Sale 785 | Chinese and Southeast Asian Works of Art by Hindman Auctions

Chinese & Southeast Asian Works of Art S e p t e m b e r 24, 2020

SALE 785

C hinese & S outheast A sian W orks of A rt SELECTED HIGHLIGHTS LOTS 1-380 中國及喜馬拉雅藝術品專場含盧芹齋私人圖書館舊藏亮點导览 THURSDAY, SEPTEMBER 24 | 10AM P R E VI E W BY APPOINTMENT P RO P E R T Y P I C K U P H O U R S MONDAY – FRIDAY | 9:00AM – 4:30PM By appointment. Lots marked with an asterisk (*) are tax exempt as permitted by law. V I E W T H E C O MP L E T E C ATA L O G U E AT H I N D MA N A U C TI O N S . C O M Photography Bill Ross Zoë Bare Amelia Moore Jordyn Cox

Mike Reinders Brodie Sturm Carmen Colome

Cover Lot 227 | A Pair of Embroidered Silk Circular Fans Opposite Lot 192 | The Reference Library of C.T. Loo (1880-1957)

HindmanAuctions.com © Hindman LLC 2020 C H IC AGO, IL L IN O IS ILLINOIS AUCTION FIRM LICENSE NUMBER 444.000521

C H I N ESE & SO UTH EAST ASIAN WORKS OF ART

P RO P E R T Y F RO M T H E C O L L E C T I O N O F George R. Bruha, Chicago, Illinois A Corporate Art Collection The Detroit Institute of Arts, sold to benefit the Acquisitions Fund Michael and Kay Melet Robert Miller, Tucson, Arizona A Prominent Chicago Collection A Private Chicago Collection A Private Collection, Chicago, Illinois A Private Collection, Highland Park, Illinois A Private Taiwanese-American Collection Melissa Share, Cincinnati, Ohio Dwain Smith, Kansas City, Missouri P RO P E R T Y F RO M T H E E S TAT E S O F An Arizona Estate WM Bogdanowicz, Madison, Wisconsin and Naples, Florida Ernest Eastman Leavitt, Boston, Massachusetts Thomas Moretti, San Mateo, California Emilia Heinemen Pritz, Cincinnati, Ohio A Private Chicago Estate Rawleigh & Mary Ann Warner, Hobe Sound, Florida

Opposite Lot 202 | Thomas Allom (English, 1804-1872) hand-colored steel-plate engravings on paper from a series of illustrations on China (detail)

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1 A White Jade Figural Group 18TH CENTURY

清十八世紀白玉雕縣鹿壽星小擺件

the stone of an even colored tone, carved to show the immortal of longevity, Shoulao, standing besides a deer on rockwork, mounted as a finial on a hardwood cover. Height of jade 2 1/4 in., 5.7 cm. Property from the Collection of an Arizona Estate Acquired from a private collector in Scottsdale, Arizona Previously acquired from Mallett Antiques in London in the 1980’s $800-$1,200

2 Three Jade Carvings 19TH CENTURY 1

清十九世紀褐斑青玉雕童子把件，青白玉雕金蟾瓜果擺件及褐斑白玉雕臥羊擺件各一件

the first a celadon jade figure of a boy carrying a a large lotus, the second a pale celadon carving showing a toad with strands of coins resting on two large fruits, the third a russet and white jade figure of a recumbent ram bearing a large lingzhi stem in its mouth. Length of longest 2 3/4 in., 7.6 cm. $1,200-$1,800

C H I N ESE & SO UTH EAST ASIAN WORKS OF ART

8 A White Jade Ram-Form Water Dropper 19TH CENTURY

清十九世紀白玉雕臥羊形水滴

of an even colored stone, carved in the shape of a recumbent forward facing ram with all four tucked underneath, a circular opening on its back, raised on a fitted hardwood stand. Height 2 1/4 in., 5.7 cm. Property from a Private Collection, Highland Park, Illinois $2,000-$3,000

9 A Yellow Jade Figure of a Recumbent Ram 19TH CENTURY

清十九世紀黃玉雕臥羊墜

the stone of a light yellow tone with russet inclusions, carved as a recumbent ram with the head raised. Height 1 1/2 in., 3.8 cm. Property from a Private Collection, Highland Park, Illinois $2,000-$3,000

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10 A Carved Celadon and Russet Jade ‘Three Rams’ Group KANGXI PERIOD (1654-1722)

清康熙褐斑青玉三羊開泰擺件

the even celadon stone with russet patches, carved to depict the largest recumbent ram with a cloud scroll and a yinyang symbol emerging from its mouth, two smaller rams to the side, one recumbent, the other clambering on the back of the adult. Length 3 1/2 in., 8.3 cm. Property from a Private Taiwanese-American Collection $10,000-$15,000

C H I N ESE & SO UTH EAST ASIAN WORKS OF ART

11 A Carved White Jade ‘Chilong’ Plaque MING DYNASTY (1368-1644)

明白玉雕螭龍纹帶板

the stone of an even white tone, the oval panel carved in high relief depicting a sinuous chilong chasing an endless knot, mounted with gilt metal as a pendant. Length 3 in., 7.6 cm. Property from a Private Taiwanese-American Collection Ex. Private New York Collection $4,000-$5,000

12 A Spinach Green Jade ‘Goose and Lotus’ Carving 18TH/19TH CENTURY

清中期碧玉雕寶鵝銜蓮小把件

the transparent green stone with black speckles, finely carved in openwork with a larger goose in flight, bearing a lotus pod and flower in its beak, the reverse with another smaller goose. Length 2 1/8 in., 5.2 cm. Property from a Private Taiwanese-American Collection $5,000-$6,000

Front

Back

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14 A White Jade Purse-Form Pendant 18TH/19TH CENTURY 清十八/十九世紀白玉雕福祿萬代荷包式掛墜 the purse-form pendant carved to the exterior in relief to show numerous gourds borne on meandering vines, stringed with two coral beads on a red tassel. Height 1 1/4 x width 1 1/2 in., 3.1 x 3.8 cm. Property from a Private Chicago Collection $3,000-$4,000

16 Two Pale Celadon Jade Plaques

Front

青白玉雕福壽雙全圖牌兩件

the first in the shape of a gourd, the front carved in shallow relief depicting a riverscape scene with bat, peach, deer and crane, the reverse with a shou medallion above four characters within a square panel, enclosed by clouds and bats; the second a irregular form, the front decorated with the immortal of longevity with a child, the reverse with a poem, the upper register carved in the shape of two entwined dragons. Length of larger 2 3/8 in., 6 cm. $600-$800

Back

C H I N ESE & SO UTH EAST ASIAN WORKS OF ART

18 A Large and Finely Carved White Jade ‘Chilong’ Belt Hook 18TH CENTURY

清十八世紀白玉透雕螭龍紋帶鉤

the stone of an even colored white tone, carved with a horned dragon forming the hook, detailed with a finely incised mane on the reverse, and a chilong striding on the arched shaft grasping a branch of lingzhi in its mouth, the reverse of the shaft and the round knob carved with sinuous kuilong design. Length 5 1/4 in., 13.3 cm Property from a Private Collection, Highland Park, Illinois $2,000-$3,000

24 A Pale Celadon Jade Figure of Guanyin 20TH CENTURY

二十世紀青白玉雕觀音立像

carved from a translucent stone, the figure draped in flowing robes and holding a pearl and ruyi scepter, the eyes downcast in a benevolent expression, raided above a carved hardwood lotus form stand. Height of figure 6 in., 15.24 cm. $4,000-$5,000

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*25 A Fine Pale Celadon Jade Table Screen 19TH CENTURY

清十九世紀青白玉雕高士圖插屏連硬木座

of rectangular shape with an arched top edge, finely carved on one side with three sages and two attendants on terraces amongst a mountainous setting, the landscape accentuated with craggy overhanging rocks and gnarled pine, the far left of the scene with a pavilion, the reverse with a similarly mountainous backdrop, the stone of pale celadon tone with light russet inclusions, raised on a fitted reticulated hardwood stand. Height overall 11 7/8 x width 12 1/8 x depth 4 1/2 in., 30.16 x 30.8 x 11.43 cm Property from the Estate of Thomas Moretti, San Mateo, California Purchased in San Francisco prior to 1990, thence by descent $10,000-$15,000

C H I N ESE & SO UTH EAST ASIAN WORKS OF ART

*26 A Carved White Jade Gu Vase 18TH CENTURY

清十八世纪白玉雕螭龙纹觚式瓶

the bulbous mid-section carved in high relief with crouching chilongs, between two bands of archaistic blades, the stone of an even color, raised on a hardwood stand finely carved with stylized dragons, raised on a well carved fitted hardwood stand. Height 7 1/4 in., 18.3 cm Property from the Collection of George R. Bruha, Chicago, Illinois $20,000-$25,000

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27 A Russet and Pale Celadon Jade ‘Chilong’ Rhyton Cup 17TH CENTURY

明末清初褐斑青白玉螭龍紋觥

the even colored pale celadon stone having russet patches, of deep hollowed U-shape, carved in relief around the exterior showing five clambering chilong with one larger dragon forming the upper part of the handle, the base carved in high relief with a monster mask, the horns of the monster forming the base and the lower part of the handle, raised on a fitted hardwood stand. Height 5 3/4 in., 14. 6 cm. Property from a Private Collection, Highland Park, Illinois Accompanied with an appraisal by The Hartman Galleries, Inc., New York, January 25, 1971 $10,000-$15,000

C H I N ESE & SO UTH EAST ASIAN WORKS OF ART

28 A Carved Spinach Green Jade Ring-Handled Vase and Cover LATE 19TH CENTURY

清晚期碧玉雕花鳥紋活環雙耳蓋瓶

of flattened baluster form, carved on one side in shallow relief with a phoenix perched on flowering peony branches, the other wide with a crane underneath pine trees, the waisted neck decorated with plantain leaves, flanked by a pair of dragon-head handles with loose rings, the domed cover decorated with similar leaf design, the stone of a mottled green tone. Height 7 1/4 in., 18.5 cm. $2,000-$4,000

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29 A Large Russet and Greyish White Jade Boulder EARLY 20TH CENTURY

二十世紀初灰白玉雕海上升明月擺件

of greyish white tone with russet inclusions, the large oval stone carved to the front to depict a large and round moon above rushing waves, leafy trees to the side and rockwork to the reverse. Length 8 in., 20.3 cm Property from a Private Collection, Highland Park, Illinois $4,000-$6,000

C H I N ESE & SO UTH EAST ASIAN WORKS OF ART

30 A Black and Grey Jade ‘Landscape’ Boulder 18TH/19TH CENTURY 清十八/十九世紀巧雕黑白玉山子 of a variegated stone, having russet, black and grey skin, depicting pavilions and pine trees set in craggy cliffs. Height 4 in., 10.2 cm. Property from a Prominent Chicago Collection Purchased from the Australian Antiques Dealer’s Association $5,000-$6,000

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31 A Russet and Celadon Jade ‘Peach and Bat’ Covered Box 18TH/19TH CENTURY 清十八/十九世紀褐斑青玉雕蝠紋桃形蓋盒 the even colored green stone with russet patches, carved from a single pebble as a large peach borne on an interlocked, twisted, leafy branch connecting the box and cover, one part of the branch continuing on the underside to form the base, the other continuing across the cover with a bat rest atop. Length 6 1/4 in., 15.88 cm Property from a Private Collection, Chicago, Illinois $5,000-$7,000

C H I N ESE & SO UTH EAST ASIAN WORKS OF ART

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33 Two Celadon Jade Articles 18TH/19TH CENTURY 清十八/十九世紀青玉盌及蓋盒各一件 the bowl having deep rounded sides rising to an everted mouth rim, resting on a slightly splayed foot, with a fitted hardwood stand; the covered box of cylindrical form, raised on a fitted hardwood stand. Diameter of bowl 4 1/4 in.,11 cm Property from a Private Collection, Highland Park, Illinois $1,500-$2,500

C H I N ESE & SO UTH EAST ASIAN WORKS OF ART

37 An Apple Green and Pale Celadon Jadeite Covered Bowl 19TH CENTURY

清十九世紀翡翠雕三羊開泰蓋爐

the sloping walls above a spreading foot, surmounted by a galleried mouth rim, the exterior incised with bamboo between keyfret bands, the rim flanked by two ram’s head-form handles, the domed cover incised with lotus scrolls and carved in openwork showing three recumbent rams enclosing a taiji symbol above cloud clusters. Height 5 x width 7 in., 12.7 x 17.8 cm Property from a Private Collection, Highland Park, Illinois $1,200-$1,400

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Backs

39 Two Apple Green and White Jadeite ‘Double Badgers’ Carvings 19TH/EARLY 20TH CENTURY

清晚期翡翠雕雙獾把件

each carved as a pair of crouching badgers. Length of larger 1 5/8 in., 4.1 cm. Property from a Private Collection, Highland Park, Illinois $1,000-$2,000

C H I N ESE & SO UTH EAST ASIAN WORKS OF ART

42 A Beewax Purse-Form Pendant 18TH/19TH CENTURY 清十八/十九世紀蜜蠟雕福祿萬代紋荷包式掛墜 the purse-form pendant carved to the exterior in relief to show numerous gourds borne on meandering vines, stringed with two coral beads on a blue tassel. Height 1 1/4 x width 1 1/2 in., 3.1 x 3.8 cm. Property from a Private Chicago Collection $1,000-$1,500

45 A Jade, Jadeite and Hardstone Inset Filigree and Enameled Hand Mirror LATE 19TH/EARLY 20TH CENTURY

清晚期累絲琺瑯嵌玉手鏡

the back of the mirror inset with a circular white jade plaque carved with a shou medallion and C scrolls, surrounded by enamel-decorated floral designs and additional shou characters, the handle inset with a serpentine hairpin. Length 10 1/4 in., 28 cm. Property from a Private Chicago Estate $700-$900

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48 A Jadeite and Hardstone Inset Enameled Jewelry Box and Cover

近代燒藍嵌寶鑲玉首飾盒

of cylindrical form with reticulated ‘prunus’ motifs, inset with jadeite, tourmaline and a pair of pale celadon jadeite bangles. Height 4 1/4 in., 10.8 cm. Property from a Private Chicago Estate $600-$800

49 Two Jade and Hardstone Filigree and Enameled Jewelry Boxes LATE 19TH-EARLY 20TH CENTURY

清晚期累絲琺瑯嵌玉蓋盒兩件

the first a rectangular example, the cover inset with an apple green and pale celadon jadeite ‘fruit’ pendant, surrounded by enameled floral scrolls, the sides decorated with similar floral motif; the second a cylindrical example with the top inset with an oval celadon jade ‘Bat and Shou’ plaque, the sides decorated with hardstone and glass insets and enameled lotus. Height of taller 4 1/4 in., 10.8 cm. Property from a Private Chicago Estate $800-$1,200

C H I N ESE & SO UTH EAST ASIAN WORKS OF ART

55 A Jade and Hardstone Embellished Silver Mounted Gourd Covered Box LATE QING DYNASTY

清晚期葫蘆鑲銀嵌寶福祿壽蓋盒

the gourd encased within a silver openwork network of leafy vines bearing blossoms and further gourds, jade inlaid with coral, turquoise and other stones, each lobe centered with a jade fu character, raised on three feet each mounted with a jade carving of double gourds. Length 11 7/8 in., 30 cm. Property from a Private Chicago Estate $800-$1,200

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57 A Cinnabar Lacquer Bottle Vase LATE 18TH/EARLY 19TH CENTURY

清中期剔紅雕高士圖長頸瓶

the slightly tapering ovoid body and tall neck, the main panel deeply carved to depict scholars and attendants in a mountainous landscape reserved on a dense diaper ground, all between a band filled with lotus vines at the shoulder and a row of lappets above the foot rim, the neck decorated with blossoms between a small ruyi band and leaves. Height 10 in., 25.4 cm. Property from a Private Chicago Estate $600-$800

C H I N ESE & SO UTH EAST ASIAN WORKS OF ART

61 A Laque Burgauté Zhadou and Cover

*63 A Huanghuali Kang Table, Kangzhuo

EARLY-MID 20TH CENTURY

19TH/20TH CENTURY 十九/二十世紀黃花梨炕桌 of rectangular form, the top panel set within a thick frame above two drawers, further raised on square sectioned legs ending in hoof feet. Height 6 1/4 x length 13 3/8 x width 13 3/4 in., 15.8 x 34 x 35 cm. Property from the Collection of George R. Bruha, Chicago, Illinois $1,200-$1,400

近代黑漆嵌螺鈿福壽纹渣斗

the exterior inlaid with mother-of-pearl and foil throughout showing shou medallions against a diaper ground, the flori-form rim decorated with winged bats. Diameter 6 1/4 in., 16 cm. Property from a Private Chicago Estate $500-$700

62 An Export Mother-of-Pearl Inlaid Carved and Reticulated Hardwood Inkwell LATE QING DYNASTY

清晚期外銷硬木嵌螺鈿卷草纹墨水匣

having five circular open openwork sections for inkpots, decorated with meandering leafy vines. Height overall 6 x width 8 5/8 in., 15.5 x 22 cm. Property from a Private Chicago Estate $600-$800

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64 A Gourd Cricket Cage

*66 A Large Huanguali Brush Pot, Bitong

REPUBLIC PERIOD (1912-1949)

18TH CENTURY

the elongated body incised and painted with a mountainous landscape, having a hardwood cover. Length 6 1/2 in., 16.5 cm. $1,200-$1,400

of large, slightly tapered cylindrical form with characteristic golden hue and attractive grain. Height 8 1/4 x diameter 9 1/2 in., 21 x 23 1/2 cm. Property from the Collection of George R. Bruha, Chicago, Illinois $8,000-$10,000

民國葫蘆山水紋蟋蟀罐

65 A Huanghuali Brushpot, Bitong

十八世紀黃花梨筆筒

18TH/19TH CENTURY 清十八/十九世紀黃花筆筒 the cylindrical body surmounted a lipped mouth, the wood patinated to a golden brown tone with attractive grain. Height 5 3/4 in., 14. 61 cm. Property from a Prominent Chicago Collection $2,000-$3,000

CH IN ES E & SO UTH EAST ASIAN WORKS OF ART

69 A Large Bamboo Bird Cage

竹鳥籠

the tall cage composed of cylindrical ribs and a cross bar, surmounted by a bronze hook, the interior with a blue glass feeder. Height 29 1/2 in., 74.9 cm. $500-$700

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73 A Pair of Dream Stone Inset Wall Panels 19TH CENTURY

清十九世紀嵌大理石掛屏一對

each of rectangular form, inset with two circular dream stone panels with inscriptions, mounted with hardwood frames. Height 19 1/4 x width 10 1/8 in., 49 x 25.8 cm. Property from a Private Collection, Chicago, Illinois $500-$700

C H I N ESE & SO UTH EAST ASIAN WORKS OF ART

76 [INKSTONES] Komeiken (Famous Ancient Inkstones). Tokyo: Nigensha, 1976-76. 5 volumes, 418 x 350 mm. Chiefly illustrations in color and black and white. Original brick red silk cloth, gilt lettered spinesembossed to the center. Original folios. LIMITED EDITION number 492 of 1000 copies. A fine copy of a rare work extensively documenting the Chinese inkstones held in Japanese public and private collections. Property from a Prominent Chicago Collection $3,000-$5,000

1975-76年二玄社《古名硯》 5冊全

这是二玄社在昭和五十年限量发行的精装圖錄。本套编号492，暗紫苑紅布面箱函，燙金書冠，牙黃書簽，極古逸。二玄社是以印刷出名的，這套硯譜又遍收日本藏界中囯古硯之絕品，原寸精印，石質之妙淋漓畢現。全書共五冊：第一、二冊端硯，共152方；第三冊洮河、綠石，45方；第四冊歙硯62方；第五冊澄泥、諸硯88 方。每冊卷末附尺寸、重量、銘文、拓片、著錄等釋文，以供藏家索驥。

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77 Attributed to Wen Zhengming (1470-1559) and Qiu Ying (1494-1552) (Chinese, Late 15th-16th Century) Landscapes and Calligraphy ink and color on paper, eight loose leaves. each leaf with spurious signature and seals.

