Beyond Impressionism Piano Concert and Film Screening by Hong Kong Arts Festival

Beyond Impressionism Piano Concert and Film Screening

跨越意象鋼琴音樂會及電影放映

演出贊助 Sponsored by

香港藝術節今年踏入第4 6屆，再度為來自世界各地的觀眾獻上精彩紛呈的藝術盛宴，讓香港這個文化大都會更添生色。今年藝術節預備了各式各樣的表演節目，古典及當代藝術元素俱全，凸顯本港豐富多元的文化特色。短短一個月內將有約1 3 0 場音樂、舞蹈、戲劇、歌劇等表演舉行，讓一眾藝術愛好者目不暇給。一如以往，本屆藝術節除了請來本地和海外藝術家演繹引人入勝的代表作品，亦悉心安排各項外展活動。為培養青少年對藝術的興趣，「香港藝術節青少年之友」計劃讓本地學生有機會欣賞藝術節節目和參與全方位藝術活動。此外，藝術節又透過工作坊、後台參觀和大師班等「加料節目」，讓觀眾一睹藝術節重點節目的幕後創作過程，大開眼界。政府致力推動本地文化藝術發展，亦樂見贊助商和捐款者鼎力支持，攜手把香港藝術節打造成為享譽國際的藝壇盛事。我衷心感謝藝術節團隊多年來盡心盡力，為我們帶來這項高質素的文化活動，令本港藝壇百花齊放，蓬勃發展。謹祝第4 6屆香港藝術節圓滿成功，各位表演嘉賓和觀眾朋友共享一段精彩難忘的藝術旅程。

林鄭月娥香港特別行政區行政長官

Now in its 46th year, the Hong Kong Arts Festival continues to contribute to the cultural life of Hong Kong, delighting audiences from near and far. This year, the Festival puts on a wide variety of performances that showcase a mix of classic and contemporary genres, spotlighting Hong Kong’s rich and diverse cultural landscape. Featuring some 130 performances in a packed month of music, dance, theatre, opera and more, the Festival has much to offer to arts lovers of all kinds. Alongside dazzling performances by an array of local and international artists, the Festival continues to place great emphasis on its outreach activities. To develop youngsters’ appreciation of the arts, the Young Friends of the Hong Kong Arts Festival offers local students the opportunity to enjoy the Festival’s performances and participate in multi-arts activities. Similarly, the PLUS programme gives audiences an inspirational glimpse into the creative process behind the core Festival performances through a combination of workshops, backstage tours and masterclasses. The Government is committed to promoting the development of arts and culture in the city, and we are blessed to have the support of devoted sponsors and donors who join us in making the Hong Kong Arts Festival an international success. I am also thankful to the Festival team for their years of hard work to deliver a top-class cultural event and their invaluable contribution to the city’s thriving arts scene. I wish the 46th Hong Kong Arts Festival a resounding success and all the participants, performers and audiences alike, an enjoyable and memorable experience.

Mrs Carrie Lam Chief Executive, Hong Kong Special Administrative Region

歡迎閣下蒞臨欣賞第4 6屆香港藝術節，與我們一起分享、感受這一場精彩的表演藝術節目。我們要感謝香港特別行政區政府透過康樂及文化事務署的年度恆常撥款，使香港藝術節能每年成功舉辦。我們同時亦非常感謝香港賽馬會慈善信託基金多年以來積極而持續的鼓勵和贊助，以及其他眾多的商業機構、企業、慈善團體以至社會各界人仕，他們的慷慨捐助，讓我們能夠呈獻世界一流藝術家的演出，為本地人才提供一展才華的機會，委約及製作新作品，培養年青一代的觀眾。更重要的，是要感謝到來欣賞節目的各位觀眾。沒有廣大觀眾的熱情參與，就不會有香港藝術節。期望您喜歡這場演出。

查懋成香港藝術節主席

I am very pleased to welcome you to this performance at the 46th Hong Kong Arts Festival. Thank you for being here with us and sharing in our celebration of the performing arts. I would like to thank the HKSAR Government, acting through the Leisure and Cultural Services Department, for its annual subvention which is crucial to the Festival’s continuing success. I am also most grateful to The Hong Kong Jockey Club Charities Trust for their continued support and encouragement over many years, enabling us to enrich the cultural calendar of the city. Thanks are also due to the many corporate sponsors, charitable foundations as well as individual donors whose generous support enables us to feature many of the world’s best artists, promote local talent, produce new works, and nurture young audiences in Hong Kong. Most importantly, my warm thanks to you for joining us tonight. Without the passion, participation and engagement of our audiences there would be no Hong Kong Arts Festival. I very much hope you will enjoy the performance.

Victor Cha Chairman, Hong Kong Arts Festival

衷心感謝閣下蒞臨欣賞第4 6屆香港藝術節的演出。今屆藝術節的主題是「真．我角度」，我們從此角度出發，欣賞藝術家透過他們的技藝、創意和心思所創作和呈現的多重現實。今年的節目當中，無論是對應某種人生經驗、藝術動機或敘事手法，都往往帶着對「真」的各種個人省思。整體而言，我期望今屆藝術節可以啟發大家思考，甚至懷疑我們所理解的「真實」。希望您能開放自我，投入到舞台上呈現的世界，與藝術家共同經驗各種現實。也誠邀您參加「加料節目」的各項活動，豐富您的藝術節體驗。感謝您參與香港藝術節，支持我們的使命，為香港打造一個既屬於香港，也代表香港的世界級藝術節。

何嘉坤香港藝術節行政總監

It is a pleasure and privilege to welcome you to this performance at the 46th HKAF. This year, we take the notion of "what’s real to me" to celebrate the realities created through the artistry, creativity and thoughtfulness of our participating artists. Many works are informed by highly personal views, whether responding to some aspect of human experience as a matter of artistic motivation, or as a narrative device. Taken as a whole, I hope this Festival will provoke us to think about – and perhaps to question – our own understanding of what’s real. I hope that you will allow yourself to be immersed in the realities presented on stage at this and many other performances at the 46th HKAF, and enjoy the resulting co-created experience. I would also recommend the many PLUS performances and events that have been designed to enrich your Festival experience. Together with the entire team, I would like to thank you for your participation and support which sustains us in the mission to present a world class Arts Festival in, of and for Hong Kong.

Tisa Ho Executive Director, Hong Kong Arts Festival

香港藝術節扎根香港的國際藝壇盛事香港藝術節於 1973 年正式揭幕，是國際藝壇中重要的文化盛事，於每年 2、3 月期間呈獻眾多優秀本地及國際藝術家的演出，以及舉辦多元化的「加料」和教育活動，致力豐富香港的文化生活。香港藝術節是一所非牟利機構，2018 年第 46 屆藝術節的年度預算約港幣一億二千五百萬，當中香港特區政府的基本撥款約佔總收入的 14%，另外約 32% 需來自票房收入，約 3 6 % 則需依賴來自各大企業、熱心人士和慈善基金會的贊助和捐款。預計餘下的大約 18% 則來自其他收入，包括政府針對捐款和贊助收入而提供的配對資助。香港藝術節每年呈獻眾多國際演藝名家精采多元的演出，例如 *： •歌劇：巴伐利亞國立歌劇院、莫斯科大劇院、聖彼得堡馬林斯基劇院 •中國戲曲：中國國家京劇院、河北梆子劇院、上海張軍崑曲藝術中心、江蘇省蘇州崑劇院、浙江小百花越劇團 •古典音樂：塞西莉亞．芭托莉、列卡杜．沙爾、古斯塔沃．杜達美、菲力普．格拉斯、馬友友、安娜．涅翠柯、詹安德列亞．諾斯達、甘拿迪．羅傑斯特汶斯基、克里斯蒂安．泰利曼、倫敦交響樂團、皇家阿姆斯特丹音樂廳樂團、柏林廣播電台合唱團、萊比錫聖多馬合唱團、維也納愛樂樂團 •爵士樂及世界音樂：波比．麥非年、尤蘇．恩多爾、艾斯佩蘭薩．斯伯丁、Orquesta Buena Vista Social Club、粉紅馬天尼 •舞蹈：米高．巴里殊尼哥夫、蕭菲．紀蓮、艾甘．漢、約翰．紐邁亞、美國芭蕾舞劇院、雲門舞集、漢堡芭蕾舞團、紐約市芭蕾舞團、巴黎歌劇院芭蕾舞團、翩娜．包殊烏珀塔爾舞蹈劇場

2018 年藝術節預計收入來源（約港幣一億二千五百萬） Estimated Income Sources for the 2018 HKAF (Approximately HK$125 Million)

Sponsorship & Donations 贊助及捐款

•戲劇：彼得．布祿克、羅伯特．威爾遜、柏林劇團、中國國家話劇院、皇家莎士比亞劇團 •大型特別節目：《藝裳奇幻世界》、星躍馬術奇藝坊 •戶外節目：《聲光園》、《幻光動感池》、《聲光頌》香港藝術節積極與本地演藝人才合作，並致力為新晉藝術家提供展示才華的平台。藝術節至今委約及製作逾 200 套本地全新創作，包括戲劇、室內歌劇、音樂和舞蹈作品，近年開始同步出版新作劇本，不少製作更已在香港及海外多度重演。近年的藝術節新製作包括《香港家族》三部曲、《世紀．香港》音樂會、《論語》、《炫舞場》、《大同》、《金蘭姊妹》、《爆蛹》、《野豬》、《聖荷西謀殺案》等。香港藝術節多年來與知名海外藝術家及團體聯合製作不少優秀作品，當中包括由香港藝術節、香港歌德學院及翩娜．包殊烏珀塔爾舞蹈劇場聯合製作的《抹窗人》、由倫敦老域劇院、布魯克林音樂學院與尼爾街製作公司製作、香港藝術節為聯合委約機構之一的「橫貫計劃」之《暴風雨》及《李察三世》、由香港藝術節及上海國際藝術節聯合委約的《青蛇》、三藩市歌劇院與香港藝術節聯合製作的《紅樓夢》等。香港藝術節大力投資下一代的藝術教育。「青少年之友」成立 26 年來，已為逾 730,000 位本地中學生及大專生提供藝術體驗活動。藝術節近年亦開展多項針對大、中、小學生的藝術教育活動，包括由國際及本地藝術家主持的示範講座及工作坊、學生展演、演前講座、公開彩排、以及欣賞藝術節演出。同時，通過「學生票捐助計劃」，藝術節每年提供約 10,000 張半價學生票。香港藝術節每年主辦一系列多元化並深入社區的「加料節目」，例如電影放映、示範講座、大師班、工作坊、座談會、後台參觀、展覽、藝人談、文化導賞團等，鼓勵觀眾與藝術家互動接觸。

18%

36% Box Office 票房收入

32%

14%

Other Income (Including Possible Matching Grant for Sponsorship and Donation Income) 其他收入（包括按捐款和贊助收入可望獲得的配對資助 ) Government Baseline Funding 政府的基本撥款（Updated August 2017 2017 年 8 月更新）

Hong Kong Arts Festival A Major International Arts Festival In, Of and For Hong Kong

• Theatre: Peter Brook, Robert Wilson, Berliner Ensemble, National Theatre of China, Royal Shakespeare Company

HKAF, launched in 1973, is a major international arts festival committed to enriching the cultural life of the city by presenting leading local and international artists in all genres of the performing arts as well as a diverse range of “PLUS” and educational events in February and March each year.

• Large-scale special events: World of WearableArt, Zingaro

HKAF is a non-profit organisation. Secured government baseline funding for the Festival in 2018 represents roughly 14% of its HK$125 million budget. Around 32% of the Festival’s income needs to come from the box office, and another 36% from sponsorship and donations made by corporations, individuals, and charitable foundations. It is anticipated that the remaining 18% will come from other revenue sources including the Government’s matching scheme, which matches income generated through private sector sponsorship and donations. HKAF has presented top international artists and ensembles across multiple genres, such as*: • Western opera: Bavarian State Opera, The Bolshoi Theatre, The Mariinsky Theatre • Chinese opera: China National Peking Opera Company, Hebei Clapper Opera Troupe, Shanghai Zhang Jun Kunqu Art Center, Suzhou Kunqu Opera Company of Jiangsu, Zhejiang Xiaobaihua Yue Opera Troupe • Classical music: Cecilia Bartoli, Riccardo Chailly, Gustavo Dudamel, Philip Glass, Yo-Yo Ma, Anna Netrebko, Gianandrea Noseda, Gennady Rozhdestvensky, Christian Thielemann, London Symphony Orchestra, Royal Concertgebouw Orchestra, Rundfunkchor Berlin, Thomanerchor Leipzig, Vienna Philharmonic Orchestra • Jazz and world music: Bobby McFerrin, Youssou N'Dour, Esperanza Spalding, Orquesta Buena Vista Social Club, Pink Martini • Dance: Mikhail Baryshnikov, Sylvie Guillem, Akram Khan, John Neumeier, American Ballet Theatre, Cloud Gate Dance Theatre, Hamburg Ballet, New York City Ballet, Paris Opera Ballet, Tanztheater Wuppertal Pina Bausch

• Outdoor events: Power Plant, Super Pool, Chorus HKAF actively collaborates with Hong Kong’s own creative talent and showcases emerging local artists. Over the years, HKAF has commissioned and produced over 200 local productions across genres including theatre, chamber opera, music and contemporary dance, many with successful subsequent runs in Hong Kong and overseas. Recent HKAF productions include A Floating Family, Hong Kong Odyssey, Chinese Lesson, Danz Up, Datong – The Chinese Utopia, The Amahs, Blast, Wild Boar and Murder in San Jose, to name a few. HKAF frequently partners with renowned international artists and institutions to produce exceptional works, such as Der Fensterputzer (The Window Washer) co-produced by HKAF, Goethe-Institut Hong Kong and Tanztheater Wuppertal Pina Bausch, Richard III and The Tempest produced by The Old Vic, BAM and Neal Street under “The Bridge Project” with HKAF as a co-commissioning institution, Green Snake cocommissioned with Shanghai International Arts Festival, and Dream of the Red Chamber co-produced with San Francisco Opera. HKAF invests heavily in arts education for young people. Over the past 26 years, our “Young Friends” scheme has reached over 730,000 local secondary and tertiary school students. A variety of arts education projects serving primary, secondary, and tertiary school students have been launched in recent years, featuring activities such as student showcases, pre-performance talks, open rehearsals, opportunities to attend Festival performances, as well as in-school workshops and lecture demonstrations led by international and local artists. Donations to the “Student Ticket Scheme” also make available approximately 10,000 half-price student tickets each year. HKAF organises a diverse range of “Festival PLUS” activities in community locations each year to enhance engagement between artists and audiences. These include films, lecture demonstrations, masterclasses, workshops, symposia, backstage visits, exhibitions, meet-the-artist sessions, and guided cultural tours.

