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Hong Kong Arts Administrators Association was founded in 1985. Our mission is to promote, develop, represent and support the entire scope of the arts administration community in Hong Kong. The Association has been empowering its members and fellow arts administrators in Hong Kong through various channels to fulfill the three main areas of the Association’s work, which are: Professional Development and Training through courses, workshops, internship and mentorship, and our Annual Summit; Knowledge and Communication Platform through networking events, interflow programmes, the Internet and numerous other communication platforms; Advocacy by making active contributions to policy discussions. 1985
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成立於
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▶▶▶位的非牟利機構。本會一直通過各種創意渠道鼓勵會員和藝術行政人員，履行三個主要使命：年，香港藝術行政人員協會致力提升藝術行政人員的專業水平，是香港唯一以推廣、發展、代表及支援本地藝術行政從業員為定專業發展及培訓：定期舉辦課程、工作坊、實習和指導，以及年度論壇；知識及通訊平台：舉辦建立人際網絡活動、互聯網互通計劃及無數交流活動；提出倡議：積極地回應文化政策討論。
2 About Hong Kong Arts Administrators Association 關於香港藝術行政人員協會
關於文化領袖論壇
About Cultural Leadership Summit 2022
2022 Hong Kong Arts Administrators Association (HKAAA) presents the 12th Cultural Leadership Summit - “International Cultural Exchange”. The three-day online conference will be held during 17 19 August 2022.
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The engaging roundtable discussions and closing plenary provide oppor tunities for expert speakers from various fields to discuss Hong Kong’s role as a vibrant hub for arts and cultural exchanges between China and the rest of the world, along with the prospects of cultural tourism to attract local and foreign visitors to Hong Kong.
由香港藝術行政人員協會（HKAAA 屆文化領袖論壇以「國際文化交流」為主題，將於）主辦、為期三天的第十二 8月17 19日 文化活動停擺，但不減藝術家透過不同形式、跨越地域界限呈現在網上舉行。全球一體化下促進了各地之間的國際文化交流，儘管疫情令很多藝術。是次論壇囊括工作坊及研討會，延攬了世界各地的資深藝術行政領袖及藝術實踐者，將集中與參與者探討三大範疇，包括學習鄰近地區的文化輸出及引進的成功案例、分享藝術家駐留及內地演出的發展方向，以及新時代下的文化交流模式。當中包括打破傳統模式的概念巡演（
Concept Touring ），以至開拓元宇宙 Metaverse 化藝術交流的重要紐帶，於文化輸出及引進的區位優勢及推動角在圓桌討論及總結環節，不同領域的講者將討論香港作為中外文生態，滋養大眾的藝術生活。）市場，引入另類文化交流的可能性，構建多元藝術色，展望更廣泛傳播香港的文化魅力至國際舞台；透過文旅結合，塑造吸引本地人及外地旅客關注的文化藝術都市。今屆的文化領袖論壇將提供一個互動的網上交流平台，匯聚參加者探討藝術帶來的各種機遇及可能，窺探發展趨勢，激發藝術的生機和力量。
This event is supported by the Government of the Hong Kong Special Administrative Region. 本項目獲香港特別行政區政府資助。
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Globalization has fostered international cultural exchange, and whilst many cultural events have ground to a halt under the pandemic, artists have remained active by presenting their work using various formats that reach beyond geographical barriers.
The Summit consists of workshops and symposiums, gathering seasoned arts leaders and practitioners from around the world to discuss topics focusing on successful regional case studies on cultural exports and imports, cultural exchange opportunities through artist residencies and the potential of Mainland China’s market, and new touring methods like “Concept Touring” and the Metaverse, creating a multi-dimensional art environment that enriches peoples’ lives.
This Summit will serve as an interactive platform for participants to explore trends and opportunities in the arts and stimulate arts develop ment in times of change.
Timetable 時間表
Chairman’s Welcome 主席歡迎辭
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In line with the Outline of the National 14th Five-Year Plan which reaffirms Hong Kong’s role as the “East-meets-West centre for international cultural exchange”, HKAAA is committed to providing professional de velopment opportunities that drive the growth of the arts and cultural sector. The three-day workshops and symposiums of the Summit cover different topics, bringing artists, curators, arts managers, and funding bodies together to exchange ideas and strengthen our partnerships. We look forward to working together in building a diverse “East-meets-West” cultural hub.
On behalf of the Hong Kong Arts Administrators Association (HKAAA), it gives me great pleasure to welcome you all to the 12th edition of the annual Cultural Leadership Summit – “International Cultural Exchange”.
Bravo to my colleagues in the Summit Sub-Committee and the management for putting together the terrific agenda and speaker line-up. I would also like to extend my warmest gratitude to the speakers and moderators for joining us with their insights. Last but not the least, my thanks go to the Culture, Sports and Tourism Bureau and other partners as well as to all the participants for their enthusiastic support. I hope the Summit will be of professional and personal benefit to all of us, and I encourage all delegates to actively participate in discussions during the event.
預祝本屆文化領袖論壇圓滿成功！參與論壇的討論，從中得到最新的專業資訊，亦能有個人得着。謝文化體育及旅遊局，以及其他伙伴的鼎力支持。希望大家積極和主持人表示熱烈歡迎，也衷心感謝他們的參與及分享。此外，感目及主講嘉賓陣容。我謹向來自香港及世界各地的所有主講嘉賓謹此鳴謝本屆論壇的小組委員會和協會同事們帶來如此精彩的節共建一個多元化、匯集中外的文化交流中心。此的想法與洞見，藉此鞏固與地區及國際的交流合作。我們期待身議題，匯聚藝術家、策展人、藝術管理人員及資助機構，交流彼化藝術界的成長。論壇三天的工作坊及研討會，將涵蓋不同的切香港藝術行政人員協會致力為業界提供專業發展的機會，促進文港與世界頂尖的文化機構建立更緊密的合作關係。港作為中外文化交流中心的角色及定位予以支持及肯定，推動本香港擁有中西文化薈萃的優勢，國家《十四五規劃綱要》對於本領袖論壇。今年的主題為「國際文化交流」。我謹代表香港藝術行政人員協會，歡迎各位出席第十二屆文化 Mrs Vennie Ho 何黎敏怡女士 Chairman, Hong Kong Arts Administrators Association Executive Director, Hong Kong Philharmonic Orchestra 香港管弦樂團行政總監香港藝術行政人員協會主席
This year, we have continued to work as an online conference, providing an interactive online platform for speakers, guests and audiences to open up dialogue, exchange ideas and build con nections, enabling attendees to interact freely online. We hope that you will find the various Summit programmes valuable and inspirational. Thank you for being a part of the Summit, and we look forward to presenting more enriching programmes in the years to come.
6 We warmly welcome you to our annual Cultural Leadership Summit presented by Hong Kong Arts Administrators Association. The theme for 2022, International Cultural Exchange, focuses on the latest cultural exchange methods, covering different exchange opportu nities and learning from success stories. We are pleased to see international touring and festivals gradually resuming back to normal and welcoming guests from all over the world. Cultural exchange is not a new subject, but changes do happen all the time in its substance, form and model. How can residency programmes reap the benefits of both physical and virtual forms of exchange? How should arts managers plan for exchange and collaboration with overseas partners? How can cultural programmes best engage curators, producers and artists? We are very honoured to have speakers from Hong Kong and around the world share their experiences in 歡迎大家參與香港藝術行政人員協會舉辦的年度文化領袖論壇。 2022 的節目！感謝你成為論壇的一份子。希望來年繼續為大家帶來精彩豐富信你可從這三日的節目獲得啟發和裨益。者、嘉賓及參加者展開對話、相互交流想法並建立業界網絡。相今年的論壇繼續以網上形式舉辦，期望網上論壇互動平台可讓講場地及政府機構代表分享見解。作為中外文化藝術交流中心的核心議題，匯聚藝術工作者、文化論壇第三日將以三個圓桌討論專題作結，各討論環節將呼應香港讓參加者可從這三日的論壇探討最新文化交流的趨勢及機遇。來自香港及世界各地的嘉賓講者，分享各自的領域專長和經驗，以至連結策展人、製作人或藝術家積極參與？我們很榮幸邀請到虛擬的交流？藝術管理人員應如何籌劃與海外伙伴的交流協作，模式卻經常轉變。藝術家駐留計劃可以如何讓我們受益於實體及文化交流不是一個新的題目，但當中的交流內容、進行形式及發展世界各地的來賓參與。習。我們喜見不少國際巡演及藝術節已逐漸復甦及重啟，並歡迎的文化交流方式，發掘文化交流的機遇，從成功的案例借鏡與學年的論壇主題為「國際文化交流」，我們將會集中討論最新 Welcome from the Cultural Leadership Summit 2022 Sub-committee 文化領袖論壇 2022 小組委員會歡迎辭 their respective fields at the Summit. This com prehensive three-day conference will let partici pants explore the latest cultural exchange trends and opportunities. The Summit will conclude with three engaging roundtable discussions on the last day, echoing the theme by addressing the “East-meets-West Hub” from different perspectives by arts practitioners, venue facilities and government bodies.