文徵明、仇英（款）仿古十宮圖書畫合璧八幀紙本絹本設色，畫心（一）吳宮圖款識：吳宮，徵明題。實父仇英製。鈐印：十洲等六枚，漫漶不清（二）吳宮萬玉賦釋文略款識：嘉靖癸巳（1533）清和望後二日，長洲文徵明書。鈐印：徵、明、衡山居士、停云（三）長樂宫鈐印：十洲、另一漫漶不清

C H I N ESE & SO UTH EAST ASIAN WORKS OF ART

（四）長樂宫賦釋文略款識：徵明鈐印：徵、明、衡山居士、停云（五）甘泉宮鈐印：十洲等四枚，漫漶不清（六）甘泉宮記釋文略款識：徵明鈐印：徵、明、衡山居士、停云（七）九成宮鈐印一，漫漶不清（八）九成宮禮泉銘釋文略款識：徵明鈐印：徵、明、停云

Each 14 x 11 in., 35.5 x 28 cm. Property from a Private Chicago Estate $2,000-$4,000

77 78 79

78 Lan Tao

(Chinese, active 1671-1708） Landscape in the Style of Jin Hao ink and color on silk, hanging scroll signed and inscribed, with two artist’s seals: Lan Tao zhi yin, Donggao

藍濤（清順治-康熙）仿荊浩山水圖絹本設色，立軸款識：仿洪谷子摹法，藍濤。鈐印：藍濤之印、東皋

Image: 49 1/2 x 16 1/2 in., 125 x 42 cm. Property from a Private Collection, Highland Park, Illinois Accompanied with a copy of the Certificate of Identity from The Curios Furniture & Miscellaneous Utensils & Hardware Merchants & Employees Association Ltd. Hong Kong & Kowloon, dated 24 June 1983; a copy of the Certificate of Description and Evaluation from Orientations, San Francisco, dated August 1983 $1,500-$2,500

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*79 Attributed to Yun Shouping

(Chinese, 1633-1690) Landscape in the Style of Ju Ran ink and color on paper, folding fan leaf signed, inscribed and dated year Guichou (1673), with two artist’s seals and one collector’s seal.

惲壽平（款）（清，1633-1690）山水图紙本設色，扇面款識：萬壑響松風，百灘度流水。趙松雪題巨然大幀與余圖差近，然余全摹松雪染色，巨公神氣未托有合也。癸丑（1673）初夏南田客惲壽平在北城精舍題。钤印：壽、正叔、鋻藏印一 Length 15 3/4 in., 40 cm. Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida Acquired from Kabutoya Galleries Inc., San Francisco. $2,000-$4,000

C H I N ESE & SO UTH EAST ASIAN WORKS OF ART

*80 A Rare and Fine Imperial Folding Fan QIANLONG PERIOD (1736-1799)

gilt ink on indigo-colored paper, zitan wood frames. Painting: Qian Weicheng (1720-1772) Birds Perched on Begonia Branches signed with two seals: Chen, Cheng. Calligraphy on the reverse: Liang Shizheng (1697-1763) The Imperial Selection of Tang Poetry signed with two seals: Chen, Liang. Frame: Ji Yun (1724-1805) Calligraphy of the Imperial Poem of ‘Hanchun Shi’ signed and inscribed. Length overall 25 x height 14 5/8 in., 63.5 x 47.3 cm. Property from the Collection of George R. Bruha, Chicago, Illinois Acquired from Hong Kong in the 1980-90s. For similar examples, see The Palace Museum, accession no. 故00136801, 故00136803, 故00136805, 故00136806, 故 00136678-1/10, 故00136757-4/24. $30,000-$50,000

清乾隆御製詩書畫集錦扇磁青紙泥金，紫檀骨摺扇畫：錢維城(1720-1772) 聚英繽紛款識：臣錢維城恭繪鈐印：臣、城

書：梁詩正(1697-1763) 御選唐詩釋文：王昌齡《春宮曲》、《宴春源》、《西官春怨》、《芙蓉楼送辛渐》、《采莲曲》；杜甫《絕句》、《贈花卿》；李白《客中作》、《望庐山瀑布》、《清平调》兩首款識：臣梁詩正敬書柄：紀昀(1724-1805) 御製《涵春室》詩釋文：已覺風和而氣淖，底湏草緑與花妍。徒言此室涵春者，豈識春涵室萬千款識：尚書臣紀昀敬書

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The present lot demonstrates the culmination of a collaborative effort between three members of the imperial cabinet dear to the Qianlong emperor, made during the golden years of his reign in the eighteenth century. Of this fan, the guard bears refined calligraphy by Ji Yun in an inscription of an imperial poem, while scholar-official Liang Shizheng provided luxurious and attentive calligraphy of ten classic Tang verses selected by the emperor to describe vignettes of spring and its sense of boundless possibility. Finally, Qian Weicheng lent a hand more familiar with landscape to a rarely seen bird and flower painting. Examples of similar imperial fans are held in the collections of both the Palace Museum in Beijing and the National Place Museum in Taipei. These extant examples largely consist of works considered in their time as precious examples; whereas the Hanchun studio described in Qianlong’s poem inscribed on the present lot in the Hall of Mental Cultivation was a location frequented by the emperor. Indeed, the ribs show old traces from opening and retracting quite possibly borne by imperial hand.

這是乾隆全盛時代留下的君臣翰墨，由三位得意近臣合力完成：紀曉嵐書御題詩扇骨，典雅悦目；大學士梁詩正書扇面，華貴雍容，端凝如貴婦，且十首御選詩描繪的俱是春景，暗透春意無邊；背面的花鳥圖出自錢維城，錢的翎毛極少見——大約他自己也知道不擅于此，聖命之下，只有勉力爲之。兩岸故宮藏有摺扇數十柄，但詩書畫集錦且俱出自名家的，珍罕之極。御題詩中所言之涵春室，也就是乾隆日常起居的養心殿後殿，此扇摺痕宛然，那麽極有可能是天家摩挲把玩的手澤了！

C H I N ESE & SO UTH EAST ASIAN WORKS OF ART

故00136801

故00136805

竹股雕花邊道光帝書畫山水圖面折扇

竹股填漆邊和珅書董誥畫折扇

An Imperial Bamboo Landscape Folding Fan

A Carved Lacquer Calligraphy Folding Fan

故00136803

故00136806

竹股雕花邊黑面永瑢書畫折扇

竹股填漆邊王傑書福長安畫折扇

A Carved Bamboo Calligraphy Fan

A Bamboo and Carved Lacquer Folding Fan

故00136757-4/24

故00136678-1/10

棕竹股雕花邊畫蠶織圖面折扇-一眠

棕竹股邊黑面泥金永琰書折扇

A Carved Bamboo Folding Fan

A Bamboo Palm Calligraphy Fan

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81 [PAINTING & CALLIGRAPHY] Midian Zhulin · Shiqu Baoji. Taipei: National Palace Museum, 1971. 10 volumes, 267 x 200 mm. Facsimiles of Shiqu Baoji and Midian Baoji archives. Original gilt lettered maroon cloth, publisher’s box. Comprising both volumes of the first edition, as well as 8 volumes from the continuum run. Property from a Prominent Chicago Collection $3,000-$5,000

C H I N ESE & SO UTH EAST ASIAN WORKS OF ART

1971 國立故宮博物院石渠宝笈 · 秘殿珠林初編及續編 10 冊

石渠與秘殿二書歷經三編，一收历代名跡，一載释道书画，成書只兩套，分藏兩岸故宮。近世出版物共三種：1918年上海涵芬樓的初、續兩編；國立故宮博物院1969-71年的三編全集；以及近年雅昌整理的匯編12冊。其中，臺北故宮這套精裝很長一段時間都是唯一的影印本，參考價值不可估量。

83 Wang Pu

(Chinese, 1796-1850) Ladies in the Garden ink and color on silk, a pair of mounted frames each signed with two seals of the artist, Wang, Pu, and one seal of the collector.

汪浦（清，1796-1850）庭院仕女图纸本设色，镜框一對款識：玉賓汪浦寫鈐印：汪、浦、軒珍藏

Image: 16 1/2 x 11 1/4 in., 41.9 x 28.6 cm Property from the Collection of Michael and Kay Melet $2,000-$4,000

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8579

C H I N ESE & SO UTH EAST ASIAN WORKS OF ART

85 Hu Yun, Feng Wenwei (1841-1896), Shen Wei (18621945), Yu Zonghai (1847-1930) , Changtai and Qian Enqi (1831-1873) (Chinese, 19th-20th Century) Calligraphy six ink on paper fans, framed each signed and inscribed, with artist’s seals.

胡沄、馮文蔚、沈衛、俞宗海、昌泰、錢恩棨（晚清-民國）紙本水墨，扇面六件，鏡框（一）胡沄節錄《曹全碑》款識：詺伯仁丈大人正謬，胡沄。鈐印一（二）馮文蔚節錄《聖教序》款識：介樵三舅岳大人訓正，甥婿馮文蔚學書。鈐印：馮文蔚（三）沈衛節錄《李叅軍友山亭記》款識：甲午(1894)四月詺柏我哥世姻大人法家教正，弟沈衛。鈐印一（四）俞宗海《兰亭集序》款識：玉枕蘭亭有三本，其一唐文皇使率更令以楷法摹蘭亭藏枕中，名玉枕蘭亭；其二宋政和中内臣見夫役作枕小石乃蘭亭序，只存數十字；其三即賈秋壑命廖瑩中以燈影縮小刻之靈璧石者。今率更等臨不復見而賈刻亦似星凰矣。適盦屬臨即正。余宗海。鈐印二（五）昌泰宋人集句款識：戏在元默涒滩病月書宋人集句，撼秋阁主人。鈐印一（六）錢恩棨節錄袁桷《清容居士集》款識：丙寅(1866)五月春日藕舫仁弟大人屬作，即請法正。拙兄恩柒漫塗。鈐印二

Each approximately 7 x 21 in., 18 x 53.2 cm. Property from the Collection of Michael and Kay Melet Acquired from Chinese Paintings, Textiles, Jades, Ceramics and Works of Art Auction, Sotheby Park Bernet, New York, June 13, 1979, sale 4261 lot 62 $2,000-$4,000

8679

*86 Ouyang Boyuan

(Chinese, Mid-Late 19th Century) Cherry Blossoms Under Moonlight ink and color on paper, rounded fan leaf signed, inscribed with a dedication, dated year Jiawu (1894), with three artist’s seals.

欧阳伯元（清晚期）梅梢月纸本设色，团扇款识：流水溪边是那家，一渠新月漾清。婷婷照影浑语，间煞萼风曳树花。甲午(1894)八月录旧句颂仁兄大人法正，伯元欧阳述同属竹西。钤印：欧阳印、伯元、另一漫漶不清 Diameter of image 10 1/8 in., 25.72 cm Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $800-$1,200

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87 [WOODBLOCK PRINTS] A Complete Set of Mustard Seed Garden. Art Series Prints. 19th/20th Century. 480 x 375 mm. Containing a set of 80 woodblock prints in a blue folding folio.

《芥子園畫譜全集》含木版水印80幅，深藍書衣，附圖錄清單。 Property from a Prominent Chicago Collection $1,500-$2,500

C H I N ESE & SO UTH EAST ASIAN WORKS OF ART

88 [WOODBLOCK PRINTS] Ten Bamboo Hall. Art Series Prints. 19th/20th Century. 2 folios, 480 x 375 mm. Containing a set of 185 woodblock prints in two blue folding folios.

《十竹齋畫譜全集》2冊含木版水印185幅，深藍書衣，附圖錄清單。 Property from a Prominent Chicago Collection $3,000-$5,000

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89 Zhang Daqian

(Chinese, 1899-1983) Seven-character Calligraphic Couplet in Running Script ink on paper, a pair of hanging scrolls, mounted and framed signed with four seals of the artist, Daqian ju shi (2), Zhang Yuan zhi yin (2), dated sixty year of the Republic (1971).

張大千（近代，1899-1983）行書七言下聯兩件紙本水墨，立軸釋文：亂世多才漢建安，雯窺上古開奇觀。款識：六十年（1971）十月蜀人張大千爰。鈐印：張爰之印（2）、大千居士（2）

Image: 52 x 13 in., 132 x 33 cm. Property from the Collection of Michael and Kay Melet Acquired from Chinese Paintings, Textiles, Jades, Ceramics and Works of art, Sotheby Park Bernet, New York, June 13, 1979, sale 4261 lot 62 $4,000-$6,000

C H I N ESE & SO UTH EAST ASIAN WORKS OF ART

90 Zhang Daqian

(Chinese, 1899-1983) Seven-character Calligraphic Couplet in Running Script ink on paper, a pair of scrolls, mounted and framed signed with four seals of the artist, Zhang Yuan zhi yin, Daqian ju shi, yi zhi yan, Xinhai, dated sixty year of the Republic (1971).

張大千（近代，1899-1983）行書七言聯紙本水墨，立軸釋文：养鹤阶除长得伴，种鱼池院不输租款識：六十年（1971）十月蜀人張大千爰。鈐印：張爰之印（2）、大千居士、一隻眼、辛亥

Image: 53 1/4 x 13 in., 135 x 33 cm. Property from the Collection of Michael and Kay Melet Acquired from Chinese Paintings, Textiles, Jades, Ceramics and Works of art, Sotheby Park Bernet, New York, June 13, 1979, sale 4261 lot 61 $10,000-$15,000

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91 Pu Ru

(Chinese, 1896-1963) Calligraphy in Running Script ink on paper, mounted and framed signed and inscribed, with one seal of the artist.

溥儒（民國，1896-1963）行書絕句紙本水墨，鏡框釋文：茂樹和風漾激湍，芳林修巧送微寒。遙知遠渚新蒲岸，應有賓鴻下遠灘。款識：題吳小仙修嵇圖，心畬。鈐印一，漫漶不清

Image: 13 x 26 1/2 in., 33 x 67.3 cm. Property from the Collection of Michael and Kay Melet Acquired from Chinese Paintings, Textiles, Jades, Ceramics and Works of Art Auction, Sotheby Park Bernet, New York, June 13, 1979, sale 4261 lot 59. $2,000-$4,000

C H I N ESE & SO UTH EAST ASIAN WORKS OF ART

96 Chiang Er-shih. Paris: Éditions Euros, 1963. 510 x 320 mm. 16 color reproductions, each signed. Original indigo navy silk case. LIMITED EDITION number 108 of 325 copies. With a dedication signed by the artist to Jack Sewell. Property from a Prominent Chicago Collection $600-$800

1967年《霜舘蔣諤士畫集》限量簽名版 Jack Sewell舊藏

蔣諤士(1913-1972)齋號青霜館，是張大千弟子，少有畫名，極嗜搜集歷代名跡，尤精鑒別。上世紀中葉他南渡香港，往返歐美做書畫掮客。張大千的仿古僞作許多就是經他手流入歐美主流博物館的。所以高居翰對他恨極。蔣青霜與盧芹齋紐約生意的繼承者卡羅(Frank Caro)分屬好友，通過卡羅他結識了法國漢學家，並得以在巴黎塞努奇博物館辦展，這本畫集就是爲此定制的。扉頁中蔣氏簽名並將此作贈予美囯漢學家賽維(Jack Sewell)，賽維是當時芝加哥博物館的亞洲部負責人。

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99 [PERIODICALS] Kokka: An Illustrated Monthly Journal. Tokyo: Asahi Shimbum, 1889-1898. 53 single paper bound issues with silk tied bindings, comprising: October 1889, no. 1 December 1889, no. 3 January 1890, no.4 March 1980, no. 6 April 1890, no. 7 August 1890, no. 11 October 1890, no. 13 December 1890, no. 15 January 1891, no. 16 February 1891, no. 17 March 1891, no. 18 April 1891, no. 19 May 1891, no. 20 September 1891, no. 24 October 1891, no. 25 November 1891, no. 26 May 1892, no. 32 June 1892, no., 33 July 1892, no. 34 August 1892, no. 35 September, 1892 no. 36 March 1893, no. 42 October 1893, no. 49 November 1893, no. 50 January 1894, no. 52 February 1894, no. 53

March 1894, no. 54 April 1894, no. 55 May 1894, no. 56 June 1894, no. 57 July 1894, no. 58 August 1894, no. 59 September 1894, no. 60 April 1895, no. 67 October 1895, no. 73 December 1895, no. 75 February 1896, no. 77 April 1896, no. 79 June 1896, no. 81 July 1896, no. 82 August 1896, no. 83 September 1896, no. 84 November 1896, no. 86 December 1896, no. 87 January 1897, no. 88 February 1897, no. 89 March 1897, no. 90 April 1897, no. 91 May 1897, no. 92 June 1897, no. 93 August 1897, no. 95 September 1897, no. 96 April 1898, no. 103

C H I N ESE & SO UTH EAST ASIAN WORKS OF ART

[With]: 3 compilations in contemporary leather, tops gilt, comprising: 1890-1891; no. 13-24; 1893-1894, no. 49-60; 1892-1893, no. 37-48. Together 89 issues in 56 volumes. 1889-1898年《國華》56冊89期

Property from a Prominent Chicago Collection $1,500-$2,500

100 [PAINTING & CALLIGRAPHY] Signatures and Seals on Painting and Calligraphy: The Signatures and Seals of Artists Connoisseurs and Collectors on Painting and Calligraphy Since Tsin Dynasty I-IV. Hong Kong: Cafa Company Ltd, 1964.

102 Yūgensai sen Chugoku Koshoga Zuroku (Catalogue of Yugensai Selections of Chinese Painting). Kaibushiki kaisha: Kyoto, 2006. 286 x 210 mm. Chiefly color illustrations and full index of works. Original navy silk, gilt lettered spine. Original slipcover (with a tear to the back).

4 volumes. 270 x 200 mm. Red and black and white illustrations, transcribed and transliterated. Blue cloth, dust jackets.

LIMITED EDITION of 300 copies.

1964年《晉唐以來書畫家鑒藏家款印譜》4冊

A rare fine comprehensive catalogue of over 2000 works of Chinese painting held in Japanese collections.

Property from a Prominent Chicago Collection $3,000-$5,000

101 [PAINTING & CALLIGRPHY] HARADA, Kinjiro. The Pageant of Chinese Painting. Chugoku Meiga Hokan. Otsuka Kogeisha: Tokyo, 1959. 310 x 235 mm. Chiefly illustrations covering over a thousand works by 414 artists. Contemporary blue gilt lettered cloth, the tops gilt.

2006年《幽玄齋選中國古書畫圖譜》限量300部

本書極稀見，兩千頁全彩精印，收錄的大多是早年流傳於日本藏界的中國書畫，附有尺寸説明等詳情。當然，其中不乏真僞存疑之作。不過由於日本業界强烈的私密性與排外性，本書所錄的大多藏品未見於其他文獻著錄。對於關注回流書畫的藏家是難得的參考資料。 Property from a Prominent Chicago Collection $2,000-$3,000

1959年原田谨次郎《中國名畫寶鑒》大塚巧藝社

這是《支耶名畫寶鑒》的複刻版，收錄歷代名家414人共 1031件作品。除了故宮與私人收藏，還涵蓋了不少日本古剎及世家秘珍，書口燙金，觸手如新。 Property from a Prominent Chicago Collection $800-$1,200

101 100 102

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103 [PAINTING & CALLIGRAPHY] SIRÉN, Osvald (1887-1966). Chinese Painting: Leading Masters and Principles. London: Lund & Humphries, 1956. 7 volumes. 281 x 220 mm. Frontispieces in color, black and white plates throughout. Original gilt red cloth. [With:] Early Chinese Painting from the A.W. Bahr Collection. London: Chiswick Press Ltd, 1938. 409 x 283 mm. Numerous plates, some in color. Brown gilt cloth, LIMITED EDITION number 354 of 700 copies. Property from a Prominent Chicago Collection $600-$800

C H I N ESE & SO UTH EAST ASIAN WORKS OF ART

喜仁龍(1897-1966)書畫著作2部 1956-1958年《中國繪畫》7冊全 1938年《白威廉氏珍藏中國古代繪畫集》

喜仁龍是西方近代漢學研究的先行者。在書畫方面最早涉獵。他的《中國繪畫》也是藏家必備的架上書。白威廉又名巴爾，中德混血兒，清末在上海經商，是英國皇家亞洲社派駐華北的秘書長。喜仁龍爲他撰寫的這本圖錄以手工紙印刷，毛邊，深棕封皮襯燙金書口，36幀插圖剪貼精裝，限量 700本，本書為第354號。

104 [PAINTING & CALLIGRAPHY] Great Paintings of the Sung Dynasty in the National Palace Museum. Tokyo: Gakken, 1975. Parts 1-3, with appendices bound as 6 volumes housed in 3 original cases. 582 x 383 mm. Color plates, with captions in English and Chinese.