* 有關香港藝術節的過往節目，可參考以下網頁 Details of past HKAF programmes can be found at www.hk.artsfestival.org/en/about-us/past-programmes/past-programmes-2017.html 誠邀贊助或捐助第 46 屆香港藝術節；詳情請與藝術節發展部聯絡。 To find out more about sponsorship opportunities and donation details of the 46th Hong Kong Arts Festival, please contact the HKAF Development Department. 電郵 Email: dev@hkaf.org

直綫 Direct Lines: (852) 2828 4910/11/12

網頁 Website: www.hk.artsfestival.org/en/support-us

Presents

Beyond Impressionism Piano concert and film screening

《跨越意象》鋼琴音樂會及電影放映 3 月 Mar

香港大會堂音樂廳 Concert Hall, Hong Kong City Hall 電影放映長約 90 分鐘，放映完畢後有一節 30 分鐘休息音樂會長約 2 小時 50 分鐘，包括一節中場休息 Running times: Film screening: 90 minutes followed by a 30 minute intermission Concert: Approximately 2 hours and 50 minutes including one interval

敬請關掉所有響鬧及發光裝置。 Please switch off all sound-making and light-emitting devices. 網上追蹤香港藝術節 Follow the HKArtsFestival on

請勿擅自攝影、錄音或錄影。 Unauthorised photography or recording of any kind is strictly prohibited.

HKartsfestival

本場刊採用環保紙張印刷。This programme is printed on environmentally friendly paper.

www.hk.artsfestival.org

《跨越意象》音樂會介紹上海音樂學院隔壁有一家書店，十多年前，我偶

法裔音樂先驅埃德加 ‧ 瓦雷茲（他是音樂會前

然在店裏找到一套《中國鋼琴作品集》的第一和

放映電影《唯我一人》的主角）也塑造了若利維

第二冊，愛不釋手之餘更多買了一套，送給當鋼

和周文中等門生的音樂風格。之後，周文中的學

琴教師的姐姐。之後，我留意到坊間有不少中國

生周龍、陳怡和譚盾都各自建立起蜚聲國際的作

鋼琴曲集出版面世，它們的內容和風格更非常多

曲風格和體系，既有東西合璧的作曲技法，也將

元化。這些都推動我去進一步學習和理解這些曲

中國民間音樂融入其中。在同輩作曲家中，陳其

目，並與其他音樂愛好者分享。

鋼也在作品中充分表達中國獨有情懷，作為梅湘

今場音樂會以中國作曲家的優秀鋼琴作品為焦點，當中包括了自上世紀初至今，幾代華裔作曲

的關門弟子，他亦是法國「印象派」作曲家一脈延續至今的活例子。

家的心血，其中有不少作品更吸收了海外藝術家

這個節目為什麼會安排在今屆藝術節舉行呢？

的風格和異國文化的精髓。賀綠汀的《牧童短

2 0 1 8 年正是德布西逝世一百週年，加上法國和

笛》是我輩鋼琴家熟悉的中國鋼琴作品其中之

華裔作曲家之間引人入勝的跨文化聯繫，正好為

一。我進入大學的音樂學院時則有機會認識周文

這場以中國鋼琴音樂百年發展為主題的音樂會提

中的《柳色新》。這首作品進一步開拓我對有關

供了靈感。當中代表我們香港的有本地年輕作曲

曲目的眼界。

家鄧慧中和劉曉江。今晚演出的鋼琴作品有不少

在中國，賀綠汀受到德布西等法國「印象派」作曲家的嶄新作曲手法和音色的影響。同時，美籍

仍是鮮為人知，卻值得更多聽眾欣賞細味。我亦希望這場音樂只是一段段美麗探奇的開始。梁掌瑋香港藝術節節目總監

Introduction: Beyond Impressionism There is a bookstore next to the Shanghai Conservatory of Music, and on occasional visits to the store around 10 years ago I came across Volumes 1 and 2 of Complete Chinese Piano Works. I even bought an extra copy of the album for my sister, who is a piano teacher. Since then I’ve seen the publication of multiple Chinese piano albums, with impressive diversity of content and style. This has given me an impetus to try and understand this repertoire more and to share it with other music lovers. This concert features some of the finest piano music written by Chinese composers over the last century and beyond, many of whom who absorbed influences from other artists and cultures in other parts of the world. He Luting’s The Cowherd’s Flute is just one piano work that is familiar to pianists of my generation, while on entering music college I also had the chance to explore Chou Wenchung’s The Willows Are New, which further broadened my exposure to this repertoire. In China, He Luting had been influenced by the new composition techniques and sounds of French “impressionist” composers like Debussy, while the French American pioneer Edgard Varèse (who is the subject of the pre-concert film screening The One All Alone) helped to shape the style of his students

André Jolivet and Chou Wenchung and those that followed them. In turn, Chou’s own students Zhou Long, Chen Yi and Tan Dun have built their own internationally acclaimed bodies of work, noted both for combining Eastern and Western composition techniques as well as the integration of Chinese folk music into their music. Chen Qigang is another composer of the same generation whose work exhibits uniquely Chinese sensibilities, while as the last student of Olivier Messiaen he is also a living example of the lineage that stretches from the time of the French “impressionist” musical movement. But why present this programme now? 2018 marks the centenary of Claude Debussy’s death; this anniversary and the fascinating crosscultural connections between French and Chinese composers have served as an inspiration for this concert, which in turn showcases the evolution of Chinese piano music over the past 100 years. There are also new voices of Hong Kong represented, through composers Joyce Tang and Lawrence Lau. Many of the works performed tonight are lesserknown gems of the piano repertoire, but are deserving of a wider audience. I hope this is just the beginning of a beautiful adventure. Grace Lang HKAF Programme Director

電影放映 Film screening 《埃德加．瓦雷茲：唯我一人》

Edgard Varèse: The One All Alone

導演：法蘭克．謝菲爾

Directed by Frank Scheffer

法蘭克．謝菲爾導演的紀錄片《唯我一人》，

The One All Alone by Frank Scheffer is an expedition into the life and work of the French-American composer Edgard Varèse (1883-1965). The fulllength documentary includes rare footage of Varèse, and interviews with Pierre Boulez and Elliott Carter. Chou Wenchung is interviewed in Varèse's New York City home, and discusses the influence of his former teacher on site in Shanghai and Santa Fe. Musical performances include Italian conductor Riccardo Chailly, who offers an inimitably informed impression of the composer's adventurous sense of musical expression.

通過鏡頭探索美籍法裔作曲家埃德加．瓦雷茲（1883- 1965）的生活和作品。長篇紀錄片不僅收錄了瓦雷茲罕有的錄像，還有已故作曲家皮埃爾．布列茲和艾略特．卡特的專訪，極其珍貴。周文中亦在老師瓦雷茲的紐約大宅中接受採訪，談及瓦雷茲在中國上海和美國聖塔菲兩地，與當地藝術的相互影響。片中的音樂部分由意大利指揮家列卡度．沙爾執棒指揮，充分詮釋了作曲家創新冒險的音樂感。電影放映隨後的音樂會節目，包括了二十世紀初至今，法國與中國最優秀的鋼琴傑作。音樂會前放映的電影《唯我一人》，讓觀眾先了解中法兩國的文化翹楚那千絲萬縷又引人入勝的連繫。

法比奧．雷西 Fabio Luisi

The concert that follows the screening of this film offers a chance to enjoy some of the most noteworthy French and Chinese piano music from the beginning of the 20th century; this preceding screening of The One All Alone is intended to help place the relationship between these two artistic cultures in context, revealing their fascinating connections.

音樂會 Concert 賀綠汀

He Luting (1903-1999)

《晚會》

Evening Party

《牧童短笛》

The Cowherd’s Flute

江文也《斷章小品》作品 3、4、5、10、12、13、14、15 及 16

Jiang Wenye (1910-1983) Bagatelles Nos 3, 4, 5, 10, 12, 13, 14, 15 and 16

鋼琴：黃蔚園

Wong Wai-yuen piano

周文中

Chou Wenchung (1923- )

《柳色新》若利維《嗎哪》，六首鋼琴作品

The Willows Are New André Jolivet (1905-1974) Mana, six pieces for piano

薄酒萊葡萄酒小鳥峇里島公主山羊母牛飛馬

Beaujolais L’oiseau La Princesse de Bali La chèvre La vache Pégase

鋼琴：黃蔚然

Wong Wai-yin piano

鄧慧中

Joyce Tang

《形．色》

Images, Colours

溪流之舞水晶光之歌潑染

Dance of Flowing Streams Song of Crystal Light Splashes of Colour

鋼琴：張郁苓

Evelyn Chang piano

是晚演出曲目及次序或有更改

Pieces and their order of performance are subject to change

Tan Dun (1957- )

譚盾《八幅水彩畫的回憶》，作品 1

Eight Memories in Watercolor, Op 1 (2002 version)

秋月逗山歌聽媽媽講故事古葬雲荒野歡

Missing Moon Staccato Beans Herdboy’s Song Blue Nun Ancient Burial Floating Clouds Red Wilderness Sunrain

鋼琴：張郁苓

Evelyn Chang piano — 中場休息 Interval —

劉曉江《朝鏡》陳怡《中國西部組曲》（為雙鋼琴而作）

Lawrence Lau (1991- ) Towards a Mirror for two pianos Chen Yi (1953- ) China West Suite for two pianos

引子蒙族民歌藏族民歌苗族舞曲

Introduction Meng Songs Zang Songs Miao Dances

鋼琴：娉婷鋼琴二重奏

Duo Ping & Ting piano

周龍

Zhou Long (1953- )

《鋼琴鑼》陳其鋼《京劇瞬間》

Pianogongs Chen Qigang (1951- ) Instants d’un opéra de Pékin

鋼琴：張郁苓

Evelyn Chang piano

德布西

Claude Debussy (1862-1918)

《牧神的午後前奏曲》（雙鋼琴版本）鋼琴：黃蔚然及黃蔚園

Prélude à l'après-midi d'un faune for two pianos Wong Wai-yin and Wong Wai-yuen piano

大事年表 Timeline

1862 德布西於法國聖日耳曼昂萊出生 Claude Debussy born in Saint-Germain-en-Laye, France

1900s 在法國學習音樂的瓦雷茲，非常欣賞德布西，並深受其影響：「我很榮幸能夠認識到德布西……我曾多次與他詳談，他在我心中一直保持着善良、聰慧、細心，又博學的形象。」

As a music student in Paris, Varèse comes to admire and be influenced by Debussy: “I had the privilege of knowing Debussy… from the many long talks I had with him I have kept the image of a man of great kindness, intelligence, fastidiousness, and wide culture.”

1883 1862

1910 1900s

1910 江文也於台灣出生

1883 埃德加 ‧ 瓦雷茲於巴黎出生 Edgard Varèse born in Paris

Jiang Wenye born in Taiwan

1923 美籍華裔作曲家周文中於中國煙台出生 Birth of Chinese-American composer Chou Wenchung in Yantai, China

1918

1934 1923

1918

1934

德布西於巴黎逝世

賀綠汀編寫《牧童短笛》，一首以西

Claude Debussy dies in Paris

方音樂符號寫成的中國傳統音律 He Luting writes The Cowherd’s Flute, a Chinese folk tune composed using Western notation

1978 陳怡、周龍、陳其鋼和譚盾入讀北京音樂學院 Chen Yi, Zhou Long, Chen Qigang and Tan Dun begin their studies at the Beijing Conservatoire

埃德加．瓦雷茲 Edgard Varèse

1949 周文中在美國認識到瓦雷茲，從此建立亦師亦友的關係 Chou Wenchung meets Edgard Varèse in the US; Chou becomes his pupil and friend

陳怡 Chen Yi

1963

1935

1978

1949

1935 法國作曲家若利維編寫啟發自老師瓦雷茲的作品《嗎哪》 French composer André Jolivet writes Mana, inspired by his teacher Edgard Varèse

1963 賀綠汀反駁政客及評論家姚文元於上海《文匯報》上刊載對德布西音樂的批評 He Luting defends the music of Debussy in response to a critical article in Wenhui Bao by politician and critic Yao Wenyuan

1986 陳怡入讀哥倫比亞大學，跟隨周文中學習作曲；1980 年代，陳怡的丈夫周龍和譚盾也移居美國，向周文中學習 Chen Yi begins composition studies with Chou Wenchung at Columbia University; Chen’s husband Zhou Long and Tan Dun also move to the USA to study with Chou in the 1980s

左起：譚盾、陳怡、周龍、周文中 Left to right: Tan Dun, Chen Yi, Zhou Long, Chou Wenchung

1984

1990s to present 1986

1984 陳其鋼移居法國，成為法國作曲家梅湘的關門弟子 Chen Qigang, having moved to France, becomes the last student of French composer Olivier Messiaen

1990s to present 陳怡、周龍、陳其鋼和譚盾等中國作曲家的作品備受國際讚譽 Chinese composers including Chen Yi, Zhou Long, Chen Qigang and Tan Dun achieve international acclaim for their work

樂曲介紹 Programme notes 賀綠汀《晚會》《牧童短笛》賀綠汀生於 1903 年湖南省邵陽縣的農民家庭。

《牧童短笛》寫於 1 9 3 4 年，最初是一首三段曲

他的父親是鄉間的業餘民間歌舞團一員，賀綠汀

式的鋼琴獨奏曲。第一部分聽起來帶有中國水彩

從小便開始接觸音樂。他在考入享負盛名的長沙

畫的意境，描繪一個騎在水牛背上的男孩一邊吹

岳雲中學學習音樂之前，曾任學校老師。賀綠汀

竹笛，一邊在田野裏無憂無慮地游盪。這可能正

關心政治，1927 年曾參與海陸豐和廣州起義。

是作曲家本人的童年寫照。樂曲的中間部分選用

1931 年，他入讀上海國立音樂院（上海音樂學

了歡快的傳統民族舞蹈節奏和旋律，之後再回到

院前身）修讀和聲學和鋼琴。

第一部分的模式作結。

1949 年後，賀綠汀擔任多個重要職位，包括上

1 9 3 4 年，《牧童短笛》在俄羅斯作曲家齊爾品

海音樂學院院長和華東音樂家協會、中國音樂家

主辦的鋼琴作曲比賽中獲得一等獎。這首小品濃

協會上海分會理事會主席。

烈的民族風格，使其成為富有想像力的現代中國

《晚會》寫於 1934 年，原曲是一首鋼琴作品，描繪中國新年的熱鬧慶典。後來，賀綠汀將作品改編成樂團版本，更獲安排在蘇聯電台播出，數

鋼琴音樂範例。賀綠汀在作曲比賽的成績，展現出他在歐洲古典音樂的傳統格局中加入中國特色的才能。

年後進一步修改，《晚會》成為了一套管弦樂組曲的六個樂章之一。今晚會演出作品最初的鋼琴獨奏版本。儘管欠缺管弦樂團合奏的澎湃力量，慶典帶來的歡愉和洋溢着的友愛氣氛，在鋼琴版中仍舊真摯動人。

賀綠汀 He Luting

He Luting (1903-1999) Evening Party The Cowherd’s Flute He Luting was born in Shaoyang, Hunan in 1903. Born to a peasant family, He's father was also a member of the local amateur opera troupe, meaning that music was part of his life from a young age. The early years of his career were as a school teacher, before applying to study music at the prestigious Yueyun School in Changsha. The politically engaged He took part in uprisings in both Haifeng and Guangzhou in 1927, before entering the National Conservatory of Music (which would later become the Shanghai Conservatory of Music) in 1931 where he studied both harmony and piano. After 1949 He was appointed to a number of important roles including Director of the Shanghai Conservatory of Music and Chairman of the East China branch of the National Musicians’ Association. Originally composed as a piano piece in 1934, Evening Party is a musical representation of a Chinese New Year celebration. He later arranged the piece for orchestra, which was performed in a broadcast to the Soviet Union, and then in a further revision some years later Evening Party became one of six movements in a wider orchestral suite. Tonight’s performance features the original solo piano version; despite lacking the massed forces of a full orchestra, the joy and camaraderie of the celebration are still clearly discernible in this solo piano arrangement.

