Sale 1205 | Never Too Much

NEVER TOO MUCH

SALE 1205

27 July 2023

10:00am CT | Chicago | Live + Online Lots 1–325

HIGHLIGHTS PREVIEW

Auction Room and Galleries

1550 West Carroll Avenue, Suite 106, Chicago, IL fineart@hindmanauctions.com

July 24–27 10:00–5:00pm Monday–Thursday

PROPERTY PICK UP HOURS

Monday–Friday | 9:00am–4:00pm By appointment

312.280.1212

All property must be paid for within seven days and picked up within thirty days per our Conditions of Sale.

All lots in this catalogue with a lower estimate value of $5,000 and above are searched against the Art Loss Register database

To view the complete catalogue, sign up to bid, and read our Conditions of Sale, visit hindmanauctions.com or the Hindman App. All bidders must agree to Hindman’s Conditions of Sale prior to registering to bid. For bid support contact: 312.280.1212 or bid@hindmanauctions.com.

NEVER TOO MUCH

LOTS 1-325

PROPERTY FROM THE TRUSTS AND ESTATES OF

Property from the Estate of Bernice Weissbourd, Evanston, Illinois

Property from the Estate of Catherine Dollive Epstein

Property from the Estate of Harry M. Cornell, Jr.

Property From the Estate of Lucia Woods Lindley

PROPERTY FROM THE COLLECTIONS OF

Property from a Private Art Collection

Property from a Private Collection, Chicago, Illinois

Property from a Private St. Louis Collection

Property from Linden House, Indianapolis, Indiana

Property from the Collection of an American Company

Property from the Collection of Dr. Benjamin Blackman, Chicago, Illinois

Property from the Collection of Mrs. Bonnie Blank, Elgin, Illinois

Property from the Collection of James and Edythe Cloonan, Chicago, Illinois

Property from the Collection of Jean Sulkes, Chicago, Illinois

Property from the Collection of Jena Sher, Brookfield, Wisconsin

Property from the Collection of Jo Ann Cline Yates, Lookout Mountain, Tennessee

Property from the Collection of Joseph S. and Miriam T. Sample

Property from the Collection of Mrs. Bonnie Blank, Elgin, Illinois

Property from the Collection of Pamela and Brian McIver, Palm Beach, Florida

Property from the Collection of Paul Perucco

Property from the Floating World Gallery, Chicago, Illinois

Property from the Private Collection of G. Brackens, Chicago, Illinois

PROPERTY SOLD TO BENEFIT

Property from the Collections of Webster University, Sold to Benefit the Student Experience

Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields

1 Céline Chalem (EGYPTIAN/FRENCH, 20TH CENTURY)

Abstract Sculpture, 1960

bronze

incised Céline Chalem and dated 21 x 21 x 6 1/2 inches.

$1,000 - 1,500

2 Eero Saarinen (FINNISH, 1910-1961)

Womb Chair  Knoll Associates, USA upholstery, enameled steel, rubber  H 35 x W 39 x D 38 inches.

$1,000 - 1,500

George Nelson & Associates (AMERICAN, 1908-1986)

Two Cabinets

Herman Miller, USA

oak, chrome-plated steel with manufacturers label

Largest: H 29 1/2 x W 34 x D 19 1/2 inches.

$1,000 - 2,000

Wind Bell

Arcosanti Studios, USA

cast aluminum, bronze, copper with cast makers mark

H 24 x W 5 x D 3 1/4 inches.

$300 - 500

4 Paolo Soleri (ITALIAN-AMERICAN, 1919-2013)

Style

Masayuki Nagare (JAPANESE, 1923-2018)

Loneliness, 1966

granite

signed on base

H 28 1/2 x W 14 x D 14 inches, sculpture.

Property From the Estate of Lucia Woods Lindley

$2,000 - 3,000

Norman Cherner (AMERICAN, 1920-1987) Armchair Plycraft, USA walnut plywood H 31 1/2 x W 24 x D 21 inches.

Property from the Collection of James and Edythe Cloonan, Chicago, Illinois

$400 - 600

Table Lamp

Marshall Studios, USA

glazed stoneware, walnut

H 32 1/2 x Diameter 8 inches.

$700 - 900

Gordon and Jane Martz (AMERICAN, 1924-2015 | 1929-2007)

Masayuki Nagare (JAPANESE,1923-2018) Bachi, 1977 bronze, granite signed on granite base H 25 x W 5 x D 5 inches.

Property from the Estate of Lucia Woods Lindley $2,000 - 3,000

Manolo Paz (SPANISH, B. 1957)

Untitled, 1998 granite and painted poplar incised MP and dated Height: 55 inches.

Property from the Estate of Catherine Dollive Epstein

Provenance: The Artist Galería Trinta, Santiago, Spain Acquired from the above at Art Chicago by a Private Collector in 1999

$3,000 - 5,000

Straight Chair Knoll, USA walnut

H 30 x W 23 1/4 x D 17 1/2 inches.

$600 - 800

George Nakashima (AMERICAN, 1905-1990)

Sofa

Herman Miller, USA

upholstery, chrome-plated steel

H 28 1/2 x W 86 1/2 x D 31 inches.

$1,000 - 2,000

George Nelson & Associates (AMERICAN, 1908-1986)

Untitled knotted wax linen each signed; smallest initialed dimensions variable.

$2,000 - 4,000

Jane Sauer (AMERICAN, B. 1937)

Juan Hamilton (AMERICAN, B. 1945)

Untitled (10 - 21 - 81), 1981 high polished bronze incised Juan, dated and numbered 2/5 Height: 21 inches.

Provenance:

Sold: Leslie Hindman Auctioneers, December 15, 2003, Lot 50

$8,000 - 12,000

Tropi-Cal, USA

enameled steel, cane, glass, upholstery

H 26 1/2 x W 72 x D 30 inches.

$1,000 - 2,000

Danny Ho Fong (AMERICAN, 1915-1992)

Osetsu Dai Dining Table with Six Stools, c. 1959

Paolo Soleri (ITALIAN/AMERICAN, 1919-2013)

Triple Wind Bell

Arcosanti Studios, USA

cast aluminum, bronze, copper with cast makers mark

H 22 x W 7 x D 7 inches.

$500 - 700

Cabinet

Herman Miller, USA

oak, chrome-plated steel

H 29 1/2 x W 57 1/4 x D 19 1/2 inches.

$800 - 1,200

George Nelson & Associates (AMERICAN, 1908-1986)

Drip-Glaze Planter

Pottery Craft, USA

glazed stoneware with distributors marks on the underside H 9 3/4 x Diameter 10 inches.

$600 - 800

David Cressey and Robert Maxwell (AMERICAN, 1916-2013 | AMERICAN, 1932-2012)

20 Sue Coe (AMERICAN, B.

Harlem, 1985 oil on canvas

signed Sue Coe and dated (lower right) 37 1/4 x 46 1/2 inches.

Literature: Mark Scala, The Dictates of Conscience: An Interview with Sue Coe, New Art Examiner, Vol. 2, Chicago, Illinois, April 1, 1987, pp. 47

$2,000 - 4,000

1952)

Aldo Tura (ITALIAN, 1909-1963)

Drop-Leaf Bar Cart lacquered goat skin over wood, brass 29 3/4 x W 31 x D 31 1/2 inches.

$400 - 600

22

Valery Koshlyakov (RUSSIAN, B. 1962)

Architectue, 1995 mixed media on canvas

initialed BK and dated (lower right); signed, titled and dated (verso) 39 x 49 inches.

Property from the Estate of Catherine Dollive Epstein

Provenance:

Walter Bischoff Galerie, Stuttgart, Germany

Acquired from the above by a Private Collector in 2003

$10,000 - 15,000

$800 - 1,200

Charles Pollock (AMERICAN, 1930-2013)

Pair of Sling Chairs, model 657 Knoll International, USA leather, chrome-plated steel, lacquered wood with manufacturer’s paper labels

H 28 x W 24 3/4 x D 26 inches.

24 Marcel Hermann Janco (ROMANIAN/ISRAELI, 1895-1984)

Untitled (Cityscape) oil on canvas signed Janco (lower right) 23 x 31 1/2 inches.

$5,000 - 7,000

painted wood

Height: 72 inches.

$3,000 - 5,000

Benny Carter (AMERICAN, 1943-2014)

Black Statue of Liberty

$800

Charles Pollock (AMERICAN, 1930-2013)

Pair of Sling Chairs, model 657 Knoll International, USA leather, chrome-plated steel, lacquered wood with manufacturer’s paper labels  H 28 x W 24 3/4 x D 26 inches.

- 1,200

27

Holger (Kinki Texas) Meier (GERMAN, B. 1969) 20016 mixed media on paper laid to canvas signed Kinky Texas and titled (verso) 85 x 68 1/2 inches.

$5,000 - 7,000

28

$1,000 - 2,000

Michael Ayrton (BRITISH, 1921-1975)

L’oiseau chante avec ses doigts (The Bird Sings with its Fingers), 1972 mixed media signed Michael Ayrton and dated (lower right) 29 1/2 x 20 inches.

29 Swedish MID 20TH CENTURY

Flatweave Rug, c. 1930 wool

7 feet 10 inches x 5 feet 8 inches.

$1,500 - 2,500

Hove Mobler, Norway

bentwood, chrome plated steel

H 38 x W 19 x D 19 inches.

$800 - 1,200

Hans Brattrud

(NORWEGIAN, 1933-2017)

Set of Four Scandia Dining Chairs

31

Stasys

Untitled  pencil and watercolor on cardstock signed Stasys (lower right)

5 1/2 x 3 1/2 inches.

Provenance: Thomas Masters Gallery, Chicago

$1,000 - 2,000

Eidrigevičius (LITHUANIAN, B. 1949)

Yngve Ekström (SWEDISH, 1913-1988)

Sofa, c. 1970  Swedese, Sweden pine, upholstery

H 25 x W 93 x D 33 1/2 inches.

$3,000 - 5,000

34

Bruno Dufourmantelle (FRENCH, B. 1949)

Les Paysages-Humains (Triptych), 2002 oil and wax on linen each signed Bruno Dufourmantelle, titled and dated (verso)

70 x 157 inches.

Provenance:

Galerie Kashya Hildebrand, Zurich, Switzerland

Purchased from the above by the present owner, 2003

$2,000 - 4,000

DENMARK, 20TH CENTURY

Side Table KTN, Denmark teak

H 22 x W 29 1/2 x D 18 3/4 inches.

$600 - 800

Kristensen & Thomassen

36 Bruno Dufourmantelle (FRENCH, B. 1949)

Le

71

Provenance:  Galerie Kashya Hildebrand, Zurich, Switzerland

Exhibited: Zurich, Switzerland, Galerie Kashya Hildebrand, Arturo Denarvaez, Bruno Dufourmantelle, October 16November 22, 2003, illus.

$1,000 - 2,000

Mur Jaune (The Yellow Wall), 2002 oil on canvas signed Bruno Dufourmantelle, titled and dated (verso)

x 79 inches.

Hans J. Wegner

(DANISH, 1914-2007)

Peacock Lounge Chair

Johannes Hansen, Denmark ash, teak, paper cord with manufacturers mark

H 42 x W 30 x D 29 inches.

$1,500 - 2,500

38

Magdalena Abakanowicz (POLISH, 1930-2017)

Untitled, 1978

jute and resin on wood incised Abakanowicz and dated (verso)

35 1/2 x 23 1/2 x 3 1/2 inches.

$30,000 - 50,000

Garnett Puett (AMERICAN, B. 1959)

Man #5

beeswax and wood in glass vitrine

Height: 25 inches

$800 - 1,200

NORWAY, MID 20TH CENTURY

H 58 x W 41 1/2 x D 77 1/2 inches.

$800 - 1,200

41 Francisco Toledo (MEXICAN, 1940-2019)

Murcielagos y Mujeres (Bats and Women)  watercolor and ink on paper signed Toldeo (lower right); titled (verso) 12 3/4 x 9 1/4 inches.

Property from a Private Collection, Chicago, Illinois $2,000 - 4,000

Yngve Ekström (SWEDISH, 1913-1988)

Dymling Sofa

Swedese, Sweden pine, upholstery with branded manufacturer’s mark

H 30 x W 78 x D 29 inches.

$1,500 - 2,500

Francisco Toledo (MEXICAN, 1940-2019)

Untitled watercolor and ink on paper signed Toledo (center right) 6 3/4 x 8 1/4 inches.

Property from a Private Collection, Chicago, Illinois $2,000 - 4,000

(DANISH, 1926-2009)

Cabinet/Secretary/Vanity

Sibast, Denmark

oak, mirror glass with retailer’s plaque ‘Illums Bolighus Kobenhavn’

H 42 1/2 x W 33 1/2 x D 18 inches.

$800 - 1,200

Arne Vodder

45 Aapo Härkönen (FINNISH, 1912-1991)

Kaukametsä Pile Tapestry, c. 1956 wool

5 feet x 3 feet 4 inches.

$600 - 800

46 Francisco Toledo (MEXICAN, 1940-2019)

Sweeping Up the Frogs (from the Cowboy Series), 1971 color lithograph signed and inscribed P. A. in pencil 15 1/2 x 20 1/4 inches.

Property from a Private Collection, Chicago, Illinois $800 - 1,200

Gloria Caranica | Hans Brockhage and Erwin Andrä

(AMERICAN, B. 1931 | GERMAN, 1925-2009 | GERMAN, 1921-2022)

Rocking Beauty Hobby Horse and Schaukelwagen Childs Rolling-Rocker

Creative Playthings, USA

Siegfried Lenz, Germany

plywood, maple, polychromed wood

H 17 1/2 x W 22 1/2 x D 11 3/4 inches | H 15

3/4 x W 39 x D 15 inches.

$600 - 800

David Klamen (AMERICAN, B. 1961)

Untitled (2 Oryx), 1987 oil on canvas signed Klamen and dated (verso) 72 x 96 inches.

Provenance: Marianne Deson Gallery, Chicago

Exhibited:

Wausau, Wisconsin, Leigh Yawkey Woodson Art Museum, Mind and Beast: Contemporary Artists and the Animal Kingdom, April 4 - May 31, 1992 (and travelling), pp. 44, illus.

$4,000 - 6,000

49 Gertrude Abercrombie (AMERICAN, 1909-1977)

Shell (For Karl Priebe), 1957 oil on paper signed Abercrombie and dated (lower left); inscribed Shell/night G Abercrombie ‘57 (verso) 6 1/4 x 9 1/4 inches.

We are grateful for the research conducted by Susan Weininger, Professor Emerita, Roosevelt University.

Provenance: Karl Priebe Estate, Milwaukee, Wisconsin

Acquired from the above by the present owner $30,000 - 50,000

This painting is a rare image by Abercrombie, in that it is a fully rendered painting on paper.  Although the subject is one of countless shells painted by the artist, it is distinguished by the initials K. P., referring to her close friend Karl Priebe, on a pennant flying from a pole adjacent to the large shell.  The current owner got the painting from the Priebe estate, establishing a secure provenance.   In addition to signing and dating the painting in the lower left corner, the artist inscribed the words Shell/night and her signature G Abercrombie ’57 on the verso.

Abercrombie began painting shells in the early 1950s, under the influence of her friend John Wilde, who encouraged her to paint more precisely and carefully, something she attempted with uneven success.  My records indicate that many of them were made for, and given as presents to, her artist friends such as Jerry Karidis and Frances Strain Biesel, family members such as her cousin Maurine Campbell, jazz great Dizzy Gillespie and friends Bill O’Nan, Hugh Cameron and Esther Wilcox.  Some of these contain personal references in the paintings themselves, such as the 1951 conch painting done for Karl Priebe, the original owner of the painting under discussion, with his initials painted on a rectangle attached to the background of the composition by a painted pin. She personalized a shell painting for Hugh Cameron (Shell, 1952, sold at Hindman 2022) with his name and for Dizzy Gillespie (Shell for DG, 1964, Hindman 2022) and Esther Wilcox (Shell, 1956, Gus Becker Collection) with pennants like the one in this painting.

Abercrombie had a collection of shells that she used as models and some of them are distinctive and recognizable.  Often the snail shell has a crack on the left side that looks almost like a window (In For Once in My Life, 1969, originally owned by the musician Orlando Murden, his face appears in this crack).  Most of the almost circular, spiraling snail shells that Abercrombie painted are grey, sometimes with blue or pink touches.  The shell in this  painting is yellowish brown and very worn.  Its color is similar to the real shell Abercrombie included in My Second Best Box (1957, Illinois State Museum, Springfield), but differs from the vast majority of the snail shells that the artist painted beginning in the early 1950s. In My Second Best Box, a surreal juxtaposition of real and painted objects, Abercrombie renders the real shell in shades of grey, rather than the yellowish tone of the actual shell. So it was a departure to use this palette.

The shell is interesting in another way as well.  It is clearly weathered, cracked along the right upper side and with a series of small holes along the top in addition to the small window-like crack on the left side.  The shell was a significant subject for Abercrombie, who was drawn to interior spaces from an early point in her career, painting the austere space that was her own room many, many times.  It represented a kind of prison, corresponding to her own feelings of entrapment, insecurity and loneliness.  The shell is another kind of room, a simple space from which there is no escape, echoing the constructed spaces she so often represented.  This one is certainly damaged, perhaps conveying the pain and loss of trying to attain freedom.

The composition is simple, consisting of the large shell slightly to the left of center on a green-blue ground, the pole with the pennant in the right rear and two delicate white clouds in the upper left.  The background is a beautiful deep blue black.  Abercrombie’s perfectly tuned compositional sense acts to balance the elements both on the surface and in space. With minimal means, and the most rudimentary subject matter, Abercrombie has created a work of art that is resonant, enigmatic, slightly strange and beautiful.

50 John Wilde (AMERICAN, 1919-2006)

Drawing #7 for the oil «Night-time Festivities at the Contessa Sanseverini›s», 1966 pencil on paper initialed JW and dated (lower left) 9 x 7 inches.

Provenance: The collection of Thomas Matthews, Washington, D.C.

Exhibited:

New York, New York, Banfer Gallery, John Wilde: Recent Paintings, December 11- 28, 1968

Literature:

Chazen Museum of Art, John Wilde, Drawings, 1940 - 1984, University of Wisconsin–Madison, pp. 52, no. 297

$3,000 - 5,000

51 John Wilde (AMERICAN, 1919-2006)

Drawing #9 for the oil «Night-time Festivities at the Contessa Sanseverini›s» (Combat Consummating), 1966 mixed media on paper signed John Wilde (lower right); initialed and dated (lower left) 7 x 10 inches.

Provenance: The collection of Dr. and Mrs. Peter Gardetto, Racine, Wisconsin

Exhibited:

New York, New York, Banfer Gallery, John Wilde: Recent Paintings, December 11- 28, 1968

Literature:

Chazen Museum of Art, John Wilde, Drawings, 1940 - 1984, University of Wisconsin–Madison, pp. 52, no. 299

$3,000 - 5,000

52

Philip Pearlstein (AMERICAN, 1924-2022)

Nude Female Seated on Floor with Legs Crossed charcoal on paper signed Pearlstein (lower right) 18 3/4 x 24 inches.