7 Summit membersSub-committee 小組委員會成員 Mrs Vennie Ho 何黎敏怡女士 Executive Director, Hong Kong Philharmonic Orchestra 香港管弦樂團行政總監 Dr Patrick Mok 莫健偉博士 Assistant Professor, The Hang Seng University of Hong Kong 香港恒生大學助理教授 Dr David Tsui 崔德煒博士 Executive Director, Hong Kong Dance Company 香港舞蹈團行政總監 Dr Celina Chin 錢敏華博士 Executive Director, Hong Kong Chinese Orchestra 香港中樂團行政總監 Ms Enid Chung 鍾冠怡女士 Director, Hong Kong Contemporary Youth Dancers 香港當代青年舞蹈團總監 Ms Connie Lam 林淑儀女士 Chairperson, Passoverdance 新約舞流主席 Ms Flora Yu 余潔儀女士 Development Director, Hong Kong Arts Festival 香港藝術節發展總監 Chairman 主席 Vice - chairman 副主席 Honorary Treasurer 名譽司庫 Board Members 董事局成員
8 17/ 8 Wednesday 星期三 | SUMMIT DAY 1 論壇第一日 | EMPOWER ● OPENING REMARKS 開幕致辭 Mrs. Vicki Kwok Wong Wing- ki, JP 郭黃穎琦女士, JP Deputy Secretary for Culture, Sports and Tourism, The Government of the Hong Kong Special Administrative Region 香港特別行政區政府 文化體育及旅遊局副秘書長 ( Available through virtual platform 參加者可透過網上平台收看 ) ● 10: 00 -11:15 (GMT+ 8) WORKSHOP 工作坊 1A Enriching Arts with Residencies 藝術家駐留 Cultural organizations offer a variety of artist-in-residence (AIR) programmes to foster creative growth of artists, strengthening local and cross-border cultural exchanges. How significant is it for artists to enrich their experience and creative work through AIR programmes? Would the available AIR programmes suit all artists? How could cultural managers both support artist residencies and balance stakeholders’ interests and needs? Speakers will share research insights on models of artist residencies, as well as experience and observations as artists and AIR programme participants. 不同的文化機構致力透過藝術家駐留計劃，提升藝術家的創作力，促 進當地及跨國的文化交流。藝術家是否必須藉著參與駐留計劃累積 經驗、實踐創作？駐留計劃是否適合所有藝術家參與？文化管理者該 如何推動藝術家駐留計劃，並平衡各持分者的得益及需要？講者將於 工作坊分享藝術家駐留計劃模式之研究心得、參與經驗與觀察。 Speakers 講者 Mr. Jeff Leung 梁展峰先生 Independent Curator and Part time Lecturer 獨立策展人及大學兼任講師 Mr. Wayson Poon 盤彥燊先生 Contemporary Dance Artist 當代舞蹈藝術家 Moderator 主持 Ms. Josephine Wai 韋志菲女士 Director, Asian Cultural Council Hong Kong 亞洲文化協會香港分會總監 LUNCH & BREAK 午餐及小休 ( 1 hour 45 mins ) Programme Details 論壇內容
9 ● 13: 00 14:15 (GMT+ 8) WORKSHOP 工作坊 1B Festival in Town with Case Studies 藝術節與城市發展的成功案例 The integration of art, culture and tourism could create synergies in forging regional cultural identity and enhancing destination appeal in international tourism markets. How can regional cultural destinations improve their attractiveness and competitiveness? Mr. Fram Kitagawa from Setouchi Triennale and Echigo-Tsumari Art Triennale will share about the festivals’ revitalization and tourism impact and how they have developed into world-famous cultural exchange destinations appealing to domestic and international visitors. 藝術、文化和旅遊的互相結合，能夠創造協同價值，鞏固地區的文化認同 和國際旅遊吸引力。地區文化景點可怎樣提升吸引力和競爭力？北川富 朗先生將分享瀨戶內國際藝術祭及越後妻有大地藝術祭的地方營造 與活化成果，如何將地區藝術祭發展成本地及海外旅客均關注的國 際藝術交流陣地。 Speaker 講者 Mr. Fram Kitagawa 北川富朗先生 General Director, Setouchi Triennale / Echigo Tsumari Art Triennale 瀨戶內國際藝術祭、越後妻有大地藝術祭藝術總監 Moderator 主持 Ms. Mizuki Takahashi 高橋瑞木女士 Executive Director and Chief Curator, Centre for Heritage, Arts and Textile CHAT六廠執行董事及首席策展人 This session will be conducted in Japanese with simultaneous interpretation through Zoom. 此節將以日語進行，並於Zoom提供即時傳譯。 BREAK 小休 ( 45 mins ) ● 15: 00 -16:15 (GMT+ 8) WORKSHOP 工作坊 1C Explore Arts Digitally: the Metaverse and Beyond 探索藝術如何在元宇宙進行文化交流的無限可能 The forms of cultural exchange are constantly evolving, with new breakthroughs stretching our minds and imagination. More international brands are now leaping into the metaverse, creating new social networks and markets. Virtual worlds offer the opportunity for audience expansion and collaborations. Learn about some recent top metaverse use cases and how to develop virtual lands and build virtual worlds. Explore how metaverse agencies could collaborate with cultural organizations in creating entrancing cultural experiences in the metaverse. 文化交流模式一直在演變中，突破人類思想想像。多個國際品牌先後 宣佈進軍元宇宙( Metaverse)，在新的市場建立新式社交網絡，發掘更 多觀眾群及合作模式。此工作坊將探討近期熱門元宇宙項目案例，如 何開發虛擬土地及建設各類型空間，以至與元宇宙代理商( Metaverse agency)協作，創造元宇宙的文化藝術體驗。 Speaker 講者 Mr. Erich Wong 黃宏誠先生 Head of Growth (Hong Kong ), The Sandbox The Sandbox 香港業務增長主管 ● 17:15 -18: 30 (GMT+ 8) OPENING RECEPTION 開幕酒會 ( By invitation only 只供獲受邀人士參與 )
10 18/ 8 Thursday 星期四 | SUMMIT DAY 2 論壇第二日 | CONNECT ● 10: 00 11:15 (GMT+ 8) WORKSHOP 工作坊 2A Potentials of Mainland China Market 中國內地市場的演出潛能 Many arts groups would consider staging their productions on tour. Over the last two years of the COVID-19 pandemic, what changes have Mainland China’s cultural policies undergone? What are the Mainland performance venues and festival organizers looking for in programming? Can the touring success stories of Hong Kong arts groups be replicated? How can we raise brand awareness and capture the attention of Mainland China’s audiences? From artists and arts groups’ perspectives, Workshop 2A will touch upon opportunities from the national culture and tourism development plan and discuss the features and potential of the Mainland China market. 除了本地演出外，不少藝團在制定節目時或會考慮將演出延伸到其他地區。 經過兩年多的疫情，內地的文化政策有何改變？內地場地與藝術節主辦方 在尋找節目上有什麼定位要求？香港過往的巡演成功案例能否複製？我們可 如何鞏固藝團品牌並提升內地觀眾的關注度？此工作坊將從香港藝術工作 者及藝團角度出發，探討國家文旅發展規劃帶來的契機，以及內地藝術市場 的特色和潛力。 Speaker 講者 Mr. Lee Li - Heng 李立亨先生 Cultural Event Curation Specialist 文創項目策劃專家 Moderator 主持 Dr. David Tsui 崔德煒博士 Executive Director, Hong Kong Dance Company / Honorary Treasurer, Hong Kong Arts Administrators Association 香港舞蹈團行政總監 / 香港藝術行政人員協會名譽司庫 This session will be conducted in Mandarin with simultaneous interpretation through Zoom. 此節將以普通話進行，並於Zoom提供即時傳譯。 LUNCH & BREAK 午餐及小休 ( 1 hour 45 mins )
11 ● 13: 00 14:15 (GMT+ 8) WORKSHOP 工作坊 2B Co-Production, Concept Touring & Deep Mobility 聯合製作、概念巡演及深度交流 While the global pandemic has caused significant disruption to the arts, it has also sped up technological advancements and offered us new opportunities for art showcases and exchanges. ‘Concept Touring’ is one of the new norms that allows us to rethink arts creation, production and international mobility. In this workshop, we will explore the challenges and opportunities using the latest co-production methods. 全球疫情的蔓延，影響了國際之間的藝術交流；然而科技的迅速發展，也催生 了呈現及交流藝術的新形態。此工作坊將探討新時代下打破傳統模式的概念 巡演（ Concept Touring ），如何能夠實現跨地域的藝術創作及製作，並討論不 同的聯合製作趨勢、挑戰與機遇。 Speakers 講者 Ms. Grace Lang 梁掌瑋女士 Programme Director, Hong Kong Arts Festival 香港藝術節節目總監 Ms. Anita Rochon 安妮塔．羅尚女士 Artistic Director, The Chop 快刀劇場藝術總監 BREAK 小休 ( 45 mins ) ● 15: 00 16:15 (GMT+ 8) WORKSHOP 工作坊 2C International Engagement: How to Showcase Asian Culture in Europe 走進國際舞台：如何推廣亞洲文化產物至歐洲 Throughout the years, many countries have endeavoured to conduct cultural exchange through art festivals, exhibitions, expositions and more. In this workshop, learn about the origin and development of the Far East Film Festival from Italy and why the festival fascinates audiences amidst other Asian film festivals in Europe. The speaker will also discuss the rise in popularity of Hong Kong and Asian films in Europe, as well as the effectiveness of cultural exchange and promotional efforts. 多年來各國均透過藝術節、藝術博覽、展會展覽等的活動進行不同形式的文化 交流。從意大利烏甸尼遠東電影節的源起及發展過程，了解此電影節的獨特之 處，如何從眾多歐洲舉行的亞洲電影節中突圍而出，提升香港及亞洲電影在歐 洲的知名度；探討香港及亞洲電影輸出至歐洲市場的文化交流效應及推廣 成果。 Speaker 講者 Ms. Sabrina Baracetti 莎賓娜．巴瑞切提女士 Festival Director, Far East Film Festival 意大利烏甸尼遠東電影節總監 Moderator 主持 Ms. Teresa Kwong 鄺珮詩女士 Programme Director, Hong Kong Arts Centre 香港藝術中心節目總監
19/ 8 Friday 星期五 | SUMMIT DAY 3 論壇第三日 | DEVELOP ● 10: 00 12: 00 (GMT+ 8) ROUNDTABLE DISCUSSION 圓桌討論 1 Cultural Exchange: Post-pandemic Strategies 後疫情的文化交流策略 Although cultural activities and travel are gradually resuming around the globe, some countries have not yet fully reopened to inbound and outbound visitors. How can arts help us stay connected? How can new technologies bring new possibilities to the arts? Coping with uncertainty in pandemic times, how should cultural organizations design their contingency plans? When addressing current environmental issues, how can cultural organizations do their part to attract public attention? 全球逐漸復甦藝文活動，惟部分國家仍未能全面對外開放，各地人民或受影 響，未能如昔日般往返世界各地。如何透過藝術促進大眾身心健康？科技發 展可為藝術帶來什麼可能？面對疫症及其他周邊不確定因素，文化機構有什 麼應對方案？此外，保育環境等議題越漸盛行，作為藝文機構，我們應如何 令大眾關注？ Speakers 講者 Mr. Mike Hill Co - founder and CEO, Clockenflap Clockenflap 聯合創辦人及行政總裁 Ms. Catherine Jones 嘉芙蓮．鍾斯女士 Director, Australian Performing Arts Market 澳洲表演藝術市場總監 Ms. Yvonne Tham 譚光雪女士 CEO, Esplanade - Theatres on the Bay 新加坡濱海藝術中心總裁 Moderator 主持 Ms. Enid Tsui 徐曉瑜女士 Arts Editor, South China Morning Post 南華早報藝術版編輯 LUNCH & BREAK 午餐及小休 ( 2 hours ) ● 14: 00 16: 00 (GMT+ 8) ROUNDTABLE DISCUSSION 圓桌討論 2 Reaching People Through Cultural District 透過文化地區接觸你的觀眾群 Many regions would consider creating cultural districts as part of their urban planning strategies in order to boost cultural, tourism and socio-economic growth. How can cultural facilities improve a community’s quality of life as well as strengthen social cohesion? How can we leverage cultural tourism to improve ancillary economic activities and overall benefits to the economy, so we can reach a wider audience? 城市規劃當中，很多地區或會考慮建設文化區，實現文化、旅遊與社會經濟 的協同發展。如何透過文化藝術建設，藉此提升人民生活質素、連繫社會？ 如何增強文旅結合的可能性以帶動周邊經濟及整體經濟效益，開拓更廣的 觀眾群？ Speakers 講者 Mr. Adrian Ellis 阿德里安．艾理斯先生 Executive Chair and Co founder, Global Cultural Districts Network 全球文化區交流網絡主席及聯合創辦人 Mrs. Betty Fung , GBS 馮程淑儀女士, GBS CEO, West Kowloon Cultural District Authority 西九文化區管理局行政總裁 Ms. Criena Gehrke 克里娜．格爾克女士 CEO, HOTA , Home of the Arts HOTA 藝術之家行政總裁 Moderator 主持 Mr. Timothy Calnin 簡寧天先生 Director, Tai Kwun Arts 大館藝術總監
13 BREAK 小休 ( 45 mins ) ● 16: 45 18: 45 (GMT+ 8) CLOSING PLENARY 閉幕專題 Navigating Next: Where Do We Go From Here? 後續：如何帶領藝術邁向國際協作？ With the establishment of the Culture, Sports and Tourism Bureau, how can our cultural policies support Hong Kong to develop into an East-meets-West centre for international cultural exchange and consolidate its position in the interna tional arena? The closing plenary brings together seasoned policymakers and artists with extensive international experience to discuss the next pivotal steps in advancing international collaborations with Hong Kong’s vibrant arts community. 隨著香港文化體育及旅遊局的成立，文化政策如何能支持香港發展成為 「中外文化藝術交流中心」，鞏固香港文化發展在國際上的地位？政策制定 者及活躍於國際舞台的藝術家將進行對話，前瞻帶領香港藝術邁向國際協 作的對策。 Speakers 講者 Ms. Winsome Chow 周蕙心女士 Chief Executive, Hong Kong Arts Development Council 香港藝術發展局行政總裁 Mr. Lio Kuokman, JP 廖國敏先生, JP Resident Conductor, Hong Kong Philharmonic Orchestra / Programme Director, Macao International Music Festival 香港管弦樂團駐團指揮 / 澳門國際音樂節節目總監 Ms. Eve Tam 譚美兒女士 Deputy Director (Culture), Leisure and Cultural Services Department of the Hong Kong Special Administrative Region 香港特別行政區康樂及文化事務署副署長（文化） Moderator 主持 Dr. the Honourable Stephen Wong Yuen - shan 黃元山議員 Senior Vice President & Executive Director of Public Policy Institute, Our Hong Kong Foundation 團結香港基金高級副總裁兼公共政策研究院院長 ● 18:45 19:00 (GMT+8) CLOSING REMARKS 總結 Mrs. Vennie Ho 何黎敏怡女士 Chairman, Hong Kong Arts Administrators Association/ Executive Director, Hong Kong Philharmonic Orchestra 香港藝術行政人員協會主席 / 香港管弦樂團行政總監
BIOGRAPHIES 簡歷 14 Ms. Sabrina Baracetti 莎賓娜．巴瑞切提女士
意大利烏甸尼遠東電影節總監
主席，藝術展覽公司、文化機構莎賓娜．巴瑞切提女士為意大利烏甸尼遠東電影節的創始成員兼 C. E .C.之主席，發行公司 Tucker Film之收購顧問，Ties That Bind聯合創始人兼顧問，以及弗留 莎賓娜利電影中心董事會成員。 1967年出生於烏甸尼，1994 年畢業於文學專業，其論文 是關於 Vito Pandolfi的電影 Gli Ultimi ，該電影於 90年代末進 行修復。自1991年以來，她一直參與 C. E .C.的節目策劃及推廣， 並於 1995 年成為主席。1998 史的回顧展覽，該展覽在她的主導下，於年，她統籌了一個致敬香港電影歷 1999 是亞洲電影大獎的提名顧問。烏甸尼遠東電影節。莎賓娜現為多個電影節的評審團成員，也年發展為意大利
Festival Director, Far East Film Festival Sabrina Baracetti is the founding member and President of Udine Far East Film Festival, president of cultural organization C.E.C., an arthouse exhibition company, acquisitions consultant for the distribution company Tucker Film, co-founder and consultant for Ties That Bind and member of the Board of Directors at Friuli Cinematheque.