The Cowherd’s Flute was originally composed in 1934 as a piano solo in ternary form. The first part sounds like a simple and elegant Chinese watercolour painting. It pictures a boy on the back of a buffalo, carefree and playing a bamboo flute, wandering in the fields. It may well be that this is a depiction of the composer’s childhood. The middle part is a traditional folk-dance with jubilant rhythm and melody, before the third part returns to a recapitulation of the first. In 1934 The Cowherd’s Flute won first prize at a piano composition contest sponsored by the Russian composer Alexander Tcherepnin. The piece’s strong national folk-style makes it a fine and imaginative example of modern Chinese piano music, while its success in the composition contest is illustrative of He's ability to marry Chinese characteristics with European classical music traditions.

江文也《斷章小品》作品 3、4 、5 、10、12、13、14、15 及 16 江文也生於 1910 年日治時期的台灣，6 歲移居廈門，13 歲赴日求學；由於熱愛音樂，在學時已積極學習音樂，曾到東京音樂學校選修作曲理論與聲樂課程。畢業後，江文也隨即進入哥倫比亞唱片公司工作，並跟隨曾留學德國的山田耕筰學習作曲。1934 年至 1938 年間，他以作曲家身分在日本全國音樂比賽中屢次獲獎，更於 1 9 3 6 年以管弦樂曲《臺灣舞曲》參加第 1 1 屆柏林奧林匹克運動會的藝術競賽，獲榮譽獎。1938 年，他的鋼琴組曲《斷章小品》獲選於第四屆威尼斯國際現代音樂節中演出，成為最早揚名國際的亞洲作曲家之一。《斷章小品》創作於 1935 至 1936 年間，由 16 首各有特色的鋼琴短曲組成。當中可找到東方的音樂素材和意境，亦包含了西方的各種寫作技法，反映作曲家對當時西方樂壇新舊各種風格，如浪漫主義、民族主義，新古典主義、印象主義、表現主義等皆有研究，並樂於嘗試和運用於其作品之中。這套作品雖然是江文也的早期創作，但足以反映他不拘一格的創意和國際化的藝術視野。

江文也 Jiang Wenye

Jiang Wenye (1910-1983) Bagatelles Nos 3, 4, 5, 10, 12, 13, 14, 15 and 16 Jiang Wenye was born in 1910 in Taiwan, at which time it was a Japanese territory. He moved to Xiamen at the age of six and studied in Japan from the age of 13. His interest in music led him to study composition and vocal performance at Tokyo Music School; following graduation from college he worked at the Columbia Recording Company and started composition studies with Kosaku Yamada. As a composer, Jiang won a number of national prizes in Japan between 1934 and 1938. In 1936, his orchestral work Formosan Dance was an award winner at the art competition of the 1936 Berlin Olympics, while his piano suite Bagatelles was selected to feature at the fourth Vienna Modern Music Festival in 1938. Jiang was one of the very first Asian composers to establish international fame. Bagatelles, written in 1935-1936, consists of 16 short piano pieces with different music styles. The work demonstrates musical elements and concepts from the East as well as reflecting the influence of various Western composition techniques, such as romanticism, nationalism, neo-classicalism, impressionism and expressionism. Despite this being one of Jiang’s early works, it already depicts his eclectic ideas and broad artistry.

周文中《柳色新》美籍華裔作曲家周文中生於 1 9 2 3 年中國煙台，1946 年後移居美國。出國之前他已持有土木工程學位，並獲頒獎學金到耶魯大學修讀建築。但熱愛音樂的他結果轉往新英格蘭音樂學院跟隨斯洛寧姆斯基學習作曲。1 9 4 9 年周文中遇到了作曲家瓦雷茲這位良師益友，日後他更擔任恩師的遺作管理人。周文中和瓦雷茲合作緊密，瓦雷茲對音樂的概念如聲音是「活」的、音樂空間是「開放」的，對周文中均有深遠影響。周文中更進一步將中國傳統旋律和西方前衛音樂元素結合，作品《柳色新》就是其中例子。 1964 年，周文中回到曾經就讀的哥倫比亞大學音樂系任教，直到 1 9 9 1 年退休為止，並榮獲萊納終生榮譽教授頭銜。1 9 8 0 年代，陳怡、譚盾和周龍等後來成名的年青華裔作曲家都曾負笈哥倫比亞大學，跟隨周文中學習。

周文中 Chou Wenchung

Chou Wenchung (1923- ) The Willows Are New Born in Yantai, China, in 1923, the Chinese-American composer Chou Wenchung has resided in the United States since 1946. Although he arrived with a degree in civil engineering to pursue architectural studies on a scholarship at Yale University, Chou turned to his love of music instead and became a composition student at the New England Conservatory of Music, where he studied with Nicolas Slonimsky. In 1949 Chou met the composer Edgard Varèse, became his pupil and friend, and later served as his literary executor. His relationship with Varèse was an important one, with Varese’s musical conception of sound as “living” and space as “open” proving influential on Chou as he developed a composition style that married traditional Chinese melodies with contemporary Western elements, for example in The Willows Are New. In 1964 Chou became a member of the music faculty at Columbia University, where he had studied previously, he would remain there until 1991 when he retired and became Fritz Reiner Professor Emeritus. In the 1980s his students at Columbia included a number of now notable young Chinese composers including Chen Yi, Tan Dun and Zhou Long.

作曲家筆記

Composer’s note

《柳色新》是受到唐代詩人王維（689-759）

The Willows Are New was inspired by a Tang poem Yang Kuan by Wang Wei (689-759). From this original source, Chou Wenchung refashioned a composition in which mutations of the original material are woven over the entire range of the piano and embroidered with sonorities that are the magnified reflexes of brushstroke-like movements. The title The Willows Are New comes from a line of the poem. Chou Wenchung’s own translation follows:

的《陽關曲》（又名為《渭城曲》或《送元二使安西》）啟發而作。素材的演化盡用了鋼琴的整體音域，發出的聲響彷如大筆揮動的筆觸。曲名源於詩的內容，王維原作如下：渭城朝雨浥輕塵客舍青青柳色新 1 勸君更盡一杯酒西出陽關 2 無故人 1. 指嫩綠的柳枝。柳枝常用於惜別紀念，象徵離別。 2. 陽關是古時西北要道一個重要邊關的名稱，旅客一出陽關，也意味着一去不返。

In this town by the river, morning rain has cleared the light dust. Green, green around the tavern, the willows are new.1 Let us empty another cup of wine For, once west of Yang Kuan2 there will be no more friends. 1. Sprigs of willow, used in farewell ceremonies, are a symbol of parting. 2. Yang Kuan is a mountain pass, known as the point of no return for a traveller

André Jolivet (1905-1974)

若利維《嗎哪》，六首鋼琴作品作曲家若利維以熱愛家鄉法國的音樂和文化著稱，他豐富多元的創作風格同樣為人所稱道。在不同的創作階段中，若利維受到無調性和靈性音樂等風格的啟發，他的成熟期作品綜合了多種風格的特性。若利維是瓦雷茲的學生，深受老師對聲音的理解和作曲的手法所影響。《嗎哪》源於瓦雷茲回到美國後在法國留下的六件物品：一個木偶、一隻神奇小鳥、一個峇里島公主的雕像、一隻山羊、一頭牛和一匹天馬。六首鋼琴作品分別代表着這六件物品，被廣泛認為是若利維「魔幻時期」風格的體現。這段時期，作曲家試圖重塑古人視音樂具魔法及宗教功能的表達手法。

若利維 André Jolivet

Mana, six pieces for piano The French composer André Jolivet was notable for his passionate dedication to French music and culture, and also for the impressive diversity in style to be found across his oeuvre. At different stages of his composition career, Jolivet was inspired by styles from atonalism to spiritual music; his mature work displayed a synthesis of his many influences. A student of Edgard Varèse, Jolivet came to be strongly influenced by his teacher’s approaches to sound and composition. The Mana suite of six piano pieces came about when Varèse left France to return to his base in the USA, leaving behind six objects – a puppet, a magic bird, a statue of a Balinese princess, a goat, a cow and a winged horse. Each piece represents an object, and is widely considered to be the manifestation of Jolivet’s “magic period”, in which the composer sought to re-create the ancient use of music as a magical and religious means of human expression.

鄧慧中《形．色》鄧慧中的作品被 Ablaze Records 描述為「敏銳和卓越 ... . . . 優秀及清新的作品」。她的作品曾在多國發表及演出，其作品類型包括管弦樂、室樂、獨奏、聲樂、合唱、電聲及劇場音樂等。其中多首作品亦被評審選中，在各大音樂節和會議演出。鄧氏為香港最活躍的作曲家之一，獲多個音樂家和表演團體委約，如香港藝術節、香港小交響樂團、香港創樂團、莫里索鋼琴三重奏、西區樂團、韓國傳統表演藝術基金會、香港大學、香港大學嘉美蘭樂團、現在音樂、 Collegium Musicum Hong Kong、香港小莎翁、誇啦啦藝術集匯、鋼琴家吳美樂、笙演奏家盧思泓、及敲擊樂家米盧紀路等。

Joyce Tang Images, Colours J o y c e Ta n g ’s w o r k s h a v e b e e n d e s c r i b e d b y Ablaze Records as “incisive and brilliant … a fresh compositional voice,” and have been premiered and performed worldwide. Her works span orchestral, chamber, solo, vocal, choral, electro-acoustic , and theatrical genres, many of which have been jury-selected and featured at major festivals and conferences. As one of the most active composers in Hong Kong, Tang has attracted numerous commissions from musicians and performing groups, including Hong Kong Arts Festival, Hong Kong Sinfonietta, Hong Kong New Music Ensemble, Trio Morisot, Western District Music Ensemble, Korean Traditional Performing Arts Foundation, The University of Hong Kong, HKU Gamelan, Contemporary Musiking, City Chamber Orchestra of Hong Kong, Collegium Musicum Hong Kong, Shakespeare4All, AFTEC, pianist Mary Wu, sheng performer Loo Sze-wang, and percussionist Thierry Miroglio.

作曲家筆記

Composer’s note

《形．色》由鋼琴家吳美樂委約創作，於

The Images, Colours collection was dedicated to and written for pianist Mary Wu between 2010 and 2013, with sponsorship from CASH Music Fund, administered by the Composers and Authors Society of Hong Kong Ltd.

2 010 至 2013 年之間創作，並獲得香港作曲家及作詞家協會管理的 CASH 音樂基金贊助。作品由三個短樂章組成，包括《溪流之舞》、《晶光之歌》和《潑染》組成。《溪流之舞》有快速常動的特性。《晶光之歌》個性簡約清新，表現出光線在水晶上折射的效果。終樂章《潑染》動力橫溢，並展現出更多的鋼琴超技效果。鄧慧中

It contains three short movements: Dance of Flowing Streams, Song of Crystal Light, and Splashes of Colour. Dance of Flowing Streams is characterised by its fast and perpetual motion reaching towards Song of Crystal Light, which is, in contrast, simple, clear and transparent in character, capturing an idea of the reflection of light through a crystal. The concluding energetic and exuberant movement Splashes of Colour shows more pianistic virtuosity. Joyce Tang

譚盾《八幅水彩畫的回憶》作品 1 （2002 年版本）現任聯合國教科文組織全球親善大使，中國國家交響樂團榮譽藝術總監的譚盾，作為世界知名作曲家和指揮家，他的藝術和音樂，對世界產生了不可磨滅的影響，他已贏得當今世界最具影響的藝術大獎，其中包括威尼斯雙年展終身成就金獅獎、格林美獎、奧斯卡獎、德國巴赫獎、俄國的肖斯塔克維奇大獎、美國格文美爾大獎和「中國國家精神造就者榮譽獎」。譚盾作為中國將指揮和作曲融為一身的國際藝術家，經常指揮世界眾多最著名樂團，更曾刷新了世界音樂會轉播記

Tan Dun (1957-) Eight Memories in Watercolor, Op 1 (2002 version) The world-renowned artist and UNESCO Global Goodwill Ambassador Tan Dun has made an indelible mark on the world's music scene with a creative repertoire that spans the boundaries of classical music, multimedia performance, and Eastern and Western traditions. A winner of today's most prestigious honours including the Grammy Award, Oscar/Academy Award, Grawemeyer Award, Bach Prize, Shostakovich Award, and most recently Italy’s Golden Lion Award for Lifetime Achievement, Tan Dun's music has been played throughout the world by leading orchestras, opera houses, international festivals, and on radio and television.

錄。

作曲家筆記

Composer’s note

《八幅水彩畫的回憶》是我離開湖南、入讀

Eight Memories in Watercolor was written when I left Hunan to study at the Central Conservatory of Music in Beijing. It was my opus one. The Cultural Revolution had just ended, China just opened its doors, I was immersed in studying Western classical and modern music, but I was also homesick. I longed for the folk songs and savoured the memories of my childhood. Therefore, I wrote my first piano work as a diary of longing. The work is sub-divided into eight short pieces.

北京中央音樂學院時所寫，是我作品序列中的第一套作品。當時文革剛剛結束，中國門戶剛開放，雖然我正全情投入去學習西方古典音樂和現代音樂，但也很想家，捨不得伴着我長大的家鄉民謠和童年回憶，所以我寫了自己第一套鋼琴作品，就像是一本思鄉的日記。全套作品分為八首短曲。

為修改。

Pieces 2 (Staccato Beans), 3 (Herdboy’s Song), 4 (Blue Nun) and 8 (Sunrain) are based on my favorite folk songs from my childhood in Hunan. I composed the melodies of the other four. Since then, choreographers Chiang Ching and Muna Tseng have set this work to modern dance. Pianist Fou Ts’ong got to know this work through Chiang, and performed four of the pieces. In 2001 I met Lang Lang, and he told me he wanted to premiere the complete Eight Memories in Watercolor in his concerts, for which I am very grateful. I made slight revisions to the work, in renaming titles, the order of the pieces, and overall structure, according to Lang Lang’s suggestions.

