National Theatre of Great Britain: The Curious Incident of the Dog in the Night-Time by Hong Kong Arts Festival

香港藝術節今年踏入第4 6屆，再度為來自世界各地的觀眾獻上精彩紛呈的藝術盛宴，讓香港這個文化大都會更添生色。今年藝術節預備了各式各樣的表演節目，古典及當代藝術元素俱全，凸顯本港豐富多元的文化特色。短短一個月內將有約1 3 0 場音樂、舞蹈、戲劇、歌劇等表演舉行，讓一眾藝術愛好者目不暇給。一如以往，本屆藝術節除了請來本地和海外藝術家演繹引人入勝的代表作品，亦悉心安排各項外展活動。為培養青少年對藝術的興趣，「香港藝術節青少年之友」計劃讓本地學生有機會欣賞藝術節節目和參與全方位藝術活動。此外，藝術節又透過工作坊、後台參觀和大師班等「加料節目」，讓觀眾一睹藝術節重點節目的幕後創作過程，大開眼界。政府致力推動本地文化藝術發展，亦樂見贊助商和捐款者鼎力支持，攜手把香港藝術節打造成為享譽國際的藝壇盛事。我衷心感謝藝術節團隊多年來盡心盡力，為我們帶來這項高質素的文化活動，令本港藝壇百花齊放，蓬勃發展。謹祝第4 6屆香港藝術節圓滿成功，各位表演嘉賓和觀眾朋友共享一段精彩難忘的藝術旅程。

林鄭月娥香港特別行政區行政長官

Now in its 46th year, the Hong Kong Arts Festival continues to contribute to the cultural life of Hong Kong, delighting audiences from near and far. This year, the Festival puts on a wide variety of performances that showcase a mix of classic and contemporary genres, spotlighting Hong Kong’s rich and diverse cultural landscape. Featuring some 130 performances in a packed month of music, dance, theatre, opera and more, the Festival has much to offer to arts lovers of all kinds. Alongside dazzling performances by an array of local and international artists, the Festival continues to place great emphasis on its outreach activities. To develop youngsters’ appreciation of the arts, the Young Friends of the Hong Kong Arts Festival offers local students the opportunity to enjoy the Festival’s performances and participate in multi-arts activities. Similarly, the PLUS programme gives audiences an inspirational glimpse into the creative process behind the core Festival performances through a combination of workshops, backstage tours and masterclasses. The Government is committed to promoting the development of arts and culture in the city, and we are blessed to have the support of devoted sponsors and donors who join us in making the Hong Kong Arts Festival an international success. I am also thankful to the Festival team for their years of hard work to deliver a top-class cultural event and their invaluable contribution to the city’s thriving arts scene. I wish the 46th Hong Kong Arts Festival a resounding success and all the participants, performers and audiences alike, an enjoyable and memorable experience.

Mrs Carrie Lam Chief Executive, Hong Kong Special Administrative Region

歡迎閣下蒞臨欣賞第4 6屆香港藝術節，與我們一起分享、感受這一場精彩的表演藝術節目。我們要感謝香港特別行政區政府透過康樂及文化事務署的年度恆常撥款，使香港藝術節能每年成功舉辦。我們同時亦非常感謝香港賽馬會慈善信託基金多年以來積極而持續的鼓勵和贊助，以及其他眾多的商業機構、企業、慈善團體以至社會各界人仕，他們的慷慨捐助，讓我們能夠呈獻世界一流藝術家的演出，為本地人才提供一展才華的機會，委約及製作新作品，培養年青一代的觀眾。更重要的，是要感謝到來欣賞節目的各位觀眾。沒有廣大觀眾的熱情參與，就不會有香港藝術節。期望您喜歡這場演出。

查懋成香港藝術節主席

I am very pleased to welcome you to this performance at the 46th Hong Kong Arts Festival. Thank you for being here with us and sharing in our celebration of the performing arts. I would like to thank the HKSAR Government, acting through the Leisure and Cultural Services Department, for its annual subvention which is crucial to the Festival’s continuing success. I am also most grateful to The Hong Kong Jockey Club Charities Trust for their continued support and encouragement over many years, enabling us to enrich the cultural calendar of the city. Thanks are also due to the many corporate sponsors, charitable foundations as well as individual donors whose generous support enables us to feature many of the world’s best artists, promote local talent, produce new works, and nurture young audiences in Hong Kong. Most importantly, my warm thanks to you for joining us tonight. Without the passion, participation and engagement of our audiences there would be no Hong Kong Arts Festival. I very much hope you will enjoy the performance.

Victor Cha Chairman, Hong Kong Arts Festival

衷心感謝閣下蒞臨欣賞第4 6屆香港藝術節的演出。今屆藝術節的主題是「真．我角度」，我們從此角度出發，欣賞藝術家透過他們的技藝、創意和心思所創作和呈現的多重現實。今年的節目當中，無論是對應某種人生經驗、藝術動機或敘事手法，都往往帶着對「真」的各種個人省思。整體而言，我期望今屆藝術節可以啟發大家思考，甚至懷疑我們所理解的「真實」。希望您能開放自我，投入到舞台上呈現的世界，與藝術家共同經驗各種現實。也誠邀您參加「加料節目」的各項活動，豐富您的藝術節體驗。感謝您參與香港藝術節，支持我們的使命，為香港打造一個既屬於香港，也代表香港的世界級藝術節。

何嘉坤香港藝術節行政總監

It is a pleasure and privilege to welcome you to this performance at the 46th HKAF. This year, we take the notion of "what’s real to me" to celebrate the realities created through the artistry, creativity and thoughtfulness of our participating artists. Many works are informed by highly personal views, whether responding to some aspect of human experience as a matter of artistic motivation, or as a narrative device. Taken as a whole, I hope this Festival will provoke us to think about – and perhaps to question – our own understanding of what’s real. I hope that you will allow yourself to be immersed in the realities presented on stage at this and many other performances at the 46th HKAF, and enjoy the resulting co-created experience. I would also recommend the many PLUS performances and events that have been designed to enrich your Festival experience. Together with the entire team, I would like to thank you for your participation and support which sustains us in the mission to present a world class Arts Festival in, of and for Hong Kong.

Tisa Ho Executive Director, Hong Kong Arts Festival

香港藝術節扎根香港的國際藝壇盛事香港藝術節於 1973 年正式揭幕，是國際藝壇中重要的文化盛事，於每年 2、3 月期間呈獻眾多優秀本地及國際藝術家的演出，以及舉辦多元化的「加料」和教育活動，致力豐富香港的文化生活。香港藝術節是一所非牟利機構，2018 年第 46 屆藝術節的年度預算約港幣一億二千五百萬，當中香港特區政府的基本撥款約佔總收入的 14%，另外約 32% 需來自票房收入，約 3 6 % 則需依賴來自各大企業、熱心人士和慈善基金會的贊助和捐款。預計餘下的大約 18% 則來自其他收入，包括政府針對捐款和贊助收入而提供的配對資助。香港藝術節每年呈獻眾多國際演藝名家精采多元的演出，例如 *： •歌劇：巴伐利亞國立歌劇院、莫斯科大劇院、聖彼得堡馬林斯基劇院 •中國戲曲：中國國家京劇院、河北梆子劇院、上海張軍崑曲藝術中心、江蘇省蘇州崑劇院、浙江小百花越劇團 •古典音樂：塞西莉亞．芭托莉、列卡杜．沙爾、古斯塔沃．杜達美、菲力普．格拉斯、馬友友、安娜．涅翠柯、詹安德列亞．諾斯達、甘拿迪．羅傑斯特汶斯基、克里斯蒂安．泰利曼、倫敦交響樂團、皇家阿姆斯特丹音樂廳樂團、柏林廣播電台合唱團、萊比錫聖多馬合唱團、維也納愛樂樂團 •爵士樂及世界音樂：波比．麥非年、尤蘇．恩多爾、艾斯佩蘭薩．斯伯丁、Orquesta Buena Vista Social Club、粉紅馬天尼 •舞蹈：米高．巴里殊尼哥夫、蕭菲．紀蓮、艾甘．漢、約翰．紐邁亞、美國芭蕾舞劇院、雲門舞集、漢堡芭蕾舞團、紐約市芭蕾舞團、巴黎歌劇院芭蕾舞團、翩娜．包殊烏珀塔爾舞蹈劇場

2018 年藝術節預計收入來源（約港幣一億二千五百萬） Estimated Income Sources for the 2018 HKAF (Approximately HK$125 Million)

Sponsorship & Donations 贊助及捐款

•戲劇：彼得．布祿克、羅伯特．威爾遜、柏林劇團、中國國家話劇院、皇家莎士比亞劇團 •大型特別節目：《藝裳奇幻世界》、星躍馬術奇藝坊 •戶外節目：《聲光園》、《幻光動感池》、《聲光頌》香港藝術節積極與本地演藝人才合作，並致力為新晉藝術家提供展示才華的平台。藝術節至今委約及製作逾 200 套本地全新創作，包括戲劇、室內歌劇、音樂和舞蹈作品，近年開始同步出版新作劇本，不少製作更已在香港及海外多度重演。近年的藝術節新製作包括《香港家族》三部曲、《世紀．香港》音樂會、《論語》、《炫舞場》、《大同》、《金蘭姊妹》、《爆蛹》、《野豬》、《聖荷西謀殺案》等。香港藝術節多年來與知名海外藝術家及團體聯合製作不少優秀作品，當中包括由香港藝術節、香港歌德學院及翩娜．包殊烏珀塔爾舞蹈劇場聯合製作的《抹窗人》、由倫敦老域劇院、布魯克林音樂學院與尼爾街製作公司製作、香港藝術節為聯合委約機構之一的「橫貫計劃」之《暴風雨》及《李察三世》、由香港藝術節及上海國際藝術節聯合委約的《青蛇》、三藩市歌劇院與香港藝術節聯合製作的《紅樓夢》等。香港藝術節大力投資下一代的藝術教育。「青少年之友」成立 26 年來，已為逾 730,000 位本地中學生及大專生提供藝術體驗活動。藝術節近年亦開展多項針對大、中、小學生的藝術教育活動，包括由國際及本地藝術家主持的示範講座及工作坊、學生展演、演前講座、公開彩排、以及欣賞藝術節演出。同時，通過「學生票捐助計劃」，藝術節每年提供約 10,000 張半價學生票。香港藝術節每年主辦一系列多元化並深入社區的「加料節目」，例如電影放映、示範講座、大師班、工作坊、座談會、後台參觀、展覽、藝人談、文化導賞團等，鼓勵觀眾與藝術家互動接觸。

18%

36% Box Office 票房收入

32%

14%

Other Income (Including Possible Matching Grant for Sponsorship and Donation Income) 其他收入（包括按捐款和贊助收入可望獲得的配對資助 ) Government Baseline Funding 政府的基本撥款（Updated August 2017 2017 年 8 月更新）

Hong Kong Arts Festival A Major International Arts Festival In, Of and For Hong Kong

• Theatre: Peter Brook, Robert Wilson, Berliner Ensemble, National Theatre of China, Royal Shakespeare Company

HKAF, launched in 1973, is a major international arts festival committed to enriching the cultural life of the city by presenting leading local and international artists in all genres of the performing arts as well as a diverse range of “PLUS” and educational events in February and March each year.

• Large-scale special events: World of WearableArt, Zingaro

HKAF is a non-profit organisation. Secured government baseline funding for the Festival in 2018 represents roughly 14% of its HK$125 million budget. Around 32% of the Festival’s income needs to come from the box office, and another 36% from sponsorship and donations made by corporations, individuals, and charitable foundations. It is anticipated that the remaining 18% will come from other revenue sources including the Government’s matching scheme, which matches income generated through private sector sponsorship and donations. HKAF has presented top international artists and ensembles across multiple genres, such as*: • Western opera: Bavarian State Opera, The Bolshoi Theatre, The Mariinsky Theatre • Chinese opera: China National Peking Opera Company, Hebei Clapper Opera Troupe, Shanghai Zhang Jun Kunqu Art Center, Suzhou Kunqu Opera Company of Jiangsu, Zhejiang Xiaobaihua Yue Opera Troupe • Classical music: Cecilia Bartoli, Riccardo Chailly, Gustavo Dudamel, Philip Glass, Yo-Yo Ma, Anna Netrebko, Gianandrea Noseda, Gennady Rozhdestvensky, Christian Thielemann, London Symphony Orchestra, Royal Concertgebouw Orchestra, Rundfunkchor Berlin, Thomanerchor Leipzig, Vienna Philharmonic Orchestra • Jazz and world music: Bobby McFerrin, Youssou N'Dour, Esperanza Spalding, Orquesta Buena Vista Social Club, Pink Martini • Dance: Mikhail Baryshnikov, Sylvie Guillem, Akram Khan, John Neumeier, American Ballet Theatre, Cloud Gate Dance Theatre, Hamburg Ballet, New York City Ballet, Paris Opera Ballet, Tanztheater Wuppertal Pina Bausch

• Outdoor events: Power Plant, Super Pool, Chorus HKAF actively collaborates with Hong Kong’s own creative talent and showcases emerging local artists. Over the years, HKAF has commissioned and produced over 200 local productions across genres including theatre, chamber opera, music and contemporary dance, many with successful subsequent runs in Hong Kong and overseas. Recent HKAF productions include A Floating Family, Hong Kong Odyssey, Chinese Lesson, Danz Up, Datong – The Chinese Utopia, The Amahs, Blast, Wild Boar and Murder in San Jose, to name a few. HKAF frequently partners with renowned international artists and institutions to produce exceptional works, such as Der Fensterputzer (The Window Washer) co-produced by HKAF, Goethe-Institut Hong Kong and Tanztheater Wuppertal Pina Bausch, Richard III and The Tempest produced by The Old Vic, BAM and Neal Street under “The Bridge Project” with HKAF as a co-commissioning institution, Green Snake cocommissioned with Shanghai International Arts Festival, and Dream of the Red Chamber co-produced with San Francisco Opera. HKAF invests heavily in arts education for young people. Over the past 26 years, our “Young Friends” scheme has reached over 730,000 local secondary and tertiary school students. A variety of arts education projects serving primary, secondary, and tertiary school students have been launched in recent years, featuring activities such as student showcases, pre-performance talks, open rehearsals, opportunities to attend Festival performances, as well as in-school workshops and lecture demonstrations led by international and local artists. Donations to the “Student Ticket Scheme” also make available approximately 10,000 half-price student tickets each year. HKAF organises a diverse range of “Festival PLUS” activities in community locations each year to enhance engagement between artists and audiences. These include films, lecture demonstrations, masterclasses, workshops, symposia, backstage visits, exhibitions, meet-the-artist sessions, and guided cultural tours.

* 有關香港藝術節的過往節目，可參考以下網頁 Details of past HKAF programmes can be found at www.hk.artsfestival.org/en/about-us/past-programmes/past-programmes-2017.html 誠邀贊助或捐助第 46 屆香港藝術節；詳情請與藝術節發展部聯絡。 To find out more about sponsorship opportunities and donation details of the 46th Hong Kong Arts Festival, please contact the HKAF Development Department. 電郵 Email: dev@hkaf.org

直綫 Direct Lines: (852) 2828 4910/11/12

網頁 Website: www.hk.artsfestival.org/en/support-us

Presents

National Theatre of Great Britain

The Curious Incident of the Dog in the Night-Time 英國國家劇院

《深夜小狗神秘習題》 3 月 Mar

8-11, 13-18

香港演藝學院歌劇院 Lyric Theatre, HKAPA 演出長約 2 小時 40 分鐘，包括一節中場休息 Running time: approximately 2 hours and 40 minutes including one interval 英語演出，附中文字幕 Performed in English with Chinese surtitles 本節目有巨大聲響、強光及錄像（包括閃光）效果 This production contains loud sound effects, high intensity lighting and video effects (including strobe lighting) 適合 12 歲或以上觀眾欣賞 Recommended for ages 12 and above

藝術節加料節目

10/3 及 16/3 晚上演出完畢後，請留步參與演後藝人談。 Following the evening performances on 10 and 16 March, please stay behind and join us for a Meet-The-Artist session.

封面照片 Cover Photograph: © Luke Treadaway by Hugo Glendinning

敬請關掉所有響鬧及發光裝置。 Please switch off all sound-making and light-emitting devices. 網上追蹤香港藝術節 Follow the HKArtsFestival on

請勿擅自攝影、錄音或錄影。 Unauthorised photography or recording of any kind is strictly prohibited.

HKartsfestival

本場刊採用環保紙張印刷。This programme is printed on environmentally friendly paper.

www.hk.artsfestival.org

原著小說馬克．海登

Based on the novel by

Mark Haddon

改編 Adapted By 西門．史提芬斯 Simon Stephens 導演 Director 瑪麗安．艾莉特 Marianne Elliott 舞台設計 Designer 賓尼．基斯蒂 Bunny Christie 燈光設計保蘿．康斯塔伯

Lighting Designer

錄像設計芬．羅斯

Video Designer

動作指導史葛．嘉咸及史提芬．賀吉（Frantic Assembly）

Movement Directors

Paule Constable Finn Ross Scott Graham and Steven Hoggett for Frantic Assembly

音樂 Music 阿德里安．塞頓 Adrian Sutton 音響設計 Sound Ian Dickinson for Autograph 伊恩．狄更遜（Autograph）副導演 Associate Director 愛爾．懷爾 Elle While 駐團導演 Resident Director 金．皮爾斯 Kim Pearce 發聲指導查美恩．賀爾

Company Voice Work

口音指導珍妮特．尼爾遜

Dialect Coach

Charmian Hoare Jeannette Nelson

選角 Casting 吉爾．格林 CDG Jill Green CDG

角色及演員基斯杜化．本恩

約書亞．詹金斯森．牛頓 *

舒芳

茱莉．夏爾

艾迪（爸爸）

大衛．米高斯

茱迪（媽媽）

愛瑪．比蒂

亞歷山大太太 / 貴婦 / 聲音六

德布娜．米高斯

舒爾太太 / 加斯歌恩太太 / 聲音一 / 火車上的女人

阿曼達．波斯納

羅傑．舒爾 / 當值沙展 / 聲音二 / 懷斯先生 / 櫃台男 / 醉漢一

奧利花．布特

警員一 / 湯臣先生 / 聲音三 / 醉漢二 / 襪子男 / 倫敦警察

馬特．威爾文

40 號屋 / 聲音五 / 街上的女人 / 詢問處 / 龐克女孩

姬絲桃．康第

彼得牧師 / 泰利叔叔 / 聲音四 / 城郡警察 / 車站保安

布魯斯．麥格戈

替角舒芳 / 茱迪 / 亞歷山大太太 / 舒爾太太

愛瑪 - 珍．古德溫

40 號屋

阿曼達．波斯納

羅傑．舒爾 / 湯臣先生

祖．萊盛

艾迪 / 彼得牧師 / 羅傑．舒爾

奇倫．嘉蘭

彼得牧師

麥特．威爾文

舒爾太太 / 40 號屋 / 茱迪

丹尼艾爾．楊

舒芳 / 茱迪

金．皮爾斯

其餘角色由劇團演員飾演 * 某些演出場次中，基斯杜化一角將由森．牛頓飾演

中文字幕

字幕修訂

陳妽宜林尚諾

蘇國雲

藝術節加料節目

藝人談 Meet-The-Artist

10.3 ( 六 Sat ) 16.3 ( 五 Fri ) 晚上 10:05 - 10:25pm （演出後 Post-Performance）

香港演藝學院歌劇院

Lyric Theatre, HKAPA

免費

Free

英語主講

In English

更多加料節目詳情及網上報名 More Festival PLUS and online registration: www.hk.artsfestivalplus.org

Cast Christopher Boone

Joshua Jenkins Sam Newton*

Siobhan

Julie Hale

Ed (father)

David Michaels

Judy (mother)

Emma Beattie

Mrs Alexander / Posh Woman / Voice Six

Debra Michaels

Mrs Shears / Mrs Gascoyne / Voice One / Woman on Train

Amanda Posener

Roger Shears / Duty Sergeant / Voice Two / Mr Wise / Man Behind Counter / Drunk One

Oliver Boot

Policeman One / Mr Thompson / Voice Three / Drunk Two / Man with Socks / London Policeman

Matt Wilman

No 40 / Voice Five / Lady in Street / Information / Punk Girl

Crystal Condie

Reverend Peters / Uncle Terry / Voice Four / State Policeman / Station Guard

Bruce McGregor

Understudies Siobhan (first cover) / Judy (first cover) / Mrs Alexander (first cover) / Mrs Shears (second cover)

Emma-Jane Goodwin

No 40 (second cover)

Amanda Posener

Roger Shears / Mr Thompson (first cover)

Joe Rising

Ed / Reverend Peters (first cover) / Roger Shears (second cover)

Kieran Garland

Reverend Peters (second cover)

Matt Wilman

Mrs Shears (first cover) / No 40 (first cover) / Judy (second cover)

Danielle Young

Siobhan (second cover) / Judy (second cover)

Kim Pearce

All other parts played by members of the Ensemble *At some performances, the part of Christopher is played by Sam Newton

The Curious Incident of the Dog in the Night-Time is presented with kind permission of Warner Bros. Entertainment World premiere at the National Theatre's Cottesloe Theatre, 2 August 2012. Production history: at the Apollo Theatre from 1 March 2013; at the Gielgud Theatre from 24 June 2014; UK tour from 21 January 2017; international tour from 20 September 2017 Chinese Surtitles Chan Sun-yeeâ&#x20AC;&#x192; Sherlock Lam

Surtitles edited by

So Kwok-wan

Joshua Jenkins (Christopher Boone) Curious Incident International Tour. Photo by Brinkhoff/Mรถgenburg

關於製作

About the production

《深夜小狗神秘習題》（《深》）在 2 0 1 2 年 9

The Curious Incident of the Dog in the Night-Time transferred to London’s West End, following a sold-out run at the National Theatre’s Cottesloe theatre in September 2012. It is the recipient of a then record-breaking seven 2013 Olivier Awards, including Best New Play, Best Director, Best Design, Best Lighting Design and Best Sound Design – more Olivier Awards than any other play in the history of London’s West End at that time.