Provenance:

The Allan Frumkin Gallery, New York

The Collection of Mr. and Mrs. Robert B. Meyer Weatherspoon Art Gallery at the University of North Carolina, Greensboro

Sold: Museum of Contemporary Art 6th Benefit Auction, Chicago, 1983, Lot 71

$1,000 - 2,000

53

Chuck Forsman (AMERICAN, B. 1944)

Symbol for a Wayfarer’s Dilemma, 1975 oil on masonite signed Chuck Forsman, dated and titled (verso) 40 x 63 1/2 inches.

Property from a Private Art Collection

Provenance:

Tibor de Nagy Gallery, New York

$800 - 1,200

(AMERICAN, 1907-1978 | AMERICAN, 1912-1988)

Set of Four DCWs, c. 2010

Herman Miller, USA

upholstery, walnut, rubber with manufacturer’s labels

H 29 x W 20 x D 20 1/2 inches.

$800 - 1,200

Charles and Ray Eames

Property from a Private Art Collection

Literature: Ed Newman, Veteran Painter Frank Holmes Discusses His Prix de Rome and Life as an Artist, Ennyman’s Territory, Duluth, Minnesota, September 11, 2017

$1,000 - 2,000

55 Frank Holmes (AMERICAN, B. 1938) Out Front, 1979 oil on canvas signed Holmes and dated (lower right) 66 x 60 inches.

56 Robert Middaugh (AMERICAN, B. 1935)

Untitled (Hallway Fountain) pencil on paper signed Middaugh (lower right) 18 1/4 x 11 inches.

Property from the Private Collection of G. Brackens, Chicago, Illinois

$500 - 700

After Josef Hoffmann

MID 20TH CENTURY

Set of Four Arm Chairs, model B-9, c. 1960

Thonet / Stendig, Germany

bent wood, cane

H 30 x W 23 x D 22 1/2 inches.

$500 - 700

Exhibited:

58 Robert Middaugh (AMERICAN, B. 1935)

Sentry, c. 1974 oil on canvas signed Middaugh (lower right) 40 x 32 inches.

Property from the Private Collection of G. Brackens, Chicago, Illinois

Chicago, Illinois, The Arts Club of Chicago, Annual Exhibition, 1974 $2,000 - 4,000

Property from a Private Art Collection

Provenance:

G.

59 Jeanette Pasin Sloan (AMERICAN, B. 1946)

Still Life with Red & Blue Stripes, 1977 acrylic on linen

signed Jeanette Pasin Sloan and dated (verso) 41 3/4 x 50 inches.

W. Einstein Co., Inc., New York

$2,000 - 4,000

60 Michael Mazur (AMERICAN, 1935-2009)

Large Summer Window, Blue Chair, 1973 oil on linen signed Mazur and dated (lower right); titled (verso) 48 x 48 inches.

Property from a Private Art Collection $800 - 1,200

(AMERICAN, B. 1943)

Botanical Paperweight, 1991 lampworked glass, polished clear glass etched signature ‘Paul J. Stankard A40 ‘91’ H 3 3/4 x W 2 1/2 x D 2 1/2 inches.

$1,500 - 2,500

61 Paul Stankard

62

Katia Santibañez (FRENCH, B. 1964)

4p fern 05/05, 2005 pencil on paper signed Katia Santibañez, titled and dated (verso) 11 x 7 inches.

Provenance: Morgan Lehman Gallery, New York $800 - 1,200

Paul Stankard

(AMERICAN, B. 1943)

Collection of Three Root People Botanical Paperweight Works, 1994-97 lampworked glass, polished clear glass signed in murrina ‘PS 95’ and etched ‘Paul J. Stankard H9 ‘95’

Largest: H 2 1/4 x Diameter 3 1/2 inches.

$3,000 - 4,000

64 Joseph Raffael (AMERICAN, 1933-2021) Watercolor #5, 1973 watercolor on paper signed Joseph Raffael (lower center) 25 x 19 1/4 inches.

Property from a Private Art Collection $2,000 - 4,000

Paul Stankard

(AMERICAN, B. 1943)

Botanical Paperweight and Bee, 1993 lampworked glass, polished clear glass etched signature ‘Paul J. Stankard D35 ‘93’ H 2 3/3 x W 2 1/2 x D 2 1/2 inches.

$1,000 - 2,000

66 Joseph Raffael (AMERICAN, 1933-2021)

Watercolor #25

watercolor on paper signed (lower center) 19 3/4 x 25 1/2 inches.

Property from a Private Art Collection $2,000 - 4,000

67

Joseph Raffael (AMERICAN, 1933-2021)

Untitled (Nine Fish), 1978 watercolor on paper

signed Joseph Raffael and dated (lower right); stamped with the mark of the Artists› studio (verso)

20 x 45 1/4 inches.

Property from a Private Art Collection

$3,000 - 5,000

68

Guido Faleschini (ITALIAN, 20TH CENTURY)

Set of Eight Tucroma Dining Chairs Mariani, Italy

leather, chrome-plated tubular steel with manufacturer’s labels

H 32 x W 20 1/2 x D 25 inches.

$2,000 - 3,000

Yvonne Jacquette (AMERICAN, 1934-2023) Lincolnville Beach, 1977 oil on canvas signed Yvonne Jacquette (verso) 56 x 68 inches.

Property from a Private Art Collection $3,000 - 5,000

Peter Alexander (AMERICAN, 1939-2020)

Texas Blue, 1974

metal flake in epoxy and enamel on velvet signed Peter Alexander, titled and dated (verso) 30 x 40 inches.

Property from the Collection of an American Company

Provenance: James Corcoran Gallery, Santa Monica Carey Ellis Company, Houston

Exhibited: Newport Beach, California, Orange County

Museum of Art, Peter Alexander: In this Light, May 29 - September 12, 1999, p. 54, no. 13, illus.

Literature:

Rebecca Schoenkopf, Addled By the Sun, Delightedly, OC Weekly, Orange County, California, June 3, 1999

$5,000 - 7,000

Provenance:

71 Doug Wada (AMERICAN, B. 1964)

Dazed and Confused, 2000 oil on canvas 42 x 56 inches.

Elizabeth Dee Gallery, New York Acquired from the above in 2001 $1,000 - 2,000

John Baeder (AMERICAN, B. 1938)

Bronze Diner, 1979

bronze incised Bader, dated and numbered 3/9 5 x 5 x 26 inches.

Provenance:

The Artist Private Collection, purchased directly from the Artist  Private Collection, Pennsylvania

$3,000 - 5,000

$1,500 - 2,500

José Chardiet (CUBAN, B. 1956)

Untitled (Building Series), 1996 cast and polished glass, copper signed ‘CHARDIET 96’

H 9 1/4 x W 4 x D 3 3/4 inches

74 Carol Anthony (AMERICAN, B. 1943)

Italian Inner Room #3 c. 1991-1992 oil and crayon on gessoed panel signed Carol Anthony and dated (lower left); titled (lower right)

15 1/4 x 16 inches. $1,000 - 2,000

(AMERICAN, 1907-1978 | AMERICAN, 1912-1988)

Soft-Pad Executive Chair Herman Miller, USA upholstery, aluminum, steel, plastic

H 31 x W 23 x D 21 inches.

$500 - 700

Charles and Ray Eames

metal, upholstery

H 31 1/2 x W 34 1/2 x D 34 inches.

$300 - 500

After Antonio Bonet and Juan Kurchan

AMERICAN, MID 20TH CENTURY Butterfly Lounge Chair

Charles and Ray Eames (AMERICAN, 1907-1978 | AMERICAN, 1912-1988)

LCM, c. 2010

Herman Miller, USA

ash plywood, chrome-plated steel, rubber, upholstery with manufacturer’s label

H 27 x W 22 x D 25 1/4 inches.

$300 - 500

Donuts (Baker’s Dozen), c. 1973

glazed ceramics

incised Gilhooly and dated Diameter of each: 3 inches.

$2,000 - 4,000

David James Gilhooly (AMERICAN, 1943-2013)

10 Pound Sampler, 1989

18

signature

11 x 13 x 2 3/4 inches.

From an edition of 25, plus 4 APs.

David James Gilhooly (AMERICAN, 1943-2013)

glazed ceramics in a fabricated box signed, dated and numbered AP IV/IV in pencil on the inner lid; each ceramic with the artist’s incised

Typography designed and printed by Peter R. Koch. The box designed and fabricated by Philip Kuznicki.  $3,000 - 5,000

80 Anonymous (AMERICAN, 20TH CENTURY)

Untitled (Nails #1), c. 1940s mixed media hardware store display 28 x 17 1/4 x 2 inches.

Provenance: Ricco/Maresca, New York

$500 - 700

81 Tiggy Ticehurst (BRITISH, B. 1965)

Untitled (Damien Hirst), 2015 acrylic on canvas signed Tiggy and dated (lower left) 34 1/2 x 26 inches.

$500 - 700

Postmodernist

AMERICAN, LATE 20TH CENTURY

Coffee Table with Removable Tray lacquered oak

12 3/4 x W 34 D 24 inches.

$500 - 700

83 Danica Phelps (AMERICAN, B. 1971)

Chart July 23 - July 29, 2006 pencil and watercolor on paper 29 1/2 x 22 inches.

Provenance: NF Galeria /Nieves Fernandez, Madrid (via Art Chicago)

$1,000 - 2,000

84 Danica Phelps (AMERICAN, B. 1971)

Chart July 30 - August 5, 2006 pencil and watercolor on paper 29 1/2 x 22 inches.

Provenance: NF Galeria /Nieves Fernandez, Madrid (via Art Chicago)

$1,000 - 2,000

Florence Knoll

(AMERICAN, 1917-2018)

Hanging Cabinet, model 123, c. 1965

Knoll Associates, USA

walnut, lacquered wood, leather

H 18 x W 72 x D 15 1/4 inches.

$2,000 - 3,000

86 Károly

Keserü

(HUNGARIAN, B. 1962)

Untitled (0606051), Untitled (0606061), Untitled (0606062) and Untitled (0608401) (A Group of Four Works), 2006 ink on paper each signed Károly Keserü, titled and dated (verso) each 7 1/8 x 7 inches.

Provenance:

Patrick Heide Contemporary Art, London, England

$1,000 - 2,000

After Marcel Breuer

LATE 20TH CENTURY

Pair of Lounge Chairs

chrome-plated steel, upholstery

H 27 3/4 x W 31 x D 22 inches.

$1,000 - 2,000

Max Bill (SWISS, 1908-1994)

Ato-Mat Wall Clock and Timer Junghans, Germany

glazed porcelain, chrome-plated brass, plastic, enameled aluminum with manufacturer’s markings

H 6 x W 8 1/4 x D 2 1/4 inches.

$700 - 900

90 Andrew Brischler (AMERICAN, B. 1987)

Waiting to Exhale, 2012 spray paint and latex on MDF

77 1/2 x 48 inches.

Provenance: Gavlak, Palm Beach, Florida

Sold: Palm Beach Modern Auctions, April 23, 2022, Lot 68

Exhibited:

Palm Beach, Florida, Gavlak, Andrew Brischler: Goodbye to All That, May 25 - August 1, 2012

$4,000 - 6,000

Gino Sarfatti

(ITALIAN, 1912-1985)

Table Lamp, model 586 Arteluce, Italy

aluminum, enameled steel with manufacturer’s label

H 8 1/2 x Diameter 8 inches.

$1,000 - 2,000

Charles and Ray Eames

(AMERICAN, 1907-1978 | AMERICAN, 1912-1988)

Set of Four DCM Dining Chairs

Herman Miller, USA

ebonized ash, chrome-plated steel

Stamped ‘DCM’

H 29 1/4 x W 19 1/2 x D 20 1/4 inches.

$600 - 800

Ronald Mallory (AMERICAN, 1939-2021)

95 Jasper Johns (AMERICAN, B. 1930)

Target (from Technics and Creativity), 1971 two-color offset lithograph and mixed media signed in pencil 10 1/2 x 8 1/2 inches.

$700 - 900

96

Liliana Porter (ARGENTINIAN, B. 1941)

The Resemblance, 1980 pencil, acrylic, and silkscreen on paper signed Liliana Porter and dated (lower right); titled (lower left) 30 x 22 1/2 inches.

Property from a Private Art Collection $1,000 - 2,000

Eero Saarinen

(FINNISH/AMERICAN, 1910-1961)

Set of Three Tulip Occasional Tables, model 163F Knoll, USA

enameled aluminum, lacquered wood H 19 3/4 x Diameter 17 1/2 inches.

$1,000 - 1,500

Charles and Ray Eames

(AMERICAN, 1907-1978 | AMERICAN, 1912-1988)

Aluminum Group Coffee Table

Herman Miller, USA

laminate over wood, rubber, aluminum, enameled steel with manufacturer’s label

H 15 1/2 x Diameter 36 inches.

$300 - 500

99 Al Held (AMERICAN, 1928-2005)

Stone Ridge #6, 1984 silkscreen

signed, dated, and numbered 19/50 in pencil 26 3/4 x 39 1/2 inches.

Property from a Private Art Collection

$800 - 1,200

100

Charles and Ray Eames (AMERICAN, 1907-1978 | AMERICAN, 1912-1988)

Pair of LTR Side Tables

Herman Miller, USA

laminate over plywood, enameled zink with manufacturer’s round plaque H 10 x W 15 1/2 x D 13 14 inches.

$500 - 700

101 Wes Lang (AMERICAN, B. 1972)

Very Well, 2001

acrylic house paint and paper collage on linen and canvas signed Wes Lang, titled and dated (verso) 24 x 24 inches.

We are grateful to the studio of the Artist for their assistance in cataloguing this lot.

Provenance:

Gift from the Artist, 2001

Exhibited: New York, New York, Mark Pasek Gallery, Bras, 2001

$5,000 - 7,000

Louise Nevelson (AMERICAN, 1899-1988) Tree of Life, 1965 painted wood stamped and numbered 261/950 6 1/2 x 3 x 2 1/2 inches. $1,000 - 2,000

Peter Müller-Munk (GERMAN/AMERICAN,1904-1967)

Normandie Water Pitcher, c. 1935

Revere Copper & Brass Co., USA

chrome-plated brass with impressed manufacturer’s hallmarks

H 12 x W 3 x D 9 inches.

$1,000 - 2,000

Coffee Table

Knoll, USA

chrome-plated steel, glass

H 15 x Diameter 36 inches.

$800 - 1,200

Warren Platner (AMERICAN, 1919-2006)

Untitled

Provenance:

$2,000 - 4,000

105 Michael Rouillard (AMERICAN, B. 1955)

, Untitled and Untitled (Three Works), 2008 ink on paper collage each signed Rouillard (lower right); titled and dated (lower left) Largest: 18 1/2 x 7/8 inches.

Charlotte Jackson Fine Art, Santa Fe, New Mexico

Untitled

Exhibited:

Los Angeles, California, Gallery LASCA, Home Improvement Paintings, 1997

$2,000 - 4,000

106 Yunhee Min (KOREAN, B. 1964)

XXII (Home Improvement Painting), 1997 housepaint on duralar 16 1/4 x 21 inches.

Warren Platner (AMERICAN, 1919-2006)

Pair of Chairs Knoll Associates, USA

chrome-plated steel, upholstery H 29 1/4 x W 26 1/2 x D 21 inches.

$2,000 - 3,000

Angelo Mangiarotti (ITALIAN, 1921-2012)

Table Lamp

Skipper, Italy glass H 18 1/2 x Diameter 11 3/4 inches. $800 - 1,200

Eero Saarinen

(FINNISH/AMERICAN, 1910-1961)

Four Tulip Dining Chairs Knoll, USA

with associated Maurice Burke for Arkana Dining Table upholstery, enameled aluminum, molded fiberglass H 29 1/4 x W 57 x D 36 inches, table.

$1,000 - 2,000

110 Joan Waltemath (AMERICAN, B. 1952) 0813, 2005 mixed media on mylar signed Joan Waltemath, titled and dated (verso) 13 x 18 inches.

$800 - 1,200

Florence Knoll (AMERICAN, 1917-2018)

Parallel Bar Sofa Knoll Associates, USA

upholstery, chrome-plated steel, enameled steel H 30 1/4 x W 90 x D 30 inches.

$2,000 - 3,000

112

Joan Waltemath (AMERICAN, B. 1952)

Undercurrent (east 3), 2007 graphite, colored pencil and tempera on rag paper signed Waltemath and dated (lower right); titled (upper left) 11 3/4 x 8 inches.

$800 - 1,200

113

Louise Fishman (AMERICAN, 1939-2021)

Nothing is Preventing Them, 1976 oil and wax on paper signed Louise Fishman, titled and dated (verso) 30 3/4 x 22 1/2 inches.

Property from a Private Art Collection

$1,000 - 2,000

George Nelson & Associates (AMERICAN, 1908-1986)

Gate-Leg Dining Table

Herman Miller, USA

primavera, birch

H 30 x W 64 3/4 x D 40 inches.

$500 - 700

Untitled fabric, copper wire, plaster medical bandages and mixed media

26 x 17 1/2 x 8 1/4 inches.

$1,000 - 2,000

115

Jin Soo Kim

(SOUTH KOREAN/AMERICAN, B. 1950)

116 Lewis Butler

(AMERICAN, 1924-2001)

Pair of Lounge Chairs Knoll, USA upholstery, walnut

H 29 1/2 x W 24 3/4 x D 22 1/2 inches.

$800 - 1,200

117

Cordy Ryman

(AMERICAN, B. 1971)

Untitled #22, 2007

acrylic and mixed media on wood signed Cordy Ryman and titled (verso) 17 1/4 x 17 1/4 inches.

Provenance:

DCKT Contemporary, New York

$2,000 - 4,000

118

James Krone (AMERICAN, B. 1975)

Screen 7, 2012

Provenance: Kavi Gupta Gallery, Chicago

Exhibited:  Chicago, Kavi Gupta, Waterhome, December 5, 2012 - February 3, 2013

$1,500 - 2,500

119

Prudencio

Untitled

$3,000 - 5,000

oil on canvas, sized with rabbit skin glue signed James Krone, titled and dated (verso) 50 x 40 inches.

Irazabal (SPANISH/AMERICAN, B. 1954)

#743, 1996 acrylic on canvas mounted to board signed Prudencio Irazabal, titled and dated (verso) 36 x 36 inches.

120 Finnish MID 20TH CENTURY Flatweave Rug, c. 1930 wool

8 feet 6 inches x 6 feet 10 inches.

$1,000 - 2,000

121

Susan Schwalb (AMERICAN, B. 1944)

Palimpsest #142, 2001 silverpoint and acrylic on paper signed Susan Schwalb (lower right); signed, titled and dated (verso) 10 1/2 x 10 1/2 inches.