譚盾

Tan Dun

第二曲〈逗〉、第三曲〈山歌〉、第四曲〈聽媽媽講故事〉和第八曲〈歡〉都是根據我童年時在湖南所聽到的民謠寫成，其餘四曲的旋律則由我所作。編舞家江青和曾筱竹都曾經將這套作品改編成現代舞蹈作品。鋼琴家傅聰從江青處得悉有這套作品，曾演奏過其中四首。2001 年，我認識了郎朗，他告訴我想在自己的音樂會中首演全套《八幅水彩畫的回憶》，對此我衷心感謝。根據郎朗的提議，我將樂曲的標題、排序以及整體結構略

劉曉江《朝鏡》劉曉江是一位活躍在香港的藝術家，畢業於香港演藝學院，主修作曲及電子音樂。作為一名作曲家，劉氏的作品包括室樂、管弦樂、中國樂器和電子音樂等。他的音樂也曾在國際音樂節和藝術活動中發表，包括亞洲作曲家聯盟研討會及音樂節、意大利 h i g h S CO RE 音樂節、樂．誼國際音樂節、北京國際作曲大師班、香港新一代、香港聲影集等。不單是傳統音樂會音樂，他也積極於劇場創作，探索各種概念和語言。他曾為多個舞蹈作品創作音樂及聲響，亦曾參與過《後．廣

Lawrence Lau (1991-) Towards a Mirror for two pianos Lawrence Lau is a Hong Kong based artist and a graduate of the Hong Kong Academy for Performing Arts, with a major in composition and electronic music. His numerous compositions range from works for chamber ensembles, orchestra, Chinese instruments and live electronics, among others. His music has been performed at international music festivals and art events including the Asian Composers League Conference and Festival, highSCORE Music Festival Italy, Musicus Fest, Beijing International Composition Workshop, Hong Kong New Generation, SoundImagination and others.

場作品的製作及創作。

Lau has written not only concert music but also for theatre and dance, where he explores various concepts and languages. Theatre productions for which he has written music include Post-Guangxi, Off the Van, and Faustus.

作曲家筆記

Composer’s note

《朝鏡》是 2016 年為樂娉和樂婷創作的一

Towards a Mirror for two pianos is dedicated to Lok Ping and Lok Ting. The first inspiration came from the visual idea that the twin pianists are performing on two pianos, facing each other, like looking at a mirror. Therefore, the mirror has an important role in the piece. However, instead of presenting the mirror itself, the relationship between actual and virtual images is suggested using register, intervallic design, the contrast of intensity, and the movement of the performers on the stage. The mirror, separating but connecting the reality and illusion at the same time, may become more attractive to be imagined.

西》、《落車無言》、《浮士德》等多個劇

首雙鋼琴作品。樂曲靈感先從畫面而來－雙胞胎姐妹在兩台長直三角琴的兩端，充滿默契地演奏，宛如各自照着鏡子一樣。如是者，鏡，成為了作品的中心。雖說如此，鏡的實態並沒有直接在作品中展現，反而作品純粹地探索着鏡裏鏡外的虛相及實相，它們可以在音域、音程、兩台鋼琴的強弱對比、甚至樂手的舉手投足間呈現及暗示。透過不同的「虛」與「實」，給予對作為兩者間界限或連接的鏡，想像的空間。作品大致分為四段，第一段為對稱的雙聲部詠唱，聲部以相反方向流動，以中央 C 為唯一的交匯點。及後的兩段都以不同設計的持續長音作為主線，讓持續長音從低聲部的震音發展到高聲部具節奏型的八度音。尾段為首段的變奏，以完全的對稱的和聲，最終以回到中央 C，即以詠唱的交匯點作結。劉曉江

The composer divides the music into four main sections. A still and meditative atmosphere is introduced at the very beginning with two-part contrapuntal writing. The middle C serves as the only overlapping point for the voices. The following two sections are designed with ostinatos, growing from a tremolo in the low register to high and rhythmic octaves. The last part of the music is a variation of the opening with symmetrical harmony, and eventually, the middle C is reached again to conclude the piece. Lawrence Lau

陳怡《中國西部組曲》（為雙鋼琴而作）陳怡 1953 年生於廣州，三歲開始學習音樂。文化大革命期間，她被安排到農村插隊落戶，從事勞動，卻不忘把小提琴帶着隨行，一有機會即偷偷練習。北京音樂學院在 1970 年代末重開後，陳怡與周龍、陳其鋼和譚盾等後來成名的華裔作曲家，均是學院恢復招生後第一批入讀的學生。到了八十年代中期，陳怡寫下中國第一首中提琴協奏曲，作品並於中央電視台和北京電台播放。她成為中國第一位獲得作曲碩士學位的女性後，於 1986 年移居美國深造。陳怡是一位多產的作曲家，她的作品結合中國民間音樂元素和西方古典音樂傳統，備受

Chen Yi (1953-) China West Suite for two pianos Born in Guangzhou in 1953, Chen Yi began her musical studies at the young age of three. During the Cultural Revolution Chen relocated to the countryside as a labourer but nevertheless took her violin with her, practicing when opportunities arose. When the Beijing Conservatory of Music reopened in the late 1970s, Chen was in one of the first waves of students to enrol, along with other notable Chinese composers including Zhou Long, Chen Qigang, and Tan Dun, among others. By the mid-80s, Chen had written the first Chinese viola concerto and had her works broadcast on CCTV and Radio Beijing; she also became the first woman in China to receive a masters degree in composition, before moving to the USA in 1986 for further study.

京中央樂團（後易名為中國國家交響樂團）。

Chen is a prolific composer whose diverse compositions have been praised for combining both Chinese folk and Western classical music traditions. Her work has been performed and commissioned by worldrenowned musicians and ensembles including Yehudi Menuhin, Yo-Yo Ma, Evelyn Glennie, the New York and Los Angeles Philharmonic and the Beijing Central Philharmonic Orchestra (since renamed the China National Symphony Orchestra).

作曲家筆記

Composer’s note

我的《中國西部組曲》是為雙鋼琴而作，共

Commissioned by and dedicated to the Klavier-Festival Ruhr, Germany (Director Franz Xaver Ohnesorg) for Dennis Russell Davies and Maki Namekawa to premiere on June 4, 2007, my work China West Suite is written in four movements for two pianos.

讚揚。她的作品曾獲世界著名音樂家和樂團委約創作和演出，包括曼奴軒、馬友友、格蘭妮、紐約愛樂樂團、洛杉磯愛樂樂團和北

分四個樂章，題獻給委約創作的德國魯爾鋼琴音樂節（總監：弗蘭茲 ‧ 索法 ‧ 奧尼索卡），在 2007 年 6 月 4 日由鋼琴家丹尼斯 ‧ 羅素 ‧ 戴維斯和滑川真希首演。此曲是我受正宗的中國西部民間音樂啟發而作，選用的民間音樂元素包括蒙族民歌《噶達梅林和牧歌》、彝族民歌《阿詩瑪》、藏族民歌《度母和阿瑪列霍》，還有苗族的《兜朵》及《蘆笙合奏》的音韻。陳怡

The authentic folk music of China West amazed and inspired me to write this piece, which has folk music elements drawn from the folk songs Gadameilin and Pastoral of the Meng people (Mongolian); Ashima of the Yi People; Du Mu and Amaliehuo of the Zang People (Tibetan), and Dou Duo and the Lusheng ensemble music of the Miao People. Chen Yi

周龍《鋼琴鑼》周龍的作品有一套獨特的音樂語言，具有原創性之餘，亦可容納中西文化的元素。他的作品能建構出一個充滿創意的空間，西方樂器可當中用，中國的樂器亦可作西用，《鋼琴鑼》就是個例子。周龍 1953 年出生於北京的一個藝術家庭，從小學習鋼琴。文化大革命期間，他曾被下放到農村的農場工作。及後，他入讀北京音樂學院，主修作曲；198 3 年畢業後隨即獲委任為中國國家廣播交響樂團的駐團作曲家。周龍於 1985 年移居美國，入讀哥倫比亞大學，師承周文中等老師。他也加入了長風中樂團，該中樂團活躍於美國樂壇，並積極演奏中國音樂的合奏團中，擔當了重要的角色。周龍於 1999 年成為美國公民，獲得來自全球各地的創作委約和獎項，包括他的第一部歌劇《白蛇傳》（獲 2011 年普立茲音樂獎）和應新加坡交響樂團和英國廣播公司逍遙音樂節聯合委約而作的鋼琴協奏曲《態勢》。

周龍 Zhou Long

Zhou Long (1953- ) Pianogongs Zhou Long is widely recognised for a body of work that embeds artistic originality and elements of both Chinese and Western cultures in its musical language. His works have often created a rich creative environment in which the horizons of Western instruments have been turned to the east and Chinese instruments to the west, for example in his work Pianogongs. Born into an artistic family in Beijing in 1953, Zhou learnt the piano from a young age. During the Cultural Revolution he spent time working on a rural farm before attending the Beijing Conservatoire to study composition; in 1983 and as a fresh graduate Zhou was appointed composer-in-residence with the National Broadcasting Symphony Orchestra of China. Zhou relocated to the USA in 1985, studying at Columbia University where his teachers included Chou Wenchung. He also played an important role at Music From China, an organisation set up to present performances of traditional Chinese music in the USA. A US citizen since 1999, Zhou’s work has received commissions and awards from around the globe, such as his first opera Madame White Snake (2011 Pulitzer Prize for Music) and his piano concerto Postures, co-commissioned by the Singapore Symphony Orchestra and BBC Proms.

作曲家筆記

Composer’s note

《鋼琴鑼》的靈感來自京劇鑼鼓與鐘磬敲擊

Pianogongs was inspired by the scripture of the Beijing Opera gong and drum, and the sound of bronze bells and chime stones. When I started working on the piece, I began to think of the spectrum of bronze, which reflects the colours and sonorities of a percussive effect and fast repetitive rhythm. In this work, I have used the piano as a percussion instrument along with two Chinese opera gongs (laid on the soft top of an extra piano bench to the left side). The combination of piano and gongs forms a kind of performing force of a Beijing Opera percussion ensemble.

音響特性。當我開始構思此曲時，我想到的是一種銅器的光譜，它反映出由敲擊而產生的音色和急速反複的節奏音型。在此曲中，我視鋼琴與大小京鑼（兩面鑼平置於左側另一琴凳的軟墊上）為一套打擊樂，類似京劇鑼鼓。此曲由三個基本素材貫穿全曲：一，急速反複節奏音型象徵大鼓及板鼓；二，一組由大三和弦與純四度音程混合的系列和弦，以此營造鐘磬齊鳴的音響；三，一組富有活力跳躍的斷音動機，用以連結，貫穿各素材來組成此曲的結構。急速反複節奏音型始於鋼琴的中音區，並延伸至極高和極低音區。系列和弦則在原形的基礎上演變成各種音型，像不同的琶音音型。左手演奏的大小京鑼在各種節奏音型中被大量使用。在樂曲中部的高潮點後，左手奏出一段小的京鑼華彩段。最後樂曲結束在小京鑼與鋼琴高音區，模仿鐘磬撞擊的迴響。周龍

There are three basic materials used throughout the piece: 1. A fast repetitive rhythm, which represents drum rolls on dagu (large drum) and bangu (piccolo drum); 2. A s e ri e s o f c h o rd s , wh i c h i s b a s e d o n t h e combination of major triad and perfect fourth, creating the tinkling sound of the chime stones; 3. An active staccato motive, which is used as a transition between sections. The alternation of these three materials forms the structure of the piece. The repetitive rhythm starts in the mid-range of the piano, and is developed into very high and very low ranges. The original shape of the series of chords later becomes varied textures, such as different arpeggio shapes. The two gongs played by the left hand have been heavily used in various rhythmic patterns. After a big crash on the piano in the middle of the piece, there is a short cadenza for the left hand playing two gongs. The sound in the high range on the piano and the small gong at the end of the piece echoes the lingering bell chimes. Zhou Long

陳其鋼《京劇瞬間》 1966 年文化大革命開始時，少年陳其鋼正就讀北京中央音樂學院附中。他被關押了三年接受「意識形態再教育」。儘管面對社會和政治上的反文化壓力，陳其鋼仍繼續學習作曲。1977 年，中央音樂學院恢復招生，陳其鋼考入學院，並跟隨羅忠鎔學習了五年。 1983 年，陳其鋼勝出了研究生組別比賽，獲得出國留學的機會，成為法國作曲家梅湘剛從巴黎音樂學院退休後的唯一學生。梅湘形容陳其鋼的作品表現出「真正的創造力，非常出色的天賦，和中國思維與歐洲音樂概念的完全同化。」陳其鋼曾獲法國電台、德意志室內愛樂管弦樂團、史圖加電台交響樂團、蒙特利爾交響樂團和高索域斯基基金會的委約。2004 至 2006 年間，他是斯特拉斯堡愛樂樂團的駐團作曲家。 2008 年，陳其鋼擔任北京奧運開幕式的音樂總監，觀眾包括現場十萬人及全球數十億電視觀眾。他為鋼琴和樂團而寫的《二黃》於 2009 年在卡內基音樂廳由郎朗及茱莉亞交響樂團首演，2013 年由赫比．漢考克在林肯中心重新演繹。他為小號演奏家波遜而寫的協奏曲《萬年歡》於 20 1 4 年由余隆指揮的中國愛樂樂團分別在北京、上海和倫敦英國廣播公司逍遙音樂會首演，並於 2016 年在阿姆斯特丹和慕尼黑演出。他為樂團而寫的變奏曲《亂彈》在 2015 年 4 月由香港管弦樂團首演，最近由中國國家大劇院管弦樂團在紐約卡內基音樂廳進行北美首演。他最新的小提琴協奏曲《悲喜同源》在 2017 年北京國際音樂節中首演，由小提琴家雲基洛夫擔任獨奏。陳其鋼的最新專輯於 2016 年由拿索斯唱片發行。由 Boosey ＆ Hawkes 允許重印

Chen Qigang (1951- ) Instants d’un opéra de Pékin As a teenager, Chen Qigang was studying music at Beijing’s Central Conservatory of Music Middle School when the Cultural Revolution began in 1966. He was confined for three years and underwent “ideological reeducation”, yet went on learning composition despite social and political anti-cultural pressures. In 1977 the state reopened entry to the Conservatory and Chen studied there for five years with Luo Zhongrong. In 1983 Chen won a postgraduate contest to travel abroad, and for four years was Olivier Messiaen’s only student after the French composer’s retirement from the Paris Conservatoire. He described Chen’s compositions as showing “real inventiveness, very great talent and a total assimilation of Chinese thinking with European musical concepts.” Chen has received commissions from Radio France, Deutsche Kammerphilharmonie, Stuttgart RSO, Orchestre Symphonique de Montréal and the Koussevitzky Foundation. He was composer-in-residence at the Orchestre Philharmonique de Strasbourg from 2004 to 2006. In 2008 Chen worked as Director of Music for the Beijing Olympics Opening Ceremony, watched by 100,000 in the stadium and several billion worldwide via TV. His work for piano and orchestra, Er Huang, was premiered by Lang Lang at Carnegie Hall in 2009 and re-interpreted by Herbie Hancock at Lincoln Center in 2013. His trumpet concerto for Alison Balsom, Joie Eternelle, received first performances in 2014 with the China Philharmonic and Long Yu in Beijing, Shanghai and at the BBC Proms in London, with performances in 2016 in Amsterdam and Munich. His variations for orchestra, Luan Tan, were premiered by the Hong Kong Philharmonic in April 2015 and recently received their Nor th American premiere by the China NCPA Orchestra at Carnegie Hall in New York. His new violin concerto La joie de la souffrance was premiered with Maxim Vengerov as soloist at the 2017 Beijing Music Festival. A new CD of Chen's works was released by Naxos in 2016. Reprinted by kind permission of Boosey & Hawkes

樂曲介紹

Programme note

《京劇瞬間》是由國際梅湘鋼琴比賽委約，

Commissioned by the Olivier Messiaen International Piano Competition, Instants d’un opéra de Pékin was composed by Chen Qigang in 2000 and revised in 2004. Among the composer’s works that are based on Beijing opera music, two of them are for piano and Instants d’un opéra de Pékin is one of them. Chen recalled the writing process as “All I knew about the piece before I started composing it was just an emotion, a distancing feeling that was beyond reach. Such a feeling consists of familiar tones of Beijing opera that come from my childhood memories of my family and their daily lives… Making reasonable use of Chinese traditional musical elements has gradually become my way of self-expression and thinking.”