月在英國國家劇院的科泰斯洛劇院首演，演出均告滿座，隨後搬到倫敦西區上演。《深》於 20 13 年的奧利花獎破紀錄獲得七項獎項，包括最佳新劇、最佳導演、最佳設計、最佳燈光設計及最佳音響設計，為倫敦西區當時獲最多奧利花獎之冠的製作。《深》於 2014 年 9 月在紐約百老匯巴利摩劇院上演，是百老匯十多年來最長壽的新製作，並贏得五項東尼獎（包括最佳戲劇）、六項戲劇編輯人獎（包括傑出戲劇）、五項外百老匯劇評人獎（包括百老匯傑出新劇）及戲劇聯盟獎百老匯及外百老匯傑出製作。《深》獲逾 2 0 家主要傳媒選為 2014 年十大製作，包括《紐約時報》、《美聯社》、《紐約郵報》、紐約《Ti m e O u t》、《Playbill》及《時代雜誌》。

Curious Incident, the longest-running play on Broadway in over a decade, premiered at the Barrymore Theatre in September 2014, winning five Tony Awards® including Best Play, six Drama Desk Awards including Outstanding Play, five Outer Critics Circle Awards including Outstanding New Broadway Play and the Drama League Award for Outstanding Production of a Broadway or Off Broadway Play. Curious Incident was named among the top 10 productions of 2014 by over 20 leading media outlets, including The New York Times, Associated Press, New York Post, Time Out New York, Playbill and Time Magazine.

故事大綱

Synopsis

這是十五歲少年基斯杜化．約翰．法蘭西斯．本

The show tells the story of Christopher John Francis Boone, who is 15 years old. He stands besides Mrs Shears’ dead dog, which has been speared with a garden fork, it is seven minutes after midnight and Christopher is under suspicion. He records each fact in a book he is writing to solve the mystery of who killed Wellington. He has an extraordinary brain, and is exceptional at maths while ill-equipped to interpret everyday life. He has never ventured alone beyond the end of his road, he detests being touched and distrusts strangers. But his detective work, forbidden by his father, takes him on a frightening journey that upturns his world.

恩的故事。他站在舒爾太太那隻被園藝鐵叉插死的小狗威靈頓旁；時間是零時零七分，基斯杜化有嫌疑。他在自己寫的書上記錄下所有事實資訊，以解開「誰殺了威靈頓」的謎團。他的腦袋靈光，數學尤其出色，卻難以理解日常生活。他從未獨自踏足家門所在街道的盡頭以外，他厭惡被觸碰、不信任陌生人。雖然被父親禁止他進行偵探調查，他卻走上一趟驚險的旅程，將自己的世界翻天覆地。

導演的話

瑪麗安．艾莉特

早在小說剛推出的時候我就已經看過並徹底愛上

《戰馬》）。正式排練的時候，聯同錄像設計師

了這個故事，但我從未想過有一天它會被搬上舞

芬．羅斯和音響設計師伊恩．狄更遜，我們大家

台，而事實上我以為這是一本無法被改編的書。

終於達成一個共識：這齣劇的情景應該設定在基

然後西門．史提芬斯請我閱讀他花了一段時間寫

斯杜化的腦子裏面，而這將會是一個充滿魔法把

成的劇本，是《深夜小狗神秘習題》的改編劇本。

戲的盒子。這裏的把戲不單單是出色的移動數碼

當時我並沒有想過他希望我導演這齣劇，直到最

投影佈景，而是關於人類創造魔法的過程。

近他才告訴我當時他是故意為之。我反覆讀了幾遍，我就知道自己愛上了這個非常刻骨動人的劇本。

這套舞台劇如何讓觀眾產生共鳴？許多人都試過對身邊所有大人都感到失望時，遇上一個能夠看出小孩潛能的啟蒙老師。《深夜小狗神秘習題》

西門在初稿上寫著類似的話：「或許有一刻基

的故事也是圍繞家庭教育的，以及雖不完美卻

斯杜化會發瘋似的周圍跳舞，也許我們可以找

願為兒女竭盡所能的父母－基斯杜化的父母愛

Frantic Assembly」。我認識 Frantic Assembly 形體

他，凡事把他放到第一位，只是方式用錯了；

劇場劇團，也很喜歡他們的演出，一直希望有機

也是透過基斯杜化本身，他非常脆弱亦有許多缺

會跟他們合作。於是在籌備早期我就把握這個機

點，但最後卻創出連自己也沒有想像過的成就。

會邀請了劇團參與這次演出。我知道這齣舞台劇不會只靠大量佈景表達，而是需要靠演員在舞台上發揮創意共同創作的。我以前跟舞台設計師賓尼．基斯蒂、燈光設計師保蘿．康斯塔伯和作曲家阿德里安．塞頓都合作過（與後兩人合作於

我們希望無論是舞台劇的觀眾還是小說的讀者都能夠透過基斯杜化的眼睛看世界；對他們來說，他不是另一個人，而是自己。

Director’s Note

Marianne Elliott

I was a real fan of the book, I read it when it first came out and absolutely loved it. I never thought in a million years that it would be adapted for the stage. In fact, I thought it was a book you couldn’t really adapt. Then Simon Stephens asked me to read a script that he’d spent some time on as a favour; it was an adaptation of The Curious Incident of the Dog in the Night-Time. I had no idea that he was asking me to direct it, although he’s told me recently that it was his secret plan. I read it a couple of times and I knew I loved it. It was very visceral and incredibly emotional.

designer Bunny Christie before and I’d worked with lighting designer Paule Constable before, as well as composer Adrian Sutton (the latter two on War Horse). When it came to staging the show, between us all – along with video designer Finn Ross and sound designer Ian Dickinson – we eventually came to a happy place that the play should take place in Christopher’s brain and that it should be set in a box, and that in the box there are lots of magic tricks. But the magic tricks aren’t down to incredible moving digital scenery, it’s to do with seeing how the humans create the magic.

In a very early draft Simon wrote something like “maybe at one point Christopher goes bonkers and dances all over the place - maybe we can involve Frantic”. I knew physical theatre company Frantic Assembly’s work and I really liked them, and I had always wanted to work with them. So I jumped at the chance to work with them early on in the process. I knew that there were a lot of parts of the play that needed to be staged imaginatively with the actors on the stage, as opposed to using great bits of scenery. I’d worked with the stage

What is it about the play that resonates with audiences? Lots of people relate to having a really inspirational teacher who, amongst the midst of disappointment that every other adult gives you, can see potential in a child. Curious Incident is also about parenting and about families – parents who are flawed but desperately trying to do their best. They’re really trying to put Christopher first in everything, they just get it wrong. It’s also about Christopher – he’s highly vulnerable and highly limited in some ways, yet manages to triumph and succeed in a way that’s beyond even his dreams. The thing about the play and the book is that we try to get the audience to see things through Christopher’s eyes most of the time. They don’t see him as “other”. They see him as themselves.

Joshua Jenkins (Christopher Boone), Bruce McGregor (Reverend Peters) and company. Photo by Brinkhoff/Mögenburg

轉眼五年

西門．史提芬斯

五年前，《深夜小狗神秘習題》（《深》）在英

同時，這也是一個關於家庭的故事，而我們每個

國國家劇院首演。我的大部分劇作演出壽命只有

人都由家庭關係塑造。有孩子的人都知道，我們

五週，本劇卻演了五年。因此現在正是時候，回

很難以完全理性的方式來養育孩子，而這一過程

顧我這五年來所了解的這齣劇。

中遇到的所有困難與挫折，都讓我們更加體諒當

2008 年編寫此劇時，我在心中只有三位觀眾。

年父母撫養我們的不易。

一位是原著作者馬克．海登，因為是他問我可否

相比小說，舞台版本同時也是一個關於教與學的

改編此劇。我從未嘗試改編戲劇，又很喜歡馬

故事。故事主角基斯杜化和老師舒芳的關係是本

克，因此認定這是天賜良機。另兩位則是我最小

劇主線之一。我相信，每個上過學的人─即使

的孩子─史丹利和史嘉娜。他們當時都未滿十

他的學生時代並不愉快─都遇到過一位比其他

歲，要看我其他劇作還嫌太小，因為我的作品通

老師更了解自己的師長。這種關係，往往塑造了

常比較黑暗、暴力，難免令人不安。

我們的自我意識。基斯杜化和舒芳的關係，就是

記得馬克參加了一次圍讀，然後對我說，他非常

很好的寫照。

喜愛我的劇本，但從未想過它會是這樣。而當史

舞台版本《深》有多重主題，但在它出乎意料地

丹利和史嘉娜觀看演出後，特別是當他們向別人

公演了五年後，我深深意識到，比起其他，它更

小聲說劇本是他們的爸爸我寫的時候，我高興極

是一個關於出走的故事。

了。

基斯杜化不善交際，覺得與人交往異常艱難，甚

我為之寫作的三位觀眾都很滿意，這對我意義重

至從未獨自離開居住的街道。但某天晚上，一件

大。但我從沒料到，竟會有不下二百萬人前來觀

神秘事件讓他踏上了一生中最不可思議的旅途。

看此劇。

如今，這部講述基斯杜化旅程的作品也踏上征

常有人問我，是什麼讓這齣劇如此受歡迎，如此長壽。我想，如今我已有了一些答案。本劇的成功，一方面因為我們忠於馬克原著，而他的小說本身就十分優秀。首演彩排開始前一週，一位編劇朋友問我知不知道《深夜小狗神秘習題》是「全國最暢銷書籍」。不得不說，它的暢銷不無原因。

途，在世界各地巡演。這對我來說不僅有着非凡意義，而且與劇本精神相符。一部關於一個男孩鼓起勇氣走出史雲頓這個小鎮死胡同的故事，最終把這個男孩帶到了世界各地。五年前，同一位編劇朋友還問了另外一個問題，他問我對改編膾炙人口的小說是否有壓力，人們會否因自己鍾愛的作品被他人改編而感到失望。這當然是有可能的。但我安慰自己道，沒人比

馬克的書讓讀者深有共鳴，因為它的中心思想是

我、導演瑪麗安和諸位傑出的創演人員更愛馬克

勇氣。在一個故事中，讓人落淚的不是悲痛，

的這本書。毋庸置疑，本劇的成功離不開瑪麗安

而是勇氣。當我們讀到、看到勇敢的人做勇敢的

卓越的導演：不管是對舞台科技、形體動作用心

事，也會喚起我們對勇氣的渴望，激發我們的自

的調度，還是對每位演員表演細節的掌握。但我

身的勇氣。

相信，觀眾喜愛的不僅是本作的戲劇風格，還有我們在原著中發掘的故事。

《深》的故事，發生在我們十分熟悉的世界中。

透過基斯杜化非一般的頭腦，我們─不管是我、

它講述了一個英格蘭郊區十來歲男孩的生活，但

瑪麗安還是所有創演人員─得以用全新的方式

敘述角度卻是從這位心智不同尋常的男孩出發。

看待自身所處的世界。我希望我的孩子也能做到

基斯杜化在我們生活的世界中看到了我們從未留

這一點，同時想對馬克說，感謝他讓我做到了這

意的真相，在最熟悉的事物中發現了不尋常的故

一點。我們力求向觀眾傳達的，也僅此而已。我

事，這種張力非常引人入勝。

想，正是基斯杜化化腐朽為神奇的能力，吸引了那兩百萬觀眾前來觀看我們的作品。本文於 2017 年發表，紀念《深夜小狗神秘習題》2012 年首演五週年。

Joshua Jenkins (Christopher Boone) - Curious Incident International Tour. Photo by Brinkhoff/Mögenburg

Five Years On

Simon Stephens

Joshua Jenkins (Christopher Boone) and company Curious Incident International Tour. Photo by Brinkhoff/Mögenburg

We first opened The Curious Incident of the Dog in the Night-Time at the National Theatre five years ago – most of my plays run for five weeks not five years. It therefore seems an appropriate time to consider what I’ve learnt about the play since it opened. When I wrote the play in 2008, I wrote it for three people. I wrote it for Mark Haddon, the writer of the novel, because he asked me if I would. I liked him very much and I’d never done an adaptation before so it seemed like a fine place to start. I also wrote it for my two youngest children, Stanley and Scarlett, because at the time they were both under 10 and far too young to see my other, often dark, violent and upsetting plays. I was moved when Mark came to a reading and said that he loved it in a way he hadn’t anticipated. I was thrilled when Stanley and Scarlett saw it – especially when they whispered to the people around them that I’d written the play and I was their Dad.

So the three people I wrote the play for were happy and their response meant a huge amount to me. I never anticipated, however, that it would be seen by over two million more people. I am often asked why I think it has reached so many people and lived for so long. I am starting to be able to answer these questions. Partly the play has succeeded because we are faithful to Mark’s novel – and his novel is so brilliant. The week before we started rehearsals for the original production, I was asked by a playwright friend of mine whether or not I realised that Curious Incident was the “nation’s favourite book”. Well, there are reasons for that. Mark’s book resonates with people because it is a book about bravery. It is bravery, not sadness, in stories that makes people cry. When we read or watch other people being brave we recognise a desire and capacity for bravery in ourselves.

It resonates, too, because it is a story about family and all of us are defined by our relationships with our families. Those of us who have kids know how hard it is to raise them with any kind of sanity of reason. And as much as we find them difficult or frustrating, most of us can appreciate our own parents’ difficulties and frustrations in raising us. The play, more than the novel perhaps, is also about teaching and learning. Central to the play is Christopher’s relationship with his teacher, Siobhan. I think everybody who ever went to school, even those who had an unhappy time there, had one teacher who understood them more than any other. That relationship is often one that defines our sense of self. When you see Christopher and Siobhan’s relationship, it’s in some way a reminder of that. The Curious Incident of the Dog in the Night-Time is a play about many things. It strikes me though, five years into its remarkably lengthy life, that it’s about travel as much as anything. Christopher Boone finds people difficult. So difficult in fact that he has never left his street unaccompanied. And then one night something happens that leads him into the most extraordinary journey of his life. And now the production telling the story of Christopher’s journey is on a journey itself, touring to different corners of the world. This not only means the world to me but also seems thematically rather relevant. A play about a boy finding the bravery to leave his cul-de-sac in Swindon has ended up taking him all over the world. Five years ago, my same playwright friend also asked me if I was nervous that such a well-loved book was going to be staged. Might people not feel let down when they saw a book they loved realised by others? Of course that was always a possibility. I took consolation from the belief that nobody

loved Mark’s book more than myself and Marianne Elliott, the play’s director, and the astonishing team of artists and actors involved. Without doubt much of the play’s success is dependent on the brilliance of Marianne’s production: the visceral use of technology and movement, and the detail of every actor’s performance. But as much as audiences love the theatricality I think they love the story that we found in Mark’s book. The Curious Incident of the Dog in the NightTime is a story about a deeply familiar world – a teenage boy’s life in an English suburb – but it is told from the point of view of a boy with an exceptional mind. Christopher Boone sees truths about our world that we have never noticed before. The tensions between the deeply familiar and the exceptional are exhilarating. Through Christopher Boone’s extraordinary mind we – myself, Marianne and our artistic collaborators – were able to see our world in a way we never had before. That’s what I wanted for my children, and what I wanted Mark to know he had done for me. It is all we have tried to do for our audiences. And I think it is Christopher’s capacity to find the magical within a world that seems mundane that has captivated those two million other people who have come along to see our work. This article was first published in 2017 to mark five years since the first staging of The Curious Incident of the Dog in the Night-Time in 2012.

