, which now includes more than 28,000 objects.

Michael Kenna (U.K., born 1953), The Rouge, Study 8, Dearborn, Michigan, USA, 1993. Sepia toned gelatin silver print. Henry Art Gallery, gift of the artist, 2021.8.

Michael Kenna (U.K., born 1953), Ratcliffe Power Station, Study 45, Nottinghamshire, England, 2003. Sepia toned gelatin silver print. Henry Art Gallery, gift of the artist, 2021.9.

Dmitri Baltermants (Russia, 1912-1990), The morning paper, Koltsovka village, Chuvashskaya: Autonomous SSR: Alexandra Stepashina and Dahil Ashanin (75 years old) are farmers in an Order of Lenin award-winning collective farm, 2003. Gelatin silver print. Henry Art Gallery, gift of Philip A. Bernstein and Luisa Recalcati, 2021.10.

Dmitri Baltermants (Russia, 1912-1990), Trapeze artists, 2003. Gelatin silver print. Henry Art Gallery, gift of Philip A. Bernstein and Luisa Recalcati, 2021.11.

Henri Cartier-Bresson (France, 1908-2004), The Capitol, Washington D.C., 1973. Ferrotyped gelatin silver print. Henry Art Gallery, gift of Philip A. Bernstein and Luisa Recalcati, 2021.12.

Henri Cartier-Bresson (France, 1908-2004), Factory Worker, Uzbekistan, U.S.S.R., 1954. Ferrotyped gelatin silver print. Henry Art Gallery, gift of Philip A. Bernstein and Luisa Recalcati, 2021.13.

Mike Disfarmer (U.S., 18841959), Smiling sailor with arms around two older men, striped background, c. 1940-1949. Gelatin silver print. Henry Art Gallery, gift of Philip A. Bernstein and Luisa Recalcati, 2021.14.

Mike Disfarmer (U.S., 18841959), Three close friends, the middle one in army uniform, c. 1940-1949. Gelatin silver print. Henry Art Gallery, gift of Philip A. Bernstein and Luisa Recalcati, 2021.15.

Mike Disfarmer (U.S., 18841959), Seated woman with large floral broach, striped background, c. 1940-1949. Gelatin silver print. Henry Art Gallery, gift of Philip A. Bernstein and Luisa Recalcati, 2021.16.

Danny Lyon (U.S., born 1942), Texas prison rodeo, 1968-1969. Gelatin silver print, printed later. Henry Art Gallery, gift of Philip A. Bernstein and Luisa Recalcati, 2021.17.

Richard Learoyd (U.K., born 1966), Shark, 2009. Unique Ilfochrome print. Henry Art Gallery, gift of Lyn and Jerry Grinstein, 2021.18.

Elaine Cameron-Weir (Canada, born 1985), Untitled (Plate 54), 2013. Aluminum. Henry Art Gallery, gift of Marc Selwyn Fine Art, Los Angeles, 2021.19.

Los Carpinteros (The Carpenters), Dagoberto Rodríguez (Cuba, born 1969) and Marco Castillo (Cuba, born 1971), Fluido, 2004. Pigmented urethane; foam-lined, blow molded, plastic carrying case. Henry Art Gallery, gift of Molly Jae Vaughan, 2021.20.1-.6.

Kutluğ Ataman (Turkey, born 1961), The Four Seasons of Veronica Read, 2001. DVD, four channel, four screen video projection with sound. Henry Art Gallery, gift of William and Ruth True, 2021.21.

Lutz Bacher (U.S., 1943-2019), Baseballs II, 2011-2012. Used baseballs. Henry Art Gallery, gift of William and Ruth True, 2021.22.

Rachel Harrison (U.S., born 1966), Untitled, from the Perth Amboy series, 2001. Chromogenic color print. Henry Art Gallery, gift of William and Ruth True, 2021.23.

Gary Hill (U.S., born 1951), Facing Faces, 1996. Twochannel video installation. Henry Art Gallery, gift of William and Ruth True, 2021.24.

Gary Hill (U.S., born 1951), Pacifier V, 2015. Archival inkjet print. Henry Art Gallery, gift of William and Ruth True, 2021.25.

Isaac Julien (U.K., born 1960), The Long Road to Mazatlan, 2000. Three screen video installation with sound. Henry Art Gallery, gift of William and Ruth True, 2021.26.

Euan Macdonald (U.K., born 1965), A Little Ramble Loop, 2010. Print. Henry Art Gallery, gift of William and Ruth True, 2021.28.