於 2000 年創作而成，並於 2004 年作修訂。作曲家以京劇音樂為素材創作的鋼琴作品共有兩首，《京劇瞬間》為其中之一。據作曲家自述寫作經過：「在寫作之前，我所知道的只是一種情緒，一種遠遠的、如煙的感覺。在這個感覺中包含了自己熟悉的京劇音樂的音調。京劇音樂素材來自從小家庭和社會生活的記憶。」「合理地利用中國傳統音樂素材，逐漸成了自我表達的基本方式和思維源泉。」作品的主題及反主題來自兩種京劇常見的過門音樂，這些音樂段落一般用於演員無需歌唱的部分。作曲家為帶有「京味」的主導動機，配了具有色彩感的「和聲外衣」，主要是具有五聲音階特點的五度音程、四度音程、四度疊置和弦、加六音三和弦、五聲音階綜合和弦等，同時結合上、下聲部的平行進行、倒影進行，特別是與梅湘創作中常用的複合和聲、複合調性手法相結合，造成情緒激越、一氣呵成的戲劇性效果。該曲講求對音色、觸鍵、速度、幅度的掌控及音樂感的表達，非常具有挑戰性。

The theme and counter-theme of the piece come from two well-known instrumental fragments of Beijing opera which are often used for scenes in which the actors mime without singing. The Beijing opera style leitmotif is adorned with vibrant “harmonic clothings” – such as a fifth interval, fourth interval, fourth chord, added sixth triad, pentatonic integrated chord – with pentatonic scale characteristics at the same time integrated into the parallel motion and inverted motion of the upper and lower voices, especially combining Messiaen’s regular use of polyharmony and polytonality, creating a dramatic effect in one go. The piece demands delicate manipulation of tone colour, touch, tempo, range and also musical expression.

德布西《牧神的午後前奏曲》（雙鋼琴版本）德布西於 1862 年在巴黎郊區出生，父母的家境並不算富裕，但過人的鋼琴演奏天份意味着德布西在 11 歲時就入讀巴黎音樂學院。德布西使用和聲和音樂結構的手法獨到，對後世影響深遠。他在音階和聲調結構的運用上堅決不跟從十九世紀的傳統尺度，被認為對二十世紀的音樂發展有劃時代意義。

Claude Debussy (1862-1918) Prélude à l'après-midi d'un faune for two pianos Born in 1862 in a suburb of Paris, Claude Debussy’s parents were not from a wealthy background, but their son’s clear gift at the piano meant that he was able to enter the Paris Conservatory at the age of just 11. Debussy’s original approach to harmony and musical structure was hugely influential, utilising scales and tonal structures that firmly rejected the tradition of the 19th century and are considered of seminal importance in the 20th century canon.

德布西的《牧神的午後前奏曲》是根據馬拉美的同名詩作創作而成。此曲的管弦樂版本是德布西作品中最常被演出的一套，但今晚演出的是雙鋼琴版本（與較廣為人知的管弦樂版本同時出版）。事實上，鋼琴版本在這首作品的創作過程中扮演着重要的角色，因為德布西是以鋼琴的記譜為作曲的基礎，而雙鋼琴版本亦早於管弦樂版本完成。儘管如此，出版商卻把雙鋼琴版本形容為一個「減省」的版本，仿彿管弦樂版才是原典、雙鋼琴版只是一首改編曲，但事實並非如此。馬拉美的同名詩作描繪牧神（半人半山羊的神話生物）的內心獨白，他正考慮要與仙女及其他生靈嬉戲玩樂。德布西的音樂精妙地捕捉到詩歌的感性和春心盪漾的本質，其美麗的音色和和聲變化使這首樂曲成為印象派作品中的代表作。

Debussy’s Prélude à l’après-midi d’un faune is based on the poem of the same title by Stéphane Mallarmé. The orchestral version of the work is Debussy’s most performed piece, but it is the arrangement for two pianos (which was published simultaneously with the more famous score) that will be performed this evening. Indeed, the piano arrangement played an important role during the process of composition, since Debussy based it on the short score (a sketch in piano notation for the full score) and wrote it before the orchestral score. Despite this, the publisher titled the piano version “Réduction pour deux pianos” as if it was a transcription based on an orchestral original, however this was not the case. The poem that the piece is based on depicts the inner monologue of a faun (a mythological creature, half man, half goat) as he contemplates cavorting with nymphs and other creatures. Debussy’s music wonderfully captures the sensuous, erotic nature of the poem, with its beautiful colours and harmonies making it one of the most commonly cited examples of musical impressionism.

黃蔚園 Wong Wai-yuen 黃蔚園現就讀香港演藝學院音樂學士課程，主修鋼琴，師隨黃懿倫教授。黃氏曾於德國漢堡、北京、廈門舉辦演奏會，於第 42 屆香港藝術節《魔法鋼琴與蕭邦短篇》擔任獨奏，並與泛亞交響樂團及香港兒童交響樂團合作任獨奏。黃氏所獲獎項包括北京國際音樂藝術節鋼琴獨奏比賽亞軍、香港新世代音樂比賽冠軍、韓國國際青少年鋼琴比賽季軍、荷蘭恩斯赫德國際鋼琴比賽亞軍、第 75 屆施坦威國際青少年鋼琴比賽專業組冠軍，代表中國赴漢堡參加國際施坦威藝術節演出。

Born in Hong Kong , Wong Wai-yuen is an undergraduate student at the Hong Kong Academy for Performing Arts, studying under Professor Eleanor Wong. She has given recitals in Hamburg, Beijing and Xiamen, and also performed in Magic Piano & The Chopin Shorts at the 42nd Hong Kong Arts Festival. She has collaborated with the Hong Kong Children’s Symphony Orchestra and the Hong Kong Pan Asia Symphony Orchestra as a soloist. She has won numerous prizes, including second Prize in the Solo Piano Competition at the Beijing International Music Festival, First Prize at the HKGNA Music Competition, Second Prize at the International Piano Competition for Yong Musicians (Enschede, The Netherlands), Third Prize at the First Korea International Competition for Young Pianists, and the First Prize and Professional Grand Prize at the 75th Steinway & Sons International Youth Piano Competition. She was invited to perform at The International Steinway Arts Festival held in Hamburg, representing China.

黃蔚然 Wong Wai-yin 黃蔚然是香港出生的施坦威青年藝術家。1 9 9 8 年考入香港演藝學院青少年音樂課程、 2 0 1 3 年一級榮譽學士畢業，並獲頒香港賽馬會音樂及舞蹈信託基金獎學金，入讀美國約翰霍普金斯大學音樂學院碩士課程；2 0 1 5 年再獲美國耶魯大學以全額獎學金取錄深造，修畢藝術家文憑。黃氏在國際鋼琴比賽中屢獲殊榮：澳洲新南威爾斯國際鋼琴比賽冠軍（歷屆最年輕得主）、美國第十七屆希爾頓國際鋼琴比賽亞軍、及巴西里約熱內盧第二屆 B N D E S 國際鋼琴大賽奴韋斯特別獎。黃氏曾是第七屆烏克蘭霍洛維茲國際青少年鋼琴大賽最年輕的冠軍得主。黃氏曾於世界各地舉行獨奏會，包括 2 0 1 1 年香港藝術節獨奏會及美國紐波特國際音樂節開幕獨奏會。2 0 1 7 年的主要演出包括於荷蘭阿姆斯特丹皇家音樂廳的「年輕音樂家巡演」系列、紐約卡內基音樂廳舉行室內樂演奏會。

A young Hong Kong-born pianist and a Young Steinway Artist, Wong Wai-yin obtained her Bachelor of Music degree with firstclass honours from the Hong Kong Academy for Performing Arts under Professor Gabriel Kwok and was awarded a full scholarship by the Hong Kong Jockey Club Music and Dance Fund to pursue a Master’s Degree at the Peabody Conservatory of Johns Hopkins University under Professor Boris Slutsky. Later on she was awarded a full scholarship by the Yale University School of Music, under Professor Boris Berman, and has just obtained an Artist Diploma. Wong has been the recipient of international awards including First Prize at the Southern Highlands International Piano Competition in Australia, Second Prize at the 17th Hilton Head International Piano Competition in the USA, and received a Gold Medal prize at the 7th International Competition for Young Pianists in Memory of Vladimir Horowitz, held in Ukraine. She has performed worldwide including a solo recital at the 39th Hong Kong Arts Festival, the opening recital of the Newport International Festival in the USA, the “New Masters on Tour” series at the Amsterdam Concertgebouw, and in cities including Brisbane, Canberra, Paris, New York, Washington D.C., Chicago, Shanghai and others.

張郁苓 Evelyn Chang 生於台灣的張郁苓自 2 0 0 9 年移居香港後，活躍於亞洲各地演出。她與世界各地的作曲家和音樂家們均有合作。她是香港國際室內樂音樂節的表演常客，並於第 45 屆香港藝術節與列賓合作演出。張氏曾定居倫敦長達十八年之久，在學期間已經常於歐洲及英國作獨奏及室樂演出，曾演出場地包括白金漢宮、南岸音樂中心、威格摩音樂廳等。張氏積極推廣及發表現代作品，她錄製的專輯包括和英國色士風老將保羅．登摩合作的即興重奏專輯《Mahakali》；由英國 AVIE 唱片公司發行的專輯，則有與中提琴家賴沙諾夫合作的中提琴及鋼琴浪漫曲集，以及收錄德野夏尼考夫、馬水龍和塔巴高娃鋼琴小品的獨奏專輯《音詩─來自東方》。

Taiwan-born pianist Evelyn Chang has been an active performer in Asia since moving to Hong Kong in 2009. She enjoys collaborations with composers and artists across the world that in the past have included many appearances at the International Hong Kong Chamber Music Festival and a performance with Vadim Repin at the 45th Hong Kong Arts Festival. Chang spent many years in London where she studied and performed regularly as a soloist and chamber musician, appearing at Buckingham Palace, Southbank Centre, Wigmore Hall and many other venues in the UK and Europe. She has premiered new works and also made numerous recordings including Mahakali – an improvisatory album with saxophonist Paul Dunmall, a recital album with violist Maxim Rysanov and a debut solo album Poets from the East for Avie Records, featuring miniatures by Desyatnikov, Ma Shui-long and Tabakova.

娉婷二重奏 Duo Ping and Ting 娉婷鋼琴二重奏以其巧妙的默契及細膩的音樂表現，獲《南德郵報》讚譽為「默契十足的精準演繹，恍如出自一人之手般自然流暢，令人驚艷」。周氏姊妹師隨鋼琴教育家黃懿倫習琴，以一級榮譽獲香港演藝學院及德國漢諾威音樂及戲劇大學碩士學位。周氏姐妹是多項雙鋼琴國際比賽最年輕優勝者，包括第四屆波蘭國際雙鋼琴二重奏大賽和在歐洲享譽盛名的德國 A R D 國際音樂大賽等；獲邀參與音樂節如德國利斯博恩拿室樂音樂節及邁阿密德拉諾夫國際雙鋼琴巡演等，足跡遍佈歐美各地，曾與巴伐利亞電台交響樂團、瑞士新蘇黎世樂團、波蘭比亞理托夫斯基交響樂團及香港管弦樂團合作。

The twin sisters Lok Ping and Lok Ting Chau have gained wide recognition for their fine musicality and fascinating synchronicity: “There is no trace of showing off, instead a deep immersion in the content of the work, a charming change between rhythmic sharpening and soft sliding.” (Südwest Presse). The twin sisters received their Masters degrees from the University of Music, Drama and Theatre in Hannover, Germany and from the Hong Kong Academy for Performing Arts with Prof Eleanor Wong. Th e s i s t e rs a re l a u re a t e s o f p re s t i gi o u s international competitions, including the 64th ARD International Music Competition in Munich and the Fourth International Piano Duo Competition in Bialystok, Poland. They have received regular invitations from Dranoff International Two Piano Foundation in Miami and other music festivals worldwide, including Liesborner Chamber Music Festival in Germany, International Gdánsk Piano Duo Festival in Poland, Hong Kong Arts Festival, Joy of Music Festival (Hong Kong) and Gulangyu Piano Festival in Xiamen, China. The duo have also collaborated with the Bavarian Radio Symphony Orchestra, the New Zurich Orchestra, the Bialystok Symphony Orchestra and the Hong Kong Philharmonic Orchestra.