1975年《故宮宋畫精華》上中下三卷

此書為日本學研社精印臺北故宮所藏宋畫名品百五十件。青灰書匣，鵝黃圖版，朱紅文錄，黑白與彩圖各半，作剪貼裝裱，纖毫畢現。

Property from a Prominent Chicago Collection $2,000-$4,000

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106 [PAINTING & CALLIGRAPHY] WANG, Shih-chieh, Chih-liang NA and Wan-li ZHANG. A Garland of Chinese Paintings. Hong Kong: Cafa Company Ltd, 1967. 5 volumes, 540 x 390 mm. [With:] WANG, Shih-chieh, Chih-liang NA and Wan-li ZHANG. A Garland of Chinese Calligraphy. Hong Kong: Cafa Company Ltd, 1967. 2 volumes, 540 x 390 mm. Numerous illustrations in color and black and white, with text in English and Chinese. Reproductions of fine paintings and calligraphy privately held. Original gilt lettered blue cloth. Property from a Prominent Chicago Collection $2,000-$3,000

C H I N ESE & SO UTH EAST ASIAN WORKS OF ART

1967年《藝苑遺珍》7册全

這套書由王世傑、那志良、張萬里等名家編著，香港開發股份有限公司發行。法書2輯，名畫5輯，大開本，蒼藍布面燙金，銅版紙精印，收錄海内外重跡數百幅，極具參考價值。

107 [PAINTINGS & CALLIGRAPHY] ZHANG, Wan-li and HU, J.M. The Selected Painting and Calligraphy of Pa-Ta-Shan-Jen. Hong Kong: Cafa Company Ltd., 1969. 2 volumes, 544 x 382 mm. Numerous collotype plates with text in English and Chinese. Original blue cloth gilt with original slipcase.

1969年《八大山人書畫集》2冊全

張萬里、胡惠春等名宿編著的這套畫集，選錄精，印刷優，排版非常簡潔而必要信息必備，大抵正因如此，即使五十年過去，還是最好的八大畫集之一。

LIMITED EDITION number 38 or 200 copies. Property from a Prominent Chicago Collection $600-$800

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110 [COLLECTIONS—MUSEUMS] Two museum catalogues of important collections of Chinese paintings, comprising:

博物館書畫冊兩種

Shanghai Museum Painting Collection. Shanghai: Renmin meishu chubanshe, 1959. 540 x 380 mm. 100 plates with text captions in Chinese. Original blue velvet gilt lettered cloth encased in a brocade silk folio. [With:] Nanjing Museum Painting Collection. Shanghai: Renmin meishu chubanshe, 1981. 525 x 380 mm. 100 plates with text captions in Chinese. Original inky lake silk brocade cloth in slate gray folio.

1981年《南京博物館藏畫》

Property from a Prominent Chicago Collection $1,000-$2,000

C H I N ESE & SO UTH EAST ASIAN WORKS OF ART

1959年《上海博物館藏畫》

陳毅題簽，以極燦爛的錦匣包裹寶藍色絲絨畫冊，內含上博館藏重跡百幅，大開本，很震撼。以低調的星灰麻布配醒目的橙紅灑金書簽，鑲窄窄一道白邊。收錄自宋以降名畫百餘幅。

114 [COLLECTIONS—PORCELAIN] Gu Gong Cang Ci (Porcelain of the National Palace Museum), Hong Kong: Cafa Company Ltd, 1961-1969. 33 volumes. 392 x 276 mm. Color plates throughout with descriptions in Chinese and English. Original cloth, pictorial dust jackets. Property from a Prominent Chicago Collection $8,000-$12,000

1961-1969年《故宮藏瓷》原版初印33冊全

这套巨作编辑于1965年之前，当时臺北故宮还没有成立，所以由故宮和中央博物馆兩院具名主編，交由香港開發股份有限公司精印。在此之前故宮的瓷器收藏從未完整地編目，這套書不僅是臺北故宮最早發行的圖錄之一，還是故宮文物自1935-36年倫敦展會后首次大規模出版。全書以“故宮藏瓷”為總名，自宋至清，且編且印。成書20 輯33冊，精心甄選自二萬件名瓷，附以中英文說明與器底細圖，器身內外色彩不同者，一並兼印，便於研究。

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115 [COLLECTIONS—CERAMICS] Oriental Ceramics: The World’s Great Collections. Tokyo: Kodansha International, 1976-78. 12 volumes. 390 x 280 mm. Numerous photographic color plates and black and white illustrations. Original cloth, gilt; folding cloth cases. Comprising: Tokyo National Museum, vol. 1, 1976; National Museum of Korea, Seoul, vol. 2, 1976; Museum Pusat, Jakarta, vol. 3, 1977; Iran Bastan Museum, Teheran, vol. 4, 1978; The British Museum, London, vol. 5, 1976; Victoria and Albert Museum, London, vol. 6, 1976; Percival David Foundation of Chinese Art, vol. 7, 1976; Musée Guimet, vol. 8, 1976; Museum of Far Eastern Antiquities, Stockholm, vol.9, 1976; The Freer Gallery of Art, Washington, D.C., vol. 10, 1976; Museum of Fine Arts, Boston, vol. 11, 1978; The Metropolitan Museum of Art, New York, vol. 12, 1977. LIMITED EDITION, mixed set, numbers 46, 171, 145, 253, 62, 54, 95, 88, 87, 98, 146, 146 of 300 copies. Property from the Collection of Michael and Kay Melet $3,000-$5,000

C H I N ESE & SO UTH EAST ASIAN WORKS OF ART

1976-1978年日本講談社原盒精裝《東方陶瓷》十二冊限量 300套

此書囊括了主流美術館中的東方瓷器精華：东京国立博物馆、韩国国立博物馆、大英博物馆、大維德基金会、巴黎吉美博物馆、弗利尔美术馆、波士顿美术馆和大都会博物馆......全书图片近5000张，配有年代、尺寸及窑口的说明文字，均出自舘方專家之手。

講談社這套巨著是玩家必備的工具書，因此多次再版，發行量也越來越大。本套是上世紀早期出版的珍藏品，裝幀配色無不用心，超出市面流行的普通版不知幾許。本書也只有這個版本，才夠得上“美术文献”的檔次，值得書齋珍藏。

118 [COLLECTIONS—THE BAUR COLLECTION] AYERS, John, et al. Geneva: Collections Baur. Chinese Ceramics I-IV, 1968-1974. 4 volumes, 282 x 227 mm. COMPLETE SET, LIMITED EDITION numbers 661, 307, 825, and 21 of 1100 copies. [With:] Netsuke, 1977. —Japanese Lacquer, 1984.—Japanese Ceramics, 1983.—Japanese Sword Fittings and Associated Metalwork, 2001. —Japanese Buddhist Textiles, 2014. Numerous photographic plates, some in color with text in English and French. Original cloth, pictorial dust jackets. Together 9 volumes.

瑞士鮑爾收藏全集9冊

鲍爾(Alfred Baur, 1865-1981) 是上世紀歐洲水準最高的鑒賞家之一。生于蘇黎世，居于日内瓦，在錫蘭開公司，在遠東覓珍藏。1951年去世前，他特別置下一棟大宅陳列藏品，這便是今日大名鼎鼎的鮑氏基金会博物館了。這套書是館藏文物的全集。其中，出版于1968-74年的4冊《鮑爾藏瓷》最爲人熟知。該書收錄有唐宋以降的大批精美瓷器，尤其95年出借日本慘遭阪神地震不幸玉碎的那一隻成化雞缸杯，如今只在本書留有倩影了。

Property from a Prominent Chicago Collection $3,000-$5,000

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123 A Longquan Celadon Glazed Porcelain Mallet Vase SOUTHERN SONG DYNASTY (1127-1279)

南宋龍泉青釉鳳耳盤口瓶

having a sea-foam green glaze throughout which thins slightly at the mouth rim and at the contours of the handles and shoulders, the cylindrical neck flanked by phoenix-form pierced handles above the canted shoulders, the foot an exposed brown clay ring with the celadon glaze applied to the underside. Height 7 1/8 in., 18 cm. Purchased from the Estate of Alan D. Katz, Boulder, Colorado $6,000-$8,000

C H I N ESE & SO UTH EAST ASIAN WORKS OF ART

125 An Incised Green Glazed Porcelain ‘Dragon’ Bowl

126 An Incised Yellow Glazed Porcelain Bowl

清道光綠釉暗刻龍紋盌

清道光黃釉暗刻花卉紋盌

DAOGUANG PERIOD (1820-1850)

the deep rounded walls rising to a lipped mouth, incised with a striding dragon pursuing a flaming pearl of wisdom, the underside bearing a Daoguang six-character mark in underglaze blue and of the period. Diameter 4 1/2 in., 11.43 cm. Ex. Collection of an Important Estate, Highland Park, Texas, thence by descent $2,000-$3,000

the deep rounded sides raised on a short straight foot, incised with large floral blossoms alternating with ruyi clouds, above overlapping leaves, the underside bearing a Daoguang six-character mark in underglaze blue and of the period. Diameter 4 5/8 in., 11.75 cm. $3,000-$4,000

125

126

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136 A Large Chinese Export Blue and White Porcelain ‘Landscape’ Charger QIANLONG PERIOD (1736-1795)

清乾隆外銷青花山水圖大盤

the center with a riverscape within a medallion, further enclosed by a foliate border. Height 21 5/8 inch., 55.5 cm. Property from the Collection of an Arizona Estate Acquired from a private collector in Scottsdale, Arizona Previously acquired from Mallett Antiques, London in the 1980’s $1,000-$2,000

C H I N ESE & SO UTH EAST ASIAN WORKS OF ART

138 A Blue and White Porcelain Figure of Guanyin

EARLY 20TH CENTURY 晚清/民國青花獅吼觀音像 the Bodhisattva depicted seated on a recumbent fu lion, wearing draped robes and a shawl covering her shoulders, bearing a short bamboo stalk in her hands, her face bearing a calm expression, her hair combed into a high chignon covered by a draped cloth, all supported on a fitted hardwood stand. Height 15 in., 38.1 cm. Property from a Private Chicago Estate $600-$800

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139

C H I N ESE & SO UTH EAST ASIAN WORKS OF ART

139 A Large Blanc-de-Chine Porcelain Figure of Guanyin

140 Three Blanc-de-Chine Porcelain Figures

清晚期博及漁人款德化白瓷觀音立像

清晚期德化白瓷紅樓夢人物立像三件

LATE QING DYNASTY

the benevolent Bodhisattva depicted standing with both hands folded at front, dressed in draped robes with a hood covering her chignon, the body elegantly swayed to the side, the bear chest adorned with an elaborate necklace with a large ruyi pendant, supported on a base carved with lotus blossoms, the reverse impressed with a Boji yuren four-character mark. Height 18 1/2 in., 47 cm. Property from a Private Chicago Collection $2,000-$3,000

LATE 19TH-EARLY 20TH CENTURY

comprising figures from the Chinese classic Hong lou meng (Dream of the Red Chamber). Height 6 3/4 in., 17 cm. Property from a Private Chicago Estate $700-$900

140

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141 A Famille Rose ‘Lady’ Sweet Meat Set

LATE 19TH CENTURY/EARLY 20TH CENTURY, SIGNED WAN ZHUTING

清晚期萬竹亭作粉彩仕女圖攅盤

comprising nine small dishes each painted with a lady, signed Wan Zhuting zuo, set together in a fitted hardwood box. Length of the set 10 in., 25.4 cm. Property from a Private Chicago Estate $700-$900

C H I N ESE & SO UTH EAST ASIAN WORKS OF ART

143 Two Pairs of Famille Rose Porcelain Wall Vases LATE 19TH-EARLY 20TH CENTURY

清晚期粉彩畫人物圖壁瓶

each of flattened form, painted to the front with figures in various pursuits in fenced gardens. Height of larger 6 1/8 in., 15.6 cm. Property from a Private Chicago Estate $600-$800

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*144 A Pair of Wucai Porcelain ‘Figural’ Baluster Jars 19TH CENTURY

清中期五彩人物圖將軍罐一對

each having board shoulder above a spreading foot, the main panel painted to show an official seated accompanied by his attendant, conversing with a couple below bands of lappet leaves, bogu motif and ribbon-tied Buddhist emblems, the underside with an underglaze blue double ring, together with a reticulated wood cover and a hardwood stand. Height 13 3/4 in., 35 cm Property from the Collection of George R. Bruha, Chicago, Illinois $3,000-$5,000

C H I N ESE & SO UTH EAST ASIAN WORKS OF ART

146 A Gilt Decorated Famille Rose Porcelain Double Vase EARLY 20TH CENTURY

民国描金粉彩山水詩文雙聯瓶

the conjoined vases each with a circular body above a splayed rectangular foot, below a tall cylindrical neck, finely enameled with mountainous landscapes and poems on both sides, the neck, the foot and the narrow sides decorated with ‘millefleur’ patten showing numerous flower heads set on a gilt ground, the underside bearing an apocryphal Qianlong four-character iron red mark, raised on a fitted hardwood stand. Height 5 5/8 in., 14 cm. $1,000-$2,000

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147

147 A Small Qianjiang Enameled Porcelain Dish

148 Three Famille Rose Porcelain Articles

清晚期程雪笠繪淺绛彩山水盤

民國粉彩溫酒盅一對及貝形筆舔

SIGNED CHENG XUELI

the interior painted to depict a mountainous landscape with a male figure crossing the bridge, signed Cheng Xueli followed by an artist’s seal, the underside bearing a Xiaoyuan zhencang four-character iron red mark. Diameter 5 5/8 in., 14.3 cm $500-$700

EARLY 20TH CENTURY

each richly enameled with flowers and birds. Height overall 4 1/4 in., 10.8 cm. Property from a Private Chicago Estate $400-$600

148 149 66

C H I N ESE & SO UTH EAST ASIAN WORKS OF ART

149 A Small Faux-Bois Ground Grisaille-Decorated Porcelain Rectangular Brushpot, Bitong

仿竹紋粉彩開光山水詩文圖四方筆筒

of square section on four bracket feet, each side decorated with a rectangular panels, two with mountainous landscapes, two with poems, the interior and the underside glazed turquoise, bearing a Qianlong four-character iron red mark. Height 4 1/4 in., 10.8 cm Ex. Private Collection, Lelystad, Netherlands $4,000-$5,000

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150 A Pair of Iron Red Decorated Famille Rose Porcelain ‘Landscape’ Vases 20TH CENTURY

雅玩珍藏款粉彩山水圖小棒槌瓶一對

each rouleau vase rising from a slightly spreading foot to a tall cylindrical neck and a dished mouth, the main body decorated with a mountainous landscape with figures at various tasks, the underside bearing a Yawan zhencang fourcharacter seal mark. Height 12 1/4 in., 31 cm. Property from a Private Chicago Estate $800-$1,200

C H I N ESE & SO UTH EAST ASIAN WORKS OF ART

154 A Famille Rose Porcelain Amphora Vase SECOND HALF OF 20TH CENTURY

景德鎮製薄胎粉彩牡丹蝴蝶圖柳葉瓶

the slender vase painted with two flying butterflies above large peony blossoms borne on leafy vines, raised on a fitted reticulated hardwood stand. Height 12 5/8 in., 32 cm. Property from a Private Chicago Estate $600-$800

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155 Five Famille Rose Eggshell Porcelain ‘Birds’ Vases SECOND HALF OF 20TH CENTURY

景德鎮製薄胎畫花鳥圖瓷瓶五件

each vase finely painted with a bird perched on flowering branches or pine trees, the underside bearing a Jingdezhen zhi iron red mark. Height average 6 1/4 in., 16 cm. Property from a Private Chicago Estate $1,000-$2,000

C H I N ESE & SO UTH EAST ASIAN WORKS OF ART

156 A Famille Rose Eggshell Porcelain Vase SECOND HALF OF 20TH CENTURY

中國景德鎮特製款薄胎粉彩喜上眉梢瓷瓶

the baluster vase painted with a magpie resting on a flowering prunus tree, the underside bearing a Zhongguo Jingdezhen tezhi seven-character iron red mark. Height 12 in., 30.5 cm. Property from a Private Chicago Estate $700-$900

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161 A Lime-Green Ground Famille Rose Porcelain Bottle Vase JIAQING MARK

嘉慶款綠地粉彩福壽三多番蓮紋撇口瓶

the globular body rising to a waisted neck and gilt decorated flaring rim, painted with a dense design of lotus, peach, hand citrons, pomegranate, pendant bats, butterflies, florets and endless knots interspersed on a lime ground between a small border of ruyi heads at the rim and a band of pink key-fret at the foot, the interior and the underside glazed turquoise, bearing a Jiaqing six-character iron red mark. Height 12 in., 30.48 cm Property from a Private Chicago Collection By repute, acquired from the Collection of Lois Hutcherson, Colorado, purchased in Japan in the 1930’s, thence by descent $20,000-$25,000

C H I N ESE & SO UTH EAST ASIAN WORKS OF ART

162 A Blue and White and Yellow Enameled Porcelain ‘Dragon’ Bowl KANGXI PERIOD (1654-1722)

清康熙藍地黃釉雲龍戲珠紋盌

the rounded walls rising to a slightly flared mouth rim, the exterior decorated with two striding dragons chasing flaming pearls of wisdom amongst clouds, the interior with a central medallion enclosing a sinuous dragon, all picked out on an underglaze blue ground, the underside bearing a Kangxi six-character mark in underglaze blue and of the period. Height 2 5/8 x diameter 5 7/8 in., 6.5 x 14.9 cm. Property from a Private Chicago Collection Acquired prior to the 1980’s $8,000-$12,000

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163 A Ruby Sgraffito Ground Famille Rose and Underglaze Blue Porcelain Bowl DAOGUANG PERIOD (1821-1850)

清道光胭脂紅地軋道粉彩開光四時花卉圖盌

the deep sides rising to a slightly everted rim, the exterior finely decorated with four roundels containing flowers of the four seasons, separated by lotus sprays and reserved on a ruby ground incised with feathery scrolling, the interior decorated in underglaze blue with a central medallion enclosing pine, prunus and rockwork, surrounded by further flowering plants, the underside bearing a Daoguang six-character mark in underglaze blue and of the period. Diameter 5 5/8 in., 14.29 cm Property from a Prominent Chicago Collection $6,000-$8,000

C H I N ESE & SO UTH EAST ASIAN WORKS OF ART

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*164 Six White Sgraffito Ground Famille Rose Porcelain “Eight Immortal’ Bell-Shaped Wine Cups DAOGUANG PERIOD (1821-1850)

清道光白地軋道粉彩八仙紋鈴鐺盃六件

the deep bell-shaped cup stands on a tall foot rising to a flared rim, each exquisitely painted to the exterior with one of the Eight Immortals with a ribbon-tied Daoist emblem, reserved on a white ground incised with wave motif. Height 2 5/8 x diameter 3 in., 6.67 x 7.62 cm Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $3,000-$4,000

C H I N ESE & SO UTH EAST ASIAN WORKS OF ART

166 Two Pairs of Famille Rose Porcelain Tea Cups EARLY 20TH CENTURY

民國粉彩花卉紋蓋碗兩對

the first pair decorated with shou characters alternating auspicious symbols, bearing a Yongqing changchun four-character iron red mark; the second pair painted with lotus scrolls against a coral red ground. Height of each 3 7/8 in., 9.6 cm. Property from a Private Chicago Estate $600-$800

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167 Three Iron Re Decorated Famille Rose Porcelain Articles 19TH CENTURY

清十九世紀礬紅粉彩雲龍戲珠蓋碗一件及茶碗兩件

comprising a large covered bowl and two covered tea bowls, each decorated with iron red enameled striding dragons chasing pearls of wisdom amidst ruyi clouds, above crashing waves, the covered bowl bearing a Guangxu six-character iron red mark and of the period, two covered tea bowls with apocryphal Qianlong four-character iron red marks. Diameter of largest 7 3/4 in., 19.7 cm. Property from a Private Chicago Estate $800-$1,200

C H I N ESE & SO UTH EAST ASIAN WORKS OF ART

169 A Gilt Decorated Coral Red Ground Famille Rose Porcelain Vase 18TH CENTURY

清十八世紀珊瑚紅地粉彩描金開光嬰戲圖瓶

the ovoid body decorated with butterflies at the shoulder and shaped panels enclosing boys at play in a fenced garden, all reserved on a vibrant coral-red ground with gilt decoration. Height 9 3/4 in., 23.7 cm. Purchased from the Estate of Mary Farkas, East Chicago, Indiana. $6,000-$8,000

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183 An Archaistic Bronze Vase, Fanghu

18TH/19TH CENTURY 清十八/十九世紀銅夔龍蟬紋貫耳壺 heavily cast with rectangular section and undulating sides, the pear-shaped body rising from a short splayed foot to a waisted neck, flanked by a pair of lug-form handles, cast in low relief with a band of archaistic kui dragons against a leiwen ground, above archaistic pendent cicada blades and further kui dragons, the foot decorated with wave motif. Height 13 1/2 in., 34.3 cm. Property from the Collection of Michael and Kay Melet $3,000-$5,000