Sabrina was born in Udine in 1967 and graduated university in 1994 with a degree in Literature. Her thesis was on Vito Pandolfi’s film ‘Gli ultimi’, a rediscovery work which helped the subsequent restoration of the film at the end of the 90s. Since 1991, she has been involved in programming and promoting C.E.C. activities, and she became its president in 1995. In 1998, she coordinated a retrospective dedicated to the history of Hong Kong cinema, which evolved into the Udine Far East Film Festival under her direction the following year. Sabrina has been a member of many festival juries and a nomination advisor for the Asian Film Awards.
層。簡寧天曾在澳洲及亞太區多間大型音樂和藝術團體擔任管理 2003 年加入香港管弦樂團，擔任藝術顧問，並於 2005 廣州演出。專業發展、教育及社區參與計劃，並多次率領樂團到北京、上海和任香港管弦樂團行政總裁。在香港的六年期間，他擴展了樂團的年出 2017年 4 中區警署建築群的大館營運工作。月中出任「大館」古蹟及藝術館總監，負責舊 2020年 4 監，策劃及製作大館的每年的展覽、演出、講座、活動及藝術節。育有限公司成立「大館文化藝術有限公司」，簡寧天出任藝術總月起，賽馬會文物保
BIOGRAPHIES 簡歷 15
Mr Timothy Calnin 簡寧天先生 Director, Tai Kwun Arts 大館藝術總監 Timothy Calnin has held senior positions with leading musical and artistic organizations in Australia, Europe and Asia, including the Academy of Ancient Music, the Ulster Orchestra, the Broadcasting Cooperation and the Symphony Orchestra. In 2003, Timothy became Artistic Consultant of the Hong Kong Philharmonic Orchestra before being appointed its Chief Executive in 2005. During his six years in Hong Kong, Timothy expanded the Orchestra’s education, professional development and community programmes, taking the Orchestra on frequent tours to Beijing, Shanghai and Guangzhou. In April 2017, Timothy was appointed Director of the Central Police Station, trading as Tai Kwun: Centre for Heritage and Arts and led the operations of Tai Kwun at the Central Police Station compound. In April 2020, Timothy became Director of Tai Kwun Arts, a new subsidiary company of Tai Kwun Centre for Heritage and Arts, which was formed to curate and produce Tai Kwun’s annual programme of exhibitions, perfor mances, talks, events and festivals.
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Chan Oi Ying graduated from The Chinese University of Hong Kong (BA). She primarily studied Chinese calligraphy with Adjunct Associate Professor Tong Kam Tang Vincent as her advisor. She also studied ink-related courses like Chinese Landscape Painting and Xieyi: Chinese Expressive Painting. After graduating, Oi Ying continued creating Chinese calligraphy artwork and currently teaches calligraphy courses. In her works, Oi Ying emphasises the spirit of learning from the ancient masters and the classical method of learning calligraphy. At the same time, she also adds contemporary visual elements to calligraphy, including street art forms, collage and graffiti. Additionally, she has hosted TV programmes like the 15-episode RTHK programme ‘Breathing Aesthetics - Appreciation of Ancient Chinese Paintings’ and demonstrated calligraphy in 30 episodes of ‘Breathing Aesthetics Season 2 - “Brush Dance’.
BIOGRAPHIES 簡歷 16
2016 中作書法示範。國古畫賞析〉，以及在三十集的〈呼吸美學第二季—「筆舞誌」〉與過幕前工作，如：主持十五集的香港電台節目〈呼吸美學—中法作品中，傳統與當代並行，為書法賦予當代意義。此外，亦參加入當代的視覺元素，如：把街頭藝術中的拼貼和塗鴉加入書書法作品方面，著重師古人的精神，重視書法的古典法度同時亦和寫意人物畫。畢業後，主要從事書法創作和書法教學的工作。除書法外，亦修讀過水墨相關的學科，如：山水畫、寫意花鳥畫讀書法，包括：篆、隸、楷、行、草，指導老師為唐錦騰副教授。年畢業於香港中文大學藝術系（學士）。在學期間，主要修
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Ms Chan Oi Ying 陳靄凝小姐 Chinese Calligraphy Artist 書法藝術家
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BIOGRAPHIES 簡歷 17
Winsome Chow is the Chief Executive of Hong Kong Arts Development Council (HKADC). Since joining HKADC in 2015, she has been introducing improvements to the Council’s long-standing grant schemes and devising new ones, like the Matching Fund Scheme that has helped arts groups to grow with the support of their donors and sponsors. She is keen to promote cultural exchange and has led over 700 arts practitioners to various overseas festivals, expos and arts markets in Australia, Canada, Germany, Italy and the Netherlands. In 2020 and 2021, she promoted 24 arts programmes in major cities in Mainland China with some in digital formats. To help artists and practitioners during the pandemic, she devised a Support Scheme to distribute the Government’s relief funds and concur rently sought sponsorship from the Jockey Club Charities Trust, engaging 68 arts organizations in a HK$25M project, ‘Arts Go Digital’. Currently, she serves on the boards or committees of several arts and cultural institu tions, sharing her experience and vision of arts administration.
周蕙心女士為香港藝術發展局行政總裁。自2015 致力推動文化交流，在疫情影響前的數年帶領約十個藝團及超過對資助，令不少藝團在他們的捐助人及贊助機構支持下成長。她女士逐步提升藝發局既有的資助計劃，並推出新的計劃，例如配年出任該職，周 700 讓節、博覽及藝術交易會。同時，她亦與內地的場地及藝術節合作，位藝術工作者出訪澳洲、加拿大、德國、意大利及荷蘭的藝術 24個節目巡迴主要城市，包括在 2020年及 2021年網上進行的 節目。在 2020 託基金二千五百萬元贊助，令去工作所困，周女士推出支援計劃，並同時得香港賽馬會慈善信年，不少藝術工作者受疫情影響以致場地關閉及失 68 分享她的藝術行政經驗和展望。目。她亦出任數間藝文機構的董事會及有關文化藝術的委員會，個藝術團隊推出網上文化藝術項
周蕙心女士
Ms Winsome Chow Chief Executive, Hong Kong Arts Development Council 香港藝術發展局行政總裁
全球文化區交流網絡主席及聯合創辦人
Adrian is a board member of Poets House in New York and a past board member of the Getty Leadership Institute, the Association of Performing
阿德里安・艾理斯為 AEA Consulting（1990）和全球文化區交流 網絡（ 2013 年度設計卓越論壇的首席市長德莫斯（倫敦隨筆、財富、薩爾茨堡研討會、布勞恩創意領袖峰會、悉尼織會議，包括：紐約時報「明日藝術」會議、獨立報、新政治家、題撰寫並撰寫了大量演講。他曾為眾多知名論壇出版，演講和組以及克萊恩商業周刊報導。阿德里安就文化領域的管理和規劃問作為著名的演講者及作家，阿德里安曾獲紐約時報、華爾街日報，）的創始人。 Demos）、保羅・蓋蒂基 金會（ J. Paul Getty Trust）、克拉克藝術研討會，加拿大藝術 峰會、新城市峰會、REMIX 峰會，以及美國建築師學會、國際表 程。阿德里安亦為威爾斯國家博物館和美術館理事會，以及英國為南方衛理會大學、蒙特利爾高等商學院及博科尼大學之聯合課員。現為國際藝術管理碩士課程的國際諮詢委員會成員，該課程國際表演藝術協會、考夫曼中心及百代電影公司的前任董事會成阿德里安現為紐約詩人之家的董事會成員，並為蓋蒂領導學院、演藝術學會等年會。(續下頁)( Continued on next page )
BIOGRAPHIES 簡歷 18 Mr. Adrian Ellis 阿德里安．艾理斯先生
Adrian Ellis is the founder of AEA Consulting (1990) and the Global Cultural Districts Network (2013). AEA is a leading strategy consultancy working internationally in the cultural sector; GCDN is a lively network of some 55 cultural districts around the world, including West Kowloon, Brooklyn, London’s Bankside and Melbourne.
A noted speaker and writer, Adrian has been profiled in the New York Times, Wall Street Journal and Crain’s New York Business. In addition to consulting globally with clients across the cultural, public, and business sectors, he lectures and writes widely, and he has been featured in numerous dis tinguished forums, including The International New York Times Art for Tomorrow Conference, The Independent, The New Statesman, London Essays, The Art Newspaper, Fortune, The Salzburg Seminar, Blouin Creative Leadership Summit, Demos, the Lord Mayor of Sydney’s Annual Design Excellence Forum, the J. Paul Getty Trust, The Clark Art Seminar, the Canadian Arts Summit, New Cities Summit, REMIX Summit, and annual conferences of the American Institute of Architects, International Society for the Performing Arts, and many others.
Executive Chair and Co - founder, Global Cultural Districts Network
Arts Presenters, The Kaufman Center and Pathé Pictures. He currently serves on the International Advisory Committee of the master’s program in International Arts Management, a joint program of Southern Methodist University, HEC Montreal, and Bocconi University. Adrian is a past member of the Governing Council of the National Museums and Galleries of Wales and the Royal Institute of British Architects’ Architecture Centre Committee. He has been a Scholar in Residence at Columbia University and has taught arts administration for Boston University, New York University, National Arts Strategies and the Clore Fellows Programme.
略和學的駐校學者，並曾於波士頓大學、紐約大學、美國國家藝術策皇家建築師學會建築中心委員會的前任成員。他曾為哥倫比亞大 Clore 作為畢生的爵士樂狂熱者，阿德里安在領袖培訓計劃教授藝術管理。2007 年至 2011 年間擔任林 肯中心爵士樂行政總監。在創立 AEA 阿德里安畢業於美國國家藝術策略的行政總裁計劃。學擔任政治系講師，並在倫敦經濟學院完成額外的研究生工作。士一級榮譽學位及牛津大學大學學院的碩士學位；他亦於牛津大民營化工作，並管理財政部經濟部長之辦公室。阿德里安獲文學涯始於擔任英國財政部和內閣辦公室的公務員，從事效率審查及會的執行董事，計劃和管理倫敦設計博物館的創建。他的職業生之前，他曾擔任倫敦康蘭基金 2012 年， 他獲爵士記者協會譽為「年度爵士英雄」。
A lifelong jazz fanatic, Adrian served as Executive Director of Jazz at Lincoln Center from 2007 to 2011. Prior to founding AEA, he served as Executive Director of The Conran Foundation in London, where he planned and managed the creation of the Design Museum. He began his career as a civil servant in the UK Treasury and the Cabinet Office, where he worked on service-wide efficiency reviews and privatization and ran the office of the Economic Secretary to the Treasury. Adrian received his B.A. (first class) and M.A. degrees at University College, Oxford, where he served as a College Lecturer in Politics and completed additional graduate work at London School of Economics. Adrian is a graduate of National Arts Strategies Chief Executive Program. In 2012, the Jazz Journalists Association named him ‘Jazz Hero of the Year’.