Tony Oursler (U.S., born 1957), Below, 1996. Video installation with ceramic head, plexiglass tank, plywood pedestal, and metro pics. Henry Art Gallery, gift of William and Ruth True, 2021.29.

Wolfgang Staehle (Germany, born 1950), Niagara, 2004. Video with sound. Henry Art Gallery, gift of William and Ruth True, 2021.30.

Ryan Gander (U.K., born 1976), Felix provides a stage #10(Eleven sketches for ‘A sheet of paper on which I was about to draw, as it slipped from my table and fell to the floor’), 2008. Poster paper. Henry Art Gallery, gift from the William and Ruth True Foundation, Western Bridge, Seattle, WA, 2021.31.

Marsha Burns (U.S., born 1945), Jean, New York, 1986, 1986. Monochromatic dye diffusion transfer prints (Polaroid). Henry Art Gallery, gift of the artist, 2021.34.

Marsha Burns (U.S., born 1945), Michael and Rachelle, New York, 1986, 1986.

Monochromatic dye diffusion transfer prints (Polaroid). Henry Art Gallery, gift of the artist, 2021.35.

Marsha Burns (U.S., born 1945), N’Bushé, New York, 1986. Monochromatic dye diffusion transfer prints (Polaroid). Henry Art Gallery, gift of the artist, 2021.36.

Marsha Burns (U.S., born 1945), Raphael, New York, 1986. Monochromatic dye diffusion transfer prints (Polaroid). Henry Art Gallery, gift of the artist, 2021.37.

Euan Macdonald (U.K., born 1965), 98134, 2009. Mixed media scale model. Henry Art Gallery, gift of William and Ruth True, 2021.27.

Daniel Pflumm (Switzerland, born 1968), Paris, 2004. Video with sound. Henry Art Gallery, gift from the William and Ruth True Foundation, Western Bridge, Seattle, WA, 2021.32.

Marsha Burns (U.S., born 1945), Brian, New York, 1989, 1989. Monochromatic dye diffusion transfer prints (Polaroid). Henry Art Gallery, gift of the artist, 2021.33.

Marsha Burns (U.S., born 1945), Michael and Robert, New York, 1986. Monochromatic dye diffusion transfer prints (Polaroid). Henry Art Gallery, gift of the artist, 2021.38.

Marsha Burns (U.S., born 1945), Alyse, New York, 1986. Monochromatic dye diffusion transfer prints (Polaroid). Henry Art Gallery, gift of the artist, 2021.39.

Marsha Burns (U.S., born 1945), Yaz, New York, 1986. Monochromatic dye diffusion transfer prints (Polaroid). Henry Art Gallery, gift of the artist, 2021.40.

Marsha Burns (U.S., born 1945), Oliver, Frankfurt, 1987. Monochromatic dye diffusion transfer prints (Polaroid). Henry Art Gallery, gift of the artist, 2021.46.

Marsha Burns (U.S., born 1945), New York, 1989. Monochromatic dye diffusion transfer prints (Polaroid). Henry Art Gallery, Gift of the artist, 2021.52.

Marsha Burns (U.S., born 1945), Romero, New York, 1986. Monochromatic dye diffusion transfer prints (Polaroid). Henry Art Gallery, gift of the artist, 2021.41.

Marsha Burns (U.S., born 1945), Marietta, Frankfurt, 1987. Monochromatic dye diffusion transfer prints (Polaroid). Henry Art Gallery, gift of the artist, 2021.47.

Carl Chiarenza (U.S., born 1935), Interaction #5, 1957. Gelatin silver print. Henry Art Gallery, gift of Carl Chiarenza and Heidi Katz, 2021.53.

Marsha Burns (U.S., born 1945), Kassa, New York, 1986. Monochromatic dye diffusion transfer prints (Polaroid). Henry Art Gallery, gift of the artist, 2021.42.

Marsha Burns (U.S., born 1945), Ray, New York, 1989. Monochromatic dye diffusion transfer prints (Polaroid). Henry Art Gallery, gift of the artist, 2021.48.

Carl Chiarenza (U.S., born 1935), Fitchburg 20, 1976. Gelatin silver print. Henry Art Gallery, gift of Carl Chiarenza and Heidi Katz, 2021.54.

Marsha Burns (U.S., born 1945), Joe, New York, 1986. Monochromatic dye diffusion transfer prints (Polaroid). Henry Art Gallery, gift of the artist, 2021.43.

Marsha Burns (U.S., born 1945), New York, 1989. Monochromatic dye diffusion transfer prints (Polaroid). Henry Art Gallery, gift of the artist, 2021.49.