Joshua Jenkins (Christopher Boone), Matt Wilman (Mr Thompson) and Crystal Condie (Punk Girl). Photo by Brinkhoff/Mรถgenburg

《深夜小狗神秘習題》緣起

馬克．海登

我一直後悔《深夜小狗神秘習題》（《深》）初

人士的人。我們不會問一部小說裏有沒有正確描

出版時在封面上有「阿斯伯格綜合症」幾個字。

述一位大提琴家或女同性戀或大主教。這是說不

最主要的原因，是這本書設定由基斯杜化自己寫

通的。對於被標籤為殘疾人士的人也一樣。他們

的（有很長時間，書名暫名為了沉悶但精確的

跟社會上其他群體一樣多元、一樣獨立。

《基斯杜化的書》），而他不會寫出「阿斯伯格綜合症」這個字眼。在書中，他描述自己為「有行為問題的人」。

基斯杜化讀起來真實嗎？這才是你該問的問題。對於任何書本裏的任何角色，也該問這條問題。他的內心豐富、有層次嗎？可信嗎？還是給人感

我覺得這個說法裏的幽默嘲諷比較合我意。我喜

覺是在紙上隨便排列詞語寫出來的角色？我不介

歡它模仿醫學診症術語。我喜歡它一次描述了所

意讀者說他「不真實」，但我們在問題上有共識

有人（誰沒有行為問題？）但最主要是因為這是

就好了。

基斯杜化自己的話。關於被標籤的人，其實標籤並沒有告訴我們很多資訊，它反而讓我們更為了解標籤別人的人。你要是想認識別人的話，問他們就好了。

事實上，我塑造基斯杜化的時候，我參考了我從朋友、相識的人和家人身上借來的許多看法、習慣、怪癖和行為，例如碟上的西蘭花沾到三文魚就無法進食、或有陌生人用過廁所自己就不能

在 80 年代早期，我曾在倫敦北一所成人訓練中

用。我公開這兩人的名字的話，會對他們不公

心工作過數個月。其時有許多聲音討論應該怎樣

平。沒有人會標籤他們為殘疾人士。換句話說，

描述智障人士（人們那時候開始改稱他們有「學

基斯杜化跟我們其他人並沒有太大分別。令他有

習障礙」）。這些成年人逢週一到週五、朝九晚

困難的是他這些古怪行為的數量和組合。

五來到中心，儘管中心訓練他們做的事非常少，他們被稱為「實習生」。這也是中心職員希望用另一個稱呼取代的原因。當一位名叫克拉夫的中年實習生被問到有甚麼看法時，他木無表情地說：「我覺得應該叫我們乖小狗。」我每次聽到好心人攪盡腦汁找合適的政治正確語言時，總是回想起他的答案。克拉夫現在大概會被稱作「客戶」。《深》的原封面上有「阿斯伯格綜合症」字眼使我後悔的另一個原因，是它有時會引起時而激烈、通常放錯重點的爭論，而這些爭論來到今天仍然悄悄地上演中。簡而言之，基斯杜化是該症患者的正確形象嗎？這裏假設了有一個正確描述

還是得說，我時至今天收到小說讀者的信，仍然十分感動。有些人來信說，他們請自己的母親或父親或兄弟姊妹讀過小說後，這些家人才真正了解自己；也有人說讀過小說後，才真正了解自己的母親或父親或兄弟姊妹。（當然，大部分人來信表示不同意基斯杜化對蒙提霍爾問題【註】的解釋。）可是這也令我有點難過，他們畢竟要透過一本虛構小說去打開一扇原本用耐心和少許想像力就能打開的門。還是得說，我對於這本書成為世界各地的學童指定課本感到非常榮幸。有哪位作者不想更多讀者這樣細讀自己的作品？

阿斯伯格綜合症患者的方式。我想，我們問得出

但《深》有時被當作課本派給警察或社工，讓他

這條問題，正正指出了我們怎樣看待標籤為殘疾

們認識一下他們在工作上可能會遇到的這種行為，這使我有點不安。

我歡迎任何為世界增添同理心的東西，但我想在

形象。而我思疑這令許多讀者將小說看成自己有

這一點上單從小說角度出發為《深》辯護。它當

份的，因為他們揭完小說最後一頁時，前面的經

然是關於殘障和我們看待這個議題的態度，但它

歷有很大部分是他們自己的構想。

也是關於許多其他東西的：數學、家庭、太空、死亡、忠誠、地圖、福爾摩斯、真相、勇氣、史雲頓、火車軌⋯⋯

我要是想引起討論的話，會說《深》其實不是基斯杜化的故事。基斯杜化是個局外人，而小說家常被不同的局外人吸引：魯賓遜、霍爾頓．考菲

這也是一部關於閱讀行為的小說。讀者不經意自

爾德、簡愛、班傑．康普森⋯⋯因為他們提供了

行補上裏面的大幅留白。例如基斯杜化從沒有描

一個特別位置，讓我們回望自己。

述過自己的樣子、他穿的衣服、他的髮型和肥瘦高矮。儘管如此，大部分讀者腦裏都有他鮮明的

我要是想引起更多討論的話，會說《深》根本不是基斯杜化的故事。《深》是我們的故事。【註】：又稱三門問題，著名數學博奕論問題，衍生自電視遊戲節目

文章原載於英國國家劇院《深夜小狗神秘習題》場刊

Joshua Jenkins (Christopher), Julie Hale (Siobhan) & Jâms Thomas (Understudy Ed) Photo by Brinkhoff/Mögenburg

The Curious Incident’s Origins I’ve always regretted that the phrase “Asperger Syndrome” appeared on the cover of Curious Incident when it was first published. Mostly because the central conceit was that Christopher himself had written the book (for a long time it had the dull but accurate working title, Christopher’s Book) and “Asperger Syndrome” is not a phrase he uses. In the book he refers to himself only as “someone who has Behavioural Problems”. I prefer the wry humour in those words. I like the way it gently mocks diagnostic medical language. I like the way it includes all of us – who doesn’t have behavioural problems? But I like it most of all because it is Christopher’s own phrase. Labels tell us very little about the person who has been labelled and a lot about the people doing the labelling. If you want to find out who someone is, just ask them. In the early 1980s I spent several months working at an Adult Training Centre in North London. There was a great deal of discussion at the time about the language used to describe people who had what were coming to be known as learning difficulties but were more widely known as mental handicaps. The adults who attended the centre nineto-five, Monday to Friday, were known as “trainees” despite the fact that they were trained to do very little, so the staff were keen to replace the word. When asked for his opinion, a middle-aged trainee called Clive said, dryly, “I think we should be called The Obedient Dogs”. His suggestion comes back to me every time I hear well-intentioned people searching for the appropriate politically correct language. Clive is probably called a “client” now.

Mark Haddon

One of the other reasons I regret the words “Asperger Syndrome” appearing on the original cover of Curious Incident is that it sparked a sometimes heated and often misguided debate which rumbles on quietly to this day. In short, is Christopher a correct representation of someone with the condition? The assumption being that there is indeed a correct representation of someone with the condition. I think it’s indicative of the way we think about people we label “disabled” that we can even ask this question. We would never ask if a character in a novel was a correct representation of a cellist or a lesbian or an archbishop. There is no such thing. And the same is true for people who are given the label “disabled”. They are as various and individual as any other group in society. Does Christopher seem real? That’s the question you should ask. That’s the question you should ask of any character in any book. Does he seem rich and layered and believable or does he feel like a lazy arrangement of words on the page? I’m happy for readers to answer “No”, just so long as we agree on the question. As it happens, when I was putting Christopher together I drew upon a long list of beliefs, habits, quirks and behaviours which I borrowed from friends and acquaintances and members of my own family. It would be unfair of me to name the person who can’t eat a plate of food if the broccoli and the salmon are touching, or the person who can’t use a toilet if a stranger has used it. Suffice to say that neither of them would be labelled as having a disability. Which is only to say that Christopher is not that

Joshua Jenkins (Christopher Boone), Emma Beattie (Judy) and company. Photo by Brinkhoff/Mรถgenburg

different from the rest of us. It’s the number and combination of his eccentricities which cause him difficulties. For the record, I have been – and continue to be – immensely touched by the letters I get from readers of the novel. Some write to say that their mother or father or brother or sister didn’t really understand them until they got them to read Curious. Others write saying that they didn’t really understand their mother or father or brother or sister until they themselves read Curious (most, of course, write to me to disagree with Christopher’s explanation of the Monty Hall problem). Though it makes me sad, too, that it took a work of fiction to open a door you would hope people could have opened themselves with persistence and a little imagination. For the record I’m also hugely flattered that the book has become a set text for school children around the world. What writer doesn’t want more and more readers reading their work that closely? But I’m a little uneasy when, as occasionally happens, it is used as a textbook, and handed to policemen or social workers to give them some insight into the behaviour of people they might come across in their professional lives. I’m in favour of anything that introduces a little more empathy into the world, but I’d like to fight the corner for Curious simply as a novel. Of course it’s about disability and our attitudes towards it, but it’s about many other things as well: mathematics, families, space, death, loyalty, maps, Sherlock Holmes, truth, bravery, Swindon, railways... It’s also a novel about the act of reading. It contains huge gaps that readers fill without noticing. Christopher, for example, never says what he looks like, the clothes he wears, the way his hair is cut, whether he is skinny or fat, tall or short. In spite of this most readers have a vivid image of him. And this, I suspect, is one of the reasons why so many of them feel a peculiar sense of ownership about the book, for when they close the final page they have had an experience which is, to a large extent, of their own making.

If I was being contentious I might say that Curious is not really about Christopher at all. Christopher is an outsider, and novelists are drawn to outsiders of all kinds – Robinson Crusoe, Raskolnikov, Holden Caulfield, Jane Eyre, Benjy Compson... – because they grant us a privileged position from which we are able to look back at ourselves. If I was being particularly contentious I might say that Curious is not really about Christopher at all. It’s about us. © Mark Haddon, June 2012 This article first appeared in the National Theatre of Great Britain’s programme for The Curious Incident of the Dog in the Night-Time.

Joshua Jenkins (Christopher Boone), Amanda Posener, Matt Wilman and Oliver Boot. Photo by Brinkhoff/Mรถgenburg

《深夜小狗神秘習題》數學教室

Curious Maths Lesson

畢氏定理

The Pythagoras Theorem

在直角三角形裏，斜邊長的平方是其餘兩條邊長

The square on the hypotenuse of a right-angled triangle is equal to the sum of the squares on the other two sides.

平方的總和。每位學童都學過這項古老定理陳述。可是它是甚麼意思？為甚麼是真的？直角三角形裏，有一隻角呈九十度。用三邊的邊長形成正方形，將兩個較小的正方形面積相加，就會得出大正方形的面積。

Every schoolchild learns the statement of this ancient theorem but what does it mean and why is it true? A right-angled triangle has one angle equal to 90 degrees. If you place three squares on the sides of the triangle, then add up the area of the two small squares it’s equal to the area of the biggest square.

c2 C

a2 混沌理論

Chaos Theory

有時候，即使是簡單的數學等式也會造成複雜的

Sometimes even simple mathematical equations can give rise to very complicated behaviour. The equations for the weather for example are quite simple. If you know the weather today then they predict the weather into the future. The trouble is that even a very small change in the numbers describing today’s weather can cause a completely different outcome. This gave rise to the idea of the butterfly effect: a butterfly flapping its wings could cause a small change in today’s conditions, resulting in a hurricane tomorrow. These incredibly sensitive equations are called chaotic. Christopher is fascinated by a simple formula discovered by Robert May and George Oster that controls the population dynamics of animals. Much of nature is controlled by the mathematics of chaos.

後果。舉例說，天氣預測的運算等式頗為簡單。只要你知道今天的天氣，就可以預測未來的天氣。問題是，今天的天氣數據只需要有非常微小的變化，也可以令預測結果截然不同。這引伸到所謂的「蝴蝶效應」：一隻蝴蝶只消拍一拍雙翼，就會稍稍改變今天的天氣狀況，造成明天的颶風。我們稱這些容易受影響的等式為「混沌」。基斯杜化感到著迷的是由羅拔．梅和喬治．奧斯特所發現的控制動物族群動態的簡單公式。大自然的很大部分是由混沌數學所控制的。

代數

Algebra

基斯杜化的高考試題需要運用些巧妙的代數解

Christopher’s A-level solution requires some clever algebra to crack it. Algebra is the grammar that underpins the way that numbers work. It’s a language that explains the patterns that lie behind the behaviour of numbers. It’s a bit like a code for running a programme. The code will work whatever the numbers you feed into the programme. For example, 5 times 5 is 25, which is 1 more than 4 times 6 = 24. 6 times 6 is 1 more than 5 times 7, and so on. If you take any number and square it, it’s always one more than if you take the numbers either side and multiply those together. Algebra explains why this is going to work whatever numbers you take.

答。代數是數字運算的基本文法。它是一套解釋數字運算方式的語言。它有點像一套程式裏面運作的編碼。無論你在程式裏輸入甚麼數字，它都能運作。舉例說，5 乘 5 是 25，也就是 4 乘 6（即 2 4）加 1；6 乘 6 是 36，也就是 5 乘 7（即 3 5）加 1，如此類推。將任何數字平方，結果一定是將它加和減 1 的數字相乘再加 1。代數能夠解釋為何你無論用甚麼數字也會得到同樣的結果。

Drawings by Jack Archer, National Theatre Graphic Design Studio

質數

Primes

2、3、5、7、11、13、17、1 9…… 質數是無法

2, 3, 5, 7, 11, 13, 17, 19… The primes are the indivisible numbers. They are the atoms of mathematics because every number is built by multiplying primes together. For example 105 = 3 x 5 x 7. Mathematicians like hunting for patterns but the primes are the ultimate challenge. As you count higher and higher it gets harder and harder to predict where you’ll find the next prime.

整除的數字。它們是數學的原子，因為所有數字都是用質數相乘得來的，例如 105=3×5×7。數學家喜歡搜羅模式，但質數是他們的終極跳戰。越往上數數目，就越難預測下一個質數何時會出現。

內容原載於英國國家劇院《深夜小狗神秘習題》場刊鳴謝馬克斯．杜修台

This appeared in the National Theatre of Great Britain’s programme for The Curious Incident of the Dog in the NightTime. With thanks to Marcus du Sautoy.

《深夜小狗神秘習題》小知識太空動物

由史雲頓去柏靈頓

自從 1947 年有果蠅乘過 V- 2 火箭後，已有許多

基斯杜化抵達倫敦的車站柏靈頓站是全英國最繁

動物去過太空旅行，牠們包括猴子、貓、蜜蜂，

忙的車站之一，每年有逾三千五百萬人次經過

甚至是蜘蛛。當中最有名的，要數隨蘇聯人造衛

。它在 1 8 5 4 年啟用，供從布魯內爾大西部鐵路

星史普尼克 2 號上太空的小狗萊卡。第一隻上太

到埗的火車使用（該鐵路鋪設了寬軌，不能共用

空的老鼠則相信是由法國在 1 9 6 1 年 2 月發射升

其他車站的標準路軌）。

空的赫克托。火箭升空 9 3 哩後，赫克托安全回到地球。

今時今日，基斯杜化由史雲頓去柏靈頓的車程約為一小時，路軌距離約 77 哩。

銀河系銀河系是一個棒旋星系，意思是它的中央部分呈棒狀，由恆星、塵埃和氣體組成。銀河系有 1,000 億至 4,000 億顆恆星，但在地球上只能看見其中約 2,500 顆。

內容原載於英國國家劇院《深夜小狗神秘習題》場刊鳴謝馬克斯．杜修台

The Curious Incident of the Dog in the Night-time: related facts Animals in Space

Swindon to Paddington

A whole host of animals have experienced space travel since fruit flies were sent aboard a V-2 rocket in 1947. Animals to have experienced spaceflight include monkeys, cats, bees and even spiders. The most famous animal was a dog, Laika, who was on board the Soviet spacecraft, Sputnik 2. The first rat in space, however, is believed to be Hector, launched by France in February 1961. After ascending to 93 miles, Hector made it safely back to Earth.

Paddington, the station Christopher arrives at in London, is one of the busiest stations in the UK, with over 35 million people passing through it every year. It opened in 1854 to provide a station for trains arriving on Brunel’s Great Western Railway – Brunel’s tracks were “broad-gauge” and couldn’t use the standard existing tracks at other stations.

The Milky Way

Today, it would take Christopher about an hour to get from Swindon to London – the track covers approximately 77 miles.

The Milky Way is a barred spiral galaxy, which means the central section looks like a “bar” and is made of stars, dust and gas. The Milky Way comprises between 100–400 billion stars, but you can only see about 2,500 from any one point on Earth.

Drawings by Jack Archer, National Theatre Graphic Design Studio

This appeared in the National Theatre of Great Britain’s programme for The Curious Incident of the Dog in the NightTime. With thanks to Marcus du Sautoy.

音樂裏的數學

《深夜小狗神秘習題》製作統計

基斯杜化最喜歡的其中一件事就是質數。於是這

是次巡演用的佈景牆壁和地板用上了五公噸鋼，

齣製作的配樂用質數作為基本組件，可說是理所

需用四輛 13.5 米長鉸接式貨車運到各個場地。

當然。 2、3、5、7、11 這項序列在配樂中用不同面貌出場。演出甫開場，用底鼓打出一下一下的節奏，就是加強了第 2、3、5、7、11 下。之後「回家」一幕，我們在音階上選定了質數音符，用它

共有 234 個音響效果提示，由 2,593 項不同元素組成。地板上一共有的 8 9 2 顆光點，演出中執行 2 , 1 3 6 行數據。

們創作了旋律句型。我們更把質數分組處理：有

基斯杜化每場使用三根粉筆，這次巡演總共使用

兩組句型用質數「2」的音階旋律；三組用質數

了 699 根。

「3」的句型，如此類推。燈架和投影架上有八部投影機。它們合共輸出在其他地方，我們一有機會就用同樣的和絃及音

1.16 千萬像素的錄像。

階旋律組合為本創作和弦和旋律句型，更以質數聲音頻率為基礎，加入特別設計的合成器聲效。

阿德里安．塞頓

內容原載於英國國家劇院《深夜小狗神秘習題》場刊鳴謝馬克斯．杜修台

Julie Hale (Siobhan) and Joshua Jenkins (Christopher Boone) Curious Incident International Tour. Photo by Brinkhoff/Mögenburg

Maths in the Music

Curious in Numbers

Prime numbers are one of Christopher’s favourite things. So it made sense to use them as the building blocks for writing the music for this production.

The set used for this tour contains five tons of steel for the walls and floor. It is transported to each venue in four 13.5 metre articulated lorries.

The sequence 2, 3, 5, 7, 11 appears in several guises in the show’s score. Right at the start of the show, a rhythmic sequence pounded out on a kick drum counts out accented patterns of 2, 3, 5, 7 and 11 beats. Later, in "Coming Home", primes are used as numerical steps on a musical scale to create a melodic pattern using only those notes. The prime numbers are used in groups here, too – so two sets of the pattern based on number 2 scale steps, three sets of the number 3 pattern, and so on.

There are 234 sound cues, made up of 2593 different elements.

Elsewhere, chords and melodic patterns are based, wherever possible, on combinations of the same musical scale steps, and there are even some specially designed sounds based on prime number frequencies using additive synthesis. Adrian Sutton

The pixels (lighting dots in the floor) use 2,136 addresses of data and there are 892 pixel LEDs. Christopher uses three pieces of chalk per performance, which adds up to 699 pieces of chalk for this tour. There are eight projectors in the lighting and video rig. The projectors give a total of 11.6 million pixels of projection.

These facts first appeared in the National Theatre of Great Britain’s programme for The Curious Incident of the Dog in the Night-Time.

英國國家劇院英國國家劇院製作的戲劇富娛樂性、挑戰性和啟發性，並且為所有人而設。英國國家劇院於 2016- 2017 年度在倫敦南岸的總部共上演 26 部製作、2, 585 場演出。劇院的得獎節目共有 180 萬名付費觀眾人次，當中 40 萬是「英國國家劇院現場」觀眾。英國國家劇院製作的作品目標觀眾廣泛，這些作品包括新劇、音樂劇、經典新編及為年青觀眾而寫的新作。英國國家劇院的製作在倫敦西區上演及英國各地和海外巡演，亦與英國不同伙伴團體合作和聯合製作。劇院透過「英國國家劇院現場」在世界各地 60 個國家逾 2,500 個地點直播及錄播英國戲劇界的精采現場演出。劇院全面的教育計劃舉辦為不同年齡人士而設的講座、活動和工作坊，並透過年度學校及青年劇院新劇節「連結」等接觸英國全國上下。2016-2017 年度共有 196,826 人次參與英國國家劇院的教育計劃。「英國國家劇院校園點播」自 2 0 1 5 年 9 月開始運作後，至今有逾 3 , 0 0 0 所學校參與這項免費媒體串流服務。

At the National Theatre, we make world-class theatre that is entertaining, challenging and inspiring, and we make it for everyone. In 2016-2017, the NT staged 26 productions and gave 2,585 performances at our home on the South Bank. The NT’s award-winning programme had a UK paying audience of 1.8 million, 400,000 of which were NT Live audiences. The work the National Theatre produces appeals to the widest possible audiences with new plays, musicals, reimagined classics and new work for young audiences. The NT’s work is seen in the West End, on tour throughout the UK and internationally, and in collaborations and co-productions with partners across the country. Through NT Live, we broadcast some of the best of British theatre to over 2,500 venues in 60 countries around the world. Our extensive Learning programme offers talks, events and workshops for people of all ages, and reaches nationwide through programmes such as Connections, our annual festival of new plays for schools and youth theatres. In 2016-2017 there were 196,826 participations through the NT Learning events programme. Over 3,000 schools have signed up to the free streaming service, On Demand. In Schools, since its launch in September 2015.