BIOGRAPHIES 簡歷 19
西九文化區管理局委任馮程淑儀為行政總裁，於 2021年 10月15 日履新。馮女士於 2020年 12 月至 2021年 6 馮女士於政府借調至西九文化區管理局擔任署理行政總裁月由香港特別行政區。 1986 府資訊科技副總監、教育統籌局副秘書長等。門工作，包括出任布政司及財政司新聞秘書、貿易署助理署長、政年加入香港政府政務職系，曾經在不同決策局及部 2007 宣傳事務之首席顧問；年，馮女士獲委任政府新聞處處長，成為政府公共關係和 2009年至 2014 包括博物館、公共圖書館和表演藝術場地等。馮女士於化事務署署長，負責發展和管理香港的文化、體育和康樂設施，年期間出任為康樂及文 2014 年 7 月至 2018 年 4 在借調西九文化區管理局之前，馮女士於包括香港故宮文化博物館項目。育和地區行政等政策，任內積極推動落實西九文化區計劃，當中月出任民政事務局常任秘書長，負責制定文化、體 2018 年 4月至 2020年 11月擔任政策創新與統籌辦事處總監。
In 2007, she was appointed Director of Information Services and was the Government’s chief advisor on public relations and publicity matters. She was appointed Director of Leisure and Cultural Services from 2009 to 2014 to oversee the development and management of cultural, sports and recreation facilities in Hong Kong, including museums, public libraries and performing arts venues. As Permanent Secretary for Home Affairs from July 2014 to April 2018, she oversaw the formulation of culture, sports and district administration policies and was actively involved in the im plementation of the WKCD project, which includes the Hong Kong Palace Museum project. Betty was Head of the Policy Innovation and Co-ordination Office from April 2018 to November 2020 prior to her secondment to WKCDA.
Betty Fung Ching Suk-yee has been Chief Executive Officer (CEO) of the West Kowloon Cultural District Authority (WKCDA) since 15 October 2021.
She was on secondment from the HKSAR Government to the WKCDA as Acting CEO between December 2020 and June 2021.
BIOGRAPHIES 簡歷 20 Mrs. Betty Fung, GBS 馮程淑儀女士, GBS CEO, West Kowloon Cultural District Authority 西九文化區管理局行政總裁
In 1986, Betty joined the Administrative Service of the Hong Kong Government and has served in a wide range of positions in various bureaux and departments, including Press Secretary to Chief Secretary and Financial Secretary, Assistant Director of Trade, Deputy Government Chief Information Officer and Deputy Secretary for Education and Manpower.
克里娜．格爾克女士 CEO, HOTA , Home of the Arts
克里娜．格爾克女士為 HOTA 構之一，與各級政府合作制定和實施文化政策；曾為澳洲領先文化發展機藝術管理背景，對以文化藝術凝聚社區和建立聯繫充滿熱誠。她曾藝術之家的行政總裁。她擁有多元的 Arts Access Victoria 施以提升弱勢社群的通達共融。曾為的行政總監，並制定一系列關鍵措 Creative Victoria 加入員。克里娜亦是哈佛大學維多利亞校友會-非牟利獎學金的得主。術理事會的評審員，現為格里菲斯社會文化研究中心諮詢小組的成及澳洲藝 HOTA 部門之執行統籌，負責制定該市藝術之家前，克里娜為黃金海岸市政府的藝術及文化 2023 年的文化策略。作為 HOTA 括耗資來更豐富的文化遺產。克里娜帶領並監督文化區的最新發展，包藝術之家的行政總裁，克里娜銳意將文化藝術融入城市，創造未 3750萬落成的戶外舞台、耗資 1950萬落成連接 HOTA 和衝 浪者天堂的行人天橋，以及最近 2021年 5月開幕，耗資 6050萬的 國際標準級 HOTA 畫廊。在克里娜的領導下，HOTA 藝術之家每年 將迎來超過 100 萬人次，發展為著名的文化地標。
BIOGRAPHIES 簡歷 21 Ms. Criena Gehrke
Before taking up the reins at HOTA, Home of the Arts, Criena was Executive Coordinator of City of Gold Coast’s Arts and Culture Unit, where she led the development of the City’s 2023 Culture Strategy. As CEO of HOTA, Home of the Arts, Criena is leading the charge to embed arts and culture at the centre of the city, creating a legacy for future generations. She oversaw the recent development of the precinct, including the addition of a $37.5M outdoor stage, a $19.5M pedestrian bridge connecting HOTA to Surfers Paradise and the most recent addition (opened May 2021), a $60.5M brand new, AAA rated, international standard HOTA Gallery. Under Criena’s leadership, HOTA, Home of the Arts will welcome more than 1 million people every year and is becoming known as a must-visit cultural destination.
HOTA 藝術之家行政總裁 Criena Gehrke is Chief Executive Officer of HOTA, Home of the Arts, a vibrant arts precinct on Australia’s Gold Coast. She has a diverse and eclectic background in arts management and a particular passion for the role of arts and culture in building strong and connected communities. She has worked with all tiers of government on the development and implementation of cultural policy. As the Executive Director of Arts Access Victoria, one of Australia’s leading cultural development organizations, Criena developed a range of key initiatives to increase access for disadvan taged communities. She has also been a peer assessor for Creative Victoria and The Australia Council for the Arts and is a member of the Griffith Centre for Social and Cultural Research Advisory Group. Criena is also a past recipient of the prestigious Harvard Club of Victoria Non-Profit Fellowship.
作為公司的行政總裁，
Mike Hill Mike
Mr. Mike Hill Co - founder and CEO, Clockenflap Clockenflap 聯合創辦人及行政總裁 Through the creation of the company Magnetic Asia, Mike has been fortunate to unite his two great passions, computing and music. Along with fellow co-founders Mike launched Clockenflap back in 2008 and went on to create the companies Magnetic Asia and Total Ticketing which has since launched Sonar Hong Kong, Ticketflap, and promoted a whole host of regular concerts and shows. His passion for computing and technology has resulted in a lengthy career in IT before and has seen the successful birth and launch of several technology businesses.
BIOGRAPHIES 簡歷 22
Mike has a Bachelor’s (BEng Hons) Degree from Nottingham Trent University in Electronics and Computing and an MSc Degree from Liverpool University in Computer Science.
很幸運地通過創立 Magnetic Asia 將他的兩大愛好及專長—電腦科學與音樂結合。 2008 年，Mike 與另外兩位聯合創始人一起創辦了Clockenflap 音樂及藝術節，隨後更成立了Magnetic Asia 及Total Ticketing 兩家公司，並陸續推出了Sonar Hong Kong、Ticketflap、以及一 他對電腦工程及科技專業領域的熱情促使他長期從事系列定期舉辦的國際級音樂會及演出。 IT 家科技企業。相關的工作，並在其漫長及成功的職業生涯中，成功創辦了數領域 Mike 位畢業，及後於利物浦大學修讀計算機科學，榮獲碩士學位。於諾丁漢特倫特大學電子及計算機學系以榮譽工學學士學
BIOGRAPHIES 簡歷 23 Ms. Catherine Jones 嘉芙蓮．鍾斯女士 Director, Australian Performing Arts Market 澳洲表演藝術市場總監 Catherine Jones is Director of the Australian Performing Arts Market (APAM) Office. Prior to her role at APAM, Catherine was the General Manager of Arts House, Melbourne’s centre for contemporary and ex perimental performance. Before joining the City of Melbourne, she held executive positions in some of Melbourne’s leading contemporary per formance companies, including Chunky Move, Malthouse Theatre and Arena Theatre Company. She has worked extensively with producing companies and festival contexts, nationally and internationally, with roles at Queensland Theatre Company, Traverse Theatre, Melbourne Festival, Out of the Box Festival and the Queensland Biennial Festival of Music.
Catherine has previously held Board positions with Theatre Network Australia, Arena Theatre Company and KAGE. She was a recipient of the inaugural ISPA - Australia Council Fellowships (2014-2017), an Asialink Arts Management Resident (Delhi, 2006) and a member of the Artistic Direc torate of HotHouse Theatre (2005-2008).
嘉芙蓮．鍾斯為澳洲表演藝術市場（ APAM）總監。在加入 APAM 前，曾任墨爾本當代和實驗表演中心 Arts House 任行政職務，包括加入墨爾本市政府前，曾於墨爾本幾所領先的當代表演機構擔的總經理。在 Chunky Move、Malthouse Theatre及 Arena Theatre Company 蓮曾在澳洲劇院網絡、術節、跳出框框藝術節及昆士蘭雙年音樂節擔任行政職務。嘉芙節廣泛，包括於昆士蘭劇院公司、特拉弗斯劇院、墨爾本國際藝。她在澳洲及國際上參與的節目製作及藝術 Arena Theatre Company及KAGE擔任董 事。她是首屆國際演藝協會-澳洲理事會獎學金得主（2014 2017）、 Asialink 藝術管理駐留計劃得主（德里，2006）及 HotHouse劇 院藝術理事會成員（ 2005 2008）。
BIOGRAPHIES 簡歷 24 Mr. Fram Kitagawa 北川富朗先生 General Director, Setouchi Triennale / Echigo -Tsumari Art Triennale 瀨戶內國際藝術祭、越後妻有大地藝術祭藝術總監
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The impact of art festivals has expanded beyond borders, and Fram was invited to be the artistic director for Shanghai Urban Space Art Season in 2019 and was appointed as artistic director for Tonglu Art Triennale, Zhejiang Province, China. He has been responsible for a wide range of art projects, such as the Antoni Gaudi exhibition that travelled to 11 Japanese cities in 1978-1979 and the Apartheid Non! International Art Festival (originally organized by UNESCO entitled Art against Apartheid). He has received high praise for his involvement in activities related to community development, such as his leadership in planning the FARET Tachikawa Art Project and the cultural activities he oversees at the Hillside Terrace. He has served as a general director and realized 3 art festivals (Northern Alps Art Festival 2020-2021, Oku-Noto Triennale 2020+, and Ichihara Art x Mix 2020+) in 2021, all in the midst of the COVID-19 pandemic. In 2022, he is currently directing the Setouchi Triennale 2022 and Echigo-Tsumari Art Triennale 2022.
北川富朗 1946 日本北川富朗策劃的藝術項目所涉獵的範疇廣泛，包括曾策劃巡迴年出生於日本新潟縣，畢業於東京藝術大學。 11個城市的「高第展」（1978 1979年），以及「向種族隔離 說不！國際美術展」（1988 1990 自京「代官山集合住宅」的文化藝術活動，其卓越成就獲高度表揚。藝術的發展，例如曾帶領策劃「日本立川市公共藝術特展」及東年）等。他積極推動社區文化 2000 風潮，當中包括「瀨戶內國際藝術祭」，他亦為該節的藝術總監。社區建設等課題，以藝術進行地方活化，並引發了日本藝術祭的總監，多年來致力透過實踐藝術與社會的結合，探討鄉村振興、年起，北川富朗擔任「越後妻有大地藝術祭」的藝術 2019 括「北阿爾卑斯國際藝術祭疫情期間，北川富朗策劃了三個藝術祭並擔任其藝術總監，包委任為浙江「桐廬大地藝術節」之藝術總監。年，他獲「上海城市空間藝術季」邀請擔任藝術總監，亦獲 2020 2021」、「奧能登國際藝術祭 2020 +」及「房總里山藝術祭市原 Art x Mix 2020 +」。現正策 劃 2022年的「瀨戶內國際藝術祭」及「越後妻有大地藝術祭」。
YamamotoMao
Born in Niigata prefecture in 1946, Fram Kitagawa is a graduate of Tokyo University of the Arts. Since 2000, he has been the general director of the Echigo-Tsumari Art Triennale, a pioneer in rural revitalization through art, which has sparked the trend of art festivals throughout Japan, including Setouchi Triennale, where he also serves as the general director.
Teresa Kwong is a promoter, curator and producer for film and cross-dis ciplinary arts practices. Currently the Programme Director of the Hong Kong Arts Centre, she is committed to nurturing and promoting the next generation of arts talents. Teresa was awarded a Starr Foundation fellowship by the Asian Cultural Council to conduct research and undertake residencies at arts organizations specializing in film and media arts in New York (Eyebeam Art + Technology Center and Electronic Arts Intermix - video art distributor) and Los Angeles (REDCAT, the California Institute of the Arts) in 2007-2008. She is also one of the active independent film producers in town, working with up-and-coming filmmakers in Hong Kong and China since 2006. Her award-winning works as a producer include Liu Hao’s Addicted to Love (2010), Tsang Tsui-shan’s Big Blue Lake (2011) and documentary Flowing Stories (2014), Amos Why’s Dot 2 Dot (2014) , Napping Kid (2018) and Far Far Away (2021) as well as Ray Yeung’s Suk Suk (2019) which screened in the Berlinale 2020. Teresa has been invited to be the jury member of various in ternational film festivals and served as the selection committee member for the Hubert Bals Fund (Rotterdam) and Purin Pictures Grant (Thailand).