Exhibited:

Philadelphia Pennsylvania, Pennsylvania Academy of Fine Art, Dot, Dash, Dissolve: Drawn from the JoAnn Gonzalez Hickey Collection, July 13 - November 20, 2016

$800 - 1,200

122

Paul Sarkisian (AMERICAN, B. 1928)

Untitled, 1978 acrylic and graphite on paper signed Paul Sarkisian and dated (lower right) 22 1/2 x 29 7/8 inches.

Property from a Private Art Collection

$1,000 - 2,000

Ludwig Mies van der Rohe (GERMAN-AMERICAN, 1886-1969)

Sofa Knoll International, USA

leather, rosewood

H 30 1/2 x W 90 1/4 x D 32 inches.

$2,000 - 4,000

ITALY, MID 20TH CENTURY

Candelabra

cut glass, chrome-plated steel

H 10 1/2 x W 7 3/4 x D 2 3/4 inches.

$800 - 1,200

Fontana Arte

Provenance: Galerie Martin Kudlek, Cologne, Germany

Exhibited: Cologne, Germany, Galerie Martin Kudlek, walking the line VI, May 16 - July 11, 2015

$800 - 1,200

125 Katrin Bremermann (GERMAN, B. 1965) 165, 2014 enamel on waxed paper signed Kat Bremermann, titled and dated (verso) 16 x 11 1/2 inches.

Maquette for Mahogany Pavilion (Mobile Architecture No.1), 2014

mixed media

60 x 36 x 53 inches.

$5,000 - 7,000

Simon Starling (BRITISH, B. 1967)

LATE 20TH CENTURY

Alanda Style Coffee Table

enameled steel, glass

H 11 1/2 x W 31 1/2 x D 31 1/2 inches.

$800 - 1,200

Manner of Paolo Piva

Bellini (ITALIAN, B. 1935)

Le Bambole Chaise B&B Italia, Italy

upholstery with the manufacturer’s screen-printed information on the underside, with a fabric embroidered tag

H 29 x W 30 x D 50 inches.

$800 - 1,200

Mario

Provenance:

129 Nancy White (AMERICAN, B. 1948) #48, 2007  gouache on pigmented 300lb. lanacquarelle hot press paper signed N. White and titled (verso) 8 1/4 x 14 3/4 inches.

Gallery Joe, Philadelphia, Pennsylvania $800 - 1,200

Archizoom Associati (ITALIAN, FOUNDED 1966)

Mies Chair, c. 1969

Poltronova, distributed by Stendig, Italy chrome-plated steel, rubber, hide with Stendig distributor’s label H 30 x W 29 x D 51 inches.

$2,000 - 4,000

Osvaldo Borsani (ITALIAN, 1911-1985)

Coffee Table Tecno, Italy

mahogany, enameled steel, brass

H 16 x W 59 x D 13 3/4 inches.

$1,500 - 2,500

132 Charles McGee (AMERICAN, 1924-2021)

Whimsical Woman gouache on paper 11 5/8 x 8 1/2 inches.

Property from the Collection of Jean Sulkes, Chicago, Illinois

$3,000 - 5,000

Jules Wabbes (BELGIAN, 1919-1974)

Console Table

Mobler International, Belgium

wenge, enameled steel

H 29 1/2 x W 65 3/4 x D 19 3/4 inches.

$1,000 - 2,000

Kim Moltzer (DUTCH, 1938-2015)

Table Lamp

France, 1968 / 2004

anodized aluminum

H 23 1/4 x Diameter 15 inches.

$2,000 - 3,000

Edoardo Daniele Villa (SOUTH AFRICAN, 1915-2011) African Warrior, 2003 bronze inscribed E. Villa and dated 26 x 11 1/2 x 11 inches.

$1,500 - 2,500

136

Duilio (Dubè) Barnabè (ITALIAN, 1914-1961)

Natura morta (Still Life), c. 1953 oil on canvas signed Barnabè (lower right) 28 1/2 x 36 inches.

Provenance: R.S. Johnson Fine Art, Chicago $2,000 - 4,000

Clement Meadmore (AUSTRALIAN/AMERICAN, 1929-2005)

Switchback, 1980

bronze

inscised Meadmore, dated and numbered 6/6 27 x 15 x 9 inches.

$10,000 - 15,000

138

NYT,

Provenance:  Karma International, Zurich, Switzerland

$3,000 - 5,000

Carissa Rodriguez (FILIPINO/AMERICAN, B. 1970)

2014 cast from two types of Hawaiian volcanic salt 48 x 23 x 3/4 inches.

Acquired from the above by the present owner

Eloro Sofa, c. 2008

Cassina, Italy

upholstery, leather, lacquered ash manufacturer’s logo on the underside of the upholstery

H 32 x W 96 x D 36 inches.

$1,000 - 2,000

Rodolfo Dordoni (ITALIAN, B. 1954)

Table Lamp, c. 1970

Kovacs Lighting, USA

enameled steel, chrome-plated steel

H 30 x D 10 x W 10 inches.

$300 - 500

George Kovacs (AUSTRIAN, 1926 - 2007)

141 Stephen Greene (AMERICAN, 1917-1999) Orange, Blue, Green, 1996 oil on canvas signed Stephen Greene, dated and titled (verso) 36 x 32 inches.

$2,000 - 4,000

142

Neal Small (AMERICAN, B. 1937)

Slopes Mirror, c. 1990

Canada mirrored glass over lacquered wood frame with manufacturer’s plaque ‘Neal Small #10/15’ 44 x 55 1/2 inches.

$1,500 - 2,500

Provenance:

Oliver Kamm / 5 BE Gallery, New York

Exhibited:  New York, New York, Oliver Kamm / 5 BE Gallery, Sharon Louden: Hedge, October 11, 2007 - November 17, 2007

$1,000 - 2,000

143 Sharon Louden (AMERICAN, B. 1964)

Hedge and Hedge (A Pair of Works), 2007 luminous acrylic on paper each signed, titled and dated (verso) each 22 x 30 inches.

Collection of Four Architectural Lighting Elements Disderot, France

chrome-plated steel aluminum

H 11 x W 6 x D 6 1/4 inches.

$1,500 - 2,500

Alain Richard (FRENCH, 1926-2017)

Artifort, France-The Netherlands

upholstery, steel, plastic

H 30 1/4 x W 28 x D 22 inches.

$600 - 800

Pierre Paulin (FRENCH, 1927-2009)

Tulip Chair

Marc

1935-2022)

Ozoo Desk, c. 1967

D.A.N., France

molded fiberglass

H 28 1/4 x W 43 1/4 x D 28 1/4 inches.

$800 - 1,200

Berthier (FRENCH,

147

Aaron Young (AMERICAN, B. 1972) Landscape (Yellow), 2010 laminated glass with shredded tire rubber and epoxy resin 72 x 72 inches.

Provenance: Bortolami Gallery, New York Private Collection Sold: Sotheby’s New York, October 2, 2020, Lot 324 Acquired from the above sale $10,000 - 15,000

Mourning, 1982

lithograph in colors on Arches paper

initialed, dated, and numbered 40/50 in pencil 36 x 60 inches.

Publisher: Bernard Jacobson Ltd., London, England

$1,000 - 2,000

Howard Hodgkin (BRITISH, 1932-2017)

After Paul Evans

AMERICAN, 20TH CENTURY

Sculptural Side Table

welded and patinated steel

H 18 x W 21 1/2 x D 21 1/2 inches.

$800 - 1,200

Igael Tumarkin (ISRAELI, 1933-2021)

Untitled, 1959 mixed media on canvas signed Tumarkin (lower right); signed and dated (verso)  22 x 25 inches.

$3,000 - 5,000

Property from the Estate of Catherine Dollive Epstein

(ITALIAN, 1932-1991 | ITALIAN, B. 1935 | ITALIAN, B. 1936)

Onda Sofa

Zanotta, Italy

upholstery, chrome-plated steel

H 28 1/2 x W 75 x D 29 inches.

$1,000 - 2,000

Jonathan de Pas, Donato D’Urbino, and Paolo Lomazzi

Lino Sabattini (ITALIAN, 1925-2016)

Cesto Centerpiece Bowl silver-plated brass signed ‘Sabattini Made in Italy’ H 4 1/2 x W 13 x D 8 1/4 inches. $400 - 600

$1,000 - 2,000

Jonathan de Pas, Donato D’Urbino, and Paolo Lomazzi

(ITALIAN, 1932-1991 | ITALIAN, B. 1935 | ITALIAN, B. 1936)

Pair of Onda Lounge Chairs Zanotta, Italy

upholstery, chrome-plated steel with the manufacturer’s leather label to each example

H 27 1/2 x W 34 1/2 x 33 inches.

Macho Nne: Zuri Fufu, 2015 semi-matte photograph type paper with pigment ink, gloss diasec signed and numbered 50/100 in pen 30 x 24 1/2 inches.

Provenance:

Zeitz Museum of Contemporary Art, Cape Town, South Africa

$1,000 - 2,000

154 Cyrus Kabiru (KENYAN, B. 1984)

155

STIK (BRITISH, B. 1985)

Untitled (Drawing), 2014 ink on paper signed STIK (lower center) 3 1/4 x 3 1/4 inches.

$1,000 - 2,000

156

Untitled,

Provenance: Charles Cowles Gallery, New York

$2,000 - 3,000

Beatrice Caracciolo (ITALIAN, B. 1955)

2000 crayon and pigment on paper signed Beatrice Caracciolo and dated (verso) 17 1/4 x 17 1/4 inches.

Provenance:

$800

157 Laurie Reid (AMERICAN, B. 1964) Architecture 4, 2006 watercolor on paper signed L. Reid, titled and dated (verso) 13 x 19 inches.

Gallery Joe, Philadelphia, Pennsylvania

- 1,200

Arturo Pani

(MEXICAN, 1915-1981)

Prototype Throne Chair, c. 1965 Talleres Chacon, Mexico leather, enameled and gilt steel

H 43 x W 20 1/4 x D 21 inches.

$2,000 - 4,000

Arturo Pani (MEXICAN, 1915-1981)

Coffee Table, c. 1960

Talleres Chacon, Mexico bronze, glass, mirrored glass H 15 x Diameter 51 1/2 inches.

$2,000 - 3,000

160 Ibram Lassaw (AMERICAN, 1913-2003) Wander, 1967 ink on paper signed Ibram Lassaw and dated (lower right) 13 x 9 inches.

From the Collection of Joseph S. and Miriam T. Sample $1,000 - 2,000

Provenance:

Grace Borgenicht Gallery, New York

161 Jimmy Ernst (AMERICAN, 1920-1984) Personal Equation, 1950 gouache on canvas signed Jimmy Ernst and dated (lower right) 41 x 39 1/2 inches.

Property from the Collection of Dr. Benjamin Blackman, Chicago, Illinois

$2,000 - 4,000

Arturo Pani (MEXICAN, 1915-1981)

Set of Four Prototype Dining Chairs, c. 1965 Talleres Chacon, Mexico  enameled steel, acrylic H 41 x W 17 1/2 x D 24 inches.

Provenance: Manuel Chacon, Mexico City | Chic by Accident, Mexico City | Casa Bauhaus, Mexico City | Private Collection, Chicago

$3,000 - 4,000

163

Provenance: CTRL Gallery, Houston, Texas $800 - 1,200

Hedwige Jacobs (DUTCH, B. 1971)

Twin Pool, 2008 pencil and marker on paper initialed H. J. and dated (lower right); signed, titled and dated (verso) 17 1/4 x 10 3/4 inches.

Arturo Pani

(MEXICAN, 1915-1981)

Prototype Rocking Chair

Telleres Chacon, Mexico City steel, leather

H 36 x W 19 x D 37 inches.

$1,500 - 2,500

165

Mike Perry (AMERICAN, B. 1981)

Untitled, 2013 acrylic and gauche on canvas signed Mike Perry and dated (side) 53 x 42 inches.

$2,000 - 4,000

166

Laura Paulini (AMERICAN, B. 1963)

From the Center of the Square #6, 2007 gouache on paper signed Laura Paulini, titled and dated (verso) 21 x 21 inches.

Provenance: Josee Bienvenu Gallery, New York

$800 - 1,200

167

Yayoi Kusama (JAPANESE, B. 1929)

Pumpkin Naoshima, 2013 painted cast resin stamped Yayoi Kusama 4 1/2 x 3 1/2 inches.

$500 - 700

Published by Benesse Holding, Okayama-City, Japan.

Louis Kalff (DUTCH, 1897-1976)

Erwi Table Lamp Philips, Netherlands

enameled steel, brass, enameled aluminum manufacturer’s information impressed to the underside

H 18 1/2 x W 10 1/2 x D 12 1/2 inches.

$500 - 700

169

Hedwige Jacobs (DUTCH, B. 1971)

Open Pool, 2008 pencil and marker on paper initialed H. J. and dated (lower right); signed, titled and dated (verso)

19 x 23 1/2 inches.

Provenance:

CTRL Gallery, Houston, Texas

$800 - 1,200

170 Jorge Pardo (CUBAN/AMERICAN, B. 1963)

Penelope (Set of Twelve Subscription Lamps), 2003-2008 molded plastic, birch plywood, walnut, pressboard, laminate over plywood, chrome-plated steel, polyurethane foam, acrylic, plywood, stained pressboard dimensions variable; from an edition of 60

Provenance: Anna Lena Levy Productions, Paris Acquired from the above by the present owner

$5,000 - 7,000

171

Toshinobu Onosato (JAPANESE, 1912-1986)

Untitled, 1968 oil on canvas signed Onosato twice (English and Japanese) and dated (verso) 11 3/4 x 11 3/4 inches.

Provenance:

Yamada Art Gallery, Kyoto, Japan Acquired from the above in 1973

$7,000 - 9,000

172

Lounge Chair and Ottoman with Integrated Side Table Herman Miller, USA

upholstery, chrome-plated steel

Chair: 28 1/4 x W 39 1/2 X D 30 inches.

$1,500 - 2,500

George Nelson & Associates (AMERICAN, 1908-1986)

A Set of Six Prints, 1971 screenprints

each signed and numbered 110/125 in pencil

Each: 25 1/2 x 31 1/2 inches.

$1,000 - 2,000

173 Peter Stroud (BRITISH, 1921-2012)

Florence Knoll

(AMERICAN, 1917-2018)

175

Suzanne Caporael (AMERICAN, B. 1949)

Andes #3, 2001 gouache on paper signed Caporael and dated (lower right) 23 1/2 x 19 1/2 inches.

Provenance:

Douglas Udell Gallery, Edmonton, Canada

Sold: Leslie Hindman Auctioneers, December 11, 2011, Lot 62

Reyes Contemporary Art, Phoenix, Arizona

$1,500 - 2,500

Sol

LeWitt

(AMERICAN, 1928-2007)

Cube, 1979 painted aluminum incised Sol LeWitt, dated and numbered 8/35 11 x 11 x 11 inches.

Provenance:  Museum of Contemporary Art Men’s Council, Chicago

$15,000 - 25,000

177

Mario Minale (ITALIAN/GERMAN, B. 1973)

Red and Blue LEGO Chair Number 4 from an edition of 5 Droog, Netherlands, 2004 plastic over aluminum with manufacturer’s plaque

H 32 3/4 x W 26 1/4 x D 34 inches.

$6,000 - 8,000

178

Jesús Rafael Soto (VENEZUELAN, 1923-2005)

Screenprints A, B, C, D (from Jai-Alai) (Four Works), 1969

screenprints in color on Perspex each initialed and numbered 200/300 each 24 1/4 x 19 1/2 inches, or the reverse. Produced by Marlborough Graphics, New York.

$5,000 - 7,000

Vasa Velizar Mihich (YUGOSLAVIAN, B. 1933)

#1349 (A Group of Four Pillars), 1978 acrylic inscribed, titled and dated each 19 1/2 x 4 3/8 x 2 1/2 inches.

The Estate of Bernice Weissbourd, Evanston, Illinois

$1,500 - 2,500

180 Osvaldo Mariscotti

Provenance: Upsilon Gallery, New York $2,000 - 4,000

(AMERICAN, B. 1960) Untitled Black 15, 2015 oil and enamel on canvas signed Mariscotti and dated (verso) 24 x 24 inches.

Provenance:

181 Gene Davis (AMERICAN, 1920-1985) Night Sounds, 1979 acrylic on canvas signed Gene Davis, titled and dated (verso) 32 1/2 x 25 1/2 inches.

The Hang Up Gallery, Sarasota, Florida

$5,000 - 7,000

182 Isabelle de Borchgrave (BELGIAN, B. 1946)

Untitled (Swim Suit), 2014 mixed media on pleated paper signed Isabelle de Borchgrave and dated (lower right) 30 x 19 1/2 inches.

Property from the Collection of Jo Ann Cline Yates, Lookout Mountain, Tennessee $2,000 - 4,000

183 Jack Tworkov (AMERICAN, 1900-1982)

Knight Move Series (OP Q2-77 #2), 1977 oil on Arches sized with acrylic gesso signed Tworkov, titled, inscribed and dated (lower margin) 26 x 21 inches.

Property from a Private Art Collection

Provenance:

Estate of Jack Tworkov, New York

Nancy Hoffman, New York

Private collection, acquired from the above

Exhibited:

New York, Nancy Hoffman Gallery, Jack Tworkov: Works on Paper, 1933-1982, March 26 - April 28, 1982, no. 41 (also traveled to Charlotte, North Carolina, Mint Museum, June 20 - August 20, 1982), pp. 20, 22, illus.

This work is archived as No. 1068 in the catalogue raisonné project compiled and edited by Jason Andrew for the Estate of Jack Tworkov.

$2,000 - 4,000

184

Jan Hafstrom

(SWEDISH, B. 1937)

Magical Heat, 1984-86 acrylic on wood signed Jan Hafstrom and dated (verso) 51 x 10 x 5 1/2 inches.

Provenance:

Germans Van Eck Gallery, New York

$3,000 - 5,000

185

Theodoros Stamos (GREEK/AMERICAN, 1922-1997)

Infinty Field from Lefkada Series, c. 1977 gouache on paper

19 3/4 x 21 3/4 inches.

$5,000 - 7,000

Dominick Labino (AMERICAN, 1910-1987)

Sculpture (Emergence Series), 1978

blown glass

signed ‘Labino 11-1978’

H 7 1/2 x W 4 1/2 x D 2 1/2 inches.

$2,500 - 3,500

187

Sharon Horvath (AMERICAN, B. 1958)

Untitled and Untitled (A Pair of Works), 2003 pencil and ink with dispersion on paper each initialed S. H. (lower right)  each 5 3/4 x 5 3/4 inches.

Provenance: Victoria Munroe Fine Art, New York

$1,000 - 2,000

188

Alexander Liberman (AMERICAN, 1912-1999) Blue Spheres, 1966 acrylic and crayon on paper signed A Liberman and dated (lower right) 28 1/2 x 22 1/2 inches.