Chair of NT Board Sir Damon Buffini Deputy Chair Kate Mosse Director of the National Theatre Rufus Norris Executive Director Lisa Burger nationaltheatre.org.uk Registered Charity No: 224223 Registered as a company limited by guarantee Iin England: 749504

Photograph taken at Artistree

Film sector Exciting programs of short films and special screenings by and about artists. Free admission. Hong Kong Convention and Exhibition Centre Hong Kong Arts Centre Cinema Art Basel Advance tickets for the Show are available at hkticketing.com, or by calling +852 31 288 288 until March 28. Hong Kong Convention and Exhibition Centre artbasel.com

瑪麗安．艾莉特

導演

瑪麗安．艾莉特是新成立的 E l l i o t t ＆ H arp e r Productions 的藝術總監之一。其合作夥伴基斯．哈柏在 2017 年秋天於倫敦西區製作西門．史提芬斯的劇作《海森堡：不確定性原理》。艾莉特的近作有跟西約克郡劇場在 2 0 1 7 年聖誕節期間共同製作的《獅子．女巫．魔衣櫥》及史提芬．桑坦的作品《夥伴們》的全新製作，將於 2 0 1 8 年尾於倫敦西區公演。艾莉特在英國國家劇院擔任導演已有十年，最近執導的《天使在美國》現於百老匯預演，好評如潮。艾莉特曾為英國國家劇院《戰馬》擔任聯合導演，亦執導《丈夫與兒子》（同時在曼徹斯特皇家交易所劇院演出）、《生活之道》、《靈光公主》、《深夜小狗神秘習題》、《港口》、《佳節問候》、《女人當心女人》、《終成眷屬》、《阿弗萊德夫人》、《哈帕．列根》、《聖女貞德》（奧莉花獎最佳復排製作）、《紅杏出牆》亦及《社區之柱》（倫敦晚旗報最佳導演獎）。艾莉特曾擔任皇家宮廷劇院副導演及曼徹斯特皇家交易所劇院之藝術總監。

Marianne Elliott

Director

Marianne Elliott is Artistic Director of the newly formed Elliott & Harper Productions (elliottharper. com), alongside Chris Harper which launched in the West End in autumn 2017 with a production of Simon Stephens’ Heisenberg: The Uncertainty Principle. Recent productions include a coproduction of The Lion, the Witch and the Wardrobe with West Yorkshire Playhouse in Christmas 2017 and a new production of Stephen Sondheim’s Company coming to the West End in late 2018. Elliott was an Associate Director at the National Theatre for 10 years, where she most recently directed the critically acclaimed production of Angels in America currently in previews on Broadway. Whilst at the NT, she co-directed War Horse, and directed Husbands & Sons (also Royal Exchange Theatre), Rules for Living, The Light Princess, The Curious Incident of the Dog in the Night-Time, Port, Season’s Greetings, Women Beware Women, All’s Well That Ends Well, Mrs Affleck, Harper Regan, Saint Joan (Olivier Award for Best Revival, South Bank Show Award), Thérèse Raquin, and Pillars of the Community (Evening Standard Best Director Award). She was an Associate Director at the Royal Court. Previously she was an Artistic Director of the Royal Exchange Theatre.

Joshua Jenkins (Christopher Boone) & Bruce McGregor (Reverend Peters). Photo by Brinkhoff/Mรถgenburg

西門．史提芬斯

改編

西門．史提芬斯為英國國家劇院創作劇目包括全新改編的《三便士歌劇》以及曾在百老匯和倫敦西區公演並榮獲奧利花獎最佳新劇獎的《深夜小狗神秘習題》。其他作品有《遙遠的歌》、《海森堡》、《雀鳥之地》、《三國》、《沃斯特湖》、《龐克搖滾》、《海堤》（同樣為英國國家劇院作品）、《色情》、《摩托鎮》、《鄉村音樂》、《聖誕節》、《倉鷺》、《知更鳥》、《星空大爆炸》（與羅拔．賀曼及大衛．艾爾德里奇共同創作）。史提芬斯曾撰寫約恩．福斯作品《我是風》、厄登．馮霍爾瓦特之作《卡斯米與嘉露蓮》（史提芬斯版本以《嘉年華》為題）、以及契訶夫作品《櫻桃園》的英文版本。由他改編、易卜生原創的《玩偶之家》先在新域劇院公演，其後在2014年於倫敦西區及紐約演出。其著作《工作日記》由Methuen出版社出版。史提芬斯為利瑞克漢默史密斯劇院及皇家宮廷劇的作夥伴。

Simon Stephens

Stage Adaptation

Simon Stephens’ plays for the National Theatre include The Threepenny Opera (in a new adaptation), The Curious Incident of the Dog in the Night-Time (also West End and Broadway; Olivier Award for Best New Play, Tony Award for Best Play), Port (originally produced at the Royal Exchange), Harper Regan and On the Shore of the Wide World (co-production with Royal Exchange, Manchester; Olivier Award for Best New Play). His many other plays include Song from Far Away, Heisenberg, Birdland, Blindsided, Three Kingdoms, Wastwater, Punk Rock, Seawall (also at the NT), Pornography, Motortown, Country Music, Christmas, Herons, Bluebird, A Thousand Stars Explode in the Sky (co-written with Robert Holman and David Eldridge); he has written English language versions of Jon Fosse’s I Am the Wind; Odon Von Horvath’s Kasimir and Karoline (titled The Funfair) and Anton Chekhov’s The Cherry Orchard. His version of Henrik Ibsen’s A Doll’s House for the Young Vic transferred to the West End and then New York in 2014. His book A Working Diary is published by Methuen. Simon Stephens is an Associate at the Lyric, Hammersmith and Royal Court theatres.

馬克．海登

原著小說

馬克．海登是作家和藝術家。其暢銷作品《深夜小狗神秘習題》，於 2 0 0 3 年同時被 Jo na t ha n Ca p e 和 D av i d Fickling 出版。《深夜小狗神秘習題》勇奪十七項文學獎，當中包括惠特貝瑞圖書獎。海登的詩集《會說話的馬、悲傷女孩和海底村》由 Picador 於 2005 年出版；此外，他亦撰寫劇本《北極熊》，於 2010 年在唐瑪倉庫劇院公演。其最新小說《紅屋子》於 2012 年出版。海登的最新作品為小說集《碼頭倒下》。

Mark Haddon Author Mark Haddon is a writer and artist. His best-selling novel, The Curious Incident of the Dog in the Night-Time, was published simultaneously by Jonathan Cape and David Fickling in 2003. It won 17 literary prizes, including the Whitbread Award. His poetry collection, The Talking Horse and the Sad Girl and the Village Under the Sea, was published by Picador in 2005 and his play, Polar Bears, was produced by the Donmar Warehouse in 2010. His last novel, The Red House, was published by Jonathan Cape in 2012. His latest book is The Pier Falls, a collection of stories.

賓尼．基斯蒂

舞台設計

賓尼．基斯蒂曾為以下英國國家劇院作品設計舞台：《紅谷倉》、《丈夫與兒子》（同樣在曼徹斯特皇家交易所劇院公演）、《人情世故》（亦於倫敦西區公演）、《深夜小狗神秘習題》（於倫敦西區、百老匯演出，奧莉花獎、東尼獎得主）、《模糊界綫》、《艾米與偵探們》、《太陽的孩子們》、《錯誤的喜劇》、《櫻桃園》、《格陵蘭》、《男人哭吧》、《白護衛》（奧莉花獎）、《慾望號街車》（奧莉花獎得主）、《莊家發辦》、《修理》、《艾美娜的廚房》（由 BBC 拍攝，其後於加歷劇院演出）及《娃娃》（倫敦晚旗報獎）。其他劇作品包括《油墨》（倫敦艾爾美達劇院）、《海森堡：不確定性原理》（倫敦西區）、《達格南製造》（艾德菲劇院）、全女班版本的莎劇《亨利四世》及《凱撒大帝》，還有《誘心人》、《月光》、《迪米托斯》、《家庭團聚》以及《茱莉小姐後傳》（唐瑪倉庫劇院）；《白牆內》（倫敦艾爾美達劇院）。歌劇作品有英國國家歌劇院之作《美狄亞》、侯斯頓歌劇院作品《相見恨晚》及《托斯卡》。電影作品則有約翰．吉爾古德演出、提名奧斯卡最佳短片的《天鵝之歌》。

Bunny Christie Designer Bunny Christie’s work at the National Theatre includes The Red Barn, Husbands & Sons (also Royal Exchange Theatre), People, Places & Things (set; also West End), The Curious Incident of the Dog in the Night-Time (also West End and Broadway; Olivier and Tony awards), Blurred Lines, Emil and the Detectives, Children of the Sun, The Comedy of Errors, The Cherry Orchard, Greenland, Men Should Weep, The White Guard (Olivier Award), A Streetcar Named Desire (Olivier Award), Dealer’s Choice, Fix Up, Elmina’s Kitchen (filmed by the BBC and transferred to the Garrick) and Baby Doll (Evening Standard Award). Other theatre work includes Ink (Almeida Theatre and West End) and Heisenberg: The Uncertainty Principle[(West End) Made in Dagenham at the Adelphi; the all-women Henry IV and Julius Caesar, also Closer, Moonlight, Dimetos, The Family Reunion and After Miss Julie (Donmar Warehouse); The House of Bernarda Alba (Almeida). Opera includes Medée for ENO; Brief Encounter and Tosca for Houston Grand Opera. Film work includes Swan Song with John Gielgud, nominated for an Academy Award for Best Short Film.

保蘿．康斯塔伯

燈光設計

保蘿．康斯塔伯是英國國家劇院的聯席藝術家。她曾獲兩項東尼獎、四項奧利花獎、一項澳洲開普曼獎、三項洛杉磯影評人圈獎、兩項英國光明騎士獎劇場影像設計獎、同時奪得紐約戲劇獎及外百老匯劇評人獎。康斯塔伯曾參與的英國國家劇院製作有《木偶奇遇記》、《愚蠢之舉》、《蚊子》、《天使在美國》、《紅谷倉》、《三便士歌劇》、《仙．境》、《美好永遠的背後》、《靈光公主》、《桌子》、《本議院》、《深夜小狗神秘習題》、《菲爾德》、《死亡與國王的侍衛長》、《波浪》、《聖女貞德》、《戰馬》。其他劇場作品有《狼廳》（皇家莎士比亞劇團／倫敦西區／百老匯）、《如何閉氣》、《克萊伯恩公園》、《懷爾吧》（皇家宮廷劇院）。歌劇作品包括《金像切里尼》、《美狄亞》及《迪伊博士》（英國國家歌劇院）、《狡猾的小狐狸》及《後宮誘逃》（格蘭特堡歌劇團）。舞蹈作品則有《紅鞋子》、《睡美人》、《無言劇》及《格雷的畫像》。

Paule Constable

Lighting Designer

Paule Constable is an Associate of the National Theatre. She is the recipient of two Tony Awards, four Olivier Awards, a Helpmann Award, three LA Critics’ Circle Awards, two Knight of Illumination awards and both New York Drama Desk and Critics’ Circle Awards. Her theatre work for the National Theatre includes Pinocchio, Follies, Mosquitoes, Angels in America, The Red Barn, The Threepenny Opera, wonder.land, Behind the Beautiful Forevers, The Light Princess, Table, This House, The Curious Incident of the Dog in the Night-Time, Phèdre, Death and the King’s Horseman, Waves, Saint Joan, and War Horse. Other work in theatre includes Wolf Hall for the RSC and in the West End and on Broadway; How to Hold Your Breath, Clybourne Park and The Weir (Royal Court). She has designed operas throughout the world, most recently Benvenuto Cellini, Medea and Dr Dee (ENO). Dance includes The Red Shoes, Sleeping Beauty, Play Without Words and Dorian Gray.

芬．羅斯

錄像設計

芬．羅斯受訓於英國中央演講及戲劇學院，專門為現場演出設計錄像。羅斯曾獲兩項奧莉花獎、一項東尼獎、兩項紐約戲劇獎及一項紐約外百老匯劇評人獎。其近作有《哈利波特：被詛咒的孩子》及《Bat Out of Hell》（倫敦西區）、《深夜小狗神秘習題》（百老匯／倫敦西區／巡迴演出）、《絕望的吶喊》及《格陵蘭》( 英國國家劇院）、《暴風雨》（皇家莎士比亞劇團）、《在世界之身》及《美國內戰回憶錄》（美國話劇團）、《美式殺人狂》（百老匯／倫敦艾爾美達劇院）、《中美共同體》（西區／倫敦艾爾美達劇院）、《背叛》及《冰雪奇緣》（百老匯）、《誘心人》（唐瑪倉庫劇院）。歌劇作品有《馬赫戈尼城的興亡》（英國皇家歌劇院）、《莊嚴彌撒曲》。舞蹈作品則有《小王子》（加拿大國家芭蕾舞團）、《科學怪人》（皇家芭蕾舞團）以及《離去之感》（瑞典斯堪尼舞蹈劇場／馬爾默歌劇院）。

Finn Ross

Video Designer

Finn Ross trained at Central School of Speech and Drama and designs video for live performance. He has won two Oliviers, a Tony, two Drama Desks and an Outer Critics Circle award. Recent work in theatre includes Harry Potter and the Cursed Child and Bat Out of Hell in the West End; The Curious Incident of the Dog in the Night-Time (West End/Broadway/tour), Damned by Despair and Greenland at the National Theatre; The Tempest at the RSC; In the Body of the World and The Crossing (American Repertory Theater); American Psycho (Broadway/Almeida) and Chimerica (West End/Almeida); Betrayal and Frozen (Broadway); Closer (Donmar Warehouse); The Master and Margarita, All My Sons and Shunkin for Complicite. Opera includes The Rise and Fall of the City of Mahagonny (Royal Opera House) and Missa Solemnis (LA Phil). Dance includes Le Petit Prince for National Ballet of Canada; Frankenstein (Royal Ballet); and The Feeling of Going (Skånes Dansteater and Malmö Opera).

史葛．嘉咸

動作指導

史葛．嘉咸是 Frantic Assembly 的藝術總監和聯合創辦人，曾執導《我所知的真事》、《無路可退》、《奧賽羅》及《信徒》。嘉咸曾憑著英國國家劇院作品《深夜小狗神秘習題》提名奧莉花獎和東尼獎最佳編舞。他曾為 Frantic Assembly 聯合執導《小狗》、《情歌》、《美麗地燃燒殆盡》。導演及演出作品有《詩歌》、《微型炸藥》、《失明筆記》。其他執導作品有《真心話》（威爾斯千禧中心）以及《家》（蘇格蘭國家劇院）。曾為新加坡劇團的《威尼斯商人》擔任編舞及動作指導。嘉咸是考文垂大學戲劇系客座教授。

Scott Graham (for Frantic Assembly)

Movement Director

Scott Graham is Artistic Director and co-founder of Frantic Assembly, for which he recently directed Things I Know To Be True, No Way Back, Othello and The Believers. He has been nominated for an Olivier and a Tony Award for Best Choreography on the multi-award-winning NT production The Curious Incident of the Dog in the Night-Time. For Frantic Assembly he has codirected Little Dogs, Lovesong, Beautiful Burnout. Director/performer credits include Hymns, Tiny Dynamite, On Blindness. Other directing work includes Man to Man at Wales Millennium Centre and Home for the National Theatre of Scotland. Choreography/ movement direction includes The Merchant of Venice for Singapore Repertory Company. Graham is a Visiting Professor in Theatre Practice at Coventry University.

史提芬．賀吉

動作指導

史提芬．賀吉是 Frantic Assembly 的藝術總監和聯合創辦人，曾為《小狗》（威爾斯國家劇院）、《情歌》、《美麗地燃燒殆盡》、《奧賽羅》（TMA 獎最佳導演）、《斯德哥爾摩》、《無水池》及《色慾失樂園》等製作擔任導演或編舞。他最近為英國國家劇院的《木偶奇遇記》擔任動作指導，近期編舞及動作指導作品包括：《哈利波特：被詛咒的孩子》（倫敦西區）、《血色童話》（蘇格蘭國家劇院／皇家宮廷劇院／倫敦西區）、《壞心的夫妻消失了》（皇家宮廷劇院）、《弄臣》（大都會歌劇院）、《玻璃動物園》（美國話劇團／百老匯）以及《迪伊博士》（曼徹斯特國際藝術節／英國國家歌劇團）。賀吉曾為百老匯作品《彼得與摘星者》和《一奏傾情》編舞，兩部作品皆奪得露西爾．羅特爾獎最佳動作指導。

Steven Hoggett (for Frantic Assembly)

Movement Director

Steven Hoggett was a founder member of Frantic Assembly where his director/ choreographer credits included Little Dogs with National Theatre Wales; Lovesong, Beautiful Burnout, Othello (TMA Award, Best Director), Stockholm, pool (no water) and Dirty Wonderland. He was recently Movement Director for the NT’s Pinocchio, has provided choreography and movement direction on Harry Potter and the Cursed Child in the West End; Let The Right One In for National Theatre of Scotland/Royal Court/West End; The Twits for the Royal Court; Rigoletto for Metropolitan Opera; The Glass Menagerie for the American Repertory Theatre/ Broadway; and Dr Dee for Manchester International Festival/ENO. On Broadway he has choreographed Peter & the Starcatcher (Lucille Lortel Award, Outstanding Choreography) and Once (Lucille Lortel Award, Outstanding Choreography).

阿德里安．塞頓

音樂

阿德里安．塞頓筆下的配樂糅合管弦樂、室樂及電子樂。20 1 3 年，他憑《深夜小狗神秘習題》榮獲奧利花獎最佳聲音設計，亦製作並推出該劇原聲大碟《Curious Incidentals》。塞頓憑《科勒姆男孩》及英國國家劇院作品《戰馬》提名奧莉花獎。塞頓為《戰馬》創作的配樂於 2008 年被錄製成大碟，重編配樂成為組曲後，於 2 0 1 0 年首演。其兒童歌劇作品有《獅身鷹首獸與聖杯》（2013 年）。其他劇場作品有《天使在美國》、《丈夫與兒子》、《生活之道》、《國家》及《復仇者悲劇》（英國國家劇院）。影視作品有基斯．莫里斯的作品《Jam》、《Blue Jam》和《我的錯》（BAFTA 獎）。

Adrian Sutton Music Adrian Sutton’s scores cross orchestral, chamber and electronic genres, and have featured in a number of successful theatre productions, including Tony-nominated National Theatre production The Curious Incident of the Dog in the Night-Time. In 2013 he received a joint Olivier Award for Curious Incident’s sound design, and also produced and released Curious Incidentals, the soundtrack album from the play. Further successes include Coram Boy and War Horse at the National Theatre for which he also received Olivier nominations. He produced and released the War Horse soundtrack album in 2008, and his War Horse Suite derived from the score for the show premiered in June 2010. His children’s concert opera The Griffin and the Grail premiered in 2013. Other work for theatre includes Angels in America, Husbands & Sons, Rules for Living, Nation and The Revenger’s Tragedy at the National. His work for TV and film includes Chris Morris’ Jam, Blue Jam and the BAFTA-winning short film My Wrongs.