香港藝術節衷心感謝下列機構及人士的慷慨支持： The Hong Kong Arts Festival would like to thank the following for their generous support:

贊助舍計劃會員 Patron’s Club Members 鉑金會員 Platinum Member

嘉里控股有限公司 Kerry Holdings Limited

黃金會員 Gold Member

怡和集團 The Jardine Matheson Group

純銀會員 Silver Members

鷹君集團有限公司 Great Eagle Holdings Limited 太古集團慈善信託基金 The Swire Group Charitable Trust

青銅會員 Bronze Members

上海商業銀行 Shanghai Commercial Bank Limited Vontobel Wealth Management (Hong Kong) Limited

其他支持機構 other Supporters •Adam Mickiewicz Institute •Australia Arts Council •Canada Arts Council

•Pro Helvetia •Spanish Ministry of Culture

實物支持機構 in-kind Supporters •愉景灣渡輪碼頭 Discovery Bay Ferry Pier •帝盛酒店集團 Dorsett Hospitality International •嘉頓有限公司 The Garden Company Limited •鷹君集團有限公司 Great Eagle Holdings Limited •香港國際機場 Hong Kong International Airport

•立信專業顧問 Lap Shun Professional Consultant •M．A．C Cosmetics •奧海城 Olympian City •信和集團 Sino Group •屯門市廣場 TMT Plaza

藝術節捐助計劃 Festival Donation Scheme 鉑金捐款者 PlATinuM DonorS HK$120,000 或以上 AnD ABoVE

純銀捐款者 SilVEr DonorS HK$5,000 - HK$9,999

•無名氏 Anonymous •林護紀念基金有限公司 Lam Woo Foundation Limited •Lincoln & Yu-San Leong •杜振源先生

•無名氏 (2) Anonymous (2) •Mrs Anson Chan •陳建球伉儷 Mr & Mrs E Chan •SHN Cheng •Mr & Mrs Ko Ying •Ms Ka Shi LAU •Mr & Mrs David S L Lin •Mr & Mrs Gilles Martin •Dr & Mrs Joseph Pang •Ms Poon Yee Ling Eligina •孫永輝施熙德伉儷 Edith Shih & Stephen Sun •Enoch Yiu •Ms Isabel Yiu

鑽石捐款者 DiAMonD Donor HK$60,000 - HK$119,999 •無名氏 Anonymous 黃金捐款者 GolD DonorS HK$10,000 - HK$59,999 •無名氏 (6) Anonymous (6) •Mr & Mrs Herbert Au-Yeung •Jeffrey & Helen Chan •陳元鉅夫人 Mrs Sabina Chen •Dr York Y N Chow •Consigliere Limited •Alex & Hanne Fung •Richard & Ruth Herbst •李葉耀珍 Jane Li •林聖竤 Chris Lin •Wing Kay Po •Martin Rogers •Jacqueline Shek 石悅玟 •Mr & Mrs Stephen Suen •孫天珍小姐 Ms Sun Tien Chen •Mr Stephen Tan •Tsang Wing Fun •曹延洲醫生 Dr Tsao Yen Chow •Samuel & Amy Wang •Mr Wong Yick Kam •黃逸思先生夫人 Mr & Mrs YS Wong

青銅捐款者 BronzE DonorS HK$2,500 - HK$4,999 •無名氏 (2) Anonymous (2) •Atkinson Lambert Limited •Mr Cheung Shu Tong Edmund •Bethan and Tim Clark •Dr David Fang •銀河娛樂集團 Galaxy Entertainment Group •Mr & Mrs Jaeger •Ms Khoo Li Lian •Heidi Lee •Miss Ruby Lee •Ms Lim Geck Chin Mavis •Stephen Long •Mr Gary Ma •Mr Christopher Wong & Dr Ivo Chen

學生票捐助計劃 Student Ticket Scheme 鉑金捐款者 PlATinuM DonorS HK$120,000 或以上 AnD ABoVE •無名氏 Anonymous •Burger Collection •馬振玉慈善基金會有限公司 CYMA Charity Fund Ltd •恒生銀行 Hang Seng Bank •芝蘭基金會 Zhilan Foundation 鑽石捐款者 DiAMonD DonorS HK$60,000 - HK$119,999 •Vina Cheng •梁家傑先生夫人 Mr & Mrs Leong Kah-Kit Alan •Mrs Purviz R Shroff and the late Mr Rusy M Shroff, BBS, MBE •Mr & Mrs Stephen Suen •田家炳基金會 Tin Ka Ping Foundation 黃金捐款者 GolD DonorS HK$10,000 - HK$59,999 •無名氏 (4) Anonymous (4) •St. Paul's College Alumni Choir •陳求德醫生 Dr Chan Kow Tak •招國利先生 Mr Chiu Kwok Lee •Dr Chung See Yuen •Consigliere Limited •Mr & Mrs Kenneth H C Fung •馮兆林先生 JP 及夫人 Mr & Mrs Fung Shiu Lam JP •Richard & Ruth Herbst •胡興正醫生慈善基金有限公司 Dr Wayne Hu Charitable Foundation Ltd •Mr & Mrs Stefan & Caroline Kracht •林聖竤 Chris Lin •Mr & Mrs Roger Lui •MAXSMART INV. LTD •Mrs Carol Murray •Mr Stephen Tan •Peter & Nancy Thompson •Mr William To •Tsang Wing Fun •曹延洲醫生 Dr Tsao Yen Chow •Ms Wong Yuen Mee Elsa •黃逸思先生夫人 Mr & Mrs YS Wong 純銀捐款者 SilVEr DonorS HK$5,000 - HK$9,999 •無名氏 (5) Anonymous (5) •Mr Iain Bruce •Winnie Chiu Wing Ngar •Chou's Foundation •Mr & Mrs Norman Chui •Mr & Mrs A R Hamilton •Ms Winnie W Y Ho •King Yuen-Fung Diana •Mr & Mrs Ko Ying •Yvonne Cheng & Kelvin Koo

•羅偉騫先生夫人 Mr Andy Law & Ms Wendy Chan •Lee Lai-Kuen Shelley •Craig Lindsay Family •Lok Yu Kim Ching Memorial Fund •C H Mak •Dr Mak Lai Wo •Karen & Vernon Moore •Ms Poon Yee Ling Eligina •孫永輝施熙德伉儷 Edith Shih & Stephen Sun •Alan and Penny Smith •Anna Stephenson & Alan Leigh •John and Anthea Strickland •Leland & Helen Sun •Dr Henry N C Wong •Mr Wong Yick Kam •Dr Adrian Wu •Mrs Wu Tseng Helen 青銅捐款者 BronzE DonorS HK$2,500 - HK$4,999 •無名氏 (9) Anonymous (9) •Ms Michaela Au •Ms Rebecca Austin •區燊耀先生 Mr Au Son Yiu •Biz Office Limited •Carthy Limited •Diana Tong Chan •Dr Chan Wan Tung •Cynthia Cheng & Aaron Chan •Cheung Kit Fung •Dr Chow Sze Fu Joseph •Cindy Chan Psychological Services •Community Partner Foundation Limited •Easy Living Limited •giliproduction •Susan Hayden •Betty Hung •Isla School of Dance •Dr Alfred Lau •Susan Lim & Neil Roberts •Ms Jackaline McPhie •Mr & Mrs Kenneth Quinn •陶國豪 Frederico Rato •Ms Janice Ritchie •Mr Siddique Salleh •So Ching •So Kin Man •Ms Yim Chui Chu •余德銘先生 Mr Desmond Yu •皮皮

新作捐助計劃 new Works Scheme 鉑金捐款者 PlATinuM DonorS HK$120,000 或以上 AnD ABoVE •Mrs Mona Leong •Permanent Success Limited 鑽石捐款者 DiAMonD Donor HK$60,000 - HK$119,999 •Winfull Group Holdings Limited 黃金捐款者 GolD DonorS HK$10,000 - HK$59,999 •無名氏 (2) Anonymous (2) •Mrs K L Chan •劉仰澤先生 Mr Lau Yeung Chak •林聖竤 Chris Lin •Mrs Diana & Mr Jay Parmanand •孫天珍小姐 Ms Sun Tien Chen

純銀捐款者 SilVEr DonorS HK$5,000 - HK$9,999 •無名氏 (2) Anonymous (2) •Lexandra Chan •Ms Winnie W Y Ho •Lok Yu Kim Ching Memorial Fund •Ms Poon Yee Ling Eligina •孫永輝施熙德伉儷 Edith Shih & Stephen Sun 青銅捐款者 BronzE DonorS HK$2,500 - HK$4,999 •Ms Michaela Au •Ms Chiu Shui Man Tabitha •Contempo Charity Foundation Limited •黃逸思先生夫人 Mr & Mrs YS Wong

支持及協助 Support and Co-operation •Academy of Jazz •Acorn Design •Adsmart Hong Kong Limited •Alfie Leung Design •Alliance Française •AMC Pacific Place •巴塞爾藝術展 Art Basel •樺利廣告有限公司 Avanny Advertising Co Ltd •龍堡國際 B P International •BRICK LANE •英國文化協會 British Council •Broadway Cinema •百老匯院線 Broadway Circuit •Broadway The One •明愛白英奇賓館 Caritas Bianchi Lodge •牛棚藝術村 Cattle Depot Artist Village •CCDC 舞蹈中心 CCDC Dance Centre •周俊輝先生 Mr Chow Chun Fai •周生生集團國際有限公司 Chow Sang Sang Jewellery Co. Ltd •毛妹芭蕾舞學校 Christine Liao School of Ballet •中信國際電訊 ( 信息技術 ) 有限公司 CITIC Telecom International CPC Limited •城市當代舞蹈團 City Contemporary Dance Company •城巿花園酒店 City Garden Hotel •購票通 ( 香港 ) 有限公司 Cityline (Hong Kong) Limited •比利時駐港澳總領事館 Consulate General of Belgium in Hong Kong and Macau •澳洲駐港總領事館 Australian Consulate-General Hong Kong •加拿大駐香港總領事館 Consulate General of Canada in Hong Kong and Macao •愛沙尼亞共和國駐香港名譽領事館 Honorary Consulate of the Republic of Estonia in Hong Kong •法國駐港澳總領事館 Consulate General of France in Hong Kong and Macau •以色列駐港澳總領事館 Consulate General of Israel in Hong Kong & Macau •大韓民國駐香港總領事館 Consulate General of the Republic of Korea in Hong Kong •葡萄牙駐香港領事館 Consulate of Portugal in Hong Kong •波蘭駐香港總領事館 Consulate General of the Republic of Poland in Hong Kong •俄羅斯駐香港總領事館 Consulate General of the Russian Federation in Hong Kong SAR, PRC •南非駐港澳總領事館 Consulte General of the Republic of South Africa, Hong Kong SAR and Macao SAR •西班牙駐港澳總領事館 Consulate General of Spain in Hong Kong and Macao •瑞士駐香港總領事館 Consulate General of Switzerland in Hong Kong •美國駐港澳總領事館 U.S. Consulate General in Hong Kong & Macau •澳門特別行政區政府文化局 Cultural Affairs Bureau of the Macao S.A.R. Government •德勤企業管理咨詢（香港）有限公司 Deloitte Consulting (Hong Kong) Limited •dreamoffish Limited •風采中學 Elegantia College •埃克森美孚香港有限公司 ExxonMobil Hong Kong Limited •粉嶺禮賢會中學 Fanling Rhenish Church Secondary School •藝穗會 Fringe Club •鳳溪廖萬石堂中學 Fung Kai Liu Man Shek Tong Secondary School

•港威酒店 Gateway Hotel •六國酒店 Gloucester Luk Kwok Hong Kong •香港歌德學院 Goethe-Institut Hong Kong •香港君悅酒店 Grand Hyatt Hong Kong •青苗琴行 Greenery Music •港島海逸君綽酒店 Harbour Grand Hong Kong •快達票香港有限公司 HK Ticketing •香港藝術行政人員協會 Hong Kong Arts Administrators Association •香港藝術中心 Hong Kong Arts Centre •香港浸會大學 Hong Kong Baptist University 電影學院 Academy of Film 音樂系 Department of Music 拉闊文化 Cultural Literacy Programme •香港大會堂 Hong Kong City Hall •香港文化中心 Hong Kong Cultural Centre •香港知專設計學院 Hong Kong Design Institute •香港經濟貿易辦事處 Hong Kong Economic and Trade Office •香港黃金海岸酒店 Hong Kong Gold Coast Hotel •香港管弦樂團 Hong Kong Philharmonic Orchestra •香港唱片 Hong Kong Records •香港旅遊發展局 Hong Kong Tourism Board •宜必思香港中上環 ibis Hong Kong Central and Sheung Wan •工銀亞洲 ICBC (Asia) •海景嘉福洲際酒店 InterContinental Grand Stanford Hong Kong •香港洲際酒店 InterContinental Hong Kong •Intox Design & Communication Co. Ltd. •The Italian Cultural Institute in Hong Kong •港島太平洋酒店 Island Pacific Hotel Hong Kong •鍾詠賢芭蕾舞學校 Ivy Chung School of Ballet •王仁曼芭蕾舞學校 Jean M. Wong School of Ballet •JellyBin Limited •Ms Anastassia Katafygiotis •高山劇場 Ko Shan Theatre •九龍木球會 Kowloon Cricket Club •Kubrick •葵青劇院 Kwai Tsing Theatre •光華新聞文化中心 Kwang Hwa Information & Culture Centre •Lanson Place Hotel, Hong Kong •梁震宇先生 Mr Mark Leung •李鏡輝先生 Mr Alpha Li •李慧中博士 Dr Li Wai Chung •立方國際青年公寓 M3 International Youth Apartment •MANA! •馬哥孛羅香港酒店 Marco Polo Hongkong Hotel •Maxibit HK/China •Wavemaker Hong Kong Limited •酩悅軒尼詩帝亞吉歐洋酒香港有限公司 Moët-Hennessy Diageo Hong Kong Limited •MOViEMOViE •北區大會堂 North District Town Hall •One Minden Tapas Kitchen •PALACE ifc •柏斯琴行 Parsons Music Limited •卓滙達有限公司 Patsville Company Ltd •Pause Rewind n FastForward •電訊盈科 PCCW •Pixellent •犇華企業服務有限公司 Primasia Corporate Services Limited •香港太子酒店 Prince Hotel, Hong Kong •Red Square Gallery •麗豪酒店 Regal Riverside Hotel •RFI Asia Limited •帝都酒店 Royal Park Hotel