C H I N ESE & SO UTH EAST ASIAN WORKS OF ART

184 Two Archaistic Bronze Vases 18TH-19TH CENTURY

清中期銅壺兩件

the first a bottle vase, the bulbous body resting on a spreading foot, surmounted by a tall cylindrical neck, cast throughout with a dense leiwen ground; the second a double handled vase, the tapering body cast with cicada blades and stylized dragons, the waisted neck flanked by a pair of dragon-form handles. Height of taller 24 1/2 in., 62.2 cm. Property from the Collection of Michael and Kay Melet $3,000-$5,000

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186 [BRONZES] Tongban Xiqing gujian (Copper-plate edition of the catalogue of Xiqing Antiquities), 1888. 24 volumes, 425 x 270 mm. Woodcut illustrations of objects and inscriptions, notes and dimensions. Volumes 1-22 containing bronzes, with the coin supplement bound in volumes 23-24. Bookplate: Mills College Library. Gift of the Rockefeller Foundation. Paper leaves with stitch binding. A nineteenth century printing of the catalogue of the ritual bronzes in the collections of the Qianlong Emperor, first published in 1793 by his commission, modeled after the Xuanhe bog utu of 1,594 bronzes. During the Guangxu period, the Qing court sent an embassy to Japan, who saw a private printing of the work, whereupon officials in China raised funds to purchase the 96 boxes of plates from Japan, from which a printing was finally sent in 1893 back to the court. Property from a Prominent Chicago Collection $6,000-$8,000

洛克菲勒舊藏《西清古鑒四十卷附錢錄十六卷》清光緒十四年（1888）邁宋書館銅版印本白紙24冊

《西清》原是乾隆帝命梁詩正等近臣將內府庋藏青銅器分門別類，仿效《宣和博古圖》和呂氏《考古圖》輯成的圖錄，歷時三年始成。全書含銅器1529件，一圖一文，銘文鉤摹，方圓圍徑、高廣輕重皆有注釋。另有《錢錄》收有古泉567 枚，繪圖精審，毫厘不失。銅版本據乾隆殿本影刻而成，開本闊達，形神皆同。首頁記題“光緒十四年邁宋書館在日本銅鐫”——這不是日本書局的風格，但邁宋書館向無資料，如今普遍認爲是中國書賈或藏書樓委托日人刻製，刻成後因故未能取回銅板，后被日本書商私印。光緒年閒，清廷出使日本的參贊陳明遠看到書商私刻的《西清古鑒》，無力購買，遂告知廣東士紳劉學詢。劉積極籌款，最終從東洋購回全套銅板九十六箱，刷印傳播。後來，劉學詢通過安徽巡撫沈慕，於光緒十九年(1893)春天呈進黃綾裝訂的印樣一部，最終獻板于宮内。本套《銅版西清》出自加州奧克蘭市著名的密爾斯文理學院，是洛克菲勒基金會贈予該校的禮物，每冊扉頁鈐有洛氏基金會印章，附藏書票，書後則貼有圖書館的卡片，意義非凡，值得珍藏。

C H I N ESE & SO UTH EAST ASIAN WORKS OF ART

187 [NUMISMATICS] Li Zuoxian. Gu guan hui (Catalogue of Ancient Chinese Coins). 1864. 16 volumes, 254 x 152 mm. Text and rubbings on double leave pages, catalogue of coins dating from the Eastern Zhou to Ming dynasty. Sewn binding of paper. Property from a Prominent Chicago Collection $800-$1,200

清同治《古泉匯》16冊白紙綫裝同治甲子(1864)利津李氏石泉书屋藏板

這是李佐賢自編自刊的圖錄。始於咸豐八年，至同治三年成書。分布泉、刀泉、圜法正品、異泉雜品四集。考證自東周至明代錢幣五千余品，含凡例、目錄、歷代著錄、古泉臆說、諸家泉說等集錄。李佐賢出身山東仕宦大族，家有藏書三万卷，生平好法書、好金石、好古泉。他曾居國史館九年，得以抄錄大量古籍。官只做到福建汀州知府便罷，辭归故里后專心編書。本書刊行后，他又與鮑子年合撰了《续泉汇》十四卷以及补遗兩卷。王獻唐《五鐙精舍印話》云“佐賢以治泉知名。《古泉匯》壹書為歷代泉學之冠。”誠不虛爾。

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188 [BRONZES] Bogu tulu kaozheng (Research on Illustrated Record of Ancient Bronzes). 1569. 20 volumes, 234 x 151 mm. 30 juan containing the jiaoban edition printed by Zheng Pu in the bingshen year of the Ming wanli period corresponding to 1596, with illustrations and text. Double leaves, with old restorations in paper sewn together by silk threads. Together in 2 folios of slate gray silk, each containing 10 volumes. Provenance: Qian Chenqun (1686-1774), sealed with commentary and titles. Sheng Xuanhuai (1844-1916), sealed with titles. C.T. Loo (1880-1957) (envelope). Cheng Bofen (1911-1988), sealed with postscript and titles. AN EXTREMELY RARE AND FINE edition formerly in the private library of Sheng Xuanhuai, and with an envelope from C.T. Loo, and calligraphic postscript by Cheng Bofen (of Xuan hui tang) in pale red ink. As infrequently as the Song dynasty Xuanhe bogu tu is seen, this jiaokan edition is perhaps even rarer. Indeed, the collator, Zheng Pu of Suizhou, was not entirely known when the imperial bibliography of the Tianlu Linlang library was published, and thus the work was misdated. Similarly, previous collector Qian Chenqun, a Hanlin scholar and near contemporary of such imperial bibliographies, believed this to be a Yuan dynasty work, as stated in his postscript for the present lot. Property from a Prominent Chicago Collection $30,000-$50,000

C H I N ESE & SO UTH EAST ASIAN WORKS OF ART

（宋）王黼撰（明）鄭檏考正《博古圖錄考正》三十卷明萬曆丙申（二十四年, 1596）校刊本 2函20冊，四孔線裝，幅234 x 151 mm，框170 x 110 mm，單欄 8行，行17字（清）錢陳群題跋盛宣懷、盧芹齋、程伯奮遞藏

題簽：元本宣和博古圖錄考證乾坤愚齋圖書館藏史部三十卷二十本第陸號元本盧芹齋1949年1月22日上海往紐約私人信函

錢陳群跋：元本博古圖錄考證三十卷。天祿琳琅書目元版史部有博古圖錄考證一書，云規仿舊刻，縮其方幅，前後無序而每卷首行標以博古圖錄考證。則必有其人因取是刻他本校之。前有遂州鄭樸序。卷一總説后樸題跋，云舊刻卷佚頗大，雖庋置無妨，囊携稱苦，予始改冊，凡摹式花紋款銘籀則不敢遺舊刻錙黍也云云。此本總説尚存，惟鄭樸其人已無可考。

程伯奋跋：此明鄭樸重刻本也。其翻摹古文共夫雲雷餐犧獸諸象視前尤勝。且卷帙閒少藏勢，均便有諀鑒賞，良非淺顯。樸嘉靖閒錦衣。見明胡文瑞甲乙刹言：晚知讀書真有益，卻悔歲月來無多，信乎。戊申(1968)嘉平月讀後記，伯奮。鈐印：錢陳群印、程伯奋圖書記、程伯奮珍藏印、澤州本、幸之印、泉

谷家藏善

著錄：《愚齋圖書館藏書書目》《愚齋圖書館藏書目录》

宋刻本宣和博古圖寥若星鳳，本部是明代遂州人鄭樸萬曆年閒縮幅重刻的校刊本，如今也不多見了。天祿琳琅編撰之時，尚不知鄭樸係何人，由於鄭序自記年月為宣和五年，序首卻有詆宋徽宗之語，若鄭樸真是當時臣民，那麽自然不會將這種書刊刻印行了。所以《天祿》姑將此本附在元本宣和博古圖之後。錢陳群在跋文中作同樣解釋——因為他是同一代人。嘉興錢氏是望族，錢陳群是吳越太祖钱镠的二十六世孫，和沈德潜并称“东南二老”。康熙六十年進士出身，從翰林院編修官至刑

部侍郎，死後諡太傅。他的族人中有擅畫的錢維城，他的兒子就是《四庫全書》和《三通》的副總編錢汝誠。

本書曾入盛杏蓀的愚宅圖書館，首卷留有卡片，杏蓀死後散出。書中一冊夾有致盧芹齋的信函一封，日期為49年1月。又有萱暉堂程伯奮以淡紅墨水書就的跋文。程伯奮出身海上古董世家，久居東京，以藏法書和尺牘聞名，是盛杏蓀七子盛昇颐的至交好友。盛七與孔宋交好，本是盛家二代中權位最高者，然而五十年代投機棉紗生意失利，不得不變賣家產，潦倒病逝于日本。程伯奮的書畫善本不少即因此而來。港中文大學的盛宣懷信劄檔，也是經他聯絡才得以入藏的。本書品相上佳，有老修，極仔細，書頁張張溜口，然平整匀净如新，偶有斷線一二、书角斑駁，那是平常展閲的手澤了。本書是怎樣在盛家、盧芹齋、程伯奮之間流轉的，今已不可靠。人事變化如白雲蒼狗，為物長存，值得珍賞。參考：《欽定天錄琳瑯書目卷五：元版史部》《國家圖書館中文古籍聯合目錄》

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189 [RUBBINGS] Two Albums of Ink Rubbings from the Qing Dynasty 2 folding albums, 292 x 273 mm. The first from the stele of Huanxiang Tang, comprising 27 leaves, with annotations by the classics scholar Hu Xiaoshi (1888-1962), dated to the Dingchou year (1927), National China Bookstore in Beijing label. The second form the stele of Wang Xizhi‘s calligraphy, comprising 12 leaves, with annotations in red ink and one collector’s seal: Lin hu xiao xuan cang Shu. Property from a Prominent Chicago Collection $800-$1,200

C H I N ESE & SO UTH EAST ASIAN WORKS OF ART

胡小石舊藏《原拓環香堂法帖》摺裝1冊27開題簽：丁丑(1927)春日小石谨签

此帖頗少見，據錢泳《履园丛话》，為长白鄂公西林为陕西巡抚时刻。鄂西林是雍正寵臣鄂爾泰的號。鄂公不曾任陕西巡抚，其三子鄂弼曾巡陝西，或爲誤記。此冊卷首附有訓詁學家胡小石(1888-1962)的題簽，卷末貼中國書店之標簽，或爲胡氏舊藏，因故散出。舊拓《右军六十帖》卷一摺裝1冊12開

此帖有朱筆點校，卷首鈐“臨湖小軒藏書”朱文方印。臨湖軒是冰心為燕京大學校長司徒雷登所取的齋名，此後一直作爲燕大的貴賓廳待客，后歸北大燕園。

190 [RUBBINGS] WEN Zhengming, compiler. Tingyun guan tie. (Rubbings from the Pavilion of Lingering Clouds). 10 volumes, 305 x 142 mm. Qing dynasty edition. Folded albums mounted between bamboo boards. Volumes ten and eleven (of twelve) not present. Provenance: C.T. Loo (inkstamp). Compiled from 1537 to 1560 by Wen Zhengming with sons Wen Peng and Wen Jia; engraved by Wen Shu and Zhang Jianfu. The original woodcuts were lost twice to fires; later expanded to twelves volumes engraved in 121 stone tablets which have since been lost. The first contains Jin and minor Tang rubbings, the second of Tang period Jin rubbings, the third and fourth containing Tang works, those of the Song in volumes five to seven, Yuan in eight and nine, the remaining a collection of Wen Zhengming’s writings. Together, an extraordinary work representing the finest of later rubbings. Property from a Prominent Chicago Collection $7,000-$9,000

盧芹齋舊藏清拓文征明輯《停雲館帖》十卷

此帖由文征明撰集，收錄自晉至元歷代名跡。其子文彭、文嘉摹勒，溫恕、章簡甫鎸刻。初為木板，僅四卷，遭倭亂毀於火，漸次增至十卷，再毀於火，後乃刻石。自嘉靖十六年 (1537)年至三十九年(1560)共刻12卷，121石。石後歸寒山趙氏、武進劉氏、常熟錢氏、鎮洋畢氏、桐鄉馮氏等等，最終散佚。

此帖神采清勁，選擇精，偽書少，首卷晉唐小楷多據越州石氏本上石，為全帖之菁粹。孙承泽《闲者轩帖考》有云：“停云精劲不俗，为近世诸刻第一”。本部為經折裝裱本，擦拓，紙墨古舊。卷一為晉、唐小字；卷二為唐摹晉帖；卷三、四為唐人書；卷五、六、七為宋人書；卷八、九元人書；卷十、十一原為明人書，今已逸；卷十二為文征明書。每冊夾板后鈐有盧芹齋藏印，出自其私人圖書館。

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C H I N ESE & SO UTH EAST ASIAN WORKS OF ART

191 [RUBBINGS] DONG Qichang, compiler. Xi hong tang fa shu. (Calligraphy Model of Xi Hong Tang). 15 volumes, 292 x 156 mm. Ming-Qing dynasty edition. Folding albums of ink rubbed on paper, with annotations from Dong Shining, an official during the Qianlong period posted in Zhejiang, and two seals: Wu feng ju shi and Dong shi ning jian zang yin. Each album mounted between gold ground russet and emerald brocade silk covered boards. Missing the fifth album, otherwise complete. Property from a Prominent Chicago Collection $10,000-$20,000

盧芹齋舊藏董其昌輯《戲鴻堂法書》十五卷清初期拓本裱本經折裝董世寧舊藏並朱筆點校鈐印：五峰居士、董世寧鑒藏印

董世寧是乾隆朝早期浙江湖州府同知，纂有《烏青鎮志》十二卷三十門，詳細記載了湖州烏鎮和嘉興青鎮的風土詳情。湖嘉一帶歷來是藏書重鎮，本品批點繁複，當是齋中時時翻閲的常用本。

《戲鴻堂法書》是明代著名刻帖，由董其昌選輯晉唐宋元名家書跡鐫刻而成，初為木刻，後毀於火，重刻石版，成十六卷，本部缺卷五。帖名取自南梁袁千里《古今書評》：“鐘繇書意氣密麗，若飛鴻戲海，舞鶴遊天”。

此帖萬曆三十一年(1603)刻畢，是年董氏四十九歲，名聲正盛，所以當時就廣爲風行。石版真本有施叔灝“用大齋本”、王儼齋“橫雲山莊本”以及沈屺雲“古倪園本”三種。北京故宮、國圖、首圖、吉圖收有明拓原石本、翻刻本、清拓拼湊本等數種。經比較，本部當爲清初之拼凑本。

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192 [THE REFERENCE LIBRARY OF C.T. LOO (1880-1957)] A group of works on Chinese art from the library of C.T. Loo, comprising: HOBSON, R.L. Chinese Pottery and Porcelain I-II. London, 1915; The Wares of the Ming Dynasty. London, 1923. SIGNED COPY by the author. Gunnar Lamby ex libris. The Later Ceramic Wares of China. New York, 1925; Chinese Art. London, 1927. — WILLIAMS, Rose Sickler. Catalogue of Chinese, Corean, and Japanese Potteries. New York, 1914.— EUMORFOPOULOS, George, foreword. Ming and Ch’ing Porcelains. London: 1923. Provenance: Arthur Rothwell, with his penciled notes.—Burlington Fine Art’s Club. Exhibition of Early Chinese Pottery and Porcelain. London, 1910. —Burlington Fine Art’s Club. Illustrated Catalogue of Chinese Art. London, 1915. — HOUO, Paul Ming-Tse. Preuves des Antiquités de Chine. Beijng, 1930.—PALEOLOGUE, M. L’art Chinois. Paris, 1887. Provenance: Langdon Warner, Kyoto, 1907 (ink).— CHEN, J.D. The Three Patriarchs of the Southern School in Chinese Paintings. Hong Kong, 1955.—HERTHINGTON, A.L. The Early Ceramic Wares of China. London: 1922.— BUSHELL, S.W. Oriental Ceramic Art. Collection of W.T. Walters. New York, 1886. Text edition only.—Bronzes Antiques de La Chine Appartenant à C.T. Loo. Paris, 1924.—Briques et Objets Ceramiques des Han. Appartenant à C.T. Loo. Paris, 1936.—Archaic Chinese Jades. Exhibition Catalogue. The University Museum: Philadelphia, 1940. (2 copies).— An Exhibition of Chinese Archaic Jades . C.T. Loo., Inc. West Palm Beach, 1950.—An Exhibition of Chinese Stone Sculptures. C.T. Loo., Inc. New York, 1940.—SIRÉN, Osvald. Studein zur Chinesischen Plastik der Post-T’angzeit. Berlin, 1927; The Chinese on the Art of Painting. Peiping, 1936. Early Chinese Painting from the A.W. Bahr Collection. London, 1938.—The Oriental Ceramic Society. Exhibition of Chinese Jades. London, 1948.—LAUFER, Berthold. Jade. Chicago, 1912. Charles Bain Hoyt (1889-1949) ex libris; Ivory in China. Chicago, 1925.—HONEY, William Bowyer. The Ceramic Art of China. London: 1944.—GULLAND, W.G. Chinese Porcelain. London, 1929. 2 volumes, fifth edition.—GROTHE, Hugo (1869-1954). Orientalisches Archiv I-III. Leipzig, 1910-13. STRANGE, Edward F. Chinese Lacquer. New York, 1926.—Oriental Art. Ceramics, Fabrics, Carpets. London: 1928.—LETH, Andre. Chinese Art. Copenhagen, 1953. Illustrated Catalogue of the Beautiful Old Chinese Porcelains Comprising the Extraordinary Private Collection formed by Mr. S.S. Carvalho. New York: 1914. —MIZUNO, Seiichi. Unkō sekibutsugun (Yungang Grottoes). Tokyo, 1944; Chinese Stone Sculpture. Tokyo, 1950.— MENTEN, J.F.H. Chinesische Grabfunde und Bronzen. Zürich, 1948.—ACKERMAN, Phyllis. Ritual Bronzes of Ancient China. London: 1945. —FENOLLOSA,

C H I N ESE & SO UTH EAST ASIAN WORKS OF ART

Ernest F. Epochs of Chinese and Japanese Art I-II. London, 1921. Fourth edition. Anna May McNulty Carter ex libris. —MANNERHEIM, C.G. Till Häst Genom Asien. Helsingfors, 1946.—MEYER, Agnes E. Chinese Painting as Reflected in the Thought and Art of Li Lung-mien. New York, 1923. —KOYAMA, Fujio. Soji (Song Ceramics). Tokyo, 1943.—Les Laques du Coromandel. Paris, 1920.—WEN Yu. Selected Ancient Bronze Drums. Shanghai, 1957.—The Tokwaan-Kokyo-Zuroku or Ancienct Chinese Mirrors from the Collection of the Late Kenzō Tomioka. Kyoto, 1924.—HARADA, Yoshito. Lo-Lang… Excavation of Wang Hsü’s Tomb. Tokyo, 1930.—UMEHARA, Sueji. Tang Dynasty Mirrors. 2 volumes. Kyoto, 1945. Together 46 works in 52 volumes, all first edition unless otherwise noted. A selection of important foundational works informing the study and collection of Chinese art in the early 20th century from the personal library of famed art dealer, collector, and connoisseur C.T. Loo: including early catalogues from the seminal exhibitions at Burlington House in London, and a number of works by R.L. Hobson, keeper of ceramics at the British museum, and many of Loo’s personal copies from his own exhibitions. In addition to Loo, many of these works bear the names and notes from other contemporaries such as Langdon Warner, Charles Bain Hoyt, and Arthur Rothwell: figures foundational to shaping the field, and whose collections and tastes have now spread throughout the world’s most renowned public and private collections.