伊恩．狄更遜

音響設計

伊恩．狄更遜近期參與英國國家劇院之創作有《丈夫與兒子》、《會談室一晚》、《紅獅子》、《生存規則》、《蜜糖之味》、《艾米與偵探們》、《港口》、《本議院》、《深夜小狗神秘習題》（奧利花獎）。其他近作有《本議院》（加歷劇院）、《被採油了！》（奇切斯特劇院）、《輓歌》（唐瑪倉庫劇院）、《離開之前》（威爾斯國家劇院）、《曼尼亞舅舅》（倫敦艾爾美達劇院）、《愛的犧牲》（皇家莎士比亞劇團）、《虛域》（約克公爵劇院）、《河》（百老匯）、《深夜小狗神秘習題》（百老匯／英國巡迴演出）。狄更遜由 2009 年開始隸屬 Autograph 團隊，曾在皇家宮廷劇院擔任音響設計總監並為超過 50 部劇目創作音響。

Ian Dickinson Sound (for Autograph) Ian Dickinson’s most recent designs for the National Theatre include Husbands & Sons, Evening at the Talk House, The Red Lion, Rules for Living, A Taste of Honey, Emil and the Detectives, Port, This House and The Curious Incident of the Dog in the Night-Time (Olivier Award). Other recent shows include This House at the Garrick; Fracked! at Chichester; Elegy at the Donmar Warehouse; Before I Leave for National Theatre Wales; Uncle Vanya at the Almeida; Love’s Sacrifice at the RSC; The Nether at the Duke of York’s; The River on Broadway; and The Curious Incident of the Dog in the Night-Time on Broadway and UK tour. Dickinson has been with the Autograph design team since 2009, and before that was Head of Sound at the Royal Court, where he designed the sound for over 50 productions.

愛爾．懷爾

副導演

愛爾．懷爾畢業於倫敦伯貝克書院舞台導演藝術碩士課程，其作品有《盲點》（皇家威爾斯音樂戲劇學院）、《不幸的人》（Into The Wolf 製作）、《聖誕節的 12 天》（英國巡迴演出）、《費斯奇與曼尼殊：實在太多》（牛肚劇場，倫敦及愛丁堡）、《光輝歲月》（蘇豪劇院、阿德雷德藝術節、愛丁堡牛肚劇場）、《鄉村音樂》（西約克郡劇場）、《基斯多尼亞》（玫瑰劇場）、《敲敲門》（圓屋劇場）、《臉》（布里斯托老域戲劇學校）。

Elle While

Associate Director

Elle While received her MFA in Theatre Directing from Birkbeck College. Directing credits include Blindsided at RWCMD; Wretch for Into The Wolf Theatre, tour of London homeless shelters; Twelve Days of Christmas on UK tour; Frisky and Mannish: Just Too Much at Udderbelly, London and Edinburgh; Glory Dazed at Soho Theatre, Adelaide Festival and Underbelly, Edinburgh; Country Music at West Yorkshire Playhouse; Kingstonia at the Rose, Kingston; Knock Knock at the Roundhouse; That Face at Bristol Old Vic Theatre School.

戴爾芬．嘉博里特

Frantic Assembly

戴爾芬．嘉博里特曾演出下列團體及藝術家的作品：Frantic Assembly、嘉斯敏．維持蒙、萊佛．邦那崔娜、賀飛雪．謝克特及亞當．連達。2009 年，她加入莎莎．華爾斯與客人，參與了七部製作。她過去四年為不同製作擔任動作指導，現任《深夜小狗神秘習題》、《哈利波特－被詛咒的孩子》及約翰．蒂芬尼最新為英國國家劇院導演的《木偶奇遇記》的特約動作指導。嘉博里特亦曾參與尼迪亞．科斯為英國茨塞斯特節日劇團導演的《上游路》，以及英國國家劇院的《自殺》。她為影視製作的演員擔任動作教練，並曾與安席亞．咸美頓、馬丁．克列和莎爾雅．納雪等視覺藝術家合作。

Delphine Gaborit

Movement Associate for Frantic Assembly

Delphine Gaborit has worked as a performer with Frantic Assembly, Jasmin Vardimon, Rafael Bonachela, Hofesh Shechter and Adam Linder amongst others. In 2009 she joined Sasha Waltz & Guests in Berlin for 7 creations. She has been working as a movement director for the past four years and is an associate on The Curious Incident of the Dog in the Night-Time, Harry Potter and the Cursed Child and John Tiffany’s latest production at the National Theatre, Pinocchio. She also worked on Nadia Fall’s productions of Way Upstream at Chichester and The Suicide at the National Theatre. She works as a movement coach for actors in film or TV productions and in collaboration with visual artists such as Anthea Hamilton, Martin Creed and Shahryar Nashat.

金．皮爾斯

駐團導演

金．皮爾斯就讀於華威大學並畢業於倫敦伯貝克書院舞台導演藝術碩士。皮爾斯為 2011 － 2012 年度地區年青導演計劃獎金得主，亦為 2013 年 JMK 導演獎第二名。導演作品有：《愛不孤單》（卡姆登人民大獎／集特藝術中心）、《出土》（英國巡迴演出）、《所羅門之子》（曼徹斯特皇家交易所小型劇場）、《比玫瑰便宜》、《地底精靈》（華威藝術中心劇場）。皮爾斯是《深夜小狗神秘習題》駐場導演（2014 － 2015 年度英國及愛爾蘭巡迴演出）和國家劇院作品《自殺》的導演。

Kim Pearce

Resident Director

Kim Pearce studied at Warwick University and trained on the Theatre Directing MFA at Birkbeck College, University of London. She was recipient of a 2011/12 Regional Young Directors Scheme bursary and runner-up for the 2013 JMK Young Director award. Work as a director includes Love Steals Us From Loneliness at Camden People’s Theatre and Chapter Arts Centre; Unearthed on UK tour; Solomon Child at the Royal Exchange Studio; and Cheaper Than Roses and The Skriker at Warwick Arts Centre Studio. She was resident director on The Curious Incident of the Dog in the Night-Time UK and Ireland tour 2014/15 and staff director on The Suicide at the National Theatre.

查美恩．賀爾

發聲指導

查美恩．賀爾受訓於中央演講及戲劇學院，近作有《蚊子》、《公地》、《理髮店奇遇》、《天使在美國》、《允許》（英國國家劇院）、《對抗》、《處理》（倫敦艾爾美達劇院）、《路》（皇家宮廷劇院）、《與姨姨同行》、《40 年後》、《凡夫俗女》、《屋頂上的提琴手》（奇切斯特劇院）、《露娜．嘉利》、《兔子洞》（漢普斯特德劇場）、《鉤子》、《草藥床》（北安普頓皇家及登嘉特劇院）以及《一奏傾情》（倫敦西區）。

Charmian Hoare

Company Voice Work

Charmian Hoare trained at Central School of Speech and Drama. Recent work in theatre includes Mosquitoes, Common, Barber Shop Chronicles, Angels in America, Consent at the National; Against and The Treatment at the Almeida; Road at the Royal Court; Travels with my Aunt, 40 Years On, Educating Rita and Fiddler on the Roof at Chichester; Luna Gale and Rabbit Hole at Hampstead; The Hook and The Herbal Bed at the Royal & Derngate, Northampton; and Once in the West End.

珍妮特．尼爾遜

口音指導

珍妮特．尼爾遜為國家劇院口音指導總監，涉獵範圍包括劇場、電影及影視作品。尼爾遜曾於以下劇場工作：英國國家劇院（1992 － 2001 年）、莎士比亞環球劇場（1997、1998、1999、2001 年）、皇家莎士比亞劇團（2001 － 2005 年）、悉尼劇團（2006 年），2007 年重返國家劇院並擔任總監一職。其他口音指導合作單位有皇家宮廷劇院、新域劇院、唐瑪倉庫劇院、Shared Experience、Out of Joint、謝菲爾德劇院、布里斯托老域劇院及倫敦西區。

Jeannette Nelson

Dialect Coach

Jeannette Nelson is Head of Voice at the National Theatre. She has worked extensively as a voice coach in theatre, film and TV. At the National Theatre from 1992 to 2001, at Shakespeare’s Globe for the 1997, 1998, 1999, and 2001 seasons; and at the Royal Shakespeare Company from 2001 to 2005. In 2006 she joined the Sydney Theatre Company before returning to the National as Head of Voice in 2007. Other voice and dialect coaching in London and the UK includes work with the Royal Court, Young Vic, Donmar Warehouse, Shared Experience, Out of Joint, Complicite, Sheffield Theatres, Bristol Old Vic and the West End.

吉爾．格林（CDG）

選角

吉爾．格林（CDG）為英國及愛爾蘭選角人員工會成員。她在倫敦選角作品有《阿拉丁》（愛德華親王劇院）、《長靴妖姬》（艾德菲劇院）、《深夜小狗神秘習題》（吉爾古德劇院）、《美麗傳奇－卡路爾．金音樂劇》（奧德維奇劇院）、《畫舫璇宮》及《戰馬》（最後選角）（新倫敦劇院）、《澤西男孩》（皮卡迪利劇院、愛德華王子劇院）、《拉撒路》（國王十字劇院）、《斯科茨伯勒男孩》（英國選角）（加歷劇院、新域劇院）、《監製》（居瑞巷劇院及英國巡迴演出）、《福斯》（威爾斯親王劇院）。

Jill Green (CDG) Casting Jill Green CDG is a full member of the Casting Directors’ Guild of Great Britain and Ireland. Casting for London theatre includes Disney’s Aladdin at the Prince Edward; Kinky Boots at the Adelphi; The Curious Incident of the Dog in the Night-Time at the Gielgud (first recast and current company); Beautiful – The Carole King Musical at the Aldwych; Show Boat and War Horse (final cast) at the New London; Jersey Boys at the Piccadilly and Prince Edward; Lazarus at King’s Cross; The Scottsboro Boys (UK casting) at the Garrick and Young Vic; The Producers at Theatre Royal Drury Lane and UK tours; and Fosse at the Prince of Wales.

愛瑪．比蒂

茱迪（媽媽）

愛瑪．比蒂於現場及錄像表演藝術學院受訓，並於 1998 年榮獲利蓮．貝里斯獎。比蒂曾參演的劇場作品包括：《候司文家族末代》（英國國家劇院）、《美狄亞》（倫敦城門劇院）、《距離》以及《樓梯上的流氓》（列治文橙樹劇場）、《奧德賽》（德比劇場）、《騎車人之死》（溫床藝術節蘇豪劇院）、《耶利哥四人行》（柏拉辛庭院）、《孤星血淚》（水磨坊劇場）。比蒂亦曾參與《醫者心》、《太太們做的》以及《百貨人生》等電視作品，其電影作品有《遺產》。

Emma Beattie

Judy (mother)

Emma Beattie trained at ALRA and was winner of the 1998 Lilian Baylis Award. Her work in theatre includes The Last of the Haussmans at the National Theatre; Medea at the Gate, London; The Distance and The Ruffian on the Stair at the Orange Tree, Richmond; The Odyssey at Derby Playhouse; Death of a Cyclist at Hotbed Festival, Soho Theatre; Four for Jericho at the Pleasance Courtyard; Great Expectations at the Watermill; TV includes Doctors, The Wives Did It and Mr Selfridge. Films include Legacy.

奧利花．布特

羅渣．舒爾 / 當值沙展 / 聲音二 / 懷斯先生 / 醉漢一

奧利花．布特受訓於英國皇家戲劇學院。布氏的劇場作品包括《三劍客》（約克皇家劇院）；《花粉熱》（牛津舞台）；《柄》（集會廳）；《偽君子》（海馬克皇家劇院）；《牙買加旅館》（薩爾斯伯里劇院）；《奧賽羅》（秤不離砣國際巡迴演出）；《身陷險境》、《埃及妖后》、《仲夏夜之夢》（莎士比亞環球劇場）；《海上夫人》（伯明翰劇團）；與比爾．肯萊德巡迴演出的《偷情鬧劇》。曾參演影視作品包括《啤酒與零食》、《猶如》、《生命時光》、《冷血》、《魂斷藍橋》及《異星爭霸戰：尊卡特傳奇》。

Oliver Boot

Roger Shears / Duty Sergeant / Voice Two / Mr Wise / Man Behind Counter / Drunk One

Oliver Boot trained at RADA. His work in theatre includes The Three Musketeers at York Theatre Royal; Hay Fever for Oxford Stage; Hilt at the Assembly Rooms; Tartuffe at the Haymarket, Basingstoke; Jamaica Inn at Salisbury Playhouse; Othello on international tour for Cheek by Jowl; In Extremis, Antony and Cleopatra, A Midsummer’s Night Dreamat Shakespeare’s Globe; The Lady from the Sea at Birmingham Rep; Bedroom Farce on tour for Bill Kenwright. In 2006 Oliver was asked to perform Henry V for Her Majesty The Queen and Prince Phillip at a private dinner party thrown by the American embassy. TV and film credits include Two Pints of Lager and a Packet of Crisps, As If, The Time of Your Life. Films include Blooded, Waterloo Bridge and John Carter.

姬絲桃．康第

40號屋 / 聲音五 / 街上的女人 / 詢問處 / 龐克女孩

姬絲桃．康第剛畢業於布里斯托老域戲劇學校。康氏的劇場作品包括《八角形》、《黑烏鴉》（阿可拉劇院）；《第十二夜》（過濾劇院）；《精靈小矮人》（巴斯皇家劇場）；《雲雀之歌》、《禮物》、《出土》、《羅賓漢與瑪麗安》（紐卡素新域劇團）。

Crystal Condie

No 40 / Voice Five / Lady in Street / Information / Punk Girl

Crystal Condie recently graduated from Bristol Old Vic Theatre School. Her work in theatre includes Octagon and Black Crows at the Arcola; Twelfth Night for Filter; Rumpelstiltskin at Theatre Royal Bath; Larksong, The Gift, Unearthed and Robin Hood and Marian at the New Vic, Newcastle-under-Lyme.

愛瑪-珍．古德溫

替角：舒芳 / 茱迪 / 亞歷山大太太 / 舒爾太太

愛瑪 - 珍．古德溫受訓於英國東 1 7 演藝學院，其劇場演出作品有《珊德娜生日過後》、《大好機會》（圓石頭）；《外面有人》（Sglodion Fawr）；《愛驅寂寞》（康登人民劇場）；《媒人 / 蛋黃》（三鼠製作室）；電視作品有《史蒂娜》。

Emma-Jane Goodwin

Understudy: Siobhan (first cover) / Judy (first cover) / Mrs Alexander (first cover) / Mrs Shears (second cover)

Emma-Jane Goodwin trained at East 15 Acting School. Her work in theatre includes Sandra After Birthday and Her Big Chance for Round Pebble; Someone’s Out There for Sglodion Fawr; Love Steals Us from Loneliness for Chippy Lane Productions at Camden People’s Theatre; and The Matchmakers/Yolk for Three Muses Productions. TV includes Stella.

茱莉．夏爾

舒芳

茱莉．夏爾先後受訓於都柏林聖三一大學薩繆爾．貝克特中心、紐約 HB 戲劇工作室及倫敦脈動戲劇工作室。夏氏的戲劇作品有《荒島酒池》（蘇格蘭皇家劇院）；《痊瘉》（拱門）；《舊日時光》、《標題有愛》（倫敦經典劇場）；《私生子女》、《齊奧塞斯庫的耳朵》、《百里克利》（都柏林城門劇院），電視作品則包括《無悔今生》、《春回情斷》、《WC.》。

Julie Hale Siobhan Julie Hale trained at the Samuel Beckett Centre, Trinity College, Dublin, at the HB Studio, New York and at the Impulse Studio, London. Her work in theatre includes Whisky Galore for the National Theatre of Scotland; Cured at the Arches, Glasgow; Old Times and Love in the Title for with London Classic Theatre; Lovechild, Ceausescu’s Ear and Pericles for Gerry Stembridge; Sunshine Boys at the Gate Theatre, Dublin. TV includes Shetland, Garrow’s Law, Crash. Film includes My Left Foot, Ash Wednesday, WC..

約書亞．詹金斯

基斯杜化．本恩

約書亞．詹金斯受訓於蘇格蘭皇家音樂學院，其演出作品有《深夜小狗神秘習題》（英國國家劇院巡迴演出）；《每個兒子一士兵》、《約翰王》、《理察三世》、與蘇格蘭國家劇院合作的《馬克白後傳》（皇家莎士比亞劇團）；《馬不停蹄》（老域隧道）；《倒轉世界》（奧蘭莫爾文娛中心）。影視作品包括《荷比城》、《貝克男孩》、《醫生們》、《急症室一夜》、《嘉勞定律》、《心跳》、《歸屬》、《停步距離》及《天堂有約》。

Joshua Jenkins

Christopher Boone

Joshua Jenkins trained at the Royal Scottish Academy of Music and Drama. His work in theatre includes The Curious Incident of the Dog in the Night-Time on tour for the National Theatre; A Soldier in Every Son, King John, Richard III and Dunsinane (with National Theatre of Scotland) for the RSC; Unrestless in the Old Vic Tunnels; and The World Turned Upside Down for Òran Mór. TV includes Holby City, Baker Boys, Doctors, One Night in Emergency, Garrow’s Law, Heartbeat, Belonging and Stopping Distance. Film includes Plots with a View.

布魯斯．麥格戈

彼得牧師 / 泰利叔叔 / 聲音四 / 城郡警察 / 車站保安

布魯斯．麥格戈於英國皇家戲劇學院受訓前已開始在斯托克波特．格雷克劇院演出，其劇場作品包括：《羅密歐與茱麗葉》、《灰姑娘》、《賣花女》、《奈威的島》（克羅蓋特劇場）；《幸運的討厭鬼》（德比劇場）；《馬克白》（葉士域治禾斯尼劇場）；《暢飲》、《阿奇靈頓老友》（奇切斯特劇場）。曾參演電視作品有《加冕街》、《街道》、《希爾斯堡》，電影演出有《東就是東》、《假釋軍官》、《圖畫媽媽》、《葡萄的眼淚》、《習慣》。

Bruce McGregor

Reverend Peters / Uncle Terry / Voice Four / State Policeman / Station Guard

Bruce McGregor began acting with the Stockport Garrick Theatre before training at RADA. His work in theatre includes Romeo and Juliet, Cinderella, Pygmalion and Neville’s Island at Harrogate; Lucky Sods at Derby Playhouse; Macbeth at the Wolsey, Ipswich; On The Razzle and Accrington Pals at Chichester; Neville’s Island for Hull Truck; TV includes Coronation Street, The Street, Hillsborough. Films include East Is East, The Parole Officer, The Illustrated Mum, A Drop of the Pure and Habit.

大衛．米高斯

艾迪（爸爸）

大衛．米高斯的演出經驗如下：《羊泉》（英國國家劇院）；榮獲外西區劇場最佳男配角提名之《不光彩者》（亞高拉劇場）；《村莊與我》（5 0 3 劇場）；英國巡迴演出的《大概公義》；《玩偶之家》（考文垂貝爾格萊德劇場）；《成群的貓》（皇家巴斯劇院以及漢普斯特德劇場聯合製作）；《裝聾作啞》及《不道德的審判》（梳士巴利劇場）。電視演出有：《滑鐵盧大道》、《新花樣》、《隱藏》。電影作品有：《無間追緝》、《跳》、《何處是我家》。

David Michaels

Ed (father)

David Michaels’ work in theatre includes Fuente Ovejuna at the National Theatre; The Dishonoured (Off West End Award nomination, Best Supporting Male) at the Arcola; I and the Village at Theatre503; Rough Justice on UK tour; A Doll’s House at the Belgrade, Coventry; Herding Cats at Theatre Royal Bath and Hampstead; The Constant Wife and Death and the Maiden at Salisbury Playhouse; TV includes Waterloo Road, New Tricks, Hidden. Film includes Welcome to the Punch, Jump and Nowhere in Africa.