Property from a Private Art Collection

$1,000 - 2,000

189 Arthur Osver (AMERICAN, 1912-2006) El Capitan II, 1986 mixed media on canvas signed A. Osver (lower right); titled, signed and dated (verso) 35 x 25 3/4 inches. $4,000 - 6,000

190

The Love Child (AMERICAN/GRENADIAN, B. 1989)

Untitled, 2022 mixed media on paper signed The Love Child and dated (lower right); signed, dated and inscribed (verso) 30 1/4 x 22 1/4 inches. $5,000 - 7,000

192 Nicholas Howey (AMERICAN, B. 1948)

End of Sea and Oceanography (A Pair of Paintings), 2007 oil on canvas each signed Nicholas Howey, titled and dated (verso) each 50 x 42 inches.

Provenance: The Artist Purchased directly from the above by the present owner, 2007

$1,000 - 2,000 193 Henrik Eiben (GERMAN, B. 1975) o.T. (Blueyes), 2009 lacquer and watercolor on paper signed Henrik Eiben, titled and dated (verso) 11 7/16 x 7 7/8 inches.

$800 - 1,200

Pala, 1985

painted metal and wood

signed, dated and numbered 21/35

Height: 39 inches.

$800 - 1,200

194 Margaret Wharton (AMERICAN, 1943-2014)

195

Jordan Davies (AMERICAN, B. 1941)

Untitled, 1968 airbrushed acrylic on paper signed Jordan Davies and dated (lower right) 25 1/2 x 19 1/2 inches.

Provenance: The Collection of Phyllis Kind, Tannersville, New York Sold: JMW Auctions, May 19, 2012, Lot 169A

$1,000 - 2,000

196

Jordan Davies (AMERICAN, B. 1941)

Untitled, 1969 airbrushed acrylic on paper, b. 1941) signed Jordan Davies (lower right), titled and dated (lower left) 25 1/2 x 19 1/2 inches.

Provenance: The Collection of Phyllis Kind, Tannersville, New York Sold: JMW Auctions, May 19, 2012, Lot 169A

$1,000 - 2,000

197

Jordan Davies (AMERICAN, B. 1941)

Untitled, 1968 airbrushed acrylic on paper signed Jordan Davies and dated (lower right)  25 1/2 x 19 1/2 inches.

Provenance: The Collection of Phyllis Kind, Tannersville, New York Sold: JMW Auctions, May 19, 2012, Lot 169A

$1,000 - 2,000

198 Mark Peiser (AMERICAN, B. 1938)

First Light (InnerSpace Series), 1990 cast, cut and polished glass signed ‘ PEISER 15539 90’ H 7 1/2 x W 14 3/4 x D 3 1/4 inches

Provenance: Holsten, Palm Beach

$3,000 - 5,000

Mark Peiser (AMERICAN, B. 1938)

A Path Once Taken (InnerSpace Series), 1987 cast, cut and polished glass signed ‘PEISER 15346 87’ H 11 1/2 x W 6 1/4 x D 3 inches

Provenance:

Holsten, Palm Beach

$3,000 - 5,000

200 Mark Peiser (AMERICAN, B. 1938)

Morning Mist (InnerSpace Series), 1992 cast, cut and polished glass signed ‘ PEISER 156AB 92’

H 9 x W 23 x D 2 3/4 inches

$3,000 - 5,000

201 Jack Roth (AMERICAN, 1927-2004)

Awkward Gesture, 1976

acrylic on canvas

signed Roth, titled and dated, with the stamp of the Artist (verso) 66 x 62 inches.

Provenance:

Estate of the Artist

McCormick Gallery, Chicago, and Vallarino Fine Art, New York, acquired directly from the above

$5,000 - 7,000

Provenance:

202 Jack Roth  (AMERICAN, 1927-2004)

Untitled, 1979 acrylic on canvas signed Roth and dated, with the stamp of the Artist (verso) 46 x 55 inches.

Estate of the Artist McCormick Gallery, Chicago, and Vallarino Fine Art, New York, acquired directly from the above $4,000 - 6,000

Provenance:

Estate of the Artist

$5,000 - 7,000

203 Jack Roth  (AMERICAN, 1927-2004)

Dance to the Music of Spring, Montclair #21, 1981 acrylic on canvas signed Roth, titled and dated, with the stamp of the Artist (verso)

70 x 50 inches.

McCormick Gallery, Chicago, and Vallarino Fine Art, New York, acquired directly from the above

204

Glenn Kaino (AMERICAN. B. 1972)

Fishing with Morice, 2001 vacu-formed plastic, lacquer, metal on wood pedestal 17 x 4 1/2 x 2 1/2 inches.

Provenance: The Project, New York and Los Angeles

Acquired from the above in 2004

$4,000 - 6,000

205

Go Yayanagi

Windows

the

63

Property from The Floating World Gallery, Chicago, Illinois

Provenance: Chermayeff & Geismar, New York

Private Collection

Sold: Christie’s, July 17, 2013, Lot 39

Wolfgang Roth & Partners Fine Art, Miami, Florida

Sold: Palm Beach Modern, November 1, 2014, Lot 196

ExxonMobil Global Real Estate and Facilities, Dallas, Texas

$6,000 - 8,000

(JAPANESE, B. 1933)

of

Universe, 1969 acrylic on canvas signed Yayanagi and dated (lower right); signed, titled and dated (verso)

x 51 inches.

206

Shusaku Arakawa (JAPANESE, 1936-2010) Flash Gravity, 1977 color lithograph, screenprint and embossing on white wove paper signed, titled and dated in pencil 35 1/4 x 55 inches.

Property from a Private Art Collection $3,000 - 5,000

207

R. Buckminster Fuller (AMERICAN, 1895-1983)

Icosahedron Architectural Model, c. 1944 paper board

Diameter 11 inches.

This lot is located in Cincinnati.

$3,000 - 5,000

Ettore Sottsass (ITALIAN, 1917-2007)

Eastside Lounge Chair

Knoll, USA

leather, upholstery, chrome-plated steel, plastic with the manufacturer’s embroidered logo on underside of the upholstery

H 33 1/2 x W 31 1/2 x D 29 inches.

$600 - 800

209

Ernest Trova (AMERICAN, 1927-2009)

Three Men in Circles, 1968 oil on canvas

signed Ernest Tino Trova (verso)

68 1/4 x 68 1/4 inches.

Property from a Private Art Collection

Provenance:

The J.L. Hudson Gallery, Detroit

$2,000 - 4,000

Charles and Ray Eames (AMERICAN, 1907-1978 | AMERICAN, 1912-1988)

LCM, c. 2010

Herman Miller, USA

polychromed plywood, chrome-plated steel, rubber with manufacturer’s label

H 27 x W 22 x D 25 1/4 inches.

$300 - 500

212 Robert Lostutter (AMERICAN, B. 1939)

Untitled, 1972 watercolor on paper signed Lostutter and dated (lower center) 6 x 6 1/2 inches.

$1,500 - 2,500

Vladimir Kagan (GERMAN-AMERICAN, 1927-2016)

Matinee Sofa/Daybed and Ottoman American Leather Studios, USA leather over wood and foam

H 30 x W 88 x D 35 inches.

$2,000 - 4,000

Pissers

screenprint

signed, dated, and numbered 91/150 in pencil 28 x 28 inches.

$500 - 700

214 Cleon Peterson (AMERICAN, B. 1973)

II, 2018

Matinee Sofa/Daybed

American Leather Studios, USA leather over wood and foam

H 30 x W 88 x D 35 inches.

$2,000 - 4,000

Vladimir Kagan (GERMAN-AMERICAN, 1927-2016)

Charles and Ray Eames

(AMERICAN, 1907-1978 | AMERICAN, 1912-1988)

Set of Three LCM Chairs, c. 2010

Herman Miller, USA

plywood, chrome-plated steel, rubber, faux cow hide with manufacturer’s label

H 27 x W 22 x D 25 3/4 inches.

$800 - 1,200

Stick Shift, 1973

acrylic, metal, and wood assemblage on canvas signed Masami Teraoka and dated (verso)

48 x 69 x 3 inches.

Property from The Floating World Gallery, Chicago, Illinois This work is sold with a certificate of authenticity from the Artist.

Sold: Bonham’s California, October 5, 2015, Lot 5150

$8,000 - 12,000

217 Masami Teraoka (AMERICAN/JAPANESE, B. 1936)

218 William N. Copley (AMERICAN, 1919-1996)

Untitled (Drapeau de France), 1988 oil on linen

signed CPLY and dated (lower right) 44 x 40 inches.

Provenance:

Phyllis Kind Gallery, Chicago Private collection, acquired from the above in 1990

$30,000 - 50,000

219

Karl Wirsum (AMERICAN, 1939-2021)

Untitled (Study for Gillateen), 1966 mixed media on paper signed Karl Wirsum (lower left) and dated (lower right) 14 x 11 inches.

Provenance: Derek Eller Gallery, New York

$8,000 - 12,000

Executed in 1966, Karl Wirsum’s Untitled (Study for Gilateen) is a fully realized and inventive preliminary drawing in ink, ballpoint pen and colored pencil for his later 1968 painting Gilateen that was included in the final canonical Hairy Who exhibition at the Corcoran Gallery of Art at Dupont Center in Washington DC in 1969. The final version was significantly acquired out of the show by fellow Hairy Whoer Gladys Nilsson and remains in the collection of her and her husband, Jim Nutt, who was also an important member of the artistic band. The drawing presently on offer depicts a yellowskinned, orange-haired humanoid in profile, with a pink and blue muzzle apparatus about the mouth, a vibratory rainbow eyeball and a psychedelic-patterned hat fit for a lizard king, all with Wirsum’s hallmark graphic lines and high-key unmodulated colors. The figure, while handling a small, green-stemmed pink pipe packed with green and pink embers that appear wackier than your run-of-the-mill tobacco, is buffeted by stylized yellow and black clouds of smoke echoing his silhouette.

The title of the work is a clever portmanteau of a gila monster and teenager—a play on words forming a slangy homophone for the beheading device made infamous during the French Revolution, the guillotine. During this era of his work and beyond, Wirsum often drew inspiration from the monster movies of his youth, as is seen in his contemporaneous Conrad Veidt series. For this drawing, it is likely that the 1957 film I Was a Teenage Werewolf is being referenced. Meanwhile, the final Gilateen (1968) ended up with a more reptilian edge, something of a more colorful juvenile creature from the black lagoon, with scales, gills and all furthering the link to the monster matinees that so fascinated the artist.

Wirsum was notoriously a health nut and a staunch advocate of clean living; so, it is not a stretch to surmise that the drawing was a tongue-in-muzzle warning to the counterculture youth of the day about the dissociative dangers of cannabis consumption that could leave one feeling like their head had been cut off from their body: a temporary self inflicted guillotining. From a process standpoint, it is worth noting that drawing was a daily exercise for Wirsum and was his preferred form of expression where he felt most connected to the creative force and was free to be his most imaginative—features superbly on display in this stellar example. Wirsum was clearly fully in control of all his faculties when producing this dynamic and energic drawing— his head firmly on his shoulders

Gilateen, 1968 Oil on canvas 24½ × 21½ inches.

220

Karl Wirsum (AMERICAN, 1939-2021)

Lambs Cloth Muscle Toppsie From the Land of the Silly Forgottens, c. 1987 colored pencil on board titled (verso) 22 1/2 x 13 1/2 inches.

Provenance: Derek Eller Gallery, New York

Exhibited:  New York, New York, Derek Eller Gallery, Unmixedly at Ease: 50 Years of Drawing, October 11 - November 10, 2019

Literature: Merrily Kerr, Karl Wirsum at Derek Eller Gallery, New York Art Tours, New York, November 4, 2019, illus.

$10,000 - 15,000

221

Hollis Sigler (AMERICAN, 1948-2001)

When You Least Expect It, 1986 hand-colored three-dimensional lithograph in Plexiglas box titled in ink; signed, dated, and numbered 8/35 in pencil

13 x 16 3/8 x 8 1/4 inches.

$500 - 700

Mountain Time, 1981 color lithograph with inserts and hand-coloring signed, dated, and numbered 50/65 in white colored pencil

30 x 22 1/2 inches.

Property from a Private Art Collection

$500 - 700

222 Red Grooms (AMERICAN, B. 1937)

223 Bruce Porter (AMERICAN, B. 1948)

Twist from Double-Redouble Series, 1979 oil on canvas signed B. Porter, titled and dated (verso) 66 1/2 x 54 1/4 inches.

Property from a Private Art Collection $1,000 - 2,000

hand-blown glass murrine

signed ‘Stephen Powell AJ 1994’

H 37 x W 25 1/2 x D 6 1/2 inches.

$8,000 - 12,000

Stephen Rolfe Powell (AMERICAN, 1951-2019)

Mendacious Guppy Johnson (Teasers Series), 1994

Untitled, c. 1968

oil on canvas

71 3/4 x 90 inches.

Provenance:

The Hirshorn Museum and Sculpture Garden, Washington, D.C.

Sold: Christie’s New York, June 30 - July 1, 2009, Lot 55

Private Collection, New Jersey

$5,000 - 7,000

225 Gregorio Prestopino (AMERICAN, 1907-1984)

226 Byron Galvez (AMERICAN, 1941-2009) The Mexican, 1977 oil on canvas signed Byron and dated (lower right) 47 1/4 x 51 inches.

Property from the Collection of Pamela and Brian McIver, Palm Beach, Florida $5,000 - 7,000

Lino Tagliapietra (ITALIAN, B. 1934)

Pilchuck Goblet, 1995 blown glass signed ‘Lino Tagliapietra 95’ H 9 x Diameter 3 1/4 inches

$1,000 - 2,000

228 Richard Hull (AMERICAN, B. 1955)

Untitled, 1989 oil and beeswax on canvas

signed Richard Hull and dated (verso)

76 1/2 x 48 inches.

$2,000 - 4,000

229

Richard Hull and Phyllis Bramson (AMERICAN, 20TH CENTURY)

Carlton Fisk and Britt Burns, 1985 (A Pair of Works) color pencil on paper

Britt Burns initialed P.B. (lower right) each: 11 x 8 1/2 inches.

Provenance:

Sold: Leslie Hindman on behalf of the White Sox at Comiskey Park, August 24, 1985, Lots 4 (Bramson) and 7 (Hull)

Literature:

The “Ren” Collection, Sports Illustrated, New York, November 18, 1985, pp. 107, illus. (Hull)

Lot Note:

The 1985 Chicago Renaissance Society White Sox Set of baseball trading cards was created in honor of the 75th anniversary of Comiskey Park and the 70th anniversary of The Renaissance Society at the University of Chicago. Local artists created a total of 18 portraits featuring White Sox players and their manager, Tony LaRussa. These were then produced into sets of limitededition baseball cards, and the original works were auctioned to benefit The Renaissance Society.

$500 - 700

Provenance:

Washburn Gallery, New York

Mr. and Mrs. Barney A. Ebsworth, St. Louis

Exhibited:

Washington, D.C., Corcoran Gallery of Art, The 40th Biennial of American Contemporary Painting, April 11 - June 21, 1987, cat. 28.

Literature:  Jeanne Silverthorne, Bill Jensen, Washburn Gallery, ArtForum, Summer 1986, pp. 121

$1,500 - 2,500

230

Bill Jensen (AMERICAN, B. 1945) Ancestors, 1984-85 oil on canvas signed Bill Jensen, titled and dated (verso) 21 x 16 inches.

Ruby Square, 1996

hand-blown glass, glass threads

signed ‘F Perkins 1996’

H 10 3/4 x W 11 1/2 x D 10 inches

Provenance: Pismo, Denver

$3,000 - 4,000

231 Flo Perkins (AMERICAN, B. 1951 )

Provenance:

232 Jim Lutes (AMERICAN, B. 1955) Home Before, 1992 acrylic on linen labeled with Lutes Studio stamp (verso)  48 x 36 inches.

McCormick Gallery, Chicago $10,000 - 15,000

Dale Chihuly (AMERICAN, B. 1941)

Blue Seaform Persian Basket with Amber Body Wrap, 1997 Portland Press Editions, USA

blown glass

signed ‘PP 97’

H 8 3/4 x Diameter 8 1/2 inches.

$3,000 - 5,000

Untitled, 2011-2012

mixed media on canvas 118 x 78 1/2 inches.

Property from Linden House, Indianapolis, Indiana

Provenance: Library Street Collective, Detroit, Michigan

$3,000 - 5,000

234 SMASH 137 (SWISS, B. 1979)

235 Kaisa Melanton (SWEDEN, 1920-2012)

The Tile Stove, 1966-67 textile collage with fabric, plastic, fiberglass, and paint on paper 36 1/2 x 16 3/4 inches.

$800 - 1,200

236 Alfred Leslie (AMERICAN, 1927-2023) Abstract, 1951 oil and paper collage on canvas 42 3/4 x 39 1/4 inches.

$20,000 - 40,000

Stephen Pace (AMERICAN, 1918-2010)

Untitled (#58-A3), 1958

oil on canvas

signed Pace and dated (lower right); signed and titled (verso)  50 x 64 inches.

Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields

Provenance:

Howard Wise Gallery, New York and Cleveland, Ohio

Columbus Gallery of Fine Arts, Columbus, Ohio Berry Campbell Gallery, New York

$6,000 - 8,000

237

John Littleton and Kate Vogel (AMERICAN, B. 1957 | AMERICAN B. 1956)

Untitled (Acro Bag Series), 1996 hand-blown and acid-etched glass signed ‘John Littleton Kate Vogel 1996’ H 17 x W 11 x D 6 1/2 inches.

$1,500 - 2,500

239 John

Space Odyssey, 1970-71 oil on canvas signed John Little and dated (lower left); signed, dated and titled (verso) 95 x 76.5 inches.

Provenance: Estate of the Artist

McCormick Gallery, Chicago, and Vallarino Fine Art, New York, acquired directly from the above

Exhibited: Chicago, McCormick Gallery in collaboration with Vallarino Fine Art, New York, Space Odyssey: The Work of John Little 1907-1984, September 5 - October 18, 2014

$8,000 - 12,000

Little  (AMERICAN, 1907-1984)

240 John Little  (AMERICAN, 1907-1984) Vertical, 1976 oil on canvas signed John Little and dated (lower right); signed, titled and dated (verso) 92 x 34 inches.

Provenance: Estate of the Artist McCormick Gallery, Chicago, and Vallarino Fine Art, New York, acquired directly from the above

$6,000 - 8,000

51

Provenance: Estate of the Artist McCormick Gallery, Chicago, and Vallarino Fine Art, New York, acquired directly from the above

$5,000 - 7,000

241 John Little  (AMERICAN, 1907-1984) Double Play, 1963 oil on canvas signed John Little and dated (lower left); signed, dated and titled (verso)

1/4 x 36 inches.