Carl Chiarenza (U.S., born 1935), Somerville 16, 1976. Gelatin silver print. Henry Art Gallery, gift of Carl Chiarenza and Heidi Katz, 2021.55.

Marsha Burns (U.S., born 1945), Michelle, New York, 1986. Monochromatic dye diffusion transfer prints (Polaroid). Henry Art Gallery, gift of the artist, 2021.44.

Marsha Burns (U.S., born 1945), New York, 1989. Monochromatic dye diffusion transfer prints (Polaroid). Henry Art Gallery, gift of the artist, 2021.50.

Carl Chiarenza (U.S., born 1935), Noumenon 180, 19841985. Gelatin silver print. Henry Art Gallery, gift of Carl Chiarenza and Heidi Katz, 2021.56.

Marsha Burns (U.S., born 1945), Kim and Amy, New York, 1986. Monochromatic dye diffusion transfer prints (Polaroid). Henry Art Gallery, gift of the artist, 2021.45.

Marsha Burns (U.S., born 1945), New York, 1989. Monochromatic dye diffusion transfer prints (Polaroid). Henry Art Gallery, gift of the artist, 2021.51.

Carl Chiarenza (U.S., born 1935), Ahab 3, 373, 1991-1992. Gelatin silver print. Henry Art Gallery, gift of Carl Chiarenza and Heidi Katz, 2021.57.

Carl Chiarenza (U.S., born 1935), Untitled 248, 1998. Gelatin silver print. Henry Art Gallery, gift of Carl Chiarenza and Heidi Katz, 2021.58.

Carl Chiarenza (U.S., born 1935), Untitled 53, 2007. Gelatin silver print. Henry Art Gallery, Gift of Carl Chiarenza and Heidi Katz, 2021.59.

Edward Weston (U.S., 18861958), Child’s Grave, Olema, 1937. Gelatin silver print. Henry Art Gallery, gift of Robbie Macfarlane, 2021.69.

Edward Weston (U.S., 18861958), Leadfield, 1939. Gelatin silver print. Henry Art Gallery, gift of Robbie Macfarlane, 2021.76.

Carl Chiarenza (U.S., born 1935), INRO, 2019. Collage with paper and gelatin silver print. Henry Art Gallery, gift of Carl Chiarenza and Heidi Katz, 2021.60.

Sue de Beer (U.S., born 1973), The Dark Hearts, 2003-2004. Two-channel video and sculptural installation. Henry Art Gallery, gift of Charlotte Feng Ford, 2021.61.

Jeffry Mitchell (U.S., born 1958), Untitled (Crucifix), 1995-2000. Hand-colored etching. Henry Art Gallery, gift of Yvonne Puffer & Sean Elwood to honor Stephen Kirk Elwood & Annette Garland Elwood, 2021.62.

Mary Ellen Carroll (U.S., born 1961), A Tree Leafless (For Paul Celan), 1997. Two gelatin silver prints. Henry Art Gallery, gift of Yvonne Puffer & Sean Elwood to honor Stephen Kirk Elwood & Annette Garland Elwood, 2021.63.1 -.2.

Eirik Johnson, Below the Glines Canyon Dam on the upper Elwha River, Washington, 2018. Inkjet print. Henry Art Gallery, purchased with funds donated by Stephen Hoedemaker and Thomas Swenson, 2021.64.

Edward Weston (U.S., 18861958), Dante’s View, 1938. Gelatin silver print. Henry Art Gallery, gift of Robbie Macfarlane, 2021.70.

Edward Weston (U.S., 18861958), After Forest Fire, Bandon, Oregon, 1939. Gelatin silver print. Henry Art Gallery, gift of Robbie Macfarlane, 2021.71.

Edward Weston (U.S., 18861958), Dante’s View, 1938. Gelatin silver print. Henry Art Gallery, gift of Robbie Macfarlane, 2021.72.

Edward Weston (U.S., 18861958), Cracked Earth, Borrego Desert, 1938. Gelatin silver print. Henry Art Gallery, gift of Robbie Macfarlane, 2021.73.

Edward Weston (U.S., 18861958), Dante’s View, 1938. Gelatin silver print. Henry Art Gallery, gift of Robbie Macfarlane, 2021.74.

Edward Weston (U.S., 18861958), Twenty Mule Team Canyon Entrance, 1938. Gelatin silver print. Henry Art Gallery, gift of Robbie Macfarlane, 2021.75.