德布娜．米高斯

亞歷山大太太 / 貴婦 / 聲音六

德布娜．米高斯於韋伯德格拉斯藝術教育學院受訓。米氏劇場作品包括：《紅鯛魚》（考文垂貝爾格萊德劇場）；《灰姑娘》（漢默史密斯歌劇院）；《灰姑娘》（沃特福德宮殿劇院）；巡迴演出《芝加哥》；《貓步》（三輪車劇場）；在《卡門鐘斯》飾演卡門一角（老域劇場以及歐洲巡迴演出）；《波格與貝絲》（格蘭特堡及高文花園）。其電視演出如下：《醫生》、《荷比城》、《北極星旅舍》。其編舞創作作品《婚禮之舞》於保頓八角劇院首演，其後於各地巡迴演出。

Debra Michaels

Mrs Alexander / Posh Woman / Voice Six

Debra Michaels trained at Webber Douglas and Arts Educational. Her work in theatre includes Red Snapper at Belgrade, Coventry; Cinderella at the Lyric, Hammersmith; Cinderella at Watford Palace; Chicago on tour; Catwalk at the Tricycle; Carmen in Carmen Jones at the Old Vic and on a European tour; Porgy and Bess at Glyndebourne and Covent Garden. TV includes Doctors, Holby City, The Lodge. She also co-created and choreographed The Wedding Dance, which had its premiere at Bolton Octagon before going on tour.

森．牛頓

基斯杜化．本恩

森．牛頓受訓於英國皇家中央演講和戲劇學院以及列茲大學，於 2016 年畢業。受訓期間，牛頓曾參演：《廢青事件簿》以及《愛的異端》。《深夜小狗神秘習題》是他的專業舞台處女作。牛頓曾在牛津劇院以及愛丁堡國際藝穗節演出喜劇《利茲蠟燭》。

Sam Newton

Alternate Christopher Boone

Sam Newton trained at Royal Central School of Speech and Drama, graduating in 2016, and at the University of Leeds. Productions while training include A Serious Case of the F*ckits and The Heresy of Love. The Curious Incident of the Dog in the Night- Time is his professional theatre debut. Comedy includes The Leeds Tealights at Oxford Playhouse and the Edinburgh Fringe.

阿曼達．波斯納

舒爾太太 / 加斯歌恩太太 / 聲音一 / 火車上的女人

阿曼達．波斯納受訓於山景戲劇學校，其演出作品包括：《深夜小狗神秘習題》（英國國家劇院的西區演出）；《嘉露的零錢》（英國國家劇院）；《三隻小豬》（澳洲和香港巡迴演出）；《蘇豪灰姑娘》（蘇豪劇場）；《真實》（青年維克劇場）；《Q 畸大道》（雲咸劇院及吉爾古德劇院）；《血婚禮》（倫敦南碼頭劇場）；《魔法大街》（國王頭像劇場酒館）；《萬眾之首》巡迴演出；《獅子王》德國演出原班人馬之一；《沒不規矩》（克羅蓋德劇場）；《壞女孩》（西約克郡劇場）；《隨街跳舞》（劇場劇院）；《租金》以及《125 號街》（夏佛迪士伯里劇場）。

Amanda Posener

Mrs Shears / Mrs Gascoyne / Voice One / Woman on Train

Amanda Posener trained at Mountview. Her work in theatre includes The Curious Incident of the Dog in the Night-Time in the West End for the National Theatre; Caroline, or Change at the National Theatre; Three Little Pigs on tour in Australia and Hong Kong; Soho Cinders at Soho Theatre; The Realness at the Young Vic; Avenue Q at Wyndham’s and the Gielgud; Blood Wedding at Southwark Playhouse; Rue Magique at the King’s Head; Leader of the Pack on tour; the original cast of The Lion King in Germany; Ain’t Misbehavin’ at Harrogate; Bad Girls the Musical at West Yorkshire Playhouse and the Garrick; Dancing in the Streets at the Playhouse; and Rent (original London cast) and 125th Street at the Shaftesbury.

祖．萊盛

替角：羅傑．舒爾 / 湯臣先生

祖．萊盛受訓於瑪德惠大學。萊氏演出經驗包括：《瑪麗皇后斷頭記》、《阿圖羅．烏依可抗拒的崛起》、《慾望號街車》（藝術新一族）；《同志少年虐殺事件》、《仲夏夜之夢》（G ．鄧肯）；《常人》（蘇格蘭國家劇院）；《壓碎》（CCA）以及《警察狀況》（無間斷劇場）。

Joe Rising

Understudy: Roger Shears / Mr Thompson (first cover)

Joe Rising trained at Motherwell College. His work in theatre includes Mary Queen of Scots got her Head Chopped Off, The Resistible Rise of Arturo Ui and A Streetcar Named Desire for New Clan Arts; The Laramie Project and A Midsummer Night’s Dream for G Duncan; NTS Street Theatre – Common Man for National Theatre of Scotland; Crushed for CCA; and Police State for Theatre Uncut.

奇倫．嘉蘭

替角：艾迪 / 彼得牧師 / 羅傑．舒爾

奇倫．嘉蘭參與的劇場作品包括英國國家劇院《深夜小狗神秘習題》（英國巡演）、 RIFT《馬克白》（巴伏龍高塔）及《白楊樹》、戴奧尼斯演員劇團《利西翠妲》（英國巡演）、奧地利維也納英語劇團《馬克白》及揮霍劇團《馬爾菲公爵夫人》（布萊頓夜鶯劇院）。他的電視作品有《異鄉歷劫》。嘉蘭曾於 2001 年榮獲奧利花獎學金第一名 .

Kieran Garland

Understudy: Ed / Reverend Peters (first cover) / Roger Shears (second cover)

Kieran Garland’s theatre work includes The Curious Incident of the Dog in the Night-Time (UK tour) for the National Theatre; RIFT’s Macbeth at Balfron Tower, Poplar; Lysistrata (UK tour), for Actors of Dionysus; Macbeth for Vienna’s English Theatre, Austria; and 10,000 Several Doors (Duchess of Malfi) for Prodigal Theatre at The Nightingale, Brighton. TV includes Locked Up Abroad. Kieran Garland received the first place Laurence Olivier Bursary Award, 2001.

馬特．威爾文

警員一 / 湯臣先生 / 聲音三 /醉漢二 / 襪子男 / 倫敦警察

馬特．威爾文曾參演以下劇作：《深夜小狗神秘習題》（英國國家劇院的西區演出）；《相見恨晚》（火把劇團）；《安娜．桂絲蒂》（唐瑪倉庫劇場）；《紅杏出牆》（芬堡劇院）；《候選人》（梅利耶朱古力工廠）；《血婚禮》（庭院劇院）；莎劇《凱撒大帝》中飾演安東尼將軍一角（高文花園鳶尾劇院）；《小飛俠前傳之魔幻童心》（李斯特城弧形劇場）；《貝隆夫人》（歐洲巡迴演出）。影視作品則有：《愛瑪黛爾村》、以及添布頓電影《愛麗絲夢遊仙境 2：穿越魔鏡》。

Matt Wilman

Policeman One / Mr Thompson / Voice Three / Drunk Two / Man with Socks / London Policeman

Matt Wilman’s work in theatre includes The Curious Incident of the Dog in the Night-Time in the West End for the National Theatre; Brief Encounter at The Torch; Anna Christie at the Donmar Warehouse; Thérèse Raquin at the Finborough; Candide at the Menier Chocolate Factory; Blood Wedding at the Courtyard; Marc Antony in Julius Caesar at Iris Theatre, Covent Garden; Finding Neverland at Leicester Curve; Evita on European tour; TV includes Emmerdale. Film includes Alice Through the Looking Glass.

丹尼艾爾．楊

替角：舒爾太太 / 40號屋 / 茱迪

丹尼艾爾．楊於千禧表演藝術學院受訓，其劇場演出有《旋轉木馬》（英國國家劇院）；《阿拉丁》（克尼克帝國劇院）；《貓》（塞浦路斯萊納卡藝術節）；《苗條淑女》（英國巡迴演出）；《傑克與魔豆》（劍橋藝術中心）；《暴風雨》（諾定咸劇場）；《渾身是勁》歐洲巡迴演出原班人馬成員；《全神貫注》（萊斯特海馬克劇院）；《我愛碧咸》（鳳凰劇院）；《獅子王》（蘭心劇院）；《約瑟與神奇彩衣》（艾德菲劇院 ) 等。楊的電視演出則有綜藝和清談節目，以及劇集《格蘭奇山》。楊亦經常為電視電台節目配音。

Danielle Young

Understudy: Mrs Shears (first cover)/No 40 (first cover) / Judy (second cover)

Danielle Young trained at Millennium Performing Arts. Her work in theatre includes Carousel at the National Theatre; Aladdin at Hackney Empire; CATS at Larnaca Festival, Cyprus; My Fair Lady on UK tour; Jack and the Beanstalk at Cambridge Arts; The Tempest at Nottingham Playhouse; the original European tour of Footloose; On Your Toes at Leicester Haymarket; Bend It Like Beckham at the Phoenix; The Lion King at the Lyceum; Joseph and the Amazing Technicolor Dreamcoat at the Adelphi. TV includes talk shows and and the series Grange Hill. She regularly does voiceovers for TV and radio.

Joshua Jenkins (Christopher Boone) & Emma Beattie (Judy). Photo by Brinkhoff/Mรถgenburg

Credits & Acknowledgments For The Curious Incident of the Dog in the Night-Time Technical Staff Company Stage Manager Deputy Stage Manager Assistant Stage Managers Sound No 1 Sound No 2 Chief LX & Head of Video LX No 2 LX No 3 Technical Swings Wardrobe Supervisor Wardrobe Assistant Co-Movement Captains Associate Creative & Production Team Associate Designer Associate Lighting Designer Associate Lighting Designer Associate Lighting Designer LX Programmer Video Associate & Programmer Video Associate Movement Associate for Frantic Assembly Sound Associate Casting Assistant Production Manager Costume Supervisor Assistant Costume Supervisor Props Supervisors Production Electrician Production Sound Engineer Production Carpenters Production Video Engineers Production Draughtsman Rehearsal Photographer Production Photographers Maths Consultant Autism Consultants Lighting Equipment supplied by Specialist Lighting and Effects by Video Equipment by Sound Equipment by Set Construction and Painting by Transport by International Tour Booking

Stew Stealey David Neill Fiona Samways, Laura Smith David Dalley Adam Thomas Steer Cairn Stewart Jack Berry Ross Hamilton Jayde Chamberlain, Dan Lee, Joey Pocket Caz Offord Sophie Cunningham Matt Wilman, Danielle Young

Ellen Nabarro Rob Casey Ed Locke Warren Letton Jonathon Lyle Ash Woodward Delphine Gaborit Luke Swaffield Amy Beadel for Jill Green Casting Damian Partington Lydia Crimp Jess Dixon Sian Willis, Camilla Winter Chris Mence Rob Bettle, Alex Bryson Micky Murray, Graham Wells Sam Jeffs, Dan Trenchard Emily Egleton Ellie Kurttz Brinkhoff/Mรถgenburg Marcus du Sautoy Cian Binchy, Robin Stewart Hawthorn Howard Eaton Lighting Ltd Stage Sound Services Autograph Howard Eaton Lighting Ltd; Scott Fleary Ltd, MDM Henx, Paul Mathew Transport Ltd Kayte Potter for Great Leap Forward (kayte@greatleapforward.co.uk)

For National Theatre Productions National Theatre Productions aims to extend the life of NT productions without subsidy in London’s West End, throughout the UK and around the world. Current and recent productions include Macbeth, Angels in America, Beginning, The Curious Incident of the Dog in the Night-Time, War Horse, People, Places and Things, Jane Eyre, My Country; a work in progress and Hedda Gabler. Producer Head of Production General Manager International General Manager Associate General Manager & International Coordinator Associate General Manager Production Accountant Technical Director Production Manager Director of Marketing Head of Marketing Senior Marketing Manager, Touring Head of Press & Communications Groups & Inventory Manager Marketing & Press Officer Marketing Officer Production Assistants Administrative Assistant

Kash Bennett Lauren King James Mullan Martina Thompson

Poster design Front cover photo of Luke Treadaway

AKA Hugo Glendinning

Thea Foster Debbie Farquhar Akosua Koranteng Damian Partington Jason Culverwell Heather Epple Chris O’Quinn Milo Spence Susie Newbery Abigail Fisher Amelia Anderson Molly Twiselton Jack Bull, Zak Khan Sarah Quinn

Special thanks Illusion Design & Construct (rehearsal flattage & benches), Smudge This Ltd, The Mayor’s Office for Policing & Crime, Fabi Waisbort & West End Osteopathy, Des Jordan, Joan Coleman and Heather Bagley (costume makers) and the National Theatre Workshops; Almeida Theatre, Royal Court Theatre, Young Vic, Old Vic, Lyric Hammersmith, Guildhall School of Music and Drama, and Kirsty Hoyle; Guiseppe Cannas, Michael Roff, Carol Lingwood, Stephanie Arditti, Martin Barron, Marty Moore, Morwenna Johnson, Emma Pile and Ben Austin from the National Theatre for their work on the original transfer; Katrina Gilroy and Robin Hawkes from the National Theatre who took particular responsibility for the original transfer; NT Publishing. Southlands School, Lymington (Angela Nightingale, Naomi Clarke), Spa School (Simon Eccles, Jake McNeill), Tree House School (Julie O’Sullivan, Megan Lloyd), Ambitious About Autism (Carol Detheridge, Cian Binchy, Anna Marshall, Eliza Mishcon), Riverside School (Martin Doyle, Sarah Doyle, Una Bryce, Bridgette Armstrong) Thanks to LEGO for providing the trainset and tracks Thanks also to Gaugemaster Make-up provided by MAC Skincare by Dermalogica Official hotel partner of the National Theatre: Radisson Hotel Original production sponsored by Neptune Investment Management The National Theatre wishes to acknowledge its partner National Angels Limited No animals were harmed in the making of this production. Stage props are substituted during scenes of a physical nature and animals are protected from any loud noise or during moments of flashing and strobe lighting. This is done with a little stage magic and may not be obvious to audience members. The welfare and wellbeing of our animals is paramount and no animals are harmed in this production.

香港藝術節衷心感謝下列機構及人士的慷慨支持： The Hong Kong Arts Festival would like to thank the following for their generous support:

贊助舍計劃會員 Patron’s Club Members 鉑金會員 Platinum Member

嘉里控股有限公司 Kerry Holdings Limited

黃金會員 Gold Member

怡和集團 The Jardine Matheson Group

純銀會員 Silver Members

鷹君集團有限公司 Great Eagle Holdings Limited 太古集團慈善信託基金 The Swire Group Charitable Trust

青銅會員 Bronze Members

上海商業銀行 Shanghai Commercial Bank Limited Vontobel Wealth Management (Hong Kong) Limited

其他支持機構 other Supporters •Adam Mickiewicz Institute •Australia Arts Council •Canada Arts Council

•Pro Helvetia •Spanish Ministry of Culture

實物支持機構 in-kind Supporters •愉景灣渡輪碼頭 Discovery Bay Ferry Pier •帝盛酒店集團 Dorsett Hospitality International •嘉頓有限公司 The Garden Company Limited •鷹君集團有限公司 Great Eagle Holdings Limited •香港國際機場 Hong Kong International Airport

•立信專業顧問 Lap Shun Professional Consultant •M．A．C Cosmetics •奧海城 Olympian City •信和集團 Sino Group •屯門市廣場 TMT Plaza

藝術節捐助計劃 Festival Donation Scheme 鉑金捐款者 PlATinuM DonorS HK$120,000 或以上 AnD ABoVE

純銀捐款者 SilVEr DonorS HK$5,000 - HK$9,999

•無名氏 Anonymous •林護紀念基金有限公司 Lam Woo Foundation Limited •Lincoln & Yu-San Leong •杜振源先生

•無名氏 (2) Anonymous (2) •Mrs Anson Chan •陳建球伉儷 Mr & Mrs E Chan •SHN Cheng •Mr & Mrs Ko Ying •Ms Ka Shi LAU •Mr & Mrs David S L Lin •Mr & Mrs Gilles Martin •Dr & Mrs Joseph Pang •Ms Poon Yee Ling Eligina •孫永輝施熙德伉儷 Edith Shih & Stephen Sun •Enoch Yiu •Ms Isabel Yiu

鑽石捐款者 DiAMonD Donor HK$60,000 - HK$119,999 •無名氏 Anonymous 黃金捐款者 GolD DonorS HK$10,000 - HK$59,999 •無名氏 (6) Anonymous (6) •Mr & Mrs Herbert Au-Yeung •Jeffrey & Helen Chan •陳元鉅夫人 Mrs Sabina Chen •Dr York Y N Chow •Consigliere Limited •Alex & Hanne Fung •Richard & Ruth Herbst •李葉耀珍 Jane Li •林聖竤 Chris Lin •Wing Kay Po •Martin Rogers •Jacqueline Shek 石悅玟 •Mr & Mrs Stephen Suen •孫天珍小姐 Ms Sun Tien Chen •Mr Stephen Tan •Tsang Wing Fun •曹延洲醫生 Dr Tsao Yen Chow •Samuel & Amy Wang •Mr Wong Yick Kam •黃逸思先生夫人 Mr & Mrs YS Wong

青銅捐款者 BronzE DonorS HK$2,500 - HK$4,999 •無名氏 (2) Anonymous (2) •Atkinson Lambert Limited •Mr Cheung Shu Tong Edmund •Bethan and Tim Clark •Dr David Fang •銀河娛樂集團 Galaxy Entertainment Group •Mr & Mrs Jaeger •Ms Khoo Li Lian •Heidi Lee •Miss Ruby Lee •Ms Lim Geck Chin Mavis •Stephen Long •Mr Gary Ma •Mr Christopher Wong & Dr Ivo Chen

學生票捐助計劃 Student Ticket Scheme 鉑金捐款者 PlATinuM DonorS HK$120,000 或以上 AnD ABoVE •無名氏 Anonymous •Burger Collection •馬振玉慈善基金會有限公司 CYMA Charity Fund Ltd •恒生銀行 Hang Seng Bank •芝蘭基金會 Zhilan Foundation 鑽石捐款者 DiAMonD DonorS HK$60,000 - HK$119,999 •Vina Cheng •梁家傑先生夫人 Mr & Mrs Leong Kah-Kit Alan •Mrs Purviz R Shroff and the late Mr Rusy M Shroff, BBS, MBE •Mr & Mrs Stephen Suen •田家炳基金會 Tin Ka Ping Foundation 黃金捐款者 GolD DonorS HK$10,000 - HK$59,999 •無名氏 (4) Anonymous (4) •St. Paul's College Alumni Choir •陳求德醫生 Dr Chan Kow Tak •招國利先生 Mr Chiu Kwok Lee •Dr Chung See Yuen •Consigliere Limited •Mr & Mrs Kenneth H C Fung •馮兆林先生 JP 及夫人 Mr & Mrs Fung Shiu Lam JP •Richard & Ruth Herbst •胡興正醫生慈善基金有限公司 Dr Wayne Hu Charitable Foundation Ltd •Mr & Mrs Stefan & Caroline Kracht •林聖竤 Chris Lin •Mr & Mrs Roger Lui •MAXSMART INV. LTD •Mrs Carol Murray •Mr Stephen Tan •Peter & Nancy Thompson •Mr William To •Tsang Wing Fun •曹延洲醫生 Dr Tsao Yen Chow •Ms Wong Yuen Mee Elsa •黃逸思先生夫人 Mr & Mrs YS Wong 純銀捐款者 SilVEr DonorS HK$5,000 - HK$9,999 •無名氏 (5) Anonymous (5) •Mr Iain Bruce •Winnie Chiu Wing Ngar •Chou's Foundation •Mr & Mrs Norman Chui •Mr & Mrs A R Hamilton •Ms Winnie W Y Ho •King Yuen-Fung Diana •Mr & Mrs Ko Ying •Yvonne Cheng & Kelvin Koo