•香港帝景酒店 Royal View Hotel •Russian Club in Hong Kong •沙田大會堂 Sha Tin Town Hall •信興廚藝中心 Shun Hing Cooking Centre •上環文娛中心 Sheung Wan Civic Centre •岑智頤先生 Mr Henry Shum •信興電器貿易有限公司 Shun Hing Electronic Trading Co., Ltd. •先鋒廣告製作有限公司 Sin Fung Advertising Production Co., Ltd. •Southgate Design •事必達推廣有限公司 Speedy Promotion Limited •Steam Studio •辰衝圖書有限公司 Swindon Book Co. Ltd. •台灣蘇富比國際房地產 Taiwan Sotheby's International Realty •藝林文具印刷有限公司 The Artland Co Ltd •香港中文大學 The Chinese University of Hong Kong 音樂系 Department of Music 和聲書院 Lee Woo Sing College •香港城市大學 The City University of Hong Kong 英文系 Department of English •香港教育大學 The Education University of Hong Kong 文化與創意藝術學系 Department of Cultural and Creative Arts •香港演藝學院 The Hong Kong Academy for Performing Arts 中國戲曲學院 School of Chinese Opera 戲劇學院 School of Drama 音樂學院 School of Music •香港理工大學 The Hong Kong Polytechnic University •香港科技大學 The Hong Kong University of Science and Technology 人文學部 Division of Humanities 藝術中心 Center for the Arts 學生住宿及舍堂生活事務處 Student Housing and Residential Life Office •中環石板街酒店 The Pottinger Hong Kong •皇家太平洋酒店 The Royal Pacific Hotel and Towers •香港大學 The University of Hong Kong 音樂系 Department of Music 通識教育部 General Education Unit 香港大學美術博物館 University Museum and Art Gallery Cultural Management Office 圖書館 Library 香港大學博物館學會 The University of Hong Kong Museum Society 國際事務處 International Affairs Office •譚縉謙先生 Mr Tam Chun-him •通利琴行 Tom Lee Music Company Ltd •中環荷李活道彩鴻酒店 Travelodge Central, Hollywood Road •Trickstation •三角關係 Trinity Theatre •荃灣大會堂 Tsuen Wan Town Hall •UA CINEHUB •城市售票網 URBTIX •香港華美粵海酒店 The Wharney Guang Dong Hotel Hong Kong •進富印刷公司 Wealthy Step Printing Co. •wine etc •香港基督教青年會（港青） YMCA of Hong Kong •青年廣場 Youth Square •赤豚事務所 Zhu Graphizs

贊助人

林鄭月娥女士

PATRON

永遠名譽會長執行委員會主席副主席義務司庫委員

邵逸夫爵士

HONORARY LIFE PRESIDENT EXECUTIVE COMMITTEE Chairman Vice Chairman Honorary Treasurer Members

節目委員會主席委員

財務委員會主席委員發展委員會主席副主席委員

顧問

名譽法律顧問核數師

查懋成先生盧景文教授李錦榮先生鄭維新先生鄭惠貞女士劉鎮漢先生梁靳羽珊女士梁卓偉教授姚潔莉女士楊光先生盧景文教授白諾信先生紀大衛教授羅志力先生毛俊輝先生李義法官約瑟．施力先生 + 譚榮邦先生姚珏女士李錦榮先生鄭惠貞女士梁國輝先生梁靳羽珊女士雍景欣女士鄭阮培恩女士邱詠筠女士龐建貽先生孫林宣雅女士姚祖輝先生楊海燕女士夏佳理先生鮑磊先生李業廣先生梁紹榮夫人李國寶博士孖士打律師行羅兵咸永道會計師事務所

香港藝術節基金會主席霍璽先生管理人陳達文先生梁紹榮夫人陳祖澤博士

地址 : 香港灣仔港灣道 2 號 12 樓 1205 室電話 : 2824 3555 傳真 : 2824 3798, 2824 3722 節目查詢熱線 : 2824 2430 出版：香港藝術節協會有限公司承印：香港嘉昱有限公司本刊內容，未經許可，不得轉載。

PROGRAMME COMMITTEE Chairman Members

FINANCE COMMITTEE Chairman Members

HONORARY SOLICITOR AUDITOR

Mr Victor Cha Prof. Lo King-man, MBE, JP, SBS Mr William Li Mr Edward Cheng, SBS JP Ms Margaret Cheng Mr Anthony Lau Mrs Yu-san Leong Prof. Gabriel Leung, GBS JP Ms Miriam Yao Mr Sunny Yeung Prof. Lo King-man, MBE, JP, SBS Mr Giorgio Biancorosso Prof. David Gwilt, MBE Mr Peter C L Lo Mr Fredric Mao, BBS The Hon Mr Justice Ribeiro Mr Joseph Seelig + Mr Wing-pong Tam, SBS JP Ms Jue Yao, JP Mr William Li Ms Margaret Cheng Mr Nelson Leong

DEVELOPMENT COMMITTEE Chairman Vice Chairman Members

ADVISORS

The Hon Mrs Carrie Lam Cheng Yuet-ngor, GBM GBS Sir Run Run Shaw, CBE (1907-2014)

Mrs Yu-san Leong Ms Jane Yong Mrs Betty Yuen Cheng Ms Winnie Chiu Mr Paulo Kin-yee Pong Mrs Helen Lin Sun Mr Andrew Yao Ms Hoi-yin Yeung The Hon Ronald Arculli, GBM CVO GBS OBE JP Mr Martin Barrow, GBS CBE JP Mr Charles Y K Lee, GBM GBS JP Mrs Mona Leong, SBS BBS MBE JP Dr The Hon David K P Li, GBM GBS JP Mayer Brown JSM PricewaterhouseCoopers

HONG KONG ARTS FESTIVAL TRUST Chairman Mr Angus H Forsyth Trustees Mr Darwin Chen, SBS ISO Mrs Mona Leong, SBS BBS MBE JP Dr John C C Chan, GBS JP

電子郵箱 : afgen@hkaf.org

Address: Room 1205, 12th Floor, 2 Harbour Road,Wanchai, Hong Kong Tel: 2824 3555 Fax: 2824 3798, 2824 3722 Email: afgen@hkaf.org Programme Enquiry Hotline: 2824 2430 Published by: Hong Kong Arts Festival Society Limited Printed by Cheer Shine Enterprise Co., Ltd Reproduction in whole or in part without written permission is strictly prohibited.

職員行政總監節目節目總監副節目總監節目經理

榮譽節目顧問 Honorary Programme Advisor * 合約職員 Contract Staff

STAFF 何嘉坤

Executive Director

節目經理（行政）助理節目經理節目統籌節目行政主任物流及接待經理

梁掌瑋蘇國雲葉健鈴陳韻妍蘇雪凌林淦鈞 * 黃傲軒 * 曹愷怡 * 金學忠 *

•技術製作經理視聽統籌

Programme Programme Director Associate Programme Director Programme Managers

Tisa Ho

Programme Manager (Administration) Assistant Programme Managers Programme Coordinators Programme Administration Officer Logistics Manager

Grace Lang So Kwok-wan Linda Yip Susanna Yu* Vanessa Chan Shirley So Lam Kam-kwan* Jacqueline Li* Joseph Wong* Patricia Lee* Sabrina Cho* Elvis King*

徐子宜 * 許肇麟 *

• Technical Production Manager Audiovisual Coordinator

Tsui Tsz-yee* Boolu Hui*

•出版高級編輯編輯助理編輯

黃迪明 * 林尚諾 * 鍾佩妝 *

• Publications Senior Editor Editor Assistant Editors

Timothy Wong* Sherlock Lam* Eunice Chung*

•外展高級外展經理助理外展經理外展統籌外展主任藝術行政見習員外展助理

李冠輝張鼎丞 * 林嘉敏 * 譚曉峯 * 李萬祺 * 李玨熙 *

• Outreach Senior Outreach Manager Assistant Outreach Managers Outreach Coordinator Outreach Officer Arts Administrator Trainee Outreach Assistant

Kenneth Lee Bell Cheung* Carman Lam* Mitch Tam* Kelvin Li* Michael Lee*

市場推廣市場總監副市場總監市場經理副市場經理助理市場經理數碼營銷專員市場主任市場經理（票務）票務主任客戶服務主任

鄭尚榮胡銘堯周怡楊璞* 吳嘉沛 * 陳閏霖 * 莫文軒 * 梁彩雲李彤* 鄭佩欣 *

MARKETING Marketing Director Associate Marketing Director Marketing Managers Deputy Marketing Manager Assistant Marketing Manager Digital Marketing Specialist Marketing Officer Marketing Manager (Ticketing) Ticketing Officer Customer Service Officers

Katy Cheng Dennis Wu Alexia Chow Michelle Yeung* Tiffany Ng* Ben Chan* Tony Mok* Eppie Leung Lee Tung* Bonnie Cheng*

DEVELOPMENT Development Director Development Manager Deputy Development Manager Assistant Development Managers Arts Administrator Trainee Development Officer

Flora Yu Chingmi Chow* Anna Cheung* Lorna Tam Esther Mok* Mandie Choy*

余瑞婷 * 李詠芝 * 李芷銦 *

林惠賢 *

鄧冠恒 *

張嘉麟 *

李俊偉 *

發展發展總監發展經理副發展經理助理發展經理藝術行政見習員發展主任

余潔儀周美清 * 張慧芝 * 譚樂瑤莫穎哲 * 蔡杏村 *

會計會計部主管助理會計經理會計主任

鄺敬婷林英光 * 蘇永恆 *

ACCOUNTS Head of Accounts Department Assistant Accounting Manager Accounting Officer

Teresa Kwong Sunny Lam* Peter So*

人力資源及行政人力資源及行政經理人力資源及行政主任行政秘書接待員／初級秘書助理

馮紹昌簡凱彤 * 謝凱婷李美娟黃國愛

HR & ADMINISTRATION HR & Administration Manager HR & Administration Officer Executive Secretary Receptionist/Junior Secretary General Assistant

Calvin Fung Vivian Kan* Heidi Tse Virginia Li Bonia Wong

蘇寶蓮 *

Grace Lam*

Joe Tang*

Louis Cheung*

Michael Lie Ken Jie*

Conny Souw*

技術統籌 * Technical Coordinators* 歐慧瑜 Rachel Au、陳焯華 Billy Chan、陳寶愉 Bobo Chan、陳佩儀 Claudia Chan、陳詠杰 Chan Wing-kit、陳家彤 Doris Chen、鄺嘉欣 Karen Kwong、黎智勇 Martin Lai、林環 Nancy Lam、羅瑞麟 Lo Shui-lun、曾家慧 Joanne Tsang、黃靜文 Ivy Wong 藝術家統籌 * Artist Coordinators*

鄭瑋菁 Virginia Cheng、馮顯峰 Fung Hin-fung、張素真 Susan Hayden、何嘉露 Carrol Ho、彭慧雯 Jan Pang、黃婉媚 Becky Wong、游慧姿 Janet Yau

節目時間表 Programme Calendar 歌劇戲 /曲 OPERA / CHINESE OPERA

中國國家京劇院主演：于魁智、李勝素 -《鳳還巢》 -《牛皋下書 ‧ 挑滑車》、《打漁殺家》 -《帝女花》 -《紅鬃烈馬》

China National Peking Opera Company Featuring: Yu Kuizhi, Li Shengsu - The Phoenix Returns to Its Nest - Breaking the Siege/Lifting the Chariots and The Fisherman's Revenge - Princess Changping - Rekindling a Life-Long Romance

賽馬會本地菁英創作系列：粵劇《百花亭贈劍》毛俊輝導演作品改編及導演：毛俊輝

Jockey Club Local Creative Talents Series: Cantonese Opera - Pavilion of a Hundred Flowers Adaptation and Director: Fredric Mao

粵劇《霸王別姬》藝術總監：尤聲普

Cantonese Opera - Farewell My Concubine Artistic Director: Yau Sing-po

CHCH

27/2 28/2

7:30pm 7:30pm

CCGT

2/3 3/3

7:30pm 7:30pm

APAL

2-4/3

8pm

CHCH

9-11/3

7:30pm

CCGT

15, 17/3

7:30pm

Maxim Rysanov and Hong Kong Sinfonietta Music Director and Conductor: Yip Wing-sie

CHCH

25/2

8pm

巴．羅克樂團《聲音之旅》藝術領導及小提琴獨奏：德米特里．辛柯夫斯基

B’Rock Orchestra - Sounding Stories Artistic leader and Solo Violin: Dmitry Sinkovsky

CHCH

1/3

8pm

潘尼迪爾鋼琴獨奏會

Jean-Claude Pennetier Piano Recital

CHCH

2/3

8pm

香港中樂團《劉邦．項羽．兵馬俑》指揮：閻惠昌

Hong Kong Chinese Orchestra Liu Bang, Xiang Yu and the Terra Cotta Warriors Conductor: Yan Huichang

CCCH

3/3

8pm

愛沙尼亞之聲指揮：約翰 - 艾克．杜爾夫

Vox Clamantis Conductor: Jaan-Eik Tulve

CHCH

3/3

8pm

愛沙尼亞之聲與潘尼迪爾

Vox Clamantis and Jean-Claude Pennetier

CHCH

4/3

4pm

鋼琴三重奏 - 潘尼迪爾．巴斯基耶．皮杜鋼琴：潘尼迪爾小提琴：巴斯基耶大提琴：皮杜

Trio Pennetier Pasquier Pidoux Piano: Jean-Claude Pennetier Violin: Regis Pasquier Cello: Roland Pidoux

CHCH

5/3

8pm

俄羅斯史維特蘭諾夫國家交響樂團指揮：克利斯蒂安．約菲

State Academic Symphony Orchestra of Russia "Evgeny Svetlanov" Conductor: Kristjan Järvi

CCCH

8-10/3

8pm

威爾斯國家歌劇院．親子音樂會

O is for OPERA! Family Concert by Welsh National Opera

CCCH

16/3

8pm

CHCH

16/3

8pm

Beyond Impressionism - Piano Concert and Film Screening 《跨越意象》鋼琴音樂會及電影放映 CHCH 鋼琴：張郁苓、黃蔚然、黃蔚園、娉婷鋼琴二重奏 Piano: Evelyn Chang, Wong Wai-yin, Wong Wai-yuen, Duo Ping & Ting

17/3

6pm

威爾斯國家歌劇院 - 德布西《佩利亞斯與梅麗桑德》 Welsh National Opera - Debussy’s Pelléas et Mélisande Conductor: Lothar Koenigs 指揮：洛德．古尼斯

音樂

MUSIC

《最愛中提琴》：賴沙諾夫與香港小交響樂團音樂總監及指揮：葉詠詩

西班牙之風古樂團《重拾失落在美洲的西班牙瑰寶》指揮及古鍵琴：愛德華度．盧比斯．班素

Al Ayre Español - Spanish Treasures in the Americas Conductor and Harpsichord: Eduardo López Banzo

爵士樂世 / 界音樂 Jazz / WorlD MUSIC

丹麥國家交響樂團指揮：法比奧．雷西

Danish National Symphony Orchestra Conductor: Fabio Luisi

CCCH

20/3

8pm

瑞士韋爾比亞音樂節室樂團指揮：加博爾．塔卡奇 - 納吉鋼琴：張緯晴大提琴：戈蒂埃．卡普森

Verbier Festival Chamber Orchestra Conductor: Gábor Takács-Nagy Piano: Rachel Cheung Cello: Gautier Capuçon

CHCH

23/3

8pm

愛沙尼亞國家交響樂團及愛沙尼亞國家男聲合唱團指揮：萊夫．薩格士譚

Estonian National Symphony Orchestra and Estonian National Male Choir Conductor: Leif Segerstam