Cactus, 2000 hand-blown glass, glass threads signed ‘F Perkins 2000’

H 13 x W 7 x D 9 inches

Provenance: Portia

$4,000 - 6,000

242

Flo Perkins (AMERICAN, B. 1951)

243 Edward Avedisian (AMERICAN, 1936-2007) Cuchina, 1973 acrylic on rag paper 41 1/2 x 52 inches.

Property from a Private Art Collection $1,000 - 2,000

Property

Provenance:

André Emmerich Gallery, New York

$1,000 - 2,000

244 Philip Wofford (AMERICAN, B. 1935)

Kid Broccoli, 1973 acrylic on canvas signed Philip Wofford, titled and dated (verso) 72 x 72 inches.

from a Private Art Collection

245 K.M. Graham (CANADIAN, 1913-2008) Persian Blue, 1978 acrylic on canvas signed and dated (lower right); signed, titled and dated (verso) 60 x 80 inches.

Property from a Private Art Collection $1,000 - 2,000

246

Dale Chihuly (AMERICAN, B. 1941)

Sunset Macchia, 2005 Portland Press, USA

hand-blown glass signed ‘Chihuly PP 05’

H 7 1/2 x Diameter 6 1/2 inches.

Property from the Estate of Harry M. Cornell, Jr. $2,000 - 3,000

Note to the buyer: This work is currently being stored at the Hindman West Palm Beach office. The shipment of the work from West Palm Beach will be at the buyer’s expense.

$500 - 700

247 Chisolm (AMERICAN, B. 1971) Layers in Time (Spring), 2012 acrylic, plastic and epoxy resin on canvas signed Chisolm (lower right); signed, titled and dated (verso) 24 x 18 inches.

248 Alberto Dona (ITALIAN, B. 1944)

Vase, c. 2002 blown glass signed ‘Alberto Dona 2002’ H 17 x Diameter 8 1/2 inches.

Property from the Estate of Harry M. Cornell, Jr. $700 - 900

The Carluccio Picture: The Needle and the Thread, 1982 oil on canvas signed I. Petlin, dated and inscribed (verso) 47 1/4 x 63 inches.

Provenance:

Marlborough Gallery, New York and London Kent Fine Art, New York

Harcus Gallery, Boston Simms Fine Art Gallery, New Orleans

Exhibited:

London, England, Marlborough Gallery, Irving

Petlin: Recent Paintings and Pastels, October 13November 6, 1982, no. 12, pp. 6 and 12, illus.  New York, New York, Marlborough Gallery, Irving

Petlin: Recent Paintings and Pastels, March 8 - 31, 1984, pp. 7, illus.

Sold: Stair Galleries, January 18, 2013, Lot 681

$3,000 - 5,000

249 Irvin Petlin (AMERICAN, 1934-2018)

250 Ray Ciarrochi (AMERICAN, B. 1933) Beach Grasses, 1972 oil on canvas signed Ciarrochi (lower right); signed and titled (verso) 60 1/4 x 78 1/2 inches.

Property from a Private Art Collection $1,000 - 2,000

251

Bror Julius Olsson Nordfeldt (SWEDISH/AMERICAN, 1878-1955)

Coastline watercolor and graphite on paper signed Nordfeldt (lower right)

8 1/8 x 11 inches.

Provenance:

Owings-Dewey Fine Art, Santa Fe, New Mexico

Exhibited:  Santa Fe, New Mexico, Owings-Dewey Fine Art, Small Oils, Watercolors & Pastels, March 19 - May 21, 1999

$1,000 - 2,000

252

Bror Julius Olsson Nordfeldt (SWEDISH/AMERICAN, 1878-1955)

Seaweed Fort Bragg Calif, 1953 watercolor on paper signed B. J. O. Nordfeldt, titled and dated (center bottom edge)

8 3/4 x 11 1/4 inches.

Provenance:

Owings-Dewey Fine Art, Santa Fe, New Mexico

$1,000 - 2,000

253 Darryl Hughto (AMERICAN, B. 1943)

Only, 1972 acrylic on canvas signed D. Hughto, titled and dated (verso) 75 x 32 inches.

Property from a Private Art Collection $1,000 - 2,000

254 Darryl Hughto (AMERICAN, B. 1943) White William, 1972 acrylic on canvas signed D. Hughto, titled and dated (verso) 60 x 19 1/2 inches.

Property from a Private Art Collection

$1,000 - 2,000

255 Paolo Venini (ITALIAN, 1895-1959)

Two Inciso Bottles Venini, Italy blown and carved glass signed with three-line acid stamp ‘Venini Murano Italia’ Tallest: H 10 3/4 x W 4 3/4 x D 3 1/2 inches. $800 - 1,200

256

Darryl Hughto (AMERICAN, B. 1943) Engagement Ring, 1976 mixed media on canvas signed D. Hughto, titled and dated (verso) 79 1/2 x 79 1/2 inches.

Property from a Private Art Collection

Provenance: Tibor de Nagy Gallery, New York

$1,000 - 2,000

257

Richard Tuttle (AMERICAN, B. 1941)

Circle of Various Colors, 1971

watercolor and graphite

18 1/2 x 23 1/2 inches.

Property from the Collections of Webster University, Sold to Benefit the Student Experience

$5,000 - 7,000

258

Dale Chihuly (AMERICAN, B. 1941)

Six Piece Pink Seaform Set with Blue Lip Wrap, 1993 blown glass signed ‘Chihuly 93’

Tallest: H 9 x W 17 1/4 x D 9 inches.

$5,000 - 7,000

259 William Weege (AMERICAN, 1935-2020)

Heavenly Bodies, 1976 mixed media on rice paper signed Weege and dated (lower right) 24 3/4 x 38 inches.

Property from a Private Art Collection $1,000 - 2,000

Toots Zynsky (AMERICAN, B. 1951)

Untitled #11 Vessel, c. 1993 filet de verre fused and thermo-formed glass threads signed with fused-glass ‘Z’

H 5 x W 17 x D 7 1/4 inches

$6,000 - 8,000

261 William Weege (AMERICAN, 1935-2020)

Barneveld String Symphony, 1977 layered cast paper, string, and liquitex signed Weege and dated (lower right) 35 1/2 x 30 1/2 inches.

Property from a Private Art Collection $1,000 - 2,000

263 Alan Shields (AMERICAN, 1944-2005)

Trade Route (Roman), 1985 mixed media collage on paper signed, dated, and numbered 6/20 in pencil Diameter 47 inches.

Property from a Private Art Collection $1,000 - 2,000

264 Tony King (AMERICAN, B. 1944)

Map: Spirit of 76, 1972

acrylic and newspaper on canvas

signed T. King, titled and dated (verso) 84 x 96 inches.

Property from a Private Art Collection

Literature:

Otto G. Ocvirk, Art Fundamentals: Theory and Practice, 12th Edition, McGraw-Hill, New York, 2013, pp. 251, illus.

$2,000 - 3,000

265 REVOK (AMERICAN, B. 1977)

1262 Noble, 2012 oil,

and acrylic on found

assemblage signed and dated (verso) 48 x 48 inches.

Property from Linden House, Indianapolis, Indiana

Provenance: Library Street Collective, Detroit, Michigan

$5,000 - 7,000

enamel

material

Preben Dal (1929-1980)

Symfoni Pendant Lamp, 1960

Hans Folsgaard, Denmark

enameled steel with manufacturer’s labels  H 14 x Diameter 13 inches.

$700 - 900

267 Curtis Jere

LATE 20TH CENTURY Mirror, 1985 brass, mirrored glass signed ‘C Jere 1985’ H 24 x W 24 x 3 1/2 inches.

$500 - 700

268 George Rickey (AMERICAN, 1907-2002)

Space Churn within Squares, Variation II, 1971

stainless steel

inscribed George Rickey and dated; edition 1/3 49 1/4 x 24 inches.

Property from a Private St. Louis Collection

Provenance:

Acquired directly from the Artist in 1971

$30,000 - 50,000

269

Ibram Lassaw (AMERICAN, 1913-2003)

Trinacria, 1982 brass, nickel, silver and silicon bronze incised Lassaw, titled and dated 14 3/4 x 16 x 11 inches.

From the Collection of Joseph S. and Miriam T. Sample

$6,000 - 8,000

270 Ibram Lassaw (AMERICAN, 1913-2003)

Spaceloom XVIII, 1978 gold plated bronze incised Lassaw, titled and dated 7 1/4 x 10 1/2 x 9 inches.

From the Collection of Joseph S. and Miriam T. Sample

Provenance:

Harmon-Meek Gallery, Naples, Florida

Purchased from the above by the present owner, 1987

$5,000 - 7,000

271 Sergio Asti (ITALIAN, 1926-2021)

Two Flower Vases

Gabbianelli, Italy

glazed porcelain

signed

Tallest: H 9 1/2 x W 10 x D 4 inches.

$800 - 1,200

Philip and Kelvin LaVerne (AMERICAN, 1907-1987 | AMERICAN, B. 1937)

Low Table/Coffee Table

LaVerne Collection, USA  etched, patinated, and polychromed bronze, pewter raised signature to top in metalwork and manufacturer’s label to underside H 17 x W 40 x D 30 inches.

$1,500 - 2,500

Arnaldo Pomodoro (ITALIAN, B. 1926)

Rilievo, 1982 bronze, wood, and iron signed Arnaldo Pomodoro and numbered 4/9 5 x 5 inches.

Property from the Estate of Catherine Dollive Epstein

This work is from an edition of 9 plus 3 artist’s proof. It is recorded in the Archivio Fondazione Arnaldo Pomodoro under number AP 463.

Literature:

Flaminio Gualdoni, Arnaldo Pomodoro. Catalogo ragionato della scultura, Milan, 2007, no. 700, p. 625 (another cast illustrated)

$2,000 - 4,000

274 Jane Couch (AMERICAN, B. 1944)

Naples Yellow, 1977 oil on canvas

signed Couch, titled and dated (verso) 66 x 99 1/2 inches.

Property from a Private Art Collection

$1,000 - 2,000

275

Kaisa Melanton (SWEDEN, 1920-2012)

Prototype Wall Textile, 1994 Handarbetes Vänner, Sweden fiber 25 x 52 inches.

$600 - 800

276 Harvey K. Littleton (1922-2013) Trial II, 1975 from an edition of 50 vitreograph on paper signed ‘Trial II, 1975 ed / 50 Harvey K Littleton’ 20 x 16 inches.

$800 - 1,200

277 Kaisa Melanton (SWEDEN, 1920-2012) The Green, 1967 textile with fiberglass, plastic, and felt

60 x 43 1/2 inches.

$800 - 1,200

Provenance:

278 Robert Kipniss (AMERICAN, B. 1931)

Across Field oil on canvas signed Kipniss (lower right); inscribed and signed (verso)  14 x 10 inches.

Merrill Chase Galleries, Chicago

$1,500 - 2,500

279 George Nick (AMERICAN, B. 1927)

Newburyport from the River, 1977 oil on canvas 40 x 60 inches.

Property from a Private Art Collection

Provenance:

Tibor de Nagy Gallery, New York $1,000 - 2,000

Mt. Amiata (from Pienza) oil on canvas signed Mitchell Johnson (lower left); signed and titled (verso) 37 3/4 x 43 3/4 inches.

Provenance: The Artist

Purchased directly from the above by the current owner, 1998 $3,000 - 5,000

280 Mitchell Johnson (AMERICAN, B. 1964)

281

Kaisa Melanton (SWEDEN, 1920-2012)

Toward the Pyramid, 1995 woven and embroidered wall textile signed  67 x 39 inches

$1,000 - 2,000

Property

Provenance: David

282 Gabriel Godard (FRENCH, B. 1933) Pyrenees, 1968 oil on canvas signed G. Godard and dated (lower left) 59 x 59 inches.

from a Private Art Collection

B. Findlay Galleries, New York $2,000 - 4,000

283 Red Grooms (AMERICAN, B. 1937)

Tortola, 1981 watercolor on paper signed Red Grooms (upper right), titled and dated (upper left) 23 3/4 x 18 inches.

From the Collection of Joseph S. and Miriam T. Sample $1,000 - 2,000

A Pair of Works, 1976 and 1977 watercolor on paper each signed Sharpe and dated (lower right)

Largest: 26 1/2 x 48 1/2 inches.

Property from a Private Art Collection

$1,500 - 2,500

284 David Sharpe (AMERICAN, B. 1944)

Provenance:

285 Sarah Burnham Mertz (AMERICAN, B. 1939)

Zion I, 1978 oil on canvas signed Mertz and dated (lower right); signed and titled (verso)  38 x 40 inches.

McCormick Gallery, Chicago $500 - 700

286

Joseph Yoakum (AMERICAN, 1886-1972)

yellow stone national mountain Wyoming, c. 1968 felt tip marker on paper titled (lower left) 7 x 10 1/4 inches.

Property from the Collection of Jena Sher, Brookfield, Wisconsin

Provenance:

Sold: Slotin Folk Art Auction, May 1, 2005, Lot 167 Karol Howard and George Morton, Plano, Texas Kevin Koch, Brookfield, Wisconsin

$5,000 - 7,000

287

William T. Wiley (AMERICAN, 1937-2021)

O.T.P.A.G. Fishing, 1978 soft-ground etching on paper signed, dated and numbered 3/10 in pencil 21 1/2 x 28 inches.

Property from a Private Art Collection

$600 - 800

288

Claes Oldenburg (AMERICAN, 1929-2022)

Ice Cream Desserts C, 1976 etching and aquatint initialed, dated, numbered 46/50 in crayon 13 1/2 x 21 inches.

Property from a Private Art Collection

$600 - 800

wool, mahogany with manufacturer’s label

H 31 x W 100 x D 37 inches.

$2,000 - 3,000

Edward Wormley (AMERICAN, 1907-1995)

Sofa, c. 1945 Dunbar, USA

290 Tom Otterness

AMERICAN, B. 1952)

Mama Bear, 2010 ceramic cookie jar signed Tom Otterness, stamped with signature and dated 12 1/2 x 9 1/2 x 9 1/2 inches.

Produced by CerealArt Projects, Philadelphia, Pennsylvania.

$500 - 700

291 John Kearney (AMERICAN, 1924-2014)

Untitled, 2003 ostrich eggshell, ink, steel signed Kearney and inscribed Height: 21 1/2 inches.

$1,000 - 2,000

Edward Wormley (AMERICAN, 1907-1995) Settee, model 253 Dunbar, USA upholstery, lacquered mahogany

H 28 x W 46 x D 32 inches.

$1,000 - 2,000

KAWS (AMERICAN, B. 1974)

Companion Grey Colorway, 2016 vinyl stamped Height: 11 inches.

Published by Medicom Japan in conjunction with the exhibition, KAWS: Where The End Starts at the Modern Art Museum of Fort Worth, Texas, October 20, 2016 - January 22, 2017.

$500 - 700

(AMERICAN, B. 1974)

Companion Black Colorway, 2016 vinyl stamped

Height: 11 inches.

Published by Medicom Japan in conjunction with the exhibition, KAWS: Where The End Starts at the Modern Art Museum of Fort Worth, Texas, October 20, 2016 - January 22, 2017.

$500 - 700

Provenance:

295 Charles Lutz (AMERICAN, B. 1982) Red Skull, 2007 acrylic and silkscreen on canvas signed Charles Lutz, titled, dated and stamped Andy Warhol Art DENIED (verso) 15 x 18 3/4 inches.

C24 Gallery, New York, 2012

$3,000 - 5,000

296

Jean de Botton (FRENCH, 1898-1978)

Element Marins, 1966 oil on canvas signed Jean de Botton (lower left); signed, titled and dated (verso) 17 1/4 x 29 inches.

From the Collection of Joseph S. and Miriam T. Sample

Provenance: The Naples Art Gallery, Naples, Florida

Acquired from the above by the current owner, 1982

$1,500 - 2,500

297 Ed Paschke (AMERICAN, 1939-2004) Chuletas, 1985 lithograph signed, titled and numbered 72/80 in pencil 28 x 36 1/2 inches.

Literature: Alan G. Artner, Art Notes, The Chicago Tribune, Chicago, January 3, 1986

$1,000 - 2,000

Dining Table

Dunbar, USA

walnut, teak with manufacturer’s label

H 29 x W 65 1/2 x D 44 inches, closed.

$1,000 - 1,500

Edward Wormley (AMERICAN, 1907-1995)

299

Freeman,

etching and aquatint signed, titled, dated and numbered 20/30 in pencil 11 x 14 inches.

Sold: Rago Auctions, October 13, 2021, Lot 318

$800 - 1,200

Ed Paschke  (AMERICAN, 1939-2004)

1997

300 Paul McCobb (AMERICAN, 1917-1969)

Perimeter Group Dresser Winchendon Furniture Co., USA maple, rosewood, aluminum with manufacturer’s label H 29 1/2 x 38 x D 18 inches.

$600 - 800

301 Don Baum (AMERICAN, 1922-2008)

The Parrot Who Met Papa, 1972 stuffed parrot, metal cage, wood, paper Height: 17 inches.

Literature: Ray Bradbury, The Parrot Who Met Papa, Playboy Magazine, January 1, 1972, pp. 93, illus.

Created by the Artist to illustrate the story above.

$2,000 - 4,000

Karla Walter (AMERICAN, B. 1953)

Gluttony, 2014 glazed ceramic with mixed media signed K. Walter and numbered 39 10 x 13 x 4 inches.

$500 - 700

303 Lee Godie (AMERICAN, 1908-1994)

Chicago (Birds) double-sided ink and watercolor on unstuffed pillowcase signed Lee Godie (lower left) and titled (upper left); signed and titled (verso) 15 1/2 x 9 1/2 inches.

Property from the Collection of Mrs. Bonnie Blank, Elgin, Illinois

Provenance: The Artist Estate of Lee Godie

Thence by descent to the present owner, the Artist’s daughter

$1,000 - 2,000

MID 20TH CENTURY

Drop-Arm Sofa and Lounge Chair, c. 1960

H.T. Cushman Manufacturing Company

stained cherry, shearling upholstery

H 34 x W 95 x D 36 inches.

$2,000 - 4,000

304

Herman DeVries

Provenance: The

305 Lee Godie (AMERICAN, 1908-1994) Chicago We Own It (Figure with Self Portrait) ink, watercolor and collage on canvas signed Lee Godie and titled (center left) 17 1/2 x 19 3/4 inches.

Property from the Collection of Mrs. Bonnie Blank, Elgin, Illinois

Artist Estate of Lee Godie

Thence by descent to the present owner, the Artist’s daughter

$3,000 - 5,000

306 Lee Godie (AMERICAN, 1908-1994)

Untitled (Woman) ink, crayon and watercolor on canvas signed Lee Godie (lower left) 19 x 17 1/4 inches.

Property from the Collection of Mrs. Bonnie Blank, Elgin, Illinois

Provenance: The Artist Estate of Lee Godie

Thence by descent to the present owner, the Artist’s daughter

$1,000 - 2,000

Founders, USA

H 40 1/2 x W 36 x D 18 inches.

$1,000 - 2,000

307 Jack Cartwright

Pair of Dressers

308 Lee Godie (AMERICAN, 1908-1994)

Figures ink and watercolor on cardboard signed Lee Godie (upper right); signed, titled, and inscribed (verso) 16 1/2 x 10 1/2 inches.

