李偉能《回聲二：人為景觀

舞蹈 Dance

鏡頭前後，劇場上下，眾人凝視，互為奇 觀。科技改變了人像攝影及傳播，也因而 改變了人的身體習慣和觀看角度，舞蹈被 重新定義。《回聲二：人為景觀》來回往 返現場與個人經驗之間，餘音迴盪。

李偉能作品《回聲摺疊》重演多次，好評 不絕。《回聲二：人為景觀》延續其對身 體語言的叩問，從人像攝影的概念出發， 聯同表演者探索解讀多個身體所呈現的姿 態，實驗各種看與被看的關係。

聯合主辦 Co-presented by

大館F倉展室

F Hall Studio, Tai Kwun

Technology has not only subverted the art of portrait photography and its transmission, it has altered people's way of seeing and the habitual manner of body movement. As we take up the focus of other people's camera lenses, we are also searching for the target of our next portrait. Each of us has become a spectacle in the eyes of one another. Choreographer Joseph Lee explores the above phenomenon in his latest offering Unfolding Images: We Are Spectacle(s). Echoing his acclaimed solo contemporary dance piece Folding Echoes, this time, rather than embarking on a one-man journey, Lee teams up with five performers to explore and examine the various body gestures as a form of experiment. Drawing references from the concept of portrait photography as a starting point, Lee and his performers probe into the delicate relations between a performer and a spectator, and the peculiar desire to see and be seen.

更多詳情即將公布，請留意節目網頁。 Details will be announced soon. Stay tuned to JCNAP's website.