•羅偉騫先生夫人 Mr Andy Law & Ms Wendy Chan •Lee Lai-Kuen Shelley •Craig Lindsay Family •Lok Yu Kim Ching Memorial Fund •C H Mak •Dr Mak Lai Wo •Karen & Vernon Moore •Ms Poon Yee Ling Eligina •孫永輝施熙德伉儷 Edith Shih & Stephen Sun •Alan and Penny Smith •Anna Stephenson & Alan Leigh •John and Anthea Strickland •Leland & Helen Sun •Dr Henry N C Wong •Mr Wong Yick Kam •Dr Adrian Wu •Mrs Wu Tseng Helen 青銅捐款者 BronzE DonorS HK$2,500 - HK$4,999 •無名氏 (9) Anonymous (9) •Ms Michaela Au •Ms Rebecca Austin •區燊耀先生 Mr Au Son Yiu •Biz Office Limited •Carthy Limited •Diana Tong Chan •Dr Chan Wan Tung •Cynthia Cheng & Aaron Chan •Cheung Kit Fung •Dr Chow Sze Fu Joseph •Cindy Chan Psychological Services •Community Partner Foundation Limited •Easy Living Limited •giliproduction •Susan Hayden •Betty Hung •Isla School of Dance •Dr Alfred Lau •Susan Lim & Neil Roberts •Ms Jackaline McPhie •Mr & Mrs Kenneth Quinn •陶國豪 Frederico Rato •Ms Janice Ritchie •Mr Siddique Salleh •So Ching •So Kin Man •Ms Yim Chui Chu •余德銘先生 Mr Desmond Yu •皮皮

新作捐助計劃 new Works Scheme 鉑金捐款者 PlATinuM DonorS HK$120,000 或以上 AnD ABoVE •Mrs Mona Leong •Permanent Success Limited 鑽石捐款者 DiAMonD Donor HK$60,000 - HK$119,999 •Winfull Group Holdings Limited 黃金捐款者 GolD DonorS HK$10,000 - HK$59,999 •無名氏 (2) Anonymous (2) •Mrs K L Chan •劉仰澤先生 Mr Lau Yeung Chak •林聖竤 Chris Lin •Mrs Diana & Mr Jay Parmanand •孫天珍小姐 Ms Sun Tien Chen

純銀捐款者 SilVEr DonorS HK$5,000 - HK$9,999 •無名氏 (2) Anonymous (2) •Lexandra Chan •Ms Winnie W Y Ho •Lok Yu Kim Ching Memorial Fund •Ms Poon Yee Ling Eligina •孫永輝施熙德伉儷 Edith Shih & Stephen Sun 青銅捐款者 BronzE DonorS HK$2,500 - HK$4,999 •Ms Michaela Au •Ms Chiu Shui Man Tabitha •Contempo Charity Foundation Limited •黃逸思先生夫人 Mr & Mrs YS Wong

支持及協助 Support and Co-operation •Academy of Jazz •Acorn Design •Adsmart Hong Kong Limited •Alfie Leung Design •Alliance Française •AMC Pacific Place •巴塞爾藝術展 Art Basel •樺利廣告有限公司 Avanny Advertising Co Ltd •龍堡國際 B P International •BRICK LANE •英國文化協會 British Council •Broadway Cinema •百老匯院線 Broadway Circuit •Broadway The One •明愛白英奇賓館 Caritas Bianchi Lodge •牛棚藝術村 Cattle Depot Artist Village •CCDC 舞蹈中心 CCDC Dance Centre •周俊輝先生 Mr Chow Chun Fai •周生生集團國際有限公司 Chow Sang Sang Jewellery Co. Ltd •毛妹芭蕾舞學校 Christine Liao School of Ballet •中信國際電訊 ( 信息技術 ) 有限公司 CITIC Telecom International CPC Limited •城市當代舞蹈團 City Contemporary Dance Company •城巿花園酒店 City Garden Hotel •購票通 ( 香港 ) 有限公司 Cityline (Hong Kong) Limited •比利時駐港澳總領事館 Consulate General of Belgium in Hong Kong and Macau •澳洲駐港總領事館 Australian Consulate-General Hong Kong •加拿大駐香港總領事館 Consulate General of Canada in Hong Kong and Macao •愛沙尼亞共和國駐香港名譽領事館 Honorary Consulate of the Republic of Estonia in Hong Kong •法國駐港澳總領事館 Consulate General of France in Hong Kong and Macau •以色列駐港澳總領事館 Consulate General of Israel in Hong Kong & Macau •大韓民國駐香港總領事館 Consulate General of the Republic of Korea in Hong Kong •葡萄牙駐香港領事館 Consulate of Portugal in Hong Kong •波蘭駐香港總領事館 Consulate General of the Republic of Poland in Hong Kong •俄羅斯駐香港總領事館 Consulate General of the Russian Federation in Hong Kong SAR, PRC •南非駐港澳總領事館 Consulte General of the Republic of South Africa, Hong Kong SAR and Macao SAR •西班牙駐港澳總領事館 Consulate General of Spain in Hong Kong and Macao •瑞士駐香港總領事館 Consulate General of Switzerland in Hong Kong •美國駐港澳總領事館 U.S. Consulate General in Hong Kong & Macau •澳門特別行政區政府文化局 Cultural Affairs Bureau of the Macao S.A.R. Government •德勤企業管理咨詢（香港）有限公司 Deloitte Consulting (Hong Kong) Limited •dreamoffish Limited •風采中學 Elegantia College •埃克森美孚香港有限公司 ExxonMobil Hong Kong Limited •粉嶺禮賢會中學 Fanling Rhenish Church Secondary School •藝穗會 Fringe Club •鳳溪廖萬石堂中學 Fung Kai Liu Man Shek Tong Secondary School

•港威酒店 Gateway Hotel •六國酒店 Gloucester Luk Kwok Hong Kong •香港歌德學院 Goethe-Institut Hong Kong •香港君悅酒店 Grand Hyatt Hong Kong •青苗琴行 Greenery Music •港島海逸君綽酒店 Harbour Grand Hong Kong •快達票香港有限公司 HK Ticketing •香港藝術行政人員協會 Hong Kong Arts Administrators Association •香港藝術中心 Hong Kong Arts Centre •香港浸會大學 Hong Kong Baptist University 電影學院 Academy of Film 音樂系 Department of Music 拉闊文化 Cultural Literacy Programme •香港大會堂 Hong Kong City Hall •香港文化中心 Hong Kong Cultural Centre •香港知專設計學院 Hong Kong Design Institute •香港經濟貿易辦事處 Hong Kong Economic and Trade Office •香港黃金海岸酒店 Hong Kong Gold Coast Hotel •香港管弦樂團 Hong Kong Philharmonic Orchestra •香港唱片 Hong Kong Records •香港旅遊發展局 Hong Kong Tourism Board •宜必思香港中上環 ibis Hong Kong Central and Sheung Wan •工銀亞洲 ICBC (Asia) •海景嘉福洲際酒店 InterContinental Grand Stanford Hong Kong •香港洲際酒店 InterContinental Hong Kong •Intox Design & Communication Co. Ltd. •The Italian Cultural Institute in Hong Kong •港島太平洋酒店 Island Pacific Hotel Hong Kong •鍾詠賢芭蕾舞學校 Ivy Chung School of Ballet •王仁曼芭蕾舞學校 Jean M. Wong School of Ballet •JellyBin Limited •Ms Anastassia Katafygiotis •高山劇場 Ko Shan Theatre •九龍木球會 Kowloon Cricket Club •Kubrick •葵青劇院 Kwai Tsing Theatre •光華新聞文化中心 Kwang Hwa Information & Culture Centre •Lanson Place Hotel, Hong Kong •梁震宇先生 Mr Mark Leung •李鏡輝先生 Mr Alpha Li •李慧中博士 Dr Li Wai Chung •立方國際青年公寓 M3 International Youth Apartment •MANA! •馬哥孛羅香港酒店 Marco Polo Hongkong Hotel •Maxibit HK/China •Wavemaker Hong Kong Limited •酩悅軒尼詩帝亞吉歐洋酒香港有限公司 Moët-Hennessy Diageo Hong Kong Limited •MOViEMOViE •北區大會堂 North District Town Hall •One Minden Tapas Kitchen •PALACE ifc •柏斯琴行 Parsons Music Limited •卓滙達有限公司 Patsville Company Ltd •Pause Rewind n FastForward •電訊盈科 PCCW •Pixellent •犇華企業服務有限公司 Primasia Corporate Services Limited •香港太子酒店 Prince Hotel, Hong Kong •Red Square Gallery •麗豪酒店 Regal Riverside Hotel •RFI Asia Limited •帝都酒店 Royal Park Hotel

•香港帝景酒店 Royal View Hotel •Russian Club in Hong Kong •沙田大會堂 Sha Tin Town Hall •信興廚藝中心 Shun Hing Cooking Centre •上環文娛中心 Sheung Wan Civic Centre •岑智頤先生 Mr Henry Shum •信興電器貿易有限公司 Shun Hing Electronic Trading Co., Ltd. •先鋒廣告製作有限公司 Sin Fung Advertising Production Co., Ltd. •Southgate Design •事必達推廣有限公司 Speedy Promotion Limited •Steam Studio •辰衝圖書有限公司 Swindon Book Co. Ltd. •台灣蘇富比國際房地產 Taiwan Sotheby's International Realty •藝林文具印刷有限公司 The Artland Co Ltd •香港中文大學 The Chinese University of Hong Kong 音樂系 Department of Music 和聲書院 Lee Woo Sing College •香港城市大學 The City University of Hong Kong 英文系 Department of English •香港教育大學 The Education University of Hong Kong 文化與創意藝術學系 Department of Cultural and Creative Arts •香港演藝學院 The Hong Kong Academy for Performing Arts 中國戲曲學院 School of Chinese Opera 戲劇學院 School of Drama 音樂學院 School of Music •香港理工大學 The Hong Kong Polytechnic University •香港科技大學 The Hong Kong University of Science and Technology 人文學部 Division of Humanities 藝術中心 Center for the Arts 學生住宿及舍堂生活事務處 Student Housing and Residential Life Office •中環石板街酒店 The Pottinger Hong Kong •皇家太平洋酒店 The Royal Pacific Hotel and Towers •香港大學 The University of Hong Kong 音樂系 Department of Music 通識教育部 General Education Unit 香港大學美術博物館 University Museum and Art Gallery Cultural Management Office 圖書館 Library 香港大學博物館學會 The University of Hong Kong Museum Society 國際事務處 International Affairs Office •譚縉謙先生 Mr Tam Chun-him •通利琴行 Tom Lee Music Company Ltd •中環荷李活道彩鴻酒店 Travelodge Central, Hollywood Road •Trickstation •三角關係 Trinity Theatre •荃灣大會堂 Tsuen Wan Town Hall •UA CINEHUB •城市售票網 URBTIX •香港華美粵海酒店 The Wharney Guang Dong Hotel Hong Kong •進富印刷公司 Wealthy Step Printing Co. •wine etc •香港基督教青年會（港青） YMCA of Hong Kong •青年廣場 Youth Square •赤豚事務所 Zhu Graphizs

贊助人

林鄭月娥女士

PATRON

永遠名譽會長執行委員會主席副主席義務司庫委員

邵逸夫爵士

HONORARY LIFE PRESIDENT EXECUTIVE COMMITTEE Chairman Vice Chairman Honorary Treasurer Members

節目委員會主席委員

財務委員會主席委員發展委員會主席副主席委員

顧問

名譽法律顧問核數師

查懋成先生盧景文教授李錦榮先生鄭維新先生鄭惠貞女士劉鎮漢先生梁靳羽珊女士梁卓偉教授姚潔莉女士楊光先生盧景文教授白諾信先生紀大衛教授羅志力先生毛俊輝先生李義法官約瑟．施力先生 + 譚榮邦先生姚珏女士李錦榮先生鄭惠貞女士梁國輝先生梁靳羽珊女士雍景欣女士鄭阮培恩女士邱詠筠女士龐建貽先生孫林宣雅女士姚祖輝先生楊海燕女士夏佳理先生鮑磊先生李業廣先生梁紹榮夫人李國寶博士孖士打律師行羅兵咸永道會計師事務所

香港藝術節基金會主席霍璽先生管理人陳達文先生梁紹榮夫人陳祖澤博士

地址 : 香港灣仔港灣道 2 號 12 樓 1205 室電話 : 2824 3555 傳真 : 2824 3798, 2824 3722 節目查詢熱線 : 2824 2430 出版：香港藝術節協會有限公司承印：香港嘉昱有限公司本刊內容，未經許可，不得轉載。

PROGRAMME COMMITTEE Chairman Members

FINANCE COMMITTEE Chairman Members

HONORARY SOLICITOR AUDITOR

Mr Victor Cha Prof. Lo King-man, MBE, JP, SBS Mr William Li Mr Edward Cheng, SBS JP Ms Margaret Cheng Mr Anthony Lau Mrs Yu-san Leong Prof. Gabriel Leung, GBS JP Ms Miriam Yao Mr Sunny Yeung Prof. Lo King-man, MBE, JP, SBS Mr Giorgio Biancorosso Prof. David Gwilt, MBE Mr Peter C L Lo Mr Fredric Mao, BBS The Hon Mr Justice Ribeiro Mr Joseph Seelig + Mr Wing-pong Tam, SBS JP Ms Jue Yao, JP Mr William Li Ms Margaret Cheng Mr Nelson Leong

DEVELOPMENT COMMITTEE Chairman Vice Chairman Members

ADVISORS

The Hon Mrs Carrie Lam Cheng Yuet-ngor, GBM GBS Sir Run Run Shaw, CBE (1907-2014)

Mrs Yu-san Leong Ms Jane Yong Mrs Betty Yuen Cheng Ms Winnie Chiu Mr Paulo Kin-yee Pong Mrs Helen Lin Sun Mr Andrew Yao Ms Hoi-yin Yeung The Hon Ronald Arculli, GBM CVO GBS OBE JP Mr Martin Barrow, GBS CBE JP Mr Charles Y K Lee, GBM GBS JP Mrs Mona Leong, SBS BBS MBE JP Dr The Hon David K P Li, GBM GBS JP Mayer Brown JSM PricewaterhouseCoopers

HONG KONG ARTS FESTIVAL TRUST Chairman Mr Angus H Forsyth Trustees Mr Darwin Chen, SBS ISO Mrs Mona Leong, SBS BBS MBE JP Dr John C C Chan, GBS JP

電子郵箱 : afgen@hkaf.org

Address: Room 1205, 12th Floor, 2 Harbour Road,Wanchai, Hong Kong Tel: 2824 3555 Fax: 2824 3798, 2824 3722 Email: afgen@hkaf.org Programme Enquiry Hotline: 2824 2430 Published by: Hong Kong Arts Festival Society Limited Printed by Cheer Shine Enterprise Co., Ltd Reproduction in whole or in part without written permission is strictly prohibited.

職員行政總監節目節目總監副節目總監節目經理

榮譽節目顧問 Honorary Programme Advisor * 合約職員 Contract Staff

STAFF 何嘉坤

Executive Director

節目經理（行政）助理節目經理節目統籌節目行政主任物流及接待經理

梁掌瑋蘇國雲葉健鈴陳韻妍蘇雪凌林淦鈞 * 黃傲軒 * 曹愷怡 * 金學忠 *

•技術製作經理視聽統籌

Programme Programme Director Associate Programme Director Programme Managers

Tisa Ho

Programme Manager (Administration) Assistant Programme Managers Programme Coordinators Programme Administration Officer Logistics Manager

Grace Lang So Kwok-wan Linda Yip Susanna Yu* Vanessa Chan Shirley So Lam Kam-kwan* Jacqueline Li* Joseph Wong* Patricia Lee* Sabrina Cho* Elvis King*

徐子宜 * 許肇麟 *

• Technical Production Manager Audiovisual Coordinator

Tsui Tsz-yee* Boolu Hui*

•出版高級編輯編輯助理編輯

黃迪明 * 林尚諾 * 鍾佩妝 *

• Publications Senior Editor Editor Assistant Editors

Timothy Wong* Sherlock Lam* Eunice Chung*

•外展高級外展經理助理外展經理外展統籌外展主任藝術行政見習員外展助理

李冠輝張鼎丞 * 林嘉敏 * 譚曉峯 * 李萬祺 * 李玨熙 *

• Outreach Senior Outreach Manager Assistant Outreach Managers Outreach Coordinator Outreach Officer Arts Administrator Trainee Outreach Assistant

Kenneth Lee Bell Cheung* Carman Lam* Mitch Tam* Kelvin Li* Michael Lee*

市場推廣市場總監副市場總監市場經理副市場經理助理市場經理數碼營銷專員市場主任市場經理（票務）票務主任客戶服務主任

鄭尚榮胡銘堯周怡楊璞* 吳嘉沛 * 陳閏霖 * 莫文軒 * 梁彩雲李彤* 鄭佩欣 *

MARKETING Marketing Director Associate Marketing Director Marketing Managers Deputy Marketing Manager Assistant Marketing Manager Digital Marketing Specialist Marketing Officer Marketing Manager (Ticketing) Ticketing Officer Customer Service Officers

Katy Cheng Dennis Wu Alexia Chow Michelle Yeung* Tiffany Ng* Ben Chan* Tony Mok* Eppie Leung Lee Tung* Bonnie Cheng*

DEVELOPMENT Development Director Development Manager Deputy Development Manager Assistant Development Managers Arts Administrator Trainee Development Officer

Flora Yu Chingmi Chow* Anna Cheung* Lorna Tam Esther Mok* Mandie Choy*

余瑞婷 * 李詠芝 * 李芷銦 *

林惠賢 *

鄧冠恒 *

張嘉麟 *

李俊偉 *

發展發展總監發展經理副發展經理助理發展經理藝術行政見習員發展主任

余潔儀周美清 * 張慧芝 * 譚樂瑤莫穎哲 * 蔡杏村 *

會計會計部主管助理會計經理會計主任

鄺敬婷林英光 * 蘇永恆 *

ACCOUNTS Head of Accounts Department Assistant Accounting Manager Accounting Officer

Teresa Kwong Sunny Lam* Peter So*

人力資源及行政人力資源及行政經理人力資源及行政主任行政秘書接待員／初級秘書助理

馮紹昌簡凱彤 * 謝凱婷李美娟黃國愛

HR & ADMINISTRATION HR & Administration Manager HR & Administration Officer Executive Secretary Receptionist/Junior Secretary General Assistant

Calvin Fung Vivian Kan* Heidi Tse Virginia Li Bonia Wong

蘇寶蓮 *

Grace Lam*

Joe Tang*

Louis Cheung*

Michael Lie Ken Jie*

Conny Souw*

技術統籌 * Technical Coordinators* 歐慧瑜 Rachel Au、陳焯華 Billy Chan、陳寶愉 Bobo Chan、陳佩儀 Claudia Chan、陳詠杰 Chan Wing-kit、陳家彤 Doris Chen、鄺嘉欣 Karen Kwong、黎智勇 Martin Lai、林環 Nancy Lam、羅瑞麟 Lo Shui-lun、曾家慧 Joanne Tsang、黃靜文 Ivy Wong 藝術家統籌 * Artist Coordinators*