CCCH CHCH

24/3 25/3

8pm 5pm

傑思．博迪

Chris Botti

CCCH

23-24/2

8pm

爵士新潮 - 霍圖納與辛波絲卡《詩樂對話》 - Vila Navio 三重奏 - 霍圖納爵士四重奏

Nouveau Jazz Weekend - Fortuna Plays Szymborska - Vila Navio - Maciej Fortuna Special Quartet

HKAC-ST 3-4/3 3/3 4/3

3pm 9pm 8pm

世界音樂週末營 - 安娜．瑪麗亞．悠珮克及 Kroke 三重奏 - Songhee 韓國清唱研究所 - 白雲

World Music Weekend - Anna Maria Jopek and Kroke - Songhee Pansori LAB - Namgar

APAA

17-18/3 18/3 18/3

8pm 3pm 5pm

瑟西兒．麥克羅恩．莎芳與艾倫．迪爾三重奏

Cécile McLorin Salvant and the Aaron Diehl Trio

CCCH

21-22/3

8pm

CCGT CCCH CCST

香港文化中心大劇院 Grand Theatre, HK Cultural Centre 香港文化中心音樂廳 Concert Hall, HK Cultural Centre 香港文化中心劇場 Studio Theatre, HK Cultural Centre

CHCH CHTH APAL

香港大會堂音樂廳 Concert Hall, HK City Hall 香港大會堂劇院 Theatre, HK City Hall 香港演藝學院歌劇院 Lyric Theatre, HKAPA

Ballett Zürich - Anna Karenina Choreographer: Christian Spuck

CCGT

23-24/2 24-25/2

7:30pm 2:30pm

亞太舞蹈平台（第十屆）

Asia Pacific Dance Platform X

- 松根充和《舞得入境》

- Michikazu Matsune: Dance, if you want to enter my country! FC-FU

- 馬丁．赫辛《身身相印》 - 奧菲爾．約迪拉維治《萬有引力》及尼克．鮑華《蚊型城市間》

- Martin Hansen: if it’s all in my veins - Ofir Yudilevitch: Gravitas and Nick Power: Between Tiny Cities

23/2 24/2 13-14/3 16/3 17/3

8pm 3pm 8pm 8pm 3pm

香港賽馬會當代舞蹈平台

The Hong Kong Jockey Club Contemporary Dance Series

-《舞．聲》編舞：陳穎業、梁儉豐、盤彥燊聲音藝術家：彼得．萊納

- The Battle Zone | Vortex Choreographers: Yip Chan, Kenny Leung, Wayson Poon Sound Artist: Peter Lenaerts

24/2 25/2

8:15pm 3pm

-《兩地書》編舞：李超、白濰銘、潘振濠、謝欣、楊暢、楊浩、姚潔琪、張翼翔

CCST - Dance Exchange Choreographers: Li Chao, Ming Pak, Poon Chun-ho, Xie Xin, Yang Chang, Yang Hao, Judy Yiu, Zhang Yixiang

3/3 4/3

8:15pm 3pm

-《舞鬥》編舞：程偉彬、柯志輝、廖月敏、呂沅蔚、馬師雅、黃翠絲、張喜龍

- Dance Off Choreographers: Rex Cheng, Felix Ke, Sudhee Liao, Evains Lui, Alice Ma, Tracy Wong, Solong Zhang

KTT-BBT

22-25/3 24-25/3

8pm 3pm

薩卡洛娃及列賓《足尖情弦》舞者：斯文蘭娜．薩卡洛娃小提琴 : 瓦汀．列賓

Svetlana Zakharova and Vadim Repin Pas de deux for Toes and Fingers Dancer: Svetlana Zakharova Violin: Vadim Repin

CCGT

27-28/2

7:30pm

PPS 舞團《反斗校園》藝術總監及編舞：皮埃 - 保羅．薩瓦

PPS Danse - Playing Hooky Artistic Director and Choreographer: Pierre-Paul Savoie

SWCC-TH 3-4/3 4/3

KTT-BBT KTT-BBT

CCST

8pm 3pm

TheaTre

戲劇

佛蘭明高大師加凡

Israel Galván - FLA.CO.MEN

CCGT

5-6/3

7:30pm

勅使川原三郎 | 渡烏舞團《崔斯坦與伊索德》

Saburo Teshigawara | KARAS - Tristan and Isolde

CHTH

8-11/3

8pm

美國芭蕾舞劇院《芭蕾小忌廉》編舞：阿列克塞．羅曼斯基藝術總監：凱文．麥肯齊

American Ballet Theatre - Whipped Cream Choreographer: Alexei Ratmansky Artistic Director: Kevin McKenzie

CCGT

22-25/3 25/3

7:30pm 2:30pm

南非開普敦港口劇團《非洲少年流浪記》改編自莊尼．斯坦貝格小說導演：馬克．當福 - 梅

Isango Ensemble - A Man of Good Hope Based on the book by Jonny Steinberg Director: Mark Dornford-May

APAL

23-24/2 24-25/2

7:30pm 2:30pm

APA-DT

24/2 25/2

7pm 2:30pm

The Great Learning Playwright and Director: Tang Chi-kin

CHTH

24-25, 28/2, 8pm 1-3/3 3pm 25/2, 4/3

National Theatre of Great Britain The Curious Incident of the Dog in the Night-Time Original: Mark Haddon Adaptation: Simon Stephens Director: Marianne Elliott

APAL

8-11, 13-18/3 10-11, 17-18/3

7:30pm

Les 7 Doigts de la Main and Theatre Republique Bosch Dreams Idea and Concept: Samuel Tétreault, Martin Tulinius, Ange Potier

CCGT

9-10/3 11/3

7:30pm 2:30pm

Claude Régy - Dream and Derangement Director: Claude Régy

CCST

9-10/3 10-11/3

8:15pm 4:30pm

奧克拉荷馬自然劇團及 EnKnap 舞團《美國獨立宣言之幸福大作戰》編劇及導演：柏維爾．利斯卡、嘉莉．古柏

Nature Theater of Oklahoma & EnKnapGroup Pursuit of Happiness Playwright and Director: Pavol Liska, Kelly Copper

CHTH

14-16/3

8pm

《中庸之幸福學堂》編劇及導演：鄧智堅

Doctrine of Happiness Playwright and Director: Tang Chi-kin

CCST

16-17, 22-24/3 18, 24-25/3

8:15pm

倫敦巡迴劇團及愛丁堡皇家蘭心劇院《祈願女之歌》編劇：埃斯庫羅斯新版本：大衛．葛利格導演：拉文．格雷

Actors Touring Company and Royal Lyceum Theatre Edinburgh - The Suppliant Women Original: Aeschylus Adaptation: David Greig Director: Ramin Gray

CHTH

22-24/3 24-25/3

8pm 3pm

俄羅斯國家劇院《俄羅斯平民風景》（舒克辛小品） Theatre of Nations (Russia) - Shukshin's Stories Director: Alvis Hermanis 導演：艾維斯．赫曼尼斯《大學之烈火青春》編劇及導演：鄧智堅英國國家劇院《深夜小狗神秘習題》原著：馬克．海登改編：西門．史提芬斯導演：瑪麗安．艾莉特七指雜技團及哥本哈根共和國劇團《博希的奇幻旅程》概念：薩穆爾．特塞雷、馬丁．迪尼路斯、安殊．博田克勞德．雷吉《夢與狂妄》導演：克勞德．雷吉

APAA APADT HKAC

香港演藝學院香港賽馬會演藝劇院 The Hong Kong Jockey Club Amphitheatre, HKAPA 香港演藝學院戲劇院 Drama Theatre, HKAPA 香港藝術中心壽臣劇院 Shouson Theatre, Hong Kong Arts Centre

2:30pm

3pm

FC-FU 藝穗會樓上劇場 Fringe Upstairs, Fringe Club SWCC-T 上環文娛中心劇院 Theatre, Sheung Wan Civic Centre KTT-BBT 葵青劇院黑盒劇場 Black Box Theatre, Kwai Tsing Theatre

資料截至 Information as of: Oct 2017

DaNCe

舞蹈

蘇黎世芭蕾舞團《安娜．卡列妮娜》編舞：克里斯蒂安．施普克

MORE THAN GREAT PERFORMANCES!

演出以外，更多精采！

FAMILY FUN DAY 家庭同樂日

EDUCATION PROJECT 教育項目

BACKSTAGE TOUR 後台參觀

PRE-PERFORMANCE TALK 演前講座 WORKSHOP 工作坊

ARTIST SALON 藝術家沙龍

POST-PERFORMANCE MEET-THE-ARTIST 演後藝人談 MASTERCLASS 大師班

And many more...

及更多精采活動……

hk.artsfestivalplus.org

藝術節加料節目 Festival 節目詳情及網上報名 For more details and online registration: www.hk.artsfestivalplus.org 特備節目 SpecialS 舞蹈 DaNce 音樂

17/3/2018 23/2-25/3/18 24-25/3/2018

聲．色愛沙尼亞 Sound and Colour from Estonia 香港藝術節傑出文化領袖講座系列（五）威爾斯國家歌劇院藝術總監大衛·普尼 HKAF Distinguished Cultural Leader Series (V) In Conversation with David Pountney, Artistic Director of Welsh National Opera 歌劇探秘同樂日 Opera Adventure Day 《十二面體 - 精粹 132》- 馬克 ‧ 雷登作品 Dodecahedron - Quintessence 132 by Mark Ryden 美國芭蕾舞劇院全接觸 ABT Recipe

24, 25/2/2018 24/2/2018 5/3/2018 5/3/2018 24, 25/3/2018 24, 25/3/2018 24/3/2018 24/3/2018 25/3/2018 24,25/3/2018 25/3/2018

後台參觀 - 走進托爾斯泰的芭蕾世界 Backstage Tour: Tolstoy’s Ballet World 《安娜．卡列尼娜》演前講座 Pre-Performance Talk: Anna Karenina PPS 舞團《反斗校園》駐節藝術家計劃展演 Artist-in-Residence Project: PPS Danse Showcase 佛蘭明高魅力俱樂部 Flamenco Club Off-stage 美國芭蕾舞劇院彩排參觀 Observing ABT Company Class 《芭蕾小忌廉》兒童工作坊 ABT Kids - Whipped Cream Children Workshop 美國芭蕾舞劇院大師班（中級程度）ABT Masterclass (Intermediate level) 樂韻芭蕾藝術教育音樂會 From Music to Ballet Education Concert 美國芭蕾舞劇院大師班（高級程度）ABT Masterclass (Advance level) 後台參觀：雷登的超現實甜美國度 Backstage Tour: A Pop Surrealist's Delirium 《芭蕾小忌廉》演前講座 Pre-Performance Talk: Whipped Cream

2,5/3/2018 15/3/2018

MUSic

2/2/2018 2, 5/3/2018 3/3/2018 5/3/2018 7/3/2018 8/3/2018 9/3/2018 10/3/2018 18/3/2018 19/3/2018 19/3/2018 20/3/2018 21/3/2018 24/3/2018

歌劇／戲曲 OpeRa 戲劇 THeaTRe 電影

4/2/2018 26/2/2018 15-17/3/2018 15, 17/3/2018 16, 17/3/2018 16, 17/3/2018 17/3/2018 17/3/2018 17/3/2018 25/2/2018 10, 11/3/2018 10/3/2018 11/3/2018

FilM

24/1, 10/3/2018 27/1, 3/2/2018 8/2/2018 10/3/2018 22-25/3/2018

加料講座及演出：拉赫曼尼諾夫的樂與畫 PLUS Artist Talk & Performance: Rachmaninov: Music and Art 李希特及帕特：愛沙尼亞之聲展覽音樂會 Richter Meets Pärt: Vox Clamantis - Concert at an Exhibition 潘尼迪爾雙鋼琴大師班 Jean-Claude Pennetier Piano Duo Masterclass 葛利果聖歌合唱工作坊 Gregorian Chant Workshop 香港演藝學院音樂學院座談會系列：國際指揮家之路 HKAPA School of Music Assembly Series: A Conductor's Journey 演前講座：與俄羅斯樂團巡演經驗談 Pre-Performance Talk: Touring with Russian Orchestras 演前講座：俄羅斯史維特蘭諾夫國家交響樂團 Pre-Performance Talk : State Academic Symphony Orchestra of Russia "Evgeny Svetlanov" 演前講座：拉赫曼尼諾夫之鋼琴音樂 Pre-Performance Talk: Rachmaninov's Piano Music 演前講座：韓國清唱與蒙古民謠 Pre-Performance Talk: Pansori & Mongolian Songs 李飈敲擊樂大師班 Percussion Masterclass with Li Biao 聲樂大師班及藝術家沙龍：法比奧．雷西 Vocal Masterclass and Artist Salon: Fabio Luisi 演前講座：作曲家尼爾森與丹麥 Pre-Performance Talk: Carl Nielsen and the Danes (DNSO) 演前講座：爵士女伶 Pre-Performance Talk: Matriarchs of Jazz 演前講座：與米克．烏列奧同唱 Pre-Performance Talk: Let's sing along with Mikk Üleoja 賽馬會本地菁英創作系列：《百花亭贈劍》公開彩排 Jockey Club Local Creative Talent Series: Pavilion of a Hundred Flowers Open Rehearsal 藝術家沙龍 : 京劇與梅派 Artist Salon: Peking Opera and the School of Mui 魔法蝴蝶虛擬實境 Magic Butterfly VR Experience 《佩利亞斯與梅麗桑德》演前講座 Pre-Performance Talk: Pelléas et Mélisande 《卡門》歌劇兒童入門工作坊 Whistle Stop Tour of Carmen Opera Workshop 兒童敲擊樂 Percussion Workshops for Kids 道具及戲服展覽 Props and Costumes Display 歌劇探秘加料演出 LIVE@Opera Adventure 後台參觀：德布西的迷霧秘境 Backstage Tour: Enter the World of Allemonde 舞蹈工作坊：玩轉南非舞蹈大熱身 Dance Workshop: Dance in the Isizhosa Tradition 後台參觀：《博希的奇幻旅程》Backstage Tour: The Fantastic World of Hieronymus Bosch 雜技樂園 Circus Funtasia 藝術家沙龍及紀錄片放映 : 法國戲劇大師雷吉的心路歷程 Artist Salon and Documentary Screening: The Art & Vision of Claude Régy 《葛哈．李希特 – 作畫》Gerhard Richter – Painting 《Bosch：地獄圖繪》Hieronymus Bosch: Touched by the Devil 《卡雅利沙的卡門》Isango Ensemble U-Carmen eKhayelitsha 《博希的奇幻世界》The Curious World of Hieronymus Bosch 《美國芭蕾舞劇院歷史回顧》電影放映 Documentary screening: American Ballet Theatre: A History