盧芹齋藏書中國文獻46部52冊涵蓋陶瓷、青銅、古玉、書畫、造像、織綉、漆藝等多個門類，每冊扉頁鈐有盧芹齋藏印。（全部書籍明細請聯繫行方） Property from a Prominent Chicago Collection $8,000-$12,000

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193 [IVORY] LUCAS, Sydney Edward, compiler. The Catalogue of Sassoon Chinese Ivories. London: Country Life and New York: Charles Scribner’s, 1950. 3 volumes, 400 x 305 mm. Numerous plates and descriptions of 966 objects. Original vellum and green cloth, top gilt with others uncut; green cloth slipcases. FIRST EDITION, LIMITED ISSUE number 91 of 250 sets signed by Sir Victor Sassoon and Sydney Edward Lucas. Catalogue of the substantial ivory collection, including objects from imperial collection and purchased from Manchu families, acquired by Sir Victor Sassoon during years 1915-1927 in Beijing. Property from the Collection of Michael and Kay Melet $4,000-$6,000

C H I N ESE & SO UTH EAST ASIAN WORKS OF ART

1950年限量編號《沙遜藏中國象牙雕刻》 3冊全

沙遜家族是全世界最富有的阿拉伯商人之一。19世紀中葉他們從巴格達避難到遠東。”沙遜洋行”大名鼎鼎。在上海的这一支，僅地產一項，即建有华懋公寓、峻岭寄庐、河濱大樓与和平饭店，到今天還是地標。申城生意的话事人——家族第四代維克多，曾在一戰中負傷，被沪人戲稱為“翹腳沙遜”。維克多很早就开始關注牙雕，這套巨作編號91，涵有圖版966幅，是他昔年蒐集的菁華。大多于動蕩的民國初年，購自沒落的京城皇冑。全書三厚冊，毛邊，三面刷金，荷葉綠布面襯小羊皮書脊，觸手潤澤如美人肤，烫金書冠幼細如花鈿。即使在相關交易難被允准的今天，若是認真藏家，這套書就不該錯過。

194 [COLLECTIONS—CERAMICS] HOBSON, R.L. (1872-1941). The George Eumorfopoulos Collection of Chinese, Corean and Persian Pottery and Porcelain I-VI. London: Ernst Benn, 1925-1928. 6 volumes, 350 x 207 mm. Numerous photographic plates, some in color. Original black and gold textured and gilt lettered cloth. Ex. Collection of Arthur B. Rothwell, with his name signed in the front cover and copious penciled notes throughout. Rothwell was a collector of Chinese porcelain and paintings active in the early-mid 20th century, who in his lifetime sold to notable institutions including the NelsonAtkins Museum; and gave generously of his knowledge and collections to those such as the Museum of Fine Arts, Houston and Dallas Museum of Art. LIMITED EDITION number 142 of 750 copies. Property from a Prominent Chicago Collection $4,000-$6,000

1925-1928年《喬治·尤摩弗帕勒斯珍藏中國、朝鮮及波斯陶器》6冊全

英國收藏家尤氏(George Eumorfopoulos 1863-1939)的大名，在收藏圈可以説如雷貫耳。他是惠靈頓展覽的組織者，東方陶瓷協會的創始人與首任會長。他的收藏領域極廣，從瓷器書畫到青銅玉器都有涉獵，且是高古陶器品鑒的先行者。這套金色封面的圖錄是一代歐美藏家的聖經。全手工紙印刷，書口書底毛邊，灑金邊框内貼彩圖，以半透明薄紙輕輕護住。限量發行750冊，本套編號142。本部來自紐約藏家亞瑟·羅斯維(Arthur B. Rothwell)的私人文獻庫。羅斯維出身德州名門，家中世代經營天然氣生意，上世紀初開始收藏中國藝術。北美書畫重鎮——堪薩斯城納爾遜阿金斯博物館所藏的陳閎《八公圖》、王原祁《仿趙孟頫桃源春》和《仿惠崇江南春》冊頁，原本就是羅斯維的藏品。在楊仁愷的《國寶沈浮錄》中均有記載。書畫之外，羅斯維也雅好瓷器。這套《尤氏藏瓷》中的不少珍品他都曾上手把玩，所以在每一幀插圖旁邊密密麻麻注有筆記，讀來別有意趣。

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195 [ARCHAEOLOGY] STEIN, Marc Aurel (1862-1943). Innermost Asia: Detailed Report of Explorations in Central Asia, Kan-Su and Eastern Iran. Oxford: Claredon Press, 1928. 4 volumes, complete mixed set. 330 x 243 mm (volumes 1-3). Volumes 1-2 with 505 illustrations, 137 plates and 59 plans in volumes three. Original brown cloth covered boards, with a gilt central medallion and gilt letting. Volume 4 with 51 loose folding maps, New Delhi, 1981. Property from a Prominent Chicago Collection $4,000-$6,000

C H I N ESE & SO UTH EAST ASIAN WORKS OF ART

1928年初版斯坦因《亞洲腹地考古記》4卷全

對於中國人來説，斯坦因 (Sir Aurel Stein)是個備受爭議的人物。這位原籍匈牙利的英國考古學家天生精力充沛、野心勃勃，語言天賦尤其過人。24嵗即被授予東方學院院长的職位，遠赴英屬印度考察。從1900到1931，斯坦因組織了四次探險，足跡遍佈絲路——先後發掘了和阗、尼雅、樓蘭。當然，還有舉世震驚的敦煌莫高窟。

1928年初版的這套《考古記》，完成于1913-16年第三輪探險

之後。這一次他重访敦煌，带走大量文物，还发掘了西夏古城黑水，打开了“河边大塔”的塔腹和基座，整理出四千件佛经、雕塑和文書。本書不但記載了考察的詳情，還附有五十餘份考古地圖，以及五百餘張珍貴圖片——從千年不腐的樓蘭艷尸、色澤如新的西域壁畫、到黃沙大漠的風土人情，即使又一個世紀過去，展卷覽畢，震撼依舊銘心。

196 A Possibly Dunhuang Fresco Fragment

敦煌壁畫殘件

painted in Dunhuang style with celestial bodhisattva riding on a mythical beast against a background of ribbons fluttering and clouds swirling around, all in shades of red, ocher, green, and black, framed and glazed. Height 19 1/2 x width 26 1/2 in., 49.5 x 67 cm. $5,000-$7,000

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197 [ARCHAEOLOGY—DUNHUANG] STEIN, Marc Aurel (1862-1943). The Thousand Buddhas: Ancient Buddhist Paintings from the Cave-Temples of Tun-Huang on the Western Frontier of China. Kyoto: The Rinsen Book Co. Ltd., 1978. 638 x 519 mm. Leaves of illustrated plates, some in color. Original box with silk ties. LIMITED EDITION of 400 copies. Property from a Prominent Chicago Collection $1,000-$2,000

C H I N ESE & SO UTH EAST ASIAN WORKS OF ART

1978年《敦煌千佛洞》

本書是斯坦因 (Sir Aurel Stein)1921年原著的特別複刻版，由大英博物館委托京都臨川書店定制，共計400套。一百年前，斯坦因從掠走的敦煌文物中選取絹畫48幅，印成此書。序文由時任大英博物館東方繪畫部主任賓雍撰寫。臨川書店發行的複刻版，以沙色布面搭配五十余幅巨圖及詳細解説，開本巨大，兩人合力方能展閲。本書籌備時，這批絹畫已經過仔細修復，較之當年更爲明艷動人，值得收藏。

LOTS 202-206 Thomas Allom (English, 1804-1872) hand-coloured steep-plate engravings on paper from a series of illustrations on China each inscribed ‘Drawn by T. Allom’ (lower left), ‘Fisher, Son, & Co, London & Paris’ (center). Average 5 x 8 in., 12.7 x 20.3 cm each. Property from a Prominent Chicago Collection

托馬斯·艾隆中國風彩繪鋼版畫五組芝加哥私人收藏 202 ‘Temples and Palaces,’ collection of ten

宮殿與神廟十幅 $1,500-$2,500

203 ‘Landscapes and Agrarian Life,’ collection of nine

城鎮與村落九幅 $1,500-$2,500

204 ‘Urban Life,’ collection of nine

都會風貌九幅 $1,500-$2,500

205 ‘Daily Life and Leisure,’ collection of nine

Lots 202-206 represent a series of steel-plate engravings by Thomas Allom, a British architect, artist, and topographical illustrator. Following the Macartney expedition to China at the end of the eighteenth century, British curiosity towards the lands, customs, and people of the country only increased, and Allom was no exception. Unfortunately, he did not have opportunity to visit China himself, so these illustrations rely entirely upon his interpretation of written accounts. The result is demonstrated in these works with an architect’s eye for precise renderings of his imagined halls, temples, city gates, and expansive interiors, sweeping vistas across dramatic landscapes, but sometimes near comical depictions of the people and customs within them. Together, these lots comprise a precise lens for understanding a British view of China in the late imperial period.

艾隆是維多利亞時代著名的建築師。在今天，他的插畫遠比建築有名。自18世紀末馬戛爾尼使團訪華，帶回乾隆帝賞賜的大批回禮，“中國風”在大不列顛刮起旋風。艾隆游遍大英與中亞，對華夏心向往之，卻不曾有機會涉足，所以根據前任的筆記游記，創作了許多心目中的滿清社會場景。在這些版畫中，有城鎮市集、深宮寺廟；有江南山水、藏蒙風土；有嬉鬧小兒、有深閨貴婦。可以説市井百態羅列風俗。但是細察之下，難掩歐陸風格——雕梁畫棟俱是洋式，官紳香客高鼻深目，織綉羅衫襯蕾絲花邊。這種臆想帶來的裝飾手法是如此天真，以一種赤誠的可愛，令人莞爾。

市井繁榮九幅 $1,500-$2,500

206 ‘Ceremony and Custom,’ collection of seven

民生與民俗七幅 $1,200-$1,400

For a complete inventory, please contact the department.

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212 [CHINA—20TH CENTURY] A group of five rare works relating China during the early 20th century, comprising: ZUCKER, A. E. The Chinese Theater. Boston, 1925.—BREWITT-TAYLOR, C. H. San Kuo, or Romance of the Three Kingdoms I-II. Shanghai, Hong Kong & Singapore, 1929. Popular edition with original case. — CONSTANT, Samuel Victor. Calls, Sounds, and Merchandise of the Peking Street Peddlers. Beijing, 1936.—LOWE, H.Y. The Adventures of Wu: The Life Cycle of a Peking Man I-II. Beijing,1940-41. 2 copies, one rebound as two volumes, the other paperback.—VANNOTTI, Franco. Ventagli cinesi. Chinese fans. Laupen, 1972. Loose gilt and color reproductions of fans in collection of Dr. Vannotti, together in silk case. Together 5 works in 8 volumes, all first edition unless otherwise noted. Property from a Prominent Chicago Collection $1,000-$2,000 “西洋鏡”：西方人眼中的清末民國 5種8冊 1925年《中國戲劇》

這是美籍德裔戏剧學家祖克的名作。從早期戲劇、元雜劇、明代戲曲寫到昆曲皮黃。將京戲與莎劇比較，闡述衍變流程，并附有絹本手繪彩圖與珍貴劇照。祖克極愛梅蘭芳，為梅郎特書專章，加以倩影玉照。此書的裝幀也別具一格，以極少見的琥珀黃作封面，仿照舞臺帷幕軋黑色流蘇，書頂刷金，毛邊，限量發行720冊，本品為第92號。

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1929年《三國志演義》英譯2冊三國的譯本有60餘種，英國漢學家泰勒這一版是最早的，堪

稱眾譯本之始。泰勒原是福州船政學堂的講師，後來作為海關官員派駐京津、沈陽、長春等地。這套書由著名的西文出版機構別發印書館發行，遠銷京滬南洋，本品附原裝書匣，極罕見。 1936年《京都叫賣圖》

本書作者康士丹是上世紀初美駐華使館武官。康氏駐京十餘年，直奉戰爭期間，曾作為美方觀察員隨軍。本書是他的碩士論文，以極具民初風韻的五彩錦面裝訂，附61幀石印彩图，16枚黑白照片，以四季為類，記錄了五十余種老北京胡同中的叫賣聲。北平貨郎如今早已不存，偶在洋人的筆記舊影中，還可一窺。

1940-1941年《一个老北京人的生命周期》 2套3冊這是羅信耀的成名作。羅是埃德加·斯諾的助手，三十年代末

斯諾邀請他在《北平時事日報》發表連載文章，向西方讀者介紹北平民俗。羅信耀以禮士胡同吳家一代人為例，描繪老北京人的生活起居、生老病死。此書一經出版，在北美漢學界和華界影響極深，至今不衰。 1972年《墨蟬山莊藏中國扇面》

墨蟬山莊是瑞士藏家凡諾蒂博士的齋號。凡諾蒂的收藏在歐洲有盛名，他去世前，所藏器物經埃斯卡納齊之手釋出。書畫藏品共計200餘件，半數為扇面，這冊圖錄的是其中精品，以深藍函裝，王季遷撰文，24張扇面印在灑金箋上，燦麗如霞，墨色如新。

213 [SINOLOGY] GILES, Lionel (1875-1958), translator. The Analects of Confucius. Shanghai: The Limited Editions Club by the Commercial Press, 1933. 280 x 175 mm. With translated text and multiple intaglio prints. Folded leaves, sewn silk brocade encased in hardwood covered box. LIMITED EDITION number 785 of 1500 copies. Property from the Collection of Michael and Kay Melet $700-$900

1933年翟林奈編譯《論語》綫裝一冊

翟林奈出身於著名的翟理斯家族。從十九世紀中葉直到二戰前夕，一門兩代俱是英倫駐華外交官兼漢學家。老翟理斯修正了汉语罗马化体系，使之成為广为人知的的威妥玛拼音——也就是20世纪英語音译中文的標準系统。翟氏父子一生翻譯了許多中國古代思想著作，有老莊，有孔孟，也有《孫子兵法》和《列仙傳》一類洋人眼中的東方奇幻。上世紀三十年代出版的這套論語，是商務印書館面向大英善本俱樂部發行的定制版，通體效仿中式裝幀：紅木書盒上篆有朱漆大字，標題填石綠，玫瑰紫錦面書衣配杏仁黃書簽。打開來，鬆軟的宣紙上印的卻是地道英文，而且橫版右行，遵照近世的閲讀習慣，十分趣致。

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225 Ten Embroidered and Woven Silk Articles EARLY-MID 20TH CENTURY

晚清-近代織綉一組十件

Largest frame: 35 x 21 1/4 in., 89 x 54 cm. Property from a Private Chicago Estate $1,500-$2,500

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227 A Pair of Embroidered Silk Circular Fans

19TH CENTURY vibrantly embroidered against a pale gold ground with peacock, pheasants, mandarin ducks and other birds amongst flowering branches above rockwork, mounted with lacquer frames and handles, each framed and glazed. Diameter of each 9 7/8 in., 25 cm (visible). For two similar examples, see The Palace Museum, accession nos. 故00136015 and 故00136311 $10,000-$15,000

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清十九世紀白絹地鏽五倫圖宮扇一對

“七寶畫團扇，燦爛明月光。動搖郎玉手，面作芙蓉光“。這種内廷御製的羅扇是妃嬪的特供——以新裂紈素綉繁花瑞鳥，漆地描金作邊框，扇柄挖出海棠花、絛環孔式樣，和北京故宮所藏的一模一樣。扇柄所飾乃吉金之銘文，填金紋樣出自三代鍾彜，為這對團扇掃去媚氣，憑添了一份古樸雅秀。

ike many objects d’art made during the height of the Qing period, in which the techniques, material, media, and artistry particular to various individual practices act interdependently to create an artistic whole, this pair of embroidered silk panels, set in polychrome and gilt lacquered frames as fans resist singular categorization. Works of this class share a trend toward the sumptuous, with an emphasis on extravagance, and an expert application of artisanal skill that had achieved a zenith by the latter Qing dynasty. In the case of this pair of fans, this is evidenced through a combination of weaving, embroidering, carving, and lacquering. The embroidery work, which consists of a near dozen needlecraft techniques, whispers above a densely woven ground of slender silk threads to create a lustrous satin of a gold-touched cream. Each visible panel shows a polyphony of birds—of which types include phoenix, parrot, hummingbird, quail, pheasant, sparrow, mandarin duck, and myna—chattering against branches with chrysanthemum, peony, lotus, prunus, bees, and butterflies, all above vesicular rocks. Diverse applications of varying embroidery techniques and stitches are each masterfully chosen as descriptive medium for each respective subject. For example, of the multiple types of satin stitches used, leveled stitches (qizhen) are anchored in neat rows to create forking tributaries of sturdy branches and leaves, whereas painterly long-and-short stitches (taozhen) form rockery punctuated with stem stitches (gunzhen). For bird feathers, the most complex multicolored scale stitches (kelinzhen) are reserved for the phoenix, while some flash tidy rows of aptly-named hen feather stitch (jimaozhen), and dramatic tails are rendered with stitches of varying density resembling pine needles (shizhen). Finally, details of miniscule seed stitches (dazizhen), and woven wheel stitches are applied sparingly. Each set of panels rests within a conforming lacquered circular frame above elongated handles with openwork details. Swirling ribbons of red and black lacquer create a marble finish achieved with the polychrome painted ‘bixi’ lacquering technique in which red raw lacquer sap is repeatedly freckled over black lacquered base layers, creating an uneven surface of bumpy peaks and valleys. This process requires application of thin layers of raw lacquer, which is toxic before curing and must dry completely before the next layer is applied. After the layers are complete, the work is polished smooth to a uniform surface of polychrome striations. With the present fans, the lacquered surface is further decorated with gold powder filling in carved recesses along the borders and handles. The gilt details encircling the frames about the embroidered silk panels mirror the subject matter they frame and are composed of various blossoming flowers and birds, whereas the handles are unusually incised with inscriptions from archaic bronzes and annotations in regular script. Needlework of this type: exemplified by the ornate and complex composition with negligible negative space aligns the fans with the Guangzhou school of silk embroidery. Many Guangzhou embroidered silk articles—even those worked in similar motifs—are often characterized as export material. However, both the fine quality of the embroidery and the details in the lacquered frames, particularly the archaistic inscriptions, support the likelihood that this pair of fans, and works similar, were created to appeal to a domestic Chinese, and indeed, imperial, taste. Examples of similar fans are held in privately and in museum collections, including a notable pair embroidered with a more vivid palette against a paler ground in Beijing Palace Museum formally accessioned in the first half of the twentieth century. Though often overlooked by an uninitiated eye as mere decorative objects at the margins of art history, fans of this caliber demonstrate the finest technique and quality of materials used to carefully balance dramatic elements to refined, tasteful effect.