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工作。現為香港藝術中心節目總監，鼓勵不同形式的媒體創作，多年來積極推動電影及媒體藝術，擔任藝術行政、策劃及監製的多次替海外的文化機構策劃亞洲電影及短片的專題放映。 2007 至 2008 年間，她獲發亞洲文化協會 Starr Foundation 到美國紐約和洛杉磯的電影及媒體藝術機構考察和實習交流。獎助金鄺珮詩是近年活躍的香港獨立電影監製， 2019年替由第 30 （加坡國際電影節主辦，專為東南亞國家的新晉導演而設的工作坊屆新 Southeast Asian Film Lab)擔任導師。監製的長片作品有：曾翠 珊的《大藍湖》（ 2011）、紀錄片《河上變村》（ 2014），黃浩然的 《點對點》（2014）、《逆向誘拐》（2018）、《緣路山旮旯》（2021) ， 以及入圍柏林影展的《叔．叔》（ 2019，楊曜愷）。
Ms Teresa Kwong 鄺珮詩女士 Programme Director, Hong Kong Arts Centre 香港藝術中心節目總監
BIOGRAPHIES 簡歷 25
Ms Grace Lang 梁掌瑋女士 Programme Director, Hong Kong Arts Festival 香港藝術節節目總監 Grace Lang is the programme director of the Hong Kong Arts Festival and over the years has been responsible for co-producing many major events on the Festival programme. These include the first Asian city project of Der Fensterputzer(The Window Washer) by Tanztheater Wuppertal Pina Bausch in 1997, Dream of the Red Chamber by Bright Sheng and David Henry Hwang with the San Francisco Opera in 2017, and the Peking opera version of Princess Changping with the China National Peking Opera Company in 2018. In 2021, Grace produced the digital, COVID-19-safe version of Pathetic Fallacy by Anita Rochon with the Chop Theatre of Vancouver and produced the Asian premiere of Blindness , a sound installation by London’s Donmar SheWarehouse.hasbrought various major artists to China for the first time, including Canadian actor/director Robert Lepage, American/German director and playwright Robert Wilson, American choreographer, dancer and director John Neumeier, and Japanese Butoh dance icon Kazuo Ono. She also initiated the debut overseas tour of the Leipzig Opera, Gewandhaus Orchestra and Thomanerchor together in 2011, along with American dancer/choreogra pher Trisha Brown’s farewell tour of Asia with 11 indoor and outdoor works in 2014, and the Bolshoi Theatre’s three China premieres in 2015. 少年合唱團的首次海外聯合演出。香港實現德國萊比錫歌劇院、德國萊比錫布業大廳樂團及聖多馬年她在
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BIOGRAPHIES 簡歷 26
不少大型節目，包括梁掌瑋是香港藝術節的節目總監，多年來聯合製作了香港藝術節 1997 製作首個亞洲城市項目《抹窗人》、年與翩娜．包殊烏珀塔爾舞蹈劇場聯合 2017 製作由盛宗亮作曲和黃哲倫編劇的《紅樓夢》，以及年與三藩市歌劇院聯合 2018 中國國家京劇院首度把粵劇《帝女花》創作排演成京劇。年促成 2021 者暨導演約翰．紐邁亞，以及日本舞踏大師大野一雄。利柏殊、美國導演及編劇羅伯特．威爾遜、美國/德國編舞家暨舞她曾引介許多藝術家作中國首演，包括加拿大演員及導演羅伯特．感》的亞洲首演。同年她亦製作了倫敦多瑪倉庫劇院的聲音燈光裝置劇場《盲流告》，由安妮塔．羅尚編創及導演，在新冠疫情下仍能安全演出。年，她製作了溫哥華快刀劇場的數碼戲劇《無晴情天氣報 2011
2014 內及戶外場地展示十一支舞作。舞家崔莎．布朗將香港作為其退休後世界巡演的亞洲首站，在室年，她促成美國舞者及編 2015 劇團及芭蕾舞團的三個中國首演劇目。年，她引入莫斯科大劇院歌 Photo : Limits”“NoHKAF ( 續下頁 )( Continued on next page )
Grace attended St Stephen’s Girls’ College in Hong Kong and graduated from Wesleyan University in the USA with a Bachelor of Arts degree(High Honors). She holds a LRSM in Piano Performance and a Certificate in Arts Administration from the University of Hong Kong and the City, University of London. She has held positions at the Music Office of the Hong Kong Arts Centre and the Hong Kong Schools Music and Speech Association. In 2002, she was awarded the Medal of Honour by the Hong Kong Government.
Grace was a Mentor at the Atelier for Young Festival Managers in Singapore in 2011 and Edinburgh in 2014, a Jury Member of the European Opera-di recting Prize in Vienna in 2013, an Honorary Guest of the International Festival and Urban Development Forum and Arts Management Workshop hosted by the Tianjin Conservatory of Music and the Tianjin Cultural Centre in 2014, a Guest Speaker at the second China Performing Arts Leaders Advanced Seminar hosted by the Shanghai Conservatory of Music, and a Panel Speaker at the first World Opera Forum hosted by Opera Europa in Madrid in 2018.
Grace serves as an Expert Advisor to the Hong Kong Government’s Arts Capacity Development Funding Scheme, and has served on the Interna tional Advisory Board (Dance) of Denmark’s Hans Christian Andersen 2005 cultural event and on the Trustee Board of La Fondation des Artistes of the Consulate General of France.
梁掌瑋分別於 2011年新加坡及 2014 年愛丁堡的青年節慶經理人 工作坊擔任導師，並於 2013 年擔任維也納歐洲青年歌劇導演獎 評委。2014 作演講嘉賓。際藝術節與城市發展高峰論壇及國際藝術節運營與管理工作坊年，天津音樂學院及天津市文化中心邀請她出席國 2018 徒生梁掌瑋擔任香港政府藝能發展資助計劃專家顧問，亦曾任丹麥安於西班牙馬德里歌劇院舉行的第一屆世界歌劇論壇作發言嘉賓。領袖高級研修班作演講嘉賓。同年，她獲歐洲歌劇協會邀請出席年，上海音樂學院邀請她出席第二屆中國演藝 2005 樂及朗誦協會。曾任職於音樂事務統籌處（香港政府）、香港藝術中心及學校音憑。她亦於香港大學及倫敦城市大學取得藝術行政証書。梁掌瑋士（高等榮譽）學位，並於香港獲得英國皇家音樂學院鋼琴演奏文她在香港聖士提反女子中學及美國衛思理大學接受教育，獲文學金會藝術家」董事會成員。慶典國際咨詢委員（舞蹈）、法國駐香港總領事館「基 2002年，她獲特別行政區政府頒發榮譽勳章。
BIOGRAPHIES 簡歷 27
BIOGRAPHIES 簡歷 Mr. Lee Li- Heng 李立亨先生 Cultural Event Curation Specialist 文創項目策劃專家 Lee Li-Heng was born in Taiwan and received his MA degree from the Department of Performance Studies of New York University. He has been engaged in cultural and creative brand planning, cultural and creative industry commentary and art festivals and museum curation for more than 25 years. Lee has continued to publish cultural and creative themed reviews for publications like Beijing Daily, The Paper in Shanghai, Online Cultural and Creative Literature in Macau and Vision Forum in Macau etc. He is currently the Art Director of Suzhou Youth Creative Base and a lecturer on the theme of culture and creativity in the Advanced Research Institute. From 2012 to 2014, Lee served as the Art Director of Shanghai Great World Art Center, leading the prepara tory team to be the producer for the Academy Award for Best Costume Design in Oscars, Yip Kam-tim’s exhibition ‘Faces of the Time’ at the Taiwan National Palace Museum. In 2019, he planned the new media art exhibition ‘A Dream of the Dream of the Red Chamber’ at the Shanghai Bund Cultural Center. Lee has served as the Chief Planner and Art Director of Taipei Arts Festival and the president of the Taiwan 物館策展超過士。從事文創品牌策劃、文創產業評論工作、藝術節與博李立亨先生生於台灣，美國紐約大學人類表演學藝術碩 25 院文創主題講師。表文創主題評論。現為蘇州青創基地藝術指導，得到高研澳門《線上文創意文志》與台北《遠見論壇》等刊物，發年。持續為《北京日報》、上海《澎湃》、 2012 至 2014 人。錦添在台北故宮博物院的《時代的容顏》特展擔任製作藝術總監，率領籌備團為奧斯卡服裝設計金像獎得主葉年，李立亨先生曾任上海大世界傳藝中心的 2019 藝評論家協會（曾任三屆「台北藝術節」總策劃及藝術總監，三屆國際演夢》新媒體藝術展。年於上海外灘文化中心策劃《我做了一個紅樓 IATC）台灣區主席。2009年，應上海世博 局邀請擔任 2010 總監，此節吸引超過世博會「城市廣場藝術節」總導演及藝術 400 化產業」的討論。海《文匯報》頭版頭條位置，成功引發「一個或多個人的文萬名以上觀眾。此外，兩度登上上 2018至 2020 市進行研究。網路」研究計劃研究員，造訪柏林、伊斯坦堡與河內等城年，擔任香港進念．二十面體「城市文化交流 2020 園、得到高研院等機構，進行超過年起，為上海西岸美術館、東方體育公 50 場文化創意產業及 藝術沙龍講座。 2019 年擔任上海「未來文創旅聯盟」籌備辦公室秘書 長，2022年 3 化創意品牌打造與輸出。月開始擔任蘇州青創基地藝術指導，主導文
Region of the International Association of Performing Arts Critics (IATC) three times. In 2009, at the invitation of the Shanghai World Expo Bureau, he was the Chief Director and Art Director of the ‘City Square Art Festival’ of the 2010 World Expo, which attracted more than 4 million viewers. In addition, he has appeared on the front page of Shanghai Wen Wei Po twice and successfully triggered the discussion of ‘the cultural industry of one or more people’. From 2018 to 2020, Lee was the researcher for the project ‘City Cultural Exchange Network’ of Zuni Ico sahedron, Hong Kong and visited Berlin, Istanbul, Hanoi and other cities to conduct research. Since 2020, he has given more than 50 lectures on cultural and creative industries and art salons for institutions such as the Shanghai West Bund Art Museum, Oriental Sports Park and Get Advanced Research Institution. In 2019, he was the secretary-general of the prepara tory office of Shanghai’s ‘Future Cultural and Creative Tourism Alliance’. In March 2022, he began to serve as the Art Director of Suzhou Youth Innovative Base, leading the creation and export of cultural and creative brands.
編舞、舞者
Joseph Lee is a Hong Kong-based choreographer and performer. He began his dance training at seventeen and graduated from the Chinese University of Hong Kong and The Place, London Contemporary Dance School in the United Kingdom. Joseph is currently the Associate Artistic Director of Unlock Dancing Plaza, curating a series of contemporary dance programmes and platforms to foster artistic discourse in the performing arts field locally and internationally. He is interested in extracting, trans ferring and re-enacting bodily experiences which reveal the performa tive nature of everyday life in contemporary society, and he translates and re-organizes the experience and contexts within the physical body through live performance, writing, moving image and curation. Joseph’s work focuses on expanding the audience’s imaginary horizons of chore ography by creating and performing with the body and other alternatives. He is also keen on trans-disciplinary collaboration as a way to enrich and reflect on his own practices. Recent choreography includes Folding Echoes (2016), Drifting (2019), We Are Spectacles (2021) and Trajectory of Jumps Joseph(2022). won the Arts Development Award for Young Artist (2017) and the Chin Lin Foundation of Emerging Choreographer (2016). He has had work commissioned by Asia Society Hong Kong Centre, Tai Kwun, Hong Kong Arts Festival and Stella & Artists (Macau).