Edward Weston (U.S., 18861958), Duck and Lily, 1939. Gelatin silver print. Henry Art Gallery, gift of Robbie Macfarlane, 2021.77.

Edward Weston (U.S., 18861958), MGM Studios, 1939. Gelatin silver print. Henry Art Gallery, gift of Robbie Macfarlane, 2021.78.

Edward Weston (U.S., 18861958), Dried Kelp, Point Lobos, 1940. Gelatin silver print. Henry Art Gallery, gift of Robbie Macfarlane, 2021.79.

Edward Weston (U.S., 18861958), Point Arena, 1937. Gelatin silver print. Henry Art Gallery, gift of Robbie Macfarlane, 2021.80.

Edward Weston (U.S., 18861958), Roadside Weeds, 1938. Gelatin silver print. Henry Art Gallery, gift of Robbie Macfarlane, 2021.81.

Edward Weston (U.S., 18861958), Tent Frames, Yosemite, 1938. Gelatin silver print. Henry Art Gallery, gift of Robbie Macfarlane, 2021.82.

Edward Weston (U.S., 18861958), Sandstone Concretion, Salton Sea, 1937. Gelatin silver print. Henry Art Gallery, gift of Robbie Macfarlane, 2021.83.

Edward Weston (U.S., 18861958), Boat and Cove, 1938. Gelatin silver print. Henry Art Gallery, gift of Robbie Macfarlane, 2021.90.

Edward Weston (U.S., 18861958), Zabriskie Point, Death Valley, 1938. Gelatin silver print. Henry Art Gallery, gift of Robbie Macfarlane, 2021.97.

Edward Weston (U.S., 18861958), Burned Tree, Carson Pass, 1938. Gelatin silver print. Henry Art Gallery, gift of Robbie Macfarlane, 2021.84.

Edward Weston (U.S., 18861958), Suasalito Ferry, San Francisco, 1937. Gelatin silver print. Henry Art Gallery, gift of Robbie Macfarlane, 2021.85.

Edward Weston (U.S., 18861958), Jerome, Arizona, 1938. Gelatin silver print. Henry Art Gallery, gift of Robbie Macfarlane, 2021.86.

Edward Weston (U.S., 18861958), Pepper 29P, 1930. Gelatin silver print. Henry Art Gallery, gift of Robbie Macfarlane, 2021.87.

Edward Weston (U.S., 18861958), Willard Van Dyke, 1945. Gelatin silver print. Henry Art Gallery, gift of Robbie Macfarlane, 2021.88.

Edward Weston (U.S., 18861958), Panamints, Death Valley, 1938. Gelatin silver print. Henry Art Gallery, gift of Robbie Macfarlane, 2021.89.

Edward Weston (U.S., 18861958), Rattlesnake Valley, Mojave Desert, 1937. Gelatin silver print. Henry Art Gallery, gift of Robbie Macfarlane, 2021.91.

Edward Weston (U.S., 18861958), Zilphia Horton, 1941. Gelatin silver print. Henry Art Gallery, gift of Robbie Macfarlane, 2021.92.

Edward Weston (U.S., 18861958), Ice, New Mexico, 1937. Gelatin silver print. Henry Art Gallery, gift of Robbie Macfarlane, 2021.93.

Edward Weston (U.S., 18861958), Joshua Tree, 1937. Gelatin silver print. Henry Art Gallery, gift of Robbie Macfarlane, 2021.94.

Edward Weston (U.S., 18861958), Moonstone Beach, 1937. Gelatin silver print. Henry Art Gallery, gift of Robbie Macfarlane, 2021.95.

Edward Weston (U.S., 18861958), Roots and Rock, Point Lobos, 1940. Gelatin silver print. Henry Art Gallery, gift of Robbie Macfarlane, 2021.96.

Edward Weston (U.S., 18861958), Point Lobos, Rocks 59R, 1930. Gelatin silver print. Henry Art Gallery, gift of Robbie Macfarlane, 2021.98.

Barbara Earl Thomas (U.S., born 1948), Delicious, 2021. Paper cut with hand-printed color. Henry Art Gallery, purchased with funds from Bill True, Shari Behnke, Edie Adams, Sylvia Wolf and Duane Schuler, and the Ambrose M. and Viola H. Patterson Endowment Fund, 2022.1. © Barbara Earl Thomas. Image courtesy of Zocalo Studios ~ Spike Mafford.

Luis Gispert (U.S., born 1972), Inca Chair, 2013. Digital video, LCD screen, wood frame, blue cable. Henry Art Gallery, gift of Liza and Dr. Arturo F. Mosquera in honor of Maria J. Mosquera Pereira, 2022.6. © Luis Gispert.