鄭瑋菁 Virginia Cheng、馮顯峰 Fung Hin-fung、張素真 Susan Hayden、何嘉露 Carrol Ho、彭慧雯 Jan Pang、黃婉媚 Becky Wong、游慧姿 Janet Yau

節目時間表 Programme Calendar 歌劇戲 /曲 OPERA / CHINESE OPERA

中國國家京劇院主演：于魁智、李勝素 -《鳳還巢》 -《牛皋下書 ‧ 挑滑車》、《打漁殺家》 -《帝女花》 -《紅鬃烈馬》

China National Peking Opera Company Featuring: Yu Kuizhi, Li Shengsu - The Phoenix Returns to Its Nest - Breaking the Siege/Lifting the Chariots and The Fisherman's Revenge - Princess Changping - Rekindling a Life-Long Romance

賽馬會本地菁英創作系列：粵劇《百花亭贈劍》毛俊輝導演作品改編及導演：毛俊輝

Jockey Club Local Creative Talents Series: Cantonese Opera - Pavilion of a Hundred Flowers Adaptation and Director: Fredric Mao

粵劇《霸王別姬》藝術總監：尤聲普

Cantonese Opera - Farewell My Concubine Artistic Director: Yau Sing-po

CHCH

27/2 28/2

7:30pm 7:30pm

CCGT

2/3 3/3

7:30pm 7:30pm

APAL

2-4/3

8pm

CHCH

9-11/3

7:30pm

CCGT

15, 17/3

7:30pm

Maxim Rysanov and Hong Kong Sinfonietta Music Director and Conductor: Yip Wing-sie

CHCH

25/2

8pm

巴．羅克樂團《聲音之旅》藝術領導及小提琴獨奏：德米特里．辛柯夫斯基

B’Rock Orchestra - Sounding Stories Artistic leader and Solo Violin: Dmitry Sinkovsky

CHCH

1/3

8pm

潘尼迪爾鋼琴獨奏會

Jean-Claude Pennetier Piano Recital

CHCH

2/3

8pm

香港中樂團《劉邦．項羽．兵馬俑》指揮：閻惠昌

Hong Kong Chinese Orchestra Liu Bang, Xiang Yu and the Terra Cotta Warriors Conductor: Yan Huichang

CCCH

3/3

8pm

愛沙尼亞之聲指揮：約翰 - 艾克．杜爾夫

Vox Clamantis Conductor: Jaan-Eik Tulve

CHCH

3/3

8pm

愛沙尼亞之聲與潘尼迪爾

Vox Clamantis and Jean-Claude Pennetier

CHCH

4/3

4pm

鋼琴三重奏 - 潘尼迪爾．巴斯基耶．皮杜鋼琴：潘尼迪爾小提琴：巴斯基耶大提琴：皮杜

Trio Pennetier Pasquier Pidoux Piano: Jean-Claude Pennetier Violin: Regis Pasquier Cello: Roland Pidoux

CHCH

5/3

8pm

俄羅斯史維特蘭諾夫國家交響樂團指揮：克利斯蒂安．約菲

State Academic Symphony Orchestra of Russia "Evgeny Svetlanov" Conductor: Kristjan Järvi

CCCH

8-10/3

8pm

威爾斯國家歌劇院．親子音樂會

O is for OPERA! Family Concert by Welsh National Opera

CCCH

16/3

8pm

CHCH

16/3

8pm

Beyond Impressionism - Piano Concert and Film Screening 《跨越意象》鋼琴音樂會及電影放映 CHCH 鋼琴：張郁苓、黃蔚然、黃蔚園、娉婷鋼琴二重奏 Piano: Evelyn Chang, Wong Wai-yin, Wong Wai-yuen, Duo Ping & Ting

17/3

6pm

威爾斯國家歌劇院 - 德布西《佩利亞斯與梅麗桑德》 Welsh National Opera - Debussy’s Pelléas et Mélisande Conductor: Lothar Koenigs 指揮：洛德．古尼斯

音樂

MUSIC

《最愛中提琴》：賴沙諾夫與香港小交響樂團音樂總監及指揮：葉詠詩

西班牙之風古樂團《重拾失落在美洲的西班牙瑰寶》指揮及古鍵琴：愛德華度．盧比斯．班素

Al Ayre Español - Spanish Treasures in the Americas Conductor and Harpsichord: Eduardo López Banzo

爵士樂世 / 界音樂 Jazz / WorlD MUSIC

丹麥國家交響樂團指揮：法比奧．雷西

Danish National Symphony Orchestra Conductor: Fabio Luisi

CCCH

20/3

8pm

瑞士韋爾比亞音樂節室樂團指揮：加博爾．塔卡奇 - 納吉鋼琴：張緯晴大提琴：戈蒂埃．卡普森

Verbier Festival Chamber Orchestra Conductor: Gábor Takács-Nagy Piano: Rachel Cheung Cello: Gautier Capuçon

CHCH

23/3

8pm

愛沙尼亞國家交響樂團及愛沙尼亞國家男聲合唱團指揮：萊夫．薩格士譚

Estonian National Symphony Orchestra and Estonian National Male Choir Conductor: Leif Segerstam

CCCH CHCH

24/3 25/3

8pm 5pm

傑思．博迪

Chris Botti

CCCH

23-24/2

8pm

爵士新潮 - 霍圖納與辛波絲卡《詩樂對話》 - Vila Navio 三重奏 - 霍圖納爵士四重奏

Nouveau Jazz Weekend - Fortuna Plays Szymborska - Vila Navio - Maciej Fortuna Special Quartet

HKAC-ST 3-4/3 3/3 4/3

3pm 9pm 8pm

世界音樂週末營 - 安娜．瑪麗亞．悠珮克及 Kroke 三重奏 - Songhee 韓國清唱研究所 - 白雲

World Music Weekend - Anna Maria Jopek and Kroke - Songhee Pansori LAB - Namgar

APAA

17-18/3 18/3 18/3

8pm 3pm 5pm

瑟西兒．麥克羅恩．莎芳與艾倫．迪爾三重奏

Cécile McLorin Salvant and the Aaron Diehl Trio

CCCH

21-22/3

8pm

CCGT CCCH CCST

香港文化中心大劇院 Grand Theatre, HK Cultural Centre 香港文化中心音樂廳 Concert Hall, HK Cultural Centre 香港文化中心劇場 Studio Theatre, HK Cultural Centre

CHCH CHTH APAL

香港大會堂音樂廳 Concert Hall, HK City Hall 香港大會堂劇院 Theatre, HK City Hall 香港演藝學院歌劇院 Lyric Theatre, HKAPA

Ballett Zürich - Anna Karenina Choreographer: Christian Spuck

CCGT

23-24/2 24-25/2

7:30pm 2:30pm

亞太舞蹈平台（第十屆）

Asia Pacific Dance Platform X

- 松根充和《舞得入境》

- Michikazu Matsune: Dance, if you want to enter my country! FC-FU

- 馬丁．赫辛《身身相印》 - 奧菲爾．約迪拉維治《萬有引力》及尼克．鮑華《蚊型城市間》

- Martin Hansen: if it’s all in my veins - Ofir Yudilevitch: Gravitas and Nick Power: Between Tiny Cities

23/2 24/2 13-14/3 16/3 17/3

8pm 3pm 8pm 8pm 3pm

香港賽馬會當代舞蹈平台

The Hong Kong Jockey Club Contemporary Dance Series

-《舞．聲》編舞：陳穎業、梁儉豐、盤彥燊聲音藝術家：彼得．萊納

- The Battle Zone | Vortex Choreographers: Yip Chan, Kenny Leung, Wayson Poon Sound Artist: Peter Lenaerts

24/2 25/2

8:15pm 3pm

-《兩地書》編舞：李超、白濰銘、潘振濠、謝欣、楊暢、楊浩、姚潔琪、張翼翔

CCST - Dance Exchange Choreographers: Li Chao, Ming Pak, Poon Chun-ho, Xie Xin, Yang Chang, Yang Hao, Judy Yiu, Zhang Yixiang

3/3 4/3

8:15pm 3pm

-《舞鬥》編舞：程偉彬、柯志輝、廖月敏、呂沅蔚、馬師雅、黃翠絲、張喜龍

- Dance Off Choreographers: Rex Cheng, Felix Ke, Sudhee Liao, Evains Lui, Alice Ma, Tracy Wong, Solong Zhang

KTT-BBT

22-25/3 24-25/3

8pm 3pm

薩卡洛娃及列賓《足尖情弦》舞者：斯文蘭娜．薩卡洛娃小提琴 : 瓦汀．列賓

Svetlana Zakharova and Vadim Repin Pas de deux for Toes and Fingers Dancer: Svetlana Zakharova Violin: Vadim Repin

CCGT

27-28/2

7:30pm

PPS 舞團《反斗校園》藝術總監及編舞：皮埃 - 保羅．薩瓦

PPS Danse - Playing Hooky Artistic Director and Choreographer: Pierre-Paul Savoie

SWCC-TH 3-4/3 4/3

KTT-BBT KTT-BBT

CCST

8pm 3pm

TheaTre

戲劇

佛蘭明高大師加凡

Israel Galván - FLA.CO.MEN

CCGT

5-6/3

7:30pm

勅使川原三郎 | 渡烏舞團《崔斯坦與伊索德》

Saburo Teshigawara | KARAS - Tristan and Isolde

CHTH

8-11/3

8pm

美國芭蕾舞劇院《芭蕾小忌廉》編舞：阿列克塞．羅曼斯基藝術總監：凱文．麥肯齊

American Ballet Theatre - Whipped Cream Choreographer: Alexei Ratmansky Artistic Director: Kevin McKenzie

CCGT

22-25/3 25/3

7:30pm 2:30pm

南非開普敦港口劇團《非洲少年流浪記》改編自莊尼．斯坦貝格小說導演：馬克．當福 - 梅

Isango Ensemble - A Man of Good Hope Based on the book by Jonny Steinberg Director: Mark Dornford-May

APAL

23-24/2 24-25/2

7:30pm 2:30pm

APA-DT

24/2 25/2

7pm 2:30pm

The Great Learning Playwright and Director: Tang Chi-kin

CHTH

24-25, 28/2, 8pm 1-3/3 3pm 25/2, 4/3

National Theatre of Great Britain The Curious Incident of the Dog in the Night-Time Original: Mark Haddon Adaptation: Simon Stephens Director: Marianne Elliott

APAL

8-11, 13-18/3 10-11, 17-18/3

7:30pm

Les 7 Doigts de la Main and Theatre Republique Bosch Dreams Idea and Concept: Samuel Tétreault, Martin Tulinius, Ange Potier

CCGT

9-10/3 11/3

7:30pm 2:30pm

Claude Régy - Dream and Derangement Director: Claude Régy

CCST

9-10/3 10-11/3

8:15pm 4:30pm

奧克拉荷馬自然劇團及 EnKnap 舞團《美國獨立宣言之幸福大作戰》編劇及導演：柏維爾．利斯卡、嘉莉．古柏

Nature Theater of Oklahoma & EnKnapGroup Pursuit of Happiness Playwright and Director: Pavol Liska, Kelly Copper

CHTH

14-16/3

8pm

《中庸之幸福學堂》編劇及導演：鄧智堅

Doctrine of Happiness Playwright and Director: Tang Chi-kin

CCST

16-17, 22-24/3 18, 24-25/3

8:15pm

倫敦巡迴劇團及愛丁堡皇家蘭心劇院《祈願女之歌》編劇：埃斯庫羅斯新版本：大衛．葛利格導演：拉文．格雷

Actors Touring Company and Royal Lyceum Theatre Edinburgh - The Suppliant Women Original: Aeschylus Adaptation: David Greig Director: Ramin Gray

CHTH

22-24/3 24-25/3

8pm 3pm

俄羅斯國家劇院《俄羅斯平民風景》（舒克辛小品） Theatre of Nations (Russia) - Shukshin's Stories Director: Alvis Hermanis 導演：艾維斯．赫曼尼斯《大學之烈火青春》編劇及導演：鄧智堅英國國家劇院《深夜小狗神秘習題》原著：馬克．海登改編：西門．史提芬斯導演：瑪麗安．艾莉特七指雜技團及哥本哈根共和國劇團《博希的奇幻旅程》概念：薩穆爾．特塞雷、馬丁．迪尼路斯、安殊．博田克勞德．雷吉《夢與狂妄》導演：克勞德．雷吉

APAA APADT HKAC

香港演藝學院香港賽馬會演藝劇院 The Hong Kong Jockey Club Amphitheatre, HKAPA 香港演藝學院戲劇院 Drama Theatre, HKAPA 香港藝術中心壽臣劇院 Shouson Theatre, Hong Kong Arts Centre

2:30pm

3pm

FC-FU 藝穗會樓上劇場 Fringe Upstairs, Fringe Club SWCC-T 上環文娛中心劇院 Theatre, Sheung Wan Civic Centre KTT-BBT 葵青劇院黑盒劇場 Black Box Theatre, Kwai Tsing Theatre

資料截至 Information as of: Oct 2017

DaNCe

舞蹈

蘇黎世芭蕾舞團《安娜．卡列妮娜》編舞：克里斯蒂安．施普克

MORE THAN GREAT PERFORMANCES!

演出以外，更多精采！

FAMILY FUN DAY 家庭同樂日

EDUCATION PROJECT 教育項目

BACKSTAGE TOUR 後台參觀

PRE-PERFORMANCE TALK 演前講座 WORKSHOP 工作坊

ARTIST SALON 藝術家沙龍

POST-PERFORMANCE MEET-THE-ARTIST 演後藝人談 MASTERCLASS 大師班

And many more...

及更多精采活動……

hk.artsfestivalplus.org

藝術節加料節目 Festival 節目詳情及網上報名 For more details and online registration: www.hk.artsfestivalplus.org 特備節目 SpecialS 舞蹈 DaNce 音樂

17/3/2018 23/2-25/3/18 24-25/3/2018

聲．色愛沙尼亞 Sound and Colour from Estonia 香港藝術節傑出文化領袖講座系列（五）威爾斯國家歌劇院藝術總監大衛·普尼 HKAF Distinguished Cultural Leader Series (V) In Conversation with David Pountney, Artistic Director of Welsh National Opera 歌劇探秘同樂日 Opera Adventure Day 《十二面體 - 精粹 132》- 馬克 ‧ 雷登作品 Dodecahedron - Quintessence 132 by Mark Ryden 美國芭蕾舞劇院全接觸 ABT Recipe

24, 25/2/2018 24/2/2018 5/3/2018 5/3/2018 24, 25/3/2018 24, 25/3/2018 24/3/2018 24/3/2018 25/3/2018 24,25/3/2018 25/3/2018

後台參觀 - 走進托爾斯泰的芭蕾世界 Backstage Tour: Tolstoy’s Ballet World 《安娜．卡列尼娜》演前講座 Pre-Performance Talk: Anna Karenina PPS 舞團《反斗校園》駐節藝術家計劃展演 Artist-in-Residence Project: PPS Danse Showcase 佛蘭明高魅力俱樂部 Flamenco Club Off-stage 美國芭蕾舞劇院彩排參觀 Observing ABT Company Class 《芭蕾小忌廉》兒童工作坊 ABT Kids - Whipped Cream Children Workshop 美國芭蕾舞劇院大師班（中級程度）ABT Masterclass (Intermediate level) 樂韻芭蕾藝術教育音樂會 From Music to Ballet Education Concert 美國芭蕾舞劇院大師班（高級程度）ABT Masterclass (Advance level) 後台參觀：雷登的超現實甜美國度 Backstage Tour: A Pop Surrealist's Delirium 《芭蕾小忌廉》演前講座 Pre-Performance Talk: Whipped Cream

2,5/3/2018 15/3/2018

MUSic

2/2/2018 2, 5/3/2018 3/3/2018 5/3/2018 7/3/2018 8/3/2018 9/3/2018 10/3/2018 18/3/2018 19/3/2018 19/3/2018 20/3/2018 21/3/2018 24/3/2018

歌劇／戲曲 OpeRa 戲劇 THeaTRe 電影

4/2/2018 26/2/2018 15-17/3/2018 15, 17/3/2018 16, 17/3/2018 16, 17/3/2018 17/3/2018 17/3/2018 17/3/2018 25/2/2018 10, 11/3/2018 10/3/2018 11/3/2018

FilM

24/1, 10/3/2018 27/1, 3/2/2018 8/2/2018 10/3/2018 22-25/3/2018

加料講座及演出：拉赫曼尼諾夫的樂與畫 PLUS Artist Talk & Performance: Rachmaninov: Music and Art 李希特及帕特：愛沙尼亞之聲展覽音樂會 Richter Meets Pärt: Vox Clamantis - Concert at an Exhibition 潘尼迪爾雙鋼琴大師班 Jean-Claude Pennetier Piano Duo Masterclass 葛利果聖歌合唱工作坊 Gregorian Chant Workshop 香港演藝學院音樂學院座談會系列：國際指揮家之路 HKAPA School of Music Assembly Series: A Conductor's Journey 演前講座：與俄羅斯樂團巡演經驗談 Pre-Performance Talk: Touring with Russian Orchestras 演前講座：俄羅斯史維特蘭諾夫國家交響樂團 Pre-Performance Talk : State Academic Symphony Orchestra of Russia "Evgeny Svetlanov" 演前講座：拉赫曼尼諾夫之鋼琴音樂 Pre-Performance Talk: Rachmaninov's Piano Music 演前講座：韓國清唱與蒙古民謠 Pre-Performance Talk: Pansori & Mongolian Songs 李飈敲擊樂大師班 Percussion Masterclass with Li Biao 聲樂大師班及藝術家沙龍：法比奧．雷西 Vocal Masterclass and Artist Salon: Fabio Luisi 演前講座：作曲家尼爾森與丹麥 Pre-Performance Talk: Carl Nielsen and the Danes (DNSO) 演前講座：爵士女伶 Pre-Performance Talk: Matriarchs of Jazz 演前講座：與米克．烏列奧同唱 Pre-Performance Talk: Let's sing along with Mikk Üleoja 賽馬會本地菁英創作系列：《百花亭贈劍》公開彩排 Jockey Club Local Creative Talent Series: Pavilion of a Hundred Flowers Open Rehearsal 藝術家沙龍 : 京劇與梅派 Artist Salon: Peking Opera and the School of Mui 魔法蝴蝶虛擬實境 Magic Butterfly VR Experience 《佩利亞斯與梅麗桑德》演前講座 Pre-Performance Talk: Pelléas et Mélisande 《卡門》歌劇兒童入門工作坊 Whistle Stop Tour of Carmen Opera Workshop 兒童敲擊樂 Percussion Workshops for Kids 道具及戲服展覽 Props and Costumes Display 歌劇探秘加料演出 LIVE@Opera Adventure 後台參觀：德布西的迷霧秘境 Backstage Tour: Enter the World of Allemonde 舞蹈工作坊：玩轉南非舞蹈大熱身 Dance Workshop: Dance in the Isizhosa Tradition 後台參觀：《博希的奇幻旅程》Backstage Tour: The Fantastic World of Hieronymus Bosch 雜技樂園 Circus Funtasia 藝術家沙龍及紀錄片放映 : 法國戲劇大師雷吉的心路歷程 Artist Salon and Documentary Screening: The Art & Vision of Claude Régy 《葛哈．李希特 – 作畫》Gerhard Richter – Painting 《Bosch：地獄圖繪》Hieronymus Bosch: Touched by the Devil 《卡雅利沙的卡門》Isango Ensemble U-Carmen eKhayelitsha 《博希的奇幻世界》The Curious World of Hieronymus Bosch 《美國芭蕾舞劇院歷史回顧》電影放映 Documentary screening: American Ballet Theatre: A History