Property from the Collection of Mrs. Bonnie Blank, Elgin, Illinois

Provenance: The Artist

Estate of Lee Godie

Thence by descent to the present owner, the Artist’s daughter

$1,000 - 2,000

309 Lee Godie (AMERICAN, 1908-1994)

Pray ink and collage on cardboard signed Lee Godie (lower left) and titled (upper left) 13 1/2 x 11 inches.

Property from the Collection of Mrs. Bonnie Blank, Elgin, Illinois

Provenance: The Artist

Estate of Lee Godie

Thence by descent to the present owner, the Artist’s daughter $1,000 - 2,000

310

Mark Tobey (AMERICAN, 1890-1976)

Untitled (Head), 1969

tempera and colored ink on paper signed Tobey and dated (verso) 3 3/4 x 2 1/2 inches.

Property from the Estate of Catherine Dollive Epstein

Provenance:   M. Knoedler & Co., Inc., New York

Exhibited:  New York, M. Knoedler & Co., Inc., Mark Tobey, April 10 - May 1, 1976

$3,000 - 5,000

311

Jorélus Joseph (HAITIAN, 1939-2009)

Untitled acrylic on canvas signed Jorélus Joseph (lower left) 30 x 24 inches.

$1,000 - 2,000

walnut with manufacturer’s plaque

H 34 x W 21 3/4 x D 24 inches.

$1,000 - 1,500

312 Michael Taylor (AMERICAN, 1927-1986)

Set of Four Klismos Arm Chairs Baker, USA

313

After Milo Baughman

AMERICAN, MID 20TH CENTURY

Cloud Chaise Lounge upholstery, wood H 28 1/2 x W 60 x D 55 inches.

$1,000 - 2,000

Provenance:

314 Raul Anguiano (MEXICAN, 1915-2006)

Portrait of a Woman in Green, 1966 oil on board signed R. Anguiano and dated (lower right) 25 x 19 1/4 inches.

B. Lewin Galleries, Beverly Hills, California $3,000 - 5,000

MID 20TH CENTURY

Lounge Chair and Ottoman, c. 1960

H.T. Cushman Manufacturing Company stained cherry, shearling upholstery with manufacturer’s label

H 31 x W 33 1/2 x D 38 inches.

$1,000 - 2,000

315 Herman DeVries

Provenance:

316 Raul Anguiano (MEXICAN, 1915-2006)

Muchacha Amigo, Oaxaca, 1973 pastel and charcoal on paper signed R. Anguiano and dated (lower right) 22 1/2 x 34 inches.

B. Lewin Galleries, Beverly Hills, California

$1,500 - 2,500

318 Gustavo Montoya (MEXICAN, 1905-2003)

Untitled (Woman in a Hammock) charcoal on paper 14 x 10 inches.

$800 - 1,200

upholstery, mahogany

H 28 x W 90 1/2 x D 32 inches.

$2,000 - 3,000

319 Edward Wormley (AMERICAN, 1907-1995)

Sofa, model 5138 Dunbar, USA

Woman with Birdcage, 1986 oil on burlap

signed Heidacker and dated (lower right); signed, titled and dated (verso) 51 1/2 x 55 inches.

Provenance: Roger Ramsey Gallery, Chicago

$800 - 1,200

320 Stephanus Heidacker (GERMAN, B. 1959)

Knoll Associates, USA

walnut, , chrome-plated steel

H 36 1/2 x W 36 x D 19 1/2 inches.

$1,000 - 1,500

321 Florence Knoll

(AMERICAN, 1917-2018)

Cabinet, c. 1965

Pair of Cabinets, model 323-2, c. 1965 Knoll Associates, USA walnut, chrome-plated steel

Each: H 36 1/2 x W 36 x D 19 1/2 inches.

$2,000 - 3,000

322 Florence Knoll (AMERICAN, 1917-2018)

323 Robert Bliss (AMERICAN, 1925-1981)

Untitled (Beach Scene with Male Figure), 1970 oil on masonite signed Bliss and dated (lower right) 23 1/2 x 35 1/4 inches. $3,000 - 5,000

324 Marc Sijan (AMERICAN, B. 1946)

Bathing Beauty polyester resin with cards bearing the stamp of the studio of the Artist  Height: 65 inches.

$5,000 - 7,000

325

Yoshitomo Nara (JAPANESE, B. 1959)

Too Young To Die, 2002 ceramic ashtray signed, titled and stamped with copyright and date Diameter: 10 inches.

Produced by CerealArt Projects, Philadelphia, Pennsylvania.

Note to the buyer: This work is currently being stored at the Hindman West Palm Beach office. The shipment of the work from West Palm Beach will be at the buyer’s expense.

$700 - 900

Artist Index

ARTIST NAME LOT

Glossary of Terms

ADRIAEN JANSZ VAN OSTADE

This work, in our best opinion, is by the named artist.

ATTRIBUTED TO ADRIAEN JANSZ VAN OSTADE

To our best judgment, this work is likely to be by the artist, but with less certainty as in the aforementioned category.

STUDIO OF ADRIAEN JANSZ VAN OSTADE

To our best judgment, this unsigned work may or may not have been created under the direction of the artist.

CIRCLE OF ADRIAEN JANSZ VAN OSTADE

To our best judgment, a work by an unknown but distinctive hand linked or associated with the artist but not definitively his pupil.

STYLE OF . . .

FOLLOWER OF ADRIAEN JANSZ VAN OSTADE

To our best judgment, a work by a painter emulating the artist’s style, contemporary or nearly contemporary to the named artist.

MANNER OF ADRIAEN JANSZ VAN OSTADE

To our best judgment, a work in the style of the artistand of a later period.

AFTER ADRIAEN JANSZ VAN OSTADE

To our best judgment, a copy of a known work of the artist.

The term signed and/or dated and/or inscribed means that, in our opinion, a signature and/or date and/or inscription are from the hand of the artist.

The term bears a signature and/or a date and/or an inscription means that, in our opinion, a signature and/or date and/or inscription have been added by another hand.

Dimensions are given height before width.

TO BE OFFERED IN

SALE 1237 POST WAR & CONTEMPORARY ART

SEPTEMBER 28

Carlos Cruz-Diez (Venezulan, 1923-2019)

Physichromie No. 751, 1974

$80,000 - 120,000

SALE 1204

NATIVE AMERICAN JEWELRY

JULY 13 | CINCINNATI | ONLINE

SALE 1197

NATIVE AMERICAN ART ONLINE

JULY 17 | CINCINNATI | TIMED ONLINE

SALE 1208

EUROPEAN FURNITURE & DECORATIVE ARTS

JULY 19 | CHICAGO | LIVE + ONLINE

SALE 1206

WATCHES & ACCESSORIES

JULY 25 | CHICAGO | ONLINE

SALE 1262

SUMMER READING: 20TH-CENTURY

LITERATURE & BIOGRAPHY FROM A PRIVATE COLLECTION

JULY 26 | CHICAGO | TIMED ONLINE

Upcoming Auction Schedule

SALE 1205

NEVER TOO MUCH

JULY 27 | CHICAGO | LIVE + ONLINE

SALE 1265

PRINTS & MULTIPLES: COLOR THEORY

JULY 28 | CHICAGO | LIVE + ONLINE

SALE 1269

HINDMAN COLLECTIONS

JULY 31 | TIMED ONLINE

SALE 1169

THE COLLECTED HOME

AUGUST 9 | TIMED ONLINE

SALE 1211

DINING AT HOME

AUGUST 24 | CHICAGO | ONLINE

SALE 1270

THE LAUMEISTER COLLECTION OF WESTERN AND WILDLIFE ART, PART I

AUGUST 29 | DENVER | LIVE + ONLINE

SALE 1214

IMPORTANT JEWELRY

SEPTEMBER 12 | CHICAGO | LIVE +ONLINE

SALE 1215

PALM BEACH FURNITURE & DECORATIVE ARTS

SEPTEMBER 14 | PALM BEACH | LIVE +ONLINE

SALE 1217

PALM BEACH FINE ART

SEPTEMBER 18 | PALM BEACH | ONLINE

SALE 1218

FALL FASHION & ACCESSORIES

SEPTEMBER 19 | CHICAGO | TIMED ONLINE

SALE 1219

PHOTOGRAPHS

SEPTEMBER 20 | CHICAGO | TIMED ONLINE

Design

HUDSON BERRY DIRECTOR, SENIOR SPECIALIST 312.334.4217 JOSEPHSTANFIELD @HINDMANAUCTIONS.COM

Fine Art

SABRINA GRANADOS ASSOCIATE SPECIALIST

312.447.3269 SABRINAGRANADOS @HINDMANAUCTIONS.COM

MONICA BROWN VICE PRESIDENT, DIRECTOR PRINTS & MULTIPLES

303.825.1855 MONICABROWN @HINDMANAUCTIONS.COM

ZACK WIRSUM VICE PRESIDENT, DIRECTOR POST WAR & CONTEMPORARY ART 312.600.6069

ZACHARYWIRSUM @HINDMANAUCTIONS.COM

KATHERINE HLAVIN SENIOR SPECIALIST 303.825.1855 KATHERINEHLAVIN @HINDMANAUCTIONS.COM

MADALINA LAZEN DIRECTOR, SENIOR SPECIALIST EUROPEAN ART 561.833.8053

MADALINELAZEN @HINDMANAUCTIONS.COM

LAURA PATERSON DIRECTOR, SENIOR SPECIALIST PHOTOGRAPHS

312.280.1212

LAURAPATERSON @HINDMANAUCTIONS.COM

AARON CATOR SENIOR SPECIALIST POST WAR & CONTEMPORARY ART

646.864.1746

AARONCATOR @HINDMANAUCTIONS.COM

PAULINE ARCHAMBAULT SPECIALIST, AMERICAN ART 513.871.1670

PAULINEARCHAMBAULT @HINDMANAUCTIONS.COM

ALEXANDRIA DREAS SPECIALIST, HEAD OF SALE WESTERN ART

303.825.1855

ALEXANDRIADREAS @HINDMANAUCTIONS.COM

ANGELA WHITAKER SENIOR APPRAISER, FINE ART 872.270.3105

ANGELAWHITAKER @HINDMANAUCTIONS.COM

JULIANNA TANCREDI SENIOR RESEARCHER 312.334.4228

JULIANNATANCREDI @HINDMANAUCTIONS.COM

THEA ANDRUS CATALOGUER

872.270.3120

THEAANDRUS @HINDMANAUCTIONS.COM

CHRISTINA KIRIAKOS CATALOGUER 312.334.4216

CHRISTINAKIRIAKOS @HINDMANAUCTIONS.COM

JOHN MARTINEZ DEPARTMENT COORDINATOR 312.600.6064

JOHNMARTINEZ @HINDMANAUCTIONS.COM

SARAH GRAY DEPARTMENT COORDINATOR 312.334.4234

SARAHGRAY @HINDMANAUCTIONS.COM

Updated 6.30.23

Leadership

Offices

ATLANTA KRISTIN VAUGHN VICE PRESIDENT 404.800.0192 KRISTINVAUGHN @HINDMANAUCTIONS.COM

CHICAGO MIRANDA MAXFIELD 312.334.4208 MIRANDAMAXFIELD @HINDMANAUCTIONS.COM

CINCINNATI VAUGHN H. SMITH 513.666.4987 VAUGHNSMITH @HINDMANAUCTIONS.COM

CLEVELAND CARRIE PINNEY 216.292.8300 CARRIEPINNEY @HINDMANAUCTIONS.COM

DENVER

MARON HINDMAN 303.825.1855 MARONHINDMAN @HINDMANAUCTIONS.COM

Trusts, Estates

Clients

DETROIT PAM IACOBELLI 313.774.0900 PAMELAIACOBELLI @HINDMANAUCTIONS.COM

MIAMI

ELIZABETH RADER, PHD 239.643.4448 ELIZABETHRADER @HINDMANAUCTIONS.COM

MILWAUKEE SARA MULLOY 414.220.9200 SARAMULLOY @HINDMANAUCTIONS.COM

NAPLES

ALLISON DURIAN 239.643.4448

ALLISONDURIAN @HINDMANAUCTIONS.COM

NEW YORK

CAROLINE BAKER SMITH 212.243.3000 CAROLINEBAKERSMITH @HINDMANAUCTIONS.COM

PALM BEACH ELIZABETH MARSHMAN 561.621.8461 ELIZABETHMARSHMAN @HINDMANAUCTIONS.COM

SAN DIEGO KATIE GUILBAULT, G.G. VICE PRESIDENT 858.442.6104

KATIEGUILBAULT @HINDMANAUCTIONS.COM

SCOTTSDALE LOGAN BROWNING 480.546.5150 LOGANBROWNING @HINDMANAUCTIONS.COM

ST. LOUIS ANNA SHAVER 314.833.0833

ANNASHAVER @HINDMANAUCTIONS.COM

WASHINGTON, D.C.

MAURA ROSS VICE PRESIDENT 202.853.1638

MAURAROSS @HINDMANAUCTIONS.COM

LUKE, CAI, BAS, MPPA, ISA-AM MANAGING DIRECTOR

& Private

ALYSSA D. QUINLAN CHIEF EXECUTIVE OFFICER 312.447.3272 ALYSSAQUINLAN @HINDMANAUCTIONS.COM

MOLLY MORSE LIMMER EXECUTIVE VICE PRESIDENT, DEPUTY CHAIRMAN

MOLLYLIMMER @HINDMANAUCTIONS.COM

SELTZER INTERIM CHIEF OPERATING OFFICER

JAY FREDERICK KREHBIEL EXECUTIVE CHAIRMAN JAYKREHBIEL @HINDMANAUCTIONS.COM

Inquiries

LEADERSHIP

Alyssa D. Quinlan Chief Executive Officer alyssaquinlan @hindmanauctions.com

Jay Frederick Krehbiel Executive Chairman

Leslie Hindman Founder & Chairman Emeritus

Wes Cowan Vice-Chair

Maron Hindman Vice-Chair

Andrew Seltzer Interim Chief Operating Officer andrewseltzer @hindmanauctions.com

Molly Morse Limmer Executive Vice President, Deputy Chairman mollylimmer @hindmanauctions.com

AUCTION OPERATIONS, CLIENT SERVICES

Maggie Porter Vice President, Sales Strategy maggieporter @hindmanauctions.com

Rita Swanberg Manager, Client Experience ritaswanberg @hindmanauctions.com

Dawnie Komotios Operations Director Cincinnati dawniekomotios @hindmanauctions.com

Nicole Joy Regional Manager Auction Operations nicolejoy @hindmanauctions.com

FINANCE

Marco Gusella Vice President, Finance marcogusella @hindmanauctions.com

TRUSTS, ESTATES & PRIVATE CLIENTS

Molly E. Gron, J.D. Managing Director mollygron @hindmanauctions.com

Miranda Maxfield Senior Manager mirandamaxfield @hindmanauctions.com

Allison Durian Manager allisondurian @hindmanauctions.com

Hannah Unger Manager hannahunger @hindmanauctions.com

Kathryn Hodge Senior Associate, West kathrynhodge @hindmanacutions.com

Erin Madarieta Associate, East erinmadarieta @hindmanauctions.com

APPRAISALS

LaGina Austin Senior Director, Appraisals & Valuations laginaaustin @hindmanappraisals.com

Margaret Cece Appraisals Supervisor margaretcece @hindmanappraisals.com

MUSEUM SERVICES

Michael Shapiro Senior Advisor, Museums & Private Collections

Briar Koehl Oleferchik Manager, Museum services

FINE ART Monica Brown Vice President, Director Prints & Multiples monicabrown @hindmanauctions.com

Zack Wirsum Vice President, Director Post War & Contemporary Art zacharywirsum @hindmanauctions.com

Katherine Hlavin Senior Specialist katherinhlavin @hindmanauctions.com

Madalina Lazen Director, Senior Specialist European Art madalinalazen @hindmanauctions.com

Laura Paterson Director, Senior Specialist Photographs laurapaterson @hindmanauctions.com

Aaron Cator Senior Specialist Post War & Contemporary Art aaroncator @hindmanauctions.com

Pauline Archambault Specialist, American Art

Alexandria Dreas Specialist, Head of Sale Western Art

Angela Whitaker Senior Appraiser, Fine Art

Julianna Tancredi Senior Researcher

Thea Andrus Cataloguer

Christina Kiriakos

Cataloguer

John Martinez

Department Coordinator

Sarah Gray Department Coordinator

EUROPEAN FURNITURE & DECORATIVE ARTS

Corbin Horn Vice President, Senior Specialist corbinhorn @hindmanauctions.com

Nick Coombs Senior Specialist nickcoombs @hindmanauctions.com

Donna Tribby Senior Specialist

Sam Cowan National Head of Sale, The Collected Home

Nicholas Gordon Associate Specialist

Elizabeth Reed Associate Specialist

Alison Lynch Associate Cataloguer

Tyler Wilson Department Coordinator

AMERICAN FURNITURE, FOLK & DECORATIVE ARTS

Ben Fisher Vice President, Senior Specialist benfisher @hindmanauctions.com

Leah Vogelpohl Specialist

Katie Benedict

Associate Specialist

ANTIQUITIES & ANCIENT ART

Jacob Coley Director, Senior Specialist jacobcoley @hindmanauctions.com

Sean Galvin Associate Cataloguer

DESIGN Hudson Berry Director, Senior Specialist hudsonberry @hindmanauctions.com

Sabrina Granados Associate Specialist

John Martinez Department Coordinator

NATIVE AMERICAN, PREHISTORIC & TRIBAL ART

Danica Farnand Vice President, Senior Specialist danicafarnand @hindmanauctions.com

Erin Rust Specialist

William Norwood Department Coordinator

ARMS, ARMOR & MILITARIA

Tim Carey Director, Senior Specialist timcarey @hindmanauctions.com

Emma Fulmer ATF Manager and Senior Coordinator

Barrett Sharpnack Cataloguer

Tucker Etnoyer Cataloguer

BOOKS & MANUSCRIPTS

Gretchen Hause Vice President, Senior Specialist gretchenhause @hindmanauctions.com

Katie Horstman Senior Specialist katiehorstman @hindmanauctions.com

Emily Payne Specialist

Kaylan Gunn Specialist

Leslie Winter Associate Specialist

Joshua McCracken Department Coordinator

ASIAN ART Annie Wu Vice President, Senior Specialist anniewu @hindmanauctions.com

Flora Zhang Specialist

Megan Sadler Associate Specialist Datura Zhou Department Coordinator

JEWELRY & WATCHES

Ruth Thuston, G.G. Senior Specialist ruththuston @hindmanauctions.com

Katie Hammond Guilbault, G.G. Senior Specialist San Diego katieguilbault @hindmanauctions.com

Sean Johnson Senior Specialist, Watches seanjohnson @hindmanauctions.com

Marisa Palmer, G.G. Senior Appraiser marisapalmer @hindmanauctions.com

Karina Hammer, G.G. Senior Specialist karinahammer @hindmanauctions.com

April Matteini, G.G. Senior Specialist aprilmatteni @hindmanauctions.com

Leslie Roskind, G.G. Senior Specialist, New York leslieroskind @hindmanauctions.com

Madeline Schroeder, G.G. Associate Specialist

Gina O’Connor Cataloguer

Morgan Reed Department Coordinator

LUXURY HANDBAGS & COUTURE

Timothy Long Director, Senior Specialist timothylong @hindmanauctions.com

Tanner Branson Cataloguer

Rachael Wasaff Department Coordinator

SPORTS MEMORABILIA

James Smith Director, Senior Specialist jamessmith @hindmanauctions.com

Joshua McCracken

Department Coordinator

MARKETING & DESIGN

Ashley Galloway Vice President, Marketing

Zoë Bare Director, Photography

David Jackson Supervisor, Photography

Photographers:

Carmen Colome*

Chad Feierstone*

Jared Hefel

Deogracias Lerma

Roberto Martinez

Libby Moore

Mike Reinders*

Bill Ross

Maddie Scarpone

Rachel Smith

Dallas Tolentino*

Brian Maslouski* Senior Designer

Jennifer Castle Graphic Designer

*Lead Photography and Design for Sale 1205

Updated 7.12.23

Guide for Prospective Sellers and Buyers

GUIDE FOR PROSPECTIVE SELLERS

Evaluation of Property

Hindman is pleased to provide complimentary auction estimates for items you’re considering consigning. You are welcome to submit items electronically (consign@hindmanauctions.com) or to contact any of our offices directly.