故00136015

故00136311

絹繡花鳥圖面漆柄團扇

白絹地繡孔雀漆柄團扇

An Embroidered Silk ‘Birds’ Circular Lacquered Fan

A White Ground Embroidered Silk ‘Peacock’ Circular Lacquered Fan

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228 Four Blue Ground Kesi Woven Silk Circular Panels QING DYNASTY (1644-1912)

清藍地緙絲團飾四件

finely woven in silk and metal threads and further painted details with large floral blossoms borne on leafy vines, fruits, ribbon-tied Buddhist emblems, bats and butterflies, all picked out on a dark blue ground, framed. Diameter of largest 11 1/2 in., 29.3 cm Acquired from Teresa Coleman Fine Arts Ltd., Hong Kong $2,000-$4,000

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233 A Blue Ground Kesi Woven Silk Dragon Robe, Jifu 18TH-19TH CENTURY

清中期藍地緙絲龍袍

the blue kesi ground densely woven with nine five-clawed dragons picked out in gold threads chasing flaming pearls amidst multi-colored clusters of clouds, bats and the Eight Buddhist Emblems above rockwork emerging from rolling waves and a lishui border, with dark blue ground borders at the collar and cuffs similarly decorated, framed. Length from collar to hem 52 1/2 in., 133.4 cm. $5,000-$7,000

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Lots 238-245 | Property from a Private Chicago Estate 238 A Fur Lined Blue Ground Embroidered Silk Winter Coat 239

LATE 19TH/EARLY 20TH CENTURY

清晚期藍緞地繡花蝶紋女冬襖

Length from collar to hem 46 1/2 in., 110.8 cm. $2,000-$3,000

239 A Black Ground Embroidered Silk Lady’s Surcoat EARLY 20TH CENTURY

二十世紀初石青地繡仙鶴團花紋女袍 Length collar to hem 51 1/4 in., 130 cm. 700-$900

240 A Red Ground Embroidered Silk Lady’s Informal Robe LATE QING DYNASTY 240

清晚期紅緞地繡八團花卉孔雀紋女袍

Length from back of collar to hem 51 1/4 in., 130 cm. $1,000-$1,500

241 Two Embroidered Silk Summer Apron Skirts LATE QING DYNASTY/REPUBLIC PERIOD 清晚期/民國五彩繡花卉紋馬面裙兩件 Length of each 38 3/8 in., 90 cm. $800-$1,200

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244

242 A Embroidered Silk Manchu Lady’s Informal Robe

243

LATE 19TH/EARLY 20TH CENTURY

清晚期綠緞繡蘭花紋氅衣及品藍緞繡蘭花紋褲 Length from back of collar to hem 58 in., 140.7. $1,200-$1,600

243 Two ‘Sanlan’ Black Ground Embroidered Silk Lady’s Coats LATE 19TH CENTURY

清晚期青灰緞地三蓝繡花卉女襖兩件 Length of longer 43 7/8 in., 110.6 cm. $800-$1,200

244 Three Apricot Ground Embroidered Silk Lady’s Articles

241

19TH-20TH CENTURY 十九/二十世紀杏地繡花卉蝴蝶紋女袍兩件及馬面裙一件 Length of longest from back of collar to hem 54 7/8 in., 140 cm. $2,000-$3,000

245 An Embroidered Silk Wedding Set LATE QING DYNASTY/REPUBLIC PERIOD

清晚期黑緞盤金綉夾襖及绣花红裙一套 Length of skirt 32 1/2 in., 80.3 cm. $800-$1,200

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259 A Huanghuali Lamp Stand, Dengtai

黃花梨燈台

the inverted U-shaped frame with two uprights each flanked by scroll-shaped spandrels and rising from solid humped feet, the frame joined by four stretchers, two at the top and two below, the lower two with an inset openwork shaped beaded panel, with openings in the upper two for the round section lamp pole, supporting a circular dish at the top, with four scroll-shaped spandrels underneath, and a wedge for locking the lamp pole at different heights. Height 66 1/8 in. 168 cm. $2,000-$3,000

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260 A Pair of Huanghuali Continuous-back Arm Chairs, Nanguanmaoyi

黃花梨南官帽椅一對

each with a straight round toprail rounding to corner posts extending to form the back legs, centered by a wide C-form rectangular splat, curved cylindrical arms, with tapering supports midsection, continuing through the molded rectangular seat frame enclosing a wood seat, to form the front legs, joined by continuous beaded aprons tapering towards the base, joined by side and back stretchers and foot rail above a beaded, shaped apron. Height 40 x width 23 1/4 x depth 18 in., 101.6 x 59 x 45.8 cm. $5,000-$6,000

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262 A Softwood Cabinet, Fangjiaogui

軟木雕夔龍方角櫃

of rectangular form, having a pair of pull-out doors inset with three panels, the upper two having openwork kuilong decoration, the lower panel carved with similar dragon design, the interior walls lacquered black and painted with auspicious objects, a large interior shelf and two pull-out drawers, all above straight aprons, resting on square sectioned feet. Height 76 x width 38 x depth 17 1/2 in., 193 x 96.5 x 44.5 cm. $4,000-$5,000

264 A Elmwood Three-Drawer Coffer, Liansanchu

榆木聯三櫥

the rectangular top set with everted flanges to either short end, over shaped spandrels with openwork dragon design, flanking three drawers, each framed with a scrolling-edge panel, over a wide panel and a reticulated apron supported on straight legs of rectangular section with beading to the exterior, the circular metal lockplates and handles. Height overall 36 1/2 x width 71 1/2 x depth 23 in., 92 x 181.7 x 58.4 cm. $3,000-$5,000

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271 A Gilt Ground Famille Rose Porcelain ‘Luohan’ Snuff Bottle LATE 18TH/EARLY 19TH CENTURY

清中期描金地粉彩十八罗汉鼻烟壶

of flattened form, finely painted around the body with eighteen luohan figures against a gilt ground, the underside bearing a Qianlong four-character iron red mark. Height overall 2 3/4 in., 7 cm. For a similar example, see Bob C. Stevens, The Collector’s Book of Snuff Bottles, 1976, page 100, no. 316. $1,000-$2,000

271

284 A Rare Turquoise Ground Gilt Decorated Grisaille Enameled Porcelain Snuff Bottle LATE 18TH/EARLY 19TH CENTURY

清中期松石綠地描金墨彩穿花游龍鼻煙壺

painted throughout the body with a striding dragon amongst leafy branches with blossoming chrysanthemums, peonies and other flowers, the underside bearing a Qianlong four-character mark in underglaze blue, with a glass stopper. Height overall 2 5/8 in., 6.7 cm. Property from a Private Collection, Chicago, Illinois Acquired from the Collection of Eugene D. Buchanan, circa 1977 Boxwood Antique, St. Augustine, FL, 1953 A bottle with similar decoration, see The Collector’s Book of Snuff Bottles, Bob C. Stevens, 1976, page 270-271, no. 979 $5,000-$6,000

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285 A Robin’s Egg Porcelain Purse-Form Snuff Bottle 18TH/19TH CENTURY 清十八/十九世紀爐鈞釉荷包式鼻煙壺 molded in the form of a small purse, carved with relief floral design to the lower part. Height of bottle 2 1/2 in., 6.3 cm. Property from a Private Chicago Collection $800-$1,200

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288 A Painted Enamel on White Glass Snuff Bottle 18TH/19TH CENTURY

清中期玻璃胎粉彩花鳥圖鼻煙壺

the flattened bottle painted throughout with water birds next to a riverbank, flowering branches issuing from rockwork, with a jadeite stopper. Height overall 2 1/4 in., 5.7 cm. Property from a Private Collection, Chicago, Illinois Acquired from the Collection of Eugene D. Buchanan, circa 1977 James Graham & Sons, New York, New York, 1955 $1,200-$1,400

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293 An Inside Painted Rock Crystal Snuff Bottle

294 An Inside Painted Rock Crystal Snuff Bottle

SIGNED MA SHAOXUAN, DATED WUSHEN YEAR, CORRESPONDING TO 1908 戊申(1908)年馬少宣作水晶內畫念書圖鼻煙壺 the rectangular bottle painted on one side depicting four boys reading books, the reverse with a poem, signed Ma Shaoxuan, followed by an artist’s seal, Shaoxuan, dated the first month in winter in wu shen year (corresponding to year 1908), with a coral stopper. Height overall 2 5/8 in., 6.7 cm. Property from a Private Collection, Chicago, Illinois Acquired from the Collection of Eugene D. Buchanan, circa 1977 James Graham & Sons, New York, New York, 1958 $5,000-$6,000

SIGNED YE ZHONGSAN, DATED GUICHOU YEAR, CORRESPONDING TO YEAR 1909 癸丑(1909)年葉仲三作水晶內畫聊齋人物鼻煙壺 decorated on each side with a scene from the Chinese classic Liaozhai zhiyi (Strange Tales Recorded by the Studio of Idle Talk), signed Ye Zhongsan, followed by an artist’s seal, dated the fourth month of the lunar calendar in gui chou year (corresponding to year 1909), with a rose quartz stopper. Height overall 3 3/8 in., 8.6 cm. Property from a Private Collection, Chicago, Illinois Acquired from the Collection of Eugene D. Buchanan, circa 1977 James Graham & Sons, New York, New York, 1957 $3,000-$5,000

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295 An Inside Painted Smoky Topaz Snuff Bottle

300 A Well Carved Shadow Agate Snuff Bottle

SIGNED YE ZHONGSAN, DATED GUIHAI YEAR, CORRESPONDING TO 1923 癸亥(1923)年葉仲三作托帕石內畫人物故事圖鼻煙壺 the stone of a dark brown tone, of rectangular form, painted on one side showing a lady in a snow scene, her attendant holding a large vase with prunus branches, the reverse showing a warrior with his donkey, conversing with a couple, signed Ye Zhongsan, followed by an artist’s seal, dated the second month of gui hai year, corresponding to year 1923, with a tourmaline stopper. Height overall 3 1/8 in., 7.9 cm. Property from a Private Collection, Chicago, Illinois Acquired from the Collection of Eugene D. Buchanan, circa 1977 James Graham & Sons, New York, New York, 1957 $2,500-$3,500

LATE 18TH/19TH CENTURY

Front

清中期瑪瑙巧雕人物圖

finely carved throughout utilizing the colored markings with one side showing an equestrian followed by an attendant amongst rockwork, the reverse with figures in a boat above a calm river, all reserved on a dense diaper ground, with a coral and gilt metal stopper. Height overall 2 7/8 in., 7.3 cm. Property from a Private Collection, Chicago, Illinois Acquired from the Collection of Eugene D. Buchanan, circa 1977 James Graham & Sons, New York, New York, 1957 $3,000-$4,000

Back

300

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301 A Carved Agate Jujube-Form Snuff Bottle LATE 18TH/EARLY 19TH CENTURY

清中期瑪瑙雕連生貴子鼻煙壺

the ovoid form bottle carved in the shape of a jujube, the exterior carved and utilizing the russet skins to depict overlapping large lotus leaves, with a jadeite stopper. Height overall 3 in., 7.6 cm Property from a Private Collection, Chicago, Illinois $1,200-$1,400

303 A Well Carved Silhouette Agate Snuff Bottle LATE 18TH/19TH CENTURY

清中期瑪瑙巧雕花卉圖鼻煙壺

the rectangular bottle carved utilizing the dark russet inclusions to depict blossoming prunus branches emerging from rockery, below a flying bird and a butterfly, with a jadeite stopper. Height overall 3 3/8 in., 8.6 cm. Property from a Private Collection, Chicago, Illinois Acquired from the Collection of Eugene D. Buchanan, circa 1977 James Graham & Sons, New York, New York, 1956 $5,000-$6,000

320 A Russet and White Jade ‘Peach and Bat’ Snuff Bottle

301

18TH/19TH CENTURY 清十八/十九世紀褐斑白玉雕福壽雙全紋鼻煙壺 the even colored stone with some russet skins, carved in the shape of a large peach with a bat resting atop, together with a glass stopper. Height overall 3 in., 7.6 cm Property from a Private Collection, Highland Park, Illinois $1,500-$2,500

303

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321 A White Jade ‘Gourd’ Snuff Bottle 18TH/19TH CENTURY

清中期白玉瓜瓞綿綿葫蘆鼻煙壺

the even colored stone carved in the shape of a large gourd with additional gnarled leafy vines and smaller gourds, with a jadeite stopper. Height overall 2 3/4 in., 7 cm. Property from a Private Collection, Highland Park, Illinois $2,000-$3,000

325 An Apple Green and Greyish White Jadeite Snuff Bottle 19TH CENTURY

清十九世紀翡翠雕喜上眉梢圖鼻煙壺

the mottled, rounded bottle carved to the front in shallow relief to depict a magpie landing on a prunus branch, the reverse decorated with a winged bat above two lingzhi fungus, with a jadeite stopper. Height overall 2 5/8 in., 6.7 cm. Property from a Private Collection, Chicago, Illinois Acquired from the Collection of Eugene D. Buchanan, circa 1977 James Graham & Sons, New York, New York, 1957 Sotheby Park-Bernet, New York, New York, November 24, 1956 August Kuhn Collection $4,000-$6,000 321

327 A Lavender Jadeite Snuff Bottle 19TH CENTURY

清十九世紀翠玉春帶彩光素鼻煙壺

the body of tapering ovoid form and stone of an icy lavender tone, with an amethyst stopper. Height overall 2 3/8 in., 6 cm. Property from a Private Collection, Chicago, Illinois Acquired from the Collection of Eugene D. Buchanan, circa 1977 James Graham & Sons, New York, New York, 1959 $3,000-$4,000

325

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330 Two Turquoise Snuff Bottles 20TH CENTURY

近代綠松石雕鼻煙壺兩件

the first a larger bottle carved throughout in high relief depicting four boys climbing onto fruiting peach trees, the turquoise stopper carved with an additional boy figure holding a leafy stem of peaches, raised on a fitted hardwood stand; the second a bottle in the shape of a recumbent frog. Height of taller overall 3 3/4 in., 9.5 cm. Property from a Private Collection, Chicago, Illinois Both bottles: Acquired from the Collection of Eugene D. Buchanan, circa 1977 James Graham & Sons, New York, New York, 1957 Larger bottle: Sotheby Park Bernet, New York, New York, November 24, 1956, lot 248 Smaller bottle: Barend Van Gerbig Collection, New Canaan, Connecticut $1,200-$1,400

330

331 A Small Carved Aquamarine Snuff Bottle LATE QING DYNASTY

清晚期海藍寶雕喜上眉梢鼻煙壺

of small flattened, shield form, carved on each side in shallow relief showing a magpie resting on flowering prunus branches, aquamarine stopper. Height overall 2 1/8 in., 5.4 cm. Property from a Private Collection, Chicago, Illinois Acquired from the Collection of Eugene D. Buchanan, circa 1977 James Graham & Sons, New York, New York, 1957 $500-$700 331

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332 A Tourmaline ‘Dragon and Phoenix’ Snuff Bottle 19TH/20TH CENTURY 十九/二十世紀碧璽雕龍鳳紋鼻煙壺 of flattened shield form, carved on one side with a sinuous dragon, the other with a flying phoenix, with a glass stopper. Height overall 2 3/4 in., 5.8 cm. Property from a Private Chicago Collection $1,000-$1,500

332

333 A Carved Amber Snuff Bottle LATE 19TH CENTURY/EARLY 20TH CENTURY

清晚期琥珀雕人物故事圖鼻煙壺

the translucent bottle carved on one side showing a scholar riding a donkey followed by his attendant, the other side with children at play underneath pine trees, glass stopper. Height overall 2 3/4 in., 7 cm. Property from a Private Collection, Chicago, Illinois $600-$800

333

334 A Carved Red Lacquer Snuff Bottle LATE 18TH/EARLY 19TH CENTURY

清中期雕漆雙鳳穿雲鼻煙壺

the flattened circular body densely carved on both sides to depict two phoenix birds amidst clusters of cloud scrolls, all between rockwork, a ruyi band to the neck, with a lacquer stopper carved with prunus blossoms. Height overall 3 in., 7.6 cm. Property from a Private Collection, Chicago, Illinois Acquired from the Collection of Eugene D. Buchanan, circa 1977 Boxwood Antique, St. Augustine, FL, 1956 $1,200-$1,400 334

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335 A Carved Red Coral ‘Boy’ Snuff Bottle 18TH/19TH CENTURY 清十八/十九世纪红珊瑚和合二仙圖鼻煙壺 in the form of a miniature vase, the exterior carved to the lower part in high relief showing immortals Hehe Erxian with their attendant, carrying a boom, the neck carved with various puppies. Height 3 1/2 in., 8.9 cm. $700-$900

337 A Red Coral ‘Magpie’ Carving EARLY 20TH CENTURY

二十世紀初珊瑚雕喜上眉梢擺件

depicting the auspicious bird roosting atop twisting branches and prunus blossoms, silver inlaid reticulated hardwood stand. Length 5 3/8 in, 13 1/2 cm. Property from a Private Chicago Estate $1,000-$1,500 335

337

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338 A Red Coral Carving of Squirrels and Grapes EARLY-MID 20TH CENTURY

近代紅珊瑚雕松鼠葡萄擺件

depicting squirrels scrambling amongst fruiting grapevines lush with trifoliate leaves. Height 4 in., 10.1 cm. Property from a Private Chicago Estate $800-$1,200

339 A Pink Coral Carving of a Boy 20TH CENTURY

近代珊瑚雕童子擺件

carved to depict a reclining boy figure holding a large fan with a large gourd behind him, raised on a fitted hardwood stand. Width 3 in., 7.6 cm. Property from a Private Chicago Estate $700-$900

338

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341 A Large Rose Quartz Figure of Female Immortal 19TH/20TH CENTURY 十九/二十世紀粉晶雕持花仕女立像 the lady depicted standing, wearing layered robes, both hands holding a large floral stem, her hair pulled to a high chignon, raised on a fitted hardwood stand. Height of figure 13 1/2 in., 34 cm. $800-$1,200

Front View

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342 A Carved Turquoise Figure of Bodhisattva Manjushri

雕綠松石文殊菩萨像

the deity depicted seated on a recumbent lion, dressed in draped robes with a shawl draped over shoulders, wearing elaborate jewelry. Height 5 in., 12.7 cm. $800-$1,200

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*353 A Sino-Tibetan Gilt Bronze Figure of Bodhisattva Lokapala Vaishravana

*354 A Large Sino-Tibetan Gilt Copper Repoussé Figure of a Seated Lama

18TH CENTURY

18TH/19TH CENTURY 清十八/十九世紀銅鎏金錘鍱喇嘛坐像 the figure depicted seated in vajrasana on a cushion base engraved with floral design, his right hand raised in vitarkamudra, the left hand resting on his lap, wearing elaborate robes, the face bearing a subtle smile, having black painted short hair, the base engraved with a large lotus. Height 13 1/2 in., 34.3 cm. Property from the Estate of Emilia Heinemen Pritz, Cincinnati, Ohio $8,000-$10,000

清十八世紀銅鎏金天王像

the bodhisattva cast seated on a fu lion, dressed in a full armor, his right hand raised and his left hand lowered, holding a mongoose, having a fierce facial expression underneath a peaked crown, further raised on a single lotus base. Height 7 in., 17.7 cm Property from the Collection of George R. Bruha, Chicago, Illinois Ex. Pan-Asian Collection $8,000-$10,000

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*355 A Large Tibetan Gilt Bronze Figure of Buddha Dipankara 18TH/19TH CENTURY 十八/十九世紀西藏銅鎏金燃燈佛立像 standing with the hands in abhayamudra and varadamudra, wearing a voluminous robe draped from the shoulders and an elaborate necklace, the face with meditative expression, framed by pendulous ears and a large peaked crown, standing barefoot, raised on a later wood stand. Height 12 1/4 in., 31.12 cm Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida At Home-Asian Arts, Christie’s South Kensington, September 9, 2004, sale 9904 lot 166 $800-$1,200

*356 A Tibetan Gilt Bronze Figure of Mahakala and Consort 18TH CENTURY

十八世紀西藏銅鎏金大黑天立像

the wrathful multi-armed deity depicted standing on an elephant, embracing his consort in his principle hands, all raised on a single lotus base, backed by a large flame-form mandala. Height 9 in., 22.86 cm Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida $2,000-$4,000

355

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356

*358 A Nepalese Gilt Bronze Figure of Buddha Shakyamuni 14TH/15TH CENTURY 十四/十五世紀尼泊爾銅鎏金釋迦牟尼坐像 the Buddha figure cast seated in dhyanasana on a double lotus base, his hands in bhumisparsa mudra, wearing a draped robe, the face bearing a calm expression flanked by long pendulous ear lobes, his hair in tight curls surmounted by an ushnisha. Height 7 in., 17.78 cm Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida Asian Art, Christie’s South Kensington, October 28, 2004, sale 9949 lot 104 $2,000-$4,000

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359

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*359 A Mongolian Gilt and Polychrome Painted Wood Figure of Amitayus 17TH/18TH CENTURY 十七/十八世紀蒙古木漆金阿彌陀佛坐像 the Buddha carved seated in dhyanasana with his hands lowered in dhyanamudra, wearing a loose dhoti, the bear chest adorned with beaded necklaces, a celeste scarf draped over his broad shoulders, the round face carved with a benevolent expression, all hair pull to a tall chignon, secured by a small crown. Height 8 1/2 in., 21.59 cm Property from the Estate of WM Bogdanowicz, Madison, Wisconsin and Naples, Florida Asian Decorative Arts, Christie’s South Kensington, April 3, 2003, sale 9602 lot 75 $1,000-$1,500

373 A Fine Mughal Greystone Panel 17TH/18TH CENTURY of rectangular form, finely carved to show a garden scene, the center possibly depicting the tree of life, surrounded by blossoming flower heads borne on meandering vines, mounted on a later metal stand. Height 26 1/2 x width 34 x depth 3 3/4 in., 67.3 x 86.4 x 9.5 cm. Purchased from Sotheby’s Chicago, 1999/2000 Marilyn & James Alsdorf Collection, Chicago $2,000-$4,000

373

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AUCTION INQUIRIES | ASIAN WORKS OF ART

Annie Wu Director, Senior Specialist anniewu@hindmanauctions.com

Flora Zhang Cataloguer florazhang@hindmanauctions.com

Megan Sadler Associate Cataloguer megansadler@hindmanauctions.com

HINDMAN SPECIALIST DEPARTMENTS AND SERVICES FINANCE

Marco Gusella Controller marcogusella@hindmanauctions.com 312.280.1212

CLIENT SERVICES

Rita Swanberg Client Experience Manager ritaswanberg@hindmanauctions.com 312.280.1212

ESTATES, APPRAISALS AND BUSINESS DEVELOPMENT

Alyssa Quinlan Senior Vice President, Business Development alyssaquinlan@hindmanauctions.com 312.447.3272 Molly E. Gron, J.D. National Director, Trusts & Estates Senior Director, Chicago mollygron@hindmanauctions.com 312.334.4235 Katie Matusik Director, Appraisals and Valuations katelynmatusik@hindmanauctions.com 312.334.4224 Susan Mackenzie Business Development Director, Midwest susanmackenzie@hindmanauctions.com 312.447.3267 Vaughn Smith Business Development Manager vaughnsmith@hindmanauctions.com 312.334.4238 Briar Koehl Business Development Senior Associate briarkoehl@hindmanauctions.com 312.600.6075 Miranda Maxfield Business Development Associate mirandaluce@hindmanauctions.com 312.334.4208 Samantha Schwartz Business Development Associate samanthaschwartz@hindmanauctions.com 312.447.3297