後，隨即加入不加鎖舞踊館為駐團藝術家。計系及英國倫敦當代舞蹈學院藝術碩士學位（當代舞）。畢業回港生於香港，十七歲開始接觸現代舞。畢業於香港中文大學專業會 2020 本地及海外於表演藝術的對話，包括首屆#非關舞蹈祭（鎖舞踊館副藝術總監，策劃一系列的當代舞展演及交流平台以展開年被委任為不加 2021）、 駐場展演計劃 Unlock Body Lab: dance to be（2020 2022）、 舞蹈錄像互動平台《互（換）玩－舞蹈與錄像的互動實驗》（2021）、 公開研習週（ 2021 2022）等。2022年與李漢廷及劉曉江組成 香港劇場構作（dramaturg ）團隊 Performative Dimensions 疊》（言的共同性，以打開觀眾對舞蹈的想像，重要作品包括《回聲摺的藝術實踐，從介入不同領域的創作的經驗中尋找表演藝術語重整埋藏在身體的脈絡。積極於各類型的跨界合作以對照個人活狀態提出疑問和反思，並透過現場演出、書寫、錄像及策劃等何被提取、轉移及重現，以及植根於當代社會富表演感的日常生的創作與表演，打開觀眾對舞蹈的想像。近年關注身體的經驗如李氏同時積極發展個人創作，嘗試以身體及舞蹈介入不同領域。 2016）、《人為景觀》（ 2021）、《 Two Solos, One Dance, Three Frames》（ 2021）、《跳躍的軌跡》（ 2022）。 李氏曾獲香港藝術發展獎的藝術新秀獎（ 2017）以及菁霖文化 藝術基金頒發新晉編舞獎（ 2016 詩篇舞集（澳門）。會香港中心，香港藝術節（香港賽馬會當代舞蹈平台），大館及）。委約創作單位包括亞洲協 Photo : SteveLi Appearance by kind permission of Unlock Dancing Plaza 承蒙不加鎖舞踊館批准參與是項計劃
BIOGRAPHIES 簡歷 29
Mr Joseph Lee 李偉能先生 Choreographer and Dancer
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Additionally, Jeff is a voluntary docent at M+ museum who creates in teractive tours that incorporate methods of engaged learning and visual thinking strategies in his own style. These tours allow visitors to explore their own experiences of exhibition viewing.
包括：推動共融藝術的「員，不定期為展覽撰寫評論，並策劃不同形式的展覽，近期展覽論、博物館學及藝術行政。梁氏為「國際藝評人協會香港分會」會梁展峰現為獨立策展人，並於各大學兼任教授視覺文化、藝術理 Common SENse：藝術介入 SEN的巴 士展覽」（ 2021）及 K11藝術購物商場的開業展「Hiking Arte藝 遊」（ 2019）。更多資料： https://readjeff.wixsite.com/mysite 梁氏亦為 M+博物館義務導賞員，結合參與式學習（engaged learning）和視覺思考策略（visual thinking strategies），拓展出 參與式導賞（engaged tour），開拓觀眾自主的觀展經驗。
BIOGRAPHIES 簡歷 30 Mr. Jeff Leung 梁展峰先生 Independent Curator and Part- time Lecturer 獨立策展人及大學兼任講師
Jeff Leung is an independent curator who teaches theories of arts, visual culture and arts administration at local universities. As a member of the International Association of Art Critics Hong Kong, Jeff often contributes exhibition reviews and curates exhibitions in diverse formats, including ‘Common SENse: an arts bus exhibition about neurodiversity’ (2021) which promotes inclusive arts and the K11 Art Mall’s inaugural show ‘Hiking Arte’ (2009) inside the shopping mall. For more details: https://readjeff.wixsite.com/mysite
家年獎（音樂）」。
才」，目總監，曾獲美國《費城詢問報》譽為「令人矚目的指揮奇現任香港管弦樂團（港樂）駐團指揮及澳門國際音樂節節 2014 年於法國巴黎國際史雲蘭諾夫指揮大賽勇奪亞 軍、觀眾 也納交響樂團，為樂團成立廖國敏活躍於國際舞台，近期重要演出包括：獲邀指揮維助理指揮，為該團史上首位華人助理指揮。大獎及樂團大獎，並獲美國費城交響樂團委任為 12 特阿拉伯；參與韓國平昌音樂節、台灣指揮；獲法國政府委派與圖盧茲國家交響樂團首度出訪沙年來樂季音樂會上首位華人 NTSO 國首爾愛樂樂團、日本律交響樂團、法國國家電台管弦樂團、馬賽歌劇院樂團、韓巡演及港樂樂季閉幕音樂會等。其他合作樂團包括美底特交響樂團十場 NHK 表揚他在文化藝術等多方面的成就；曾獲香港及澳門特區政府頒授嘉許獎狀及文化功績勳章，深造。為推廣室內樂，他為澳門室內樂協會的創會主席。樂學院、費城寇蒂斯音樂學院、波士頓新英格蘭音樂學院廖國敏畢業於香港演藝學院，再赴美國入讀紐約茱莉亞音愛樂樂團、拉脫維亞國家交響樂團等。都交響樂團、京都交響樂團、俄羅斯國家交響樂團、莫斯科交響樂團、廣島交響樂團、東京
Resident Conductor of the Hong Kong Philharmonic Orchestra (HK Phil) and Programme Director of the Macao International Music Festival, Lio Kuokman is praised by the Philadelphia Inquirer as “a startling conducting talent”. He was the second prize winner of the third Svetlanov International Conducting Compe tition in Paris with Audience Prize and Orchestra Prize, and he was the Philadelphia Orchestra’s first Chinese Assistant Conductor. Lio has successfully collaborated with many leading orchestras across the globe. Recently, he was invited as the first Chinese conductor to conduct subscription concerts with the Vienna Symphony, and the French government invited him to lead the first Saudi Arabia performance tour with Orchestre National du Capitole de Toulouse. He completed ten performances in Taiwan with NTSO, appeared at Music in PyeongChang Festival and conducted the Season Finale concert with 2021年獲選為香港十 2022年獲頒第 16屆香港藝術發展獎之「藝術
大傑出青年；
the HK Phil. Other orchestra collaborations include Detroit Symphony, Orchestre Philharmonique de Radio France, Orchestre Philharmonique de Marseille, Seoul Philharmonic, NHK, Hiroshima, Tokyo Metropol itan, Kyoto Symphony, Russian National Symphony, Moscow Philharmonic, Latvian National Symphony Orchestras and more. Educated at The Hong Kong Academy for Performing Arts, The Juilliard School, the Curtis Institute of Music, and the New England Conservatory, Lio is a founding member and President of the Macao Chamber Music Association. For his contributions to the development of arts and culture, he has received the Certificate of Commendation and Medal of Cultural Merit from both the Hong Kong and Macao governments. In 2021, Lio received the Hong Kong Ten Outstanding Young Persons award, he won Artist of the Year (Music) at the 16th Hong Kong Arts Development Awards in 2022.
BIOGRAPHIES 簡歷 31 Mr. Lio Kuokman, JP 廖國敏先生, JP Resident Conductor, Hong Kong Philharmonic Orchestra / Programme Director, Macao International Music Festival 香港管弦樂團駐團指揮 / 澳門國際音樂節節目總監
Mr. Wayson Poon 盤彥燊先生 Contemporary Dance Artist 當代舞蹈藝術家
Hong Kong-based contemporary dance artist Wayson Poon lives and works in Europe and Asia as a creator, performer and researcher. His unique practice, known as OnthewayDance, combines eastern and western spiritual methodologies, is guided by the Taoist notions of ‘Qi’ and emphasizes the connection between dancer and audience. Notable works include Fleeing by night, in,visible(cities); and Vortex . His works have toured festivals in Denmark, Finland, Japan, Italy, China and the UK. Poon was awarded the Hong Kong Arts Development Award for Young Artist (Dance) in 2016 and received the Asian Cultural Council Fellowship in 2019. He is currently in a master’s programme at the Hong Kong Academy for Performing Arts.
香港當代舞蹈藝術家。2010至 2014 年移居北京，成立「身體力 行戲劇舞蹈工作室」。2014 《夜．奔》、《看，不見（城市）；》、《渦》等。生活盲點，從而喚醒人們的覺知，開啟轉念的可能。代表作品：出發，觀察當代社會，以舞蹈及跨媒體藝術行動，釐清城市人的亞洲不同地區創作、演出、研發及教學。其創作從亞洲哲學角度年起，以獨立藝術家身分在歐洲及 Wayson 現代舞雙週、香港藝術節、體觀和作品走訪世界不同地方，於各大舞蹈節中巡演，包括北京帶著其身 Supercell 廣東現代舞週等等。月滿舞蹈節、墨爾本藝術節、京都實驗藝術節、首爾國際舞蹈節、布里斯班當代舞蹈節、芬蘭 Wayson於 2016 年獲香港藝術發展獎「藝術 新秀獎（舞蹈）」，並於 2019 正於香港演藝學院攻讀碩士課程。年獲得「亞洲文化協會獎助金」。現 Photo : ChingManKoo
BIOGRAPHIES 簡歷 32
安妮塔．羅尚為表演導演，主要專注於新劇創作。自2006 術以至當代舞。曾合作的單位包括：置換劇團、安妮塔的導演風格多樣化，涵蓋古典文學紀實作品、關聯式裝置藝劇場製作過不少新作品，並於加拿大國內及海外進行巡迴演出。和艾米利亞．斯明頓．費迪擔任快刀劇場的聯合藝術總監。快刀年起，她 Electric Company Theatre、沙灘莎士比亞戲劇節、Théâ tre la Seiziè me、蕭伯納 安妮塔於節、鐘樓劇院、炫目劇院及環球劇院。 Studio 58 當娜．史賓沙頒發）。諾維奇新力軍獎（由基姆．克里爾頒發）和溫哥華市長藝術獎（由時為兩所學校的舊生。她曾獲雷米高獎新進導演最佳作品，西敏及加拿大國家戲劇學院擔任導師和導演，同
Ms Anita Rochon
.
BIOGRAPHIES 簡歷 33
Anita Rochon is a performance director primarily focused on the creation of new work. Since 2006, she has been the Artistic Director of The Chop with Emelia Symington Fedy. The Chop has produced numerous new works and tours nationally and internationally.
安妮塔．羅尚女士 Artistic Director, The Chop 快刀劇場藝術總監
Anita freelance directs in a range of styles from classical texts to doc umentary work to relational installations to contemporary dance. She collaborates with some of the country’s most exceptional companies including Theatre Replacement, Electric Company Theatre, Bard on the Beach, Théâtre la Seizième, The Shaw Festival, The Belfry Theatre, Vertigo Theatre and Globe Theatre. She mentors and directs at Studio 58 and the National Theatre School of Canada, and is an alumnus of both institutions. Anita was awarded the Ray Michal Prize for an Outstanding Body of Work by a New Director, the Simi novitch Protégé prize (awarded by Kim Collier) and a Mayor’s Arts Award (awarded by Donna Spencer).
After serving as a founding Mori Art Museum curatorial member in Tokyo, Mizuki worked as senior curator at Contemporary Art Center of Art Tower Mito, realizing numerous cross-disciplinary exhibitions addressing various artistic forms, including manga, film, fashion, architecture, performance and contemporary art. Mizuki curates, writes and gives lectures as well as serving on award juries extensively throughout Asia and Europe.
高橋瑞木女士現為 CHAT六廠（六廠紡織文化藝術館）的執行董 事及首席策展人。自2016 策展以外，亦在亞洲和歐洲各地寫作及授課。示不同藝術形式，包括漫畫、電影、時裝、表演及視覺藝術。除了術館的現代美術中心擔任高級策展人，策劃了多項跨領域展覽，展高橋瑞木女士曾為東京森美術館的初創策展成員，隨後於水戶藝展多元化項目，包括展覽與共學計劃，為大眾編織創意體驗。年加入六廠基金會以來，致力透過策
Mizuki Takahashi is the current Executive Director and Chief Curator of Centre for Heritage, Arts and Textile (CHAT). Since joining the MILL6 Foundation in 2016, she has been instrumental in shaping curatorial direction in exhibitions, learning and community programmes, making CHAT a community museum to weave creative experiences for all.