Our specialists are eager to help you learn more about your collection and current auction sale estimates.

To begin an estimate, our specialists will need:

• At least 3 photos

• Detailed description

• Details on signatures or marks

Shipping Arrangements

Buyers assume full responsibility for the packing and shipping of lots won at auction. Our Recommended Shippers offer a wide variety of local, domestic, and international shipping options.

In the interest of our clients, Hindman requires a written authorization from the buyer in order to release property to anyone other than the purchaser of record (including but not limited to our recommended shippers). You may submit the Shipping Release Form via fax to 312.280.1211 or email to shipping@hindmanauctions.com

Appraisals

Our exceptional team of specialists regularly appraises property by analyzing market trends and conducting comprehensive research. Specialists evaluate thousands of objects each year for auction, allowing them to closely monitor the nuances of the current market.

Professional appraisals are prepared for estate tax, gift tax, charitable contribution, insurance and for equitable distribution purposes.

• Estate Tax

• Gift Tax

• Charitable Contribution

• Insurance

• Appraisals for Corporate Valuation Needs

Our trust and estates department recognizes that each client and appraisal situation is unique and often involves multiple asset categories and residences. Fees for appraisals are determined by the number of specialists, hours involved and the necessary travel and expenses. Our competitive fees are negotiated based upon the express needs of each client and are competitive within the marketplace.

Please contact our Appraisals Department (appraisals@ hindmanauctions.com) for more information.

Estate Services

Estate settlement is a meticulous and multi-faceted process. Hindman provides executors, fiduciaries and beneficiaries throughout the country with confidential and customized appraisals and disposition services. All appraisals are prepared fully in accordance with USPAP guidelines and meet all current requirements set forth by the IRS.

We recognize that each client and appraisal situation is unique and often involves multiple asset categories and residences. Our Trusts and Estates department offers services that are tailored to meet our clients’ timelines and specifications.

Our specialists offer complimentary walk-through services with the goal of providing an accurate representation of each items’ value based on the current auction market. A detailed proposal outlining the manner in which a sale will be conducted from the initial value assessment to removal of the property and settlement is provided to all parties involved.

Please contact our Estate Services (inquiries@hindmanauctions.com) team for more information.

GUIDE FOR PROSPECTIVE BUYERS

Conditions of Sale

All bidders with Hindman LLC must read and agree to Conditions of Sale posted in this catalogue prior to bidding at an auction.

Viewing Auction Items

It is highly recommended that all prospective bidders either view the sale via our online catalogue or contact Hindman LLC for further images or to schedule an appointment to view objects in person.

Estimates

Hindman LLC provides catalogue descriptions and pre-auction estimates for each lot included in the sale. These estimates are a guide for prospective bidders. They are not definitive. All pre-sale estimates are subject to revision.

Condition Reports

We are happy to provide a condition report for lots with a low estimate of $300 and above. Nevertheless, intending buyers are reminded that condition reports are statements of our opinion only, and that each lot is sold “AS IS,” per our Conditions of Sale, as outlined in the back of this catalogue. All lots should be viewed personally by prospective buyers or their agents to evaluate the condition of the property offered for sale due to the highly subjective nature of condition reports.

Bidding at Auction

The highest bidder acknowledged by the auctioneer will be the purchaser. In addition to the hammer price, the buyer agrees to pay Hindman LLC a buyer’s premium as well as any applicable taxes.

Bidding Increments

Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction.

The standard bidding increments are:

In-House Bidding

Our auctions are free and open to the public with no obligation for attendees to bid. Registration requires your full contact information, photo identification, credit card information, your signature and agreement to the Conditions of Sale.. If you are the successful bidder, your paddle number and the hammer price will be announced by the auctioneer.

Live Bid Online

Hindman LLC allows absentee and live bidding through our website at hindmanauctions.com as well as absentee and live bidding through third party online bidding providers which vary by sale. For more information regarding online bidding please visit our website at hindmanauctions.com.

Absentee Bidding

If you are unable to attend an auction, you may place an absentee bid, either through our website at hindmanauctions.com or through the bid form provided at the back of this catalogue. An absentee bid is the highest price you are willing to pay exclusive of buyer’s premium and applicable sales tax. Hindman LLC will exercise absentee bids at no additional charge. Absentee bids are always confidential, and bids are executed at the lowest price possible by the auctioneer according to reserves and competing bids.

Telephone Bidding

You may register telephone bid requests either through our website at hindmanauctions.com or through the bid form provided at the back of this catalogue. Upon registering for a telephone bid, you will be called on the day of the auction by a Hindman representative approximately five lots before your item is scheduled to be sold. They will communicate to you the bidding activity and will relay your bids to the auctioneer at your discretion. Please note we can only accept telephone bids for lots with a low estimate of $500 or above unless otherwise noted online. Telephone bids may be requested up to 2 hours prior to the auction start time.

Updated 1.13.23

Conditions of Sale

These Conditions of Sale set out the terms upon which Hindman LLC (“we,” “us,” or “our”) sells property by lot in this catalogue. You agree to be bound by these terms by registering to bid and/or by bidding in our auction.

A. BEFORE THE AUCTION

1. LOT DESCRIPTIONS AND WARRANTIES

Our description of a lot, any statement of a lot’s condition, and any other oral or written statement about a lot—such as its nature, condition, artist, period, materials, dimensions, weight, exhibition or publication history, or provenance— are our opinion and shall not to be relied upon by you as a statement of fact. Except for the limited authenticity warranty contained in paragraphs E and F below, we do not provide any guarantee of our description or the nature of a lot.

2. CONDITION

The physical condition of lots in our auctions can vary due to age, normal wear and tear, previous damage, and restoration/repair. All lots are sold “AS IS,” in the condition they are in at the time of the auction, and we and the seller make no representation or warranty and assume no liability of any kind as to a lot’s condition. Any reference to condition in a catalogue description or a condition report shall not amount to a full accounting of condition and may not include all faults, inherent defects, restoration, alteration, or adaptation. Likewise, images in our catalogue may not depict a lot accurately, as colors and shades may appear different in print or on screen than on physical inspection. We are not responsible for providing you with a description of a lot’s condition in the catalogue or in a condition report.

3.

VIEWING LOTS

We offer pre-auction viewings, either scheduled or by appointment, that are free of charge. If you believe that the catalogue description or condition reports are not sufficient, we suggest you inspect a lot personally or through a knowledgeable representative before you bid on a lot to make sure that you accept the description and its condition. We recommend you hire a professional adviser if you are not familiar with how to address the nature or condition of an object. Hindman has several salerooms throughout the country and the location of sales, or individual items may vary. It is important to check with our website and be aware of where each lot is located, for both viewing and for shipping purposes.

4. ESTIMATES

Estimates of a lot account for the condition, rarity, quality, and provenance of the object and are based upon prices realized for similar objects in past auctions. Neither you nor anyone else may rely on our estimates as a prediction or guarantee of the actual selling price of a lot or its value for any other purpose. Estimates do not include the buyer’s premium, any applicable taxes, and any other applicable charges.

5. WITHDRAWAL

We may, in our sole discretion, withdraw a lot from auction at any time prior to or during the sale and shall have no liability to you for our decision to withdraw.

B. REGISTERING TO BID

1. GENERAL

We reserve the right to reject any bid. By participating in the sale, you represent and warrant that:

(a) The bidder and/or purchaser is not subject to trade sanctions, embargoes or any other restriction on trade in the jurisdiction in which it does business as well as under the laws and regulations of the United States, and is not owned (nor partly owned) or controlled by such sanctioned person(s) (collectively, “Sanctioned Person(s)”); (b) Where you are acting as agent, your principal is not a Sanctioned Person(s) nor owned (or partly owned) or controlled by Sanctioned Person(s); and

(c) The bidder and/or purchaser undertakes that none of the purchase price will be funded by any Sanctioned Person(s), nor will any party be involved in the transaction including financial institutions, freight forwarders or other forwarding agents or any other party be a Sanctioned Person(s) nor owned (or partly owned) or controlled by a Sanctioned Person(s), unless such activity is authorized in writing by the government authority having jurisdiction over the transaction or in applicable law or regulation.

2. NEW BIDDERS

New bidders must register at least twenty-four (24) hours before an auction and must provide us with documentation of their identity.

(a) Individuals must provide photo identification (driver’s license, non-driver ID card, or passport) and, if not shown on the photo identification, proof of current address (a current utility bill or bank statement). (b) Corporate clients must provide a Certificate of Incorporation or its equivalent bearing the company’s

name and registered address, together with documentary proof of directors and beneficial owners. (c) Trusts, partnerships, offshore companies, and other business entities must contact us in advance of the auction to discuss our requirements. If we are not satisfied with the information you provide us in our bidder identification and other registration procedures, we may refuse to register you to bid, and if you make a successful bid, we may cancel the contract for sale between you and the seller. New bidders may be required to provide us with a financial reference and/or a deposit before we allow them to bid.

3. RETURNING BIDDERS

If you have not bought anything from us recently, then we may require you to register as a new bidder, as described in the paragraph above. Please contact us at least twenty-four (24) hours prior to the auction.

4. BIDDING FOR ANOTHER PERSON

If you are bidding as an agent on behalf of another person, your principal must be a registered bidder and must provide us with written authorization allowing you to bid. You, as the agent, shall accept personal liability to pay the purchase price and all other sums due unless we have agreed in writing before the auction that you are acting as an agent on behalf of your principal and that we will only seek payment from your principal.

5. BIDDING IN THE SALEROOM

If you wish to bid in the saleroom, you must first acquire a bidding paddle at least thirty (30) minutes before the auction.

6. OUR BIDDING SERVICES

We offer the following bidding services as a convenience to our clients, subject to these Conditions of Sale. We shall not be responsible for any error, omission, or failure, human or otherwise, in providing these services.

(a) Phone Bids: You must contact us at least twenty-four (24) hours prior to the auction to arrange a phone bid. We will accept bids by telephone for lots only if our staff is available to take the bids. We agree that we may record telephone bids.

(b) Internet Bids: You can bid in our live sales via our bidding platform or through third-party bidding sites.

(c) Written Bids: You can find a Written Bid Form at the auction location, or online at www.hindmanauctions.com. We must receive your completed Written Bid Form at least twenty-four (24) hours before the auction. We will endeavor to execute written bids at the lowest possible price consistent with the reserve. If you make a written bid on a lot that does not have a reserve and there is no higher bid than yours, we will bid on your behalf at approximately fifty percent (50%) of the low estimate or, if lower, the amount of your bid. The first written bid we receive of those for identical amounts will be given priority over other bids.

7. CREDIT CARD AUTHORIZATION HOLD

When you register to bid you may be asked to provide us with a valid credit card number. You authorize us to verify the validity of the credit card by placing a temporary authorization hold on the card that will remain until it falls off, usually within 2 to 7 days.

C. DURING THE AUCTION

1. BIDDING IN THE AUCTION

(a) Live Auctions. We will appoint an individual auctioneer to administer a live auction. The auctioneer may accept bids from (a) written bids left with us by bidders before the auction; (b) bidders in the saleroom; (c) telephone bidders; and (d) Internet bidders, including bidders through third-party bidding sites. Bidding generally starts below the low estimate and increases in steps, called bid increments. The auctioneer will decide at his/her sole option where the bidding should start and the bid increments. Bid increments may vary from auction to auction. You shall comply with all laws and regulations in force that govern your bidding.

(b) Online Auctions. The auctioneer will accept bids from Internet bidders, including bidders through third-party bidding sites. Bidding generally starts below the low estimate and increases in steps, called bid increments. The auctioneer will decide at his/her sole option where the bidding should start and the bid increments. Bid increments may vary from auction to auction. You shall comply with all laws and regulations in force that govern your bidding.

(c) Timed Auctions. Bids may only be submitted on our website between the dates and times specified in the lot’s description. Your bid is submitted once you place and confirm your bid amount. You agree that a bid is final once it is placed and that you may never amend or revoke your bid. You are fully responsible for any errors you make in bidding. Bidding generally opens at or below the low estimate and increases in steps (bidding increments) to be determined in Hindman’s sole discretion.

2. AUCTIONEER’S DISCRETION

The auctioneer shall have absolute discretion to (a) admit a bidder into or remove a bidder from the saleroom or online auction; (b) accept or refuse any bid; (c) change the order of the lots in the auction; (d) move the bidding backward or forward; (e) withdraw any lot from the auction; (f) divide any lot or combine any two or more lots; (g) reopen or continue the bidding even after the hammer has fallen; and (h) continue the bidding, determine the successful bidder, cancel the sale of the lot, or reoffer and resell any lot in the event that there is an error or dispute related to bidding or the application of the reserve, whether during or after the auction. You must provide us with written notice within three (3) business days of the date of the auction if you believe that the auctioneer has accepted the successful bid in error. The auctioneer will consider the claim and decide in good faith if the sale of the lot is final, whether he/she will cancel the sale of the lot, or whether he/she will reoffer and resell the lot. The auctioneer’s decision in exercise of this discretion is final. This paragraph does not in any way affect our ability to cancel the sale of a lot under other applicable provisions of these Conditions of Sale, including the rights of cancellation set forth in sections B(1), D(6), E(2), and G(1).

3. BIDDING ON BEHALF OF THE SELLER

The auctioneer may, at his/her sole option, bid on behalf of the seller up to one bidding increment before the reserve by making either consecutive or responsive bids. The auctioneer will not identify these as bids made on behalf of the seller. If a lot is offered without reserve, the auctioneer will open the bidding at a set increment lower than the lot’s low estimate and will solicit higher bids from that amount. If there are no bids on a lot, the auctioneer may deem the lot unsold.

4. SUCCESSFUL BIDS AND INVOICES

Subject to paragraph C(2), the contract of sale between the seller and the successful bidder is formed when the final bid is accepted and the auctioneer’s hammer strikes. The successful bid price is the hammer price, and we will issue an invoice only to the registered bidder who made the successful bid. While we send out invoices by mail and/or email after the auction, we shall not be responsible for telling you whether your bid was successful. You should contact us immediately after the auction to find out the success of your bid in order to avoid having to pay storage charges. Please note that Hindman will not accept payments for purchased lots from any party other than the purchaser, unless otherwise agreed between the purchaser and Hindman prior to the sale.

D. AFTER THE AUCTION

1. THE BUYER’S

PREMIUM

In addition to the hammer price, the successful bidder agrees to pay us a buyer’s premium on the hammer price of each lot sold. On all lots we charge twenty-six percent (26%) of the hammer price up to and including $1,000,000; twenty percent (20%) of any amount in excess of $1,000,001 up to and including $5,000,000; and fifteen percent (15%) of any amount in excess of $5,000,001. If the bidder bids through a third-party platform the bidder agrees to pay us a surcharge equal to the fee levied by the third-party platform. The third-party platform fee is in addition to the buyer’s premium

2. TAXES

The successful bidder is responsible for any applicable taxes, including any sales or use tax or equivalent tax wherever such taxes may arise on the hammer price, the buyer’s premium, and/or any other charges related to the lot. A sales or use tax is dependent upon a number of factors, including, but not limited to, our volume of sale and the place of delivery of the lot, regardless of the nationality or citizenship of the successful bidder. The applicable sales tax rate will be determined based upon the state, county, or locale to which the lot will be shipped or where it is picked-up in person. We collect sales tax in states where legally required.

3. MAKING PAYMENT

(a) Immediately following the auction, you must pay the purchase price, consisting of the hammer price, plus the buyer’s premium, plus any applicable duties and sales, use, or other applicable taxes. Payment is due no later than by the end of the seventh (7th) calendar day following the date of the auction, which we refer to as the due date.

(b) We will only accept payment from the registered successful bidder. Once issued, we cannot change the buyer’s name on an invoice or reissue the invoice in a different name.

(c) You must pay for lots in US dollars in one of the following ways:

(i) Wire transfer.

(ii) Bank checks: You must make these payable to Hindman LLC, and we may impose other conditions. Once we have deposited your check, property cannot be released until five (5) business days have passed.

(iii) Personal checks: You must make these payable to Hindman LLC, and they must be drawn from US dollar accounts from a US bank. The property will not be released until the check has cleared and the funds are received by us.

(iv) Credit card: Credit card payments may not exceed $10,000 and a

convenience fee of 3% will be added to each credit card payment.

(v) ACH Bank Transfer

(d) You must quote your invoice number when making a payment. All payments sent by post must be sent to Hindman LLC, 1338 West Lake Street, Chicago, IL 60607, ATTN: Client Accounting Department.

4. TRANSFERRING OWNERSHIP TO YOU

You will not own the lot and title will not pass to you until we have received full payment in good funds of the purchase price, even in circumstances where we have released the lot to you.

5. TRANSFERRING RISK TO YOU

Unless we have agreed otherwise with you, the risk in and responsibility for the lot will transfer to you from whichever is the earlier of the following: (a) when you collect the lot; or (b) the end of the thirtieth (30th) day following the date of the auction or, if earlier, the date the lot is taken into care by a third-party warehouse.

6. YOUR FAILURE TO PAY

If you fail to pay us the purchase price in full in good funds by the due date, we will be entitled to do one or more of the following (as well as enforce any other rights and remedies we have by law) at our sole discretion:

(a) We can charge interest from the due date at a rate of up to one and one-half percent (1.5%) per month on the unpaid amount due.