MUSEUM SERVICES

Fine Art

Asian Works of Art

Atlanta

Zack Wirsum Senior Specialist zacharywirsum@hindmanauctions.com

Flora Zhang Cataloguer florazhang@hindmanauctions.com

Cincinnati

Monica Brown Senior Specialist monicabrown@hindmanauctions.com

Megan Sadler Associate Cataloguer megansadler@hindmanauctions.com

Nate Brady Associate Specialist nathanbrady@hindmanauctions.com

Fine Jewelry and Timepieces

Joseph Stanfield Director, Senior Specialist josephstanfield@hindmanauctions.com

Julianna Tancredi Cataloguer juliannatancredi@hindmanauctions.com Mary Grace Bilby Account Executive marygracebilby@hindmanauctions.com 312.334.4216

Fine Furniture, Decorative Arts and Silver

Corbin Horn Director, Senior Specialist corbinhorn@hindmanauctions.com 312.334.4214 Mike Intihar Senior Specialist mikeintihar@hindmanauctions.com

Sally Klarr, G.G. Senior Specialist sallyklarr@hindmanauctions.com Marisa Ackerman, G.G. Specialist marisaackerman@hindmanauctions.com Hana Thomson Cataloguer hanathomson@hindmanauctions.com Madeline Schroeder Associate Cataloguer madelineschroeder@hindmanauctions.com 312.334.4223

6270 Este Avenue Cincinnati, Ohio 45232 Tel: 513.871.1670 cincinnati@hindmanauctions.com

Cleveland

2515 Jay Avenue 1st Floor Cleveland, Ohio 44113 Tel: 216.292.8300 cleveland@hindmanauctions.com

Denver

2737 Larimer Street, Suite C Denver, Colorado 80205 denver@hindmanauctions.com 303.825.1855

Milwaukee

414 East Mason Street Milwaukee, Wisconsin 53202 milwaukee@hindmanauctions.com 414.220.9200

Naples

850 6th Avenue South Naples, Florida 34102 naples@hindmanauctions.com 239.643.4448

Nick Coombs Specialist nickcoombs@hindmanauctions.com

Michael Hall Cataloguer michaelhall@hindmanauctions.com

West Palm Beach

Genevieve King Associate Specialist genevieveking@hindmanauctions.com

Sports Memorabilia

Benjamin Fisher Senior Specialist benjaminfisher@hindmanauctions.com

Modern Design

Hudson Berry Director, Specialist hudsonberry@hindmanauctions.com Sabrina Granados Associate Cataloguer sabrinagranados@hindmanauctions.com

Arts of the American West

CONSIGNMENT DEPARTMENT

Books and Manuscripts

Alexandria Dreas Consignment Manager alexandriadreas@hindmanauctions.com 303.825.1855 Gretchen Hause Director, Senior Specialist gretchenhause@hindmanauctions.com

Maggie Porter VP Sales Strategy maggieporteri@hindmanauctions.com

Francis Wahlgren Senior Consultant franciswahlgren@hindmanauctions.com

Kimberly Burt VP, Marketing and Luxury Goods kimberlyburt@hindmanauctions.com

Maria Fernandez Cataloguer mariafernandez@hindmanauctions.com 312.334.4236

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Katie Hammond Guilbault, G.G. Business Development Director, San Diego Senior Specialist, Jewelry and Timepieces katieguilbault@hindmanauctions.com

668 Miami Circle NE Atlanta, Georgia 30324 atlanta@hindmanauctions.com 404.800.0192

Couture and Luxury Accessories

Michael Shapiro Senior Advisor, Museums and Private Collections michaelshapiro@hindmanauctions.com 312.334.4210 Jim Sharp Chief Operating Officer jimsharp@hindmanauctions.com

Annie Wu Director, Senior Specialist anniewu@hindmanauctions.com

CH IN ES E & SO UTH EAST ASIAN WORKS OF ART

Timothy Long Director, Senior Specialist timothylong@hindmanauctions.com

James Smith Specialist jamessmith@hindmanauctions.com

Hindman Interiors

hindmanauctions.com 312.280.1212

1608 South Dixie Highway West Palm Beach, Florida 33401 westpalmbeach@hindmanauctions.com 561.833.8053

San Diego

8910 University Center Lane, Suite 400 San Diego, California 92122 sandiego@hindmanauctions.com 858.442.6104

Scottsdale

REGIONAL OFFICES

15475 North Greenway Hayden Loop Suite B17 Scottsdale, Arizona 85260 scottsdale@hindmanauctions.com 480.490.3175

Arrington Caison Account Executive arringtoncaison@hindmanauctions.com 312.447.3282

St. Louis

Abby Chambers Account Executive abbychambers@hindmanauctions.com 312.334.4234

32 North Brentwood Boulevard Clayton, Missouri 63105 stlouis@hindmanauctions.com 314.833.0833

Washington, D.C.

700 12th Street, NW Suite 700 Washington, D.C. 20005 washingtondc@hindman.com 202.853.1638

GUIDE FOR PROSPECTIVE SELLERS

Evaluation of Property If you have property you wish to sell, please call our Consignment Department at 312.280.1212 to arrange for a consultation. At that time, you may make an appointment to bring your property or photographs, along with any other pertinent information, to Hindman LLC and we will be happy to provide you with complimentary estimates and advice. If you have a large collection, an appointment may be made to evaluate the property on-site. Fees for on-site visits may vary. Standard Commission Rates Our standard rate of commission is equal to ten percent (10%) of the hammer price on each lot sold for $5,001 or more; and twenty-five percent (25%) of the hammer price on each lot sold for less than $5,001, with a minimum commission of $75 per lot sold. If your property fails to reach the reserve price agreed upon between you and Hindman LLC, you may be obligated to pay a reduced commission rate of five percent (5%) of the reserve price. Shipping Arrangements Hindman LLC can advise you as to how to have your property delivered to our galleries. Packing, shipping and insurance are payable by the seller. In certain instances, packing and shipping costs may be paid by Hindman LLC and deducted from the proceeds of the sale. We may recommend packers and shippers, but we are not responsible for their acts or omissions. Appraisals Appraisals can be arranged for insurance, donation, estate tax, family division or other purposes. Appraisal fees vary according to circumstances. Please contact our Estates and Appraisals Department at 312.280.1212 for further information.

GUIDE FOR PROSPECTIVE BUYERS Conditions of Sale Hindman LLC encourages all prospective buyers to read the Conditions of Sale printed in this catalogue. Exhibitions Hindman LLC recommends that all prospective buyers attend the pre-sale exhibition prior to the auction. Staff members are available at our pre-sale exhibitions to advise prospective buyers on particular objects or on any aspect of the bidding process. Estimates Hindman LLC provides catalogue descriptions and pre-auction estimates for each lot included in the sale. These estimates are a guide for prospective bidders. They are not definitive. All pre-sale estimates are subject to revision. Condition Reports We are happy to provide a condition report for lots with a low estimate of $300 and above. Nevertheless, intending buyers are reminded that condition reports are statements of our opinion only, and that each lot is sold “AS IS,” per our Conditions of Sale, as outlined in the back of this catalogue. All lots should be viewed personally by prospective buyers or their agents to evaluate the condition of the property offered for sale due to the highly subjective nature of condition reports. Bidding at Auction The highest bidder acknowledged by the auctioneer will be the purchaser. In addition to the hammer price, the buyer agrees to pay Hindman LLC a buyer’s premium as well as any applicable taxes.

Bidding Increments Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction. The normal bidding increments are: $0 - $200 ........................................ $10 $200 - $500 ........................................ $25 $500 - $1,000 ..................................... $50 $1,000 - $2,000 ................................... $100 $2,000 - $5,000 ................................... $200 $5,000 - $10,000 ................................. $500 $10,000 - $20,000 .............................. $1,000 $20,000 - $50,000 .............................. $2,000 $50,000 - $100,000 ............................ $5,000 $100,000 - $200,000 .......................... $10,000 Over > $200,000 ...... Auctioneer’s Discretion

In-House Bidding Live bidding at Hindman LLC is by paddle only. Please register for a paddle at the entrance of the sales room. If you are the successful bidder, your paddle number and the hammer price will be announced by the auctioneer. Online Bidding Hindman LLC allows absentee and live bidding through our website at hindmanauctions.com as well as absentee and live bidding through third party online bidding providers which vary by sale. For more information regarding online bidding please visit our website at hindmanauctions.com. Absentee Bidding If you are unable to attend an auction, you may use the absentee bid form provided at the back of this catalogue. Hindman LLC will exercise written order bids and telephone bids at no additional charge. Lots will always be sold as inexpensively as is allowed other bids and reserves as are on our books or bids executed in competition from the audience. Tax Exempt Notice Lots marked with an asterisk (*) are tax exempt as permitted by law.

DRIVING DIRECTIONS/PARKING From the WEST: Take I-290 east. Take the Paulina Street/Ashland Boulevard exit 28B. Stay straight to go onto West Congress Parkway. Turn left onto South Paulina Street. Take a slight right onto West Ogden Avenue. Turn right onto West Lake Street. Building will be on the left side at 1338 West Lake Street. From the NORTH/NORTHWEST: Take I-90/I-94 east toward Chicago. Take the Ogden Avenue exit 50A. Stay straight to go onto North Racine Avenue. Turn right onto West Lake Street. Building will be on the right side at 1338 West Lake Street. From the SOUTHWEST: Take I-55 north. Exit 292A I-90/I-94 W Wisconsin Follow I-90/I-94 W Wisconsin to the Lake Street exit 51A. Turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street. From the SOUTH/SOUTHEAST: Take I-90/I-94 west Follow I-90/I-94 W via the exit on the left toward Chicago Loop. Take the Lake Street exit 51A and turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street.

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CONDITIONS OF SALE These Conditions of Sale set out the terms upon which Hindman LLC (“we,” “us,” or “our”) sells property by lot in this catalogue. You agree to be bound by these terms by registering to bid and/or by bidding in our auction. A glossary at the end defines the words in bold type.

A. BEFORE THE AUCTION

1. LOT DESCRIPTIONS AND WARRANTIES Our description of a lot, any statement of a lot’s condition, and any other oral or written statement about a lot—such as its nature, condition, artist, period, materials, dimensions, weight, exhibition or publication history, or provenance—are our opinion and shall not to be relied upon by you as a statement of fact. Except for the limited authenticity warranty contained in paragraphs E and F below, we do not provide any guarantee of our description or the nature of a lot. 2. CONDITION The physical condition of lots in our auctions can vary due to age, normal wear and tear, previous damage, and restoration/repair. All lots are sold “AS IS,” in the condition they are in at the time of the auction, and we and the seller make no representation or warranty and assume no liability of any kind as to a lot’s condition. Any reference to condition in a catalogue description or a condition report shall not amount to a full accounting of condition and may not include all faults, inherent defects, restoration, alteration, or adaptation. Likewise, images in our catalogue may not depict a lot accurately, as colors and shades may appear different in print or on screen than on physical inspection. We are not responsible for providing you with a description of a lot’s condition in the catalogue or in a condition report. 3. VIEWING LOTS We offer pre-auction viewings, either scheduled or by appointment, that are free of charge. If you believe that the catalogue description or condition reports are not sufficient, we suggest you inspect a lot personally or through a knowledgeable representative before you bid on a lot to make sure that you accept the description and its condition. We recommend you hire a professional adviser if you are not familiar with how to address the nature or condition of an object. 4. ESTIMATES Estimates of a lot account for the condition, rarity, quality, and provenance of the object and are based upon prices realized for similar objects in past auctions. Neither you nor anyone else may rely on our estimates as a prediction or guarantee of the actual selling price of a lot or its value for any other purpose. Estimates do not include the buyer’s premium, any applicable taxes, and any other applicable charges. 5. WITHDRAWAL We may, in our sole discretion, withdraw a lot from auction at any time prior to or during the sale and shall have no liability to you for our decision to withdraw.

B. REGISTERING TO BID

1. NEW BIDDERS New bidders must register at least twenty-four (24) hours before an auction and must provide us with documentation of their identity. (a) Individuals must provide photo identification (driver’s license, non-driver ID card, or passport) and, if not shown on the photo identification, proof of current address (a current utility bill or bank statement). (b) Corporate clients must provide a Certificate of Incorporation or its equivalent bearing the company’s name and registered address, together with documentary proof of directors and beneficial owners. (c) Trusts, partnerships, offshore companies, and other business entities must contact us in advance of the auction to discuss our requirements. If we are not satisfied with the information you provide us in our bidder identification and other registration procedures, we may refuse to register you to bid, and if you make a successful bid, we may cancel the contract for sale between you and the seller. New bidders may be required to provide us with a financial reference and/or a deposit before we allow them to bid. 2. RETURNING BIDDERS If you have not bought anything from us recently, then we may require you to register as a new bidder, as described in the paragraph above. Please contact us at least twenty-four (24) hours prior to the auction. 3. BIDDING FOR ANOTHER PERSON If you are bidding as an agent on behalf of another person, your principal must be a registered bidder and must provide us with written authorization

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allowing you to bid. You, as the agent, shall accept personal liability to pay the purchase price and all other sums due unless we have agreed in writing before the auction that you are acting as an agent on behalf of your principal and that we will only seek payment from your principal. 4. BIDDING IN THE SALEROOM If you wish to bid in the saleroom, you must first acquire a bidding paddle at least thirty (30) minutes before the auction. 5. OUR BIDDING SERVICES We offer the following bidding services as a convenience to our clients, subject to these Conditions of Sale. We shall not be responsible for any error, omission, or failure, human or otherwise, in providing these services. (a) Phone Bids: You must contact us at least twenty-four (24) hours prior to the auction to arrange a phone bid. We will accept bids by telephone for lots only if our staff is available to take the bids. We agree that we may record telephone bids. (b) Internet Bids: You can bid in our live sales via our bidding platform or through third-party bidding sites. (c) Written Bids: You can find a Written Bid Form in the back of our catalogues, at the auction location, or online at www.hindmanauctions.com. We must receive your completed Written Bid Form at least twenty-four (24) hours before the auction. We will endeavor to execute written bids at the lowest possible price consistent with the reserve. If you make a written bid on a lot that does not have a reserve and there is no higher bid than yours, we will bid on your behalf at approximately fifty percent (50%) of the low estimate or, if lower, the amount of your bid. The first written bid we receive of those for identical amounts will be given priority over other bids. 6. CREDIT CARD AUTHORIZATION HOLD When you register to bid you may be asked to provide us with a valid credit card number. You authorize us to verify the validity of the credit card by placing a $100 authorization hold on the card that will remain until it falls off, usually within 48 hours.

C. DURING THE AUCTION

1. BIDDING IN THE AUCTION (a) Live Auctions. We will appoint an individual auctioneer to administer a live auction. The auctioneer may accept bids from (a) written bids left with us by bidders before the auction; (b) bidders in the saleroom; (c) telephone bidders; and (d) Internet bidders. Bidding generally starts below the low estimate and increases in steps, called bid increments. The auctioneer will decide at his/ her sole option where the bidding should start and the bid increments. Bid increments may vary from auction to auction. You shall comply with all laws and regulations in force that govern your bidding. (b) Online-only Auctions. Bids may only be submitted on our website or through third-party bidding sites between the dates and times specified in the lot’s description. Your bid is submitted once you place and confirm your bid amount. You agree that a bid is final once it is placed and that you may never amend or revoke your bid. You are fully responsible for any errors you make in bidding. Bidding generally opens at or below the low estimate and increases in steps (bidding increments) to be determined in Hindman’s sole discretion. 2. AUCTIONEER’S DISCRETION The auctioneer shall have absolute discretion to (a) admit a bidder into or remove a bidder from the saleroom or online auction; (b) accept or refuse any bid; (c) change the order of the lots in the auction; (d) move the bidding backward or forward; (e) withdraw any lot from the auction; (f) divide any lot or combine any two or more lots; (g) reopen or continue the bidding even after the hammer has fallen; and (h) continue the bidding, determine the successful bidder, cancel the sale of the lot, or reoffer and resell any lot in the event that there is an error or dispute related to bidding or the application of the reserve, whether during or after the auction. You must provide us with written notice within three (3) business days of the date of the auction if you believe that the auctioneer has accepted the successful bid in error. The auctioneer will consider the claim and decide in good faith if the sale of the lot is final, whether he/she will cancel the sale of the lot, or whether he/she will reoffer and resell the lot. The auctioneer’s decision in exercise of this discretion is final. This paragraph does not in any way affect our ability to cancel the sale of a lot under other applicable provisions of these Conditions of Sale, including the rights of cancellation set forth in sections B(1), D(6), E(2), and G(1). 3. BIDDING ON BEHALF OF THE SELLER The auctioneer may, at his/her sole option, bid on behalf of the seller up to one bidding increment before the reserve by making either consecutive or responsive bids. The auctioneer will not identify these as bids made on behalf of the seller. If a lot is offered without reserve, the auctioneer will open the bidding at approximately fifty percent (50%) of the lot’s low estimate; where

necessary, will lower the asking bid until a bid is received; and will solicit higher bids from that amount. If there are no bids on a lot, the auctioneer may deem the lot unsold. 4. SUCCESSFUL BIDS AND INVOICES Subject to paragraph C(2), the contract of sale between the seller and the successful bidder is formed when the final bid is accepted and the auctioneer’s hammer strikes. The successful bid price is the hammer price, and we will issue an invoice only to the registered bidder who made the successful bid. While we send out invoices by mail and/or email after the auction, we shall not be responsible for telling you whether your bid was successful. You should contact us immediately after the auction to find out the success of your bid in order to avoid having to pay storage charges.

D. AFTER THE AUCTION

1. THE BUYER’S PREMIUM In addition to the hammer price, the successful bidder agrees to pay us a buyer’s premium on the hammer price of each lot sold. On all lots, we charge twenty-five percent (25%) of the hammer price up to and including $250,000; twenty percent (20%) of any amount in excess of $250,000 up to and including $3,000,000; and twelve percent (12%) of any amount in excess of $3,000,000. If the bidder bids through a third-party platform the bidder agrees to pay us a surcharge equal to the fee levied by the third-party platform. The third-party platform fee is in addition to the buyer’s premium. 2. TAXES The successful bidder is responsible for any applicable taxes, including any sales or use tax or equivalent tax wherever such taxes may arise on the hammer price, the buyer’s premium, and/or any other charges related to the lot. A sales or use tax is dependent upon a number of factors, including, but not limited to, our volume of sale and the place of delivery of the lot, regardless of the nationality or citizenship of the successful bidder. The applicable sales tax rate will be determined based upon the state, county, or locale to which the lot will be shipped or where it is picked-up in person. We collect sales tax in states where legally required. 3. MAKING PAYMENT (a) Immediately following the auction, you must pay the purchase price, consisting of the hammer price, plus the buyer’s premium, plus any applicable duties and sales, use, or other applicable taxes. Payment is due no later than by the end of the seventh (7th) calendar day following the date of the auction, which we refer to as the due date. (b) We will only accept payment from the registered successful bidder. Once issued, we cannot change the buyer’s name on an invoice or reissue the invoice in a different name. (c) You must pay for lots in US dollars in one of the following ways: (i) Wire transfer. (ii) Bank checks: You must make these payable to Hindman LLC, and we may impose other conditions. Once we have deposited your check, property cannot be released until five (5) business days have passed. (iii) Personal checks: You must make these payable to Hindman LLC, and they must be drawn from US dollar accounts from a US bank. The property will not be released until the check has cleared and the funds are received by us. (iv) Cash: We accept cash payments (including money orders and traveler’s checks) subject to a maximum aggregate of US $10,000 per buyer, per sale. (d) You must quote your invoice number when making a payment. All payments sent by post must be sent to Hindman LLC, 1338 West Lake Street, Chicago, IL 60607, ATTN: Client Accounting Department. 4. TRANSFERRING OWNERSHIP TO YOU You will not own the lot and title will not pass to you until we have received full payment in good funds of the purchase price, even in circumstances where we have released the lot to you. 5. TRANSFERRING RISK TO YOU Unless we have agreed otherwise with you, the risk in and responsibility for the lot will transfer to you from whichever is the earlier of the following: (a) when you collect the lot; or (b) the end of the thirtieth (30th) day following the date of the auction or, if earlier, the date the lot is taken into care by a third-party warehouse. 6. YOUR FAILURE TO PAY If you fail to pay us the purchase price in full in good funds by the due date, we will be entitled to do one or more of the following (as well as enforce any other rights and remedies we have by law) at our sole discretion: (a) We can charge interest from the due date at a rate of up to one and onehalf percent (1.5%) per month on the unpaid amount due. (b) We can cancel the sale of the lot and sell the lot again, publicly or privately, on such terms as we believe appropriate, in which case you must pay us any shortfall between the amount you owe us and the resale price, plus all costs, expenses, losses, damages, and legal fees we incur due to the cancellation. (c) We can pay the seller the amount due to them, in which case you acknowledge and understand that we will have all the seller’s rights to pursue you for such amount.