BIOGRAPHIES 簡歷 34 Ms. Mizuki Takahashi 高橋瑞木女士 Executive Director and Chief Curator, Centre for Heritage, Arts and Textile CHAT六廠執行董事及首席策展人
As Deputy Director of the Cultural Services Branch of LCSD, which is comprised of three divisions, Eve is responsible for the planning and management of museums, performance venues, public libraries and indoor stadia; promotion and presentation of museum exhibitions, arts festivals, and visual, film, literary and performing arts programmes and intangible cultural heritage activities; conservation of cultural heritage; and the management of the Music Office. In addition to museum projects, she is also helping to develop other cultural facilities like new cultural centres and public libraries.
Over the years, Eve has worked with various museums and cultural insti tutions, including several new museum projects like the opening of the Hong Kong Heritage Museum and the establishment of the Oi! art space. She oversaw major renovations and extensions at the Hong Kong Museum of Art as the Museum’s Director between 2012 to 2019 and planned major museum projects like the expansion of the Hong Kong Science Museum and the Hong Kong History Museum as well as the establishment of the new Heritage Conservation and Resource Centre, amongst others, before she took up her current position.
（文化）。譚女士譚美兒現為香港特別行政區康樂及文化事務署（康文署）副署長 1991年畢業於香港大學藝術系，2003年獲香港大 學比較文學及文化研究碩士學位，2012 及油街實現。在學碩士學位。譚女士投身博物館工作，一直與博物館及文化機構年獲悉尼大學頒授博物館攜手合作，參與多個建設新館的計劃，包括設立香港文化博物館 2012年至 2019 工作包括策劃及管理博物館、表演場地、公共圖書館及室內體育領香港藝術館的大型修繕及擴建工程。升任副署長前，負責多個年擔任香港藝術館總館長期間，統大型博物館項目的規劃工作，包括香港科學館及香港歷史博物館擴建工程以及文物修復資源中心建造工程等。譚女士擔任康文署文化事務部副署長，職務範圍涉及三個分科，館；推廣和舉辦博物館展覽、藝術節以及視覺、電影、文學、表演藝術及非物質文化遺產活動；推行文物修護工作；管理音樂事務處。除博物館項目外，亦負責督導興建文化中心及公共圖書館等其他文化設施的發展項目。
BIOGRAPHIES 簡歷 35 Ms. Eve Tam 譚美兒女士 Deputy Director (Culture), Leisure and Cultural Services Department of the Hong Kong Special Administrative Region 香港特別行政區康樂及文化事務署副署長（文化）
Eve Tam is the Deputy Director (Culture) in the Leisure and Cultural Services Department (LCSD) of the Government of Hong Kong Special Administra tive Region. She studied Fine Arts and graduated from the University of Hong Kong in 1991. She holds a Master’s degree in Comparative Literature and Cultural Studies from the University of Hong Kong (2003) and a Master’s degree in Museum Studies from the University of Sydney (2012).
體管理和節目策劃方向。譚光雪於譚光雪為新加坡藝術中心有限公司總裁，負責濱海藝術中心的整 2014 年加入濱海藝術中心，擔 任濱海藝術中心的助理總裁，並於 2018 譚氏現為南洋藝術學院、一所初級學院教授文學。美術館的成立過程。的發展，以及新加坡藝術學院、新加坡設計委員會和新加坡國家之藝術與文化遺產司長。擔任公職期間，她參與了復興城市計劃長，以及當時的通訊、新聞和藝術部（現為文化、社區和青年部）在加入濱海藝術中心之前，譚氏曾任新加坡國家理事會的副理事年擔任總裁。她亦曾在新加坡國家人力部擔任職務，並在 SISTIC . com Pte Ltd 教育深造文憑。她擁有蘇富比藝術學院藝術商業碩士學位，以及南洋理工大學譚氏於劍橋大學本科修讀英語，及後修畢美國文學碩士學位。影節的董事會成員。她亦是亞太表演藝術中心協會的副主席。及新加坡國際電 Photo : EsplanadeBaytheonTheatres
BIOGRAPHIES 簡歷 36
新加坡濱海藝術中心總裁
Yvonne Tham is the Chief Executive Officer of The Esplanade Company Ltd, where she is responsible for the overall management and programming direction of Esplanade – Theatres on the Bay. She first joined Esplanade in 2014 as Assistant CEO of Esplanade and became CEO in 2018. Prior to joining Esplanade, Yvonne was Deputy Chief Executive Officer at Singapore’s National Arts Council and Director of Arts and Heritage Division at the then-Ministry of Information, Communications and the Arts (now Ministry of Culture, Community and Youth). In her public sector roles, she was involved in developing the Renaissance City plans, as well as setting up the School of the Arts, Design Singapore Council, and the National Gallery. Yvonne also previously worked at the Ministry of Manpower and taught literature at a junior college.
Yvonne currently sits on the boards of Nanyang Academy of Fine Arts (NAFA), SISTIC.com Pte Ltd and the Singapore International Film Festival. She is Deputy Chairperson of the Association of Asia Pacific Performing Arts YvonneCentres.studied English as an undergraduate at the University of Cambridge, where she also completed her M.Phil in American literature. She has a MA in Art Business from the Sotheby’s Institute of Art and a Postgraduate Diploma in Education from NTU.
Yvonne Tham 譚光雪女士 Esplanade – Theatres on the Bay
BIOGRAPHIES 簡歷 37 Dr. David Tsui 崔德煒博士 Executive Director, Hong Kong Dance Company / Honorary Treasurer, Hong Kong Arts Administrators Association 香港舞蹈團行政總監 / 香港藝術行政人員協會名譽司庫
David Tsui received his Master of Business Administration from the Australian Graduate School of Management and his doctoral degree in Cultural and Creative Industry Management from The Graduate School of Chinese National Academy of Arts. He has extensive experience in financial management, human resources management, marketing management, property management and academic development. Since 2001, David has worked for cultural and creative organizations in both Hong Kong and Mainland China, specializing in company management and corporate governance. He was the Finance and Administration Manager of the Hong Kong Repertory Theatre, the Director of Administration of the Cheung Kong School of Art & Design of Shantou University and later became Associate Professor, Vice Head of Design Philosophy Department and Leader of the Creative Industry Planning and Management Major of the School. In 2014, David joined Hong Kong Dance Company as Executive Director. David is committed to promoting cultural and creative industry education. He teaches Cultural and Creative Industry courses at The Chinese University of Hong Kong, The Education University of Hong Kong and Xinghai Conser vatory of Music. His major research areas focus on commercial operations best practices benchmarking cultural and creative industries. Currently, he is the Executive Committee member of the Hong Kong Dance Alliance and a Hong Kong Arts Development Council examiner. 香港藝術發展局審批員。織提供顧問服務。崔博士現為香港舞蹈聯盟理事委員會委員及意產業機構和活動的運作效率和成果。他亦為兩地文化創意組究是從商業運作模式和手段中，提取合適的元素以優化文化創教育大學和星海音樂學院教授文化創意產業課程。他的主要研崔博士同時致力推動文化創意教育工作，在香港中文大學、香港港舞蹈團擔任行政總監。
項目管理、物業管理、公司戰略、市場策略及學術發展等。構從事行政及管理工作，包括財務管理、人事管理、行政管理、並於中國藝術研究院取得博士學位，曾長時間在商業及非營利機崔德煒博士於澳大利亞管理研究生院獲得工商管理學碩士學位， 2001 主任、創意產業策劃與管理專業方向學科主任，院行政總監及辦公室主任，後轉任學院副教授、藝術設計學系副曾任職香港話劇團財務及行政經理、汕頭大學長江藝術與設計學年起開始在中、港兩地文化創意產業機構從事行政及管理工作， 2014 年開始在香
In 2019, Enid took a year off to study for a Master’s degree in art history and published a research paper on the Thai artist Tang Chang based on her thesis. She organized an NFT charity auction of works by five Hong Kong artists to raise funds for Operation Santa Claus last year, and recently returned from three months in Europe to cover major exhibitions and to catch up with artists in the UK and Germany after being grounded for over two years by the COVID-19 pandemic.
場及文化政策的網上及報章專題報導。徐曉瑜為南華早報的藝術版編輯，負責監督展覽、演出、藝術巿 2015 徐曉瑜於學人集團；於香港及倫敦擔任商業及政治新聞記者。前，曾任職於金融時報、日經亞洲評論、香港電台第三台及經濟年加入南華早報之 2019 組織了五位香港藝術家的一份以其學位論文為基礎，研究泰國藝術家陳壯的論文。去年她年暫別工作，攻讀藝術歷史碩士課程，期間發表了 NFT 月，參觀主要展覽以及與英國及德國的藝術家見面，現已回港。籌款。受疫情影響，過去兩年難以出國，她最近在歐洲外遊三個創作慈善拍賣，為愛心聖誕大行動
BIOGRAPHIES 簡歷 38 Ms. Enid Tsui 徐曉瑜女士 Arts Editor, South China Morning Post 南華早報藝術版編輯 Enid Tsui is Arts Editor of the South China Morning Post (SCMP), where she oversees the online and print coverage of exhibitions, performances, art markets and cultural policies in the newspaper’s features section. She joined SCMP in 2015 after many years working as a business and politics journalist at the Financial Times, the Nikkei Asian Review, RTHK Radio 3, and the Economist Group in Hong Kong and in London.
Josephine Wai is currently the Director of Asian Cultural Council Hong Kong, responsible for fellowship programs to support talented artists and professionals and enhance cultural exchange between Asia and the United States. She has over 20 years of experience in arts administration and management. From 1999 to 2011, Josephine was the Director, Arts Support of the Hong Kong Arts Development Council, overseeing the development of arts support policies and grant systems.
藝文人才頒發文化交流獎助金。韋女士擁有逾動亞洲及美國的文化交流，推動亞洲及美國的文化交流，向優秀韋志菲女士現為亞洲文化協會香港分會總監，負責協會事務，推 20 理經驗，多年來與藝術團體及藝術家緊密合作，於年藝術行政管 1999至 2011 援政策及資助機制。年間出任香港藝術發展局藝術支援總監，負責發展香港藝術支
BIOGRAPHIES 簡歷 39 Ms. Josephine Wai 韋志菲女士 Director, Asian Cultural Council Hong Kong 亞洲文化協會香港分會總監
BIOGRAPHIES 簡歷 Mr. Erich Wong 黃宏誠先生 Head of Growth (Hong Kong), The Sandbox The Sandbox 香港業務增長主管 Erich Wong is Head of Growth (Hong Kong) for The Sandbox. He is responsible for developing the business in the Greater China region and building partnerships with key brands and intellectual properties to support a large and enthusiastic metaverse community. Earlier this year, Erich led the launch of Mega City 2, a major land sale on Hong Kong’s vibrant cultural hub in The Sandbox metaverse that is home to the finest brands, including Ocean Park, Standard Chartered, Regal Hotels Group and Tatler Asia to build a variety of experiences in Mega City 2. He is currently developing a creators’ community with various local universities and creative and design institutions to promote vox el-based design and bolster the development of the metaverse ecosystem. As a gaming enthusiast with a background in design, Erich brings a wealth of experience in art, design skills and gaming to The Sandbox. He has a strong track record in business development and operations from working for startups and mobile game applications 黃宏誠為The Sandbox 華地區的業務，與主要品牌和知識產權香港業務增長主管，負責發展大中（ IP 關係，以支援龐大且發展迅速的元宇宙社區。）建立合作夥伴 2022年初，黃氏帶領元宇宙文化中心第二階段 Mega City 2的 LAND 銀行、富豪酒店集團、銷售活動，夥拍著名品牌，包括海洋公園、渣打 Tatler Asia等，致力在 Mega City 2 作為一名擁有設計背景的遊戲愛好者，黃氏為生態圈的發展。學院合作，矢志培育立體像素創作者社群，以促進元宇宙建立多元的體驗。黃氏亦積極與本地大學和創意及設計 The Sandbox 帶來藝術、設計技巧和遊戲方面豐富的經驗。自2011 面創造傑出的業績。黃先生在來，在初創公司和流動遊戲應用程式的業務開發和運營方年以 2021 年踏入元宇宙，將豐富 的 Web2 技能轉移到 Web3嶄新的領域。 在加入The Sandbox 之前，黃氏曾在 CanvasLand NFT 擔 此前，黃氏為任首席營銷官，負責領導公司的營銷活動和業務運營。 nxTomo Games 的營銷總監，負責遊戲發 展、IP 經營權、營運、推廣，以及管理 App 戲節，於僅流程。在職期間，黃先生創下多項記錄，包括在香港動漫遊製作的整體工作 5 天時間銷售逾 500 萬港元的足球運動員遊戲 卡；亦於 BFB Champion推出 9 個月内創下超過 30 黃氏在載量。他亦是將足球運動員貨幣化為數碼格式的先驅之一。萬的下 nxTomo Games的其他項目包括 Liars’ Inn、Puzzle and Dragon、Weather Report 和 NBA ClutchTime 設計師，服務集團旗下多家時尚雜誌。於職業生涯初期，黃氏擔任南華傳媒集團的時尚造型師和。 since 2011. He transformed his Web2 skillset to Web3 as he entered the Metaverse world in 2021. Prior to joining The Sandbox, Erich worked for CanvasLand NFT as Chief Marketing Officer, where he spearheaded marketing campaigns and business operations across the region. Previously, Erich was the Marketing Director of nxTomo Games, where he was responsible for strategic planning of game features, licensing, operations and promotions, as well as monitoring the overall workflow of App production. During his tenure with the company, Erich achieved a HKD 5M sales record of Footballer cards in the Animation-Comic-Game Hong Kong (ACGHK) fair in only five days. He also generated over 300,000 downloads of the BFB Champion football simulation game in nine months following its launch and was a pioneer in monetizing football player characters in the NFT format. Erich’s other projects with nxTomo Games include Liars’ Inn, Puzzle and Dragon , Weather Report and NBA ClutchTime.