(b) We can cancel the sale of the lot and sell the lot again, publicly or privately, on such terms as we believe appropriate, in which case you must pay us any shortfall between the amount you owe us and the resale price, plus all costs, expenses, losses, damages, and legal fees we incur due to the cancellation.

(c) We can pay the seller the amount due to them, in which case you acknowledge and understand that we will have all the seller’s rights to pursue you for such amount.

(d) We can hold you legally responsible for the amount you owe us and bring legal proceedings against you to recover the amount owed by you, plus other losses, interest, legal fees, and costs as allowed by law.

(e) We can reveal your identity and contact details to the seller.

(f) We can reject any bids made by or on behalf of you in future auctions or require you to provide us with a deposit before accepting any bids.

(g) We can exercise all the rights and remedies of a person holding security over any property in our possession owned by you, whether by way of pledge, security interest, or in any other way as permitted by the law of the place where such property is located. You will be deemed to have granted such security to us and we may retain such property as collateral security for your obligations to us.

(h) We can take any other action we deem necessary or appropriate.

7. SHIPPING, COLLECTION, AND STORAGE

(a) You must collect purchased lots within thirty (30) days of the auction. We can assist in making shipping arrangements by suggesting art handlers, packers, transporters, or experts, but you must arrange all transport and shipping with them, and we are not responsible for their acts, failure to act, or neglect. Hindman has several salerooms throughout the country and the location of sales, or individual items may vary. It is important to check with our website and be aware of where each lot is located, for both viewing and for shipping.

(b) If you do not collect any purchased lot within thirty (30) days following the auction, we may, at our sole option, (i) charge you storage and insurance costs; (ii) move the lot to another Hindman location or to a third-party warehouse, whereupon we will charge you transport costs, insurance costs, and administration fees for doing so, and you will be subject to the third-party storage warehouse’s standard terms and responsible for paying its standard fees and costs; or (iii) sell the lot in any commercially reasonable way we think appropriate.

(c) In accordance with applicable state law, if you have paid for the lot in full but you do not collect the lot within the time specified by the law of the state where the auction takes place, we may charge you state sales tax for the lot.

(d) Nothing in this paragraph is intended to limit our rights under paragraph D(6).

8. EXPORTING, IMPORTING, AND ENDANGERED SPECIES

(a) The shipping of a lot is affected by United States export laws or the import laws of other countries. If you are outside the United States, then local laws may prevent you from importing a lot. You alone are responsible for seeking advice prior to bidding and meeting the requirements of any law or regulation applying to the export or import of a lot.

(b) Lots made of or including (regardless of the percentage) endangered and other protected species of wildlife—such as, among other things, ivory, tortoiseshell, crocodile skin, rhinoceros horn, whalebone, certain species of coral, and Brazilian rosewood—may be subject to export controls in the US and import controls in other countries. You should check the relevant wildlife laws and regulations before bidding on any lot containing wildlife material if you plan to export the lot from the United States, import the lot into another country, or ship the lot between states. Your purchase of a lot containing endangered and other protected species of wildlife is at your own risk, and you shall be

responsible for any scientific test or other reports required for export from the United States or for shipment between states. We will not cancel your purchase and refund the purchase price if your lot may not be exported, imported, or shipped between states, or if it is seized for any reason by a government authority. It is your responsibility to determine and satisfy the requirements of any applicable laws or regulations relating to import, export, and/or interstate shipping of a lot containing endangered and other protected species of wildlife.

E. WARRANTIES

1. SELLER’S WARRANTIES

For each lot, the seller gives a warranty that the seller (a) is the owner of the lot or a joint owner of the lot acting with the permission of the other co-owners or, if the seller is not the owner or a joint owner of the lot, has the permission of the owner to sell the lot or the right to do so by law; and (b) has the right to transfer ownership of the lot to the buyer without any restrictions or claims by anyone else. If either of the above warranties are incorrect, the seller shall not have to pay more than the purchase price (as defined in paragraph D(3) above) paid by you to us. The seller will not be responsible to you for any reason for loss of profits or business, expected savings, loss of opportunity or interest, costs, damages, other damages, or expenses. The seller gives no warranty other than as set out above, and as far as the seller is allowed by law, all warranties from the seller to you, and all other obligations upon the seller that may be added to this agreement by law, are excluded. No employee or agent of Hindman is authorized to make a representation or provide other information, whether orally or in writing, that amends the seller’s warranties or creates an additional warranty on behalf of the seller with respect to a lot. Any such representation, other information, or additional warranty shall be null and void.

2. OUR LIMITED AUTHENTICITY WARRANTY

Our limited authenticity warranty, which lasts for one (1) year from the date of a live auction or three (3) months from an online only auction, is that the lots in our sales are authentic as defined in paragraph H, below. You must notify Hindman regarding concerns of authenticity in writing within one (1) year of the date of a live auction or within three (3) months of the date of an online only auction. Following receipt of that written notification, subject to the terms below, Hindman will refund the purchase price paid by the client. The terms of this limited authenticity warranty are as follows:

(a) It will be honored for claims notified in writing within a period of one (1) year from the date of a live auction or three (3) months from an online only auction. After such time, we will not be obligated to honor the limited authenticity warranty.

(b) It is given only for information shown in UPPERCASE type in the first line of the catalogue description (the Heading). It does not apply to any information other than that in the Heading, even if it is shown in UPPERCASE type.

(c) It does not apply to any Heading or part of a Heading that is qualified.

“Qualified” means limited by a clarification in a lot’s catalogue description or by the use in a Heading of one of the terms listed in the definition of “qualified” provided in paragraph H, below. Qualified Headings are not covered at all by this limited authenticity warranty.

(d) It applies to the Heading as amended by any saleroom notice.

(e) It does not apply where scholarship has developed since the auction, leading to a change in generally accepted opinion. Further, it does not apply if the Heading either matched the generally accepted opinion of experts at the date of the auction or drew attention to any conflict of opinion.

(f) It does not apply if the lot can only be shown not to be authentic by a scientific process that, on the date we published the catalogue, was not available or generally accepted for use, was unreasonably expensive or impractical, or was likely to have damaged the lot.

(g) Its benefit is only available to the original buyer shown on the invoice for the lot, issued at the time of the sale, and only if, on the date of the notice of claim, the original buyer is the full owner of the lot and the lot is free from any claim, interest, or restriction by anyone else. The benefit of this limited authenticity warranty may not be transferred by the original buyer to anyone else.

(h) In order to make a claim under the limited authenticity warranty, you must

(i) give us written notice of your claim within one (1) year of the date of a live auction or three (3) months from an online only auction ; (ii) at our option, pay for and provide us with the written opinions of two recognized experts in the field, mutually agreed upon by you and us, confirming that the lot is not authentic (we reserve the right to obtain additional opinions at our expense); and (iii) return the lot at your expense to the saleroom from which you bought it in the condition it was in at the time of sale.

(i) Your only right under this limited authenticity warranty is to cancel the sale and receive a refund of the purchase price paid by you to us. We will not, under any circumstances, be required to pay you more than the purchase price, nor will we be liable for any loss of profits or business, loss of opportunity or value, expected savings or interest, costs, damages, other damages, or expenses.

(j) No employee or agent of Hindman is authorized to make a representation or provide additional information, whether orally or in writing, that amends the limited authenticity warranty or creates an additional warranty with respect to a lot. Any such representation, other information, or additional warranty shall be null and void.

3. ADDITIONAL WARRANTY FOR BOOKS

If the lot is a book, then we give an additional warranty to the original buyer shown on the invoice for the lot issued at the time of the sale in the following circumstances:

(a) We will refund the purchase price to the original buyer if we, in our sole discretion, are convinced that the book is defective in text or illustration, subject to the following terms:

(i) This additional warranty does not apply to (A) the absence of blanks, half titles, tissue guards, or advertisements; or damage in respect of bindings, stains, spotting, marginal tears, or other defects not affecting the completeness of the text or illustration; (B) drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps, or periodicals; (C) books not identified by title; (D) lots sold without a printed estimate; (E) books that are described in the catalog as sold not subject to return; or (F) defects stated in any condition report or announced at the time of sale.

(ii) To make a claim under this additional warranty, you must give written details of the defect within twenty-one (21) days of the date of the sale and return the lot within twenty-one (21) days of the date of the sale to the saleroom at which you bought it in the same condition as at the time of sale.

(iii) Paragraphs E(2)(b), (c), (d), (e), (h), and (i) also apply to a claim under this additional warranty. (c) No employee or agent of Hindman is authorized to make a representation or provide other information, whether orally or in writing, that amends the additional warranty for books or creates an additional warranty with respect to a lot. Any such representation, other information, or additional warranty shall be null and void.

4. JEWELRY

(a) Colored gemstones (such as rubies, sapphires, and emeralds) may have been treated to improve their appearance through methods such as heating and/or various clarity enhancements. These methods are considered common by the international jewelry trade but may make a gemstone more fragile and/or cause the gemstone to require special care over time.

(b) All types of gemstones may have been improved by some method. You may request a gemological report for any item that does not have a report if the request is made to us at least three (3) weeks before the date of the auction and you pay the fee for the report.

(c) We do not obtain a gemological report for every gemstone sold in our auctions. When we do get gemological reports from internationally accepted gemological laboratories, such reports are described in the catalogue. Reports from American gemological laboratories describe any improvement or treatment to the gemstone. Reports from European gemological laboratories describe any improvement or treatment only if we request that they do so, but they do confirm when no improvement or treatment has been made. Because of differences in approach and technology, laboratories may not agree on whether a gemstone has been treated, the amount of treatment, or whether that treatment is permanent. The gemological laboratories only report on the improvements or treatments known to them at the date they make the report.

(d) For jewelry sales, estimates are based on the information in any gemological report. If no report is available, assume that the gemstones may have been treated or enhanced.

5. WATCHES AND CLOCKS

(a) Almost all clocks and watches are repaired in their lifetime and may include parts that are not original. We do not give a warranty that any individual component part of any watch is authentic. Watchbands described as “associated” are not part of the original watch and may not be authentic. Clocks may be sold without pendulums, weights, or keys.

(b) As collectors’ watches often have very fine and complex mechanisms, you are responsible for any general service, change of battery, or further repair work that may be necessary. We do not give a warranty that any watch is in good working order. Certificates are not available unless described in the catalogue. (c) Most wristwatches have been opened to find out the type and quality of movement. For that reason, wristwatches with water-resistant cases may not be waterproof, and we recommend you have them checked by a competent watchmaker before use.

(d) Many of the watches offered for sale in this catalogue are pictured with straps made of endangered or protected animal materials such as alligator or crocodile skin. When straps are shown for display purposes only and are not for sale. We may remove and retain the strap prior to shipment from the sale site. Please check with the department for details on a lot with such a strap.

6. YOUR WARRANTIES

You warrant to us and the seller that (a) the funds you use for payment are not connected with any criminal activity, including tax evasion, and neither are you under investigation, nor have you been charged with or convicted of money laundering, terrorist activities, or other crimes; (b) where you are bidding on behalf of another person, (i) you have conducted appropriate customer due diligence on the ultimate buyer(s) of the lot(s) in accordance with all applicable anti-money

laundering and sanctions laws, you consent to us relying on this due diligence, you will retain for a period of not less than five (5) years the documentation evidencing the due diligence, and you will make such documentation promptly available for immediate inspection by an independent third-party auditor upon our written request to do so; (ii) the arrangements between you and the ultimate buyer(s) in relation to the lot or otherwise do not, in whole or in part, facilitate tax crimes; (iii) you do not know, and have no reason to suspect, that the funds used for payment are connected with or the proceeds of any criminal activity, including tax evasion, or that the ultimate buyer(s) are under investigation for, or have been charged with or convicted of, money laundering, terrorist activities, or other crimes.

F. OUR LIABILITY TO YOU

(a) We give no warranty in relation to any statement made, or information given, by us or our representatives or employees about any lot other than as set out in the limited authenticity warranty or in the additional warranty for books, and as far as we are allowed by law, all warranties and other terms that may be added to this agreement by law are excluded. The seller’s warranties contained in paragraph E(1) are their own, and we do not have any liability to you in relation to those warranties.

(b) We are not responsible to you for any reason (whether for breaking this agreement or for any other matter relating to your purchase of, or bid for, any lot) other than in the event of fraud or fraudulent misrepresentation by us, or other than as expressly set out in these Conditions of Sale.

(c) WE DO NOT GIVE ANY REPRESENTATION, WARRANTY, OR GUARANTEE OR ASSUME ANY LIABILITY OF ANY KIND IN RESPECT OF ANY LOT WITH REGARD TO MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE, DESCRIPTION, SIZE, QUALITY, CONDITION, ATTRIBUTION, AUTHENTICITY, RARITY, IMPORTANCE, MEDIUM, PROVENANCE, EXHIBITION HISTORY, LITERATURE, OR HISTORICAL RELEVANCE. EXCEPT AS REQUIRED BY LOCAL LAW, ANY WARRANTY OF ANY KIND IS EXCLUDED BY THIS PARAGRAPH.

(d) Our written and telephone bidding services, online bidding services, and condition reports are free services, and we are not responsible to you for any error, omission, or failure of these services.

(e) We have no responsibility to any person other than a buyer in connection with the purchase of any lot.

(f) If, despite the terms in paragraphs F(a)–(e) or E(2)–(3) above, we are found to be liable to you for any reason, we shall not have to pay more than the purchase price paid by you to us. We will not be responsible to you for any reason for loss of profits or business, loss of opportunity or value, expected savings or interest, costs, damages, or expenses.

G. OTHER TERMS

1. OUR ABILITY TO CANCEL

In addition to the other rights of cancellation contained herein, we can cancel a sale of a lot if (i) any of your warranties in paragraph E(4) are not correct; (ii) we reasonably believe that completing the transaction is, or may be, unlawful; or (iii) we reasonably believe that the sale places us or the seller under any liability to anyone else or may damage our reputation.

2. RECORDINGS

We may videotape and/or audio record proceedings at any auction. We will keep any personal information confidential, except to the extent that disclosure is required by law. If you do not want to be videotaped, you may decide to make a telephone or written bid or bid online instead. Unless we agree otherwise in writing, you may not videotape or record proceedings at any auction.

3. COPYRIGHT

We own the copyright in all images, illustrations, and written material produced by or for us relating to a lot, including the contents of our catalogues, unless otherwise noted therein. You cannot use them without our prior written permission. We make no representation and offer no guarantee that the buyer of a lot will gain any copyright or other reproduction rights.

4. ENFORCING THIS AGREEMENT

If a court finds that any part of this agreement is invalid, illegal, or impossible to enforce, that part of the agreement will be treated as being deleted, and the rest of this agreement will not be affected.

5. TRANSFERRING YOUR RIGHTS AND RESPONSIBILITIES

You may not grant a security over or transfer your rights or responsibilities under these terms unless we have given our written permission. This agreement will be binding on your successors or estate and anyone who takes over your rights and responsibilities.

6. PERSONAL INFORMATION

We will hold and process your personal information in line with our privacy policy at www.hindmanauctions.com.

7. WAIVER

No failure or delay to exercise any right or remedy contained herein shall constitute a waiver of that or any other right or remedy, nor shall it prevent or restrict the further exercise of that or any other right or remedy. No single or partial exercise of such right or remedy shall prevent or restrict the further exercise of that or any other right or remedy.

8. LAW AND DISPUTES

This agreement, and any noncontractual obligations arising out of or in connection with this agreement, or any other rights you may have relating to the purchase of a lot will be governed by the laws of Illinois. You and we agree to try to settle the dispute by mediation submitted to JAMS, or its successor, for mediation in Illinois. If the dispute is not settled by mediation within sixty (60) days from the date when mediation is initiated, then the dispute shall be submitted to JAMS, or its successor, for final and binding arbitration in accordance with its Comprehensive Arbitration Rules and Procedures or, if the dispute involves a non-US party, the JAMS International Arbitration Rules. The seat of the arbitration shall be Illinois, and the arbitration shall be conducted by one arbitrator, who shall be appointed within thirty (30) days after the initiation of the arbitration. The language used in the arbitral proceedings shall be English. The arbitrator shall order the production of documents only upon a showing that such documents are relevant and material to the outcome of the dispute. The arbitration shall be confidential, except to the extent necessary to enforce a judgment or where disclosure is required by law. The arbitration award shall be final and binding on all parties involved. Judgment upon the award may be entered by any court having jurisdiction thereof or having jurisdiction over the relevant party or its assets. This arbitration and any proceedings conducted hereunder shall be governed by Title 9 (Arbitration) of the United States Code and by the United Nations Convention on the Recognition and Enforcement of Foreign Arbitral Awards of June 10, 1958.

H. GLOSSARY

authentic: a genuine example, rather than a copy or forgery of (a) the work of a particular artist, author, or manufacturer, if the lot is described in the Heading as the work of that artist, author, or manufacturer; (b) a work created within a particular period or culture, if the lot is described in the Heading as a work created during that period or culture; (c) a work of a particular origin or source, if the lot is described in the Heading as being of that origin or source; or (d) in the case of gems, a work that is made of a particular material, if the lot is described in the Heading as being made of that material.

buyer’s premium: the charge the buyer pays us along with the hammer price. catalogue description: the description of a lot in the catalogue for the auction, as amended by any saleroom notice.

due date: has the meaning given to it in paragraph D(3)(a).

estimate: the price range included in the catalogue or any saleroom notice within which we believe a lot may sell. Low estimate means the lower figure in the range, and high estimate means the higher figure. The mid estimate is the midpoint between the two.

hammer price: the amount of the highest bid the auctioneer accepts for the sale of a lot.

Heading: has the meaning given to it in paragraph E(2).

limited authenticity warranty: the guarantee we give in paragraph E(2) that a lot is authentic other damages: any special, consequential, incidental, or indirect damages of any kind or any damages that fall within the meaning of “special,” “incidental,” or “consequential” under local law.

purchase price: has the meaning given to it in paragraph D(3)(a). provenance: the ownership history of a lot. qualified: has the meaning given to it in paragraph E(2), subject to the following terms:

(a) “Cast from a model by” means, in our opinion, a work from the artist’s model, originating in his circle and cast during his lifetime or shortly thereafter.

(b) “Attributed to” means, in our opinion, a work probably by the artist.

(c) “In the style of” means, in our opinion, a work of the period of the artist and closely related to his style.

(d) “Ascribed to” means, in our opinion, a work traditionally regarded as by the artist.

(e) “In the manner of” means, in our opinion, a later imitation of the period, of the style, or of the artist’s work.

(f) “After” means, in our opinion, a copy or after-cast of a work of the artist. reserve: the confidential amount below which we will not sell a lot. saleroom notice: a written notice posted next to the lot in the saleroom and on www.hindmanauctions.com, which is also read to prospective telephone bidders and provided to clients who have left commission bids, or an announcement made by the auctioneer either at the beginning of the sale or before a particular lot is auctioned.

UPPERCASE type: type having all capital letters.

warranty: a statement or representation in which the person making it guarantees that the facts set out in it are correct.

Updated 1.13.23