(d) We can hold you legally responsible for the amount you owe us and bring legal proceedings against you to recover the amount owed by you, plus other losses, interest, legal fees, and costs as allowed by law. (e) We can reveal your identity and contact details to the seller. (f) We can reject any bids made by or on behalf of you in future auctions or require you to provide us with a deposit before accepting any bids. (g) We can exercise all the rights and remedies of a person holding security over any property in our possession owned by you, whether by way of pledge, security interest, or in any other way as permitted by the law of the place where such property is located. You will be deemed to have granted such security to us and we may retain such property as collateral security for your obligations to us. (h) We can take any other action we deem necessary or appropriate. 7. SHIPPING, COLLECTION, AND STORAGE (a) You must collect purchased lots within thirty (30) days of the auction. We can assist in making shipping arrangements by suggesting art handlers, packers, transporters, or experts, but you must arrange all transport and shipping with them, and we are not responsible for their acts, failure to act, or neglect. (b) If you do not collect any purchased lot within thirty (30) days following the auction, we may, at our sole option, (i) charge you storage and insurance costs; (ii) move the lot to another Hindman location or to a third-party warehouse, whereupon we will charge you transport costs, insurance costs, and administration fees for doing so, and you will be subject to the third-party storage warehouse’s standard terms and responsible for paying its standard fees and costs; or (iii) sell the lot in any commercially reasonable way we think appropriate. (c) In accordance with applicable state law, if you have paid for the lot in full but you do not collect the lot within the time specified by the law of the state where the auction takes place, we may charge you state sales tax for the lot. (d) Nothing in this paragraph is intended to limit our rights under paragraph D(6). 8. EXPORTING, IMPORTING, AND ENDANGERED SPECIES (a) The shipping of a lot is affected by United States export laws or the import laws of other countries. If you are outside the United States, then local laws may prevent you from importing a lot. You alone are responsible for seeking advice prior to bidding and meeting the requirements of any law or regulation applying to the export or import of a lot. (b) Lots made of or including (regardless of the percentage) endangered and other protected species of wildlife—such as, among other things, ivory, tortoiseshell, crocodile skin, rhinoceros horn, whalebone, certain species of coral, and Brazilian rosewood—may be subject to export controls in the US and import controls in other countries. You should check the relevant wildlife laws and regulations before bidding on any lot containing wildlife material if you plan to export the lot from the United States, import the lot into another country, or ship the lot between states. Your purchase of a lot containing endangered and other protected species of wildlife is at your own risk, and you shall be responsible for any scientific test or other reports required for export from the United States or for shipment between states. We will not cancel your purchase and refund the purchase price if your lot may not be exported, imported, or shipped between states, or if it is seized for any reason by a government authority. It is your responsibility to determine and satisfy the requirements of any applicable laws or regulations relating to import, export, and/or interstate shipping of a lot containing endangered and other protected species of wildlife.

E. WARRANTIES

1. SELLER’S WARRANTIES For each lot, the seller gives a warranty that the seller (a) is the owner of the lot or a joint owner of the lot acting with the permission of the other co-owners or, if the seller is not the owner or a joint owner of the lot, has the permission of the owner to sell the lot or the right to do so by law; and (b) has the right to transfer ownership of the lot to the buyer without any restrictions or claims by anyone else. If either of the above warranties are incorrect, the seller shall not have to pay more than the purchase price (as defined in paragraph D(3) above) paid by you to us. The seller will not be responsible to you for any reason for loss of profits or business, expected savings, loss of opportunity or interest, costs, damages, other damages, or expenses. The seller gives no warranty other than as set out above, and as far as the seller is allowed by law, all warranties from the seller to you, and all other obligations upon the seller that may be added to this agreement by law, are excluded. No employee or agent of Hindman is authorized to make a representation or provide other information, whether orally or in writing, that amends the seller’s warranties or creates an additional warranty on behalf of the seller with respect to a lot. Any such representation, other information, or additional warranty shall be null and void.

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2. OUR LIMITED AUTHENTICITY WARRANTY Our limited authenticity warranty, which lasts for one (1) year from the date of a live auction or three (3) months from an online only auction, is that the lots in our sales are authentic as defined in paragraph H, below. You must notify Hindman regarding concerns of authenticity in writing within one (1) year of the date of a live auction or within three (3) months of the date of an online only auction. Following receipt of that written notification, subject to the terms below, Hindman will refund the purchase price paid by the client. The terms of this limited authenticity warranty are as follows: (a) It will be honored for claims notified in writing within a period of one (1) year from the date of a live auction or three (3) months from an online only auction. After such time, we will not be obligated to honor the limited authenticity warranty. (b) It is given only for information shown in UPPERCASE type in the first line of the catalogue description (the Heading). It does not apply to any information other than that in the Heading, even if it is shown in UPPERCASE type. (c) It does not apply to any Heading or part of a Heading that is qualified. “Qualified” means limited by a clarification in a lot’s catalogue description or by the use in a Heading of one of the terms listed in the definition of “qualified” provided in paragraph H, below. Qualified Headings are not covered at all by this limited authenticity warranty. (d) It applies to the Heading as amended by any saleroom notice. (e) It does not apply where scholarship has developed since the auction, leading to a change in generally accepted opinion. Further, it does not apply if the Heading either matched the generally accepted opinion of experts at the date of the auction or drew attention to any conflict of opinion. (f) It does not apply if the lot can only be shown not to be authentic by a scientific process that, on the date we published the catalogue, was not available or generally accepted for use, was unreasonably expensive or impractical, or was likely to have damaged the lot. (g) Its benefit is only available to the original buyer shown on the invoice for the lot, issued at the time of the sale, and only if, on the date of the notice of claim, the original buyer is the full owner of the lot and the lot is free from any claim, interest, or restriction by anyone else. The benefit of this limited authenticity warranty may not be transferred by the original buyer to anyone else. (h) In order to make a claim under the limited authenticity warranty, you must (i) give us written notice of your claim within one (1) year of the date of a live auction or three (3) months from an online only auction ; (ii) at our option, pay for and provide us with the written opinions of two recognized experts in the field, mutually agreed upon by you and us, confirming that the lot is not authentic (we reserve the right to obtain additional opinions at our expense); and (iii) return the lot at your expense to the saleroom from which you bought it in the condition it was in at the time of sale. (i) Your only right under this limited authenticity warranty is to cancel the sale and receive a refund of the purchase price paid by you to us. We will not, under any circumstances, be required to pay you more than the purchase price, nor will we be liable for any loss of profits or business, loss of opportunity or value, expected savings or interest, costs, damages, other damages, or expenses. (j) No employee or agent of Hindman is authorized to make a representation or provide additional information, whether orally or in writing, that amends the limited authenticity warranty or creates an additional warranty with respect to a lot. Any such representation, other information, or additional warranty shall be null and void. 3. ADDITIONAL WARRANTY FOR BOOKS If the lot is a book, then we give an additional warranty to the original buyer shown on the invoice for the lot issued at the time of the sale in the following circumstances: (a) We will refund the purchase price to the original buyer if we, in our sole discretion, are convinced that the book is defective in text or illustration, subject to the following terms: (i) This additional warranty does not apply to (A) the absence of blanks, half titles, tissue guards, or advertisements; or damage in respect of bindings, stains, spotting, marginal tears, or other defects not affecting the completeness of the text or illustration; (B) drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps, or periodicals; (C) books not identified by title; (D) lots sold without a printed estimate; (E) books that are described in the catalogue as sold not subject to return; or (F) defects stated in any condition report or announced at the time of sale. (ii) To make a claim under this additional warranty, you must give written details of the defect within twenty-one (21) days of the date of the sale and return the lot within twenty-one (21) days of the date of the sale to the saleroom at which you bought it in the same condition as at the time of sale. (iii) Paragraphs E(2)(b), (c), (d), (e), (h), and (i) also apply to a claim under this additional warranty. (c) No employee or agent of Hindman is authorized to make a representation or provide other information, whether orally or in writing, that amends the additional warranty for books or creates an additional warranty with respect to a lot. Any such representation, other information, or additional warranty shall be null and void. 136

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4. JEWELRY (a) Colored gemstones (such as rubies, sapphires, and emeralds) may have been treated to improve their appearance through methods such as heating and/or various clarity enhancements. These methods are considered common by the international jewelry trade but may make a gemstone more fragile and/or cause the gemstone to require special care over time. (b) All types of gemstones may have been improved by some method. You may request a gemological report for any item that does not have a report if the request is made to us at least three (3) weeks before the date of the auction and you pay the fee for the report. (c) We do not obtain a gemological report for every gemstone sold in our auctions. When we do get gemological reports from internationally accepted gemological laboratories, such reports are described in the catalogue. Reports from American gemological laboratories describe any improvement or treatment to the gemstone. Reports from European gemological laboratories describe any improvement or treatment only if we request that they do so, but they do confirm when no improvement or treatment has been made. Because of differences in approach and technology, laboratories may not agree on whether a gemstone has been treated, the amount of treatment, or whether that treatment is permanent. The gemological laboratories only report on the improvements or treatments known to them at the date they make the report. (d) For jewelry sales, estimates are based on the information in any gemological report. If no report is available, assume that the gemstones may have been treated or enhanced. 5. WATCHES AND CLOCKS (a) Almost all clocks and watches are repaired in their lifetime and may include parts that are not original. We do not give a warranty that any individual component part of any watch is authentic. Watchbands described as “associated” are not part of the original watch and may not be authentic. Clocks may be sold without pendulums, weights, or keys. (b) As collectors’ watches often have very fine and complex mechanisms, you are responsible for any general service, change of battery, or further repair work that may be necessary. We do not give a warranty that any watch is in good working order. Certificates are not available unless described in the catalogue. (c) Most wristwatches have been opened to find out the type and quality of movement. For that reason, wristwatches with water-resistant cases may not be waterproof, and we recommend you have them checked by a competent watchmaker before use. (d) Many of the watches offered for sale in this catalogue are pictured with straps made of endangered or protected animal materials such as alligator or crocodile skin. When straps are shown for display purposes only and are not for sale. We may remove and retain the strap prior to shipment from the sale site. Please check with the department for details on a lot with such a strap. 6. YOUR WARRANTIES You warrant to us and the seller that (a) the funds you use for payment are not connected with any criminal activity, including tax evasion, and neither are you under investigation, nor have you been charged with or convicted of money laundering, terrorist activities, or other crimes; (b) where you are bidding on behalf of another person, (i) you have conducted appropriate customer due diligence on the ultimate buyer(s) of the lot(s) in accordance with all applicable anti-money laundering and sanctions laws, you consent to us relying on this due diligence, you will retain for a period of not less than five (5) years the documentation evidencing the due diligence, and you will make such documentation promptly available for immediate inspection by an independent third-party auditor upon our written request to do so; (ii) the arrangements between you and the ultimate buyer(s) in relation to the lot or otherwise do not, in whole or in part, facilitate tax crimes; (iii) you do not know, and have no reason to suspect, that the funds used for payment are connected with or the proceeds of any criminal activity, including tax evasion, or that the ultimate buyer(s) are under investigation for, or have been charged with or convicted of, money laundering, terrorist activities, or other crimes.

F. OUR LIABILITY TO YOU

(a) We give no warranty in relation to any statement made, or information given, by us or our representatives or employees about any lot other than as set out in the limited authenticity warranty or in the additional warranty for books, and as far as we are allowed by law, all warranties and other terms that may be added to this agreement by law are excluded. The seller’s warranties contained in paragraph E(1) are their own, and we do not have any liability to you in relation to those warranties. (b) We are not responsible to you for any reason (whether for breaking this agreement or for any other matter relating to your purchase of, or bid for, any lot) other than in the event of fraud or fraudulent misrepresentation by us, or other than as expressly set out in these Conditions of Sale. (c) WE DO NOT GIVE ANY REPRESENTATION, WARRANTY, OR GUARANTEE

OR ASSUME ANY LIABILITY OF ANY KIND IN RESPECT OF ANY LOT WITH REGARD TO MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE, DESCRIPTION, SIZE, QUALITY, CONDITION, ATTRIBUTION, AUTHENTICITY, RARITY, IMPORTANCE, MEDIUM, PROVENANCE, EXHIBITION HISTORY, LITERATURE, OR HISTORICAL RELEVANCE. EXCEPT AS REQUIRED BY LOCAL LAW, ANY WARRANTY OF ANY KIND IS EXCLUDED BY THIS PARAGRAPH. (d) Our written and telephone bidding services, online bidding services, and condition reports are free services, and we are not responsible to you for any error, omission, or failure of these services. (e) We have no responsibility to any person other than a buyer in connection with the purchase of any lot. (f) If, despite the terms in paragraphs F(a)–(e) or E(2)–(3) above, we are found to be liable to you for any reason, we shall not have to pay more than the purchase price paid by you to us. We will not be responsible to you for any reason for loss of profits or business, loss of opportunity or value, expected savings or interest, costs, damages, or expenses.

G. OTHER TERMS

1. OUR ABILITY TO CANCEL In addition to the other rights of cancellation contained herein, we can cancel a sale of a lot if (i) any of your warranties in paragraph E(4) are not correct; (ii) we reasonably believe that completing the transaction is, or may be, unlawful; or (iii) we reasonably believe that the sale places us or the seller under any liability to anyone else or may damage our reputation. 2. RECORDINGS We may videotape and/or audio record proceedings at any auction. We will keep any personal information confidential, except to the extent that disclosure is required by law. If you do not want to be videotaped, you may decide to make a telephone or written bid or bid online instead. Unless we agree otherwise in writing, you may not videotape or record proceedings at any auction. 3. COPYRIGHT We own the copyright in all images, illustrations, and written material produced by or for us relating to a lot, including the contents of our catalogues, unless otherwise noted therein. You cannot use them without our prior written permission. We make no representation and offer no guarantee that the buyer of a lot will gain any copyright or other reproduction rights. 4. ENFORCING THIS AGREEMENT If a court finds that any part of this agreement is invalid, illegal, or impossible to enforce, that part of the agreement will be treated as being deleted, and the rest of this agreement will not be affected. 5. TRANSFERRING YOUR RIGHTS AND RESPONSIBILITIES You may not grant a security over or transfer your rights or responsibilities under these terms unless we have given our written permission. This agreement will be binding on your successors or estate and anyone who takes over your rights and responsibilities. 6. PERSONAL INFORMATION We will hold and process your personal information in line with our privacy policy at www.hindmanauctions.com. 7. WAIVER No failure or delay to exercise any right or remedy contained herein shall constitute a waiver of that or any other right or remedy, nor shall it prevent or restrict the further exercise of that or any other right or remedy. No single or partial exercise of such right or remedy shall prevent or restrict the further exercise of that or any other right or remedy. 8. LAW AND DISPUTES This agreement, and any noncontractual obligations arising out of or in connection with this agreement, or any other rights you may have relating to the purchase of a lot will be governed by the laws of Illinois. Before we or you start any court proceedings (except in the limited circumstances where the dispute, controversy, or claim is related to proceedings brought by someone else and this dispute could be joined to those proceedings), you and we agree to try to settle the dispute by mediation submitted to JAMS, or its successor, for mediation in Illinois. If the dispute is not settled by mediation within sixty (60) days from the date when mediation is initiated, then the dispute shall be submitted to JAMS, or its successor, for final and binding arbitration in accordance with its Comprehensive Arbitration Rules and Procedures or, if the dispute involves a non-US party, the JAMS International Arbitration Rules. The seat of the arbitration shall be Illinois, and the arbitration shall be conducted by one arbitrator, who shall be appointed within thirty (30) days after the initiation of the arbitration. The language used in the arbitral proceedings shall be English. The arbitrator shall order the production of documents only upon a showing that such documents are relevant and material to the outcome of the dispute. The arbitration shall be confidential, except to the extent necessary to enforce a judgment or where disclosure is required by law. The arbitration award shall be final and binding on all parties involved. Judgment upon the award may be entered by any court having jurisdiction thereof or having jurisdiction over the relevant party or its assets. This

arbitration and any proceedings conducted hereunder shall be governed by Title 9 (Arbitration) of the United States Code and by the United Nations Convention on the Recognition and Enforcement of Foreign Arbitral Awards of June 10, 1958.

H. GLOSSARY

authentic: a genuine example, rather than a copy or forgery of (a) the work of a particular artist, author, or manufacturer, if the lot is described in the Heading as the work of that artist, author, or manufacturer; (b) a work created within a particular period or culture, if the lot is described in the Heading as a work created during that period or culture; (c) a work of a particular origin or source, if the lot is described in the Heading as being of that origin or source; or (d) in the case of gems, a work that is made of a particular material, if the lot is described in the Heading as being made of that material. buyer’s premium: the charge the buyer pays us along with the hammer price. catalogue description: the description of a lot in the catalogue for the auction, as amended by any saleroom notice. due date: has the meaning given to it in paragraph D(3)(a). estimate: the price range included in the catalogue or any saleroom notice within which we believe a lot may sell. Low estimate means the lower figure in the range, and high estimate means the higher figure. The mid estimate is the midpoint between the two. hammer price: the amount of the highest bid the auctioneer accepts for the sale of a lot. Heading: has the meaning given to it in paragraph E(2). limited authenticity warranty: the guarantee we give in paragraph E(2) that a lot is authentic. other damages: any special, consequential, incidental, or indirect damages of any kind or any damages that fall within the meaning of “special,” “incidental,” or “consequential” under local law. purchase price: has the meaning given to it in paragraph D(3)(a). provenance: the ownership history of a lot. qualified: has the meaning given to it in paragraph E(2), subject to the following terms: (a) “Cast from a model by” means, in our opinion, a work from the artist’s model, originating in his circle and cast during his lifetime or shortly thereafter. (b) “Attributed to” means, in our opinion, a work probably by the artist. (c) “In the style of” means, in our opinion, a work of the period of the artist and closely related to his style. (d) “Ascribed to” means, in our opinion, a work traditionally regarded as by the artist. (e) “In the manner of” means, in our opinion, a later imitation of the period, of the style, or of the artist’s work. (f) “After” means, in our opinion, a copy or after-cast of a work of the artist. reserve: the confidential amount below which we will not sell a lot. saleroom notice: a written notice posted next to the lot in the saleroom and on www.hindmanauctions.com, which is also read to prospective telephone bidders and provided to clients who have left commission bids, or an announcement made by the auctioneer either at the beginning of the sale or before a particular lot is auctioned. UPPERCASE type: type having all capital letters. warranty: a statement or representation in which the person making it guarantees that the facts set out in it are correct. Updated 9/20

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Omri Amrany and Julie Rotblatt Amrany The Spirit Maquette numbered 29/123 from an edition of 55 To be offered October 20 in Hindman’s Sports Memorabilia sale

B I D FOR M

FX 312.280.1211 EMBID@HINDMANAUCTIONS.COM

Online registration/bid requests must be received at least 24 hours before the auction begins. Hindman LLC will confirm all bids received by fax or by return email. Phone bids will not be accepted on lots with a low estimate below $300. Hindman LLC allows absentee and telephone bidding registration through our website at hindmanauctions.com

NAME

Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction. The normal bidding increments are:

SALE No./NAME

785 - Chinese & Southeast Asian Works of Art BUSINESS NAME

BILLING ADDRESS

CITY

STATE

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$10 $25 $50 $100 $200 $500 $1,000 $2,000 $5,000 $10,000 AUCTIONEER’S DISCRETION

For absentee bids, indicate your limit for each lot. Your bids will be excecuted at the lowest prices allowed by reserves and competing bids. If we receive more than one bid of the same value, the first one received will take precedence.

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$0 – 250,000 $250,001 – 3,000,000 $3,000,001 +

25% 20% 12%

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S I G N ATU R E

DATE

( FO R H I N D MAN LC C )

DATE

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LOT DESCRIPTION

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139

NOTES

Lot 249 | Two Chinese Lead Horse-Form Plaques (Detail) Opposite Lot 192 | The Reference Library of C.T. Loo (1880-1957)

140

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