Gary Hill, (U.S., born 1951), The Psychedelic Gedankenexperiment, 2011. Single-channel video (color, sound) Duration: 22:48 minutes. Henry Art Gallery, gift of the artist, 2022.7. © Gary Hill.

Gary Hill, (U.S., born 1951), Beauty Is in the Eye, 2011. HD LCD monitor, two amplified speakers, two inkjet prints, stereo viewer (aluminum and wedge prisms), media player (color; stereo sound). Henry Art Gallery, gift of the artist, 2022.8. © Gary Hill.

Sadao Watanabe (Japan, 19131996), Noah’s Ark, 1978. Stencil print. Henry Art Gallery, gift of the Estate of Leslie Edmonds Holt, 2022.9.

Akio Takamori (Japan/U.S., 1950-2017), Cup, n.d. Ceramic. Henry Art Gallery, gift of Kelly Darrah, 2022.10. © The Estate of Akio Takamori.

Rashid Johnson (U.S., born 1977), Black and Blue, 2021. 35 mm film transferred to video; SD card; external hard drive. Henry Art Gallery, purchased with funds from the Rothschild Family Foundation and the David Kordansky Gallery, Los Angeles, CA, 2022.11. © Rashid Johnson.

Cover: Patron Preview: ektor garcia & Donna Huanca [documentation of event, April 1, 2022, Henry Art Gallery, University of Washington, Seattle].

Photo: Jonathan Vanderweit. Page 3: Sylvia Wolf. Photo: Jonathan Vanderweit. Page 4: Top, right: a picture stuck in the mirror : a performance and conversation with Math Bass [documentation of event, October 16, 2021, Henry Art Gallery, University of Washington, Seattle]. Photo: Jonathan Vanderweit. Top, left: The Engine Room Residencies: Jambalaya Jam [documentation of performance, July 11, 2021, Henry Art Gallery, University of Washington, Seattle]. Photo: Jonathan Vanderweit. Bottom, right: Will Rawls: Everlasting Stranger [documentation of performance, July 24, 2021, Henry Art Gallery, University of Washington, Seattle]. Photo: Stephen Anunson, courtesy of the Henry Art Gallery. Bottom, left: Public Opening: 2022 University of Washington MFA + MDes Thesis Exhibition [documentation of event, June 3, 2022, Henry Art Gallery, University of Washington, Seattle]. Photo credit: Sebastian Martinez. Page 7: Left: Works Cited: experiments in dismantling texts with Elaine Cameron-Weir and Amaranth Borsuk [documentation of event, September 11, 2021, Henry Art Gallery, University of Washington, Seattle]. Photo: Robert Wade. Right: Installation view of EL SUEÑO: THE FLOWERS THAT BLOOM, 2021, Henry Art Gallery, University of Washington, Seattle. Photo: Jueqian Fang, courtesy of the Henry Art Gallery. Page 9: Lyra Pramuk: Live in MAGMA SLIT [documentation of performance, May 5, 2022, Henry Art Gallery, University of Washington, Seattle]. Photo: Jonathan Vanderweit. Page 13: Top: Rashid Johnson, Black and Blue, 2021. Henry Art Gallery, purchased with funds from the Rothschild Family Foundation for the Henry Art Gallery’s collection, 2021.64, Installation view of everything was beautiful, and nothing hurt., 2022, Henry Art Gallery, University of Washington, Seattle. Photo: Jonathan Vanderweit. Bottom: Lutz Bacher, Baseballs II [detail], 2011. Henry Art Gallery, gift of William and Ruth True, 2021.65, Installation view of everything was beautiful, and nothing hurt., 2022, Henry Art Gallery, University of Washington, Seattle. Photo: Jonathan Vanderweit. Page 16: Barbara Earl Thomas, Delicious, 2021. Paper cut with hand printed color. Courtesy of the artist and Claire Oliver Gallery, New York. Photo: Zocalo Studios ~ Spike Mafford. Page 19: Sue de Beer, Dark Hearts [detail], 2003–2004. Henry Art Gallery, gift of Charlotte Feng Ford, 2021.61, Installation view of everything was beautiful, and nothing hurt., 2022, Henry Art Gallery, University of Washington, Seattle.

Jonathan Vanderweit. Back Cover: Diana Al-Hadid, Installation view of Diana Al-Hadid: Archive of Longings, 2021, Henry Art Gallery, University of Washington, Seattle. Photo: Jonathan Vanderweit.

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