瑞銀(政學博士學位。黃議員先後在多家國際金融機構工作，其中包括獲美國耶魯大學國際關係所東亞研究碩士學位和香港大學公共行，後考 UBS)倫敦總部任執行董事和英國蘇格蘭皇家銀行(RBS 提供意見的投資工作小組成員、城市規劃委員會前成員及前土地員會非官方成員、就特殊需要信託的投資事宜向社會福利署署長小組增補委員、社會福利署「樂齡及康復創科應用基金」評審委房委會投資小組成員、扶貧委員會社會創新及創業發展基金專責府公職還包括金融發展局董事局成員、市區重建局董事會成員、黃議員現為香港立法會選舉委員會組別議員，出任的香港特區政管。他現任團結香港基金高級副總裁兼公共政策研究院院長。問，同年十一月被委任為團結香港基金副總幹事兼公共政策部主總經理。黃議員於二零一五年五月加入團結香港基金出任高級顧)董事(續下頁)( Continued on next page )
BIOGRAPHIES 簡歷 41 Dr. the Honourable Stephen Wong Yuen- shan 黃元山議員 Senior Vice President & Executive Director of Public Policy Institute, Our Hong Kong Foundation 團結香港基金高級副總裁兼公共政策研究院院長
Hon. Stephen Wong received a B.A. Degree in Economics from the University of Chicago, Phi Beta Kappa, and an M.A. Degree in East Asian Studies (Whitney and Betty MacMillan Center for International and Area Studies) from Yale University. He completed his Doctorate Degree in Public Administration (DPA) from the University of Hong Kong. He worked for a number of global financial institutions, including as an Executive Director in UBS (London) and a Managing Director at RBS. Hon. Wong joined Our Hong Kong Foundation as Senior Consultant in May 2015, and was appointed Deputy Executive Director and Head of Public Policy in November of the same year. He is now Senior Vice President & Executive Director of Public Policy Institute.
Hon. Wong is currently a member of the Hong Kong Legislative Council for the Election Committee constituency and his public service includes various advisory roles appointed by the Hong Kong Government, including Board Member of the Financial Services Development Council, Board Member of the Urban Renewal Authority, Member of Investment Sub-Com Kappa
黃元山議員畢業於芝加哥大學經濟學系，Phi Beta
BIOGRAPHIES 簡歷 42 mittee of the Housing Authority, Co-opted Member of Social Innovation & Entrepreneurship Development Fund Task Force of Commission on Poverty, Non-official Member of the Assessment Panel of the “Innovation and Technology Fund for Application in Elderly and Rehabilitation Care” of the Social Welfare Department, Member of Investment Working Group to Advise the Director of Social Welfare on Investment Matters Relating to the Special Needs Trust, ex-Member of the Town Planning Board and ex-Member of Task Force on Land Supply, etc. Hon. Wong is also active in community service. He is Vice Chairman of the Admissions, Budgets & Allocations Committee and Investment Sub-Com mittee Member of the Community Chest, and Executive Committee Member & Chairman of the Advisory Committee of Social Enterprise and Innovation Platform of the Hong Kong Council of Social Service. Hon. Wong is also an Adjunct Associate Professor at the Hong Kong University SPACE for the Institute for China Business. 修學院中國商學院客席副教授。及社會創新平台諮詢委員會」主席。黃議員亦是香港大學專業進資小組委員會委員、香港社會服務聯會執行委員會委員和「社企其他社會公職包括公益金「入會、預算及分配委員會」副主席和投供應專責小組成員等。
The Up: Strike Project 」的創辦人之一及 「香港創樂團」的聯席樂手。 www. karenyu. net Photo : TrieuNick
BIOGRAPHIES 簡歷 43 .
Karen Yu 余林橞小姐 Percussionist and Sound Artist 敲擊樂手、聲音藝術家 Karen Yu is a percussionist, sound artist and interdisciplinary arts researcher who uses sound-making as a medium to question and redefine the relationship between audience and performer. Constantly in pursuit of new possibilities in the performing arts culture, Karen is interested in curating cross-disciplinary collaborations and performances that weave spaces and people together. Based in Hong Kong, Karen is the Artistic Director of Contemporary Musiking Hong Kong, a co-founder of the chamber percussion group The Up:Strike Project and an Associate Musician of Hong Kong New Music Ensemble. www.karenyu.net 香港室內樂敲擊樂團「空間交織起來的跨藝術領域合作及表演，並熱衷於發掘改變表演余氏醉心探索結合聲音與表演藝術的新可能，積極策劃能將人及余林橞是一位敲擊樂手、聲音藝術家兼跨領域藝術研究者，她製造聲音並以之為媒介探問及重新定義觀眾與表演者之間的關係。藝術的新方向。余氏現居於香港，並為「現在音樂」的藝術總監、
44 Pre-Summit Programme 文化領袖論壇預熱活動 Three local young artists specializing in different art forms, Chan Oi Ying, Joseph Lee and Karen Yu, collab orate with three Hong Kong traditional crafts shops to showcase arts in Hong Kong on the international stage in the Pre-Summit Programme this year. The video is available now on HKAAA’s YouTube channel and social media platforms. Follow us now, and stay tuned for our latest updates! 揭開序幕。預熱活動為免費網上節目，已上載至台上展示香港本地藝術文化，為本年度的文化領袖論壇能和余林橞，與三間香港傳統手工藝店合作，在國際舞三位不同藝術領域的本地年青藝術家，包括陳靄凝、李偉 HKAAA Youtube 頻道及社交平台。立即訂閱 HKAAA社交頻道以 獲取本會最新資訊！ Ms. Karen Yu 余林橞小姐 Percussionist and Sound Artist 敲擊樂手、聲音藝術家 Mr. Joseph Lee 李偉能先生 Choreographer and Dancer 編舞、舞者 Ms. Chan Oi Ying 陳靄凝小姐 Chinese Calligraphy Artist Appearance書法藝術家bykind permission of Unlock Dancing 承蒙不加鎖舞踊館批准參與是項計劃Plaza
45 Acknowledgement 鳴謝 The Hong Kong Arts Administrators Association would like to express gratitude to the following organizations and partners: 香港藝術行政人員協會由衷感謝以下機構及人士： (in alphabetical order 按字母順序排列) Your Opinion Matters! 我們重視你的意見！ Online Summit Terms and Conditions 網上論壇條款及細則 Arts News 藝術推廣新聞頻道 Asian Cultural Council Hong Kong 亞洲文化協會香港分會 Australian Performing Arts Market 澳洲表演藝術市場 Classical: NEXT Culture, Sports and Tourism Bureau 文化體育及旅遊局 Tisa Ho 何嘉坤 Hong Kong Arts Centre 香港藝術中心 Hong Kong Arts Development Council 香港藝術發展局 ifva 獨立短片及影像媒體比賽 Kwong Wah Printing Co. 光華印務公司 Please complete our survey by email on or before August 29 to let us know what you think . Thank you and we hope to have your participation again in the next Summit . 請留意電郵通知，於 8月29日前填寫是次問卷，你的寶貴意見有助我們精益求精。期望明年論壇再次見到你的參與。 ． Zoom is the main platform for Summit live streaming Workshops and Symposiums Zoom為論壇工作坊和研討會的主要平台 ． All Summit programmes can be viewed at the user login site 所有論壇節目都能在用戶登入網址瀏覽 ． All sessions will be recorded by HKAAA for archive and future promotion use HKAAA 將錄影所有環節作日後宣傳及推廣用途 Lam Hing Lun 林慶麟 Ming Sang Steel Bamboo Receptacle 明生鋼竹蒸籠廠 Mirror Frame Glass Project 鏡明相架玻璃工程 Moon 9 Image Oliver Shing @ DAAIMUNG 成博民 @ 春秋大夢 Performing Arts Redefined PAR表演藝術 Helen So 蘇曉明 Studio TIO West Kowloon Cultural District Authority 西九文化區 ．藝管界Audio or video recording is strictly prohibited by participants throughout the Summit 所有參加者不得在論壇進行期間擅自錄音或錄影 ． Should there be any discrepancy between the T& C in event page and booklet, the event page version shall prevail 條款如有歧異一律以網上版本為準
Board of Directors 董事局 Administration Staff 行政人員 Interns 實習生 Honorary Legal Counsel 義務法律顧問 Mrs Vennie Ho 何黎敏怡女士 Chairman 主席 Executive Director, Hong Kong Philharmonic Orchestra 香港管弦樂團行政總監 Dr Patrick Mok 莫健偉博士 Vice - chairman 副主席 Assistant Professor, The Hang Seng University of Hong Kong 香港恒生大學助理教授 Ms Ribble Chung 鍾小梅女士 Honorary Secretary 名譽秘書 Arts Administrator / Manager, Sir Run Run Shaw Hall, The Chinese University of Hong Kong 香港中文大學藝術行政主任及邵逸夫堂經理 Dr David Tsui 崔德煒博士 Honorary Treasurer 名譽司庫 Executive Director, Hong Kong Dance Company 香港舞蹈團行政總監 Dr Celina Chin 錢敏華博士 Executive Director, Hong Kong Chinese Orchestra 香港中樂團行政總監 Ms Enid Chung 鍾冠怡女士 Director, Hong Kong Contemporary Youth Dancers 香港當代青年舞蹈團總監 Ms Connie Lam 林淑儀女士 Chairperson, Passoverdance 新約舞流主席 Prof Lena Lee 李瑩教授 Arts Specialist , Arts with the Disabled Association of Hong Kong 香港展能藝術會藝術顧問 Mr Paul Tam 譚兆民先生 Executive Director, Performing Arts of West Kowloon Cultural District Authority 西九文化區管理局表演藝術行政總監 Ms Mandy Yiu 姚潤敏女士 Executive Director, Actors’ Family 演戲家族行政總監 Ms Flora Yu 余潔儀女士 Development Director, Hong Kong Arts Festival 香港藝術節發展總監 Ms Wendy Lam 林翺姿女士 Manager 經理 Ms Wing Chan 陳雅穎小姐 Deputy Manager 副經理 Ms Joyce Lee 李采妍小姐 Project Coordinator 項目統籌 Ms Stephanie Lee 李熙韻小姐 Arts Administration Officer 藝術行政主任 Ms Esther Kwok 郭佩兒小姐 Administrative Assistant 行政助理 Mr Tank Leung 梁永冲先生 Administrative Assistant 行政助理 Ms Christy Chan 陳施貝小姐 The Education University of Hong Kong 香港教育大學 Ms Chloe Chin 錢卓瑜小姐 The University of Hong Kong 香港大學 Ms Emily Yang 楊依晴小姐 The Hang Seng University of Hong Kong 香港恒生大學 Ms Angel Yeung 楊放晴小姐 The Chinese University of Hong Kong 香港中文大學 Mr Alex Fan 范凱傑先生
